Architecture Portfolio + Work Sample by Zeel Parekh

ZE EL

PORTFOLIO+ WORKSAMPLE

Bio

Immersion Art Gallery

IMMERSION

THE GALLERY ENCOMPASSES THE ENERGY OF SOPHIE CALLE AND HER WORK. SOPHIE USES ART TO ESCAPE, FIND GUIDANCE, AND FORGET HER PER-SONAL WORRIES. SHE GETS LOST THROUGH ART. THE GALLERY IS AN IMMERSION INTO SPACE.THE ENTRY OF THE GALLERY IS TUCKED AWAY IN FREE-MAN ALLEY, IT MUST BE FOUND. ONCE FOUND THE SPACEâ&#x20AC;&#x2122;S SECRETS ARE REVEALED THROUGH CIRCULATION. THE EXTERIOR ALLOWS FOR VISUAL & PHYSICAL INTERACTION THROUGH MATERIAL CHANGES. THE INTERIOR CONSISTS OF LOFTED FLOORS AND INTERSECTING WALLS, ALLOWING FOR MOMENTS OF LIGHT AND VISUAL INTERACTION. THE SPACE ALLOWS THE VISITOR TO BE GUIDED AND GET LOST. THE MINIMAL INTERFERENCE OF STRUCTURE ALLOWS FOR INTERCHANGING SPACES, AND GIVES THE CURATOR OF THE GALLERY ROOM TO DESIGN HIS/HER CURA-TIONS FREELY.ZEEL PAREKH // PROF. HARP // MIRROR-PLAY

personal work

CO N T E N T

1 RECESSED DIGITAL SIGNAGE

Urban Farm Tower

personal work

Echo

OFFICE

Identity

10-18 10-17

HUDDLE

COATS RODS OR HOOKS

Cultural Center

personal work

Global Comp. WLT Office PROGRAM Corporate Office

Corporate Office

Brookfield REQUESTED

Omnicom 10TH FLR

Elevator Lobby

Corporate Office

DELTA

Corporate Office

PRIVATE OFFICES 8 7 WORKSTATIONS 176 176 COMMON SPACE RECEPTION 1 1 PANTRY 2 3 OPEN LOUNGE 1 3 MEETING & CONFERENCE ROOMS SM. CONF. RM 2 1 LG CONF RM 1 1 HUDDLE RM 3 6 PHONE RM 2 2 professional professional work professional professional work EDITING work SUITE 1 work 1 1 SMOKED MIRROR DIGITAL SIGNAGE PRESENTATION 1 1 FLAME RM 2 2 MULTI-USE ROOM 1 1 SUPPORT SPACES SERVER / DATA RM 1 1 PRINT/ COPY 2 1 STORAGE 3 2 SUITE 150 DELTA PROGRAM2"/REQUESTED COAT CLOSET & HANGER SPACE PERSON (312 PEOPLE)

(-1) (+1) (+2) (-1) (+3) -

*Lobby to have (2) logos, at offset locations.

PHONE

SENTATION

PRINTE

LG CONF RM PHONE

162

160

-2

RECEPTION

PANTRY

-1

OPEN LOUNGE

+3 -

PRIVATE OFFICES WORKSTATIONS

(-1) (-1) (+136)

COMMON SPACE HUDDLE

10-14

WILLIAMS LEA TAG NYC + LA COATS RODS OR HOOKS

MEETING & CONFERENCE ROOMS

10-13

HUDDLE

CONF RM

OFFICE

HUDDLE

GLASS

SENTATION

04 PRINTE

HUDDLE

SM. CONF. RM

2-3

LG CONF. RM

HUDDLE RM

-1

PHONE RM

EDITING SUITE

PRESENTATION

Zeel Parekh CONTACT Email : zlprkh@gmail.com Phone : 201.628.4356 Instagram: sketchbeforeyousleep EDUCATION New Jersey Institute of Technology Graduation December 2016 Bachelor of Architecture Minor in Environmental Studies & Sustainability Study Abroad June 2015 - August 2015 3 course seven week study abroad program in Vicenza, Rome, & Siena, Italy focused on Architecture Studio, Aspects of Urban Form, and Advanced Architecture Graphics. Independent Study w/ Scholarship August 2016 - December 2016 Research and analysis on a Resiliency Build re-construction of a residence post Hurricane Sandy in Breezy Point, NY. The research and analysis focused the project from demolition to construction. The final findings were collected and organized for a presentation for the Federal Alliance for Safe Homes Conference in 2017. CONTINUING EDUCATION LEED General Associate AIA Architecture Licensure Examing in Process personal sketch

01 BIO

EXPERIENCE Mancini Duffy Junior Architect / Designer February 2017 - April 2020 Participated in full design process from schematic design to built construction for numerous projects. Designed and composed concise design presentations for clients including test-fits, design renderings, diagrams, finish boards, and furniture presentations. Modeled and presented 360 virtual reality renderings and walk throughs for client presentations. Documented design through multiple construction document sets created primarily in Revit. Managed construction administration of projects through weekly site visits, consultant coordination, submittals, and punch-lists. Strong affinity for full design process, and desire to work through full life cycle of projects. Strengthened understanding for drawings sets, construction detailing and project management. NJIT Center of Building Knowledge Project Assistant June 2016 - February 2017 Assembled training programs and databases for construction workers and homeowners on sustainable building practices. Training program videos and audio clips were edited with the use of Adobe Audition and Adobe Priemiere. Designed and diagrammed building details for presentations and training videos. Received a scholarship grant through the Federal Alliance for Safe Homes (FASH) to document the building construction process of a Resiliency Build Project in Breezy Point, NY. Provided 3d modeling, diagraming, and animations for a presentation for the FASH conference in 2017. Douglas Elliman - Tavivian Sporn Team Architectural Intern June 2016 - August 2016 Generated creative design solutions for luxury New York City apartments providing alternate floor plan layouts. Participated in real estate property and showroom visits with licensed brokers. Part took in construciton site visits for New York City apartment renovations and new developments. SKILLS Adobe Photoshop | Adobe InDesign | Adobe Illustraor | Rhino | AutoCad | Sketchup | VRay | Lumion | Revit | 360/Virtual Reality Rendering | Watercoloring | Drawing | Painting | Graphic Design | Microsoft Suite | Bluebeam | Procore

The gallery encompasses the energy of Sophia Calle and her work. Sophie uses art to escape, find guidance, and forgets her worries. She gets lost through art. The gallery is an immersion into space. The entry of the gallery is tucked away in Freeman Alley, it must be found. Once found the spaceâ&#x20AC;&#x2122;s secrets are revealed through circulation. The exterior allows for visual and physical interaction through material changes. The interior consists of lofted floors and intersecting walls, allowing for moments of light and visual interaction. The space allows the visitor to be guided and get lost. The minimal interference of structure allows for interchanging spaces, and gives the curator of the gallery room to design their curations freely.

02 IMMERSION - A R T GA L L E RY

entry 1

ROOF PLAN

JANUA

Vito Ac

I am he building sale is is sold, A visito works a Archite survive Sophie their wo gallery strange where s guidanc lost in h Calle is these c

SITE PROPOSAL

CONCEPT VISUALISED

SITE

BASEMENT LEVEL PLAN

GROUND LEVEL PLAN

0’1’ 5’

CIRCULATION

10’

EGRESS

GALLERY VS. NON-GALERY

MEP ZONING OF GALLERY

1. GROUND LEVEL PLAN SITE PLAN

entry 4

FEBRUARY 8, 2016

~ LEAVE A COMMENT

FEBRUARY 15, 2016

~ EDIT

entry 1

entry 3 FEBRUARY 8, 2016

JANUARY 26, 2016 ~ LEAVE A COMMENT

I am here to bring to life an art gallery. The definition of an art gallery is: a room or building for the display or sale of works of art. A display is not always permanent and a sale is gone once sold. The art is never final. As an art display changes or an art piece is sold, new art is displayed. New art, new creation, new artist. The artist is never final. A visitor attends a gallery to view art, then leaves. The visitor is never final. A worker works at the gallery during specific hours, then leaves. The worker is never final. Architecture grows, as a person grows. It is a living thing. It needs to breath, settle, survive in its surroundings, provide a healthy environment, and evolve. JANUARY 26, 2016 ~ LEAVE A COMMENT ~ EDIT Sophie Calle is the main artist and inspiration of this gallery. The artists chosen to have their works displayed will encompass the energy of Sophie Calle and her work. The Vito Acconci once said “Architecture never final”. gallery is must also encompass the energy of Sophie Calle and her work. Calle follows strangers so she can give up control and be guided, especially during a time in her life she feels lost and belong. She escapes through her art. She finds I am here to bring to life an artwhere gallery. The definition ofdoes an artnot gallery is: a room or art. She forgets herpermanent personal worries building for the display or saleguidance of works through of art. A her display is not always and a through her art. She gets in her final. art. As an art display changes or an art piece sale is gone once sold. The artlost is never Calleart, is interactive, daring, distinct, and everis growing. The art gallery must embody is sold, new art is displayed. New new creation, new artist. The artist never final. these A visitor attends a gallery to view art,characteristics. then leaves. The visitor is never final. A worker

ROOF PLANVISUALISED CONCEPT

FEBRUARY 23, 2016

Implementation of a structural system provides this discipline and rules on how a building can stand. Without the set structural framing systems a building cannot exist. One cannot disregard structure. The exploration of different structural systems allows for guidance of design. The system explored here consists of a horizontal structural striations. This gives me freedom to study placements of columns and easily allow for changes. That also allows for multiple lofted levels.

SITE PLAN

FEBRUARY 23, 2016

I am here to bring to life an art gallery. The definition of an art gallery is: a room or building for the display or sale of works of art. A display is not always permanent and a sale is gone once sold. The art is never final. As an art display changes or an art piece is sold, new art is displayed. New art, new creation, new artist. The artist is never final. A visitor attends a gallery to view art, then leaves. The visitor is never final. A worker works at the gallery during specific hours, then leaves. The worker is never final. Architecture grows, as a person grows. It is a living thing. It needs to breath, settle, survive in its surroundings, provide a healthy environment, and evolve. Sophie Calle is the main artist and inspiration of this gallery. The artists chosen to have their works displayed will encompass the energy of Sophie Calle and her work. The gallery must also encompass the energy of Sophie Calle and her work. Calle follows strangers so she can give up control and be guided, especially during a time in her life where she feels lost and does not belong. She escapes through her art. She finds guidance through her art. Sheforgets her personal worries through her art. She gets lost in her art. Calle is interactive, daring, distinct, and ever growing. The art gallery must embody these characteristics.

18.

16.

FEBRUARY 29, 2016

~ LEAVE A COMMENT

13.

The second level of the gallery is meant for observation, while the ground level focuses on interaction. The ground level is visible from above. The in-between space holds the non-gallery and transition spaces. The exterior of the gallery will provided a surface for visual and physical interaction, while encompassing the energy of Sophie Calle. These surfaces will have the words of “Take Care of Yourself” written on the exterior through different mediums, languages, and forms. These mediums maybe be glass, translucent material, metal, melted silver nitrate, and mirrors. The creation of space and form is continuing to evolve through addition of program and exploration of materiality.

15.

CONCEPT VISUALISED

16.

The building continues to develop conceptually, structurally, mechanically, and this upcoming week aesthetically.

14.

BASEMENT LEVEL PLAN

11. 4.

