Portfolio 2015-2017

Page 1

YUQIAN LU



1 PROFESSIONAL WORKS 2016-2017


I N T E R N

W O R K

CORPORATE OFFICE IN T E R N W OR K Perkins + Will Status: Completed Area: 66,000 RSF Year: 2016 - 2017

• Friendly • Less Staged • Less Corporate


PROGR AMMING

1 Visioning Session

2

3

4

5

Support Space Programming

Office Space Interviews

Existing Data Collection

Employee Survey

WPS Programming + Strategy

HOSPITALITY | Align client’s em-

CONNECTEDNESS | Connect

PROCESS | Optimize the work

ployee and visitor experience to its

people to each other, as well as

experience in support of changing

brand

connect people to information

processes

- Design a reception space that

- Embody the brand’s energy

invites clients + branding moment

and openness in the look and

- Create an ample pre-function space - Create a café environment for

feel of the space - Create ‘neutral space’ for peo-

- Reduce current filing per attorney - Create single size offices for maximum flexibility of office allo-

ple to cross-pollinate and share

cation for Partners and Associates

employees and possibly clients pro-

information by providing small

as practices change

viding a variety of places to gather

seating areas

- Design flexible case/work rooms.


floor plans D

CG-01

CG-01

CG-01

CG-01 CG-01 CG-01 2' - 9"

CG-01 CG-01 DU-01A

MEN'S TOILET 3' - 0"

LF-02

LF-02

LF-02

LF-02

WOMEN'S TOILET

LF-02

LF-02

LF-01

LF-01

3' - 2"

2' - 9"

STAIR B

TELECOMM. CLOSET

CG-01 CG-01

1 A-007.02

LF-02

CG-01

LF-02

CG-01

CG-01 CG-01

LF-02

WOMEN'S TOILET

2' - 9"

LF-02 3' - 0"

LF-02

C

CG-01

ELEVATOR MACHINE ROOM

CG-01

MEN'S TOILET

3' - 8"

3' - 9"

2' - 9"

CG-01 CG-01

CC-02 CG-01 CG-01

CC-02

CC-02

CC-02

CC-02

?

CC-02

CC-02

CC-02

CC-02

3' - 0"

CC-02

CG-01

LF-02 DU-02

21' - 4"

LF-02

3' - 0"

CL-06

LF-02

1' - 3"

STAIR C

CG-01

DU-01A

3' - 0"

8' - 0"

STAIR C

MECHANICAL ROOM

8' - 8"

5' - 11"

4' - 1"

DU-02

TS-03

ELECTRICAL CLOSET

LF-02 CG-01

CSF-02

11' - 8"

LF-02

2' - 8"

CG-01

B

16' - 11"

DU-01A

CG-01

12' - 10"

CG-01 CG-01

5' - 3"

FEC

CG-01 CG-01

MECHANICAL ROOM

3' - 1" CG-01 CG-01

2' - 10"

CG-01 CG-01

2' - 8"

CG-01 CG-01

DU-01A

3' - 0"

DU-01A

LF-02

LF-02 LF-02 LF-02 LF-01

LF-02

LF-02

LF-02

LF-02

LF-02

2' - 8"

DU-01A

3' - 0" CG-01 CG-01

DU-01A

23rd Floor

23RD FLOOR FURNITURE PLAN 1/8" = 1'-0"

3' - 3"

3' - 3"

3' - 3"

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

CG-01

temp\Arch_NixonPeabody-NYO_v2016_Yuqian.Lu@perkinswill.com.rvt

CG-01 CG-01

3' - 3"

3' - 0"

3' - 3"

DU-01A

23rd Floor

A

1 24TH FLOOR FURNITURE PLAN 1/8" = 1'-0"


PERKINS & WILL ARCHITECTS PC 215 Park Avenue South 4th Floor New York, NY 10003 t 212.251.7000 f 212.251.7111 www.perkinswill.com

