Portfolio 2015_ Zachery Main by Zachery Main

zachery main

Professional Portfolio Koning Eizenberg • Internship: mOrphosis Temple Israel of Hollywood, Los Angeles 500 Broadway, Santa Monica Thornton Thomasetti, Los Angeles Pico/34th, Santa Monica York, San Fransisco Swinger’s Cafe, Los Angeles Kings Road, Los Angeles Koning Eizenberg Office

• • • • • • • •

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• Internship: mOrphosis • •• • • • • • •

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KONING EIZENBERG ARCHITECURE Internationally reknown, Koning Eizenberg was founded by Austrialian architects Julie Eizenberg and Hank Koenig. Their work extends through many building types, ranging in scale and location. The 2009 California AIA Fim of the Year, KEA has established itself as a modern office capable of creating exciting spaces at minimal costs, doing so in innovative ways.

Located in Santa Monica, California, the office of less than 10 oversees projects locally and worldwide. Koning Eizenberg has long been recognized as an office of impeccable composition and exquisite detailing.

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TEMPLE ISRAEL OF HOLLYWOOD

SKYFOLD DOOR TYP OF 2, SEE DETAIL

M.2

M.3 CL BEAMS

M.4

CL BEAMS

M.5 CL BEAMS

M.6

C.1

CL BEAMS

C.2 ds

OPEN ds

Temple Israel of Hollywood was formed in 1926. Nearly a century later, the church chose to renovate the grounds and chose Koning Eizenberg as the architects. Among several renovations taken place, Brisken Hall encompassed both existing revovation and innovative expansion. Meticulous design attention was particularly paid to the droppedceiling, hung from steel beams hidden above. CNC milled plywood came to form a structure that showcases a transition from static to dynamic.

Modern architecture functions as a model of efficiency and beauty.

WF PROVIDED BY OWNER, PROVIDE ELECTRIC PWR D.D.

D.D. D.D. WD BENCH

D.D.

WD BENCH

D.G.

DG WF D.D.

1:12 SLOPE MAX

11' - 2"

CG PA

WD BENCH D.D.

O.W.

WD1

CO1

5' - 4"

TYP

WD1

A.D. 3' - 0"

CHAPEL 101 F2 SKYFOLD DOOR ABV

HALL 2 102 F3 SKYFOLD DOOR ABV

HALL 1 103 F3

TYP

10' - 8"

TYP TRENCH DRAIN, SCD A.D.

O.W. 1/4" SAW CUT CONTROL JOINTS, TYP

1/8" SAW CUT CONTROL JOINTS, TYP

Lo BASEMENT BLW

STORAGE 105 CO1 F2A

TREE WELL, TYP D.D.

STORAGE CO1 104 F2A

CO2

Ej Ej

Ej PA

CG CG

CORRIDOR TI-1 123 F1 1

ALIGN PATTERN CG

LO BASEMENT BLW

CG ALIGN TILE EDGE, BOTH SIDES

CG CG CG

STORAGE 109 F2A

STORAGE 110 F2A

CO1

JANITOR 108 F2A CG

CO1

CO2 CG

RECESSED WALK-OFF MAT, TYP OF 3

COPY ROOM 114 F2A

OFFICE 3 115 F3A

CO2

CT1

LOBBY 116 F2A

CO2 CO2

CO2 CG

OFFICE 2 111 F3A

LIBRARY 118 F3A

CT1

RECEPTION 113 F2A

WORK ROOM 119 F3A CT1

CO2

MENS 106 F2A CO2

WOMENS 107 F2A

OFFICE 1 112 F3A

CO2

CT1

MEETING ROOM 117 F3A CT1 CG

OFFICE 4 120 F3A CT1

OFFICE 5 121 F3A CT1

(N) STAIR TO HAVE SEALED

Finish Plan: During construction, fine attention to detail is paid to ensure that the final results match the vision.

Iconic from the both inside the chapel and outside from the courtyard, the concrete wall is composed of various types and colors of sand layered into a stratum array of granular material, subtly infused within s stainless steel structure and transparent glazing.

While the temple is in full use, those enjoying service can take in the beauty that is frames by the windows of the chapel. PTD STL SUNSHADE HANGER PLATES, SSD.

