Yvan Tran, 2017 Portfolio

Page 1

DESIGN & ARCHITECTURE

COMPILATION YVAN TRAN


Reverse Image Park Harvey Oklahoma City, OK, USA 2016


I draw because I want to see.

CARLO SCARPA


HI THERE,

I’M YVAN!

I am pursuing licensure in architecture with the hope to design spaces and experiences for people of all places. Selected are design and architectural works and studies I have accumulated throughout my academic & professional career. Constantly curious. Always creating.

CONTACT ME 6705 Northwest 110th Court Oklahoma City, OK, USA 73162 + 1 405 476 5140 yvan.h.tran@gmail.com issuu.com/yvan.tran < digital portfolio > yvantran.carbonmade.com < website > totrasteverewego.weebly.com < blog >


EDUCATION

EXPERIENCE

University of Oklahoma Norman, OK, USA Bachelor of Architecture Environmental Sustainability Minor Aug 2012 - May 2017

Digital Modeling & Drafting Rhinocerous, Autodesk AutoCAD, Autodesk Revit, Grasshopper

Acadamic Initiatives Abroad Rome, Italy Jan 2016 - May 2016

Rendering & Imaging V-ray (Rhinocerous), Adobe Photoshop, Adobe Illustrator, Adobe Indesign

Institute for Quality Communities Norman, OK, USA Undergraduate Research Assistant Oct 2016 - Dec 2016

Physical Modeling Laser Cutting (Rhinocerous), CNC Milling (RhinoCAM), Handcrafting

Blackledge & Associates Architect Oklahoma City, OK, USA Architectural Intern May 2015 - Aug 2016

Languages English (Native), Vietnamese (Fluent)

OU Information Technology Norman, OK, USA Lab Experience Leader Jan 2013 - Oct 2016

COMMUNITY

PROFICIENCY

Urban Land Institute Hines Student Competition 2017 Student Team ACSA Steel Design Student Competition 2016 Student Team American Institute of Architecture Students Mentorship Chair Habitat for Humanity Public Relations Chair



CONTENTS

I

II

III

THEORIZED ARCHITECTURE PROJECTS

1 2 3 4

BIOTIC LOOP Urban & Education

PROMENADE Civic & Commercial

TWO-FOLD Commerical & Residential

FLEETWORKS Urban & Industrial

FABRICATED ARCHITECTURE PROJECTS

5 6 7

DEVELOPABLE SURFACES Small Object

INDEXED SURFACES Small Object

RULING LINES Large Object

ADDITIONAL PROJECTS

8 9

MODEL MAKING Small & Large Objects

FREEHANDING Sketches



I

THEORIZED ARCHITECTURE PROJECTS


BIOTIC LOOP Independent Studio Project Site South Canadian River Location Norman, OK, USA Term Spring 2017, Three Months

1



Sha kle Biotic Loop

re e C

Oliver Wildlife Preserve

ek

Jenkins Ave Canal

Environmental Center

Biomechatronic Research

Tiny Houses

Ca

So

Site Plan

ut

h

Ca

na

di

na

an

di

an

Riv

Riv

er

pa

rk

er 0

600’


LACK OF PUBLIC KNOWLEDGE ABOUT NORMAN’S WATER SYSTEM HAS DISSOLVEDSOUTH NORMAN INTO AN UNDERAPPRECIATED AND NEGLECTED DESTINATION OF THE CITY. CHALLENGE Design a masterplan for the South Norman Region that facilitates a number of eco-centric programs that work to remediate and sustain an ecologically historic site. Through changes in infrastructure and programming, the Canadian Riverpark aims to reconnect the city of Norman with its riverfront.

PHASE ONE

ANCHOR Garner public interest in South Norman site. Highlight existing Norman Wastewater Treatment Plant with new Norman Environmental Center. Establish a destination along the South Canadian River - the Canadian Riverpark.

PHASE TWO

REMEDIATE Situated in a unique ecological region, Norman sits at the intersection of the crosstimbers and the great plains of North America. Program spaces of education and outreach to promote remediation of the nature and man such as the Biotic Loop: Center for Ecological Research & Studies and the Biomechatronic Research & Rehab.

PHASE THREE

SUSTAIN Link additional platforms through a series of linear parks and the new Jenkins Avenue Canal. Promote ecological remediation strategies including greenhouses, nurseries, urban farming and the Tiny House Community.


