ARCHITECTURE
PORTFOLIO
SELECTED WORKS 2020/ 2023
YUSRA ZAHOOR
hi!
I’m Yusra, a student at the Academy of Architecture in Mumbai. I have a background in the graphics field. My passion lies in effectively conveying ideas through both visual and verbal means. I’m deeply committed to designing spaces that prioritize the needs of users while respecting and celebrating architectural traditions. Collaboration is something I relish, and I find great joy in sharing new experiences and insights with others. My enthusiasm for learning is unending, and I’m eager to acquire new skills in the field of architecture. I’m driven to explore various facets of design, with a strong focus on emerging methods and technologies that encompass design, materials, and innovative construction techniques. Enclosed is a portfolio of a selection of my works during my pursuit of a Bachelor’s degree in Architecture.
DOB : 19/07/01 Phone No : +91 9136129392 Email ID : yusraz20@aoamumbai.in Mumbai | Kashmir
EDUCATION
SKILLS
Bachelors of Architecture
Drafting and 3D Modeling
Higher Secondary Education
Presentation and Composition
Secondary Education
3D Rendering Enscape Twinmotion
Rachana Sansad’s Academy of Architecture, Mumbai 2020-Present Presentation Convent Higher Sec. School, Jammu & Kashmir 2020 Presentation Convent Higher WSec. School, Jammu & Kashmir 2018
LANGUAGES English, Hindi, Urdu, Kashmiri
WORKSHOPS Bamboo Workshop
AutoCAD Sketchup Rhinoceros 3D
Adobe Photoshop Adobe Indesign Microsoft PowerPoint Canva
Others Model Making Blender Climate Consultant Exploring Revit Lumion Adobe Illustrator V-Ray
Earthweavers Bamboo Workshop
COMPETITIONS
Europe Summer School
RE-VISION (Top 50)
LxS Summer School Workshop
ARCH-8 Int. Competitions
Paper Automata
Cafe Interiors (Top 50)
Organised by Ar. Kartik Gala
Archdais Competitions
The Casa (Top 15)
Archmello Int. Competitions
CONTENTS
01.
THE MEDIAN SCHOOL
02.
JUNCTIONSCAPE
03.
REVIVING WATSON HOTEL
04.
A PLACE IN THE CITY
05.
POSTCARD CONVERSATION
06.
DOCUMETING SGNP
07.
CAR SHOWROOM
08.
VERDE VISTA
09.
JUNCTIONSCAPE
School Design
LxS Europe Summer School Project
Collaborative College Project
Co-Living Co-Working Space Design
Collaborative Project
Landscape Project
Working Drawing
Residential High Rise Design
LxS Europe Summer School Project
MISCELLANEOUS
Al Sarab A Haven in the heights Co-Curriculars Photography Inner Utopia
01. THE MEDIAN SCHOOL
THE MEDIAN SCHOOL
PROJECT TYPE - Architectural Design, SEMESTER 06 LOCATION - Auroville, Tamil Nadu// FACULTY - Ar. Pradeep Pavithran
Institutions are the kinds of structures that matter most in the social realm. At some stage, we need to consider how institutions structure social interactions and in what senses they are established and embedded. In part, the durability of institutions stems from the fact that they can usefully create stable expectations of the behavior of others. Generally, institutions enable ordered thought, expectation, and action by imposing form and consistency on human activities. We carefully studied the history and development of Auroville and its architecture to dissect the indigenous materials, local building techniques, and design philosophy based on sustainable living and how it applies to architecture and processes. We chose a building located in Auroville whose design language and philosophy they can identify with. We then studied works by the architect of the building through the lens of materials and techniques used for the construction of said building and applied it to their design process. The design ideology was to create a heart of the space, the courtyard that will resonate with all the other spaces, including the studios and the classrooms. All the spaces converge into the courtyard where the students can gather. All the spaces were created keeping in mind the playfulness of a child and how a child responds and reacts to a space. Open spaces that can transform into indoor and outdoor spaces fill the design with flexibility in terms of spatial usage.
RENDERED VIEW
01.
+7.5M
+4.5M
Classroom
Classroom
Classroom
Courtyard
Classroom
02.
GROUND FLOOR PLAN
SECTION AA’
03.
SECTION CC’
FIRST FLOOR PLAN
SECTION BB’
04.
02. JUNCTIONSCAPE
JUNCTIONSCAPE
PROJECT TYPE - LxS Summer School Project LOCATION - Bagnolet, Paris Group Project
The design proposal was driven by the exploration of dynamic spaces that could be manipulated and controlled by the users themselves, emphasizing ease of use and innovation. The goal was to create an environment that not only met the needs of the occupants but also offered flexibility and adaptability. This was achieved by integrating innovative architectural design techniques with features centered around the user experience. One of the key elements of this proposal involved developing a modular system that allowed for the easy assembly and disassembly of components within the space. This modularity provided users with the ability to reconfigure the layout to suit their specific needs. The adaptability of the space was a core principle, ensuring that it could cater to a wide range of purposes and activities. This user-centric approach was not limited to a particular group but aimed to be inclusive, making it easy for anyone to interact with and modify the space as needed. In essence, this design proposal sought to go beyond traditional static environments and embrace the concept of dynamic and user-controlled spaces. It aimed to provide a highly adaptable, user-centric environment that catered to the diverse needs and activities of various user groups, promoting a sense of ownership and empowerment within the space.
DEVICE BEING USED BY RESIDENTS OF BAGNOLET, PARIS
05.
06. 11
03
SITE ANALYSIS JUNCTIONSCAPE
base map
PARIS | MADRID | LISBON
grass
07.
light and shadow
ground quality
pavement
building
shadow
s
exposed to light
most p
The apparatus has been designed to incorporate a lighting element and a storage unit, along with versatile planks that can be employed to create an unlimited array of objects and configurations.
08.
03. REVIVING WATSON HOTEL
REVIVING WATSON HOTEL
PROJECT TYPE - Collage Project, SEMESTER 05 LOCATION - Kala Ghoda, Mumbai // FACULTY - Ar. Karan Danda Group Project with Miriam Thomas
09.
Nestled within the vibrant art district of Mumbai, the Watson Hotel proudly graces the city’s skyline, occupying a prime location directly opposite the iconic Kala Ghoda statue. As a historic landmark, the Watson Hotel has long been a symbol of the city’s heritage and charm. The Potterdam Project emerged as a noteworthy international architectural restoration initiative, aiming to breathe new life into the Watson Esplanade Hotel Mansion while preserving its rich historical significance. Collaboratively, students from the renowned institutions, Academy of Architecture and Hogeschool, lent their expertise and creativity to generate a range of innovative proposals. This ambitious undertaking began with a meticulous exploration of the site, delving into its historical context and engaging with existing stakeholders to ensure that the essence of the past was carefully retained. The iconic castiron structure that defines the hotel was reimagined with fresh ideas, setting the stage for a remarkable transformation that seamlessly integrates heritage with a contemporary vision. The result of this remarkable transformation is a harmonious blend of the past and the present, where the hotel stands as a living testament to the site’s rich history and its potential for the future. It seamlessly integrates the elegance of heritage with the dynamism of a contemporary vision, offering a unique and unforgettable experience for all who step through its doors. This project not only preserves a piece of history but also serves as a beacon of inspiration for future architectural and cultural endeavors.