PTD CUSTOM ALUM BRACKET

PTD 2" X 6" RECTANGULAR TUBE STEEL, GC TO VERIFY

CUSTOM STL/SS GLAZING SYSTEM * SUNSHADE RIBBONS OMITTED FOR CLARITY NOTE: Gc TO COORDINATE ALL CONNECTIONS TO HANGER PLATES W/ SUNSHADE FABRICATOR + INSTALLER

Shade is instrumental in designing of space. Temple Israel of Hollywood provided opportunity to embark on an innovative undertaking, highlighting a project full of modern architeture and subtle accent.

The powder-coated shade structure is mounted to steel plates embedded within the conrete. The shades are then mounted directly to the plates via custom brackets fabricated for each specific angle.

SUNSHADE ATTACHMENT TO WALL

PORTLAND CEMENT PLASTER

12 A9.41

DOOR TO COURTYARD

DOOR SILL

SLOPE

2" TOPPING SLAB O/ STRUCTURAL SLAB, SSD

500 Broadway, Santa Monica

DOMESTIC H.W. SOLAR COLLECTOR ABV MECHANICAL EQUIP., TYP OF 2

83'-5"

16'-5"

89'-2"

24'-10"

89'-2"

26'-10"

85'-8"

8'-0"

11'-11"

MECH SCREEN @ 12' HIGH TYP

MECHANICAL EQUIPMENT ZONE

TYP

A19 450'-0"

MECHANICAL EQUIPMENT ZONE

POOL

150'-0"

Podium level courtyards provide residents wtih as much light, air, and vegeation as possible while opening the rooftop to breathtaking views of the ocean.

HOT TUB

(E) MULTI-FAMILY RESIDENTIAL BEYOND (ACROSS ALLEY)

(E) OFFICE BUILDING BEYOND (ACROSS ALLEY)

P.V. PANELS

D - ROOF 84'-0".

MECHANICAL ENCLOSURE

MAX MECHANICAL

TELLIS @ PRIVATE ROOFDECK

3'-6"

A - ROOF 84'-0".

STAIRS @ PRIVATE ROOFDECK

MAX

14'-0"

MECHANICAL ENCLOSURE

84'-0"

MAX BUILDING HEIGHT

84'-0"

PROPOSED HOTEL

(E) ADJ. HOU

A.N.G - A (78.689') 0'-0"

BROADWAY

A.N.G - D (76.648') 0'-0"

OUTDOOR DINING PLAZA

RAMP DOWN TO PARKING

OUTDOOR SEATING AREAS A.N.G - D (76.648') 0'-0" P.L.

P.V. PANELS

MECHANICAL ENCLOSURE

A.N.G. C

MECHANICAL ENCLOSURE

ELEVATOR OVERRUN

MECHANICAL ENCLOSURE

P.L.

(PARKING LEVELS OMITTED)

5TH STREET

A.N.G. D

ALLEY

MECHANICAL ENCLOSURE

ELEVATOR OVERRUN MECHANICAL ENCLOSURE

TRELLIS @ POOLDECK

STAIR @ PRIVATE ROOFDECK

14'-0"

P.V. PANELS

B - ROOF 84'-0".

84'-0"

MAX BUILDING

84' - 0"

D - ROOF 84'-0"

3'-6" MAX

A - ROOF 84'-0"

MAX MECHANICAL

A.N.G. B

PARAPET

A.N.G. A

ADJACENT MULTI FAMILY

A.N.G - D 76.648'

A.N.G - A (78.689') 0'-0" VENT TO BE MIN. 70 SQ FT.

GAS METERS

SIGNAGE RAIL

BROADWAY

VENT TO BE MIN. 70 SQ FT.

COMMERCIAL

A.N.G - B (78.015') 0'-0"

A.N.G. D

A.N.G. C

A.N.G. B

P.L.

A.N.G. A

P.L.

(PARKING LEVELS OMMITED)

‘Architecture isn’t just for special occasions’. -Hank and Julie may have been speaking to archicture not solely existing within 14'-0"

19'-0" MAX MAX

3'-6" 84'-0"

500 Broadway’s street facade opens to its surroudings while residents can shade their units with wood sliding shades, creating an ever-changing and dynamic excitement mirroring the activity taking place between each tower within the courtyards. Careful consideration is also paid to accessing the site for those who travel to city, in addition to providing space for all reidents. In paying attention to each of these inmportant issues, the building is then free to open itself up to design enriching the existing atmosphere.