SOUTH NORMAN IS HOME TO A TROVE OF BIOTIC SYSTEMS SUCH AS THE

OLIVER WILDLIFE PRESERVE, SHAKELEE CREEK AND THE SOUTH CANADIAN RIVER.

CHALLENGE Design a facility to house the University of Oklahoma Department of Biology and serve as a threshold into the Oliver Wildlife Preserve. In the effort to remediate the site of the Preserve, the Biotic Loop: Center for Ecological Research & Studies engages occupants and visitors with the Preserve while delineating limits of human-to-nature contact through elevated platforms.

PROGRAM Research Labs

13000 sf

Exhibition Halls

12000 sf

Faculty Offices

6600 sf

Classrooms

6000 sf

Library

6000 sf

Auditorium

3000 sf

Workshop

2400 sf

Cafe

2000 sf

Service

5460 sf

Building Area

59360 sf


CULTIVATING AN EXPERIENCE BELOW, WITHIN & ABOVE Entry into the Biotic Loop draws visitors and regulars - students, staff, and researchers - closer to the landscape through a descending ramp that meets the spine of the building. The spine dismembers itself into loops that frame intimate yards, in which outreach and educational experiences intersect with elements in nature. Furthering into the building, floor plates gradually disengage with the topography where the building lifts itself from the earth and into the heights of the canopy of the Oliver Wildlife Preserve.


MEANDER

5 4

8

4

5

7

7

7

7

7

7

7

7

6 8

7 1 1

2

LEVEL ONE PLAN 1

Exhibition Hall

2

Workshop

3

Cafe

4

Research Labs

5

Classooms

6

Study Rooms

7

Faculty Offices

8

Services


ACTIVATE

WEAVE

3

SPATIAL JOURNEY The Biotic Loop sits within the Oliver Wildlife Preserve, giving it many opportunities to engage with the landscape. A spine is established in which spaces of outreach, the exhibition halls, are aligned. The serving, educational spaces wind in a meandering motion, that form enclosed yards shared by researchers, students, staff and visitors. The Biotic Loop cultivates interdisciplinary interaction between spaces of outreach and education, all the while encapsulated within a rich landscape. 0

50’


REACHING NEW HEIGHTS Through a series of raised slabs elevated on stilts, the building peels itself away from the landscape as it pushes further into the Oliver Wildlife Preserve. Constructed of a structural steel frame with cast-in-place concrete slabs, new heights can be achieved. The buliding skin is wrapped in a bamboo screen that becomes more porous as the landscape reveals itself. The four level library presents a moment of finality as the user experiences being within the canopy of the Oliver Wildlife Preserve.

4

7 7 5

7 7

8 6

6

7

6 6

5

2 4 9

LEVEL TWO PLAN 1

Auditorium

2

Exhibition Hall

3

Workshop

4

Research Labs

5

Classrooms

6

Study Rooms

7

Faculty Offices

8

Library

9

Services

1

6 6 6 3

4

class r o o m

Site Section

faculty

office

yard

faculty

office


2

1

2

1 6

3 3

5

1 2 3

LEVEL THREE PLAN

3

1

Research Labs

2

Classrooms

4

3

Study Rooms

4

4

Faculty Offices

5

Library

6

Services

3 2

4 1

LEVEL FOUR PLAN 1

Exhibition Hall

2

Research Labs

3

Classrooms

4

Study Rooms

5

Faculty Offices

6

Library

7

Services

1

2

2

7

2

2

3

LEVEL FIVE PLAN 1

Library

5 5

4

1

4

3

1

6

y r

a d laboratory

c l a s s faculty r o o m office

l i b r a r y e x h i b i t i o n

s t u d y r o o m

l brary

0

50’

0

100’

viewing d e c k

library


PROMENADE ACSA Steel Design Student Competition Entry Site Largo Di Torre Argentina Location Rome, IT Term Spring 2016, Two Weeks

2



EXISTING SITE relations between the ruins and public use. Depicted are pedestrian and vehicular activity.

FRAMING RUINS

TRIANGULATION

to enhance public understanding of the site.

of views and engaging participants.

STAGING PROMENADE for public use with a long spanning west wing.

CAPTIVATE public interest. New theater to support existing Teatro Argentina.