BASEMENT LEVEL PLAN 10.. 3. THIRD LEVEL PLAN

10.. 2. SECOND LEVEL PLAN

3. THIRD LEVEL PLAN

2. SECOND LEVEL PLAN

PROGRAM 1.ENTRY\COATS 15.VISITING SCHOLARS OFFICE 2.LOUNGE 16.STORAGE PROGRAM 3.CAFE 17.FACULTY OFFICES & BREAK 1.ENTRY\COATS 15.VISITING SCHOLARS 4.GALLERY ROOM AREA OFFICE 17. 2.LOUNGE 5.BATHROOM 16.STORAGE 18.ELECTRICAL CLOSET 3.CAFE 6.KITCHEN 17.FACULTY OFFICES & BREAK 4.GALLERY ROOM AREA 0’1’ 5’ 10’ 7.RECEIVING/CRAFTING 5.BATHROOM 9.BOOKSTORE18.ELECTRICAL CLOSET 6.KITCHEN 10.EXTERIOR COURTYARD 7.RECEIVING/CRAFTING 11.CONFERENCE ROOM 9.BOOKSTORE 12.SECURITY ROOM 10.EXTERIOR COURTYARD 13.GALLERY EXHIBIT WORKSHOP CIRCULATION 11.CONFERENCE 14.READINGROOM ROOM PROGRAM 12.SECURITY ROOM 1.ENTRY\COATS 15.VISITING SCHOLARS OFFICE 13.GALLERY EXHIBIT WORKSHOP 2.LOUNGE 16.STORAGE 14.READING ROOM 3.CAFE 17.FACULTY OFFICES & BREAK 4.GALLERY ROOM AREA 5.BATHROOM 18.ELECTRICAL CLOSET 6.KITCHEN 7.RECEIVING/CRAFTING 9.BOOKSTORE 10.EXTERIOR COURTYARD 11.CONFERENCE ROOM 12.SECURITY ROOM 13.GALLERY EXHIBIT WORKSHOP 14.READING ROOM Facade Diagram The public & non-gallery spaces are enclosed with glass panels with printed images on them. Spaces without interference of floor slabs are enclosed with perforated metal panels on glazing. Exterior spaces are enclosed with perforated metal panels, acting as a screen allowing entrance of light, sound, wind, and air. Gallery spaces without interference of floor slabs are enclosed with metal panels that are engraved with lettering. All other gallery spaces are enclosed with. The framing members distinguish the different structural bands of the building.

The exterior wall appears simple. They allow for interaction on different levels. The experience of the building will be hidden and must be found through interaction in order to be a part of it.

12.

~ EDIT

The image of what a space is, is portrayed through the exterior of the space. The portrayed image is not necessarily what the space actually is on the inside.

The facade of the gallery assigns materials to the space according to program.

18.

The interactions are to be carried out through changes in immateriality inside/out depending on the interpretation of the space by its program. The evokes a sense of Sophie Calle as she had “Take Care of Your Self” interpreted through different mediums.

~ LEAVE A COMMENT

Distinction through facade is what invites a visitor to a space.

For the gallery, the image portrayed is that of Sophia Calle. Her words, her work, and her energy on the facade invite the visitor. The heart of the space is the work inside, the meaningful art. Like Sophie Calle’s own images and work, there is more to the space when you enter it and get to know it.

The meeting with the structural consultants last week made me realize not to over complicate my structure. I tended to add load bearing walls when they were not needed.

18.

The facade of the gallery assigns materials to the space according to program. Facade Diagram The public & non-gallery spaces are enclosed with glass panels with printed images on them. Spaces without interference of floor slabs are enclosed with perforated metal panels on glazing. Exterior spaces are enclosed with perforated metal panels, acting as a screen allowing entrance of light, sound, wind, and air. Gallery spaces without interference of floor slabs are enclosed with metal panels that are engraved with lettering. All other gallery spaces are enclosed with. The framing members distinguish the different structural bands of the building.

MARCH 8, 2016

~ EDIT

The exploration of different structural systems allows for guidance of design. The system explored here consists of a horizontal structural striations. This gives me freedom to study placements of columns and easily allow for changes. That also allows for multiple lofted levels.

The interior is quite open and free. Once the visitor is in the orange space he/she steps down and submits themselves into the gallery space, identified by the pink. Approached by a long wall, mystery is invoked. The experience behind the wall is guided by the work.

The facade of the gallery assigns materials to the space according to program. Distinction through facade is what invites a visitor to a space. Facade Diagram public & through non-gallery enclosed The image of what a space is,The is portrayed the spaces exterior are of the space. with The glass panels with printed images on them.what Spaces withoutactually interference of floor slabs are enclosed with perforated metal the space is on the inside. portrayed image is not necessarily panels on glazing. Exterior spaces are enclosed with perforated metal panels, acting as a screen allowing entrance of light, sound, wind, and air. Gallery spaces without For the gallery, the image portrayed is that of Sophia Calle. Her words, her work, and interference of floor slabs are enclosed with metal panels that are engraved with her energy on the facade invite the visitor. The heart of the space is the work inside, the lettering. All other gallery spaces are enclosed with. The framing members distinguish meaningful art. Like Sophie Calle’s own images and work, there is more to the space the different structural bands of the building. when you enter it and get to know it.

entry 7

entry 6

~ EDIT

The interior allows for immersion into the space. Immersion into the space will allow for immersion into the art. The gallery spaces are lofted on top of one another allowing for light to enter the spaces on different levels. The lightness and darkness of spaces will guide the user.

The journey to the entry passes a look through from which one can see into the courtyard space identified by the green. The “look through” is through a two-way mirrored wall from which the audience from the interior is visible form the exterior. From the interior the wall only appears a mirror which reflects the art and interaction occurring in the space. This includes the interior orange and pink spaces.

~ EDIT

Vito Acconci once said “Architecture is never final”.

~ LEAVE A COMMENT

“If you have total freedom, then you are in trouble. It’s much better when you have some obligation, some discipline, some rules. When you have no rules, then you start to build your own rules.” -Renzo Piano

The walls in the interior vary in size creating a maze like experience. This experience guides the visitor. It allows them to lose control in the space, andallows the space to make the decisions for them. One moment the visitor is able to see beyond a wall, or is in a lit space and the other the visitor is lost by a very large wall.

Configuration of program and concept leads to creation of form and space. The constraint is the program square footage, this creates guidance for the creation of space. Keeping the program in mind, the space is designed so that the entry must be spotted and intriguing in order to be found and wanted. It is tucked away in Freeman Alley, looking to be found and guide its visitors inside. Sophie Calle sees photographs and watches many people, but she chooses to follow and pursue the one that intrigues her.

JANUARY 26, 2016 ~ LEAVE A COMMENT

~ EDIT

MARCH 8, 2016

The building continues to develop conceptually, structurally, mechanically, and this upcoming week aesthetically.

entry 5

~ LEAVE A COMMENT

The space and form continue to evolve.

~ EDIT

The image of what a space is, is portrayed through the exterior of the space. The portrayed image is not necessarily what the space actually is on the inside.

The building continues to develop conceptually, structurally, mechanically, and this upcoming week aesthetically.

FEBRUARY 15, 2016

~ EDIT

~ LEAVE A COMMENT

Distinction through facade is what invites a visitor to a space.

RIVINGTON STREET

~ LEAVE A COMMENT

MARCH 8, 2016

entry 7

1. GROUND LEVEL PLAN

The exterior wall appears simple. They allow for interaction on different levels. The experience of the building will be hidden and must be found through interaction in order to be a part of it.

entry 4

FEBRUARY 8, 2016

“…constraints can be useful, as they give us something to ‘work against.'” -Laura S. Dushkes “The Architect says Quotes, Quips, and Words of Wisdom”

~ EDIT

10.

The meeting with the structural consultants last week made me realize not to over complicate my structure. I tended to add load bearing walls when they were not needed.

The exterior wall appears simple. They allow for interaction on different levels. The experience of the building will be hidden and must be found through interaction in order to be a part of it.

~ LEAVE A COMMENT

The exploration of different structural systems allows for guidance of design. The system A explored here consists FEBRUARY 23, 2016 ~ LEAVE COMMENT ~ EDITof a horizontal structural striations. This gives me freedom to study placements of columns and easily allow for changes. That also allows for multiple lofted levels. “If you have total freedom, then you are in trouble. It’s much better when you have some obligation, some discipline, some rules. When you have no rules, then you start to build your own rules.” -Renzo PianoThe meeting with the structural consultants last week made me realize not to over complicate my structure. I tended to add load bearing walls when they were not needed.

The exterior of the gallery will provided a surface for visual and physical interaction, while encompassing the energy of Sophie Calle. These surfaces will have the words of “Take Care of Yourself” written on the exterior through different mediums, languages, and forms. These mediums maybe be glass, translucent material, metal, melted silver nitrate, and mirrors. The creation of space and form is continuing to evolve through addition of program and exploration of materiality.

entry 3

FEBRUARY 29, 2016

entry 7

entry 6

core /kôr/ noun: the central or most important part of something. The definition of core states it as the most important part of something, a core in a building is the most important part of the building. It is what holds the building together. The core consists of a load bearing structure, the egress circulation, the mechanical equipment, and plumbing. Discovering the different ways a building can house a core, helps define the language of the building. Through implementations in design the core and structure can live in harmony. A successful study and progress in design allows for a well built structure. In this week’s explorations in design, there are two core in the entry 6 gallery. The cores ae especially important in a gallery, as gallery spaces are adjusted to FEBRUARY 29, 2016 ~ LEAVE COMMENTrequirements ~ EDIT for the art it’s housing. The mechanical consultants differentA mechanical that visited pointed out the perk of my design is that it is zoned into two different zones; gallery and non-gallery. This makes it easier to control the mechanical conditions in the core /kôr/ noun: gallery zones. the central or most important part of something. The definition of core states it as the most important part of something, a core in a building is the most important part of the building. It is what holds the building together. The core consists of a load bearing structure, the egress circulation, the mechanical equipment, and plumbing. Discovering the different ways a building can house a core, helps define the language of the building. Through implementations in design the core and structure can live in harmony. A successful study and progress in design allows for a well built structure. In this week’s explorations in design, there are two core in the gallery. The cores ae especially important in a gallery, as gallery spaces are adjusted to different mechanical requirements for the art it’s housing. The mechanical consultants that visited pointed out the perk of my design is that it is zoned into two different zones; gallery and non-gallery. This makes it easier to control the mechanical conditions in the gallery zones.

entry 5

1. ~ EDIT

The interior allows for immersion into the space. Immersion into the space will allow for immersion into the art. The gallery spaces are lofted on top of one another allowing for FEBRUARY 15, 2016 ~ LEAVE A COMMENT ~ EDIT light to enter the spaces on different levels. The lightness and darkness of spaces will guide the user. The space and form continue to evolve.

CONCEPT VISUALISED entry 1

~ LEAVE A COMMENT

entry 4

The second level of the gallery is meant for observation, while the ground level focuses The journey to the entry passes a look through from which one can see into the on interaction. The ground level is visible from above. The in-between space holds the courtyard space identified by the green. The “look through” is through a two-way non-gallery and transition spaces. mirrored wall from which the audience from the interior is visible form the exterior. From the interior the wall only appears a mirror which reflects the art and interaction occurring exterior of the gallery will provided a surface for visual and physical interaction, pink spaces. in the space. This includes theThe interior orange and while encompassing the energy of Sophie Calle. These surfaces will have the words of “Take Care of Yourself” written on the exterior through different mediums, languages, The interior is quite open and free. Once the visitor is in the orange space he/she steps and forms. These mediums maybe be glass, translucent material, metal, melted silver down and submits themselves into the gallery space, identified by the pink. Approached nitrate, and mirrors. The creation of space and form is continuing to evolve through by a long wall, mystery is invoked. The experience behind the wall is guided by the addition of program and exploration of materiality. work.

works at the gallery during specific hours, then leaves. The worker is never final. Architecture grows, as a person grows. It is a living thing. It needs to breath, settle, survive in its surroundings, provide a healthy environment, and evolve. Sophie Calle is the main artist and inspiration of this gallery. The artists chosen to have their works displayed will encompass the energy of Sophie Calle and her work. The gallery must also encompass the energy of Sophie Calle and her work. Calle follows strangers so she can give up control and be guided, especially during a time in her life where she feels lost and does not belong. She escapes through her art. She finds guidance through her art. Sheforgets her personal worries through her art. She gets lost in her art. Calle is interactive, daring, distinct, and ever growing. The art gallery must embody these characteristics.

