Architecture Portfolio - Yusuke NAITO by Yusuke NAITO

Naito Yusuke Portfolio

Por t f o l i o 2015- 2 0 1 8

Yusuk e Na i to

I n tro d u c t i o n

YUSUKE NAITO

Date of Birth: 18.09.1994 yusukenaitofcb@gmail.com 762-01-05-02, Siegmunds Hof 2, 10555 Berlin, Germany

Education 2013-2017

Bachelor course of arhitecture To k y o I n s t i t u t e o f Te c h n o l o g y, To k y o J a p a n

2017-

Master course of architecture To k y o I n s t i t u t e o f Te c h n o l o g y, To k y o J a p a n

2018-

Master course of architecture Te c h n i s c h e U n i v e r s i t Ă¤ t B e r l i n , B e r l i n G e r m a n y

Other Experience 2015

Personal work to design furniture(More than Fur niture, Less than Architecture)

2016

Bachelor graduation thesis Title :Relationships between the themes and the compositions of voids in Nor man Foster's architecture

2017

D e s i g n w o r k s h o p i n S h a n g h a i w i t h To n g j i U n i v e r s i t y

2018-

Launch of a website (a website for the support of DIY and young architects)

Award 2015 2016

Software Skill F i n e Wo r k ( R o o f S n u g g l e ) G o l d P r i z e ( Te r r a c e d L i b r a r y )

Language Skills Japanese (mother tongue) English (Intermediate)

CAD

Adobe

Autocad

Illustrator

Ve c t o r w o r k s

Photoshop

Archicad

Indesign

3D Model

Microsoft Office

Sketchup

Wo r d

Rhinoceros

Excel

Cinema 4D

Powerpoint

Simulation Stream TRNSYS

Contents 1 Introduction 4

Contents

Introduction of Portfolio

2 Critical Introduction (Hushtags)

#Urbanism

#Ambiguity

# Tr a n s i t i o n

#Sustainability

Anonimity = Loss of Identity Coexistence of Heterogeneous People

Object Autonomy

A Space Subsumes and Connects Programs

Physical / Social Sustainability

3 Works 18

Roof Snuggle #Ambiguity

#Transition

Public roof mediates a forest and an open space

Another World #Urbanism Ultimate private space in the city

Cloud of Crowd #Urbanism

#Transition

Multi ground floor makes a building like a city

Feeling Season #Urbanism

#Transition

Intersection of literary activities

Scaling Nature #Ambiguity

#Transition

#Sustainability

An observation tower scailing intense nature

More than Furniture, Less than Architecture #Urbanism

#Am biguity

Huge furniture working as a wall

Collage House #Urbanism

#Transition

#Sustainability

Conceptless shape for residence

Ecommunal Bath #Ambiguity

#Sustainability

Shared bath managing resource and community

106

Terraced Library #Ambiguity

#Transition

Library as a extension of forest / playground 7

Instructions of Portfolio

This portfolio consists of mainly two chapters: Critical Instruction (Hashtag) a n d W o r k s . I f y o u s i m p l y w a n t t o o v e r v i e w w o r k s o n l y, I e n c o u r a g e y o u t o b e g i n r e a d i n g f r o m t h e W o r k s c h a p t e r. In the chapter of the Critical Instruction, I briefly explain themes that are e x p l o r e d c o n s c i o u s l y i n m y w o r k i n f o u r b r o a d l y. I n t h i s p o r t f o l i o , t h i s i s c a l l e d a hashtag and is tied to individual works. Since each work with that hashtag and the page number are specified on each hashtag page, if you want to read a work for each hashtag you can search and read from there. In Works, I will explain my work individually using drawings and so on. Since hashtags attached to the work are written on the first page of each work, it is possible to read while confir ming what kind of theme each work is designed. The right page has a brief guide on each page attached. I aimed for a portfolio that you can read like watching SNS, so I am pleased if you can enjoy i t s s e a r c h a b i l i t y.

Guide of Chapter 2 Critical Introduction

Title of each hushtag

#Urbanism There are many things that architects can do in cities. It was historical context that urban planners emphasized in urban p l a n n i n g i n t h e p a s t . H o w e v e r, l o o k i n g at the urban plan in the city destroyed b y t h e w a r s u c h a s To k y o , i t c a n b e s a i d that the context is shifting to inserting cultural qualities into large scale urban activities rather than historical context. Regardless of the conclusion of this result, the metropolitan situation born by this has a cynical interesting aspect. In design a c t i v i t i e s i n To k y o , I p l a c e i m p o r t a n c e on inserting cultural qualities into this metropolitan situation. Modern cities are an accumulation of cultural qualities based on capital, and I am trying to ride it c o m p l e t e l y.

Anonimity = Loss of Identity

Text explanation of hushtags

There are times when you feel that your existence is scarce when we are in a h u g e c i t y / n a t u r e . To f e e l t h e c o m f o r t o f joining people coming in and out in large quantities is an important element of the spatial experience of a mega city and it is an element that only buildings in a huge city can deal with. In designing, I will incorporate the metropolitan experiences directly into the building, and on the c o n t r a r y, c r e a t e a p r i v a t e s p a c e a t t h e center of the huge city to create the ultimate private space. By designing the relationship with the crowd like this, I designed to feel the metropolitan experience.

Attached to... A n o t h e r W o r l d →3 0 C l o u d o f C r o w d →3 8 F e e l i n g S e a s o n →5 4 M o r e t h a n F u t n i t u r e , L e s s t h a n A r c h i t e c t u r e →8 0 C o l l a g e H o u s e →8 4

Works which this hushtag is attached to

V i e n n a a n d To k y o Urban planning in a historical city is remaining strong axis, but it in a city which has been destroyed by the war is different

Some figures which explain each hushtag A n o t h e r W o r l d →2 8 In this project, the attempt to create an ultimate private space by making independent tearoom from surrounding urban situation

Coexistence of Heterogeneous People I n h u g e c i t i e s , d u e t o t h e i r d e n s i t y, a large number of people coexist in one urban space. It can be said that designing metropolitan architecture is to design how heterogeneous types of people coexist. In some cases, the buildings are designed t o m a k e p e o p l e i n t e r f e r e w i t h e a c h o t h e r, while others are designed to make them coexist without interference. The important thing is to design a building that can be used by as many people as possible.

C l o u d o f C r o w d →3 6 This project has large interior street space to insert urban situation into the building

Guide of Chapter 3 Works

Roof Snaggle

Title of Project

Design Studio in Tokyo Tech Bachelor Course

#Ambiguity

Hushtags which is attached to this

#Transition

Site: Tokyo, Japan Purpose: Rest facility, Locker room Size: 1,600 m2

project

This is a project to build a rest facility for the person who enjoys the Imperial Palace running and cycling, with placing a large roof familiar in the vast woods in K i t a n o m a r u P a r k . H o w t o n a t u r a l l y e n l a rg e t h e l a rg e ro o f i n v a s t n a t u re a n d t o i n c l u d e m a n y a c t i v i t i e s w a s t h e k e y t o d e s i g n . B y ro o f i n g a l o n g t h e ro a d b e t w e e n t h e f o re s t a n d the p la z a , it c rea t es a n e x per ienc e o f p a ss ing t h ro u g h under neath. The wall that supports the ro o f als o s er v e s a s a b enc h a nd s o o n a t t he sa me t ime, and it is a ro o f tha t a l l o w s t h e r u n n e r t o t a k e a b re a k w i t h p e o p l e w h o e n j o y t he p a r k .