MECH SCREEN

MAX BUILDING HEIGHT

B - ROOF 84'-0".

PV PANELS

MAX MECHANICAL

PRIVATE ROOF DECK

ELEVATOR

grandeur and enormity. Architecture’s presence in code comliance, egress and ingress, unit count, etc. is carefully coordinated among developers seeking to acheive a particular dollar amount in return.

ADJACENT OFFICE BUILDING

RETAIL/RESTAURANT

A.N.G - B (78.015') 0'-0" P.L.

P.L.

5TH STREET

(PARKING LEVELS OMITTED)

ALLEY

ELEVATOR PENTHOUSE

C - ROOF 84'-0".

MAX

14'-0".

3'-6"

12'-0"

B - ROOF 84'-0".

MAX

A - ROOF 84'-0".

STAIR PENTHOUSE

MECHANICAL SCREEN

19'-0"

SOLAR PANELS PROJECTION 15' MAX

MECHANICAL ENCLOSURE TRELLIS @ PRIVATE ROOFDECK

D - ROOF 84'-0".

P.V. PANELS

POOL BEYOND

STAIR @ ROOFDECK

P.V. PANELS

74'-0"

HOTEL

D - 4F 41'-0".

84'-0"

D - 5F 51'-6".

84'-0"

D - 6F 62'-0".

PARAPET

3'-6" MAX

14'-0"

D - 7F 72'-6".

D - 3F 30'-6".

D - 2F 20'-0".

RETAIL A.N.G - B (78.015') 0'-0"

A.N.G - C (77.331') 0'-0"

9'-0" CLR

A.N.G - A (78.689') 0'-0"

COMMERCIAL PARKING

CROSS COURT

PROPOSED SIX-STORY HOTEL A.N.G - D (76.648') 0'-0"

P1 -12'-0"

8'-6"

P1 -12'-0"

12.0%

14'-6" CLR

MECH EQUIP

MAX 20.0%

COMMERCIAL SPACE

P2 -23'-0"

P3 -33'-0" P4 -42'-0"

RESIDENTIAL PARKING

P2 -23'-0"

A (78.6

P.L.

12.0%

P3 -33'-0" P4 -42'-0"

ALLEY

P.L.

5TH STRE

Santa Monica, California, is a bustling area within LA County, but separate from the city of Los Angeles and thus operating under its own set of code. What Santa Monica is doing more than anything is growing both in architecture and population. The city is experiencing a diffidcult time, as decisions will be made that affect residents and those who commute to Santa Monica for work. While some oppose density, it is a fact the city is accepting in the form of the LA Metro system now expanding all the way to the ocean and more tech-jobs seeking creative space.

500 Broadway projects a corner building capable of addressing these timely issues. A mixed-use program sets to stage for new Santa Monica residents relocating to be closer to work. 4 residential towers, with a percentage of units going toward affordable-housing, are bifercated by residnetial courtyards overlooking the active sidewalks along Santa Monica Blvd. The gound floor spaces are designed to house anchor tentants within an expanded exterior sidewalk, widening the streets, opening up space and inviting it fresh light and air., with space for resdents to exercise below ground sa well as park. Just 5 block from the Pacific Ocean, 500 Broadwayâ&#x20AC;&#x2122;s rooftop decks include terraced gardens, shaded louge areas, a pool. Always central to the heart of good design, sustainable concepts are incorporated from solar panel integration to manually sliding wood shades,

(E) SIX-STORY OFFICE BUILDING

(E) FIVE-STORY MULTI-FAMILY RESIDENTIAL BUILDING

DOMESTIC H.W. SOLAR COLLECTOR ABV MECHANICAL EQUIP., TYP OF 2

A19 2

450'-0" 11'-11"

83'-5"

16'-5"

89'-2"

24'-10"

MECH SCREEN @ 12' HIGH TYP

89'-2"

26'-10"

85'-8" W/D

MECHANICAL EQUIPMENT ZONE

TYP

8'-0"

W/D

MECHANICAL EQUIPMENT ZONE

TYP. STUDIO NORTH

TYP. STUDIO SOUTH

HOT TUB

POOL

STUDIO TYPE

150'-0"