~ EDIT

The journey to the entry passes a look through from which one can see into the “…constraints can be useful, as they give us something to ‘work against.'” -Laura S. courtyard space identified by the green. The “look through” is through a two-way Dushkes “The Architect says Quotes, Quips, and Words of Wisdom” mirrored wall from which the audience from the interior is visible form the exterior. From the interior the wall only appears a mirror which reflects the art and interaction occurring Configuration of program and in concept leadsThis to creation form and space. the space. includesofthe interior orangeThe and pink spaces. constraint is the program square footage, this creates guidance for the creation of space. Keeping the program in mind, the space is designed so that the entry must be The interior is quite open and free. Once the visitor is in the orange space he/she steps spotted and intriguing in order to be found and wanted. It is tucked away in Freeman down and submits themselves into the gallery space, identified by the pink. Approached Alley, looking to be found and guide its visitors inside. Sophie Calle sees photographs by a long wall, mystery is invoked. The experience behind the wall is guided by the and watches many people, but she chooses to follow and pursue the one that intrigues work. her.

~ EDIT

Vito Acconci once said “Architecture is never final”.

entry 5

~ LEAVE A COMMENT

The space and form continue to evolve.

“…constraints can be useful, as they give us something to ‘work against.'” -Laura S. Dushkes “The Architect says Quotes, Quips, and Words of Wisdom”

entry 3

CHRYSTIE STREET

c entry 1

FREEMAN ALLEY

The circulation of the space is guided through the central staircase.The different levels and programs are unveiled to the user as they follow through the space. The mechanical, egress, and restrooms are located along the northern solid partition. SITE SITE PROPOSAL

IMMERSION

THE GALLERY ENCOMPASSES THE ENERGY OF SOPHIE CALLE AND HER WORK. SOPHIE USES ART TO ESCAPE, FIND GUIDANCE, AND FORGET HER PER-SONAL WORRIES. SHE GETS LOST THROUGH ART. THE GALLERY IS AN IMMERSION INTO SPACE.THE ENTRY OF THE GALLERY IS TUCKED AWAY IN FREE-MAN ALLEY, IT MUST BE FOUND. ONCE FOUND THE SPACE’S SECRETS ARE REVEALED THROUGH CIRCULATION. THE EXTERIOR ALLOWS FOR VISUAL & PHYSICAL INTERACTION THROUGH MATERIAL CHANGES. THE INTERIOR CONSISTS OF LOFTED FLOORS AND INTERSECTING WALLS, ALLOWING FOR MOMENTS OF LIGHT AND VISUAL INTERACTION. THE SPACE ALLOWS THE VISITOR TO BE GUIDED AND GET LOST. THE MINIMAL INTERFERENCE OF STRUCTURE ALLOWS FOR INTERCHANGING SPACES, AND GIVES THE CURATOR OF THE GALLERY ROOM TO DESIGN HIS/HER CURA-TIONS FREELY.ZEEL PAREKH // PROF. HARP // MIRROR-PLAY

10. 4. FOURTH LEVEL PLAN

4. FOURTH LEVEL PLAN

BASEMENT LEVEL PLAN

GLAZING WITH AN IMAGE REPRESENTING SOPHIE

3. THIRD LEVEL PLAN

2. SECOND LEVEL PLAN

4. FOURTH LEVEL PLAN PREFORATED METAL GLAZING WITH AN IMAGE REPRESENTSCREEN ENCOMPASSING ING SOPHIE “TAKE CARE OF YOURSELF” EXTRUDING BRAILLE PREFORATED METALMETAL SCREEN SCREENENCOMPASSING ENCOMPASSING “TAKE “TAKECARE CAREOF OFYOURSELF” YOURSELF”

GALLERY VS. NON-GALERY

EGRESS

STRUCTURAL SYYSTEM

MEP ZONING OF NON-GALLERY

MEP ZONING OF GALLERY

EXTRUDING BRAILLE METAL SCREEN ENCOMPASSING “TAKE CARE OF YOURSELF”

BUILDING ENVELOPE GALLERY VS. NON-GALERY

EGRESS

STRUCTURAL SYYSTEM

MEP ZONING OF NON-GALLERY

MEP ZONING OF GALLERY

BUILDING ENVELOPE

GLAZING WITH AN IMAGE REPRESENTING SOPHIE

PREFORATED METAL SCREEN ENCOMPASSING “TAKE CARE OF YOURSELF” EXTRUDING BRAILLE METAL SCREEN ENCOMPASSING “TAKE CARE OF YOURSELF”

GALLERY VS. NON-GALERY

MEP ZONING OF GALLERY

MEP ZONING OF NON-GALLERY

STRUCTURAL SYYSTEM

BUILDING ENVELOPE

EGRESS

develop conceptually, structurally, mechanically, and this upcoming week aesthetically.

ake Care of Your Self” interpreted through different

IRD LEVEL PLAN

1. GROUND LEVEL PLAN PROGRAM 1.ENTRY\COATS 15.VISITING SCHOLARS OFFICE 2.LOUNGE 16.STORAGE 3.CAFE 17.FACULTY OFFICES & BREAK 4.GALLERY ROOM AREA 5.BATHROOM 18.ELECTRICAL CLOSET 6.KITCHEN 7.RECEIVING/CRAFTING 9.BOOKSTORE 10.EXTERIOR COURTYARD 11.CONFERENCE ROOM 12.SECURITY ROOM 13.GALLERY EXHIBIT WORKSHOP 14.READING ROOM D

SITE PLAN

4. FOURTH LEVEL PLAN

GLAZING WITH AN IMAGE REPRESENTING SOPHIE

PREFORATED METAL SCREEN ENCOMPASSING “TAKE CARE OF YOURSELF” EXTRUDING BRAILLE METAL SCREEN ENCOMPASSING “TAKE CARE OF YOURSELF”

BUILDING ENVELOPE

MAZE WALL GALLERYDISPLAY DISPLAY SYSTEM MAZE WALL GALLERY SYSTEM

The concept of denim is explored through its identity. Denim is an all American staple from the beginning of its time. It was first introduced for gold mining in the 19th century, since then it has been re-identified throughout history and continues to evolve in form and meaning. Identity has multiple entities. Materiality is an aspect of the identity of architecture as well as social permeability and scale. Identity has a DNA through which one can reveal or conceal. While the form of blean jeans gives identity to the user, ththe form of buildings gives identity to architecture. Physical aspects of denim are translated into a building language: Image is given by form and site constraint, social interaction is pogram , and technology is material. Re-identified through visual connection, the denim jean takes shape and re-identifies the image of the user. The building massing takes shape and re-identifies the image of the site. The site for the project is located in Newark, New Jersey. Newarkâ&#x20AC;&#x2122;s former identity was one of a hub for factories and production in the 1800s during the industrial revolution. Throughout history the city has been re-identified numerous times. The most recent identity of Newark is of a city bouncing back from a time of poverty and crime. During this time Newark has been deemed a food desert, where there is limited access to fresh and affordable food. The idea of production is re-identified from the post-industrial context and with the idea of a vertical farm, the place of production which is the Urban Farm Tower.

03 IDEN T IT Y - URB A N FA R M T O W E R

Identity + Re-Identification of Denim

Identity of Denim to the Built Environment

Identity The Cowboy Re-Identify The Common Man

Two Sides Durability and Comfort and Its Relationship to the Building

Identity Rebel Without a Cause Re-Identify Right for School

Conform Denim to Body VS. Building to Site

Identity Rugged and Durable Re-Identify Comfort and Flexibility

Group Project w. Gregory Yakimik & Ian Villanova

Re-Identify the Act of Prodcution in a Different Form

plan growing It is through height that visual connections are made to gain access to viewsheds. An undulating surgace creates a landscape re-identifying with the original parkland that once stood on this site. The tower is rigidly planned around the dimmensions of the growing cart. The tower is an efficient machine for growing.

Aeroponic Farming Growing Cart

Level 1 Floor Plan

n level 1

Typ. Observation Level Floor Plan

plan roof level 23 12

Typ. Growing Level Floor Plan

Roof Level 23 Floor Plan

re-identitfy the act of production in a different form

Tower South Elevation

Basement Level Floor Plan

denimre-identitfy collection the act jeans of andproduction other denim in a poducts are dropped different form -off below grade

OBSERVATION/GROWING FLOOR

3. 4.

selling point carts are taken to market for market day

1. GROUP PROJECT WITH GREGORY YAKIMIK & IAN VILLANUEVA

cotton germination seeds germinate in cotton fiber and planted in tower carts

1.1.

harvest carts are finished growing and taken to market floor

4. 4.

cotton cottongermination germinationseeds seeds germinate in fiber germinate in cotton cotton fiber in and planted and planted tower carts

harvest carts are finished harvest growing and taken to the carts are finished growing and taken market floor to market floor

in tower carts

rainwater collection rainwater collected and distributed to to tower 3. farm irrigation rainwater collection rainwater rainwater collection

rainwater collected andcollected distributed to and distributed tower farm irrigationto to tower farm irrigation

denim collection

jeans and other denim 1. denim collection

4. point selling to market for carts arepoint taken selling carts are taken to to market marketfor formarket marketday day market day

-off below dopped offgrade below grade

OBSERVATION/GROWING FLOORfloor 2. 2. observation growing OBSERVATION/GROWING FLOOR

selling point carts are taken

poducts dropped denim collection jeans and jeans and other are denim -offarebelow gradeare poducts dropped other denim products

GROUP PROJECT WITH GREGORY YAKIMIK & IAN VILLANUEVA

cotton germination seeds germinate in cotton fiber and planted in tower carts

harvest carts are finished growing and taken to market floor

As the city of Newark,NJ recovers from massive public divestment and the movement of affluence to the suburbs during the last century, the task at hand was to investigate who serves and is served by the revitalized city. By engaging in the active redevelopment of downtown Newark as it re-embraces its identity as a center of technological innovation, Echo catalyzes urban revitalization through the intersection of work (office environments) and play (Education). Newark has for the past two decades acted as a test bed for both publicly and privately led reuse of hollowed out urban cores and post-industrial cities. The next chapter of downtown Newark will in many ways be written by companies such as Audible.com. Through the use of gathering, social investment, and food Echo serves as a cultural center for Newark. The value proposition of Echo is to strengthen the culture of the community through collection, projection, and cultivation. The project is located on Halsey Street which is the cultural hub of the downtown area. Audible.com and the community have one thing in common, that is a voice. Audible provides a prodcut, the audiobook, which is its voice. The communityâ&#x20AC;&#x2122;s voice is its art, culture, food, literature, and services. Audible and the community can come together to collect and project the voice of Newark. The is applied through shape, materiality, program and technology.

04 ECH O - C U LT URA L CE NT E R

The form of the building is determined through the connections of the community. This includes expanding the character of Halsey St and connecting it to Washington Park, the LGBTQ Center, and the North Star Academy

Newark in the past

Form Diagram + Site Plan

GAIN CREATORS -Platform where workers & community members discuss product development. -Express voice of community through different mediums, such as digital expression, and sound. -Event space access for all local business around. PRODUCT & SERVICES -Listen to/use audible products for leisure at space. -Classes on tech production and innovaiton. -Record stories and voice of community and students at the center. -Nizi Sushi and Central Restaurant food can be delivered to office workers and user of lounge.

GAINS -Interaction between audible and community. -Strengthen the Halsey St. culture, and the values of the community. -Have a cultural / innovation hub for the community.

PAINS PAIN RELIEVERS -Pushed back entrance on the corner allows for space of congregation on central ave. -Audible workers get direct interaction and collaboration on work with community members and students. -Space allows members of the community to represent who they area n

-Central ave is a pass through st, mostly for cars. No pedestrian congregation. -No communication of community and businesses in the area. -Many businesses coming to the area with employees not participating in the culture of the city.