19 18

C ri t i c a l I n tro d u c t i o n (H u s h t a g s )

#Urbanism

Attached Another World Cloud of Crowd Feeling Season More than Futniture, Less than Architecture Collage House

to... →2 8 →3 6 →5 2 →7 8 →8 2

There are many things that architects can do in cities. It was historical context that urban planners emphasized in urban p l a n n i n g i n t h e p a s t . H o w e v e r, l o o k i n g a t the urban plan in the city destroyed by t h e w a r s u c h a s To k y o , i t c a n b e s a i d t h a t the context is shifting to inserting cultural qualities into large scale urban activities rather than historical context. Regardless of the result, the metropolitan situation born by this has a cynical interesting a s p e c t . I n d e s i g n a c t i v i t i e s i n To k y o , I place importance on inserting cultural qualities into this metropolitan situation. Modern cities are an accumulation of cultural qualities based on capital, and I a m t r y i n g t o f o l l o w i t c o m p l e t e l y.

Anonimity = Loss of Identity There are times when you feel that your existence is scarce when we are in a h u g e c i t y / n a t u r e . To f e e l t h e c o m f o r t o f joining people coming in and out in large quantities is an important element of the spatial experience of a mega city and it is an element that only buildings in a huge city can deal with. In designing, I will incorporate the metropolitan experiences directly into the building, and on the c o n t r a r y, c r e a t e a p r i v a t e s p a c e a t t h e center of the huge city to create the ultimate private space. By designing the relationship with the crowd like this, I designed to feel the metropolitan experience.

V i e n n a a n d To k y o Urban planning in a historical city is remaining strong axis, but one in a city which has been destroyed by the war is different

Another World →28 In this project, it was explored to create an ultimate private space by making independent tearoom from surrounding urban situation

#Ambiguity The word #Ambiguity is defined here as giving the possibility of multiple meanings and usage to one space or fur niture. Since it can be said that building is a buildup of i n t e g r a t i o n , i t i s n a t u r a l t h a t t h e i d e a o f ambiguity comes up when designing, but by using #Ambiguity actively as a design i d e n t i t y, i t i s p o s s i b l e t o c r e a t e a c o n s t r u c t corresponding a variety of people and programs. This hashtag is attached to works designed consciously to allow diversity of interpretation to exist in one object. The concept of #Ambiguity allows the design to become more functional while at the same time creating communication between people who find different uses and interpretations for one thing and create specific activities to that object.

Attached to... R o o f S n u g g l e →1 8 S c a l i n g N a t u re →6 8 M o re t h a n F u t n i t u re , L e s s t h a n A rc h i t e c t u re →7 8 E c o m m u n a l B a t h →9 6 Te r r a c e d L i b r a r y → 1 0 6

Municipal Orphanage in Amsterdam (1960) by Aldo van Eyck Dutch structuralism architects are explored "intermediate space" as a places to simultaneously recognize the meanings of both

Object Autonomy An interesting aspect of this attempt is to obscure the autonomy of objects. As a concrete example, treating big stairs like a stand of a stadium, or designing a huge shelf to be used as a blindfold wall are explored. By doing this, the autonomy of an object disappears, such as stairs are for going up and down and shelves are for storing things so that autonomy of objects depends on the relationship between people using it. By not forcing the identity of architecture and furniture into its simple function, the design becomes an integration of interpretation. Scaled Environment

Sun

Wind

The two bent walls capture the movement of the sun.

The walls composed of the louvers weakening the strong prevailing wind.

Boadwalk

Landscape

It tangles with the boardwalk at the branch of the walk course and draw people to inside.

Each landing approaches the surrounding nature.

Scailing Nature →68 The louver wall scails many environmental elements

More than Fur niture, Less than Architecture →78 The furniture which has both function of a shelf and a blindfold wall

Te r r a c e d L i b r a r y → 1 0 6 Big stairs which works as stairs and stands 13

# Tr a n s i t i o n When considering #Urbanism, mobility and accessibility are always mentioned as a concept. #Transition is a question of what kind of se q u e n c e i s t o be s et b et w een p ro g r ams . It is po s s i b l e t o c reat e a mo re exo t ic imp res s i on by changing the scene more drastically, or it is a l s o p o s s i b l e t o c o n n e c t t h e m g e n t l y. H o w t o c o n n e c t t h e p ro j e c t t o t h e s u r ro u n d i n g u r b a n situation or the natural environment is also a matter here. In many works, the sequence between programs is very important and often influences the shape of the building. T h i s i s s i m i l a r t o t h e s t re e t p l a n n i n g i n u r b a n planning and is a concept applicable to any scale .

A Space Subsumes and Connects Programs OMA uses Trajectory as a similar concept. The traje c t o r y i s a n i n d o o r s t reet s pace co nt ain i n g v a r i o u s p ro g r a m s . S i n c e t h e i d e a o f t h e I r i s h Prime Minister's Office Competition (1979), it can be said that the theme that Koolhaas continues to follow up to the present. The d i ff e re n c e b e t w e e n # Tr a n s i t i o n a n d t r a j e c t o r y is that it is a concept applied to outdoor and n a t u r a l e n v i r o n m e n t s . # Tr a n s i t i o n s u b s u m e s different programs and connects adjacent p rog r ams . Th e p ro g r am ment io ned here re f e r s not only to a rough program such as offices or re t a i l s b u t al s o t o a s imp le human b eha v i or such as sitting on a bench or using a table. It is an attempt to include and connect all the actions that humans take in urban/natural env iro n m e n t s .

Attached to... →1 8 Roof Snuggle →3 6 Cloud of Crowd →5 2 Feeling Season →6 8 Scaling Nature →8 2 Collage House Te r r a c e d L i b r a r y → 1 0 6

OMA's Irish Prime Minister's Residence Tr a j e c t o r y i s t h e c o n c e p t O M A a n d R e m Koolhaas are exploring to pursue urban experience

Cloud of Crowd →36 The large interior street space is making it possible to make various type of people coexist in one space

tion

g Sta

Cyclin

e For

Pla

alace

erial P

p To Im

Roof Snuggle →18 The roof is connecting the plaza and the forest with creating attractive experience of going through the pass 14

#Sustainability

Attached to... S c a l i n g N a t u re →6 8 C o l l a g e H o u s e →8 2 E c o m m u n a l B a t h →9 6

#Sustainability is advocated by Buckminster Fuller and can be said to be a common theme pursued by politicians, scientists, and a r c h i t e c t s f r o m a r o u n d t h e 1 9 9 0 s . H o w e v e r, among modern architects, especially small o ff i c e a rc h i t e c t s , t h e re a re n o t m a n y w h o a re actively referring to #Sustainability in their c re a t i v e a c t i v i t i e s . T h e re a s o n f o r t h i s i s t h a t small buildings are hard to measure their e n v i ro n m e n t a l i m p a c t s a n d t h a t s u s t a i n a b i l i t y i s h a rd t o b e c o m e t h e i d e n t i t y o f d e s i g n d u e to th e s t ro n g p o l i t ic al as pect .

