2015 - 2018
Architect Portfolio of
YUWEI MA
CONTENT SUNKEN CITY --------Museum in Abu Dhabi
“STREETS” AND “PARKS” --------USC Marshall School of Business on Broadway, Los Angeles
URBAN FOREST --------Folly Design
FLOATING CANOPY --------USC Jimmy Iovine and Andre Young Academy - “The garage”
“BUBBLES” --------Brewery: Grand Central Market
OTHER WORKS --------Double Helix Walsh House Alla Road House Revit Modeling
SUNKEN CITY Thesis Design Studio Spring 2018 Museum in Abu Dhabi Instructor: Larry Scarpa In this course, students will execute the design project, according to this guiding proposal. Their design will improve, upgrade, refine or criticize their precedent, incidentally demonstrating through this work what they think architecture is, and why that architecture should be preferred.
Teamwork Project with Qian Yu · Background Research, Site Analysis, Schematic Design and Design Development · Produce Plans and Diagrams · Make Physical Model Using 3D printing, Laser Cutting and Resin · Make an Animation with After Effect
SCAN OR CLICK TO REVIEW ANIMATION ONLINE
https://vimeo.com/266823194
Introduction Water is inseparable from people and our built environment. Water can be poetic and beautiful or destructive and powerful depending on how the designer engages with it. Many precedents offer a multitude of ways that buildings engage water in powerful and poetic forms. The intent of the thesis is to understand how buildings engage with water and develop new forms that can enhance our built environment. Impressed by its innovative combination of culture and context, we chose Louvre Abu Dhabi as our precedent. The motivation of the thesis is to study how to immerse the modern museum into local Arabian context without losing their originality, and how to cause the interconnections between water and architecture.
The theme of the thesis is to create a museum, which is not only a container for artworks but also an aggregation of civilization, history and time. The site is located on Saadiyat Island, in the tidal zone of the Arabian Gulf. Not just the museum, the whole artificial island are parts of national development policies to contribute the boom of local economy and raise the reputation. The thesis tries to emphasize three points: Water, City morphology and Dome. This museum will represent the architectural product of a thesis that focuses on sunken architecture, subtracting volumes and exposing voids according to users’ need of functions, circulation, the water movement and the logic of Arabian city.
Water The site is located one the coastline of Saadiyat Island, Abu Dhabi. The positive relationships with water is intentionally created by immersing the whole museum in the sea. Gravity will help the water run through the building, providing designers with more possibilities to harness water.
City morphology 2
1
Many Arab cities share a similar morphological urban pattern during the formation of cities. For cities in Arab Gulf , there are three key elements to decide its original locations: water supply, trade route and significant role in religion. For example, the development Abu Dhabi, Dubai, and Doha benefited from its strategic geographic location where was suited to be trade routes. Fes of Morocco is chosen to analyze the city morphology of Arabian cities. The city presents the organic street pattern with cubic architectures which have courtyards inside.
3
As a reflection of a real world on the mirror, an “inverse city” will be created under water. This “city” will obey the orders of tradition Arabian cities and the concept of street hierarchy.
B EL. -48.00’
A
EL. -48.00’
up
335 FT
up
up
596 FT
up
up
A
EL. -48.00’
EL. -48.00’
up
EL. -48.00’ EL. -48.00’
EL. -48.00’
Pool
up
Water Tank
Pool
0’
40’
80’
120’ 160’ 200’
-2F Floor Plan B B
214
FT
EL. -24.00’
A EL. -24.00’ EL. -24.00’
596 FT
Down
EL. -36.00’
A
EL. -48.00’
EL. -24.00’
EL. -48.00’ EL. -24.00’ EL. -24.00’
Terrace
EL. -36.00’
EL. -24.00’
Pool
0’
40’
80’
120’ 160’ 200’
100 FT
-1F Floor Plan B
Dome Formations Domes are popular in mosques, covering the enclosed space below. The dome here is reshaped into a new thing: bowl-shaped dome with square boundary. Then, it is divided into four pieces related to the site boundaries.
Dome Variations Domes are popular in mosques, covering the enclosed space below. The dome here is reshaped into a new thing: bowl-shaped dome with square boundary.
Earthcasting Inspired by American artist Thomas Sayre, earthcasting will be the main way to cast giant domes in the place. The earth will press back with a texture, pattern, and color of its own. By splitting it into four pieces, light will go through the gaps to create dynamic light effect below. The holes are left to become parts of landscape.