CUSTOMER JOBS -Product creation and idea generators through the community input. -Hold classes for North Star students. -Have an Amazon order/package pickup center. -Nizi Sushi and Central Restaurant workers.

Value Proposition

FROSTED GLASS

RECEPTION

STUDE

D OA BR

OOMS CLASSR

W AS H

INGT

H WAS

AV E

OFFICE

MEETING ROOM

WRITE THE VOICE WRITE THE VOICE WRITE THE VOICE

RECORDING STUDIO

THIRD FLOOR

THIRD FLOOR THIRD FLOOR

Second Floor Plan

O BR

SHAPE STUDENT LOUNGE

LSE

MATERIAL LOUNGE

PROGRAM W AS

HIN

GT ON TECHNOLOGY PL

ON INGT

H WAS

AV E

SHAPE

DESK SPEAKERS

CREATE

MATERIAL SHAPE PROGRAM MATERIAL SHAPE TECHNOLOGY PROGRAM MATERIAL LOUNGE

OFFICE

SOUND VESSLE

Second Floor Plan

TECHNOLOGY

SECOND FLOOR SECOND FLOOR HARDWOOD FLOORING

LISTEN TO HISTORY

TECHNOLOGY SECOND FLOOR PROGRAM

STORAGE + MEDIA MECH.

W AS

HIN

GT O

LISTEN

CAPTURE IT

SEATING FOR UP TO 3 PEOPLE

SOUND VESSLE

T DS

LISTEN TO TODAY

PRODUCT EXCHANGE

SOUNDPROOF SEATING FOR DOOR UP TO 3 PEOPLE VESSLE SOUND

WATCH THE VOICE

PRODUCT DEVELOPMENT INPUT & HELP

READ

LOUNGE

INTERIOR SOUND APSORTIVE LINING SOUNDPROOF DOOR INTERIOR SOUND APSORTIVE LINING DESK SEATING FOR UP TO 3 PEOPLE DESK SOUNDPROOF DOOR

ON INGT

MEDIA COVE

RA L

H WAS

T YS

LSE

BE THE VOICE

EXT. POD WALL SERVES AS PINUP WALL SKYLIGHT

SKYLIGHT SPEAKERS EXT. POD WALL SERVES AS PINUP WALL EXT. POD WALL INTERIOR SERVESSOUND AS PINUP APSORTIVE WALL LINING SPEAKERS

WRITE THE VOICE

SKYLIGHT

AV E

Niziâ&#x20AC;&#x2122;s Sushi

HARDWOOD PLYWOODFLOORING

Building Massing

PLYWOOD MOISTURE BARRIER MOISTURE BARRIER

CREATE

Performance space

GYPSUM BOARD COLUMN COLUMN

GLAZED CURTAIN WALL

WIRELESS HEADPHONE JACK

Media Cove

CURTAIN WALL CONNECTION

STREAMING WORDS OF THE COMMUNITY

VERTICAL MULLION

Ground Floor Plan

GLAZED CURTAIN WALL

GROUND FLOOR

LOUNGE

GLAZED CURTAIN WALL METAL SCREEN

FLAT SLAB

LOUNGE

METAL SCREEN

WO-WAY FLAT SLAB ELEVATOR EGRESS

EAR WALLS

HEAR WALLS

NCRETE COLUMNS

FACADE CONNECTION LIFE SAFETY + EGRESS

FACADE CONNECTION

GROUND FLOOR

MEDIA COVE SECOND FLOOR

HVAC SYSTEM

ADHESIVE FELTFLOOR THIRD HVAC SYSTEM ADHESIVE FELT

ONCRETE COLUMNS

OFFICE

LISTEN LISTEN

VERTICAL MULLION

LISTEN TO TODAY LISTEN TO TODAY LISTEN TO TODAY

Mechanical + IT

SOUND BAR

WATCH THE VOICE WATCH THE VOICE WATCH THE VOICE

LOUNGE

CRETE COLUMNS

LISTEN TO HISTORY READ LISTEN TO HISTORY READ LISTEN TO HISTORY

CURTAIN WALL CONNECTION

Office Seating Design

MEDIA COVE COLUMN BEYOND COLUMN BEYOND

MEDIA COVE

CREATE

GLAZED CURTAIN WALL

CREATE

HEAD

SPEAKERS

EXT. POD WALL SERVES AS PINUP WALL

SPEAKERS

INTERIOR SOUND APSORTIVE LINING

DESK

SOUNDPROOF DOOR SEATING FOR UP TO 3 PEOPLE

BE THE VOICE BE THE VOICE BE THE VOICE

SILL HEAD

CAPTURE IT CAPTURE IT CAPTURE IT

TWO-WAY CONCRETE SLAB STEEL PLATE TWO-WAY CONCRETE SLAB STEEL TUBE STEEL PLATE STEEL TUBE GYPSUM BOARD

LISTEN

Cafe A

SILL

READ

METAL SCREEN

WRITE THE VOICE WRITE THE VOICE WRITE THE VOICE

SKYLIGHT

METAL SCREEN

AR WALLS

TAIR

GT ON

LSE

KITCHEN/CAFETERIA

-WAY FLAT SLAB

O-WAY AIR

SOUND VESSLE

METAL SCREE

LIFE SAFETY + EGRESS

CURTAIN WALL CONNECTION

FLOOR ADHESIVEHARDWOOD FELT

SECOND FLOOR

HEAD

PLYWOOD TWO-WAY CONCRETE SLAB VAPOR BARRIER

GROUND FLOOR

CURTAIN WALL

METAL SCREEN

SILL METAL PLATE

GYPSUM BOARD

INSULATION

CURTAIN WALL CONNECTION

HEAD

ADHESIVE FELT

TWO-W

GROUND FLOOR

AIR INTAKE AIR DISTRIBUTOR CURTAIN WALL

HVAC

COLUMN BEYOND

GYPSUM BOARD

CURTAIN WALL

ADHESIVE FELT

The users of the space are theCONNECTION general public, North Star middle school students, and Audible employees. The program of the space varies from an event space & restaurants, to public interaction & design exchange zones, to offices & student classrooms. The building is a space of cultivation & learning for the middle school students of North Star Academy. SHAPE They can attend workshops & classes as a part of an afterschool program FRONT ELEVATION MATERIAL and begin to get invloced with the tech world through Audible employees. TWO-WAY CONCRETE SLAB

GROUND FLOOR

PROGRAM

TECHNOLOGY

Audible Employees

LISTEN

READ

Vertical Section SECTION B

WRITE THE VOICE

North Star Students

CREATE

Public

CAPTURE IT

BE THE VOICE

LISTEN TO TODAY

WATCH THE VOICE

LISTEN TO HISTORY

LOUNGE

MEDIA COVE

Halsey St Elevation

HALSEY ST ELEVATION SKYLIGHT

EXT. POD WALL SERVES AS PINUP WALL

SPEAKERS

STREAMING WORDS OF THE COMMUNITY

SPEAKERS

INTERIOR SOUND APSORTIVE LINING

SECTION A

DESK WIRELESS HEADPHONE JACK

Horizontal Section SOUND BAR

SOUNDPROOF DOOR SEATING FOR UP TO 3 PEOPLE

SOUND VESSLE

OFFICE

HARDWOOD FLOORING PLYWOOD

Front Elevation

MOISTURE BARRIER

BACK ELEVATION

METAL SCREEN

LIFE SAFETY + EGRESS

SILL

HEAD

TWO-WAY CONCRETE SLAB STEEL PLATE STEEL TUBE GYPSUM BOARD

GLAZED CURTAIN WALL

FRONT ELEVATION CURTAIN WALL CONNECTION

COLUMN

CONSTRUCTION LEGEND

1 A-905

1 A101

SIM

WA.6

EX.8.4

5 A-702

TOUCHDOWN 852

DETAIL REFERENCE NUMBER DETAIL REFERENCE TYPE (IF APPLICABLE) DETAIL REFERENCE SHEET INDICATES AREA OF DETAIL

INDICATES SHEET NUMBER

A301

INDICATES ELEVATION NUMBER TYP.

OFFICE FL01

BREAK OUT 849

SHAFT (ELEVATORS NOT IN USE)

OPEN OFFICE 854

X##

11 A-904

W32 12

BREAKOUT 848

11 A-904

FEC

855A

855B

INDICATES SECTION NUMBER

NO.

1 2 3 4

SURFACE MOUNTED FIRE EXTINGUISHER

FIRE WARDEN STATION

FWS

INDICATES SHEET NUMBER DENOTES PARTITION TYPE. SEE PARTITION TYPE SHEET

INDICATES NEW PARTITION

TYPE 'A'

CORNER GUARD CLOSET TYPE TYPE 'A': COAT CLOSET TYPE'A-1': ADA COAT CLOSET TYPE 'B': STORAGE

ISSUE / REVISION 9

3' - 6" MIN.

845

OPEN OFFICE 847

4. EXISTING MEN'S WC

EX.8.8

W32

ø 5' - 0" IN

2 A-702

W34 IN

W34

BREAKOUT 843 840

861 834

ELEC 862

863

W32

7 A-702

W32

W34 IN

W32

W34 IN

820B STORAGE 820

Sim A-702

820A

Sim 13

W32

A-702

11 F32

F32

F31

830 ADA PHONE RM 830

825

A-702

HUDDLE 831

Sim A-702

HUDDLE 13 824

A-702

PANTRY 804

W32

824 5 A-801

1 A-702

PREP 803

1 A-605

A-701

803

W32

PE4

W32

DINING 805

STAIR 811

F31 802

EX.8.3 PLATFORM 812 EXISTING TERRACE NIC

1:12

LOUNGE 810

PLATFORM 807 22

Sim 22 4 A-905

8th Floor Construction Plan

8TH FLOOR CONSTRUCTION PLAN SCALE: 1/8" = 1'-0"

4 EX.8.2

LOUNGE 809 1 A-804

W32

5 4 A-601

W32

F31

1 A-601

EXISTING TERRACE NIC

PE5

STORAGE 802

6 A-701

15 2 A-601

PE7

801B

GAMES 813

PE3 1

W32 16

CORRIDOR 815

EX.8.A

DEDICATED ELEVATOR

PE8

PE6

STAIR A 1 A-801

PE2

COFFEE BAR 918

W32

3' - 3"

PE9

W62 803A

F31

PE1

EMPLOYEE LOBBY 801

832

831 5 A-701

EX.8.1

EX.9.4 SERVICE ELEV LOBBY 959

S.E.1

JAN CL 922

1. 2. 3.

950

11 A-606

F31

EX.9.6

IN 161 AVENUE OF THE AMERICAS ("233 EAST")

947

W34

948 W34 IN

TYP. 9 A-703

946

W34 9 BREAKOUT Sim 941 CONSTRUCTION MANAGER A-702 8 JRM CONSTRUCTION MANAGEMENT, LLC 242 WEST 36TH STREET, 11TH FLOOR 10 NEW YORK, NEW YORK 10018 212.545.0500

13.

BREAKOUT EXPEDITOR OWNER'S REPRESENTATIVE VVA PROJECT MANAGERS AND CONSULTANTS940 MILROSE CONSULTANTS, INC. 498 SEVENTH AVE, 17TH FLOOR 117 E 31ST STREET NEW YORK, NY. 10018 NEW YORK, NY. 10016 W32 212.643.4545 212.576.8400 942 LIGHTING CONSULTANT REVEAL DESIGN GROUP LLC 16 150 W 28TH STREET, SUITE 401 A-606 YORK, NY. 10001 GENIUSNEW BAR 212.633.4353 939

SMALL CONF 944

10 A-702

6 PHONE RM A-704 935

EX.9.C

W32

SMALL CONF 943

962 ELEC 963

14 2 A-804

16.