Ba se d o n t h a t p remis e, t here are s o me w o r k s p o s i t i v e l y p u r s u i n g # S u s t a i n a b i l i t y . H o w e v e r, what is pursued here is not simply a design that reduces the environmental burden, but a l s o i n c l u d e s s o c i a l s u s t a i n a b i l i t y. O r i g i n a l l y sustainability is a concept for sustaining the present global environment in the future. Therefore, both sustaining the environment p h y s i c a l l y b y re d u c i n g e n v i ro n m e n t a l b u rd e n and leaving social sustainability by design are required. Here, the former is defined a s P h y s i c a l S u s t a i n a b i l i t y, a n d t h e l a t t e r i s def in e d as S o c i al Sus t ainab ilit y. I n J apan, wi t h the declining population, various problems are t h re a t e n i n g s o c i a l s u s t a i n a b i l i t y. F o r e x a m p l e , e m p t y o l d h o u s e s l e f t i n c e n t r a l To k y o a n d a g ing i n fr a s t r u c t ure. I n t he w o r k s , at t empts t o desig n as c l o s e as po s s ib le t o t he o ff-g r id a n d a t t e m p t s t o re u s e e x i s t i n g m a t e r i a l s a s m u c h as possible and to update functions that no long e r fi t t h e e r a are t ak ing p lace.

Construction process

Scaling Nature →68 In this project, the louver wall is made of recycled wood. Also, environmental comfortable space is created without using a walls n yandm afrom c hexisting i n ibarn n g Construcing e q u with i pmaterials m e nfromt existing barn Removing roofs Make walls and roofs Wood from existing barn

e heat Probid g water for boilin

Bath

olin

g th

ody

Boiler Re

re e fi g Us ookin c for

lax

aft

afte

r ta

kin

ath

Engawa

tak

ing

Kitchen

Move nice to se scen e ary

Physical / Social Sustainability

Montreal Biosphere (1967) One of iconic shape to express sustainability which Fuller explored is sphere shape. This shape can hold the most volume by the least surface area

Rest space

e bl ta gi ld ve ie e ef th th ok om Co fr

ile

farm

Field

Collage House →82 This house is designed to take wind effectively by using simulation software

Ecommunal Bath →96 Axonometry showing relationships between each part This communal bath has functional zoning and is designed as close as off-grid 15

Wo r k s

Roof Snuggle Design Studio in Tokyo Tech Bachelor Course

# A mb ig u ity

# Tra n sitio n

Site: Tokyo, Japan Purpose: Rest facility, Locker room Size: 1,600 m2 This is a project to build a rest facility for the perople who enjoy the Imperial Palace running and cycling, with placing a large roof familiar in the vast woods in K i t a n o m a r u P a r k . H o w t o n a t u r a l l y e n l a rg e t h e l a rg e ro o f i n v a s t n a t u re a n d t o i n c l u d e m a n y a c t i v i t i e s w a s t h e k e y o f d e s i g n . B y ro o f i n g a l o n g t h e ro a d b e t w e e n t h e f o re s t a n d t h e pl a z a , i t c re a t e s a n e x pe r i e n c e of pa s s i n g thro ug h u n de r n e a t h . Th e w a l l t h a t s u ppor t s t h e roof a l s o serves a s a be n c h a n d s o on a t t h e s a m e t i m e , a n d i t i s a ro o f tha t a l l o w s t h e r u n n e r t o t a k e a b re a k w i t h p e o p l e w h o e n j o y t h e pa r k .

Cycling Station Site

Kitanomaru Park

Imperial Palace

Running Station

Main route of the Imperial Palace running

Area which is crowded by tourist

Site Map I n t h e v i c i n i t y o f t h e I m p e r i a l P a l a c e , r u n n i n g a r ro u n d t h e I m p e r i a l P a l a c e i s b e i n g ac t i v e l y c ar r ied o ut . T he es t ab lis hm e n t w i t h f a c i l i t i e s s u c h a s l oc k e r s f or r u n n e r s i n s i de t h e p re mi s es has been es t ab lis hed, a n d t h e a dm i n i s t r a t i on a l s o s u ppor t s i t . Th e rou t e w h i c h r u n n e r s u s u a l l y r u n t h ro u g h i n c l u d e s p l a c e s w h e re m a n y p e o p l e s u c h a s t o u r i s t g a t h e r, a n d t h e c u l t u re o f t h e I m p e r i a l P a l a c e r u n n i n g i s w i d e l y k n o w n t o t h e p u b l i c . Th e re fo re , in t he K it ano mar u P ar k loc a t e d i n t h e n or t h of t h e Im pe r i a l Pa l a c e , f a c i l i t i e s to be the base of the Imperial Palace cycling is designed. This facility will also be a b a s e f o r s i g h t s e e i n g i n t h i s a re a a n d c o n t r i b u t e t o t h e h e a l t h i m p ro v e m e n t o f l o c a l p e o p l e . T h e re s t i n g p l a c e w h e re p e o p l e c a n e n j o y t h e p a r k i s a l s o d e s i g n e d i n t h i s fac i l i t y s o t hat t o ur is t and lo c al peo pl e c a n c oe x i s t . 20

Steel wire ÎŚ=10mm

Roof ETFE film t=1mm

Ceiling Expanded metal t=3mm

Diagram of Structure T h e m e a n d e r i n g w a l l s s u p p o r t a l l c o m p re s s i v e f o rc e s , a n d t h e w i re c o n n e c t i n g t h e b e a m a n d t h e p o l e o n t h e w a l l l i f t s t h e b e a m . T h e w i re a t t h e t i p o f t h e b e a m w o r k s w h e n t h e w i n d b l o w s u p t h e ro o f . I n a d d i t i o n , s i n c e t h e w i n d i n g w a l l i s a n e ff i c i e n t s h a p e f o r l e t t i n g t h e h o r i z o n t a l f o rc e e s c a p e t o t h e g ro u n d , i t i s e ff e c t i v e e v e n w h e n a n e a r t h q u a k e o c c u r s . T h e ro o f i s f i n i s h e d w i t h E T F E f i l m a n d t h e c e i l i n g i s f i n i s h e d e x p a n d e d met al s o t hat nat ur al ligh t i s w e a k e n e d u n de r t h e roof .

tatio S g n i Cycl

st re Fo

ala P l a i r pe

To Im

Isometric Drawing This large roof is built on the path in Kitanomaru Park. This path is the boundary between the plaza and the fo res t . B y t he w ind i n g w a l l s c ros s i n g t h e pa t h , e x pe r i e n c e s o f p a s s i n g t h ro u g h i t a re a t t r a c t i v e l y d i re c t e d . B y p a s s i n g t h ro u g h h e re , p e o p l e c a n f e e l l i k e t h e y a re p a r t i c i p a t i n g in b o t h t he b us t lin g a t m os ph e re of t h e pl a z a a n d t h e qu i e t atmosphere of the forest. All facilities such as locker rooms are ar r anged nat ura l l y a l on g t h i s w a l l .

Elevation The wall has openings of various widths and heights, each designed to visually and sensibly c o n n e c t t h e p l a z a a n d t h e f o re s t . S o m e o f t h e openings can be used as benches and tables t hat ca n be u s e d f rom bot h s i de s of t h e w a l l s o that people can act as if they snuggle to the w all.

T h e g e n t l y c u rving roof along t he road n a t u r a l l y c o n n e c t s t h e n a t u re a n d t h e pl a z a o f t h e p a rk .

T he o p e n i n g o f t he wal l works as a b ench a n d t a bl e , a n d y o u c a n e n j o y bo t h t h e f o re s t a n d t h e p l a za .