10.
Here is the revised version with spelling and grammar corrections: The original structural elements of the building have been carefully preserved, ensuring their integrity, while the overall spatial and volumetric qualities have undergone a complete transformation. The introduction of a spacious atrium allows an abundance of natural light to flood the double-height art gallery, creating a stunning visual impact.
LOCATION PLAN
The fourth and fifth floors of the building have been thoughtfully designed to revolve around a central courtyard, providing a unique and inviting living space. To maintain a functional and professional environment, the ground and first floors at the rear of the building have been allocated for lawyers’ offices. At the forefront of the building, an art gallery takes center stage, paying homage to the art district in which the site is situated. The building’s various levels are seamlessly connected by an existing staircase, ensuring easy access and circulation. On the rooftop, a multifunctional terrace has been developed, featuring a vibrant green roof that adds to the environmental sustainability of the structure.
Open Art Galleries in the Hotspot Site, Watson Hotel IMPORTANT LANDMARKS
11.
Colonnade Market
Transitional Space
Atrium
Art Gallery
Lawyer’s Offices
Balcony
Transitional Space
Cafe/ Restaurant
Lawyer’s Offices
Balcony
2BHK and 3BHK Co-Living
Atrium
Transitional Space
Recreational Green Rooftop EXPLODED VIEW OF THE PLANS
12.
04. A PLACE IN THE CITY
A PLACE IN THE CITY
PROJECT TYPE - Architectural Design, SEMESTER 04 LOCATION - Dadar, Mumbai // FACULTY - Ar. Nachiket Kalle
Out-station students from all over the country come to the city of Mumbai for a better and wider choice of institutions and courses. This inflow of young and hopeful people has been going on for many years and is likely to continue long into the future. It is not easy to find a place to live, a place to study, or a place to socialize, and often it is an intense struggle to manage on all these fronts simultaneously. Hence, there is a need to ease the hardships faced by out-station students, at least regarding the above issues, to help expedite the actualization of their desire for a better education. The design brief was to create a facility that will offer shelter, services, and amenities to out-station students of Rachana Sansad’s architecture and art courses. This facility will offer co-living, co-working, and socializing spaces for all such students. It will cater to 120 students for the full duration of their education ranging from 3-5 years. The design ideology utilized here is one that creates separate spaces for all these individual activities but also has interconnecting nodes that act as ‘community spaces’. All the students can gather in such spaces and socialize while having secluded spaces for themselves. Each student will have a space of their own, which will be their ‘home away from home’.
LOCATION PLAN
13.
14.
GROUND AND FIRST FLOOR PLAN
SECOND FLOOR PLAN
15.
LEGEND: 01. Working Space 02. Courtyard 03. Community Space 04. Pottery Studio 05. Living Space
06. Toilets 07. Upper Courtyard 08. Staircase
LEGEND: 01. Staircase 05. Roof for the Working Space 02. Courtyard 06. Roof for the cafe 03. Living Space 07. Roof for the Community Space 04. Toilets
FORM DEVELOPMENT
The idea was to create a juxtaposition between curves and corners. The blend of these two elements will create a space suitable for the users. It will also facilitate connecting nodes or modules where all the users can come together and use it as a community space. The site was located in the Prabhadevi area in the midst of an urban landscape with residential buildings and slums around. The Co-Living and Co-Working spaces were segregated with connecting nodes in between. Two structures were made: one in the middle, which acted like a housing facility for the users, and the other was the Curved Working space where studios were held for all kinds of things, like pottery, art, fashion design, and others. This was made a welcoming space with the use of curves for the students to work comfortably and without any issues. All the drawings were done by hand.
SECTION AA’
SECTION BB’
16.
05. POSTCARD CONVERSATION
POSTCARD CONVERSATION
PROJECT TYPE - Architectural Representation Drawing, SEMESTER 04
The Mumbai X Brussels project was a collaborative effort between the Academy of Architecture and the Faculty of Architecture La Cambre Horta at ULB. It provided students from both Mumbai and Brussels with a unique platform to showcase significant aspects of their respective cities, fostering a dialogue through the exchange of postcards. The students examined their cities from diverse perspectives, exploring elements of work, culture, and traditions, and translated these observations into visually captivating postcards. An exhibition featuring a selection of drawings noted for their compelling narratives, artistic poignancy, and technical excellence was hosted at the residence of the Consulate General of Belgium in Mumbai and at our college during Confluence week. Inspired by the bustling energy of Crawford Market, I created a postcard that portrays the vibrancy of the market streets devoid of human presence. By removing human figures from the scene, I aimed to emphasize the liveliness inherent in the market itself. Notably, my drawing was chosen for the official greeting card for Brussels, a design featured on the following page.
PICTURES FROM THE EXHIBITION
17.
OFFICIAL POSTCARD WITH MY DRAWING
18.
06. DOCUMENTING SGNP
DOCUMENTING SGNP
PROJECT TYPE -Landscape, SEMESTER 04 LOCATION - Borivali, Mumbai // FACULTY - Ar. Juhi Prasad
Documenting a plot of land in Sanjay Gandhi National Park, located in the northern part of Mumbai, India, was a fascinating endeavor due to its rich biodiversity and diverse range of flora and fauna. Spanning over 100 square kilometers, this protected area is a treasure trove of natural wonders that deserve in-depth exploration and documentation. The park boasts a stunning variety of plant species, including lush forests, grasslands, and wetlands. The dense canopies of trees provide shelter to a wide array of vegetation, including tropical evergreen forests, teak, bamboo, and several species of orchids. Documenting these plant species involves capturing their unique characteristics, their role in the ecosystem, and their contributions to local and global ecology. Sanjay Gandhi National Park in Mumbai is renowned for its diverse flora, including tropical evergreen forests, bamboo groves, deciduous forests, medicinal plants, orchids, aquatic vegetation, grasslands, and the presence of both native and invasive species. This botanical richness contributes to the park’s ecological significance and offers ample opportunities for research and conservation efforts. This variety of plant life makes it an appealing destination for nature enthusiasts, botanists, and researchers.
SITE PLAN
19.
Types of trees that we documented:
Teak (Tectona grandis): Teak is a prominent tree species in the park, known for its valuable timber and beautiful hardwood.
Wild Figs (Ficus species): Various species of wild figs, such
as the cluster fig tree (Ficus racemosa), can be found in the park. These trees are essential for wildlife as their fruits serve as a food source.
Khair (Acacia catechu): Khair trees are deciduous and
known for their dark heartwood, which is used for various purposes, including medicinal applications.
Jamun (Syzygium cumini): The jamun tree is famous for
its delicious dark purple fruit and is a vital part of the park’s biodiversity.
Bamboo (Bambusa species): Bamboo groves are a
distinctive feature of the park, offering a source of shelter and sustenance for various wildlife species.
Neem (Azadirachta indica): Neem trees are valued for their medicinal and insect-repellent properties.
SECTION BB’
SECTION AA’
20.
