YUQIAN LU
1 PROFESSIONAL WORKS 2016-2017
I N T E R N
W O R K
CORPORATE OFFICE IN T E R N W OR K Perkins + Will Status: Completed Area: 66,000 RSF Year: 2016 - 2017
• Friendly • Less Staged • Less Corporate
PROGR AMMING
1 Visioning Session
2
3
4
5
Support Space Programming
Office Space Interviews
Existing Data Collection
Employee Survey
WPS Programming + Strategy
HOSPITALITY | Align client’s em-
CONNECTEDNESS | Connect
PROCESS | Optimize the work
ployee and visitor experience to its
people to each other, as well as
experience in support of changing
brand
connect people to information
processes
- Design a reception space that
- Embody the brand’s energy
invites clients + branding moment
and openness in the look and
- Create an ample pre-function space - Create a café environment for
feel of the space - Create ‘neutral space’ for peo-
- Reduce current filing per attorney - Create single size offices for maximum flexibility of office allo-
ple to cross-pollinate and share
cation for Partners and Associates
employees and possibly clients pro-
information by providing small
as practices change
viding a variety of places to gather
seating areas
- Design flexible case/work rooms.
floor plans D
CG-01
CG-01
CG-01
CG-01 CG-01 CG-01 2' - 9"
CG-01 CG-01 DU-01A
MEN'S TOILET 3' - 0"
LF-02
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WOMEN'S TOILET
LF-02
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LF-01
LF-01
3' - 2"
2' - 9"
STAIR B
TELECOMM. CLOSET
CG-01 CG-01
1 A-007.02
LF-02
CG-01
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WOMEN'S TOILET
2' - 9"
LF-02 3' - 0"
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C
CG-01
ELEVATOR MACHINE ROOM
CG-01
MEN'S TOILET
3' - 8"
3' - 9"
2' - 9"
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CC-02 CG-01 CG-01
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LF-02 DU-02
21' - 4"
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CL-06
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1' - 3"
STAIR C
CG-01
DU-01A
3' - 0"
8' - 0"
STAIR C
MECHANICAL ROOM
8' - 8"
5' - 11"
4' - 1"
DU-02
TS-03
ELECTRICAL CLOSET
LF-02 CG-01
CSF-02
11' - 8"
LF-02
2' - 8"
CG-01
B
16' - 11"
DU-01A
CG-01
12' - 10"
CG-01 CG-01
5' - 3"
FEC
CG-01 CG-01
MECHANICAL ROOM
3' - 1" CG-01 CG-01
2' - 10"
CG-01 CG-01
2' - 8"
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DU-01A
3' - 0"
DU-01A
LF-02
LF-02 LF-02 LF-02 LF-01
LF-02
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LF-02
2' - 8"
DU-01A
3' - 0" CG-01 CG-01
DU-01A
23rd Floor
23RD FLOOR FURNITURE PLAN 1/8" = 1'-0"
3' - 3"
3' - 3"
3' - 3"
CG-01
CG-01
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temp\Arch_NixonPeabody-NYO_v2016_Yuqian.Lu@perkinswill.com.rvt
CG-01 CG-01
3' - 3"
3' - 0"
3' - 3"
DU-01A
23rd Floor
A
1 24TH FLOOR FURNITURE PLAN 1/8" = 1'-0"
PERKINS & WILL ARCHITECTS PC 215 Park Avenue South 4th Floor New York, NY 10003 t 212.251.7000 f 212.251.7111 www.perkinswill.com
CONSULTANTS STRUCTURAL
DESIMONE CONSULTING ENGINEERS 140 BROADWAY, 25TH FLOOR, NEW YORK, NY 10005 MEP
D
WB ENGINEERS + CONSULTANTS 110 WILLIAM ST. NEW YORK, NY 10038 AUDIOVISUAL
CMS AUDIOVISUAL EIGHT FLETCHER PLANE MELVIWE, NY 11747 LIGHTING
3' - 2"
3' - 2"
3' - 2"
3' - 2"
3' - 2"
3' - 2"
HDLC ARCHITECTURAL LIGHTING 10 EAST 38TH STREE, 5TH FLOOR NEW YORK, NY 10016 VOICE & DATA COMMUNICATIONS
WB ENGINEERS + CONSULTANTS
2' - 10"
155 SEAPOR BLVD. BOSTON, MA 02210
3' - 1"
SECURITY
WB ENGINEERS + CONSULTANTS 155 SEAPOR BLVD. BOSTON, MA 02210 ACOUSTICAL
CERAMI
STAIR B
3' - 1"
GAS EX.