Another World Design workshop

# Urb a n ism Site: Tokyo, Japan Purpose: Teahouse Size: 7 m2

H ow good i t w ou l d be i f y ou h a d a pl a c e w here yo u could enjoy it as a sound just outside the constant b u s t l e o f t h e c i t y. I f t h e r e w a s a p l a c e w h e r e y o u c a n f e e l c o m f o r t a b l e i n t h e p re s e n c e o f p e o p l e w h o a r e b u s y m o v i n g i n b i g c i t y To k y o . T h i s p r o j e c t i s the device to feel the envy of such people most ph y s i c a l l y. A teahouse is set up under the footbridge in Shibuya. The teahouse is one of the spaces where t h e m o s t t r a n q u i l i t y i s re q u i re d , a n d S h i b u y a i s o n e of the noisiest cities. This contrast creates a sense di ff e re n t f rom u s u a l i n s i de s pa c e of t h e t e a h ou se. The teahouse suspended from the footbridge is shaken by the vibration generated by the people walking on it, and the footsteps bring a pleasant feeling inside. T h e re i s n o w i n d o w i n t h e i n t e r i o r s p a c e , a n d a c a l m s p a c e i s c re a t e d v i s u a l l y. T h e re f o re , p e o p l e p e rc e i v e t h e c i t y on l y by h e a r i n g a n d t a c t i l e s e n s e a n d ca n g et a s e n s e of a n ot h e r w or l d.

Elevator Toilet

Train Station

Footbridge Teahouse

Bus Station

Pedestrian Train Vehicle

Site Diagram

It is the ultimate private communication to face a special person in an urban situation.

Plan

Section 33

This teahouse has two entrances, one from the bottom of the pedestrian bridge and one from the top. People who do the tea ceremony enter separately from the two entrances and can meet for the first time in the teahouse. This intersects two different urban experiences. The exterior wall is made of mirror material, the teahouse completely assimilated in the streets of Shibuya, strengthening the sense of foreign body in the interior space. The c e i l i n g i s m a d e o f t r a n s l u c e n t m a t e r i a l s o t h a t l i g h t re f l e c t e d o n t h e b ac k o f t he f oot br i dge w i l l c om e i n w i t h ou t l i gh t i n g. H ow t o crea te a d i ff e re n t w o r l d w h i l e a p p ro a c h i n g t h e c i t y i s b e i n g e x p l o re d h e re . A p r ivat e s p a c e of e x t re m e l y s m a l l s i z e i s c re a t e d i n t h e u r ba n i sm , a nd t he vis io n i s l i m i t e d s o t h a t a pa r a dox i c a l s pa c e w h i c h m a k e s p eo p l e mo re c o ns ci ou s of t h e c i t y i s m a de .

Cloud of Crowd Deploma Project for Tokyo Tech Bachelor Degree

# Urb a n ism

# Tra n sitio n

Site: Tokyo, Japan Purpose: Office, Retail, Gellery Size: 11,000 m2

This is a project designed as an alternative to the redevelopment project currently underway in Shibuya, To k y o . S h i b u y a c u r r e n t l y c o n d u c t s a l a r g e - s c a l e re develo pment pro ject, a nd seven skyscra pers a re a bout to b e b u i l t . O r i g i n a l l y S h i b u y a i s a l s o t h e b i r t h p l a c e o f s t re e t c u lture in To kyo , a nd it is a city w a lking experience that c an b e mentio ned a s a cha ra cteristic o f the urba n experience of S h ibuya . Theref o re, it w a s a pro blem in designing to isolate from the urban experience of Shibuya by simply stacking u s a ge like existing redevelo pment. T h e re f o re , i n t h i s p ro j e c t , t h e p u r p o s e o f t h e d e s i g n w a s t w o . O ne is the inter na l spa ce co ntinuo us w ith the cit y and t h e o ther is the urba n enviro nment w here ma ny usa ge s are mixed in one place. So, a middle-sized volume is set up o n a l a rg e s i t e a n d a r r a n g e d s o t h a t a p p l i c a t i o n s s u c h a s office and shop are mixed on all floors. Then, the entire b u ilding is co nnected by a la rge pa ssa ge integra ted with a g a l l e r y. T h i s s t re e t s p a c e i s d e s i g n e d s o t h a t m a n y u s a g e s c ome in co nta ct w ith it, so tha t everyo ne, including w orkers a n d s h o p p e r s , c a n p a r t i c i p a t e i n u r b a n e v e n t s h e l d t h e re . T his crea tes the intera ctio n o f peo ple o f va rio us type, each p e r f o r m a n c e i s e x p e c t e d t o b e m o re c re a t i v e t h a n n o r m a l o ff i c e s e t c . w h i c h a re n o t i n c o n t a c t w i t h a n y t h i n g . I n t h i s p roject, it w a s tried to po sitively inco rpo ra te the sta te that d i ff erent kinds o f peo ple in Shibuya ' s urba n spa ce mu tually influence in the building. In addition, the building is kept at the middle level, so all floors can be connected in this s t reet spa ce. Theref o re, if peo ple w a nt to , they ca n vis it all f l o o r s a n d t h e w h o l e b u i l d i n g h a s m o re d i re c t i n v o l v e m e n t w i th the city.

S hib uy a is an area kno w n a s a pl a c e of t r a n s m i s s i on of s t re e t c u l t u re i n Tok yo . Here, t he redevelo p ment p ro ject i s c u r re n t l y proc e e di n g a n d s e v e n s k y s c r a pe r s w i l l b e b ui l t a ro u n d t h e s t a t i o n . H o w e v e r, i t i s a l s o p o i n t e d o u t t h a t t h i s re d e v e l o p m e n t p ro j e c t may impair t he c ult ur al v al u e of S h i bu y a , w h i c h h a d be e n c h a r a c t e r i z e d by S hi b uya ' s s p ec ial ro ad net w or k. Here , a s a n a l t e r n a t i v e to t h e re de v e l opm e n t proj e c t , a b uil di ng that allows urban space to continue to the inside and to obtain a metropolitan exp er ience w it h all t he int e r n a l progr a m s i s propos e d.

Redeveropment Situation

Facilities around the Site

City Structure

The red places represent places where redevelopment will take place. All these will be h i g h - r i s e build ing s .

In an urban shape of Shibuya, the mixture of applications facing the street is greatly involved. This figure expresses the u s e o n t h e f i r s t f l o o r. T h e red dot represents the shop, t h e b l u e d o t re p re s e n t s t h e office, and the green dot rep res e n t s t h e ga l l e r y i s i n .

The famous streets of Shibuya consist mainly of streets for the car (red line) and small streets for pedestrians (blue line). These streets are a t t r a c t i v e l y d i re c t e d b y t h e various buildings that make c on t a c t w i t h i t .

atory

Observ

Observatory

Office

Retail

Concert hall Office

Retail Office

tion

Bus sta

Bus station

Retail

Gallery

Bus station

Program Diagram The skyscraper built in the redevelopment project currently underway is composed by merely lamin a t i n g t h e re q ues t ed p ro g r am. H o w ev e r, i n t h i s c a s e , t h e re l a t i on s h i p be t w e e n t h e u ppe r p ro g ra m and t h e u r b a n s p ac e is lo s t . T herefo re, here a bu i l di n g w h i c h a l l progr a m s a re l oc a t e d on a l l f l o o rs i s p rop o s e d .