943 Sim

14. 15.

944

MED CONF 942

W34

961 STORAGE 961

Sim A-702

11. 12.

14 11

9. 10.

EX.9.8

W32

W34 2

EXISTING MECHANICAL

F31

945

REF. NORTH A-603

MEP ENGINEER EX.9.3 AMA CONSULTING ENGINEERS 825 EIGHTH AVENUE, 18TH FLOOR. PLATFORM NEW YORK, NY. 10019 921 4 212.944.7722

EX.9.7

960 STORAGE 960

7 PHONE RM A-704 PHONE RM PHONE RM PHONE RM 947 948 946 945 W34

F31 SPRING STREET

W32

W32 233 SPRING STREET ("233 WEST")

CLIENT ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET NEW YORK, NY. 10013

4. EXISTING MEN'S WC

OPEN OFFICE 949

ø 5' - 0"

MOTHER'S RM 950

AREA OF WORK

6 A-602

EXISTING WOMEN'S WC

EX.9.5

963

STAIR C

1 A-801

EXISTING ELECTRICAL

F31

MILLWORK

CONS

W32 AV RACK 23" X 32"

STAIR D

HVAC UNIT 36" X 36"

DRAWING NUMBER:

9th Floor Construction Plan

9TH FLOOR CONSTRUCTION PLAN 1 SCALE: 1/8" = 1'-0"

A-108 .00

NYC DOB NUMBER

Status: Un-Built Location: 233 Spring Street, New York. 10013 Role: Jr.Architect / Designer The Global Consumer Products company selected a roomy 45,000 square feet of industrial space with high ceilings and large windows as the new home for their NYC offices. Like the company’s product, which is sleek & minimal in design, they favor an industrial aesthetic, free of ornamentation and with a high-contrast palette of black & white, while honoring each local market in which they are applied. As NYC has long be romanticized for its brawny steel-framed skyscrapers, cast-iron buildings, and suspension bridges, our design leverages architectural and material concepts including solid & void; iron & steel; and structure & suspension. These concepts formed the basis of the design,driving the architecture of the space throughout. Seen in every large gesture and detail, the space has a common language that translates a clear prescence for the brand.

9th Floor Reception Rendering

05 GLOB A L CONS UM E R PROD U C T S CO M PA N Y - S O H O , N YC

OF 37

ALL U.O. UND MAIN PEN AT P AS R FIRE DO N LOC OUT WHE INTE SEA WHI AT C INTE ROO PRO FIXT AND MAX PRO COR USE MAIN AS R COO ABO FIRE REQ PRO OFF PRO DRA ALL PAIN SCH

STORAGE 962 SECURITY 48" X 10"

W34

964 W34 IN IN F32 F32 W32 935TYP. 934 933 CLIENT DESIGN CONSULTANT 936 STRUCTURAL ENGINEER IN TUBE FRAMING. MILLWORK 2 2 2 BREAKOUT COUNTER WITH CONCEALED UNDERCOUNTER STEEL PHONE RM 2 MDF REVEL ARCHITECTURE & DESIGN DESIMONE CONSULTING ENGINEERS W34 9 PHONE RM PHONE RM FRAMINGS SHALL BE WELDED TO VERTICAL STEEL POSTS AND BOTTOM PLATES SMALL CONF PW PW W34 919 TO SLAB. FINISH AS SCHEDULED. REFER TO SECTION DETAIL. IN 934 417 MONTGOMERY ST,IN7TH FLOOR 140 BROADWAY, 25THINFLOORW34 A-703 964 BOLTED 923 IN 936 933 3 BOARD RM IN F31SAN FRANCISCO, CA. 94104 Sim NEW YORK, NY. 10005 CANTILEVERED MILLWORK COUNTER WITH CONCEALED IN-WALL SUPPPORT A-703 920 415.230.7000 212.532.2211 BRACKETS. COORDINATE STUD SPACING WITH BRACKET LOCATIONS AND PROVIDE A-702 11 1 EA STATIONS 932 W34 W34 W34 13 17 IN-WALL A-604 939 IN 19 BLOCKING TO SECURE THE BRACKETS AS REQUIRED. IN AV CONSULTANT IT CONSULTANT 924 W34 18 FEC Sim 923 12 3 MILLWORK LOUNGE SEATING WITH WOOD FINISH DGI COMMUNICATIONS SMALL TM TECHNOLOGY PARTNERS, INC. CONF ALIGN AS SCHEDULED. REMOVEABLE IN W32 14 A-605 SEAT PADS WITH UPHOLSTERY AS SCHEDULED. ALL COMPONENTS TO BE W32 18TH FLOOR 10 101 BILLERICA AVE, BUILDING 6 A-702 11 825 8TH AVENUE, PE1 937 939A FREESTANDING AND MODULAR FOR ACCESSIBILITY TO RADIATORS BEHIND. 15 NORTH BILLERICA, MA. 01862 NEW YORK, NY. 10019 Sim 3 STORAGE 978.495.3800 4 PLATFORM, RAMP AND STAIRS. RAISED ACCESS FLOORING SYSTEM8 WITH 7 W32 212.404.4747 937 A-704 A-702 8 14 SCHEDULED WOOD FLOOR FINISH. PROVIDE BLACKENED STEEL RAILINGS. 939A A-804 5 CUSTOM FREESTANDING PLANTER, METAL FINISH AS SCHEDULED. 3D DATA 926MAPPER HYPSOMETRIC 6 CANTILEVERED MILLWORK920 BENCH,WITH CONCEALED IN-WALL SUPPPORT BRACKETS. W62 9 938 F32 W34 14 W34 14 GC TO PROVIDE IN-WALL BLOCKING TO SECURE SUPPORTS BRACKETS CORRIDOR AS arash@hypsometric.com IN IN IN 4 Sim REQUIRED. WOOD FINISH AS SCHEDULED. PROVIDE REMOVABLE SEAT CUSHION 914.217.0723 Sim PE2 A-704 916 SMALL CONF MED CONF WITH UPHOLSTERY AS SCHEDULED. 15 A-702 11 RESTROOM ALIGN MED CONF A-702 9 938 932 7 917 CANTILEVERED MILLWORK BENCH,WITH CONCEALED IN-WALL SUPPPORT BRACKETS. SECURITY CONSULTANT F32 926 GC TO PROVIDE IN-WALL BLOCKING TO SECURE SUPPORTS BRACKETS AS KASTLE 925 IN 917 13 REQUIRED. WOOD FINISH AS SCHEDULED. PROVIDE REMOVABLE SEAT CUSHION 205 EAST 42ND STREET 13 W34 WITH UPHOLSTERY AS SCHEDULED. PROVIDE INTEGRAL POWER. NEW YORK, NY. 10017 IN SMALL CONF W32 F32 212.824.3803 8 MILLWORK BANQUETTE SUSPENDED ON FINISHED STEEL TUBE. LEATHER AS 2 10 IN W34 W34 W32 W34 W34 W34 925 SCHEDULED, INTEGRAL WOOD TABLES AS SCHEDULED. 915B IN IN 14 IN 15 IN IN PE3 14 Sim W34 W34 COATS Sim 9 G.C. TO PROBE EXISTING BUILD-OUT TO DETERMINE IF REMOVAL IS POSSIBLE. Sim Sim Sim IN 901 Sim IN A-702 8 10 915 WIDTHF32 12 10 COORDINATE RAMP AND LOCATION OF TRANSITION FROM WOOD FLOORING 12 A-703 8 A-702 10 6 A-703 EMPLOYEE A-702 TO CONCRETE WITH ARCHITECT. A-702 IN A-702 10 6 OF RECORD ARCHITECT 915A PHONESOLID RM PHONE RM TOP. SCHEDULED LOBBY 11 MILLWORK RECEPTION DESKLUGGAGE WITH SCHEDULED SURFACE W34 W34 11 W32 BASE, MODESTY PANEL, STORAGE W34AND913 901 METAL VERTICAL914 STEEL TUBES WILLIAM S. MANDARA 7AS DRAWN. IN IN 912 IN VERTICAL STEEL TUBES TO BE FASTENED TO TOP AND BOTTOM SLABS WITH 929 5 LIC. # 030307 914 AND DATA AT DESK WITH 927 928 930 931 CONCEALED908B METAL PLATES. PROVIDE INTEGRAL913 POWER A-801 ADA PHONE 905 2 A-704 2 INTERVIEW CONCEALED WIRE MANAGEMENT THROUGH VERTICAL STEEL TUBES. COORDINATING 275 SeventhINTERVIEW Avenue HUDDLE RM HUDDLE F32 W34 F32 912 W32 WALL-HUNG FINISHES AS SCHEDULED. New4York, NY 10001 1' - 6" 927 928 911 CREDENZA WITH WOOD AND2 METAL IN IN IN 929 931 930 A-703 10 COATS 212 938.1260 12 SCREEN WALL WITH 1"W X 4"D VERTICAL WOOD SLATS FASTENED TO TOP AND 911 BOTTOM HORIZONTAL WOOD FRAME. BOTTOM FRAME TO BE SECURED TO SLAB. VERTICAL SLATS TO W32 BE SECURED TO ADJACENT PLATFORM AS NECCESSARY. 16 16 F31 11 W32 PROVIDE REINFORCMENT AS REQUIRED. PAINTED WOOD FINISH AS SCHEDULED. IN 15 PROVIDE EPOXY CONCRETE AT ELEVATOR LOBBY ENTRANCE. SMOOTH RAMP TO ELEVATOR TRANSITION STRIP. FEATHER AND POLISH TO MATCH FLOOR FINISH OF PE4 W32 ELEVATOR LOBBY. 6 15 7 16 LOCATION OF RELOCATED ROOF DRAIN. REFER TO PLUMBING DRAWINGS. GC TO A-603 17 IF RELOCATION IS NOT POSSIBLE. PROVIDE ALLOWANCE TO ALTER DESIGN 19 1 7 18 OF ALL NEW RAISED FLOOR, STAIR 17 A GC TO COORDINATE THE EXACT EXTENTS A-904 1 SELF-LEVELING, GRINDING AND FLOOR PREP WORK WITH ARCHITECT PRIOR TO 908A 10 COMMENCING WORK. BREAKOUT EX.9.A STAIR BREAKOUT RECEPTION OPEN TO BELOW 18 EXISTING SLAB THROUGHOUT TO BE PREPPED AS REQUIRED TO RECIEVE NEW 902 A-703 6 2 905AND FLOOR FINISHES AND OFFICE FRONT SYSTEMS.908 FLOOR SLAB TO BE PREPPED 904 Halsey McCormack & Helmer Inc. Architects LEVELED TO ACHIEVE MINIMUM TOLERANCE REQUIREMENTS AS ALLOWED BY OFFICE EXISTING 275 Seventh Avenue, New York, NY 10001 FRONT SYSTEM. ELECTRICAL 212.938.1260 DEDICATED EX.9.1 19 FLOOR PREP WORK: SELF-LEVELING TO BE PROVIDED IN ORDER TO ACHIEVE LEVEL ELEVATOR MATERIAL INSTALLATION AT NEW FINISHES. GC TO COORDINATE THRESHOLDS AND All drawings and written material appearing herein constitute original and unpublished work of the architect W32 RAMPS W34DOWN TO EXISTING SADDLES AND EXPOSED CONCRETE FLOOR. GC TO 4 5 and may not be duplicated, used or disclosed without written consent of the architect. RECEPTION LOCATIONS IN ORDER TO GRIND DOWN HIGH POINTS AT NEW SELF-LEVELINGS IN A-602 A-703 ACHIEVE A MINIMUM HEIGHT DIFFERENTIAL ALONG THE EXISTING SLAB. (GC TO SEATING 5 DETERMINE IF THIS WORK IS TO OCCUR PRIOR 2 909TO SELF-LEVEL INSTALLATION OR BREAKOUT AFTER). REFER TO PROVIDED FLOOR SCAN FOR DATA POINTS AND NOTIFY 10 = 1'-0" PROJECT NUMBER: DRAWING SCALE: 1/8" 4 ARCHITECT OF ANY CONFLICTS IN FIELD. 903 F31 W34 1 1 20 ALIGN 910 FLUSHINTO EXISTING WALL CONSTRUCTION 02-2034-0100 21 PATCH AND REPAIR EXISTING BUILDING MATERIAL AFTER INSTALLATION OF FUTURE 0 2 4 8 12 20 EX.9.2 SECURITY DEVICES ADA PHONE IN FEET PLATFORM 22 RM METAL RADIATOR COVER. REFER TO TYPICAL DETAILS. Sim 906 910 SEAL DRAWING TITLE: 1 1 1 A-905 A-905 A-804 EXISTING8TH FLOOR CONSTRUCTION PLAN TERRACE NIC 2