CONSULTANTS STRUCTURAL

DESIMONE CONSULTING ENGINEERS 140 BROADWAY, 25TH FLOOR, NEW YORK, NY 10005 MEP

D

WB ENGINEERS + CONSULTANTS 110 WILLIAM ST. NEW YORK, NY 10038 AUDIOVISUAL

CMS AUDIOVISUAL EIGHT FLETCHER PLANE MELVIWE, NY 11747 LIGHTING

3' - 2"

3' - 2"

3' - 2"

3' - 2"

3' - 2"

3' - 2"

HDLC ARCHITECTURAL LIGHTING 10 EAST 38TH STREE, 5TH FLOOR NEW YORK, NY 10016 VOICE & DATA COMMUNICATIONS

WB ENGINEERS + CONSULTANTS

2' - 10"

155 SEAPOR BLVD. BOSTON, MA 02210

3' - 1"

SECURITY

WB ENGINEERS + CONSULTANTS 155 SEAPOR BLVD. BOSTON, MA 02210 ACOUSTICAL

CERAMI

STAIR B

3' - 1"

GAS EX.

DW F.O. RISERS

FUME. EX.

PART. EX.

SW EMR EX

3 A-007.02

ELEC. CONDUITS

SP

FUME. EX.

2' - 10"

404 FIFTH AVENUE, 8TH FLOOR NEW YORK, NY 10018

GAS PART. EX.

WOMEN'S TOILET 2' - 10"

2' - 9"

TX

C

8' - 0"

STAIR B

3' - 8"

5' - 8"

5' - 1" TELECOMM. CLOSET

PROGRESS SET FOR REVIEW ONLY THESE DOCUMENTS ARE FOR DESIGN REVIEW AND NOT INTENDED FOR CONSTRUCTION, BIDDING, OR PERMIT PURPOSES. THEY WERE PREPARED BY OR UNDER SUPERVISION OF: <<LICENSE HOLDER NAME>> LICENSE NO: <<LICENSE #>>

MEN'S TOILET

4' - 3"

TELECOMM. CLOSET OSA

1' - 9"

PROJECT

DN

2"

NIXON PEABODY

24th Floor

55 WEST 46TH STREET NEW YORK, NY, 10036 3' - 1"

KEYPLAN STAIR C

1' - 6"

ELECTRICAL CLOSET

20X35 CARTS

MECHANICAL ROOM

STAFF LOCKERS

3' - 0"

3' - 1"

B

ISSUE CHART

3' - 0"

3' - 1" GBC

COLOR

6' - 6"

BW

TABS

STORAGE

TUFF

CB

3' - 0"

TABS

3' - 0"

COLOR

3' - 2"

3' - 2"

3' - 2"

3' - 2"

3' - 2"

3' - 1"

3' - 2"

2' - 6"

ELECTRICAL CLOSET

25th Floor

24th Floor MARK

ISSUE

Job Number A

Drawn

DATE

035671.100 Author

Checked

Checker

Approved

Approver

TITLE

1

25TH FURNITURE PLAN 1/8" = 1'-0"

24TH FLOOR FURNITURE PLAN


I N T E R N

W O R K

Simple and elegant recessed curved lighitng

Fabric wrapped panels on the TV wall, more sustainable and friendly treatment

Nucraft conference table, simple and functional

Bright color carpet brings energy and matches client’s branding color.


Movable glass partitions generate a flexible space

Expanded metal mesh wall


I N T E R N

W O R K

PALM DRIVE OFFICE IN T E R N W OR K Megan Grehl Interior Status: Completed Area: 2400 SF Year: 2015 - 2016

• • • •

Glass Boxes Industrial Eclectic Vivacious

UP

Floor Plan


PROGR AMMING

Client + Site Survey

Programming

Feel/ Look Options

VIVACIOUS | Develop a welcoming

COLLABORATION | Create a col-

and energetic environment facili-

laborative environment encour-

tating satisfaction and creativity

aging interact and exchange ideas

- Design a reception space that invites clients + branding moment

Design Proposal

Material Palette Options

Client Feedback

- Create a bar / cafe area environment for co-workers

- Bring energy and openness in the look and feel of the space - Create eclectric and industrial

- Provide casual meeting and gath-

look for people from multidisci-

ering spaces for co-workers and

plinary and share information in

clients

casual seating area.