Programs on Each Floor The diagram on the left shows the a r r a n g e m e n t o f p r o g r a m s o n e a c h f l o o r. Offices, retail stores, galleries are located on all floors. Because each floor is not oc c u pi e d by a s i n gl e progr a m , m e t ro p o l i ta n e x p e r i e n c e s a r e c r e a t e d o n e a c h f l o o r. A b u s t e r m i n a l i s s e t u p o n t h e g ro u n d f l o o r, and connect this area to other areas of Shibuya. There is a concert hall on the u p p e r f l o o r, a n d e v e n t s t h a t c a n n o t b e h e l d i n t h e ga l l e r y a re a bl e t o be h el d . Thi s strategy shares the activities occurring in t h e s e progr a m s .

Spatial Composition The diagram on the upper right shows the basic spacial composition in this building. The spaces of galleries and exhibition hall are stretched and they are d e f i n e d a s " s t re e t s " i n t h e b u i l d i n g . O t h e r programs such as offices and retail stores are arranged so as to be adjacent to this, and the composition of the urban space in Shibuya where various programs face the ro a d i s i n c o r p o r a t e d i n t o t h e b u i l d i n g a s i t i s . S i n c e t h i s " s t re e t " i s a l s o u s e d t o m o v e between programs in the building, the activities perfor med here are also shared with people other than people who visited h e re t o u s e " s t re e t " .

Axonometric Diagram of "Streets"

Bus station

Gallery

Office

Concert hall

Retail

"Street" is configured to go upwards in order to connect activities on different floors. By installing an entrance in the direction of the Shibuya scramble intersection, it is possible to capture the flow of a large number of people. Next, the exhibition space with the largest volume in "Street" will appear and share the atmosphere of the large event with the station square. It continues gently to the elongated gallery space which has a little higher height than the expressway and is able to participate in the event with s e e i n g t r a ff i c r u n n i n g on t h e h i gh w a y. Then, "street" reaches the foyer of the concert h a l l a n d pe opl e c a n s e e t h e c on c e r t thro ug h t h e w i n d o w . F i n a l l y, i t c o n t i n u e s t o t h e higher gallery at the end and people can enjoy the event while watching the scenery of S h i bu y a .

Exhibition / Gallery

OďŹ&#x192;ce / Retail Ro

Co rr Co idor nn wi ec t tin h p r Dy g pr ogr am og na s m ra ic m s

s am gr ro c p dor iďŹ rri ec co sp by ith ed tic sw ct a om nne St

Spatial Composition

The concert hall is placed here to keep the scenary bet ween Shibuya mark city

ity

Lowest part of streets is located here to connect it with Shibuya scramble intersection

Shib

rsectio

le inte

ramb uya sc

Hi ay

This part of streets are located here to create connection with highway

Main exhibition hall is placed here to share the atmosphere with square in front of the station

tatio

uya s

Shib

Axonometric Diagram of "Streets" 41

Continuous Elevation of "Streets" "Street" faces various facilities such as offices and shops, p e o p l e c a n e a s i l y a c c e s s f ro m i t . T h i s e l e v a t i o n s h o w s h o w t h e cit y s c a pe i s f or m e d i n t h e bu i l di n g.

Exploded Perspective 1 This exploded perspective is showing the east and south s i de s of t h e bu i l di n g. You c a n s e e t h e bi g e x h i bi t i o n ha l l i n f ron t of t h e s t a t i on goi n g t o t h e ga l l e r y f a c i n g t h e hi g hwa y on t h e s ou t h .

T h e e x h i b i t i o n h a l l h a s t h e l a rg e s t v o l u m e i n t h e b u i l d i n g a n d c a n h o l d e v e n t s w h e re m a n y p e o p l e g a t h e r. A d j a c e n t p ro g r a m s h a s s i x s t o r i e s a n d w o r k like s eat s fo r t he arena.

The gallery is located higher than the expressway and you can get d y n a m i c s c e n e r y. I t i s a h o r i z o n t a l l y e l o n g a t e d l i n e a r s h a p e a n d p e o p l e c an w alk s uch lik e t he s t reet .

Exploded Perspective 2 This perspective is exploding the west and south sides of t h e b u i l d i n g . H e re , y o u c a n s e e t h e f o y e r c o n t i n u i n g f ro m the gallery, a large music hall, and a further outlook gallery.

Th e g aller y fo lds back t o t he u ppe r f l oor w h e re y ou c a n e n j oy t h e ope n e d s c e n e r y. T h i s p a r t i s c o n n e c t e d w i t h o t h e r " s t r e e t s " , a n d t h e " s t r e e t " b e co mes an annular s pace.

This is the one of two exhibition halls which this building has. This is l o c a t ed at a higher p o s it io n a m on g t h e t w o. F rom h e re y ou c a n ge t a v i e w o f the main s t reet in Shib uy a.

Feeling Season Design Studio in Tokyo Tech Bachelor Course

#Urban i s m

# Tr a n s i t i o n

Site: Tokyo, Japan Purpose: Museum, Library Size: 800 m2

Th i s i s t h e m u s e u m t o m e m or i a l i z e t h e m a ster of modern haiku, Shiki Masaoka. Because it i s a m u s e u m o f a f a m o u s l i t e r a r y m a s t e r, t h i s museum is designed so that local people can t ou c h t h e w or l d of l i t e r a t u re e a s i l y. The special point of the site is the possibility of going through. Therefore, the building is b u i l t k e e p i n g t h e ro u t e o f t h e p e d e s t r i a n . I t i s also effective for making local people enter this w o r l d o f l i t e r a t u r e . A d d i t i o n a l l y, t h e b u i l d i n g has much unevenness to the route of pedestrian so that the route has some plaza. This plaza has the role to be places where people stay a n d t o m a k e l i gh t e n t e r t h e e x h i bi t i on sp a ce i n t h e ba s e m e n t f l oor. Th e t e x t u re of t h e b ui l d i ng is made with the cedar plate to create some different atmosphere with the outside of the s i t e . Th e c om pos i t i on of t h e bu i l di n g i s m a ki ng a rhythm in experience of going through, and people can touch literature in moderate t r a n qu i l i t y.

"Haiku" Haiku is the Japanese traditional style of p o e m . I t i s c o m p o s e d o f t h re e p a r t s , a n d t h e re are some rules about the length of each part ( t h re e p a r t s w i t h 5 , 7 , 5 s o u n d s ) . A l s o , i t h a s t o contain the word which expresses the season like "Sa k u r a". S h i k i Mas ao ka is t he mas t er o f m ode r n haiku, and he tried to stand the style for the new e r a. H e d i e d s o ear ly, s o in las t year s h e l e f t many h a i k u w h i c h hav e a feeling o f unc er t a i n t y. From these characteristics, this museum is designed as people can feel seasons and it can exp re s s t h e u n c e rt aint y.

The sitesite has two entrances The which has two connections to roads

Making buildings keeping Connecting the buildings path to go through Make some bulges

Diagram of Form T his d i ag r am s h o w s t he w ay t o decide t he f or m o f b u i l d i n g a n d p l a z a . T h e p e d e s t r i a n ro u t e h a s some bulge and it is lifted up or sunk down to mak e n at u r a l l i g h t ent er t he b as ement flo or.

Adjust the shape Make stairs on thebetween path Connecting the buidings Make a connection Connecting on first floor Make some bulges the plaza and basement floor

Diagram of Form

Site Plan

B2F

B1F

Museum shop

Library and reading space Here is the library which has modern literature books. There is a reading space in bridge so that people can see the courtyard.