View to dome in rain
Top View to cafe
View to whole building in sunset
View to waterfall
“STREETS” AND “PARKS” Comprehensive Studio Spring 2017 USC Marshall School of Business on Broadway, Los Angeles Instructor: Aaron Neubert This course presupposes that the understanding of complex building systems and the technical requirements relevant to contemporary architectural practice are an essential part of a rigorous design process.
Teamwork Project with Minfeng Xia · Site Analysis, Schematic Design and Design Development · Produce Plans, Elevations, Diagrams and Perspective Drawings · Make Structure System and Completed Model in Rhino Introduction
Architectural style on Broadway
The project is located on Broadway, the center of downtown Los Angeles. The rigid but dynamic context inspires us to explore the relationships between public space and private space in urban scale. The streets are well organized into grid pattern and some blocks are transformed into parks or open space-- these two facts become the starting point of the design, and lead to the original concept: developing and combining “streets” pattern and “parks” pattern. By separating the building into two parts, a strong diagram of rigid space vs dynamic space is clear presented in the building. And this idea is also introduced to design the structure system, mechanical system and circulation. In order to reduce the conflict effect, these two parts are merged and interweaved to become more harmony with each other. ETFE is adopted to wrap the front façade, emphasizing the three objects in the “park” area. Besides, it is a sustainable material and the transparency will reveal the colors and activities interior. The building is unique among classical buildings on Broadway, which has achieved our goals: make it attractive and bring energy to DTLA.
Broadway is one of the oldest streets in the city. As the entertainment epicenter of Los Angeles, lots of department stores and magnificent movie theaters are erected on Broadway. Most buildings were built in the first half of the 20th century, presenting architecture styles of Beaux-Arts, Art Deco, and revival style. “Contributing elements of the historic fabric”, Broadway has been protected over one hundred years.
T O W E R
N Main St
Parking
N Spring St
Grand Park
N Broadway
St
N Hill St
N Grand Ave
N Hope St
W Temple
W 1st St
Parking
W 6th St
W 8th S
t
Site
W 9th S
t
St San Julian
Maple Ave
S Los
Downtown LA Context The urban street pattern of DTLA is gridiron street. The city is divided into several rectangular blocks which are occupied by buildings, parking space or parks. In the city, street space and parks are considered to be the public space; while buildings are private space. Streets are formed by buildings. However, the relationship of public and private space is inversed in park space, like Grand Park.
Wall St
s St Angele
in St S Ma
S Spring St
S Broadsay
W 7th St
The site in located on Broadway, between a six-story and a fourteen-story offices buildings. The dimension of the front of the site is 50 feet and the depth will be 150 feet. The orientation of site is towards Northwest and it is in the shadow of the south building all the time. The front faces to Broadway where will become the main entrance. The back is next to a parking lot and an alley.
WC
COMMUNITY ENGAGEMENT people from city
+
SHARED OFFICE WC
GALLERY/ EXHIBITION
STUDENT COLLABORATION/ STUDY SPACE
RULE: PARK
LOBBY
people from city
Blocks are scatted in park.
PRIVATE OFFICE CLASSROOM CLASSROOM
CONFERENCE/ PRESENTATION
PUBLIC ENTRANCE WC
PROGRAMS
Here are some problems need to be solved: Problem #1: How to deal with relationships between front and back parts of the building. Problem #2: How to deal with the building and streets, Broadway and back alley. Problem #3: How to introduce light into bottom of the building.
EIR STUDIO
WC
LOADING
STORAGE
CAFE/ RETAIL
Private space is surrounded by public space
+
Girdion streets divide the city into Blocks.
MECHANICAL
REST ROOM
CLASSROOM
STUDY
+
RESTROOM EIR STUDIO COMMUNITY ENGAGEMENT
LOBBY
RETAIL
RULE: STREET
SHARED OFFICE
CONFERENCE
+
GALLERY
PRIVATE OFFICE
STUDY
PROGRAMS
+
CLASSROOM GALLERY RESTROOM
CAFE
Streets as public space are formed by private space.