DW F.O. RISERS
FUME. EX.
PART. EX.
SW EMR EX
3 A-007.02
ELEC. CONDUITS
SP
FUME. EX.
2' - 10"
404 FIFTH AVENUE, 8TH FLOOR NEW YORK, NY 10018
GAS PART. EX.
WOMEN'S TOILET 2' - 10"
2' - 9"
TX
C
8' - 0"
STAIR B
3' - 8"
5' - 8"
5' - 1" TELECOMM. CLOSET
PROGRESS SET FOR REVIEW ONLY THESE DOCUMENTS ARE FOR DESIGN REVIEW AND NOT INTENDED FOR CONSTRUCTION, BIDDING, OR PERMIT PURPOSES. THEY WERE PREPARED BY OR UNDER SUPERVISION OF: <<LICENSE HOLDER NAME>> LICENSE NO: <<LICENSE #>>
MEN'S TOILET
4' - 3"
TELECOMM. CLOSET OSA
1' - 9"
PROJECT
DN
2"
NIXON PEABODY
24th Floor
55 WEST 46TH STREET NEW YORK, NY, 10036 3' - 1"
KEYPLAN STAIR C
1' - 6"
ELECTRICAL CLOSET
20X35 CARTS
MECHANICAL ROOM
STAFF LOCKERS
3' - 0"
3' - 1"
B
ISSUE CHART
3' - 0"
3' - 1" GBC
COLOR
6' - 6"
BW
TABS
STORAGE
TUFF
CB
3' - 0"
TABS
3' - 0"
COLOR
3' - 2"
3' - 2"
3' - 2"
3' - 2"
3' - 2"
3' - 1"
3' - 2"
2' - 6"
ELECTRICAL CLOSET
25th Floor
24th Floor MARK
ISSUE
Job Number A
Drawn
DATE
035671.100 Author
Checked
Checker
Approved
Approver
TITLE
1
25TH FURNITURE PLAN 1/8" = 1'-0"
24TH FLOOR FURNITURE PLAN
I N T E R N
W O R K
Simple and elegant recessed curved lighitng
Fabric wrapped panels on the TV wall, more sustainable and friendly treatment
Nucraft conference table, simple and functional
Bright color carpet brings energy and matches clientâ&#x20AC;&#x2122;s branding color.
Movable glass partitions generate a flexible space
Expanded metal mesh wall
I N T E R N
W O R K
PALM DRIVE OFFICE IN T E R N W OR K Megan Grehl Interior Status: Completed Area: 2400 SF Year: 2015 - 2016
• • • •
Glass Boxes Industrial Eclectic Vivacious
UP
Floor Plan
PROGR AMMING
Client + Site Survey
Programming
Feel/ Look Options
VIVACIOUS | Develop a welcoming
COLLABORATION | Create a col-
and energetic environment facili-
laborative environment encour-
tating satisfaction and creativity
aging interact and exchange ideas
- Design a reception space that invites clients + branding moment
Design Proposal
Material Palette Options
Client Feedback
- Create a bar / cafe area environment for co-workers
- Bring energy and openness in the look and feel of the space - Create eclectric and industrial
- Provide casual meeting and gath-
look for people from multidisci-
ering spaces for co-workers and
plinary and share information in
clients
casual seating area.