Lecture room Here is the lecture room where people can hold the lecture about haiku or some modern literature.

Facade courtyard

Office

The shape of courtyard is designed to be effective to invite local people into the site. This part is not so open and make inside more quiet.

Entrance

Cafe Information

Center courtyard 2nd courtyard from the facade is surrounded by two buildings. There are some windows in every floor so that many eyesights will cross.

Lecture room

Farside courtyard There is a calm courtyard in the far side of the facade. People can enjoy the seasonal chenge in cafe and lecture room.

Basement exhibition room Main exhibition room is located in basement floor. Some windows in the courtyard are giving this space natural light.

Theater room

Axonometric Drawing of Arrangement of Function

A-A Section

T his ex hib it io n s pace has a s m a l l w i n dow i n t h e w a l l of t h e f a c a de P eo p le c an kno w n a t u re e v e n i n t h e ba s e m e n t f l oor

T he s e c o n d p l a za is s inking down to make re s t s pa c e a n d m a k e l i gh t e n t e r i n t o t h e ba s e m e n t f l oor.

T he brid ge connect in g t w o v o l u m e s i s a l s o re a d i n g s pa c e . Many places are facing t he c o u r t y a rd a n d pe o pl e c a n s e e e a c h o t h e r.

B-B Section

A n o t her exhibit io n s p ac e als o h a s a s m a l l w i n dow w h i c h i s f a c i n g t h e c ou r t y a rd. F rom t his w indo w, p eo p le c a n f e e l e v e r y s e a s on by s e e i n g t h e t re e t h e re .

The facade has an effect ive s h a pe t o i n v i t e l o c a l pe o pl e i n t o t h e s i t e .

Th e plaz a in far s id e from t h e f a c a de i s f a c i n g l e c t u re ro o m a n d t h e c a f e , peop le c a n e n j o y t h e t r a n qu i l i t y.

Scaling Nature International Design Competition

# A mb ig u ity # S u sta in a b ility

# Tra n sitio n

Site: Liga, Latvia Purpose: Observation tower Size: 120 m2

Nature is beautiful, vast, sometimes intense and di ff i c u l t t o a c c e s s . This is a proposal of an observation tower that responses and coordinates the relationships of Kemeri's vast nature with human beings and a rc h i t e c t u re . Ve r t i c a l l o u v e r s w r a p p i n g t h e b u i l d i n g l i k e c l o t h e s and converting it into a scaling observatory device for its surroundings as well as rasterizing while m e l t i n g t h e m s e l v e s w i t h t h e l a n ds c a pe t o i m i ta te the surrounding trees. A bent plane is an architectural gesture that catches the sun and diverts the cold wind. Every visitor is invited to the rhythm of the timber framework and louvers which guide them upwards around the gentle slope and enable them to obtain various visual experiences by the changing angles of the walking path and the louvers. The landings provide various observation points to feel the vast nature closely as intermediate existences b e t w e e n t h e t w o s c a l e s o f n a t u re a n d h u m a n b e i n g s . B y " s c a l i n g " , n a t u re a n d p e o p l e c a n c o e x i s t t h ro u g h a rc h i t e c t u re .

Louver

timber boad 20×100 ＠100

Structure frame

squared lumber 150×120 ＠1500

To long

t or

route

Slope / Landing

timber boad floor 40×210 steel handrail 40×10

Scaling Elements

East GL+3.3m

South GL+3.8m

360Â° GL+5.5m

3 5

Upper level Plan plan Upper Level

Ground levelPlan plan Ground Level

South / East GL+1.5m

North / West GL+2.5m

Scaled Environment

Sun

Wind

The two bent walls capture the movement of the sun.

The walls composed of the louvers weakening the strong prevailing wind.

Boadwalk

Landscape

It tangles with the boardwalk at the branch of the walk course and draw people to inside.

Each landing approaches the surrounding nature.

Scaled Environment

Ground level plan

South / East GL+1.5m

Section

North / West GL+2.5m

Section

More than Furniture, Less than Architecture Implementation Project

#Urban i s m

#Ambiguity

Site: Tokyo, Japan Purpose: Furniture Size: 2 m2

Th i s i s f u r n i t u re t o m a k e a v a i l a bl e e m pty sp a ce on the 2nd floor of restaurant managed by the acquaintance as share office and dressing room. Previously whole room was vacant and was used only as a dressing room. In order t o u s e i t m o r e e f f e c t i v e l y, i t w a s r e q u e s t e d t o de s i gn a s h e l f t h a t w ou l d bl i n df ol d t h e d ressi ng room from the shared office by limiting the a r e a o f t h e d r e s s i n g r o o m . I n o r d e r t o s e c u r e t h e a r e a o f t h e d r e s s i n g r o o m w h i l e k e e p i n g a c c e s s f rom t h e e n t r a n c e of t h e room , the shel f was arranged diagonally and it was about 5.5 m e t e r s i n l e n gt h . In orde r t o re du c e t h e f eel i ng of pressure that this long face gives to the ro o m , s m a l l p l a t e s a re r a n d o m l y a r r a n g e d a s a backboard. There are those made to be used as whiteboards by painting special paint and those made to allow hooks to be attached by perforated plates. Through these, it also has a ppl i c a t i on s on t h e h u ge s i de of t h e ba ckb o a rd , enhancing ease of use as fur niture and at the same time serving as a door and blindfold to t h e d re s s i n g ro o m . T h e c o n s t r u c t l i k e f u r n i t u re a n d a bu i l di n g i s m a de h e re .

White Board

Board with Hole

These board is painted with special paint which make this board be able to use as white boards

People can use holes in these board as shelves by hunging hooks

Brown Board Brown board is separating the texture of this furniture to make people feel that this furniture is smaller

Door This part is made as door so that people can enter dressing room here

Dressing Room

Refrigerator

Share Office

Collage House International Design Competition

# Urb a n ism # S u sta in a b ility

# Tra n sitio n

Site: Ho chi min city, Vietnam Purpose: Residense Size: 300 m2

Everyone who is designing will have experienced situations that must be designed under complicated site conditions that simple concepts do not pass. This project extracted concepts from existing architecture works and responded by combining them on sites with complicated climatic conditions and the surrounding environment. As a result, a for m like a city was born, and a relationship was c re a t e d i n w h i c h e a c h p a r t o f t h e o n e b u i l d i n g coexisted with other parts while autonomous. In addition, this work is trying to do passive design (a design which controls the indoor e n v i ro n m e n t e ff i c i e n t l y b y u s i n g l i g h t i n g , w i n d etc. without using air conditioning by the machine as much as possible) in this urban f or m . Th e re f ore , a f t e r s y n t h e s i z i n g t h e f o r m s o f existing building works, we designed windows a n d ot h e r s c oope r a t i n g w i t h e a c h ot h e r wi tho ut di s t u r bi n g t h e or i gi n a l c on c e pt by m a n i p ul a ti ng the opening and the like. Attempts by a cooperation of several buildings to create a c om f or t a bl e s pa c e a re pu r s u e d h e re .