801A

W32

MED CONF 825

6 F31 IN

FEC

PHONE BOOTH 823

SHOP IN SHOP 832

W62

W34

Sim

W34

W34 816

F31 PHONE RM 816

W34

822

SMALL CONF SMALL CONF 821 822

10 A-703

821

W34 IN 2

W32

W32 MKT STORAGE 826

MARKETING PRODUCTION 828

W34

BREAKOUT 829

3' - 3"

817

W34

W34 826

W32

COFFEE BAR 958 BREAKOUT 953

PE9

4 5 6

PE8 7

WH 8

PE7

9 10 11

PE6 12

PE5

COPY / PRINT 827

OPEN OFFICE 819

RESTROOM 817

FEC

6" TYP. (U

W32 VANDAM STREET W32

SYMBOL ON PLAN:

16 17

6 A-606 IN

F31

MED CONF 841

828

F31 12 A-605

BREAKOUT 833

W32

HVAC UNIT 36" X 36"

W32 9

C:\swap\REVIT LOCAL FILES\JUUL_233 SPRING ST_CENTRAL_2019_lmarhefka.rvt

BREAKOUT 818

STAIR D

IDF 863

Sim 8 A-702

Sim A-702 3 A-701

15 A-603

X##

11 A-904

F31

1 A-606 KEY PLAN

CONSTRUCTION KEYNOTES AV RACK 23" X 32"

W32

1 A301

CON

COPY 951

MILLWORK TO BE COORDINATED AS A DESIGN ASSIST PACKAGE WITH AWARDED SUBCONTRACTOR. EXISTING 8 TERRACE A-804 NIC

STORAGE 861

W32 862

OPEN OFFICE 957

11 A-605 11 A-904

BREAKOUT 952

A-602

W34

OPEN OFFICE 954

FEC

STAIR C

SECURITY 48" X 10"

W34

W34 3 A-702 W32

W1 16.

WF EX.8.C

W32

A301

EX.9.B

ALL FIRE RATED PARTITIONS TO HAVE 5/8" THICK TYPE "X" GYPSUM BOARD U.O.N. U.O.N., ALL WALLS TO HAVE ASSEMBLY EXTEND FULL HEIGHT OF SPACE FROM T.O. SLAB TO UNDERSIDE OF SLAB. MAINTAIN ACOUSTIC AND/OR FIRE RATINGS AROUND RECESSED FIXTURES, PIPING, DUCTWORK, PENETRATIONS AND ALL OBSTRUCTIONS. AT PARTITIONS SCHEDULED TO RECEIVE CERAMIC TILE FINISH, PROVIDE TILE BACKER BOARD AS REQUIRED. ALL ASSEMBLIES SHOULD CONFORM TO REQUIREMENTS FOR ACOUSTIC AND FIRE RESISTANCE RATINGS INDICATED. DO NOT LOCATE OUTLET BOXES OPPOSITE ONE ANOTHER IN PARTITIONS (BACK-TO-BACK). LOCATE OUTLETS AT LEAST 12" APART AND IN SEPARATE STUD SPACES. CAULK PERIMETER OF OUTLET WITH ACOUSTICAL SEALANT. WHERE GYPSUM BOARD CEILINGS MEET WALLS HOLD CEILING BACK FROM THE FACE OF THE INTERSECTING WALL AND CAULK AIRTIGHT WITH A CONTINUOUS BEAD OF ACOUSTICAL SEALANT. WHERE NECESSARY, USE FOAM BACKER ROD TO PROVIDE A SURFACE AGAINST WHICH TO CAULK. AT CORNERS, HOLD THE LAST LAYER OF GYPSUM BOARD FROM THE FACE OF THE INTERSECTING WALL SUCH THAT NO GWB LAYERS ARE CONTINUOUS BETWEEN 2 ADJACENT ROOMS AND CAULK WITH A CONTINUOUS BEAD OF ACOUSTICAL SEALANT. PROVIDE 20GA (FLAT STOCK) AND/OR WOOD BLOCKING AS REQUIRED AT ALL WALL MOUNTED FIXTURES, FURNITURE, APPLIANCES, MILLWORK, TELEVISION MOUNTS, ETC. VERIFY EXTENT AND LOCATION OF BLOCKING PRIOR TO GWB INSTALLATION. MAX. STUD HEIGHT IS BASED ON L/240 (L/360 FOR PARTITIONS WITH TILE AND/OR STONE FINISH). PROVIDE ACOUSTIC INSULATION WITHIN PARTITIONS AT CLASSROOM, OFFICE, FACULTY, CORRIDORS, MECHANICAL ROOMS AND TENANT DEMISING PARTITIONS. USE FIRE RATED SEALANT AT FIRE-RATED PARTITIONS AS REQUIRED BY SPECIFICATIONS. MAINTAIN INTEGRITY OF EXTERIOR WALL CONTINUITY, ASSEMBLIES, INSULATION AND FINISHES AS REQUIRED. COORDINATE ALL MECHANICAL TRANSFER GRILLES AND RETURN AIR OPENING THAT OCCUR ABOVE THE FINISHED CEILING IN FIRE RATED AND ACOUSTICALLY TREATED WALLS. PROVIDE FIRE DAMPERS WHERE INDICATED. PROVIDE RETURN AIR (CEILING PLENUM) OPENINGS WHERE REQUIRED BY THE MECHANICAL DRAWINGS. PROVIDE FLASH PATCHING AT OFFICE FRONT PARTITIONS TO LEVEL FLOOR: TOLERANCE PER OFFICE FRONT VENDOR SPECIFICATIONS. PROVIDE PLYWOOD BLOCKING AT ALL WALL MOUNTED TV SCREEN LOCATIONS. REFER TO AV DRAWINGS. ALL EXISTING RADIATORS WITHIN TENANT SPACE SHALL BE GRINDED/SANDED TO REMOVE PAINT PEELS AND IMPERFECTIONS. THE SURFACE SHALL BE PREPPED AND SMOOTH FOR NEW SCHEDULED FINISH. 5

OFFICE FL01

S42

4' - 7"

842

ADA PHONE RM 841 842

15.

4 A-701

SMALL CONF 834

A-702

11 W34

Sim 9 A-703

14.

SMALL CONF 835

MED CONF 840

860 STORAGE 860

835

Sim

13.

A-702

11. 12.

EX.8.9

A-702

8. 9. 10.

EXISTING MECHANICAL

F31 W32

11/26/2019 9:22:30 AM

836

W34 IN 2

BREAKOUT 844

PHONE RM 836 W34 837

TYP. 9 A-703

W34 2

1 A-603

PHONE RM 837 2' - 0"

838

1' - 0"

839

ELEC

PHONE RM PHONE RM 839 838

ELEC

F31

STORAGE 859

859

W32 F31

11 A-606

3' - 3"

-0 5' ø

W32 MOTHER'S RM 845

1. 2.

1 A301

5 A-704

STAIR B DN

VARICK STREET

WD EX.8.7

W32

CHECK

NA NA NA NA

INDICATES EXISTING DOOR TO REMAIN

JAN CL 851

F31

ZP SB ZP SB ZP SB ZP SB

ION CT RU ST ON RC O TF NO

INDICATES DOOR NUMBER

F31

COPY 846

ISSUE FOR LL REVIEW ISSUED FOR CONSTRUCTION ISSUE FOR BID RECORD SET

CONSTRUCTION NOTES 1 A-606

1 TOUCHDOWN 956

EXISTING WOMEN'S WC

EX.8.6

1 A101

2 A-905

F31

SHAFT (ELEVATORS NOT IN USE)

FLOOR DRAIN

DATE

11/08/2019 11/08/2019 11/15/2019 11/25/2019

Sim 2 A-905

WA.6

ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET F31 233 Spring Street, New York, NY 10013

INDICATES FLOOR NUMBER

W32 EX.8.5 SERVICE ELEV. LOBBY 858

F31

RECESSED FIRE EXTINGUISHER CABINET

Sim 2 A-905

6" TYP. (U.O.N.)

06-25J

W32

4 A-702

STAND PIPE & FIRE HOSE CONNECTION

FEC

INDICATES EXISTING PARTITION TO REMAIN.

COAT / STORAGE 855

EX.8.B STAIR B UP DN

INDICATES NEW MILLWORK. SEE MILLWORK SCHEDULE AND ELEVATIONS.

FHC

SYMBO

PHONE BOOTH 955

INDICATES EXTENT OF SELF LEVELING

DENOTES ROOM/AREA NUMBER DENOTES FLOOR NUMBER

1 A301

OPEN OFFICE 853

INDICATES ROOM NAME

CON

W.8

ALIGN

INDICATES EXTENT OF RAISED FLOOR

INDICATES ELEVATION NUMBER

1 A301

-0

PLATFORM 850

1 A-602

CONFIDENTIAL

6TH AVE NUE

DESCRIPTION INDICATES EXTENT OF CONCRETE SLAB INFILL

06-25J

Sim

1 A-905

W4.6

SYMBOL

DENOTES ALIGNMENT OF INDICATED SURFACES

ALIGN Sim

DESCRIPTION REVISION NUMBER

1' - 0"

SYMBOL

ELEC

W.8

ELEC

EXISTING TERRACE NIC

3' - 6" MIN.

W4.6

WK 20 21 22

MIL FR BO CA BR INMIL SE FR PLA SC CU CA GC RE WIT CA GC RE WIT MIL SC G.C CO TO MIL ME VE CO CO WA

SC BO VE PR PR ELE ELE LO PR GC SE CO EX FLO LEV FR FLO MA RA GR AC DE AFT AR

ALI PA SE ME

nce Center

Executive Conf Room Mass Diagram

Executive Conference Room Rendering

A volumetric study of this complex, multi-floor location revealed a way to put these concepts into play. We thought of each space through the addition and/or subtraction of masses and voids. The results created the opportunity to visually punctuate the space: for example, where a void is “cut” into a mass - like the way a recessed space “cuts” into the ceiling of the conference room (left) - the cut is marked by an abrupt change in finishes.

Executive Conf Room Void Diagram

8th Floor Stair Rendering

8th Floor Stair + Dining Rendering

8th Floor Dining + Lounge Rendering

FRAMING AT STEP SCREW AND GLUE 2X6 FRAMING PLAN. VERTICAL JOISTS SPACED AT 16" O.C. WITH INTERMITTENT BRACING JOISTS FOR SUBSTRATE FASTENING.

PROVIDE SHIMMED AND LEVEL 2X12 SILL PLATE ALONG PERIMETER, CENTER, AND AT BRACING JOISTS. SCHEDULED WOOD FLOORING OVER STAGGERED 1/2" PLY WOOD SUBSTRATE AND INTERMITTENT JOISTS AS REQUIRED. ALL WOOD SHALL BE FIRE TREATED

ENLARGED PLAN - 8TH FLOOR - STAIR PLATFORM

NOTE ALL B.O.S. DIMENSIONS TO BE .I.F.

