INTERIOR DESIGN
PORTFOLIO
YuYu Schatz 6707 Stonecutter Dr. Burke VA C: 571 265 1337
YUYU SCHATZ / INTERIOR DESIGN
TABLE OF CONTENTS CRADLE TO CRADLE HOUSING INTERNATIONAL RESTAURANT FARM TO FORK RESTAURANT SHELTER HOUSES FOR ORPHANS ART GALLERY HIGHER EDUCATION DESIGN FOR AMERICA SKETCHES MODEL BUILDING
VIRGINIA TECH 2013
People think that design is styling. Design is not style. It’s not about giving shape to the shell and not- giving a damn about the guts. Good design is a renaissance attitude that combines technology, cognitive science, human need, and beauty to produce something that the world didn’t know it was missing. -Paola Antonelli
CRADLE TO CRADLE HOUSING THE ADAPTABLE HOUSE. Nature is a force that is constantly changing and dynamic throughout the four seasons. Just like the process of Cradle-to-Cradle, nature consists of cycles that take nutrients and distribute them throughout the earth. To incorporate this cycle, everything must be part of a circulation – from the collection of rainwater to the harvesting of solar energy to the recycling/composing of materials. This residential Cradle-to-Cradle house must also reflect the dynamic of nature through a space that is versatile and adaptable to the needs of the user. Within the biosphere there is a systematic ordering of nature; these levels of symbiotic ordering must also be present in the house throughout the programming of private and public spaces.
WATER: RAINWATER COLLECTION
MATERIALS: RECYCLE & COMPOSTED
ENERGY: SOLAR ENERGY
LEVEL 1
LEVEL 3
LEVEL 2
CRADLE TO CRADLE HOUSING
INTERIOR VIEW: LIVING ROOM
INTERIOR VIEW: DINING ROOM
MATERIAL PALETTE
INTERIOR VIEW: KITCHEN
HYCRETE
RESALVAGED WOOD
CLIMATEX LIFESTYLE
MOSA TILES
RECYCLED CONTENT
ICESTONE
RESALVAGED WOOD
STEEL
RESALVAGED WOOD
EXTERIOR VIEW
The design of this residence is catered towards a young married couple with one child currently that is looking to slowly start a family. The design will create a sustainable house that caters to multifunctional spaces for the different members of the family. The design of the house is just as adaptable as the spaces, such as creating a seasonal vegetative rooftop. The roof incorporates a passive solar system with slats that turn based on the location of the sun. CRADLE TO CRADLE HOUSING
VEGETATIVE ROOF + SEASONAL GARDEN
A+D DIVERSITY COMPETITION HONORABLE MENTION ‘Farm-to-fork’ is a current practice in the production of food that refers to the movement of growing food organically and directly providing it to the consumer. The site and history of Kentland Farms can be catered towards a farm to fork dining and cooking establishment. By establishing Kentland Farms into a farm to fork, the culture and local living of the area can be celebrated. The user experience would begin with farm tours highlighting the local and organic produce that so many cultures have lived off of for years. Following the farm tours, patrons would be lead towards the pavilion where they would be served a set menu meal that consists of seasonal and organic produce from the farm.
KENTLAND FARMS: FARM TO FORK
FLOORPLAN
MAIN DINING BAR + DEMONSTRATION AREA KITCHEN
FARM TO FORK RESTAURANT
INTERIOR VIEW + FLOOR PLAN
In the design of the Kentland farm to fork, the outdoor pavilion has been transformed using natural materials and lighting. As much of the existing structure has been left intact as possible.
FARM TO FORK RESTAURANT
INTERIOR VIEW: BAR + SEATING
The rich history of Kentland Farms and how people lived in the past would also be celebrated in the experience; bringing together the past into the present while highlighting how to create sustainable food for the future. This design and concept illustrates the historical diversity of Kentland Farms as well as provide a place for the community to gather.
RECLAIMED WOOD TABLES
EMECO NAVY CHAIR
FARM TO FORK RESTAURANT
INTERIOR VIEW: COOKING DEMONSTRATION
INTERNATIONAL RESTAURANT: AHIMSA [INDIAN] The culture of India is surrounded by a rigid caste system - one thing that brings together the Indian people is the nationa; religion of Hinduism. Temples are a place of serenity and are often located near key geographical points such as waterfalls, lakes and springs. The restaurant Ahimsa, literally translated as ‘to do no harm’ creates a balance between the traditional temple architecture and the natural landscape surrounding them. The floorplan of the restaurant is drawn from a traditional mandala, with a public main dining in the center of the plan and specific rooms on the perimeter. Through the use of stone and natural materials, the space reflects a temple atmosphere where one can have a peaceful dining experience.