I N T E R N

W O R K


Modeling: Revit Rendering: Revit, Photoshop Construction Drawings: CAD



2 STUDENT WORKS 2013-2016


SLOW W W RETAIL T HE SIS D E SIGN


Empathy, Interactive, Hybrid Our wor ld is moving at a breakneck speed. Our goal seems to be working fast and living efficiently in order to save time to do more things. If this is the right way to live, why do we still feel lots of stress, anxiety and depression from ever yday work? Mahatma Gandhi said “There is more to life than increasing its speed.” My thesis is Slow Retail, an enriched and balanced life experience, p romotes b rand loyalt y, empathy, and self- recognition. She r r y Turkle also says “Without solitude, no empathy.” I believe slowing our pace to learn about ourselves is a ver y good way to enable us to develop empathy, to reach out to others and feel comfortable in our relationships. Shopping is necessar y and pleasurable but is usually exhausting and stressful. “Slow Retail” can help developing a comfor table rhythm where instead of counting the hours and munities, we savor them.


S L O W

R E T A I L

STREET

PLAZA

BOOKSTORE

THERE IS MORE TO LIFE THAN INCREASING

ITS SPEED.

SLOW RETAIL mins

 

RETAILS 10 mins

3rd floor SLOW SHOPPING 15 mins

INTERACTION

cellar & 1st floor

5 mins

5 mins

Slow Retail poster design: A hybrid retail

1 mins

store to explore, to meet, to share, to relax, to read, to shop, to eat, and to savor

FOOD COURT 5 mins

15 mins

your time.


1. visionning

E - co m m e rce vs. Reta i l Sto re

2. analysis

- E-commerce is increasing, retail needs to be creative - Hybrid experince with shopping, eating, reading and etc.

- Soho Demographic info + Retail selling statistics - Customer surveys - Site location, condition

3. design - Linear circulation - Changing levels - Unique moments - Opened ground floor Occupational Employment in Soho Occupational OccupationalEmployment EmploymentininSoho Soho

Education Level in Soho

Education EducationLevel LevelininSoho Soho

statistical analysis 32.1% 32.1% 32.1%

Bachelors Bachelors BachelorsDegree Degree Degree Graduate GraduateDegree Degree Degree Graduate

40.3% 40.3%40.3% 67.9% 67.9% 67.9%

White WhiteCollar Collar White Collar Blue BlueCollar Collar

Some SomeCollege College Some College No NoHigh HighSchool School

33.5% 33.5% 33.5%

No High School

Some SomeHigh HighSchool School Some High School Associate AssociateDegree Degree

Blue Collar

The demographic datas in Soho area represent that the high average education level and major white collar occupational employment.

Associate Degree

Due to the high shopping demands on clothing and activities in Soho, the concept of hybrid Consumer Consumerspending spendingininSoho Soho

Consumer spending in Soho Below Average Below Average

Clothing Clothing Education Education

Clothing

Entertainment Entertainment

Education Food Food

Entertainment Health HealthCare Care Household Food HouseholdFurnishings Furnishings

Health Care Household Furnishings

Below Average

retail store would be a good fit into Soho and 100 100 (national average) (national average)

Above Average Above Average

100 (national average)

Above Average

168 168 207 207

168

165 165 156 156 152 152

207 165

171 171156

152 171

facilitate Soho to be a more enjoyable and dynamic shopping journey.

customers in soho “ L ifes t y l es of T h e Ri ch a nd F a m o us, ba by.”

“T h e re’s n eve r a bo r i n g m o m ent i n So h o beca use th e re a re m a ny o p t i o n s.”

“ So h o i s s t i l l my favo r ite p l ace to d eco m p res s (a n d wo r k i n).”