I N T E R N
W O R K
Modeling: Revit Rendering: Revit, Photoshop Construction Drawings: CAD
2 STUDENT WORKS 2013-2016
SLOW W W RETAIL T HE SIS D E SIGN
Empathy, Interactive, Hybrid Our wor ld is moving at a breakneck speed. Our goal seems to be working fast and living efficiently in order to save time to do more things. If this is the right way to live, why do we still feel lots of stress, anxiety and depression from ever yday work? Mahatma Gandhi said “There is more to life than increasing its speed.” My thesis is Slow Retail, an enriched and balanced life experience, p romotes b rand loyalt y, empathy, and self- recognition. She r r y Turkle also says “Without solitude, no empathy.” I believe slowing our pace to learn about ourselves is a ver y good way to enable us to develop empathy, to reach out to others and feel comfortable in our relationships. Shopping is necessar y and pleasurable but is usually exhausting and stressful. “Slow Retail” can help developing a comfor table rhythm where instead of counting the hours and munities, we savor them.
S L O W
R E T A I L
STREET
PLAZA
BOOKSTORE
THERE IS MORE TO LIFE THAN INCREASING
ITS SPEED.
SLOW RETAIL mins
RETAILS 10 mins
3rd floor SLOW SHOPPING 15 mins
INTERACTION
cellar & 1st floor
5 mins
5 mins
Slow Retail poster design: A hybrid retail
1 mins
store to explore, to meet, to share, to relax, to read, to shop, to eat, and to savor
FOOD COURT 5 mins
15 mins
your time.
1. visionning
E - co m m e rce vs. Reta i l Sto re
2. analysis
- E-commerce is increasing, retail needs to be creative - Hybrid experince with shopping, eating, reading and etc.
- Soho Demographic info + Retail selling statistics - Customer surveys - Site location, condition
3. design - Linear circulation - Changing levels - Unique moments - Opened ground floor Occupational Employment in Soho Occupational OccupationalEmployment EmploymentininSoho Soho
Education Level in Soho
Education EducationLevel LevelininSoho Soho
statistical analysis 32.1% 32.1% 32.1%
Bachelors Bachelors BachelorsDegree Degree Degree Graduate GraduateDegree Degree Degree Graduate
40.3% 40.3%40.3% 67.9% 67.9% 67.9%
White WhiteCollar Collar White Collar Blue BlueCollar Collar
Some SomeCollege College Some College No NoHigh HighSchool School
33.5% 33.5% 33.5%
No High School
Some SomeHigh HighSchool School Some High School Associate AssociateDegree Degree
Blue Collar
The demographic datas in Soho area represent that the high average education level and major white collar occupational employment.
Associate Degree
Due to the high shopping demands on clothing and activities in Soho, the concept of hybrid Consumer Consumerspending spendingininSoho Soho
Consumer spending in Soho Below Average Below Average
Clothing Clothing Education Education
Clothing
Entertainment Entertainment
Education Food Food
Entertainment Health HealthCare Care Household Food HouseholdFurnishings Furnishings
Health Care Household Furnishings
Below Average
retail store would be a good fit into Soho and 100 100 (national average) (national average)
Above Average Above Average
100 (national average)
Above Average
168 168 207 207
168
165 165 156 156 152 152
207 165
171 171156
152 171
facilitate Soho to be a more enjoyable and dynamic shopping journey.
customers in soho “ L ifes t y l es of T h e Ri ch a nd F a m o us, ba by.”
“T h e re’s n eve r a bo r i n g m o m ent i n So h o beca use th e re a re m a ny o p t i o n s.”
“ So h o i s s t i l l my favo r ite p l ace to d eco m p res s (a n d wo r k i n).”
S L O W
R E T A I L
analysis
Bring the downsh
SLOW DOWN, Stre mixed programs t
The g round floo r of Scholastic bui ldi ng has t wo entr ies connecti ng B roadway, the mai n street i n soho w ith heav y and busy t raf f ic, Bring the downshifting life into retail store.
and Me rce r street, a quiet, na r row and histo r ical stone paved st reet.