07. CAR SHOWROOM PROJECT TYPE - Working Drawings, SEMESTER 06 LOCATION - Dadar, Mumbai // FACULTY - Ar. Amey Ghosalkar
CAR SHOWROOM
The project involved the design of a 12-story car showroom in Chembur, Mumbai, with direct access to Chandivali Road. It commenced with a thorough site analysis, considering functional requirements, structural considerations, and architectural design. Space planning and safety compliance were essential, and detailed working drawings and specifications were created for construction guidance. Sustainability and project management were key considerations, and quality control measures were rigorously implemented during construction. These working drawings needed to be comprehensive, specifying not only the architectural design but also the structural details that were vital for the building’s stability and integrity. Additionally, they included specifications that detailed the materials to be used, construction methods, and the integration of various functional elements. The goal was to ensure that the design was not just aesthetically pleasing but also highly practical and ready for execution on-site, meeting both safety and functionality requirements.
SECTION OF THE SUSPENDED STAIRCASE AT 1:20
STAIRCASE DEN GENERAL
· ALL DIMENSIONS AR
· ALL DIMENSIONS AN
OTHERWISE SPECIF
· DO NOT SCALE THE FOLLOWED
· ANY DISCREPANCIE
THE NOTICE OF THE
· THE DRAWING SHAL
PLANS AND SECTIO
· PLINTH LEVEL IS +0.
· ALL INTERNAL WAL BOTH SIDES.
· ALL THE EXTERNAL
PLASTER 12MM AND
· THE SIZES OF THE C DRAWINGS.
SECTION OF THE SUSPENDED STAIRCASE AT 1:20
STAIRCASE DETAILS
SUSPENDED STAIRCASE DETAIL AND SECTION
2 COATS OF CEMENTITOUS WATERPROOFING (20MM)
150MM THK BUND WALL
21.
FIRE FIGHTING TANL
1000 MM DIA ACCESS MANHOLE
150MM DEEP HAUNCH RUNG LADDER
RUNG LADDER
HAN
MANHOLE
MANHOLE
MANHOLE
MANHOLE
FE E PIL DE LA R R
SU
BS
TA
TIO
N
CAR RAMP TO GROUND FLOOR
WALKWAY FOR PEDESTRIANS PEDESTRIAN RAMP TO GROUND FLOOR PEDESTRIAN RAMP TO GROUND FLOOR
UP
SLOPE 1:12
UP
UP
SLOPE 1:12
SLOPE 1:12
UP SLOPE 1:10
WALKWAY FOR PEDESTRIANS 7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
UP SLOPE 1:30
RAMP TO THE BASEMENT 6.3M WIDE
DRIVEWAY 6M WIDE STORM WATER DRAIN BASEMENT LINE
C9
C7,C12
C4
C6,C8 C11
C3
C5
C10
LW2,LW4 SW2
LW1,LW3 LW5
C2
LW6,LW8
SW1,LW7
LW10
LW9,LW11
C1
RC4,RC7 RC10
RC1
RC3,RC6 RC9
RC2,RC5 RC8
GROUND FLOOR PLAN WITH LANDSCAPING
RC1 1.000 X 0.300
MANHOLE
MANHOLE
MANHOLE
RC1
MANHOLE
RC1
VEHICULAR RAMP TO GROUND FLOOR
C1,C2
W1
LW9 2.410 X 0.230
1.980
C1
UP
SLOPE 1:12
C5
SLOPE 1:12
2.000
C6,C7
EQ
FIRE DUCT 2.130
2.845
LW1 2.410 X 0.230 LW2 0.230 X 2.210
W1
RC6 0.300 X 2.000
1.999
2.005
0.469
C5 0.450 X 0.230
LW9,LW1
C7 2.000 X 0.450
C6 2.000 X 0.450
LW10 0.230 X 2.210
SERVICE PLATFORM
LW4 LW5
LW10,LW2
RC7 0.300 X 2.000
UP
DN
SLOPE 1:10
SLOPE 1:10
RC5,RC6 RC7
LW3 2.410 X 0.230
LW11 2.410 X 0.230 2.400
RC5 0.300 X 2.000
LW11,LW3
LW4 0.230 X 2.210
LW4
2.138
LW5 2.410 X 0.230
0.943
LW5
SHOWROOM SW1 0.250 X 2.180
UP EQ
EQ
EQ
EQ
4.431 7.231
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
W1
EQ
EQ
EQ
RC8,RC9 RC10
1.500
C1
1.054
EQ EQ
EQ
UP
SW2
EQ 4.398
RISER 0.150 THREAD 0.300
EQ
EQ
LW6
EQ
EQ
LW6 2.410 X 0.230
EQ
SW2 0.250 X 2.180
2.034
LW6
EQ
EQ
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
EQ
SW2
C8,C9 W1 F1
EQ
EQ
RC10 0.300 X 2.000
W1
RC9 0.300 X 2.000
SW1
C9 0.450 X 2.000
W1
C8,C9
C8 2.000 X 0.450
0.3
EQ
DN
0.300
SW1
RC8 0.300 X 2.000
RC2,RC3 RC4
3.044
3.544
W2
W2
UP
C2
0.731
2.000
0.642 EQ
LIFT SHAFT 1.95X2.15
LW11,LW3
RC8,RC9 RC10
C2
W2
CANOPY OUTLINE
LW9,LW1 LW10,LW2 RC5,RC6 RC7
W2 F2
W1
C6,C7
W2 F2
2.344
W1 F1
5.960
PEDESTRIAN RAMP TO GROUND FLOOR
0.642
C3
METER ROOM
W2
UP
0.617
C3,C4
W3 F3
EQ
3.379
UP SLOPE 1:12
ELECTRICAL DUCT EQ
LOBBY
3.540
1.350
4.774
0.922
1.500
EQ
0.647
0.350
W3
C1,C2
0.894
EQ
EQ
W3
0.3
EQ
C4 0.230 X 0.450
8.292
CHAJJA 0.587
EQ
1.900
C5
DUCT AT 1st FLOOR LEVEL
C3 0.230 X 0.450 0.960
0.960
EQ
C3,C4
C2 0.450 X 0.230
3.028
1.500
2.251
C1 0.450 X 0.230
STAIRCASE TO GROUND FLOOR
PEDESTRIAN RAMP TO GROUND FLOOR
0.600
RC4 0.300 X 2.000
W3
RC3 0.300 X 2.000
W2
RC2 0.300 X 2.000
W2
RC2,RC3 RC4
LW7
EQ
EQ
LW7 W3
W3
F3
EQ
W3
LW7 0.230 X 2.210
C3 W3
0.600
C10 2.000 X 0.450
C11 2.000 X 0.450
2.239
RISER 0.150 THREAD 0.300
EQ
1.800
EQ
LW8 2.410 X 0.230
LW8
1.373
2.138
1.167
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
1.696
0.300
C12 2.000 X 0.450
LW8
2.138
C10, C11 C12
C10, C11 C12 DRIVEWAY DRIVEWAY
C9
C7,C12
C4 C6,C8 C11
C3
C5
C2
C10
LW2,LW4 SW2
LW1,LW3 LW5
LW6,LW8
SW1,LW7
C1
LW9,LW11
LW10
RC4,RC7 RC10
RC3,RC6 RC9
RC1
RC2,RC5 RC8
BASEMENT BOUNDARY WALL LINE
GROUND FLOOR PLAN
22.