S L O W

R E T A I L

analysis

Bring the downsh

SLOW DOWN, Stre mixed programs t

The g round floo r of Scholastic bui ldi ng has t wo entr ies connecti ng B roadway, the mai n street i n soho w ith heav y and busy t raf f ic, Bring the downshifting life into retail store.

and Me rce r street, a quiet, na r row and histo r ical stone paved st reet.

Traditional

.erots liater otni efil gnitfihTRADITIONAL snwod eht gCIRCULATION nirB

+

RELAX DOWN

dna ,yenruoj gnippohs eht hctertS ,NWOD WOLS .stnemom gnippohs wols yojne ot smargorp dexim

Slow retail

LIATER WOLS

=

YTILAUQ HGIH ,DEXALER ECNEIREPXE GNIPPOHS GNITFIHSNWOD

+

NOITALUCRIC LA


1

2

4 1. 2. 3. 4.

P ro p o s e d ci rcu l at i o n O p e n e d g ro u n d l eve l p at hwa y Se ct i o n a l p ro g ra m p ro p o s a l Se ct i o n a l f l o o r p ro g ra m co n ce pt

Floor areas are in different levels in order to creating a dynamic interior circulation pathway, emphasizing the concept of slowing our pace. Depending on various programs, each space has different floor and ceiling areas, which blurs the boundaries of indoor and out3

door.


S L O W

R E T A I L

STAIRCASE The central circulation glass box and gaps between floor area bring natural light from the existing light well into the entire store. The main staircases is provided inside of the central box, which also functions as the main entry for the retail store. Instead of straight run staircases, this stair is potentially designed with turning platforms on each run in order to slowing customers’ pace, encouraging them to pay more attention on surrounding and be more mentally aware.


3rd Floor

2nd Floor

Ground Floor

Cellar


S L O W

R E T A I L

2nd Floor - Reading, Clothes Store, Seating


interior system By changing the height of the interior floor level, it becomes seats, tables, walking path.

2nd Floor

All the programs, book store, clothes vender, cafĂŠ and etc. are mixed-up and randomly presented on each floor. There would be no specific destinations. Instead of rushing through the store, you might want to slow down the pace, and encounter unexpected moments.


S L O W

R E T A I L

All of these not only devote to creating a leisure shopping experience, but also help to release stress, find life balance and improve the quality of life.



LEVER HOUSE S ONO S OF F ICE


Performance, Flexibility, Customer Focus SONOS is a electronics company producing wireless audios, devoting to multirooms music system to spread music in ever y corner. The company is going to locate their new workplace and music studio on the 4th and 5th floor of the Lever House building in New York City. An acoustical and light transmitting wall system was created after the site analysis in order to bring more daylight into the central of the office, and also provide acoustical value to their central studio and lounge space. The aesthetic and functional origami modular wall system generated a double height flexible, relaxing and social "concert hall" in the middle of the entire office, offering not only customers a space to experience SONOS latest products, but also employees a space to chat with others and refresh themselves.


S O N O S

O F F I C E

1

filter wall

2

3

case studies

data analysis

4

5

6

concept

programming

interior design

research & analysis

90%

Monochromatic products Energy comes from music

of wo r ke r s pe r fo r m bet te r when l isteni ng to music

Wireless HIFI system Curious atmosphere Interesting moments

88%

To be creative Free music world

of employees p roduce mo re accu rate wo r k when l isteni ng to music

To be interactive and entertaining

61%

Live music Share with other music lovers

of employees l isten to music at wo r k to make them happie r and mo re p roductive

JUNE

MARCH

JANUARY

Soho Program Analysis

Filter wall structure

site analysis

filter wall system

Leve r House. The sun l ight study shows A three-dimensional acoustical wall, constructed by different sizes that on ly pa r tial of the i nte r io r space

metal triangle modules, creates a central double height activity space

has day l ight ex posu re.

which functions as lobby during daytime, but turns to be performance center at night time.