Traditional
.erots liater otni efil gnitfihTRADITIONAL snwod eht gCIRCULATION nirB
+
RELAX DOWN
dna ,yenruoj gnippohs eht hctertS ,NWOD WOLS .stnemom gnippohs wols yojne ot smargorp dexim
Slow retail
LIATER WOLS
=
YTILAUQ HGIH ,DEXALER ECNEIREPXE GNIPPOHS GNITFIHSNWOD
+
NOITALUCRIC LA
1
2
4 1. 2. 3. 4.
P ro p o s e d ci rcu l at i o n O p e n e d g ro u n d l eve l p at hwa y Se ct i o n a l p ro g ra m p ro p o s a l Se ct i o n a l f l o o r p ro g ra m co n ce pt
Floor areas are in different levels in order to creating a dynamic interior circulation pathway, emphasizing the concept of slowing our pace. Depending on various programs, each space has different floor and ceiling areas, which blurs the boundaries of indoor and out3
door.
S L O W
R E T A I L
STAIRCASE The central circulation glass box and gaps between floor area bring natural light from the existing light well into the entire store. The main staircases is provided inside of the central box, which also functions as the main entry for the retail store. Instead of straight run staircases, this stair is potentially designed with turning platforms on each run in order to slowing customersâ&#x20AC;&#x2122; pace, encouraging them to pay more attention on surrounding and be more mentally aware.
3rd Floor
2nd Floor
Ground Floor
Cellar
S L O W
R E T A I L
2nd Floor - Reading, Clothes Store, Seating
interior system By changing the height of the interior floor level, it becomes seats, tables, walking path.
2nd Floor
All the programs, book store, clothes vender, cafĂŠ and etc. are mixed-up and randomly presented on each floor. There would be no specific destinations. Instead of rushing through the store, you might want to slow down the pace, and encounter unexpected moments.
S L O W
R E T A I L
All of these not only devote to creating a leisure shopping experience, but also help to release stress, find life balance and improve the quality of life.
LEVER HOUSE S ONO S OF F ICE
Performance, Flexibility, Customer Focus SONOS is a electronics company producing wireless audios, devoting to multirooms music system to spread music in ever y corner. The company is going to locate their new workplace and music studio on the 4th and 5th floor of the Lever House building in New York City. An acoustical and light transmitting wall system was created after the site analysis in order to bring more daylight into the central of the office, and also provide acoustical value to their central studio and lounge space. The aesthetic and functional origami modular wall system generated a double height flexible, relaxing and social "concert hall" in the middle of the entire office, offering not only customers a space to experience SONOS latest products, but also employees a space to chat with others and refresh themselves.
S O N O S
O F F I C E
1
filter wall
2
3
case studies
data analysis
4
5
6
concept
programming
interior design
research & analysis
90%
Monochromatic products Energy comes from music
of wo r ke r s pe r fo r m bet te r when l isteni ng to music
Wireless HIFI system Curious atmosphere Interesting moments
88%
To be creative Free music world
of employees p roduce mo re accu rate wo r k when l isteni ng to music
To be interactive and entertaining
61%
Live music Share with other music lovers
of employees l isten to music at wo r k to make them happie r and mo re p roductive
JUNE
MARCH
JANUARY
Soho Program Analysis
Filter wall structure
site analysis
filter wall system
Leve r House. The sun l ight study shows A three-dimensional acoustical wall, constructed by different sizes that on ly pa r tial of the i nte r io r space
metal triangle modules, creates a central double height activity space
has day l ight ex posu re.
which functions as lobby during daytime, but turns to be performance center at night time.
S O N O S
O F F I C E
Progamming Open-plan office
Casual Meeting
Performance Seating
Conference Room Collage Plan
Long Section
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Floor Plans
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
5th Floor
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
4th Floor
S O N O S
O F F I C E
Day Time
Night Time PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
flexible lounge space During the night time / weekend, the lounge space transforms to function as a perforEmployees and customers can enjoy their afterwork time and learn about the latest products as well. All the seatings are designed to follow the shape of the wall, allowing everyoneâ&#x20AC;&#x2122;s vision to focus on the center stage.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
mance space for SONOS STUDIO program.