9 1
10 8
11
7 4
2
6
5
FLOORPLAN
Floorplan drawn from a traditional mandala; rooms with more specific purposes are located along the perimeter while the main dining area is in the center
1. Kitchen 2. Bar 3. Waiting Area 4. Open Kitchen 5. Private Dining Room 6. Main Dining 7. Private Dining Room 8. Men’s Restroom 9. Women’s Restroom 10. Manager’s Office 11. Patio
3
Beginning from the entrance a large gold form extrudes from the ceiling to entice the customer to walk into Ahimsa.
BAMBOO
GOLD
MARBLE
INTERNATIONAL RESTAURANT
DINING ROOM + OPEN KITCHEN
An important aspect of Indian dining is eating at a low level to the ground. The bar of Ahimsa consists of a bar and small dining tables that are seated low to the ground to implement the Indian culture. INTERNATIONAL RESTAURANT
INTERIOR VIEW: BAR + SEATING
INTERNATIONAL RESTAURANT
INTERIOR VIEW: BOOTH SEATING Custom booth seating on the perimter of the wall creates a more private space as it is elevated off the ground. The booths were custom built to encourage social interaction and to maintain a sense of privacy. CUSTOM BOOTHS WOOD VENEER
WALNUT WOOD
3FORM PRESSED GLASS
3FORM PRESSED GLASS
Food is a huge aspect of Indian culture and to incorporate this into the design an open kitchen was custom built. The open kitchen is for any customers who want a quick meal and allows others to watch the chefs prepare the food with colorful spices and curries. CUSTOM DESIGN 3FORM TILE
BRASS
BLONDE WOOD INTERNATIONAL RESTAURANT
INTERIOR VIEW: ENTRANCE + OPEN KITCHEN
AIDS IN AFRICA: SHELTER HOUSES FOR ORPHANS FOCUS: SHELTER + EDUCATION The AIDS epidemic is a rising global crisis that has garnered increased attention especially in Sub-Saharan Africa. The region has merely 10% of the worlds population yet 69% of the Sub-Saharan African population is infected with the disease. Due to this epidemic, over a million children have been left as orphans - a problem that not only leaves children without parents but also affects the economy of South Africa. A lack of education, awareness and knowledge is what allows these statistics to grow every year. Many of these children are placed in the care of older siblings or grandparents, but many of them have nowhere to seek shelter. They often grow up aimlessly with no education or care. The focus of this project addresses the issue of education and shelter towards orphans in South Africa through a series of shelter houses built with natural materials that promotes sustainability. These shelter houses have the capacity to host eight orphans and are meant to create an educational living space where children can feel safe and comfortable.
SHELTER HOUSES FOR ORPHANS
INTERIOR VIEW: PUBLIC AREA
KNOLL TEXTILES BEESWAX
KNOLL TEXTILES GRASS
Educational Space sits below a raised platform that serves as a place of leisure. The ladder provides entry to the second floor.
SHELTER HOUSES FOR ORPHANS
INTERIOR VIEW: LIVING AREA
SHELTER HOUSES FOR ORPHANS
INTERIOR VIEW: EDUCATION
The shelter house consists of an education space located at the center of the house and a public area right above that can be accessed through a ladder. The custom made furniture can be folded up for more recreational space or put down to rest. SHELTER HOUSES FOR ORPHANS
INTERIOR VIEW: LIVING AREA + EDUCATION
ART GALLERY: URBAN EXHIBITION FEAT. BANKSY + CANDY CHANG Designing a journey that forces the occupant to reflect on their personal values while being exposed to political and social themes that challenge the norm.
RENDERED FLOORPLAN
FLOORPLAN 10’-0” ACT
INSPIRATION | STREET ART The open gallery reflects the environment of an urban city with street art stenciled throughout. The use of materials such as painted brick, concrete, metal, and plywood portray the qualities of an industrial city. This allows for Candy Chang’s installations and Banksy’s graffiti to be exhibited indoors, in a gallery without losing the organic quality that is street art.
10’-0” ACT
EXPOSED STRUCTURE
EXPOSED STRUCTURE
10’-0” ACT
PROJECT TEAM: KELSEY CONROY SHANNON O’TOOLE YUYU SCHATZ KATHLEEN BARRY BETH COATES
LOCATION: DETROIT
ART GALLERY: URBAN EXHIBIT
INTERIOR VIEW: ENTRY + RECEPTION
ART GALLERY: URBAN EXHIBIT
INTERIOR VIEW: CONFESSIONS DISPLAY
SECTION
A series of graffiti stencils by Candy Chang strategically placed throughout the winding stairs creates an organic conversation between the visitors and the art. These clean stencils create an introspective environment as visitors continue on their urban journey.