A ROMAN GEM Largo di Torre Argentina stands as a reminder that Rome is a city that is buried firm within its roots with a culture that is perpetually in motion. Central to the untouched site are remains of four ancient temples. Wrapping the site are major networks of transport. Promenade protects and reveals a site that is celebrated as a historical and cultural treasure - allowing for it to be re-discovered for years to come.

Piazza della Rotunda / Pantheon Promenade

Existing Plan

Proposed Plan

Cinema as gem

Largo di Torre Argentina River Tiber

Framing temple ruins


FRAMING SPACES Participants descend to ruin level where the cinematic museum begins. Controlled movements immerse participants in cinematic history, while controlled views reveal and protect the existing temple ruins. Promenade level ushers a moment of captivity through an attractive screening system that spans the western facade. Lifted away from the ruins is cinema level where participants engage in a private and authentic cinematic experience.

LEVEL THREE CINEMA LEVEL 1 Entry 2 Cinema 3

Solar Roof

1

2

3

LEVEL TWO PROMENADE LEVEL 2 B

1

1 Entry

3

2

Ticket Office

3

Museum Shop

4 Office 5 Cafe

4

1

5 C

A 4

2

3

D

LEVEL ONE RUIN LEVEL 1

Bag Check

2 Museum 3 Exhibition 0

50’

4 Restaurant


D1

A

Museum Elevation at Ruin Level with Stage Curtain

D2

B Elevation at Promenade Level with Screening System

C

Section Through Ruins

D

0

50’


FRAMING REALITIES The containment of form and the articulation of movement through the museum and theater is an homage to historical Italian cinema. The production and release of these films rely on careful staging techniques in order to control what the viewers are able and unable to see.

D1

Curtain Operation


Temporary scaffolding structures can be spotted throughout the architectural landscape of Rome. Whether it be used to repair or to support and conceal, it is constructed in such a way to simplify assembly and disassembly. The screening system spanning the western and northern facades are of modular steel members that are adhered to the veirendeel structure of the building. The computer operated LCD panels open and flex. Throughout the day, light trickles itself into the interior spaces. When the sun sets, the panels radiate the exterior promenade with cinematic displays. Steel Nuts Steel Plates Organic LightEmitting Diode Screens Actuator Swivel 1/4� Steel Tubes Actuator Arms Actuator Motor

Frame Couples

Forged Top Caps Pressed Bottom Caps Steel Vierendeel Members D2

Screening System Detail

Screen Operation


TWO-FOLD Independent Studio Project Site River Market District Location Kansas City, MO, USA Term Fall 2015, Three Months

3



A MIDWESTERN CULTURE HUB The River Market District reveals historic farmers and flea market, established this pocket of Kansas of the site, Two-Fold fills the gap

a culture in Kansas City rich in local gastronomy and traditions in music. The district is home to the frequented by locals and visitors. The development of additional housing, commercial, and retail has City as a place to live, work and play. In the tune of modern trends in building and the historical nature between the beginnings of the city and the definitive River Market.


ENGAGE MARKET

CONNECT PUBLIC

EYES ON THE PARK

with supporting shops.

through parks and active exterior spaces.

from residential units from above.

Existing Plan

Proposed Plan

Interstate Existing Park Two-Fold River Market Missouri River


B

A

1 3 1 1 2 1

1 1

LEVEL ONE STREET PLAN

LEVEL TWO MARKET PLAN

1 Parking

1

Market & Retail

2

2

Market Square

3

Gathering Lawn

Cistern Storage

2


1 2 1 1 2 1 1

2 2

1

2

2

2

2

1

1 1

1

2 3

2

4

2

2

2

LEVEL FOUR RESIDENTIAL PLAN

1 Classrooms

1 Unit 2 Courtyard

3

Recording Studio

1

2

LEVEL THREE CIVIC PLAN Practice Room

2

1

1

2

1

2

6 5

1

1

1

4 Lobby 5

Sound Lounge

6

Recital Hall 0

60’


LINE I ITERATION I LINE I ITERATION II LINE I ITERATION III

LINE II ITERATION I LINE II ITERATION II LINE II ITERATION III

LINE III ITERATION I LINE III ITERATION II LINE III ITERATION III

TRANSCRIBING A SYSTEM Orinthology is a jazz composition by the reknown Charlie Parker. The screening system is a rendition of ‘Orinthology’ and demonstrates the influence of music on the built environment. Two variables are used to drive the design - the degree of sun exposure and the fluxuation of notes in the jazz composition. Against the ordinary steel frame of the buiding, juxtapositions of sporatic versus pattern and freeform versus structure occurs within the system.