During the day time, the space designed for
Renew
Date
Description
Project
casual meetings or employee lounge area.
Lever House, New York, NY
Drawing Title
Date
Sheet Number MAY/08/2015
Scale 1/2" = 1'- 0" Drawing By YUQIAN LU Project Name LEVER HOUSE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
â&#x20AC;&#x153;Music is the colo r sou rce of l ifeâ&#x20AC;?
- SONOS
Monochromatic color scheme and hard materials are used to contrast with the colorful light in the concert hall, enforcing SONOS' concept that music is the color source of life. < Receptipon, Seating Area
Pantry, Small Cafe >
S O N O S
O F F I C E
WRAP&REST B E D F OR D B R A NCH L IB R A R Y
Explorative, Dynamic, Playful B rook lyn Bedfo rd B ranch publ ic l ib ra r y located in B rook lyn, NYC. This public librar y mainly used by teenagers and young adult to continue t h e i r s t ud y af te r sch o o l, b o r row b o o k s, p a r t i ci p ate va r i o u s l e ct u res and cou r ses. T he pa r t I of the l i b ra r y i s a r matu re p rod uct des ig n. A sculptu ral element people can wea r on thei r a r m to help suppo r ting thei r ch i n s w h i l e read i ng i n the l i b ra r y wa s des ig ned acco rd i ng the obser vation study in the librar y. T h e re n ovate d l i b ra r y w i l l n ot o n l y p rov i d e va r i o u s b o o k s , l e a r n i n g materials, and diverse study spaces for teenagers and young adults, but also develop lecture and community spaces for people to learn, share, and explore knowledge with others. By extracting the basic modeling concept from body armature design - wrap and rest. This concept had b e e n d eve l o p e d a n d i nte g ra te d w i t h t h e i nte r i o r s p a ce to b e t h e programming concept. All cur ved walls warp around with each other creating var ious sinuous pathways. Different destinations, i.e. reading lounge, study lounge, lecture / video lounge and etc, locate at the end of each pathway.
B E D F O R D
L I B R A R Y
CONCEP T According to the observation study of people’s motion in the library, I proposed and created a “Wrap and Rest” chin holding armature people can wear on their arm. The curved and twisted pathways can not only guide people, but also provide teenagers a explorative and dynamic learning and studying experience in Brooklyn. Various programs were provided according to the existing teaching, lecture and interaction session provided by the library, including, dancing, computer lab, group learning, conference room, lecture hall and etc. All the “rest” programs with various themes will locate at the end of the sinuous journeys.
Study Model
Conceptual Model
ARMATURE PROTOT YPE
Motion Study
Instruction
Analysing
Final Model
B E D F O R D
L I B R A R Y
Interior perspectives
1st Floor Reading Area
1st Floor Reading Area
Mezzanine Individual Study Area
FLOOR PL ANS PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Mezzanine Floor Plan
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
1st Floor Plan
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
1st Floor Group Study Area
THE HAPPY HIPPIE story-telling exhibition (group work )
Empathy, Interactive, Storytelling Weâ&#x20AC;&#x2122;ve chosen to exhibit the Happy Hippie Foundation in Vanderbilt Hall. We were drawn to local issues that would be present in Grand Central Station, but would also grab peopleâ&#x20AC;&#x2122;s attention in a transitory space like Vanderbilt Hall. Homelessness and the effects of LGBT struggles are issues that you constantly see in transportation terminals, but ones that people tend to ignore. After looking at various organizations, we were really drawn to the Happy Hippie Foundation which covers homelessness and LGBT issues. It has a lot of press coverage due to its founder Miley Cyrus, which we think is great because it truly raises awareness.