A20

A23

UNIT AVG SF

560

UNIT SF RANGE

480 - 600

DECK SF RANGE

53 - 65

A24

PRIVATE DECK

PROPOSED SIX-STORY HOTEL

PRIVATE DECK

LOUNGE W/ FIRE TABLES BBQ & DINING

W/D

YOGA DECK

PHOTOVOLTAIC PANEL SHADE CANOPY OVER DECK, TYP OF 7

A19 2

P.L 450'-0" 4'-2"

91'-3"

16'-5"

89'-2"

24'-10"

89'-2"

26'-10"

85'-8"

PROPOSED SIX-STORY HOTEL

P.L 150'-0"

A20

A23

A24

1B 2B

1B PROPOSED HOTEL POOL DECK

2B 1B

(E) SIX-STORY OFFICE BUILDING

(E) FIVE-STORY MULTI-FAMILY RESIDENTIAL BUILDING

10'-0" CL ALLEY

12'-0"

CL 28'-0"

18'-0" MIN

CL OF STREET

SIDEWALK PL 77.31

5TH COURT

ONE WAY RESIDENTIAL FREIGHT ACCESS

A19 2

394'-0"

FROM RESIDENTIAL ABOVE

50'-0" FREIGHT ELEVATOR

GAS METERS

6'-0"

75.47

GAS METERS

MAIL FIRE, WATER, P.D.C.V.

UP COMMERCIAL TRASH

TXF 1

ELECTRICAL SWITCHGEAR

TXF 2

LINE OF BLDG ABOVE

EXHAUST FAN ROOM / SHAFT

RESIDENTIAL TRASH

LOADING RESIDENTIAL LOBBY (E) STREET PARKING, TO REMAIN TYP OF 6 ALONG BROADWAY

RESIDENTIAL TRASH UP

UP FROM PARKING COMMERCIAL PARKING P1

DN SKYLIGHTS TO BELOW, TYP OF 5

RESIDENTIAL PARKING P2

LEVEL CHANGE OFFICE

OFFICE

RECEPTION

MAIL

OPEN TO BELOW

OUTDOOR DINING

18'-0"

71.74

SHORT-TERM BICYCLE PARKING (E) STREET LIGHT, TYP OF 3

(E) CURB CUT REMOVED

(E) STREET PARKING, TO REMAIN TYP OF 14 ALONG 5TH STREET

(E) CURB CUT REMOVED

(N) STREET PARKING, TYP OF 2

A19

(E) STREET TREE, TO REMAIN TYP OF 7

RELOCATED STREET PARKING STALL

(E) TRAFFIC SIGNAL

5TH STREET

FREIGHT ELEV. PIT

RESIDENTIAL ELEVATORS 450'-0" COMPACT LENGTH ONLY

4'-0"

8'-6"

10'-0"

8'-6"

COMMERCIAL COMPACT

PUMP ROOM

18'-0"

ONE WAY

COMMERCIAL STANDARD

26'-8"

MOTORCYCLE PARKING

29'-11"

21'-5"

25'-0"

COMMERCIAL STANDARD

5'-11"

COMMERCIAL STANDARD

8'-6"

COMMERCIAL STANDARD

23'-2"

COMMERCIAL STANDARD

8'-6"

COMMERCIAL STANDARD

8'-6"

8'-6" COMMERCIAL STANDARD

COMMERCIAL STANDARD

8'-6"

COMMERCIAL STANDARD

UP 8'-6"

RAMP TO PUBLIC PARKING P1

24'-10"

RESIDENTIAL RAMP TO BELOW

20'-0"

COMMERCIAL STANDARD

18'-0"

COMMERCIAL STANDARD

23'-2"

COMMERCIAL STANDARD

COMMERCIAL SPACE

COMMERCIAL PARKING

25'-0"

9'-6"

150'-0"

9'-6"

18'-0"

9'-6"

COMMERCIAL STANDARD

18'-0"

COMMERCIAL STANDARD

18'-0"

10'-0"

ONE WAY

OPEN TO ABOVE

100 STALLS

COMMERCIAL STANDARD

STACKED BICYCLE LOCKERS & REPAIR

COMMERCIAL STANDARD

8'-6"

COMMERCIAL STANDARD

COMMERCIAL ACCESSIBLE

8'-6"

9'-0"

COMMERCIAL ACCESSIBLE

9'-0"