to UEH (University) : 750m

to Vietnam National University : 250m

to Da Kao Market : 250m

to Sightseeing Spots : 900m

Information around the site There are two schools, sightseeing spots, markets around the site. Therefore, it is thought that p e o p l e u s i n g t h i s a re a a re d i v e r s e , s u c h a s s t u d e n t s , t o u r i s t s , s h o p p e r s . A l s o , t h e s i t e h a s a ro a d i n f ront an d a n ar ro w alley as ide, ho w t o o p e n f or t h os e roa ds i s a n i m por t a n t a n d c om pl e x e l em ent i n t h i s d e s i g n . A l s o , b e c a u s e t h e s i t e i s s u r ro u n d e d b y t a l l b u i l d i n g s , s u n s h i n e i s d i ff i c u l t t o e n t e r a n d w i n d f l o w i s a l s o c o m p l i c a t e d . U n d e r s u c h c i rc u m s t a n c e s , i t w a s c o n s i d e re d d i ff i c u l t t o s o l v e a l l t h e way o f o p e n i n g , ho w t o t ak e in w inds , ho w t o t a k e i n t h e s u n s h i n e w i t h a s i n gl e c on c e pt . T he re fo re , w e d ecided t o s o lve t hes e co n di t i on s by c on c u r re n t l y u s i n g m u l t i pl e c on c e pt s . Then, we searc h e d fo r e x i st ing build ing s t hat fit t hes e c on di t i on s f rom a l l ov e r t h e w or l d a n d t r i e d t o co m b i ne these s h ap e s t o c reat e a c o mp lic at ed and c on c e pt l e s s f or m .

Concept Diagram It wa s d i s c u s s e d t hat it is impo s s ib le t o s ol v e w i t h a s i n gl e c on c e pt , i e a s i n gl e f or m , w h e n desi g ni ng with these complex assumptions taken into account. Conceptless was the concept. Attempts have b e e n m a d e t o c re a t e f o r m s c o r re s p o n d i n g t o c o m p l i c a t e d c o n d i t i o n s b y g e n e r a t i n g f o r m s i n w h i c h m u l t i p l e c o n c e p t s r u n i n p a r a l l e l . F o r t h a t p u r p o s e , a s t r a t e g y w a s t a k e n t o g a t h e r c o n c e p t s f ro m exist i n g t r ad i t i o n al build ing s and co nt empo r a r y bu i l di n gs a n d pl a c e t h e m i n a ppropr i a t e pl a c e s i n the p rem i s e s .

Due to environmental factors and security factors, zoning was do ne s o t hat it became a pr i v a t e s pa c e a s i t goe s t o t h e ba c k of t h e p re m i s e s p l a n a r l y a n d s e c t i o n a l l y. E n t r a n c e s a re s e t u p i n b o t h t h e f ro nt ro ad and t he s id e s t re e t .

T h e f ro n t b u i l d i n g w a s s e p a r a t e d f ro m t h e b a c k a n d i t i s a g u e s t h o u s e . T h e i n n e r m o s t b u i l d i n g w a s t h e re s i d e n c e o f l o c a l p e o p l e , the cent r al b uilding is a wor k s h op a n d a dor m i t or y f or s t u de n t s .

A field is ar r ang ed b et w e e n t h e gu e s t h ou s e a n d t h e dor m i t or y. Th e f ir s t flo o r p ar t o f all b uildi n gs w a s l i f t e d s o t h a t t h e w i n d a n d ot h e r s co uld pas s t hro ug h, and w i n dow s e t c a re i n s t a l l e d a c c ordi n gl y.

This is the final form. While forms without unification impart an urban ap p ear ance, each pro gr am is c oordi n a t e d t o c oe x i s t w e l l .

Atelier GL-1400

Laundry GL+1400

Pond

Common work space GL+2500

Field

Pond

Accommodation GL+2500 Kitchen

GF Plan

1F Plan

Bedroom GL+6700

Living room GL+4200

Bedroom GL+6700

Living room GL+4200

Private work space GL+5500

2F Plan

Bedroom GL+7700

3F Plan

Section Perspective This section is integrated with the simulation of wind flow using s i m u l a t i o n s o f t w a re . T h e w i n d i s f l o w i n g t h ro u g h t h e l i f t e d f i r s t f l o o r. I n ad dit io n, s o me pon ds a re a r r a n ge d on t h e f i r s t f l oor, m a k i n g t h e co o l ed air flo w t hro ugh e a c h room . 91

Sankofa House / M.A.M.O.T.H.

BEN THANH Restaurant / NISHIZAWAARCHITECTS

-A frame structure connecting seceral

-A green wire curtain that winds through,

butterfly roofs

related the city -Open piloti

Raised Floor Style House / Southeast Asia

Wooden Temple / Kerela, India

House in Rokko / Tato Architects

-Cool piloti to put farm tools and take a

-Louvers for ventilation and light shielding

-A large deck on the first floor blocking

break after farm work

on obique walls

sunlight from above and the gaze from

below

Saigon House / a21studio

Summer House / Antonin Raymond

Arne Garborgsvei 18 / TYIN

-Double skin draft with a roofless bathroom

-Butterfly roof same angle with the slope

-A bench overlooking the outside from a

in it

diagonal wall -Stair placed on the bench -Private loft

Sunken House / Kazuhiro Kojima

Curutchet House / Le Corbusier

-A half underground room

-Half floor gap between the residence part

-Countinuity witu the outside through a

and the clinic part by the slope

glass

-Brise-soleil

Ecommunal Bath Design Studio in Tokyo Tech Master Course

#Ambigu i t y

#Sustainability

Site: Kagawa, Japan Purpose: Communal Bath Size: 164m2

This is a project to design public baths on O g i i m a f l o a t i n g i n t h e S e t o I n l a n d S e a o f â&#x20AC;&#x2039;â&#x20AC;&#x2039; Japan. In recent years the declining birthrate has progressed and the population has also d e c l i n e d . T h e i s l a n d i s a re m o t e i s l a n d , s o t h e infrastructure is also weak, and in order to de s i gn a n d ope r a t e a s m a l l c om m u n a l ba th, i t i s di ff i c u l t t o u s e i n du s t r i a l i n f r a s t r u c t u re l ike o ther areas. Therefore, this proposal was required to analyze the infrastructure of Ogiijima and c o n s i d e r h o w t o m a n a g e r e s o u r c e s . Ta k i n g advantage of the communities of the islands in the Seto Inland Sea which have been shrinking in re c e n t y e a r s , t h e S e t ou c h i Ar t F e s t i v a l h a s b een h e l d on t h e i s l a n ds . S o m ore t ou r i s t s a re vi si ti ng these islands. Therefore, a facility where local pe opl e a n d t ou r i s t s c ou l d i n t e r a c t w i t h ba th a nd f ood u s i n g re s ou rc e s i n O gi - S h i m a w a s a i m ed .

Ogi-shima Seto Inland Sea

Forest

Site

Takamatsu city Ogi shima overview

Scenary in Ogi shima

Setouchi Triennale 2016

Art Facilities in Seto inline sea

Site

On the islands of the Seto Inland Sea including OgiShima, art festivals have been held for several years and various artworks such as architecture and sculpture are be i n g produ c e d. Re ga rds , t h e re i s a n opi n i on t h a t a p l a ce of interaction between local people and tourist should be set up because the number of tourists increases year by y e a r. In addition, the infrastructure of Ogi-Shima is fragile, a l l e l e c t r i c i t y, w a t e r s u p p l y, g a s , e t c . a r e s u p p l i e d f r o m Ta k a m a t s u c i t y. T h e re f o re , w h e n c o n s t r u c t i n g a c o m m u n a l b a t h , i t i s p re f e r a b l e t o u s e re s o u rc e s t h a t a re p ro d u c e d within Ogi-Shima. So how to use these resources was f oc u s e d on i n t h e di s c u s s i on . In this island where infrastructure is fragile since it is di ff i c u l t f or e a c h h ou s e h ol d t o t a k e a ba t h , m a n y isl a nd ers l i v e i n h ou s e s w i t h ou t ba t h s a n d h a v e a c u l t u re of " sha ri ng a ba t h " t h a t s h a re s a f e w ba t h s , a n d t h i s c om m u n a l b a th i s re f l e c t i n g t h i s c u l t u re .