EIR STUDIO
EIR STUDIO
EIR STUDIO
LECTURE
CLASSROOM
GALLERY
PRESENTATION
COMMUNITY ENGAGEMENT
LOBBY COMBINATION:
PARK
+
STREET
Strategy #1: The rules of “parks” and “streets”, the relationships between private and public space can be introduced to organize programs. After dividing the building, the front is “parks” and the back is “streets”.
OFFICE
CAFE/RETAIL
STUDY
LOADING MECHANICAL
Strategy #2: The ratio of front and back will be 6:4. The front is turned into a big lobby with several blocks floating inside and it becomes public plaza for people coming from Broadway. The back is like traditional office building.
Strategy #3: The back side is faced to the South without any obstructions. The sunlight can reach the bottom of front through gaps of suspending blocks. The facade for the front prefers the transparent materials to reveal interior activities and get more light.
0’ 10’ 20’
40’
80’
CK
BA Y
AL LE
DW AY
OA
BR
What is the plan layout?
What is the programs? 9
8
7
6
5
4
3
2
1
A
A
B
B
17 16 17
C
C
17 Studio 17 D
D
17 E
E
Ninth Floor Plan
A
A
B
B
12 Community Engagement
14
10 C
C
12
D
D
E
E
Sixth Floor Plan 8 Gallery A
A
B
B
10 C
C 8
8
D
D
E
E
16 Offices
Second Floor Plan
A
A
B
B
2 14 Classroom C
C
1 D
D
E
E
1 LOBBY 2 LOADING
10 Meeting Room
9
Ground Floor Plan
8
7
6
5
4
3
2
1
How does it connect? Air Fill ETFE Panels Moisture Barrier Air Pipe ETFE Panel Joint Clipper Concrete Deck Facade Pipe Structure Tube Fram Structure Exterior Panel
How about the facade? Ethylene tetrafluoroethylene (ETFE) is a fluorine-based plastic. It was designed to have high corrosion resistance and strength over a wide temperature range. It is a translucent polymer sheeting that is used instead of glass and hard plastic in some modern buildings. Compared to glass, ETFE has many advantages: transparency, better insulation, cheaper to be installed, light weight and the flexibility. As a result, ETFE as a construction material could create dynamic illumination for architecture.
How it works?
The layouts of structure system, mechanical system follow the plans. It is concentrated at the back and sprawl at the front. Structure system consists three parts: I-beam structure to resist lateral forces, tube frame structure to suspending lecture hall and studio, pipes to supports the ETFE. For mechanical system, AHU are introduced to regulate and circulate air as part of a heating, ventilating, and air-conditioning (HVAC) system.
Broadway Street elevation
View I to Lobby
View II to Gallery
View III to Community Engagement Space
180'-0"
150'-0"
120'-0"
90'-0"
60'-0"
30'-0"
15'-0"
IV
III II
I
View IV to Studio 9th floor plan
6th floor plan
2nd floor plan
1st floor plan
URBAN FOREST Comprehensive Studio Fall 2015 Folly Design Instructor: Scott Uriu The first semester studio at USC is designed to lay critical foundations for your graduate education in architecture. These foundations take form in several related areas: understanding and utilizing fundamental design principles; developing your critical faculties; mastering skills for representation and communication; becoming proficient in using – and breaking – architectural conventions.
Graphic Expression Instructor: Gary Paige Reference: Holy Terror by Frank Miller
The triangular site is an open green space, nearby a busy main street. Most buildings of Los Angeles are flat. Some commercial centers like Downtown LA, Korea town and mountains can be seen at any point of LA city. Based on the visual relationships, the design strategy is to create an urban viewing platform. Many steel sticks grow from the ground and stairs go through it. Every ends and platforms aim to the specific direction of city, providing people with places to view the Los Angeles. The shadows are cast on the ground and keep changing according to the different sun orientations.
FLOATING CANOPY Comprehensive Studio Spring 2016 USC Jimmy Iovine and Andre Young Academy - “The garage� Instructor: Yo-ichiro Hakomori The 505b studio will explore several topics of equal importance intrinsic to the discipline and medium of architecture, namely: the integration of formal/ spatial, tectonic, programmatic and material systems. More specifically, the focus will not only be on critical design research but also on producing innovative design proposals.