C3 0.230 X 0.450
C2 0.450 X 0.230
C3 0.230 X 0.450
W3
C9 C9
C7,C12 C7,C12
3.044
W2
W2
0.642
W2
LW9,LW1 LW10,LW2 C5
C2
2.000
1.999
2.005
C5 0.450 X 0.230
C6,C7
6.664
W1
3.044 1.980 3.544
W1 2.400
2.000
C7 2.000 X 0.450
C6 2.000 X 0.450
LW11,LW3 LW9,LW1 LW4
W1
21.138
LIFT SHAFT 1.95X2.15
LW5 2.410 X 0.230
LW10,LW2
SHOWROOM
LW5
UP
4.431
SHOWROOM
C8,C9 LW5
EQ
7.231
EQ EQ
EQ
LW5 2.410 X 0.230
LW11,LW3 SW1 LW4
C9 0.450 X 2.000
W1
0.3
16.138 7.231
SW2 C8,C9
EQ EQ
EQ EQ EQ
C1
EQ
EQ
SW2 0.250 X 2.180
SW1
1.500
C9 0.450 X 2.000
2.000 X 0.450
GYPSUM BOARD DRY WALL FOR PARTITION
4.431
EQ EQ EQ
RISER 0.150 THREAD 0.300
F1C8
EQ
EQ
EQ
EQ
EQ
EQ 4.398
W1
EQ
1.054
EQ EQ EQ
EQ
EQ
EQ
UP
0.300
EQ
EQ EQ
W1 W1
DN
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
C8 2.000 X 0.450
16.138
EQ
EQ
EQ EQ
EQ
EQ
0.943
SW1 0.250 X 2.180
UP
LW4 0.230 X 2.210
0.3
EQ
2.400
DN
SW1
6.664
SW1 0.250 X 2.180
2.138
C8,C9
W2
W2
1.350
W3 C2
C6,C7 C3,C4 C7 2.000 X 0.450
LW3 2.410 X 0.230
LW11 2.410 X 0.230
LW5
SW2
W2 F2
2.845
LW1 2.410 X 0.230 LW2 LW4 0.230 X 2.210 0.230 X 2.210
0.943
SERVICE PLATFORM
21.138 W2
2.130
C1
2.138
LW11,LW3 SW1 LW4
C6 2.000 X 0.450
LW3 2.410 X 0.230
LIFT LOBBY
LW10 0.230 X 2.210
2.005
EQ
FIRE DUCT
W1
LW10LW9 2.410 X 0.230 0.230 X 2.210
SERVICE PLATFORM
0.642
0.731
W2
EQ
F1
0.617
W2
LW11 2.410 X 0.230
LW10,LW2 LW5
W1
EQ EQ EQ EQ
C10 2.000 X 0.450
C11 2.000 X 0.450
EQ
1.167
EQ
EQ
EQ
EQ
EQ
EQ
EQ
1.696
0.300
4.588
C12 2.000 X 0.450
LW7 C10, C11 C12
EQ 2.686
W3
2.239
EQ
C10 2.000 X 0.450
0.600
EQ
RISER 0.150 THREAD 0.300
C11 2.000 X 0.450
1.800
W3
W3
2.138 C3
EQ
CONFERENCE ROOM
LW8 LW6
1.373
ADMIN OFFICE
W3 F3
4.092
LW7 0.230 X 2.210
EQ
SMOKE LOCK LOBBY
LW8 2.410 X 0.230
1.373
2.239
EQ
0.600
LW7
LW7 SW2
EQ
RISER 0.150 THREAD 0.300
2.034 EQ
2.138
LW8
CONFERENCE GYPSUM BOARD DRY WALL FOR PARTITION ROOM
EQ
ADMIN OFFICE
EQ
W3
EQ
SW2 0.250 X 2.180
EQ
W3
W3
RISER 0.150 C3 2.138 THREAD 0.300
LW8 2.410 X 0.230 LW6 2.410 X 0.230
LW6
2.686
W3 F3
4.092
EQ 4.398
EQ
EQ EQ EQ
EQ
LW6
EQ1.054 EQ 0.300
EQ
EQ EQ EQ EQ
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
1.500
C1 W1
SW2
LW7 0.230 X 2.210
W1
UP
W1 F1
4.588
SMOKE LOCK LOBBY
1.800
EQ
LW6 2.410 X 0.230
EQ
EQ
EQ
2.034
LW6
1.167
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
C12 2.000 X 0.450
1.696
0.300
LW8
2.138
C9
C7,C12
C9
C7,C12
C4 C4 C6,C8 C11
C3
C5
C6,C8 C11
C5 C10
C3
C10 C2
C2
LW2,LW4 SW2
LW1,LW3 LW5
LW2,LW4 SW2
LW1,LW3 LW5
LW6,LW8 LW6,LW8
SW1,LW7
C1
LW10
LW9,LW11
SW1,LW7
C1
C10, C11 C12
LW9,LW11
C10, C11 C12
LW10
ST FLOOR N AT 5.5M RST FLOOR LAN AT 5.5M
C3
F2
W1
C10, C11 C12
F3
LIFT SHAFT 1.95X2.15
1.999
C5 0.450 X 0.230 W3
3.379
LIFTLOBBY LOBBY
W3
EQ
C5
LW11,LW3 LW9,LW1 LW4
2.845
0.230 X 2.210
EQ
3.540
W1
2.130
C1
0.647
0.350
2.251
W3
0.400
W2
EQ
W1
LW9 2.410 X 0.230
0.894
C5
C2
2.000
EQ
EQ
CHAJJA
C3,C4 C1,C2
COMPRESSOR DUCT AT 4th FLOOR
0.642
8.292
2.000
W2
C2
0.587
EQ
FIRE DUCT ELECTRICALLW1 2.410 X 0.230 DUCT LW2
EQ
C4 0.230 X 0.450
W2 F2
W2
3.379
C3,C4
EQ
F1
DUCT AT 1st FLOOR LEVEL
0.731
W2 F2
0.960
0.960
C6,C7
LW8
2.251
1.980 3.544
3.540
W3
C3
C2 0.450 X 0.230
3.028
LW9,LW1 C1,C2
LW7
0.642
W2
W3
F3
W1
C8,C9
0.617
W2
EQ
LOBBY
C5
LW10,LW2
0.647
W3
EQ
C1 0.450 X 0.230
C4
0.400
ELECTRICAL DUCT
1.350
C1,C2
0.894 0.350
EQ
EQ
EQ
EQ
COMPRESSOR DUCT AT 4th FLOOR
0.587
C6,C7
CHAJJA
8.292
3.028
C3,C4
C4 0.230 X 0.450
DUCT AT 1st FLOOR LEVEL
0.960
0.960
C4
C6,C8 C11 C6,C8 C11
C3 C3
C5
C10
C5
C10
LW2,LW4 SW2
LW1,LW3 LW5
C2
LW2,LW4 SW2
LW1,LW3 LW5
LW6,LW8
C2 LW6,LW8
SW1,LW7 SW1,LW7
LW10
LW9,LW11 LW9,LW11
LW10
C1
C1
C1 0.450 X 0.230
C1,C2
C4
C7,C12
C9
C7,C12
C9
C6,C8 C11
C4
C6,C8 C11
C3 C3
C5
C10
C5
C10
LW2,LW4 SW2
LW1,LW3 LW5
LW2,LW4 SW2
LW1,LW3 LW5 C2
LW6,LW8
SW1,LW7
C2
LW6,LW8
SW1,LW7
LW9,LW11 LW9,LW11
LW10
LW10 C1
C1
FIRST FLOOR PLAN
C1,C2
C3 0.230 X 0.450
C2 0.450 X 0.230
C4 0.230 X 0.450
DUCT AT 1st FLOOR LEVEL
C1,C2
CHAJJA
0.960
0.960
EQ
1.350