Book introducing share-bath culture 98

Ogi-shima Forest Provide wood to make ďŹ re

Trees

Site Light construction material

Existing barn

Rest space

Bath

Field

Place to communicate with each other

Relaxing place during trip Share bath

Town

Tourists

Food production

Local people

Electricity is provided

Propane cilinders

Used water is

from Takamatsu-city

are sent by ferry

sent by ferry

Takamatsu-city Infrastructure

DIY Shop

Power plant

Gas company

Water puriďŹ cation plant

This diagram shows the linkage of resources and people between the site, the forest, the town, Ta k a m a t s u c i t y, w h i c h w a s d i s c u s s e d w h i l e d e s i g n i n g . B e c a u s e re s o u rc e s a re m a i n l y c a r r i e d b y f e r r y, b u i l d i n g m a t e r i a l s s u c h a s w o o d u s e t h e t h i n g t h a t i s p ro d u c e d w h e n d i s m a n t l i n g t h e b a r n o n t h e s i t e . F o r b u i l d i n g m a t e r i a l s u s e d f o r w i n d o w s e t c . l i g h t m a t e r i a l s a re p u rc h a s e d f ro m t h e D I Y c e n t e r in Ta k a m a t s u c i t y. Fo r firew o o d, fo res t t ree s t h a t h a v e i n c re a s e d du e t o t h e de c l i n i n g popu l a ti o n a re c ut a n d u s e d . Th e c o mmunal bat h is o p ene d t o t h e re s i de n t s a n d t ou r i s t s of t h e t ow n a n d s erves a s a res t i n g fac i l i t y fo r s ig ht s eeing s po t s and l oc a l re s i de n t s . It i s s t re n gt h e n i n g t h e re l a t i on s h i p o f the loc al c o mmu n i t y w it ho ut dep ending o n ind u s t r i a l i n f r a s t r u c t u re a n d re s ou rc e s a s m u c h a s pos si b l e. 99

Construction process Construction process

Wood from existing barn Wood from existing barn

Removing walls and roofs from existing barn

Construcing with materials from existing barn

Make walls and roofs

Removing walls and roofs from existing barn

Construcing with materials Process from existing barn Construction

Make walls and roofs

Boiler

Bath

Boiler

olin

g th

olin

ody

g th

ire ire e f nge f ng Us ookiUs ooki c c for for

lax

Kitchen

r ta

ody

lax

afte

aft

kin

Kitchen

kin

afte

r ta

ath

kin

ath

Engawa

Mov Mov nice e tnoicsee e to se scen escen e ary ary

e heat Probid g water in for boil e heat Probid g water in for boil

Engawa

Rest space

e e bl bl ta ta gi ld gi ld ve ie ve ie e ef e ef th th th th ok om ok om Co fr Co fr

Field

ar ef

arm

f ile

Field

Axonometry showing relationships between each part Axonometry relationships between each part Isometric Drawing showing Showing Relationships between Each Part

The barn in the site is disassembled when b uildi n g a c o mmunal bat h, and t he s t r uc t u re of the communal bath is constructed using that material. This makes it possible to build without carrying building materials through a narrow alley aro u n d t h e s it e.

100

T h i s i s o m e t r i c d r a w i n g s h o w s t h e re l a t i o n s h i p of functions in the communal bath. By placing a thin building close to the seaside, the view t o t h e s e a i s m a x i m i z e d w h i l e pl a c i n g ki tchens, spaces for wood sawing, and fields on the roadside. On the seaside, engawa is placed over the whole, and we connect the bath and the break space. Everyone can share the view to the ocean by the slightly changing angle of e n ga w a .

2 1

GF Plan

1 Bath 2 Rest space 3 Engawa 4 Kitchen 5 Boiler 6 Field

101

A-AA-A Se 102

Aection Section 103

A-A Se

B-B B-BSe Se 104

ection

ection ection 105

Terraced Library Design Studio in Tokyo Tech Bachelor Course

#Am big u i t y

# Tr a n s i t i o n

Site: Saitama, Japan Purpose: Library Size: 2,475m2

106

This is a project to build a library of girls' s c h o o l s i n t h e s u b u r b s o f To k y o . T h e s i t e i s surrounded by the school playground and the f o re s t o u t s i d e t h e s i t e . T h e re f o re , o n t h i s s i t e , t h e f oc u s w a s on h ow t o c re a t e a l i br a r y tha t ca n e n j o y t h e b e a u t i f u l l a n d s c a p e o f t h e f o re s t a n d feel the lively atmosphere of the playground. Also, the location for these activities is not separately designed, but a smooth connection be t w e e n t h e m w a s a i m e d. Considering the conditions of the sloping site, a l a rg e s t a i rc a s e t h a t w o r k s l i k e a s t a n d o n t h e playground side, and a large staircase that pe opl e c a n s i t a n d w a t c h t h e f ore s t on t he f o rest side is set up. Also, by placing the building so as to cover them, it is designed to create various p l a c e s d e s p i t e b e i n g a b i g s t a i r w a y. T h e s t a i r s on the side of the playground are connected to the corridor on the second floor which is connecting existing buildings, and various a c t i v i t i e s i n t e r s e c t t h rou gh t h i s c or r i dor.

View

Forest

Various space to see playground

[ Static ] Playground

[ Dynamic ]

Put two stairs to see playground and forest

Separate stairs by buildings

Form Diagram

107

1F Plan

6 4

108

GF Plan

A-A Section

B-B Section

1. Reading & Learning Space 2. OďŹ&#x192;ce & Reception 3. Open Shelf 4. Storage 5. Playground 6. School Building 7. Terrace 8. Classroom 9.Lecture Hall

The library is mainly located on the first f l o o r, a n d a l a r g e o p e n i n g i s c r e a t e d a b o v e t h e re a d i n g s p a c e a r r a n g e d o n t h e s i d e o f t h e forest. The second floor is connected to the stairs climbing from the playground. There a re c l a s s ro o m s a n d t e r r a c e s o n t h e s i d e o f t h e forest, and a gentle space is made towards t h e f o re s t . T h e l e c t u re h a l l i s m a d e t o o p e n t o the side of the playground side, and lectures can be made in the lively atmosphere of the p l a y g ro u n d . I t i s c o m p o s e d s u c h t h a t t h e l i v e l y space and the restful space are back to back w i t h t h e s t a i r s i n be t w e e n . 109

C-C Section From the playground to the forest, space continues gently through the lecture hall and the colonnade.

110

D-D Section Th e b i g s t aircas e o f t he play gro un d i s c on n e c t e d w i t h t h e c or r i dor on t h e 2 n d f l oor, m a k i n g i t eas y t o g o back and fo r t h be t w e e n t h e s e re n e s pa c e s u c h a s t h e c l a s s room .

111

112

113

114

115

12.12.2018 Yusuke Naito

yusukenaitofcb@gmail.com

2018