S O N O S

O F F I C E

Progamming Open-plan office

Casual Meeting

Performance Seating

Conference Room Collage Plan

Long Section


PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Floor Plans

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

5th Floor

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

4th Floor


S O N O S

O F F I C E

Day Time

Night Time PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

flexible lounge space During the night time / weekend, the lounge space transforms to function as a perforEmployees and customers can enjoy their afterwork time and learn about the latest products as well. All the seatings are designed to follow the shape of the wall, allowing everyone’s vision to focus on the center stage.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

mance space for SONOS STUDIO program.

During the day time, the space designed for

Renew

Date

Description

Project

casual meetings or employee lounge area.

Lever House, New York, NY

Drawing Title

Date

Sheet Number MAY/08/2015

Scale 1/2" = 1'- 0" Drawing By YUQIAN LU Project Name LEVER HOUSE

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT


“Music is the colo r sou rce of l ife�

- SONOS

Monochromatic color scheme and hard materials are used to contrast with the colorful light in the concert hall, enforcing SONOS' concept that music is the color source of life. < Receptipon, Seating Area

Pantry, Small Cafe >


S O N O S

O F F I C E



WRAP&REST B E D F OR D B R A NCH L IB R A R Y


Explorative, Dynamic, Playful B rook lyn Bedfo rd B ranch publ ic l ib ra r y located in B rook lyn, NYC. This public librar y mainly used by teenagers and young adult to continue t h e i r s t ud y af te r sch o o l, b o r row b o o k s, p a r t i ci p ate va r i o u s l e ct u res and cou r ses. T he pa r t I of the l i b ra r y i s a r matu re p rod uct des ig n. A sculptu ral element people can wea r on thei r a r m to help suppo r ting thei r ch i n s w h i l e read i ng i n the l i b ra r y wa s des ig ned acco rd i ng the obser vation study in the librar y. T h e re n ovate d l i b ra r y w i l l n ot o n l y p rov i d e va r i o u s b o o k s , l e a r n i n g materials, and diverse study spaces for teenagers and young adults, but also develop lecture and community spaces for people to learn, share, and explore knowledge with others. By extracting the basic modeling concept from body armature design - wrap and rest. This concept had b e e n d eve l o p e d a n d i nte g ra te d w i t h t h e i nte r i o r s p a ce to b e t h e programming concept. All cur ved walls warp around with each other creating var ious sinuous pathways. Different destinations, i.e. reading lounge, study lounge, lecture / video lounge and etc, locate at the end of each pathway.


B E D F O R D

L I B R A R Y

CONCEP T According to the observation study of people’s motion in the library, I proposed and created a “Wrap and Rest” chin holding armature people can wear on their arm. The curved and twisted pathways can not only guide people, but also provide teenagers a explorative and dynamic learning and studying experience in Brooklyn. Various programs were provided according to the existing teaching, lecture and interaction session provided by the library, including, dancing, computer lab, group learning, conference room, lecture hall and etc. All the “rest” programs with various themes will locate at the end of the sinuous journeys.

Study Model

Conceptual Model


ARMATURE PROTOT YPE

Motion Study

Instruction

Analysing

Final Model


B E D F O R D

L I B R A R Y

Interior perspectives

1st Floor Reading Area

1st Floor Reading Area

Mezzanine Individual Study Area

FLOOR PL ANS PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Mezzanine Floor Plan

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1st Floor Plan

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT


1st Floor Group Study Area


THE HAPPY HIPPIE story-telling exhibition (group work )


Empathy, Interactive, Storytelling We’ve chosen to exhibit the Happy Hippie Foundation in Vanderbilt Hall. We were drawn to local issues that would be present in Grand Central Station, but would also grab people’s attention in a transitory space like Vanderbilt Hall. Homelessness and the effects of LGBT struggles are issues that you constantly see in transportation terminals, but ones that people tend to ignore. After looking at various organizations, we were really drawn to the Happy Hippie Foundation which covers homelessness and LGBT issues. It has a lot of press coverage due to its founder Miley Cyrus, which we think is great because it truly raises awareness.