ELECTRICAL C2 0.450 X 0.230 DUCT
W3
F3
C4 0.230 X 0.450
DUCT AT 1st FLOOR LEVEL CHAJJA
W3
EQ
W3
LOBBY
C3 0.230 X 0.450
0.960
0.960
EQ
3.028
C3 W3
1.350
W1
0.943
0.3 EQ
W2
W2
W2
EQ
W1
7.231
F1
EQ
EQ
EQ
SW2 0.250 X 2.180
EQ
EQ
F1 W1
EQ
EQ EQ
EQ
SW2
W1
EQ 4.398
C1
SW2 LW6
SW2 0.250 X 2.180
RISER 0.150 THREAD 0.300
LW7
SMOKE LOCK 2.034 LOBBY
LW7 LW6 0.230 X 2.210 2.410 X 0.230
LW6
EQ
W3
W3
2.138 C3 W3
EQ SMOKE LOCK LOBBY
0.600
EQ
W3
C12 2.000 X 0.450
EQ
C10 2.000 X 0.450
0.600
W3
C11 2.000 X 0.450
LW7 LW8
2.138 C3 W3
EQ
LW8 2.410 X 0.230
C10 2.000 X 0.450
W3
F3
2.138
2.686
LIFT SHAFT
2.686
W3 F3
LW8 LW7 2.410 X 0.230 0.230 X 2.210
C8,C9
C1
W1
2.034
LIFT SHAFT
C8,C9 SW1
C9 0.450 X 2.000
W1
4.431
EQ EQ EQ
EQ EQ EQ
16.138
EQ EQ
7.231
EQ EQ EQ
EQ
EQ
EQ
EQ
EQ
EQ
C8 2.000 X 0.450
EQ
EQ
EQ
16.138
EQ EQ
EQ
EQ
EQ
EQ
UP
EQ
EQ EQ EQ EQ
4.398
SW1 LW5
C9 0.450 X 2.000
4.431
EQ EQ
0.3
EQ
C8 2.000 X 0.450
W1
EQ
LW6 2.410 X 0.230
LW5 2.410 X 0.230
UP
W1
UP
LW8
3.540
W3
2.400
LW4 0.230 X 2.210
0.943
DN
LW7
C10, C11 C12
LW11,LW3 LW5 LW4
LW4
LW5 2.410 X 0.230
W1
SW1
LW7
LW11,LW3 LW10,LW2
2.138
RISER 0.150 THREAD 0.300
LW8
LW9,LW1
21.138
LIFT SHAFT
SW1 0.250 X 2.180
LW6
C7 2.000 X 0.450
2.138
DN
UP
C5LW9,LW1 C6,C7 LW10,LW2
C6 2.000 X 0.450
LIFT 1.95X2.15 SHAFT
2.400
LW11 2.410 X 0.230
LW5
SW2
C6,C7 C7 2.000 X 0.450
LW4 0.230 X 2.210 LW3 2.410 X 0.230
C8,C9
LW6
C5 0.450 X 0.230
LIFT SHAFT
LIFT LOBBY
SW1 0.250 X 2.180
SW2
C2 C6 2.000 X 0.450
C2
EQ
LW1 2.410 X 0.230 LW2 LW3 0.230 X 2.210 2.410 X 0.230
W1
C8,C9
W2
W1
W1
SW1
LW10 0.230 X 2.210
SERVICE PLATFORM
W2 F2
W2
2.130
LW4 LW11,LW3 LW5 LW4
W2 F2
C5 0.450 X 0.230
C3,C4 C5
21.138
FIRE DUCT
C1
LW11 LIFT 2.410 X 0.230 SHAFT
C3
W2
LW1 2.410 X 0.230 LW2 0.230 X 2.210
LIFT SHAFT 1.95X2.15 EQ W1
LW10 0.230 X 2.210
SERVICE PLATFORM
C2
W3
2.130
W2
EQ
F3
W2
FIRE DUCT
EQ
W3
EQ
W1 LIFT LOBBY F1
LW9 2.410 X 0.230
LW9,LW1 LW10,LW2 LW11,LW3
LOBBY
EQ
C1
LIFT SHAFT
C6,C7
F2
C2
W3
W1
3.379
LW10,LW2
F1
LW9 2.410 X 0.230
C5
W2
F2
W2
W1
W2
EQ
EQ
ELECTRICAL DUCT
W2
C1,C2
C6,C7 LW9,LW1
EQ
EQ
W2
C3,C4
W2
3.379
C5
C3,C4
6.664
EQ
C1 EQ 0.450 X 0.230
C1,C2
3.540
C3,C4
EQ
COMPRESSOR DUCT COMPRESSOR DUCT AT 4th FLOOR AT 4th FLOOR
3.028
6.664
C1 0.450 X 0.230
C11 2.000 X 0.450
C12 2.000 X 0.450
C10, C11 LW8 C12
2.138
23.
C9 C9
C7,C12C7,C12
C4
SERVICE FLOOR PLAN
C4
C6,C8 C6,C8 C11 C11
C3 C3
C5 C10
C5
C10 C2
C2
LW1,LW3 LW5 LW1,LW3 LW5 LW2,LW4 SW2 LW2,LW4 SW2
LW6,LW8
LW6,LW8
SW1,LW7
SW1,LW7
C1
C1 LW9,LW11
LW10 LW9,LW11
VICE FLOOR ERVICE FLOOR N AT 9.5M LAN AT 9.5M
C10, C11 C12
LW10
C10, C11 C12
· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED · ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS OTHERWISE SPECIFIED.
· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED
· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.
GENERAL NOTES:
· THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.
· ALL DIMENSIONS ARE IN METRES U
· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON
· ALL DIMENSIONS AND LEVELS ARE
· ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL
· DO NOT SCALE THE DRAWING ALL W
BOTH SIDES.
OTHERWISE SPECIFIED.
FOLLOWED
PLASTER 12MM AND INTERNAL PLASTER 8MM.
· ANY DISCREPANCIES IN THE DRAW
· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE
THE NOTICE OF THE ARCHITECTS P
DRAWINGS.
· THE DRAWING SHALL BE READ ALO
TERRACE FLOOR
PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.
· ALL INTERNAL WALLS ARE 150 MM
SCHEDULE FOR DOOR ELEVENTH FLOOR
SYMBOL
SERVICE FLOOR
SPECIFICATION
BOTH SIDES.
SIZE
REMARK
TEMPERED GLASS DOUBLE LEAF DOOR WITH ALUMINUM FRAME FINISHED IN MIRROR POLISH STAINLESS STEEL
1.86 X 2.50M
ENTRANCE DOOR
ALUMINUM ROLLING SHUTTER DOOR WITH POWDER COATING
3.60 X 3.40M
CAR ENTRY DOOR
SINGLE PANELED PLYWOOD DOOR
1.00 X 2.20M
OFFICE, TOILETS
· ALL THE EXTERNAL WALLS ARE 150
PLASTER 12MM AND INTERNAL PLA
· THE SIZES OF THE COLUMNS AND B DRAWINGS.