S Ve rmo nt A v
This project provides a unique environment for students to learn, create and collaborate. The building could enlighten us to think the relevance between architecture and nature. This green land have many trees and closes to the urban road -- these two facts become the starting point of the design, and lead to two basic strategies: One is to empty the ground floor to maximize the open green space; Second is to establish an interactive relationship with trees while protecting most of them. All activities happen in courtyard and around courtyard. The internal façade is clear glass and the external window walls are covered by screen. Here theWscreen, 37th Pl shadows, nature interweave together to present atmosphere of each space. In order to show the transparency, on the ground floor, clear glass and high-reflective aluminum panels are used to decorate walls, columns and ceilings. It is a work collaborated by both architecture and nature.
th
37
S Ve
W
rmo nt A ve
e
Science & Engineering Library
Pl
USC S of Archi
W at
tW ay
Parkside International Residential College
The site is located at the south lawn of USC school of architecture, LA. The site is closed to Exposition Blvd with a Metro rail going through. The new building is built for USC Jimmy Iovine and Andre Young Academy for Arts, Technology and the Business of Innovation—a new model for training and inspiring young innovators. Based on these context conditions, some problems need to be solved: Problem #1: How to create lots of collective space for students to work together? Problem #2: How to eliminate the effect of noisy traffic? Problem #3: How to preserve trees in the site?
Site
WE
xpos
Exp
ositio
n
School itecture
USC Fisher Museum of Art
sitio
n Blv
d
n Blv
d
Problem #1: How to create lots of collective space for students to work together?
Design Strategy #1: The courtyard architecture typology will create a private isolated space inside, surrounded by buildings.
Problem #2: How to eliminate the effect of noisy traffic? Design Strategy #2: The building is divided into three layers, like the rainforest’s structure: canopy layer, understory and forest floor. By emptying the first floor, the second floor will be floating in the air and the basement will be sunken into the ground. In this way, the noise can be blocked.
Problem #3: How to preserve trees? Design Strategy #3: In order to blend landscape into the architecture, the outline of building will be reshaped by the tree locations.
Design Strategy #4: In order to diminish the existence of building, the high reflective aluminum materials are adopted to ceiling and columns, introducing the surrounding environment.
Design Strategy #5: To strengthen the ideas of courtyard and floating canopy, curves are introduced to modify the geometry of second floor.
A
B 1
3
2
15
14
20 22 21
6 6
6 6
22
19
19
5
5
18 4
18 17
1 Entrance Lobby 2 Outdoor Gallery 3 Cafe 5 Outdoor Hang Out Lounge 6 Restroom 7 Open Offices 8 Offices 9 Student Services
A
10 Art Studios 11 Balcony 12 The Garage 13 Lounge 16 Workshop 17 Laboratory 21 Lounge 22 Exterior Work Yard
Ground Floor Plan 0’
10’
20’
Basement Floor Plan 40’
60’
16
B
B
East Elevation
West Elevation
South Elevation
North Elevation
A-A Section
A-A Section
B-B Section
0’
0’
10’
20’
40’
60’
0’
10’ 10’
20’ 20’
40’ 40’
60’ 60’
View to West Entrance
View to Courtyard
View from Exterior
BUBBLES Comprehensive Studio Fall 2016 Brewery: Grand Central Market Instructor: Marcos Sanchez All studios require the synthesis of skills and knowledge garnered in other courses. Here students will take a project from analysis through the schematic design phase, with an emphasis on structure, building assembly, and building code.
The concept idea of this project comes from the Los Angeles city. The urban context of LA is polycentric web and these centers have relationships with each other. In the DTLA, public spaces are scattered and inserted into the urban context with grid pattern. These public spaces can be seen as bubbles because the sphere indicates the potential to sprawl in three dimensional space. Their relationships to exterior will still exist even though these bubbles have been cut into two pieces. By introducing the lush soap form, I have my design strategy. Each bubble will stand for one relationship between the site and surrounding. When these pieces are taken out, the leftover will become the public space which will influence the interior and exterior.
The site is located in historical district, next to the landmark Grand Central Market in Downtown Los Angeles, facing to Angels Flight which is also a landmark in narrow gauge funicular railway in the Bunker Hill. The site is mainly open to the North, S Hill St. At the west side. There are a parking lot and a narrow alley. Some problems need to be solved: Problem #1: Problem #2: Problem #3: How to transform brewery into public How to deal with the relationship with surrounding, like Grand Cen- How to design the entrance to let space. tral Market and Bunker Hill. visitors get into the building. Strategy #1: Spheres or “bubbles” visualize the characters of urban context of LA which present a pattern with centers and have potentials to sprawl.