ART GALLERY: URBAN EXHIBIT
INTERIOR VIEW: ART GALLERY
ART GALLERY: URBAN EXHIBIT
INTERIOR VIEW: EVENT VENUE
ART GALLERY: URBAN EXHIBIT
INTERIOR VIEW: BEFORE I DIE DISPLAY
CHAMELEON: HIGHER EDUCATION
FLOORPLAN
Spaces that adapt for a purpose:
DESIGN GOALS:
This space aims to be highly customizable. Just as chameleons change color due to social conditions or temperature, the space will change based on the user. Through new technology, users will be able to program the space for their needs and store the settings for later use. This will include movable furniture, customizable lighting, and a variety of new technology. The concept of the chameleon will also influence our color palette, as their native habitat is the rain forest and a chameleon’s “main” color is green. The 4 layers of the rainforest (from top to bottom) are the emergent layer, the canopy layer, the understory layer, and the forest floor. Our spaces have been divided based on the various layers, from which each space inherits a color palette and overall design idea.
1. Higher education spaces of the future need to be flexible, mobile, and multipurpose. 2. The space needs to be able to integrate new technology so that it can be used for maximum benefit. 3. In order for students to get the most interactive learning experience, the space needs to allow for multiple furniture configurations 4. Through new technology, users will be able to program the space for their needs and store the settings for later use. 5. The space needs to balance teaching, technology, and design in order to create an active classroom.
PROJECT TEAM: KELLEY O’LEARY ALEX WATT YUYU SCHATZ
CANOPY
EMERGENT
UNDER STORY
FOREST FLOOR
SECTION: MAIN LOUNGE CAMBRIA BALA BLUE
STEELCASE MAYA BLUE
MAHARAM HIGHFIELD 951
KVADRAT 95 C0966
CHAMELEON: HIGHER ED
UNDERSTORY: MAIN LOUNGE
CHAMELEON: HIGHER ED
FOREST FLOOR: GROUP STUDY
BUTE MELROSE REEF
KVADRAT 95 C0742
LUNA TEXTILES JAUNTY JUNGLE
LUNA TEXTILES HATCH TOO EVERGREEN
CHAMELON: HIGHER ED
CANOPY: CAFE
CHAMELEON: HIGHER ED
EMERGENT: CLASSROOM
MAHARAM LAYERS VINEYARD SMALL 004 JADE TURQUOISE
ARCHITEX HOOP ALEXANDRITE
CURAVA CALYPSO BLUE
ARCHITEX HOOP RAINSTORM
CHAMELON: HIGHER ED
UNDERSTORY: MEDIA LOUNGE
DESIGN FOR AMERICA: NEIGHBORLAND [A CIVIC INPUT PROJECT] We’re a network of student led studios creating local and social impact through interdisciplinary design. Design for America is an interdisciplinary group comprised of students who want to use design in a positive way to impact the community. Throughout the year we work on several projects to help the local community in the areas of sustainability and what the citizens wanted to project for the future. This year we worked on two projects: Neighborland and the Burgfinder. The vision we have for Design for America at Virginia Tech is to not only become a force for local and social innovation in Southwest Virginia, but also a community resource helping to empower others to discover the power of the design process.
Inspired by the designers, artist and urban planner Candy Chang, ‘Neighborland’ is a civic input project that asks citizens what they want in their neighborhood. For this project, Design for America designed and set up a booth at the Blacksburg Farmer’s Market to ask people what improvements they wanted in the community. After looking at the results and analyzing them, they were presented to the local town council to project chance for the future.
DESIGN FOR AMERICA: BURG FINDER [SUSTAINABLE WAYFINDING] The BurgFinder empowers people to choose making an active, healthy, and safe commute. Inspired by the ‘Walk Raleigh’ project in North Carolina, the Burgfinder is a wayfinding tool installed in Blacksburg, Virginia to promote sustainable tranportation around campus and the community. Oftentimes students feel it takes an extended period of time to travel from point a to point b and choose to drive a vehicle. This wayfinding project tells the actual estimated time between two places based on walking and biking compared to driving. This promotes sustainable transportation as well as using design to implement aesthetic signage. The Design for America team worked collaboratively to research, illustrate the boards, produce them, and then place them strategically around the campus for maximum viewing.
min
5
HAND SKETCHES OLD MASTERS + SPACE + OBJECTS
SKETCHES. Sketches done in charcoal and graphite throughout the years. Study of textures, space, objects and old master drawings.
HAND SKETCHES OLD MASTERS + SPACE + OBJECTS
MODEL BUILDING: MATERIAL BOX
To experiment with different materials to see how they can be applied to interior design and to explore the relationships between private and public areas
MODEL BUILDING: CONTAINER OF LIGHT
Designing a container that captures light to understand the elements of design, spaital qualities and volume. Began by taking the golden section and extruding vetically to understand mass/volume
Thank you for taking the time to review my work!
YuYu Schatz 6707 Stonecutter Dr. Burke VA C: 571 265 1337