E X H I B I T I O N

D E S I G N

1.6 million youth are homeless each year

40% They hope to eradicate youth and LGBT homelessness by donating pro ceeds to var ious groups.

of homeless youth identif y as LGBT.

Family rejection is

the most common reason LGBT youth expe r ience homelessness

They are cur rently fundraising to provide at r isk youth with digi ral suppor t ser vices, education and employment oppor tunities.

CONCEP T The mission of the Happy Hippie Foundation is to rally young people to fight injustice facing homeless youth, LGBTQ youth and other vulnerable populations. In order to incorporate the main messages: “SPREAD LOVE & BE YOURSELF”, we decided to promote individual stories of people who have experienced homelessness or have struggled being LGBT. Street

CONSTRUCTION CLIC

PROJECTION SCREEN MATERIAL

PHOTOSCRIM

ACOUSTIC MATERIAL

Grand Central Construction Clic Materials

Projection Screen Mate

+Photo Scrim +Scrim +Projector Screen Material +Lietner System +Constructive Clic System +Track Lighting +LED Strip Lights +Short Throw Projector +Speakers (Stealth Acoustic) +Interactive System (Ubi) +Finishes; carpet, bench, blocks, benches video room, ikea house furniture,

PROGR AM

Photoscrim

Accoustic MaterialPrivate Programmed Houses

Public Programmed Houses Graphic Entrance Wall +Constructive Clic +Graphics embedded and backlit

“Photobooth” House +Interior Walls; Photoscrim with graphics

Turning Point House +Interior walls; Photoscrim to cover speakers, Projector Screen Material for animation +Metal Track (16” O.C.) to support speakers +Stealth Acoustic speakers (8) +Short Throw projector from ceiling +Control button to begin story +Control button connected to speakers and animation

Ikea House +Interior Walls; Photoscrim on all 3 walls +Metal tracks to support picture frames +Track Lighting +Furniture layout Listening House

acoustic paneling In the front of the exhibition towards the walkway are the introduction houses; +Interior theywalls; tell the story of the Happy HipVideo House +One facade is Photoscrim with print of Happy Hippie logo +Interior Walls; video projected on Projector Screen Material, other walls are regular scrim +Control button to begin story +Short Throw projector +Rug +Benches

+Telephones to listen to prerecorded stories

pie Foundation with a Photo booth house, screening house towards the perimeter of the exhibition are narrative Walkway House

+Interior Walls;program Projector Screen Material for videostory. The program allows visitors to houses. Each house tells a story and therefore has a specific to the wall and for interactive wall

Consistent Materials featured in each House Button to begin video take away as many experiences from the exhibition as+Control they chose. +Lietner System for base +Short Throw Projector +Constructive Clic System for roof +(Standard) Scrim on outside (Interior material will vary depending on program)

+Interactive System by Ubi

In the middle, it is a community space that allows for the visitors to come together in the middle of all the collection of stories. We imagine for guest speakers to lecture and for special events to take place.


SUBURBAN HOUSE T H E

H A P P Y

H I P P I E

DEDRICK, 17, OHIO

SUBURBAN HOUSE Dedrick,17,Ohio

Dedrick Hall was 17 when he acknowledged to himself that he was bisexual. When he shared his identity with friends, classmates at his high school, he found support. Then he told his mother. She didn’t approve at all and was very upset about the situation. She said, ‘You can’t stay at my house any more. You have to find someplace else to go.’”

One in two teenagers experience a negative reaction from their parents when

F O U N D A T I O N

they come out. The Suburban House

One in two teenagers experience a negative reaction from their parents when they come out. The Suburban House represents the all too typical American home that is unaccepting of the LGBTQ community. The monochromatic grey interior represents the norm that the LGBTQ community doesn’t fit into.

represents the all too typical American home that is unaccepting of the LGBTQ community. The monochromatic grey interior represents the norm that the LGBTQ community doesn’t fit into.