Strategy #2: The process of making lush soap is like my design strategy. Parks or public space is the colorful soap balls which have been placed inside of “liquid soap”: DTLA urban context. When I take out the selected area, the relationships can be read from beautiful sections.
Strategy #3: Place “bubbles” into the site. Each one represent a relationship to exterior. A underneath “bubble” will become a gathering space for visitors. Grand Central Market
Bunker Hill
Design Process
0’ 20
’ 40
’ 60
’ 10
0’
1
2 5
4 3
25
25
Th
ird
Flo
or
9 6 7
8
Se
co
14
10
12
13 13
nd
Flo
or
Pl
an
Flo
or
11
Gr ou
nd
10 11 Lo 12 Be bby 13 Co er 14 Re urt Mus Gr str yar eu an oo d m d m Ce nt ra lM ar ke t
Pl
an
6 7 Aud 8 Lou itor 9 Me nge ium 25 Lec etin St ture g R or ag Ro oom e om
Pl
an
1 2 Tas 3 Sea ting L 4 ib ting Ro 5 Hop rary Ar om R ea 25 oo s G St f G ard or ar e ag de n e n
nt
Ce ra lM ar
ay
Pa d
dw
S
ht
lig
lF
ge
An
an
Br oa
ll
Hi
Gr
S
er
nk
Bu
Hi ll
.
St
W 3r d St .
ke t
rk ing
CASE STUDY --------Double Helix, Taito, Japan Onishimaki + Hyakudayuki Architects Instructor: Gary Paige “Double Helix House” is a small house. The composition idea of the house is inspired by the site, including two simple elements: a white core and an alley-like corridor winding up around it. In order to express the concept of “Double Helix”, the corridor is unrolled to show the interior space, explaining how the two helixes from the inside and outside are intertwining.
CONSTRUCTION STUDY --------Walsh House, Kangaroo Valley, Australia, Glenn Murcutt Instructor: Gary Paige Michael Hricak Walsh house is a residential building and designed by Murcutt who is known for “paying attention to the environment and creating economical and multi-functional buildings”. To resist to the wind, the southern and western facades adopted rustic materials with few windows. The northern and eastern facades are more open to exterior view of Kangaroo Valley. On the roof, adjustable louvers were installed to control the daylight.
8 7
1
2 2
3 4
5 1 2 3 4 5 6 7 8
8’’ Ø 1/2 ROUND PIPE CLEAR LAMINATED GLASS SIKKENS STAIN EBONY INSULATED STLD WALL MORTAR BRICK ALUM SLATS CORRUGATED IRON PANEL
6
1’’
7.8’’
3’-3’’ UNISIL SEALING STRIP
LYSAGHT O.Ø6 CUSTOM BLUE ORB SINGLE SHEERS GALVANISED CORRUGATED IRON LAID TO MANUF. INSTRUCTIONS, RIDGE SCREEN FIXED
Wall Section with Sun Screens
1 A05
1’’=1’-0’’
2’-7’’
6’’
CLEAR LAMINATED GLASS
8’’
80×3 STAIN CLEAR ANOD ALUM SLATS AT 50 C.C ON 25×10 AL RAILS SLOTTED, WELDED TO Ø25 TUBES
SET 46 CLEAR APART 50×50 L 29°
65°
’ 6’
200 Ø 1/2 ROUND PIPE
0.5’’
1’’ 60°
ALLOW FOR 1.2 ZINCALUME COVER TO BLIND BOX, C/S SCREEN FIX ALLOW FOR 1.2 ZINCALUME COVER TO BLIND BOX, C/S SCREEN FIX
60 EXT GRADE PLY CEILING 0.7’’
0.7’’
30°
9.6’’
9.6’’
2’ 6.4 CLEAR PILKINGTON ‘COOL GLASS’ IN SPECIALTY GLAZING BARS B 26 AND S.S. CLIPS. FIN METALS ANODIZED BLACK
CLEAR 6.4 LAMINATED GLASS IN B26 BLACK ANODIZED GLAZING BARS FIXING SHOES AND STOP ENDS AND CLIPS
9’’
STEEL FRAMING AND “T” FRAMING TO VENT/GLASS AND INSECT SCREENS
BOARD JOINT LEVEL 9.8’’
2.3’’
VENTS BY BUILDER
0.7’’
RIGID INSECT MESH
9.6’’
SLOT FOR CABLES
2’-5’’
BRICK
4’’
2.3’’
MORTAR INSULATED STLD WALL AS OPPOSITE SIDE SIKKENS STAIN 020 EBONY TO SAWN WRC BOARDS
2 A05
Wall Section
1.6’’
3 A05
Wall Section
69°
INTERNSHIP WORK in Gary Paige Studio --------4136 Alla Road House, LA This project is a 1800 square feet residential house which is located in Culver City, Los Angeles. Through the study of morphological variations, a slope scheme was adopted as the refurbished roof of existing brick houses. The front part included a main living room, kitchen, restroom and bedroom. The original garage was redesigned as an independent studio.