E X H I B I T I O N
D E S I G N
1.6 million youth are homeless each year
40% They hope to eradicate youth and LGBT homelessness by donating pro ceeds to var ious groups.
of homeless youth identif y as LGBT.
Family rejection is
the most common reason LGBT youth expe r ience homelessness
They are cur rently fundraising to provide at r isk youth with digi ral suppor t ser vices, education and employment oppor tunities.
CONCEP T The mission of the Happy Hippie Foundation is to rally young people to fight injustice facing homeless youth, LGBTQ youth and other vulnerable populations. In order to incorporate the main messages: “SPREAD LOVE & BE YOURSELF”, we decided to promote individual stories of people who have experienced homelessness or have struggled being LGBT. Street
CONSTRUCTION CLIC
PROJECTION SCREEN MATERIAL
PHOTOSCRIM
ACOUSTIC MATERIAL
Grand Central Construction Clic Materials
Projection Screen Mate
+Photo Scrim +Scrim +Projector Screen Material +Lietner System +Constructive Clic System +Track Lighting +LED Strip Lights +Short Throw Projector +Speakers (Stealth Acoustic) +Interactive System (Ubi) +Finishes; carpet, bench, blocks, benches video room, ikea house furniture,
PROGR AM
Photoscrim
Accoustic MaterialPrivate Programmed Houses
Public Programmed Houses Graphic Entrance Wall +Constructive Clic +Graphics embedded and backlit
“Photobooth” House +Interior Walls; Photoscrim with graphics
Turning Point House +Interior walls; Photoscrim to cover speakers, Projector Screen Material for animation +Metal Track (16” O.C.) to support speakers +Stealth Acoustic speakers (8) +Short Throw projector from ceiling +Control button to begin story +Control button connected to speakers and animation
Ikea House +Interior Walls; Photoscrim on all 3 walls +Metal tracks to support picture frames +Track Lighting +Furniture layout Listening House
acoustic paneling In the front of the exhibition towards the walkway are the introduction houses; +Interior theywalls; tell the story of the Happy HipVideo House +One facade is Photoscrim with print of Happy Hippie logo +Interior Walls; video projected on Projector Screen Material, other walls are regular scrim +Control button to begin story +Short Throw projector +Rug +Benches
+Telephones to listen to prerecorded stories
pie Foundation with a Photo booth house, screening house towards the perimeter of the exhibition are narrative Walkway House
+Interior Walls;program Projector Screen Material for videostory. The program allows visitors to houses. Each house tells a story and therefore has a specific to the wall and for interactive wall
Consistent Materials featured in each House Button to begin video take away as many experiences from the exhibition as+Control they chose. +Lietner System for base +Short Throw Projector +Constructive Clic System for roof +(Standard) Scrim on outside (Interior material will vary depending on program)
+Interactive System by Ubi
In the middle, it is a community space that allows for the visitors to come together in the middle of all the collection of stories. We imagine for guest speakers to lecture and for special events to take place.
SUBURBAN HOUSE T H E
H A P P Y
H I P P I E
DEDRICK, 17, OHIO
SUBURBAN HOUSE Dedrick,17,Ohio
Dedrick Hall was 17 when he acknowledged to himself that he was bisexual. When he shared his identity with friends, classmates at his high school, he found support. Then he told his mother. She didn’t approve at all and was very upset about the situation. She said, ‘You can’t stay at my house any more. You have to find someplace else to go.’”
One in two teenagers experience a negative reaction from their parents when
F O U N D A T I O N
they come out. The Suburban House
One in two teenagers experience a negative reaction from their parents when they come out. The Suburban House represents the all too typical American home that is unaccepting of the LGBTQ community. The monochromatic grey interior represents the norm that the LGBTQ community doesn’t fit into.
represents the all too typical American home that is unaccepting of the LGBTQ community. The monochromatic grey interior represents the norm that the LGBTQ community doesn’t fit into.