SCHEDULE FOR WINDOW
TENTH FLOOR
SYMBOL
NINETH FLOOR
SIZE
REMARK
GRANITE FRAMED ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED
SPECIFICATION
0.75 X 1.50M
DUCTS
GLASS LOUVERED ALUMINUM PANELED WINDOW
0.50 X 0.80M
TOILETS
GRANITE FRAMED ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED
2.75 X 1.75M
LOBBY
1.12 X 1.75M
SMOKE LOCK LOBBY
EIGHTH FLOOR ALUMINUM WINDOW WITH DOUBLE SHUTTER AND FULLY GLAZED
SCHEDULE FOR WALLS SEVENTH FLOOR
SYMBOL W1
REMARK
12MM THK PLASTER WITH 2 COATS OF WHITE WASH, 1 COAT OF 8MM P.O.P. PLASTER, 2 COATS OF PRIMER TO ALL SIPOREX WALLS ALL FINISHED WITH PAINT
W1
W1
GENERAL NOTES:
SPECIFICATION
· ALL DIMENSIONS ARE IN METRES U
SHOWROOM, OFFICE
· ALL DIMENSIONS AND LEVELS ARE
TOILETS
· DO NOT SCALE THE DRAWING ALL
OTHERWISE SPECIFIED.
W1 W2
VITRIFIED WALL TILES ON PLASTERED SIPOREX WALLS.
W2
FOLLOWED
W2
SIXTH FLOOR
W2
LOUVERS
· ANY DISCREPANCIES IN THE DRAW
W3
1.5M HIGH DOUBLE CHARGE VITRIFIED WALL TILES ON PLASTERED SIPOREX WALLS
W3
W3
STEEL FRAME CLADDING
LOBBY
W3
SCHEDULE FOR FLOOR
FIFTH FLOOR
SYMBOL
FLAMED BASALT STONE CLADDING
FOURTH FLOOR
CANOPY PLAN
F2
· ALL INTERNAL WALLS ARE 150 MM
ALL OFFICE FLOORS, ROOMS, SHOWROOM
· ALL THE EXTERNAL WALLS ARE 15
ANTISKID VITRIFIED TILE FLOORING WITH MINIMUM 75MM SCREEDING.
TOILETS
· THE SIZES OF THE COLUMNS AND
CANOPY DETAIL
THIRD FLOOR
VISION GLASS
REMARK
GLOSSY DOUBLE CHARGED VITRIFIED TILE WITH MINIMUM 75MM SCREEDING.
DOUBLE CHARGED VITRIFIED TILE WITH MINIMUM 75MM SCREEDING.
F3
SYMBOL
SECOND FLOOR
C1
SPECIFICATION
DETAIL AT 1:3 REMARK METER ROOM, STAIRCASE, ALL ROOMS
10MM THK 1:1:2 PLASTER, 2 COATS OF WHITE WASH.
TOILETS
LEVEL PLASTERING & POP PLASTER FINISH TO CEILING, & GYPSUM BOARD/ BISON BOARD FALSE CEILING WITH INSITU LIGHT ARRANGEMENTS.
LOBBY
C2
C3
DRAWINGS.
BOLT ASSEMBLY
10MM THK 1:1:2 LEVEL PLASTER, 2 COATS OF WHITE WASH, 1 COAT OF 5MM P.O.P. PLASTER FINISH, 2 COATS OF PRIMER, 2 COATS OF WALL PAINT.
SERVICE FLOOR
MULLION
BOTH SIDES.
PLASTER 12MM AND INTERNAL PLA
LOBBY
SCHEDULE FOR CEILING
GREY ACP PANEL
THE NOTICE OF THE ARCHITECTS P
· THE DRAWING SHALL BE READ ALO PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.
SPECIFICATION
F1
WALL FASTENER
ALUMINUM WALL BRACKET
KEY PLAN AT 1:500 BOLT ASSEMBLY RC1 1.000 X 0.300
KEY PLAN AT 1:500 FIRST FLOOR
RC3 0.300 X 2.000
RC4 0.300 X 2.000
RC6 0.300 X 2.000
RC7 0.300 X 2.000
C1 0.450 X 0.230
C2 0.450 X 0.230
0.955
W3
W3
F3
EQ
EQ
C3 W3
0.676
W1
W1
F1
W1 C1
LW9 2.410 X 0.230
W1
FIZED GLAZED GLASS 6MM THK
LW1 2.410 X 0.230 LW2 0.230 X 2.210 LIFT SHAFT 1.95X2.15
LW3 2.410 X 0.230
LW11 2.410 X 0.230
LW10 0.230 X 2.210
LW4 0.230 X 2.210
LW5 2.410 X 0.230
SW1 0.250 X 2.180
RC9 0.300 X 2.000
RC10 0.300 X 2.000
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
SW2 0.250 X 2.180 LW6 2.410 X 0.230
W3
LW7 0.230 X 2.210
W3
W3
F3 C3 W3
LW8 2.410 X 0.230
TRANSOM COVER CAP ENTRANCE
ENTRANCE
GROUND LEVEL
DATE: 26-04-2023
CAR RAMP
PAGE NO: 20
WALL FASTENER ALUMINUM RIVET
DRAWING NAME: DETAILS
WALL FASTENER
SINGLE GLAZING VISIBLE GRID
NORTH ELEVATION
ALUMINUM WALL BRACKET
DATE: 26-04-2023
ACADEMY OF ARCHITECTU
CANOPY DETAIL
PAGE NO: 12
NAME: YUSRA ZAHOOR
CANOPY PLAN
EAST & SOUTH ELEVATION
1:100
ACADEMY OF ARCHITECTURE
3rd B. ARCH
NAME: YUSRA ZAHOOR
R NO: 50
CANOPY DETAIL
BOLT ASSEMBLY
DETAIL AT 1:3
STAMP:
SIGN:
S
SIGN:
SIDEDRAWING SECTION SCALE: NAME: OF CANOPY
MULLION
+54.0
TERRACE FLOOR
+48.250
TERRACE FLOOR
+44.750
ELEVENTH FLOOR
KEY PLAN AT 1:500
BOLT ASSEMBLY RC1 1.000 X 0.300
RC3 0.300 X 2.000
RC4 0.300 X 2.000
RC6 0.300 X 2.000
RC7 0.300 X 2.000
C1 0.450 X 0.230
C2 0.450 X 0.230
0.955 0.676
FIZED GLAZED GLASS 6MM THK
EQ
EQ W1
W1
W1
F1
LW9 2.410 X 0.230
C1 W1
LW1 2.410 X LW2 0.230 X LIFT SHAFT 1.95X2.15
LW10 0.230 X 2.210
LW3 2.410 X
LW11 2.410 X 0.230
LW4 0.230 X
LW5 2.410 X
SW1 0.250 X 2.180
+42.350
SERVICE FLOOR
RC9 0.300 X 2.000
RC10 0.300 X 2.000
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
SW2 0.250 X LW6 2.410 X 0.230
W3
W3
F3
W3
LW7 0.230 X 2.210
C3 W3
CAR PARKING TOWER
C10 2.000 X 0.450
PLINTH LINE
LW8 2.410 X 0.230
TRANSOM COVER CAP
+38.850
TENTH FLOOR
+35.350
NINETH FLOOR
DRAWING NAME: DETAILS
+31.850
EIGHTH FLOOR
NAME: YUSRA ZAHOOR
C10 2.00
DATE: 26-04-2023 PAGE NO: 20
WALL FASTENER ALUMINUM RIVET
SINGLE GLAZING DETAIL
SINGLE GLAZING VISIBLE GRID
ACADEMY OF ARCHITECTU
GENERAL NOTES:
SIDE SECTION OF CANOPY
SIGN:
· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED
· ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS SEVENTH +28.350 OTHERWISE SPECIFIED. FLOOR
· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED
· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION. +24.850
SIXTH
FLOOR · THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT
PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.