Corrugated

GREEN OPERATIONS

Metal Roof

The introduction of the thermo-bimetal skin gives way to a more environmentally responsive building envelope. Layered with two different metals, each with different coefficients in expansion, the thermo-bimetal curls open and shut in reaction to solar heat.

Steel Sill 1” Screen

1” Thermo-Bimetal

1/4” Double Glazed Glass 4” Airspace

The source of potable, grey, and black water is rooted within the building itself and is achieved through rainwater collection strategies. During periods of rainfall, the sloped roof captures water that is stored in cisterns.

Gasket Reinforced Concrete Slab Steel Beam D1 Screening System Detail

D1

Rain Water Recycled Black Water Grey Water & Potable Water

B

A

Section through Site with Rainwater System

0

30’


FLEETWORKS ULI Hines Student Competition Team Entry Site Elston Industrial Corridor Location Chicago, IL, USA Term Spring 2016, Two Weeks

4



C 7 A

13

8

B

9

5 3 1 D

4

2

12 11 10

6

0

400’

MANUFACTURING ZONE

MARKET ZONE

NETWORKING ZONE

1

8

Fleet Market

11

Elston Institute

2 Distillery

9

Market Square

12

Goose Nest Hotel

3

Coffee Roaster

10

Home Depot

13

Riverwalk Trail

4

The Foundry

5

Sipi Metals Corporation

6

Hatcher Associates

7

General Iron Industries

Furniture Fabricators


2019 - 2021

Reshoring & Insourcing

PHASE 1 Program Commercial

Affordable Housing Market Rate Housing Condominiums Hotel Manufacturing Office

263,790 SF 130,661 SF

199 Units

216,268 SF

239 Units

168,852 SF

187 Units

213,242 SF

500 Units

81,195 SF 111,309 SF 481,786 SF

Parking

2,650 Spaces

Total Buildout

2,150,750 SF

Total Development Cost

$278,624,240

FleetWorks is a model for modern manufacturing that coexists with the residential and commercial activities that bring vitality to urban neighborhoods. Increased demand for, and cost of, housing units near the Loop has created significant pressure to allow residential development in the Planned Manufacturing Districts north of downtown. While many Chicago residents are excited by the possibility of new developments, industrial workers fear they may lose their homes and their livelihoods to gentrification. The FleetWorks design will work to retain and retrain those workers while welcoming new residents and industries.

A 2022 - 2024

Closing The Skills Gap

PHASE 2 Program Commercial

Affordable Housing

138,811 SF

Market Rate Housing Education Manufacturing Office Parking

125 Units

106,955 SF

161 Units 304,870 SF

335 Units

31,921 SF 139,238 SF 99,043 SF 112,171 SF

622 Spaces

Total Buildout

5,757,482 SF

Total Development Cost

$149,923,938

2025 - 2026

Sustain

PHASE 3 Program Commercial

Affordable Housing

110,230 SF 85,400 SF

Market Rate Housing

109,857 SF

Education

22,919 SF

Office

36,837 SF

Parking

109,260 SF

128 Units 118 Units

580 Spaces

Total Buildout

8,091,837 sf

Total Development Cost

$58,412,795

B


SYNERGIZE FleetWorks supports a variety of interacting industries, from skilled trades and resource suppliers to education and growing entrepreneurs.

MODERNIZE FleetWorks integrates manufacturing into the urban consumer experience by displaying these processes at street level as pedestrians approach the market. The first level of he market operates as a flex space with openings to optimize river views and access.

CONNECT The development of parcels A, B, and C increases accessibility from Wicker Park from the west to Goose Island from the east. The creation of the Goose Nest Hotel on parcel C strengthens the relationship between FleetWorks and Goose Island.