A1
FRAMING ISO
5
4
3
DN
DN
mechanica Restroom l room
DN
Restroom
Study Area 850 SF
Individual Study Room 850 SF
26' - 5 3/4"
G 11' - 8 1/4"
Corridor 850 SF
1 02 Second FLoor 1" = 10'-0"
Gallery 1875 SF
A
12' - 6" 7' - 3"
6' - 6"
1 Site Plan 1" = 30'-0"
UP
6' - 10"
I DN
DN
H
8' - 8 1/2"
A
A
6' - 5"
F
13' - 0 3/4"
7' - 7 1/4"
E
6' - 11"
C
7' - 2"
B
Entry 526 SF
4' - 3 27/32" 4' - 3 27/32" 4' - 3 27/32"
DN
9' - 7"
6' - 6"
151' - 0"
D
65' - 3"
DN
Lobby 1314 SF
G 6' - 5"
UP
H Cafe 1143 SF UP
Corridor 850 SF
26' - 10" 10' - 9" 16' - 9"
C 13' - 0 3/4"
B
3 -1 First Underground Floor 1" = 10'-0"
F 7' - 7 1/4"
2
2. Building Code information
Type: C5 Use: Commercial C2 Uses (Retail w/Limited Manuf., Service Stations and Garages, Retail Contr. Business, Churches, Schools, Auto Sales), Limited Floor Area for Manuf. of CM Zone Type, R4 Uses Required Yards: None for commercial uses; same as R4 zone for residential uses at lowest residential story Minimum Area per Lot/Unit: 50 SF Minimum Lot Width: 50 FT Karen Kensek Type of Construction: I-B Construction
3
6' - 6"
G | ARCH 526 Professional H 2017 Fall Practice
6' - 11"
I
Instructors: Michael Hricak
USC SCHOOL OF ARCHITECTURE
10' - 4"
7' - 3"
Fire Eixt Corridor 1/8" = 1'-0"
4
5
A105
PROJECT: USC COMMERICAL SCHOOL ON BROADWAY
E Names:
Yuwei Ma Xiaonan Huo Yiqing Liu
2' - 7"
YXY
Date: 11|10|2017 3. Site Plan General Notes I
I
1' 1' - 0" -1'0" -1'0" -1'0" -1'0" -1'0" -1'0" -1'0" - 0" 1' - 0"
2 Elevator 1/8" = 1'-0"
Names: Yuwei Ma Xiaonan Huo Yiqing Liu
1 {3D}
Names:
6' - 10"
4' - 4"
6' - 6"
2
3
3' - 2"
Fire exit door 1/4" = 1'-0"
7' - 6"
8' - 4 1/2"
12' - 6"
DN
2
YXY
2
I
5
4
3
Restroom
6' - 6"
3
6' - 10"
7' - 7 1/4" 6' - 11"
E
151' - 0"
D
UP
Storage 726 SF
E
6' - 11"
UP
B
15' - 0"
3
Zoning: [Q]C5-4D-CDO-SN FAR : 13:1 (13 floors maximum) Lot Area: 7650 SF Use: Commercial Occupancy: A-1 Maximum Height: Unlimited Fire Bureay: Central 1, District 9 ZI: ZI-2452 Transit Priority Area in the City of Los Angeles ZI: ZI-2450 Downtown Streetcar ZI: ZI-2408 Broadway ZI: ZI-2385 Greater Downtown Housing Incentive Area ZI: ZI-2374 Los Angeles State Enterprise Zone ZI: ZI-2457 Historic Broadway Sign Supplemental Use District General Plan Land Use: Reginal Center Commercial General Plan Footnote(s): Yes Hillside Area (Zoning Code): No Baseline Hillside Ordinance: No Baseline Mansionization Ordinance: No Specific Plan Area: None POD – Pedestrian Oriented Districts: None CDO – Community Design Overlay: Broadway NSO- Neighborhood Stabilization Overlay: No Sign District: Historic Broadway Sign Supplemental Use District Streetscape: Broadway Adaptive Reuse Incentive Area: Adaptive Reuse Incentive Areas Ellis Act Property: No Rent Stabilization Ordinance(RSO): No CRA – Community Redevelopment Agency: City Center Redevelopment Project Central City Parking: Yes Downtown Parking: Yes Building Line: 5 500 FT School Zone: Not 500 FT Park Zone: Not 2 01 Ground Floor 1" = 10'-0"