STEEL FRAME CLADDING
· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON BOTH SIDES.
FIFTH
+21.350 · ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL FLOOR
PLASTER 12MM AND INTERNAL PLASTER 8MM.
· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE DRAWINGS.
FLAMED BASALT STONE CLADDING
VISION GLASS
+17.850
FOURTH FLOOR
+14.350
THIRD FLOOR
+10.850
SECOND FLOOR
+8.45
SERVICE FLOOR
+4.95
FIRST FLOOR
GROUND LEVEL
ALUMINUM WALL BRACKET
ENTRANCE
WALL FASTENER
CAR PARKING TOWER
EAST ELEVATION
CANOPY CANOPY PLANPLAN CANOPY DETAIL
BOLT ASSEMBLY
DETAIL AT 1:3
24.
GENER
· ALL DIMEN
· ALL DIMEN
OTHERWIS
+48.250
· DO NOT SC
FOLLOWED
TERRACE FLOOR
· ANY DISCR
THE NOTIC
· THE DRAW +44.750
ELEVENTH FLOOR
+42.350
SERVICE FLOOR
PLANS AND
· PLINTH LEV
· ALL INTER
BOTH SIDE
· ALL THE E
PLASTER 1
· THE SIZES
DRAWINGS
+38.850
TENTH FLOOR
+35.350
NINETH FLOOR
+31.850
EIGHTH FLOOR
+28.350
SEVENTH FLOOR
STAIRCASE DETAILING +24.850
LOUVERS
SIXTH FLOOR
SECTION OF STAIRCASE AT 1:25 STEEL FRAME CLADDING
+10.850
SECOND FLOOR
+8.45
SERVICE FLOOR
+4.95
FIRST FLOOR
+0.750
PLINTH LINE
VISION GLASS
GREY ACP PANEL
FLAMED BASALT STONE CLADDING
GREY ACP PANEL
EQ EQ
VISION GLASS
GROUND LEVEL
CAR PARKING TOWER
ENTRANCE
EQ
21.726
THIRD FLOOR
FLAMED BASALT STONE CLADDING
35.450
+14.350
SW1 0.250 X 2.180
0.300
FOURTH FLOOR
SW1 0.250
EQ EQ
+17.850
EQ EQ EQ EQ EQ EQ EQ EQ
FIFTH FLOOR
EQ EQ EQ EQ EQ EQ EQ EQ EQ
SECTION OF STAIRCASE AT 1:25
+21.350
KEY PLAN
ENTRANCE
EQ
ENTRANCE
CAR RAMP
21.562
GLOSSY DOUBLE CHARGED VITRIFIED TILE
RISER 0.150 THREAD 0.300
MIDLANDING
SOUTH ELEVATION
9.972
EQ
EQ
LW6 2.410 X 0.230
SW2 0.250 X 2.180
LW6 2.410
DATE: 26-0
PAGE NO:
SECTION OF STAIRCASE STAIRCASE SECTION AT 1:50 STAIRCASE PLAN AT 1:20
SECTION OF STAIRCASE AT 1:50
SIGN:
· ALL DIMENSIONS ARE IN METRES UNLESS MENTIONED · ALL DIMENSIONS AND LEVELS ARE UNFINISHED UNLESS OTHERWISE SPECIFIED.
· DO NOT SCALE THE DRAWING ALL WRITTEN DIMENSION TO BE FOLLOWED
· ANY DISCREPANCIES IN THE DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECTS PRIOR TO EXECUTION.
4.197 · THE DRAWING SHALL BE READ ALONG WITH THE RELEVANT
5.178
4.197
5.388
4.197
7.055
2.512
7.055
PLANS AND SECTIONS · PLINTH LEVEL IS +0.750 M.
0.300
· ALL INTERNAL WALLS ARE 150 MM THK WITH 8MM PLASTER ON BOTH SIDES.
· ALL THE EXTERNAL WALLS ARE 150 MM THK WITH EXTERNAL 0.625
0.250 8MM. PLASTER 12MM AND INTERNAL PLASTER
· THE SIZES OF THE COLUMNS AND BEAMS ARE AS SHOWN IN THE
7.055
2.320
25.546
18.891
0.850
DRAWINGS.
1.366
0.762
8.182
WASH BASIN DETAIL SCALE 1:10
2.000
4.197
3.969 1.364
12.595
DETAILED PLAN OF TOILET AT 1:50 DETAILED SECTION OF TOILET SHOWING TILE DROP TOILET DETAILS
DETAILED PLAN OF TOILET KEY PLAN AT 1:500
RC1 1.000 X 0.300
C1 0.450 X 0.230
C2 0.450 X 0.230
C3 0.230 X 0.450
0.955
C4 0.230 X 0.450
W3
W3
F3 C3 W3
W2
W2 F2 W2
W2
F2 C2
C2
W2
0.676
EQ
EQ W1
W1
W1
F1
LW9 2.410 X 0.230
W2
RC7 0.300 X 2.000
W2
RC4 0.300 X 2.000
RC6 0.300 X 2.000
W3
RC3 0.300 X 2.000
W2
C1 W1
LW1 2.410 X 0.230 LW2 0.230 X 2.210
C5 0.450 X 0.230
C6 2.000 X 0.450
C7 2.000 X 0.450
C8 2.000 X 0.450
C9 0.450 X 2.000
LIFT SHAFT 1.95X2.15
LW10 0.230 X 2.210
LW3 2.410 X 0.230
LW11 2.410 X 0.230
LW4 0.230 X 2.210
LW5 2.410 X 0.230
SW1 0.250 X 2.180
W1
W1
RC10 0.300 X 2.000
W1
F1
7.9 X 6.1 PARKING TOWER AS SPECIFIED BY THE VENDOR
C1
SW2 0.250 X 2.180 LW6 2.410 X 0.230
W3
W3
F3
W3
LW7 0.230 X 2.210
C3 W3
RC9 0.300 X 2.000
W1
25.