Capital Goods Ideas Manufacturer Market

C

Market Square Arts Festival

Fleet Market Flea

Walk with Light on the 606

Bike meet at Riverwalk Trail

Training


2

A

1

C

B

3

4

606 TRAIL TRAIL 606 CORTLAND E x i s t i n g PBRIDGE ath CORTLAND BRIDGE NORTH BRIDGE NORTH AVENUE BRIDGE N e w PAVENUE ath

1 2

BRIDGE BRIDGE 606 Trailhead

606 TRAIL

GOOSE ISLAND ISLAND GOOSE

C o r t TRAIL l a n d S t rBRIDGE eet Bridge 606 CORTLAND

Existing Manufacturer

3

N o r t hTRAIL A AVENUE v e n uBRIDGE e B r BRIDGE idge 606 CORTLAND NORTH

New Manufacturer

4

C h e rTRAIL r y A v e nBRIDGE ue Bridge 606 CORTLAND NORTH BRIDGE BRIDGE AVENUE

Views In & Out

5

606 G o o sTRAIL e I s l a n BRIDGE d CORTLAND NORTH BRIDGE GOOSE AVENUE ISLAND BRIDGE

5

CORTLAND BRIDGE NORTH AVENUE BRIDGE BRIDGE GOOSE ISLAND

BRIDGE GOOSE ISLAND

Restaurant Week at Ada St

St. Patrick’s Day Bar Crawl

Open House at the Distillery CNC Workshop

Study Digital Making at Elston Institute

Wicker Park Acoustic Chillfest

GOOSE ISLAND

Roaster Cupping Event

International Children’s Film Fest

NORTH BRIDGE GOOSE AVENUE ISLAND BRIDGE

D 0

130’



II

FABRICATED ARCHITECTURE PROJECTS


FOLDING ASSEMBLIES Anish Kapoor is an installation artist known for his sculptures clad with sheets of aluminum. Aluminum is an inextensible material; it is unable to stretch and bend itself into a compound surface. Similar to aluminum, chipboard and bristol board do not have compound properties. To achieve the curvature of the compound surface for, a series of flat, isoparametric subset of surfaces fold for assembly. Where the surfaces experience the most bend requires for the number of subdivisions are increased.

SURFACE

RULE SETTING 1 Surface is assigned. 2 Surface is divided into a subset of isoparametric surfaces. 3 The surfaces are debrepped into points that form lines of triangulation. 4 Openings are offset from these lines.

Assembled Surfaces

OUTPUT A single surface that is developable and with minimal amounts of folds.

DEVELOPABLE SURFACES Independent Fabricationl Project Medium Cast Acrylic, Bristol Board, Chipboard, Laser Printer, Grasshopper, Rhinocerous Artist Examined Anish Kapoor Term Fall 2015 - Fall 2016

5


ROUTING PATHS

Barbara Hepworth is a modern sculptor of carved blocks of wood. Similar to CNC milling, Hepworth’s pieces are realized through a subtractive process. There are constraints to both methods of manual and machine cutting. The level of precision is not nearly as possible by hand as it is with a mill.

Flip Milling

Polyhedra Milling Joel Shapiro is a sculptor known for his geometries of wood and bronze. Shapiro sculpts geometries such as polyhedra which are solids developed from six or more planes. Polyhedra appear to be simple to build, but unassumingly require a high level of accuracy and carefulness. Prior to milling, the planes are assigned router tool paths with enough tolerance to allocate for the diameter of the tool. Increasing the stepover of the tool paths removes harsh edges, making assembly clean and precise.

INDEXED SURFACES Independent Fabrication Project Medium Baltic Birch, CNC Mill, RhinoCAM, Rhinocerous Artist Examined Joel Shapiro, Barbara Hepworth Term Fall 2016

6


EXPLORING LISTS Naum Gabo pioneered what we now know as modern sculpture. His forms are achieved through a series of straight lines. Ruling Lines applies tools of computation to the making of sculpture-like pieces. The frame contains lines of filament that are assigned points within a list. These points become the holes in which the lines of filament weave in and out of. To render effects of a sweeped surface, the lines are spaced in short distances from one another.