REFLECTION HOUSE

REFLECTION HOUSE QUINCY,19,AL ABAMA The Reflection House represents how Quincy’s life turned from negative to

Quincy came from a small town in the south and was bullied from a young age for being different. “I was always really quiet and more feminine, so people thought I was gay, but I didn’t want to be. My local church was really conservative.” During that time, he suffered from depression and attempted suicide. His life turned around when he found a supportive community at his fraternity in college. He found light at the end of the tunnel when other people began accepting Quincy for who he is. The Reflection House represents how Quincy’s life turned from negative to positive when he surrounded himself with supportive people. 86% of LGBTQ children are bullied to their sexual orientation which leads to substance abuse, depression, and suicide.

positive when he surrounded himself with supportive people. 86% of LGBTQ children are bullied to their sexual orientation which leads to substance abuse, depresQUINCY, 19, ALABAMA sion,

PARK BENCH HOUSE

BENCH HOUSE Quincy,19,Ohio The Park Bench House represents all the people living on the streets that are

Riley left home at age 16 due to a physically and verbally abusive relationship with her dad. She continued to sleep on friends couches until she was 18, when she then moved to New York with her girlfriend. “We’d spend our days looking around for food. We’d spend the evenings looking for a place to sleep. It was rough for her since she was never exposed to living outdoors before. I accepted it as a necessary part of my life.” The Park Bench House represents all the people living on the streets that are passed by every day without a second glance. Everyone has a story as to how they became homeless, especially when up to 40% of the homeless youth are LGBTQ.

and suicide.

passed by every day without a second glance. Everyone has a story as to how they became homeless, especially when RILEY, 21, PENNSYLVANIA

up to 40% of the homeless youth are LGBTQ.


BROOKLYN NAVY YARD WAYFINDING DESIGN (GROUP WORK )


Systematic, Accessible, Legible The Brooklyn Navy Yard is a growing industrial city with a rich history. The Navy Yard’s growth has attracted many innovative companies, artistists and designers to create in one place. Along with new tenants constantly coming in, the BNY has been bringing in the growing interest of their surrounding community and tourists. In its making, the Navy Yard has brought fame to its’ uncanny arrangement of building numbers. We intend to work with the way finding and signage systems that the Navy Yard already has in place to enhance the experience of tenants and visitors.


B R O O K L Y N

N A V Y

Y A R D

EXISTING CONDITIONS

The building disks containing the building number are too small in scale and can’t be seen from different vantage

• •

points. Signage across the Navy Yard aren’t consistent. There is little to no signage on individual floors, making

it hard to navigate. Interior has no signage indicating floor level and no

floor map Room numbers are hard to find without company information on each floor

The Nav y Ya rd is a ve r y vast a rea, w ith bui ldi ngs that a re i n no pa r ticula r o rde r, mak i ng it a confusi ng space. We found it to be helpful to create neighbo r hoods w ithi n the Nav y Ya rd, b reak i ng the whole i nto mo re accessible pa r ts.


analysis & proposal The numbering system of buildings have already been engraved into the history of the Navy Yard, changing that entire system would be like attempting to re-write history. Along with the building numbers, the disks that extrude off the building have become the aesthetic of BNY. Our new signage system respects that history and can easily be integrated with what already exists. It will create a consistant and coherent lanColor Zoning Map

guage throughout the entire yard.