ACADEMY
NAME: YU
GENERAL NOTES:
0.450
DRAWING DETAILS
LW8 2.410 X 0.230
C10 2.000 X 0.450
C11 2.000 X 0.450
C12 2.000 X 0.450
GE
· ALL
· ALL
OTH
· DO 2.100
1.057
0.350
0.200
THE
· THE
0.600
2.100
0.900
2.100
1.980
FOL
· ANY
PLA
· PLIN
· ALL
BOT
5.300
· ALL
PLA
· THE
DRA
SECTION AA’
GENE
· ALL DIM
· ALL DIM
OTHERW
· DO NOT
FOLLOW
· ANY DIS
SECTION OF STAIRCASE AT 1:25
THE NOT
· THE DRA
SW1 0.250 X 2.180
PLANS A
· PLINTH L
· ALL INTE
BOTH SI
· ALL THE
· THE SIZ
EQ
35.450
21.726
DRAWIN
EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
0.300
PLASTER
KEY
EQ 21.562
GLOSSY DOUBLE CHARGED VITRIFIED TILE
RISER 0.150 THREAD 0.300
MIDLANDING 9.972
SECTION OF STAIRCASE AT 1:25
EQ
EQ
LW6 2.410 X 0.230 SW1 0.250 X 2.180
SW2 0.250 X 2.180
DATE
PAGE
DRAW DETA
DETAILED SECTION OF A STAIRCASE 0.300
21.726
35.450
EQ EQ EQ EQ EQ
EQ EQ EQ EQ EQ EQ
SECTION OF STAIRCASE AT 1:50
ACAD
DETAILED PLANPLAN OF A AT STAIRCASE STAIRCASE 1:20
NAME
26.
SIGN
08. VERDE VISTA PROJECT TYPE - Architectural Design, SEMESTER 07 LOCATION - Malad, Mumbai // FACULTY - Ar. Darshana
VERDE VISTA
Housing, as one of the fundamental necessities for urban residents, has reached a point where vacant inventory coexists with a high demand for housing. This is especially evident in a city like this, the financial capital, which must cater to a diverse range of residential options that can define and enhance the lifestyles of its inhabitants. The city currently offers a multitude of residential typologies, reflecting the dynamic nature of the real estate market. In this evolving landscape, it becomes crucial to deeply understand the market and its dynamics, encompassing user requirements, affordability, proximity, amenities, and contextual social factors. The studio’s primary focus was to explore innovative housing concepts that introduce design elements beyond the conventional market-driven housing supply. It seeks to challenge the existing system by which residential properties are developed within urban areas, questioning city bylaws and regulations. The aim was to pave the way for forward-thinking design solutions that not only address the current housing needs but also provide sustainable and visionary options for future generations, ensuring the city’s continued growth and development.
LOCATION PLAN
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BASEMENT PLAN AT -3M
GROUND FLOOR PLAN AT +3M
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PODIUM TOP PLAN AT +18M
MASTERPLAN WITH UNITS +22M
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FORM DEVELOPMENT The architectural design of this structure was meticulously conceived to prioritize the optimization of both natural light and ventilation for each individual unit within the residential building. The core principle was to ensure that all residents benefit from an abundance of sunlight and picturesque views. This careful consideration stems from the understanding that access to natural light not only enhances the aesthetic appeal of living spaces but also significantly contributes to the well-11 being and quality of life for the inhabitants. Furthermore, providing pleasing views from every unit creates an environment that is not only more visually appealing but also fosters a sense of connection with the surroundings, ultimately resulting in a more harmonious and sustainable living experience for all. NAME : YUSRA ZAHOOR
ROLL NO : 41
HIGH RISE DESIGN
ACADEMY OF ARCH.
ISOMETRIC VIEW OF THE STRUCTURE
VIEW FROM THE UPPER PODIUM
VIEW FROM THE UPPER PODIUM
SECTION AA’
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VIEW FROM THE UPPER PODIUM
Comfortable and efficient residential floor planning combines aesthetics, functionality, and sustainability to create homes that enhance well-being. It involves optimizing space usage, ensuring smooth room flow, balancing privacy and communal areas, and embracing natural light and ventilation. Multi-functionality adapts to changing needs, and energy-efficient features reduce costs. Personalization adds uniqueness. A harmonious blend of form and function culminates in homes that deeply satisfy and elevate the quality of life for residents.
2BHK UNIT PLAN
3BHK UNIT PLAN
VIEWS FROM GROUND LEVEL
VIEWS FROM GROUND LEVEL
VIEWS FROM GROUND LEVEL
SECTION BB’
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03. CO-CURRICULARS
CO-CURRICULARS
Miscellaneous Works
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Being a member of the Student Council in the role of Graphics Co-Head provided me with a valuable opportunity to create captivating graphics for our college. This experience not only allowed me to refine my graphic design skills but also introduced me to new software tools, greatly enhancing the visual quality of our projects. In addition to my role in the Student Council, I also had the privilege of being part of the Confluence curation team for the year 2023. This event marked a significant milestone as it was our first exhibition post-pandemic. As a member of the curation team, I actively contributed to the organization and planning of the exhibition. The theme, “Drawing Futures,” encouraged us to explore innovative methods of artistic expression, including the use of augmented reality (AR), virtual reality (VR), and other sensory multimedia, pushing the boundaries of traditional art forms. Furthermore, my experience at the Bamboo workshop held in Auroville by the Earthweavers was a unique and enlightening journey. This workshop provided valuable insights into various techniques of bamboo joinery, splicing, and molding, enabling us to craft functional and sustainable objects from this versatile material. It not only expanded my skillset but also deepened my appreciation for ecofriendly and traditional methods of craftsmanship.
Graphics created for AOA’s Official Instagram page
Curating AOA’s Annual Confluence Exhibition ‘23
Bamboo Workshop at Auroville, TN
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04. PHOTOGRAPHY
PHOTOGRAPHY
Miscellaneous Works
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Photography is not just about taking pictures; it’s about telling a story and capturing a feeling. Photography is a form of self-expression for me. It provides me with a means to encapsulate the intricate beauty of the world. Whether I’m photographing people, places, or spaces, I feel like I’m freezing a moment in time, preserving it for all eternity. When I photograph people, I’m capturing their stories and essence. It’s amazing how a single image can tell a whole narrative, evoking emotions and memories. Photographing spaces is like discovering hidden stories within the architecture and design. It’s a way to peel back the layers of history and understand the functionality of a place. Every space has a unique character, and I love the challenge of capturing it in a way that reveals its soul. In my photography, I constantly seek new perspectives and push the boundaries of my creativity. It’s through this art form that I find a sense of purpose and a means to share my vision with the world. The collection I’ve shared is a small glimpse into the world as I see it through my lens. I hope you find as much joy and inspiration in these images as I do. Thank you for joining me on this visual journey, and I look forward to continuing to explore the world through the art of photography.
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05. INNER UTOPIA Blender Workshop
INNER UTOPIA
“Speculating Realities” was an immersive world-building and concept art curation workshop that offered a unique journey into the realm of visual storytelling and the creation of captivating concept artworks. The focus of this workshop was on fostering creativity and honing artistic skills, with a particular emphasis on using Blender as a powerful tool for turning imagination into reality. The workshop introduced us to the fascinating universe of world-building, where we learned to craft entire landscapes, civilizations, and narratives from scratch. The core essence of “Speculating Realities” is the exploration of the art of visual storytelling. We delved into the intricacies of conveying compelling narratives through visuals, understanding how a single image can speak volumes and transport viewers to far-off worlds. A central theme of this workshop revolves around the exploration of sci-fi utopias and dystopias. This theme opens the door to boundless creativity, allowing us to speculate on the future of humanity and the consequences of our choices. Whether it’s the gleaming metropolises of utopian societies or the dark, post-apocalyptic landscapes of dystopian worlds, “Speculating Realities” challenges artists to reflect on the possibilities of our future and to translate these visions into art.
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THANK YOU FOR READING
YUSRA ZAHOOR Academy of Architecture @yusraz20@aoamumbai.in +91 9136129392