18'-0"

8'-6"

15'-0"

10'-0" COMMERCIAL COMPACT

8'-6"

4'-0"

8'-0" 4'-3"

8'-0"

STACKED BICYCLE LOCKERS

EMPLOYEE RESTROOM & SHOWER

THIS AREA RESERVED FOR MECHANICAL / STORAGE / OR TANDEM PARKING 1'-6"

POTENTIAL TANDEM STALLS

OPEN TO ABOVE

COMMERCIAL ELEVATORS TO GROUND FLOOR

RESIDENTIAL ELEVATORS

COMMERCIAL ELEVATOR TO GROUND FLOOR

15'-0" MIN

OPEN TO BELOW

75.37

RESIDENTIAL LOBBY

26'-0"

(E) FIRE HYDRANT

STAIR TO PUBLIC PARKING COMMERCIAL PARKING ELEVATOR

A23

36'-10"

OUTDOOR DINING

JUICE / SNACK BAR

FIRE COMMAND

SIDEWALK

OUTDOOR DINING

3'-0"

LINE OF BLDG ABOVE

1 A24

PROPOSED SIX-STORY HOTEL

28'-0"

POTENTIAL TENANT DEMISING WALL

CL OF STREET

BROADWAY

147'-0"

TOTAL GF COMMERCIAL 39,600 SF

CROSS COURT

(E) STREET TREE, TO REMAIN TYP OF 3

A20

OFFICE

PROPOSED HOTEL DRIVEWAY

In the process of development design concepts for the project, the project was put in front of the archite review board or A.R.B. in Santa Monica. Here, not only does the board voice their concerns, but it also is an opportunity for the people of the community of voice their concerns as well. There is always a delicate balance between those in the industry of expanding and those who do not want to see their city change at all. One such community member questioned how long it would take for the completion of the building because he was eager to move in immediatetly. More than any, the architect is responsible for convey their future project in a manner than resonates with the board and the community and when proper work and effort and have been put forth, only then will approval move forward.

TYP. 1 BEDROOM NORTH

TYP. 1 BEDROOM SOUTH

1 BEDROOM TYPE UNIT AVG SF

800

UNIT SF RANGE

600 - 840

DECK SF RANGE

50 - 147

W/D

TYP. 2 BEDROOM NORTH

TYP. 2 BEDROOM SOUTH

2 BEDROOM TYPE UNIT AVG SF

1,150

UNIT SF RANGE

870 - 1,490

DECK SF RANGE

75 - 228

W/D

3 BEDROOM TYPE

TYP. 3 BEDROOM NORTH

Unit plans

TYP. 3 BEDROOM SOUTH

UNIT AVG SF

1,360

UNIT SF RANGE

1,200 - 1,370

DECK SF RANGE

96 - 179

Lasercut, 3D print, and handmade study models. Schemes ranged in height, square footage, and FAR. , and with each new additional parameter, a new model would be studied to test its affects.

1:20 Scale Model Constructed for A.R.B. float up review, the model showcases a raised podium above an activated sidewalk, with breathtaking rootop views to the ocean.

Thornton Tomasetti: T.I., Los Angeles

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officeâ&#x20AC;&#x2122;s previous work space, once again sought Koning Eizenberg upon relocating to a more spacious facility. After successfully choosing a space on the 44th floor of a tower located in Downtown Los Angeles, an extensive undertaking took place to bring new life into the office which has views extending to Orange County and the Ports of Long Beach. Workstations, offices, meeting rooms, a conference room, print room, and kitchen all synthetically transition so as to produce the most efficient space possible while also providing a subtle sense of unique beauty.

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Within a very limited amount of time available, both a Permit Set and Pricing Set were produced for the city. In addition to requiring the approval of T.T., city approval is always final. Providing a 3-D walk-through of the space, drawings were composed in order to provide necessary information such as floor plans, RCPs, finish plans, elevations, sections, and details; all accurately keynoted and tagged with material finishes.

Thornton Tomasetti: T.I., Los Angeles

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Pico/34, Santa Monica, CA

Nestled adjacent to the 10 Freeway, at the intersection of Pico Blvd. and 34th Street, sits a vacant building and accompanying lot. Joining old with new, Pico/34 brings life back to a quiet, former music academy and introduces new growth, carving a connective landscape through from one space to another.