zoning & color coding

BUILDINGS

ENTER/EXIT

CK 1 DRY DO

CK 4

CK 1

DRY DOCK 1

DRY DO

CK 4 DRY DO

2

25

62

12B

41

6

132

77 3

300

CK

58 152 27 30 92

3

DRY DOCK 4

CK 1 DRY DO

5

CK 4

CK

DRY DO

6

DO

Builidng number signage

DRY

Traffic Analysis

Y DO DR

40

120

4

5

74

1

2

275

50A50

280

42 40

58 152 27 30 92

Color Zoning Map

Interior signage & symbol

664

CK

121

6 5

280

42

signage concept

Color coded building map

131 20 127 22

12B

41

50A50

Y DO DR

Traffic Map

275

CK

6

2

10

2

1

DO

CK

5

25

74 4

11

ZONE A

ZONE B ZONE C

ZONE D

ZONE E ZONE F

DRY

DO

CK

120

700

11A 12 12B

132 77

3

664 300

CK

121

6

58 152 27 30 92

62

313 234 269

3

40

Y DO DR

280

42

500

CK Y DO DR

131 20 127

5 50A50

314

DO

275

10

11A 12 12B

2

2

268

DRY

5

CK

Pedestrain Map

1

11

12B

41 74

4

B67 Route

3

Y DO DR

120

700

22

132 77

3

664 300

313 234 269

CK

25

62

8 293

DRY

6

CK

Y DO DR

58 152 27 30 92

314

500 Delivery

DO

40

Worker

DRY

280

42

CK

6

2

121

6 5

50A50

268

DO

CK

DO

131 20 127

12B

41

10

11A 12 12B 22

132 74 275

700

11 300

CK

25

664

3

121

62

7

293

Visitor

DRY

DRY

5

Y DO DR

131 20 127 22

313 234 269

CK

10

314

500 Delivery

Y DO DR

11 11A 12 12B

268

8

Traffic Paths

293

Visitor Worker

CK

269

7 8

Pedestrian Paths

Y DO DR

500

ZONING M AP

7 8

Possible Sinage

PARKING

52

TRAFFIC MAP

7 293 313 234

ENTER/EXIT

51

PARKING

52

PARKING

52

PARKING

DRY DOCKS

292

51

PEDESTRIAN MAP

314

BUILDINGS 249 594 270

Possible Sinage

DRY DOCKS

292

51

52

ENTER/EXIT

249 594 270

Possible Sinage

DRY DOCKS

292

51

268

BUILDINGS

ENTER/EXIT

249 594 270

Possible Sinage

DRY DOCKS

292

DRY DO

BUILDINGS 249 594 270

77 3

120

4

1

2

700


B R O O K L Y N

N A V Y

Y A R D

EX TERIOR PROPOSAL

30 30

5

5

5

Building Signages

5

5

30

5

Overall Building Map

Sectional Building Map

30


INTERIOR PROPOSAL

Elevator Lobby - front elevation

Side elevation

overhead signage

Room Signage - pegboard

Exploded Structure of Door Signage


F UR NI T UR E D E SIGN

AIRPORT LOUNGE CHAIR


ABOUT

Airport lounge chair design focuses on individual travellers private moments while they waiting for their boarding time. The idea for this lounge chair is to provide certain level privacy, an area for placing small belongings and storage space for carry on suitcase or large bags.


F U R N I T U R E

D E S I G N

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

NAME:

CLASS: PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

NAME:

FURNITURE DESIGN

5

1

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

6

PROJECT:

DRAWING NO: CARIBBEAN AIRLINE FLYER CLUB LOUNGE CHAIR

5

1

6

DRAWING NO:

DRAWING TITLE:

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PROJECT:

CARIBBEAN AIRLINE FLYER CLUB FURNITURE DESIGN LOUNGE CHAIR CLASS:

DRAWINGS SCALE:

7

3"=1'-0"

DRAWING TITLE:

DRAWINGS DATE:

SCALE:

3

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

2

4

7

NOV/24/2014 3"=1'-0" DATE:

concept Combining aesthetic value of the geometric form with functionality to the airport lounge chair will offer passengers a comfortable place with some degree privacy and visible luggage storage.Â

3

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

2

4

NOV/24/2014


The geometric folding element on the right hand side not only provides a space to place drinks or boarding pass while waiting to board, but also creates visual and physical barriers between strangers offering traveller some degrees of privacy . On the left part, a cantilever structured transparent glass panel extended form the seat allowing people to store their luggage on the floor with visual connection and saving corridor spaces.



Yuqian Lu Lumomo811@gmail.com 718 -316 -1090


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