REFLECTION HOUSE
REFLECTION HOUSE QUINCY,19,AL ABAMA The Reflection House represents how Quincy’s life turned from negative to
Quincy came from a small town in the south and was bullied from a young age for being different. “I was always really quiet and more feminine, so people thought I was gay, but I didn’t want to be. My local church was really conservative.” During that time, he suffered from depression and attempted suicide. His life turned around when he found a supportive community at his fraternity in college. He found light at the end of the tunnel when other people began accepting Quincy for who he is. The Reflection House represents how Quincy’s life turned from negative to positive when he surrounded himself with supportive people. 86% of LGBTQ children are bullied to their sexual orientation which leads to substance abuse, depression, and suicide.
positive when he surrounded himself with supportive people. 86% of LGBTQ children are bullied to their sexual orientation which leads to substance abuse, depresQUINCY, 19, ALABAMA sion,
PARK BENCH HOUSE
BENCH HOUSE Quincy,19,Ohio The Park Bench House represents all the people living on the streets that are
Riley left home at age 16 due to a physically and verbally abusive relationship with her dad. She continued to sleep on friends couches until she was 18, when she then moved to New York with her girlfriend. “We’d spend our days looking around for food. We’d spend the evenings looking for a place to sleep. It was rough for her since she was never exposed to living outdoors before. I accepted it as a necessary part of my life.” The Park Bench House represents all the people living on the streets that are passed by every day without a second glance. Everyone has a story as to how they became homeless, especially when up to 40% of the homeless youth are LGBTQ.
and suicide.
passed by every day without a second glance. Everyone has a story as to how they became homeless, especially when RILEY, 21, PENNSYLVANIA
up to 40% of the homeless youth are LGBTQ.
BROOKLYN NAVY YARD WAYFINDING DESIGN (GROUP WORK )
Systematic, Accessible, Legible The Brooklyn Navy Yard is a growing industrial city with a rich history. The Navy Yardâ&#x20AC;&#x2122;s growth has attracted many innovative companies, artistists and designers to create in one place. Along with new tenants constantly coming in, the BNY has been bringing in the growing interest of their surrounding community and tourists. In its making, the Navy Yard has brought fame to itsâ&#x20AC;&#x2122; uncanny arrangement of building numbers. We intend to work with the way finding and signage systems that the Navy Yard already has in place to enhance the experience of tenants and visitors.
B R O O K L Y N
N A V Y
Y A R D
EXISTING CONDITIONS
•
The building disks containing the building number are too small in scale and can’t be seen from different vantage
• •
points. Signage across the Navy Yard aren’t consistent. There is little to no signage on individual floors, making
•
it hard to navigate. Interior has no signage indicating floor level and no
•
floor map Room numbers are hard to find without company information on each floor
The Nav y Ya rd is a ve r y vast a rea, w ith bui ldi ngs that a re i n no pa r ticula r o rde r, mak i ng it a confusi ng space. We found it to be helpful to create neighbo r hoods w ithi n the Nav y Ya rd, b reak i ng the whole i nto mo re accessible pa r ts.
analysis & proposal The numbering system of buildings have already been engraved into the history of the Navy Yard, changing that entire system would be like attempting to re-write history. Along with the building numbers, the disks that extrude off the building have become the aesthetic of BNY. Our new signage system respects that history and can easily be integrated with what already exists. It will create a consistant and coherent lanColor Zoning Map
guage throughout the entire yard.