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A Tier ll was strategy applied to the design, Pico/34 renovates an existing building, the former National Academy of Recording Arts and Sciences, now programmed for commercial office use. A connective landscape joins the two buildings, while multiple floors of parking located below grade.

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East Elevation

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York San Francisco, California San Fransisco’s classic house typologies have long been an iconic element in the city’s architectural style. This Single Family Home was found a little weathered, the Queen Anne style home requring interior and exterior renoavtions in order to return the 19th Century house back to its original quality. Combining hand draw plans and sections with BIM modeling software, York quickly quanitified necessary dimensions while qualitatively summarizing visible blemishes and methods of restoration. After visiting the site and taking measurements, plans and sections were composed in Revit as well as composing Hank Koning’s hand-drawings. The Concept Design package illustrates what will be restored to original-finish and what will be updated with a modernist style.

SWINGERS Cafe - T.I.

KINGSMixed-ROAD Use Project Pricing Set A rapid production of documents compiling information from all required engineers and architects. Submitted to the City of Los Angeles, for pricing estimation.

Koning Eizenberg’s office is equipped with a fully-functional woodshop on its first floor and model shop on its third floor. The 3rd floor also houses a material library, updated with state of the art materials addressing growing sustainable needs. In addition to having these quanitative number to draw upon, the library also provides design an ample supply of qualitative options such as scale, color, and type. Continual attention is paid to the library so as to ensure the organization mirrors that of CSI Masterformat. Also taking place on a daily basis are 3rd floor meetings when the Conference Room is taken. What was missing however, was an interactive screen for communication with those who may not be present within the office. Following a few quick measurements and the delivery of the television, a mounting system was devised. This “entertainment center” was capable of not only bracing the 42” television, but also a full capacity computer located on a shelf directly behind the T.V. and hidden from sight while seated. When it is necessary to gain access to the materials stored behind this T.V., a gentle push smoothly slides the unit aside, as the entire system is floating off the ground, hung from the ceiling above.

Not only did the did office offer chances at developing drawing and packages for city approval, but also hands on experience with customized components throughout the office. One such project centered around that of security, as the rear entrance gate had become dislodged after years of weathering. Access through the chain-link fence and its lock was effortless and demanded attention. A customized gaurd now prevents wandering hands.

education

Thesis Studio

The intent of the thesis studio is for student to demonstrate proficiency in making proposals for buildings that integrate knowledge from the principle disciplines represented within the program. Building Design, History, Theory and Humanities, Technology, and Visual Studies weigh into the execution of a synthetic work of architecture. Students work with a committee consisting of representative members of each academic discipline, and design a project from proposals developed in the prior semester.

The Macy’s building, on 34th street and Broadway, has undertaken a recent renovation to reintroduce itself to the streets which surround it. However, this new development has focused primarily on the interior of the building, not finding its way to the street.

New York, Site Visit and Prepatory Study A

The idiosyncracies present on th streets of new york reinfornce a culture strong in “New Yorker” pride, and it is these streets that serve as a network for the system of people to operate within. But off of these streets, towering into the skies above, lie buildings which house said people with seemingly zero connection to the outside world except for a window and its proximity to the ground floor; the street. Is it possible for architecture to create a building type that opens up its facade, inviting the activity of the street to occupy the perimeters above, the occupy the facade?

UP DN

Groundfloor Ceiling

While the Macy’s window has long served as an invitation to what can be found inside, this thesis seeks to explore an activated facade, full of street life interaction and circulation.

Not only does this thesis infiltrate the facade, but it begins to find its way internally as well. This interior/exterior relationship is a trigger for success as it does not end in the X-Y axis. For the first time, property value per square foot is less valued than that of advertising square footage, and it is with this newly established system of values this thesis emerges.

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The facade is no longer mearly a means of view, but of value.

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MICHAEL ROTONDI VISUAL IMAGINATION / VERTICAL STUDIO

4500

Though Michael Rotondiâ&#x20AC;&#x2122;s tutelage transcends a myriad of overlapping relationships, the human scale and its relationship to the world takes precedent above other forms of association. It is this relationship to the human-scale that drove this studio.