SCALE: 1/4" = 1'-0"

RECEPTION

3 A-802 12' - 4"

STAIR

W-10 - TENTH FLOOR 141' - 4 3/8"

EXISTING SLAB

/- 10"

REFER TO RCP

11' - 6"

/- 10"

2" X 2" BLACK METAL POST WELDED TO BASE PLATE AND 0' - 0" SECURED TO BOTTOM OF SLAB A.F.F. WITH EXPANSION BOLTS.

10"

SECTION AT 9FL CEILING - 6"

W-09 - NINTH FLOOR 106' - 6"

2" X 2" BLACK METAL POST FROM 9TH FLOOR SLAB TO BOTTOM OF 10TH FLOOR SLAB. (TYPICAL AT 4 CORNERS)

8' - 2"

2" X 2" BLACK METAL GUARD RAIL. PROVIDE EASED EDGES

2" X 3/4" BLACK METAL FIN POST

-8

-8 "

Section @ Stair

LOUNGE

5 7/16"

OUTH SECTION ELEVATION

WOOD FLOORING AS SCHEDULED STEEL ANGLE WELDED TO HSS HANGER. REFER TO STRUCT.

0' - 0" A.F.F.

W-09 - NINTH FLOOR 106' - 6"

BLACK IRON SUSPENSION SYSTEM ON 1 1/2" HAT CHANNELS 5/8" THICK FIRE TREATED PLYWOOD SUBSTRATE

BLACK IRON SUSPENSION SYSTEM ON 1 1/2" HAT CHANNELS 1/2"

1/2" 2"

EXISTING SLAB

1/4" THICK FLATSTOCK METAL WITH COUNTERSUNK BLACK FLATHEAD SCREWS

TONGUE AND GROOVE WOOD CEILING NAILED & ADHERED TO PLYWOOD. REFER

2" X 2" HSS HANGER FROM LANDING TO 9TH FLOOR SLAB. REFER TO STRUCT. 2"X2" BLACK METAL CONTINUOUS WELDED GUARD RAIL WITH EASED EDGES 1 1/2" X 3/4" BLACK METAL CONTINUOUS

WELDED RAILING WITH EASED EDGES Elevation @ Lounge Platform Seating SOUTH ELEVATION - PLATFORM SEATING 1 1/2"

LED WALL MOUNT FRAME. REFER TO AV DRAWINGS.

TONGUE AND GROOVE WOOD CEILING NAILED & ADHERED TO PLYWOOD. REFER TO RCP FOR FINISH.

TO RCPFINISHED FOR FINISH. ALTERNATE: PROVIDE PROVIDE FACES AT WOOD FINISH AS SPECIFIED. SOLID OAK TRANSITION DETAIL, FINISHED ALL VISIBLE SIDES. PROVIDE REINFORCEMENT AS REQUIRED. BY WOOD CEILING MFR

Wall + Ceiling Detail @ Stair Screen SECTION AT 8TH FLOOR AV SCREEN SCALE: 1 1/2" = 1'-0"

V.I.F.

3' - 10"

5' - 0".

IT CONSULTAN TM TECHNOLO 825 8TH AVENU NEW YORK, NY 212.404.4747 SCALE:

EAS

(2) TREADS SECURITY CONSULTANT KASTLE 205 EAST 42ND STREET NEW YORK, NY. 10017 212.824.3803

PLAT 1' - 2

ø 5' - 0"

2" X 3/4" BLACK METAL FIN WELDED TO POST FOR RAILING SUPPORT

PLATORM, RAMP, AND STAIRS. RAISED WILLIAM S.ACCESS MANDARA FLOORING SYSTEM WITH SCHEDULED WOOD FLOOR LIC.STEEL # 030307 FINISH. PROVIDE BLACKENED RAILINGS.

1/2" LAMINATED GLASS

8" MIN.

METAL DECK. REFER TO STRUCT. 11" TYPICAL

W BEAM. REFER TO STRUCT. CHANNEL STRINGER. REFER TO STRUCT.

3/4" FIRE PRESSURE TREATED

SEAL

CHANNEL STRINGER. REFER TO STRUCT.

SECTION AT STAIR RUN SCALE: 1 1/2" = 1'-0"

DRAWING TITLE:

GFRG (GLASS FIBER REINFORCED GYPSUM) AT SIDE AND UNDERSIDE OF STAIR LANDING

SCALE: 1 1/2" = 1'-0"

DRAWING SCALE:

STAIR SECTION, EL

3/4" FIRE PRESSURE TREATED PLYWOOD SUBSTRATE

SECTION Detail PLATFORM SEATING RADIATOR COVER Section @ Lounge Platform Seating

PROJECT NUMBER: VISIBLE EDGES AT 02-2034-0100 VENTILATION SLOTS TO BE FINISHED AND STAINED TO MATCH WOOD FINISH.

1/4" BENT PLATE WITH PREDRILLED SCREW HOLES FOR TREAD AND RISER FASTENING. REFER TO STRUCT.

Halsey McCormack & Helmer Inc. Architects 275 Seventh Avenue, New York, NY 10001 212.938.1260

All drawings and written material appearing herein constitute original and and may not be duplicated, used or disclosed without written consent of th

DASHED LINE INDICATES BOTTOM OF SEMIRECESSED SHOE

LEVELING GLIDES SEE FLOOR SCAN FOR EXISTING FLOOR LEVELS

SECTION AT STAIR LANDING

2" X 3/4" BLACK METAL FIN POST WELDED AND BOLTED TO BENT PLATE 1 1/2" SOLID WOOD TREAD AND RISER SCREWED AND GLUED FROM BACK OF BENT PLATE

AT SIDE AND UNDERSIDE OF STAIR LANDING

PROVIDE ALUMINUM GRILLE AS BASE OF COVER. CONFIRM FINAL REQUIREMENTS WITH MEP ENGINEER PRIOR TO FABRICATION. SCRIBE BASE TO FLOOR.

GLASS SHOE WITH NEOPRENE GASKETING. FINISHED MATTE BLACK

SUBSTRATE PLATFORM SEATINGPLYWOOD GFRG (GLASS FIBER REINFORCED GYPSUM)

SCALE: 1 1/2" = 1'-0"

275 Seventh Avenue New York, NY 10001 212 938.1260 5' - 3"

3" SLOT FOR VENTILATION

W-08 - EIGHTH FLOOR 115' - 4 3/8"

8' - 0"

TYPICAL

5' - 3"

9 1/2"

SCALE: 1/4" = 1'-0"

A.F.F.

CLIENT DESIG REVEL ARCHIT 417 MONTGOM SAN FRANCISC 415.230.7000

914.217.0723 CLEAR

1" REVEAL

PAINTED HARDWOOD

5/8" PLYWOOD SECURED TO WOOD FRAMING.

1 1/2" X 3/4" BLACK METAL 1:12 MAX SLOPE CONTINUOUS WELDED RAILING WITH EASED EDGES

WOOD FLOORING AS SCHEDULED 1' - 2" V.I.F.

5/8" THICK TONGUE AND GROOVE WOOD FINISH NAILED ADHERED TO PLYWOOD.

ENLG PLAN

FINISH AS

ARCHITECT OF RECORD WOOD FINISH AS SPECIFIED. PROVIDE REINFORCEMENT AS REQUIRED. UPHOLSTERED SEATING AS SCHEDULED. PROVIDE VELCRO ATTACHEMENT TO SEATING ASSEMBLY.

FIRE PRESSURE TREATED FRAMING. REFER TO FRAMING PLAN

1/2"SEATING. 2X4 WOOD FRAMING SUPPORT FOR PLATFORM

1 1/2" 3/4" RECESS

1/2" REVEAL 1 1/2"

6' - 8"

1' - 2"

NEW METAL RADIATOR COVER TO PANEL TO BE REMOVABLE AND/OR PROVIDE ACCESS TO RADIATOR VALVES. FINISH TO BE ELECTROSTATICALLY PAINTED, GENERAL WHITE PAINT AS SCHEDULED.

11/26/2019 9:29:30 AM

1 1/2"

WOOD FLOORING AS SCHEDULED

C:\swap\REVIT LOCAL FILES\JUUL_233 SPRING ST_CENTRAL_2019_lmarhefka.rvt

11/26/2019 9:27:13 AM

SOLID HARDWOOD SLAT WALL

UPHOLSTE LIGHTING CON COMPONE REVEAL DESIG MODULAR 150 RADIATOR W 28TH ST NEW YORK, NY 0' 0" 212.633.4353

PROVIDE ALUMINUM GRILLE. CONFIRM FINAL REQUIRMENTS WITH MEP ENGINEER PRIOR TO FABRICATION. ALIGN TOP OF ALIGN GRILLE WITH WINDOW MULLION. ALIGN INTO 7 FREESTANDING MILLWORK PLATFORM SEATING SEGMENTED MODULES AS DIMENSIONED. PROVIDE CONCEALED LOCKING MECHANISM FOR EACH MODULED TO LOCK TOGETHER. PROVIDE A-601 5 GLIDES BELOW EACH SEATING MODULE TO ALLOW PLATFORM GLASSFOR SHOE WITH NEOPRENE PROVIDE VERTICAL METAL STIFFENER AT SEATING ALL RADIATOR TO BE MOVED WHEN REQUIRED. GASKETING. FINISHED MATTE BLACK 6 COVERS OVER 5'-0" SPAN 37' - 0'. 3" EXISTING RADIATOR. VERIFY SIZE AND 8' - 0" 8' - 0" 8' - 0" LOCATION IN FIELD.

FINISH TO MATCH SLAT WALL.

7' - 0"

UHOLSTERED SEATS AS SCHEDULED TO BE VELCROED TO SEATING ASSEMBLY.

2' - 4"

1/2" LAMINATED GLASS

3' - 6" 3' - 0" CLEAR

2" X 3/4" BLACK METAL FIN POST WELDED AND BOLTED TO BENT PLATE

7" MAX

3' - 6" GUARDRAIL HEIGHT

EXISTING BUILDING PERIMETER GLAZING

3' - 0" HANDRAIL HEIGHT

9' - 5 1/2"

C:\swap\REVIT LOCAL FILES\JUUL_233 SPRING ST_CENTRAL_2019_lmarhefka.rvt

1 1/2" THICK HARDWOOD BACK PANEL. FINISH TBD BASED ON SIGNAGE REVIEW WITH CLIENT.

1/8" MAX. GAP TOLERANCE FOR OPENING IN WOOD FLOORING AT WOOD SLAT PENETRATION. SAND AND FINISH EDGES.

1' - 0".

13' - 6"

1/4" L-SHAPED METAL FRAME ON SIDES OF AV SCREEN AND SCREWED INTO HARDWOOD BACK PANEL.

MEP ENGINEER AMA CONSULTING ENGINEERS 825 EIGHTH AVENUE, 18TH FLOOR. NEW YORK, NY. 10019 212.944.7722

AV CONSULTANT DGI COMMUNICATIONS 101 BILLERICA AVE, BUILDING 6 NORTH BILLERICA, MA. 01862 978.495.3800

2"X2" BLACK METAL CONTINUOUS WELDED GUARD RAIL WITH EASED EDGES 1' - 0".

2" X 3/4" BLACK METAL FIN WELDED TO POST FOR RAILING SUPPORT

EXPEDITOR MILROSE CON EXISTING BE PAI 498 TO SEVENTH NEW YORK, NY MILLWORK 212.643.4545

DATA MAPPER CUSTOM FREE3D STANDING PLANTER, METAL FINISH HYPSOMETRIC AS SCHEDULED. TYP. arash@hypsometric.com 8' - 1"

AV BACKBOX. REFER TO AV DRAWINGS 3/4" FIRE PRESSURE TREATED PLYWOOD BACKING PAINTED BLACK FOR LED WALL MOUNT FRAME. REFER TO AV DRAWINGS.