Assigning Points

OEL SHAPIRO FORM UDIES H APIRO FORM ES

Reverse List

NAU THE

Forward List

RULING LINES Independent Fabrication Project Medium Cast Acrylic, Steel Filament, Nylon Rope, Doug Fir, Laser Printer, Grasshopper, Rhinocerous Artist Examined Naum Gabo Term Fall 2015 - Fall 2016

7


2 3 4 5 6 1

14 13 12

2 3

11

4 5 6

10 9 8

3 2

11

5 4

12

3

8 7 6 5 4 3

2

13

1

2 1

1

14

1 2 3 4 5

1 2 3 4 5

4

2 3 4 5 6

1

14 13

5 6 14 13

14 13

12

12

12

11 10 9 8 7 6

11

11

10 9

10 9

8

8

7 6

5 4 3

5 4 3

2 1

2 1 1

1

1

2 3 4 5 6 14 13 12

5 4

3

2

11

Side A

14 13

11

Side C

12

11

11

10 9

10 9

8

8

7

1 2 3 4 5 6 7 8

BOTTOM CURVE

Side B

14 13

12

10

TOP CURVE

Self-supporting and economical in construction, the 1:1 model follows the guidelines established by Ruling Lines. With a set of computational rules, the model is easily replicable and can be larger in footprint or number of sides. The scale of the frame intends to make the space within inhabitable.

1

14 13 12

10

1

10 9

7 6

10

5 4

2

11

9 8

8 9

3

12

11 10

7

7 6

5 4

14 13

14 13 12

7

12 11 10 9 8 7 6 5

RULE SETTING 1 The top and bottom curves are connected at their corners to create a curve. These curves build the frame. 2 All curves are piped. The pipes are divided into a series of points. 3 The series of points are partitioned into a list for each pipe. 4 The lists are subdivided into sides per pipe. This defines the number of indices assigned per pipe. 5 The indices assigned to the pipes represent a list. 6 A domain is set for each list. 7 Lines follow a path starting from one indices and ending at another.

OUTPUT A system of intersecting curves that respond to set points on a frame.



III

ADDITIONAL PROJECTS


1

WHEN LIGHT BENDS

The waffling structure supports itself using interlocking connections. The individual sheets of plywood were fabricated digitally and milled using a CNC router. The form resembles the interior of a cave as it curves over the top and dissolves at its base. Orientated along a south facing window, light filters through the pockets of the waffling structure. Because each sheet of plywood is made unique, light begins to bend itself in various ways.

2

A CITY ON THE RISE

The site sits in the heart of a rapidly growing neighborhood that is in proximity to Oklahoma City University and Uptown. Common Grounds provides housing for students above while serving as a flex space below for the Uptown community. Uptown lacks access to fresh produce. A central communal garden is dedicated on the first and second floor public use. The building configuration is stacked vertically and staggered horizontally to optimize lighting within each unit and to begin to introduced the building into the streetscape.

MODEL MAKING Collaborative & Individual Studio Projects Medium Plywood, Mattboard, Chipbaord Location Various, Oklahoma Term Spring 2014 - Spring 2015

8


3

REBIRTH OF THE MOTHER ROAD

Utica Square exists at the intersection of Utica and historic Route 66. The site is frequented by visitors at the Hillcrest Medical Center and cars refilling at the OnCue gas station. An abundance of parking lots and a parking garage make up the remainder of the site. The new Utica Square proposal combats wide open parking lots with a four-story multi-use building and a public park serving recreational activities and food truck meetups. To increase pedestrian activity, the existing parking garage is adapted with new sidewalk level storefronts, a historic car museum and an interactive, LED facade. 1

WAFFLING STRUCTURE Collaborative Studio Project Medium Plywood Location Norman, Oklahoma, USA Term Spring 2014, One Month

2

COMMON GROUNDS HOUSING Individual Studio Project Medium Mattboard Location Oklahoma City, Oklahoma, USA Term Spring 2015, Two Months

3

UTICA SQUARE PROPOSAL Collaborative Studio Project Medium Mattboard, Chipboard Location Tulsa, Oklahoma, USA Term Spring 2015, One Month


1

Site Sequencing

2

Site Plan

6 5

3

Concentric Plan

Monumentality

Vista

COMPILATION Individual Sketches Medium India Ink, Acid-Free Paper Location Rome, IT Term Spring 2016

9


3

Shifting Eras

Hierarchical Plan

4

7

Headlessness

LOCATION 1

Piazza del Campidoglio

2

Piazza della Bocca della Verita

3 Tempio di Ercole Vincitore 4

Tempio di Portuno

5

Roma, Terrazza del Pincio

6

Roma, Piazzale Garibaldi

7

Un treno a Cortona

8

Un treno a Venezia

8

One-point

4

Rehab Documentation


Constantly curious. Always creating.




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