zoning & color coding
BUILDINGS
ENTER/EXIT
CK 1 DRY DO
CK 4
CK 1
DRY DOCK 1
DRY DO
CK 4 DRY DO
2
25
62
12B
41
6
132
77 3
300
CK
58 152 27 30 92
3
DRY DOCK 4
CK 1 DRY DO
5
CK 4
CK
DRY DO
6
DO
Builidng number signage
DRY
Traffic Analysis
Y DO DR
40
120
4
5
74
1
2
275
50A50
280
42 40
58 152 27 30 92
Color Zoning Map
Interior signage & symbol
664
CK
121
6 5
280
42
signage concept
Color coded building map
131 20 127 22
12B
41
50A50
Y DO DR
Traffic Map
275
CK
6
2
10
2
1
DO
CK
5
25
74 4
11
ZONE A
ZONE B ZONE C
ZONE D
ZONE E ZONE F
DRY
DO
CK
120
700
11A 12 12B
132 77
3
664 300
CK
121
6
58 152 27 30 92
62
313 234 269
3
40
Y DO DR
280
42
500
CK Y DO DR
131 20 127
5 50A50
314
DO
275
10
11A 12 12B
2
2
268
DRY
5
CK
Pedestrain Map
1
11
12B
41 74
4
B67 Route
3
Y DO DR
120
700
22
132 77
3
664 300
313 234 269
CK
25
62
8 293
DRY
6
CK
Y DO DR
58 152 27 30 92
314
500 Delivery
DO
40
Worker
DRY
280
42
CK
6
2
121
6 5
50A50
268
DO
CK
DO
131 20 127
12B
41
10
11A 12 12B 22
132 74 275
700
11 300
CK
25
664
3
121
62
7
293
Visitor
DRY
DRY
5
Y DO DR
131 20 127 22
313 234 269
CK
10
314
500 Delivery
Y DO DR
11 11A 12 12B
268
8
Traffic Paths
293
Visitor Worker
CK
269
7 8
Pedestrian Paths
Y DO DR
500
ZONING M AP
7 8
Possible Sinage
PARKING
52
TRAFFIC MAP
7 293 313 234
ENTER/EXIT
51
PARKING
52
PARKING
52
PARKING
DRY DOCKS
292
51
PEDESTRIAN MAP
314
BUILDINGS 249 594 270
Possible Sinage
DRY DOCKS
292
51
52
ENTER/EXIT
249 594 270
Possible Sinage
DRY DOCKS
292
51
268
BUILDINGS
ENTER/EXIT
249 594 270
Possible Sinage
DRY DOCKS
292
DRY DO
BUILDINGS 249 594 270
77 3
120
4
1
2
700
B R O O K L Y N
N A V Y
Y A R D
EX TERIOR PROPOSAL
30 30
5
5
5
Building Signages
5
5
30
5
Overall Building Map
Sectional Building Map
30
INTERIOR PROPOSAL
Elevator Lobby - front elevation
Side elevation
overhead signage
Room Signage - pegboard
Exploded Structure of Door Signage
F UR NI T UR E D E SIGN
AIRPORT LOUNGE CHAIR
ABOUT
Airport lounge chair design focuses on individual travellers private moments while they waiting for their boarding time. The idea for this lounge chair is to provide certain level privacy, an area for placing small belongings and storage space for carry on suitcase or large bags.
F U R N I T U R E
D E S I G N
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
NAME:
CLASS: PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
NAME:
FURNITURE DESIGN
5
1
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
6
PROJECT:
DRAWING NO: CARIBBEAN AIRLINE FLYER CLUB LOUNGE CHAIR
5
1
6
DRAWING NO:
DRAWING TITLE:
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PROJECT:
CARIBBEAN AIRLINE FLYER CLUB FURNITURE DESIGN LOUNGE CHAIR CLASS:
DRAWINGS SCALE:
7
3"=1'-0"
DRAWING TITLE:
DRAWINGS DATE:
SCALE:
3
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
2
4
7
NOV/24/2014 3"=1'-0" DATE:
concept Combining aesthetic value of the geometric form with functionality to the airport lounge chair will offer passengers a comfortable place with some degree privacy and visible luggage storage.Â
3
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
2
4
NOV/24/2014
The geometric folding element on the right hand side not only provides a space to place drinks or boarding pass while waiting to board, but also creates visual and physical barriers between strangers offering traveller some degrees of privacy . On the left part, a cantilever structured transparent glass panel extended form the seat allowing people to store their luggage on the floor with visual connection and saving corridor spaces.
Yuqian Lu Lumomo811@gmail.com 718 -316 -1090