F 13' - 0 3/4"
A104
3
DN
DN
Seating 1126 SF
5
32' - 0"
BACK ALLEY 32' WIDE
Retail 826 SF
16' - 8" 10' - 6"
C
Trash 124 SF
26' - 5 3/4"
G 6' - 5"
11' - 8 1/4"
Restroom mechanica Restroom l room
91' - 0"
I
17' - 7 3/4"
S BROADWAY 50' WIDE
50' - 0"
1(on-site only)
Total:33 Minimum number of required accessible parking spaces: 1
10' - 11"
75' - 1 19/32"
Property Line
Ratio(spaces/sqft) Units NO.
Apartment or two-family dwelling(units<3)
181' - 0"
81' - 0"
Ratio(spaces/SF) Area NO. 1/500 7200 15
Section 12.21A.4(a & b)-Use of building
2 3 EXIT4
39,037 SF 9 Story 90 Ft in Height
Ratio(spaces/SF) Area NO. 1/200 1000 5 1/250 2500 10
Section 12.21A.4(e & f)-Assembly area and schools Schools
H
27' - 3 1/4"
D
G
SITE: Mixed Use Building
LOBBY ENTRANCE
UP
Lecture 1843 SF
26' - 5 3/4"
G 11' - 8 1/4" 6' - 5"
F 13' - 0 3/4" 7' - 7 1/4"
E 6' - 6"
150' - 9"
6' - 11"
SIDE WALK 15' WIDE
117' - 0"
F
mechanica Restroom l room
12' - 6"
H
H
7' - 3"
-1' - 0"
-1' - 4"
E
2
I
5
12' - 6"
D
7' - 3"
151' - 7 11/32"
C
1. Zoning Code information
Section 12.21A.4(C)-Commercial and industrial buildings Small restaurant, Café or coffee shop Retail, take-out restaurant, Art gallery
Parking Lot
A B
10' - 3"
Fire Hydrant
Bench
12' - 6"
Street Lights
Parking Analysis
7' - 3"
3
4
73' - 7 19/32"
Instructor: Karen Kensek
10' - 4 1/2"
I
--------USC Commercial School on Broadway Teamwork: Yuwei Ma, Xiaonan Huo, Yiqing Liu
43' - 6 3/32"
2
Revit Modeling
3 Staircase 1/8" = 1'-0"
4' - 7 1/4"
USC SCHOOL OF ARCHITECTURE
The site is consist of a mixed use building with a commercial school, offices, retails, residential apartments inside. It is adjacent to a seven-story office building on the north and a eleven-story office building on the south. Access: S BROADWAY is the primary access street. Also there is a alley at the back. Set Back: None
4 Restroom 1/8" = 1'-0"
PROJECT: USC COMMERICAL SCHOOL ON BROADWAY 2017 Fall | ARCH 526 Professional Practice
2
FLOOR PLANS_01
Instructors: Michael Hricak Karen Kensek Date: 11|10|2017
REGULATIONS ACCESSBILITY
A102
A103
F
2
4
5 09 08Ninth First Floor Roof 80' - 0"
Structural steel 50ksi
0708 Seventh Eighth Floor 70' - 0" 10 Roof 90' - 0"
09 Ninth Floor 80' - 0"
Soda Lime Glass
Classroom
5
4
3
2
Soda Lime Glass
I Lecture Room
Clear glazing
07 Seventh Floor 70' - 0" Eighth Floor 05 Fifth08level 68' - 0" 70' - 0"
18' - 0"
08 Seventh Eighth Floor 70' - 0"
05 Fifth level 68' - 0"
07 Seventh 06 Sixth Floor 60' - 0"
18' - 0"