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Frazier Park is located within an hourâ&#x20AC;&#x2122;s drive of Los Angeles, tucked within a mountainside known as Frazier Park. This small, rural town lies within a bottleneck of wild activity

The architectural form manifested from the surrounding environment reflects the axial relationships present in all directions. N/S/E/W and +/- Elevation, revolved around a spherical node, presnt within this location of Frazier Park. It is from this location that future education will be placed upon the cyclical patterns that take place annually and

continually

Coy Howard Vertical Stvudio

The first in a series of explorations seekings to uncover some unexpected territories

What Coy Howard’s studio primarily focuses on is just that, a range of focus. That focus is dependant upon how the creator has chosen to view their object, what window they are looking through.

Still photo, acrylco, acetone, glass

In ‘Landscapes’, deep carves from the canvas an impossible world, provoking one to think of survival.

This project takes from its surrounding a hard, transparent exterior, framing a newly introduced, jolieâ&#x20AC;&#x2122;laid ideology. What has made this part of the city such an eye-sore can transform into an iconic form, eerily familiar but far too dynamic to have been ever been experienced outside of the dream word. And nestled within this array of dynamic material rests a simple, Mies inspires sense of truth to material; its purity of expression.

Very few photos have ever fully caputured the story of a particular location the way first-hand experiences teach. This part of Hollywood is not the glamorous, bright-lighted boulevard most of the world is familiar with. This part of Hollywood was run-down-, vacant, graffitied, and downright uncared for. The only element standing out among everything else was the fense and gates bolted into stucco, to defend from potential intruders. It was from this vernacular the materials for the project were chosen; rough chain-link and soft marble.

The opportunity to learn from an experienced architect with an eye for craft and intracay like Coy Howard proved extremely rewarding. Coyâ&#x20AC;&#x2122;s ability to turn something on its head, and making it look beautiful doing so, is nothing short of artistry. A window, a handrail, and knob to a drawer in the attic, all contain within them a different phenomenological experience and it is our ability as designers to see.

To see what that material wants to be.

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FINAL Students develop projects which explore particular interests and focus. They have the opportunity to work with architects visiting the school, and gain insight into a broad range of issues concerning approaches to building, the environment, technology, theoretical stances, and personal interests.

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APPLIED STUDY: CANTILEVER

conception

3d print / Powder

Structural Reinforcement

Monocoque

Complex Forces

Cantilever Materials Lab l: From the Generative to the Tectonic. This seminar takes on the question of the cantilever as an expression of design. engineering, porperties of materials, and the conetputa context which sports it as a discplinary invention. In particular, students iwll examine the potentials and limitations of contemporoary generative engrieering techiniques and their relatin to various possible matierl outcomes. The fois is on the osmtiems contacticut imp;les which shape this moment in history.- th whill to automate s. the will to design. Using specific tectonic traitions as a point of departure, such as wielded aluminu palte an rodile, sutdnets desing cantilever which do not slavishly follow the results of optoimation routines but that rely heaviily on individual interpeation. Ultimate, the seminar challeneges deep seated assummptions about minima, excess, and techonolgy in structure thinkng.

Materials Lab ll Based on the design and reseach done during the Fall 2010 semester, this seminar focuses on the realization of â&#x20AC;&#x2DC;Cantileverâ&#x20AC;&#x2122;, located above the main entry of SCI-Arc. Cantilever is an advaned monocoue construction featuring coplex force aflows and responses, developed using generative structural software intersected with the mateiral logics of fiber-composite construction. It onvolves reseach into sur ace0based tructure an structural adhesives, borrowing heavily from the nautical and aerospace construction logics. ANSYS, a digital engieering tool is explored, with the emphasis on lcoal evolution of strutio rather tha universal solutions.

3D Prints, incured Software illustrasting high levels of stress. The collected data provides Powder crucial instruction structural reinand assembled into forncement and future design. Burrough Happold assisted in gathering and analyzing data as well. Diagram A illustates a large contrast Cantilever 0.1. in stress, whereas Diagram Dâ&#x20AC;&#x2122;s rib-like branching reduces strain along the furthest points of overhand.

Structural Testing

fabrication Software illustrasting high levels of stress. The collected data provides crucial instruction in structural reinforncement and future design. Burrough Happold assisted in gathering and analyzing data as well. Diagram A illustates a large contrast in stress, whereas Diagram Dâ&#x20AC;&#x2122;s rib-like branching reduces strain along the furthest points of overhand.