09 08Ninth First Floor Roof 80' - 0"
3
12' - 0"
I 12'' Roof
Steel, mill finish
05 Fifth level 68' - 0"
09 Ninth Floor 80' - 0"
Soda Lime Glass
07 Seventh Floor 60' - 0"
Rigid foam insulation board Lightweight concrete Steel, mill finish Structural steel 50ksi
05 Fifth Floor 40' - 0"
08 Eighth Floor 06 05 Sixth Fifth Floor 70' - 0" 50' - 0"
E
07 Seventh Floor 60' - 0"
3 Detail Wall Section 4 - Lecture Room 1/4" = 1'-0" Steel, mill finish
04 Fourth Floor 40' - 0"
1' - 0"
2203 Second Second Third Floor level 20' - 0"
6 Detail Wall Section 3 - Classroom 1/4" = 1'-0"
Floor Finishes Damp-proofing Rigid foam insulation board Lightweight concrete Steel, mill finish Acoustic Ceiling Tile 24 x 48
04 Fourth level 52' - 0"
1' - 1 11/32"
06 Sixth Floor 60' - 0" 06 Sixth Floor 50' - 0"
Precast concrete
2' - 0"
3' - 1 1/8"
Floor Finishes
1 - Roof
2' - 0"
Soda Lime Glass
03 Third level 36' - 0"
Acoustic Ceiling Tile 24 x 48 8' - 0"
? ?
Floor Finishes
02 0203 Second Second Third Floor level 02 Second FLoor 20' - 0" 10' - 0"
Rigid foam insulation board Lightweight concrete Steel, mill finish Structural steel 50ksi
2' - 6"
03 Third Floor 20' - 0"
Shared Office
?
05 Fifth Floor 40' - 0"
04 03Fourth Third Floor 30' - 0"
2' - 0"
6' - 0"
Second 01 FirstLevel FLoor 2 10' - 0"
Structural steel 50ksi
Soda Lime Glass
8' - 0"
Library
06 Sixth Floor 50' - 0"
Steel, mill finish
04 03Fourth Third Floor 04 Fourth Floor 30' - 0" 30' - 0" Clear glazing
?
04 Fourth Floor 30' - 0"
F
2 Detail Wall Section 4 - Shared Office 1/4" = 1'-0"
03 Third Floor 20' - 0"
Acoustic Ceiling Tile 24 x 48
1 - Floor
01 Ground Floor 0' - 0"
5 Detail Wall Section 3 - Library 1/4" = 1'-0"
02 Second FLoor 10' - 0"
-1 First Underground 01 First FLoor Floor 10' - 0" -10' - 0"
nderground -3 Third 3rd erground Floor -30' - 0"
Auditorium
-1 Underground Floor 01 Ground Floor -10' - 0" 0' - 0"
Floor Finishes Damp-proofing Lightweight concrete
Cast-in-place concrete Structural steel 50ksi
Foundation -40' - 0"
Entry
-2 Second Underground Floor -20' - 0"
-3 Third 01 Ground 00 Floor Underground Floor 0' - 0" -30' - 0"
182
2 East 1/8" = 1'-0"
6' - 11"
9' - 0"
Soda Lime Glass
Structural steel 50ksi
10 Roof 90' - 0"
-2 Underground 2nd Floor -20' - 0"
Steel, mill finish Lightweight concrete
1 - Foundation 3 Section 1 1/8" = 1'-0"
4 Detail Wall Section 3 - Entry 1/4" = 1'-0"
1 Detail Wall Section 4 - Auditorium 1/4" = 1'-0"
MERICAL SCHOOL ON BROADWAY Names: PROJECT: USC COMMERICAL SCHOOL ON BROA WALL Yuwei Ma Practice Instructors: Michael Hricak Karen Kensek 2017 Fall | ARCH 526 Professional Practice Instructors: Michael Hricak Kare Xiaonan Huo SECTIONS Yiqing Liu E Date: 11|10|2017
YXY
USC SCHOOL OF ARCHITECTURE
A105
Date: 11|10|2017