. ...highly creative work in which working methods, tools and their interfaces are interlaced. The Visual Studies curriculum responds to the constantly evolving paradigms of architectural communication, introducing new tools within a progressively structured program. New media instrumentsâ&#x20AC;&#x201D;ranging from advanced digital modeling and animation to the equipment for computer-controlled fabrication processesâ&#x20AC;&#x201D; complement established methods of drawing, such as planimetric and sectional representations, constructed perspective and freehand drawing and sketching.

VISUAL STUDIES The practice of architecture relies on systems of communication to conceive, develop, and subsequently represent and communicate architectural ideas, where the breadth of the work is reflected in the implied proficiencies of technical skills and visual culture. The Visual Studies program takes a central role in the education of communications techniques and required skills sets offered across the SCI-Arc course curriculum. It includes drawing tools ranging from generative diagramming to representation, project communication and project production documents. Students become familiar with established and emergent technologies and fabrication processes. The program sets the foundation for understanding the implications of working within the framework of communication

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This course amines and extends the nalyutical techniwqeus and strategies for the study of aarchitectur evolving from prorgammatic and strucural systems to external factors affecting site or building. Work is centered on advaded digital 3D drawing and modeling techniques for the constrion and evaluation of spatial conditions. Sutdents develop techniques for manuplationg 3D data that include rapid modling, texture mapping, lightng and rendering, and analog drawing.

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Assignment 1 Part 1: Using the techniques described in class and borrowing from the types of grids presented in Carsten Nicolai’s Grid Index, prepare 3 Grids, each 24” square. In each case, the lines of the grids should extend to the boundaries of the square

Assignment 2 Part 2: Using the techniques described in class and using evolutions of the grids from Part 1 of this assignment, prepare 3 Grids. In each case, the lines of the grids should extend to the boundaries of the square. In addition, the grids should be MAPPED or PROJECTED to a surface.

Assignment 2 Part 1 & 2: Using the techniques described in class and using evolutions of the grids from Assignment 1, prepare 3 Grids, each bounded by a 24”x24” square. In each case, the lines of the grids should extend to the boundaries of the square, The grids should be FLAT and use a maximum of 50 lines.

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internship

fabrication

mOrphosis mOrphosis Architects is an interdisciplinary practice

involved in â&#x20AC;&#x2DC;rigorous design and research that yields innovative, iconic buildings and urban environments; headquartered in Los

Angeles, California. Founder Thom Mayne serving as design director, the firmâ&#x20AC;&#x2122;s work ranges in scale from residential, institutional, and civic buildings to large urban planning projects

The internship program focused exclusively on the preparation and materialization of scalar models.

Named after the Greek term, morphosis, meaning to form or be in formation, Morphosis is a dynamic and evolving practice that responds to the shifting and advancing social, cultural, political and technological conditions of modern life. Over the past 30 years, Morphosis has received 25 Progressive Architecture awards, over 100 American Institute of Architects (AIA) awards, and numerous other honors.

The second of two models for this project, the elongated axis highlights the contextual axial relationships

mOrphosis internship program The internship program provided an immersive opportunity for the fabrication of museum-quality models, composed of multi-material that precisely convey design intent. Finished to perfection, models ranged from Phare Tower: an 8â&#x20AC;&#x2122; tall mixed-media model to Emerson College: a sectional construction model used for on-site coordination and understanding. Phare Tower Model Emerson College Model: powder 3-d print,lasercut acrylic, custom paint.

The role of models were not limited to final museum-quality, as architects and designers are continually producing iterations that test varying circumstances and scenarios, contextual and cultural. Featured within the newly constructed headquarters of mOprhosis in Culver City, the model shop shares a transparent glass partition with that of the rest of architecture office. Methods of fabrication included CNC milling, 3-D powder printing, and lasercutting,as well as a traditional woodshop tools and analogue methods of products.

Emerson College was in construction and required a model to accurately convey design intent to the construction team.

Composed of 4 parts, the sectional model is magnetically joined and quietly separated with embedded casters.

Prior to executing the fabrication of all models, careful consideration is paid by designers, taking into considering the limitless world of computational modeling and the limited world of physical material. Seamlessly phased, assembled, and finished, all require timeless effort and considerable attention to detail.

Self Portrait