OWNER'S REPRESENTATIVE VVA PROJECT MANAGERS AND CONSULTANTS 117 E 31ST STREET NEW YORK, NY. 10016 212.576.8400

DESIMONE CONSULTING ENGINEERS 140 BROADWAY, 25TH FLOOR NEW YORK, NY. 10005 212.532.2211

SCALE: 1 1/2" = 1'-0"

CONSTRUCTIO FIXT JRMLIGHT CONSTRU CONSULT 242 WEST 36TH NEWEXISTING YORK, NE PROVIDE W 212.545.0500

PROVIDE SLOT ENGINEER STRUCTURAL FOR VENTILATION.

1 1/2"

SCALE: 1/4" = 1'-0"

ALTERNATE: OAK TRANSITION FREESTANDING MILLWORK PLATFORM SEATING SEGMENTEDPROVIDE INTO 7 SOLID PROVIDE REMOVABLE SEAT MODULES AS DIMENSIONED. PROVIDE CONCEALED LOCKING CUSHIONS, UPHOLSTERED DETAIL, FINISHED BY WOOD CEILING SUPPLIER. MECHANISM FOR EACH MODULED TO LOCK TOGETHER. PROVIDE AS SCHEDULED, ATTACHED 1/2" REVEAL (PAINTED WHITE) WITH HEAVY DUTY VELCRO LEVELING GLIDES BELOW EACH SEATING MODULE TO ALLOW FOR PLATFORM SEATING TO BE MOVED WHEN REQUIRED.

SECTION AT 9FL RAILING

12' - 4" B.O.S.

CLIENT ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET NEW YORK, NY. 10013

SPECIFIED

5/8" THICK FIRE TREATED 4 PLYWOOD SUBSTRATE A-905

EQ EQ

1' - 2" A.F.F.

SPEAKERS ENGINEER INFORMAT

PROVIDE SHIMMING AS REQUIRED FOR AN EVEN SURFACE FOR SUBRATE AND FINISH AS SCHEDULED

1/2" REVEAL (PAINTED WHITE) 1/4" THICK FLATSTOCK METAL WITH COUNTERSUNK BLACK FLATHEAD SCREWS

3' - 1"

BLACK FINISHED AV AND ELECTRICAL CONDUIT RUNNING CONCEALED BETWEEN THE WOOD SLATS FROM BACK BOX TO SOFFIT. REFER TO AV DRAWINGS.

5' - 6 1/2" REFER TO AV DRAWINGS

EX.8.2

PLATORM, RAMP, AND STAIRS. RAISED ACCESS FLOORING SYSTEM WITH SCHEDULED WOOD FLOOR FINISH. PROVIDE BLACKENED STEEL RAILINGS.

WOOD FLOORING AS SCHEDULED

UPHOLSTERED SEATING AS SCHEDULED. PROVIDE VELCRO ATTACHEMENT TO SEATING ASSEMBLY.

WOOD FLOORING AT FASCHIA

EXISTING BUILDING COLUMNS WALLS TO BE PAINTED AS SCHEDULED.

PLATFORM 812

SCALE: 1/4" = 1'-0"

GLASS SHOE WITH NEOPRENE GASKETING. FINISHED MATTE BLACK

W-09 - NINTH FLOOR 106' - 6"

CUSTOM FREESTANDING PLANTER, METAL FINISH AS SCHEDULED

ENLG PLAN

STAIR

12' - 4" B.O.S. EXISTING SLAB EXISTING BUILDING PERIMETER WINDOWS. PROVIDE WINDOW TREATMENT AS SPECIFIED.

ø 5' - 0"

KEY PLAN

GLASS SHOE WITH NEOPRENE GASKETING. FINISHED MATTE BLACK

LE: 1/4" = 1'-0"

2 A-601

(2) TREADS

3' - 6" GUARDRAIL HEIGHT

TONGUE AND GROOVE CHARRED WOOD CEILING NAILED & ADHERED TO PLYWOOD. REFER TO RCP FOR FINISH

PLATFORM 1' - 2"

2" X 3/4" BLACK METAL FIN POST

3' - 6" GUARDRAIL HEIGHT

1/2" REVEAL (PAINTED WHITE) 1/4" THICK FLATSTOCK METAL WITH COUNTERSUNK BLACK FLATHEAD SCREWS

AV SCREEN

1/2" LAMINATED GLASS

'-6

1/2" LAMINATED GLASS

2" X 2" BLACK METAL GUARD RAIL. PROVIDE EASED EDGES

2' - 0" 1' - 0".

1 A-802

5' - 0"

4 A-802

HOLD

BLACK IRON SUSPENSION SYSTEM ON 1 1/2" HAT CHANNELS 5/8" THICK FIRE TREATED PLYWOOD SUBSTRATE

BLACK FINISHED AV AND ELECTRICAL CONDUIT RUNNING CONCEALED BETWEEN THE WOOD SLATS FROM BACK BOX TO SOFFIT. REFER TO AV DRAWINGS.

PROVIDE SHIMMING AS REQUIRED FOR AN EVEN SURFACE FOR SUBRATE AND FINISH AS SCHEDULED

9' - 10" CLEAR

EXISTING SLAB

TONGUE AND GROOVE CHARRED WOOD FASCIA NAILED & ADHERED TO PLYWOOD. REFER TO RCP FOR FINISH

11' - 8"

V.I.F.

WOOD FLOORING AT FASCHIA

O TF NO

SCALE: 1 1/2" = 1'-0"

CONCEALED BRACKET OR PIN SUPPORTS FOR VERTICAL SLAT WALL AS REQUIRED.

ISSUE / REVISION

ISSUE FOR LL REVIEW ISSUED FOR CONSTRUCTION ISSUE FOR BID RECORD SET

C RU ST

1/4" MAX. GAP TOLERANCE FOR OPENING IN WOOD CEILING AT HSS PENETRATION. SAND AND FINISH EDGES.

R 0'

2 A-802

DATE

11/08/2019 11/08/2019 11/15/2019 11/25/2019

SOUTH ELEVATION - PLATFORM 812 CON R

1/4" MAX. GAP TOLERANCE FOR OPENING IN WOOD CEILING AT HSS PENETRATION. SAND AND FINISH EDGES.

WOOD FLOORING AS SCHEDULED

SCRIBE TOP PLANK TO BOTTOM OF SLAB.

1 2 3 4

TONGUE AND GROOVE WOOD CEILING NAILED & ADHERED TO SCALE: PROVIDE 1/4" = 1'-0" PLYWOOD. MITERED CORNERS WITH CONTINUOUS GRAIN DIRECTION OF SAME PLANK.

TONGUE AND GROOVE WOOD CEILING NAILED & ADHERED TO PLYWOOD. PROVIDE MITERED CORNERS WITH CONTINUOUS GRAIN DIRECTION OF SAME PLANK.

GLASS SHOE WITH NEOPRENE GASKETING. FINISHED MATTE BLACK

ALTERNATIVE TECHNOLOGY CLIENT SPRING STREET Spring Street, New York, NY 10013

233 PLATORM, RAMP, AND STAIRS. RAISED ACCESS FLOORING 233 SYSTEM WITH SCHEDULED WOOD FLOOR FINISH. PROVIDE NO. BLACKENED STEEL RAILINGS.

HOLD

VERTICAL SLAT WALL

SCRIBE TOP PLANK TO BOTTOM OF SLAB.

REFER TO RCP

3' - 6" GUARDRAIL HEIGHT

2" X 3/4" BLACK METAL FIN POST

EXISTING SLAB

CUSTOM FREESTANDING PLANTER, METAL FINISH AS SCHEDULED

3' - 0 3/4"

10"

EXISTING BUILDING COLUMNS WALLS TO BE PAINTED AS SCHEDULED.

2" X 2" BLACK METAL GUARD RAIL. PROVIDE EASED EDGES

2" X 2" BLACK METAL POST WELDED TO BASE PLATE AND SECURED TO BOTTOM OF SLAB WITH EXPANSION BOLTS.

CONFIDENTI

B.O.S. EXISTING BUILDING PERIMETER WINDOWS. PROVIDE WINDOW TREATMENT AS SPECIFIED.

1/2" LAMINATED GLASS

NOTE MILLWORK TO BE COORDINATED AS A DESIGN ASSIST PACKAGE WITH AWARDED SUBCONTRACTOR.

DRAWING NUMBER:

NYC DOB NUMBER

Open Office Space Rendering

Breakout Space Rendering

CONFIDENTIAL

UNDERSIDE OF SLAB

Booth Seating APPROVED INSERT OR ANCHOR

1/4" STEEL HANGER RODS 4'-0" O.C. MAX BOTH DIRECTIONS

All drawings and written material appearing herein constitute original and unpublished work of the architect and may not be duplicated, used or disclosed without written consent of the architect.

IT CONSULTANT TM TECHNOLOGY PARTNERS, INC. 825 8TH AVENUE, 18TH FLOOR NEW YORK, NY. 10019 212.404.4747

Halsey McCormack & Helmer Inc. Architects 275 Seventh Avenue, New York, NY 10001 212.938.1260

AS NOTED

DRAWING TITLE:

DRAWING SCALE:

12' - 4" B.O.S.

PAINTED WOOD SLATS AS SCHEDULED.

PROJECT NUMBER:

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

SEAL

02-2034-0100

275 Seventh Avenue New York, NY 10001 212 938.1260

WILLIAM S. MANDARA LIC. # 030307

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

ARCHITECT OF RECORD

3D DATA MAPPER HYPSOMETRIC arash@hypsometric.com 914.217.0723

SECURITY CONSULTANT KASTLE 205 EAST 42ND STREET NEW YORK, NY. 10017 212.824.3803

SCALE: 1/4" = 1'-0"

UPHOLSTERED SEAT BACK AS SCHEDULED.

WOOD VENEER CLAD BOOT SURROUND AS SCHEDULED PROVIDE PROPER BLOCKIN AS REQUIRED.

PAINTED WOOD SLATS AS SCHEUDLED.

0' - 0" A.F.F.

20GA 3 5/8" MTL STUDS SECURED TO STRUCTURE ABOVE AND BRACED AS REQUIRED.

0' - 0" A.F.F.

8FL BREAKO

KEY PLAN

1/4" STEEL HANGER RODS 4'-0" O.C. MAX BOTH DIRECTIONS

AV CONSULTANT DGI COMMUNICATIONS 101 BILLERICA AVE, BUILDING 6 NORTH BILLERICA, MA. 01862 978.495.3800

CLIENT DESIGN CONSULTANT REVEL ARCHITECTURE & DESIGN 417 MONTGOMERY ST, 7TH FLOOR SAN FRANCISCO, CA. 94104 415.230.7000

AREA OF WORK

STRUCTURAL ENGINEER DESIMONE CONSULTING ENGINEERS 140 BROADWAY, 25TH FLOOR NEW YORK, NY. 10005 212.532.2211

233 SPRING STREET ("233 WEST")

VANDAM STREET KEY PLAN

UNDERSIDE OF SLAB APPROVED INSERT OR ANCHOR

LIGHTING CONSULTANT REVEAL DESIGN GROUP LLC 150 W 28TH STREET, SUITE 401 NEW YORK, NY. 10001 212.633.4353

OR TF NO

DATE

11/08/2019 11/08/2019 11/15/2019 11/25/2019 1 2 3 4

ISSUE / REVISION

ISSUE FOR LL REVIEW ISSUED FOR CONSTRUCTION ISSUE FOR BID RECORD SET

ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET 233 Spring Street, New York, NY 10013

NO.

3/4" REVEAL PAINTED BLACK. EXPOSED WOOD EDGE TO BE FINISHED.

VARICK STREET

3/4"

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

EXPEDITOR MILROSE CONSULTANTS, INC. 498 SEVENTH AVE, 17TH FLOOR NEW YORK, NY. 10018 212.643.4545

161 AVENUE OF THE AMERICAS ("233 EAST")

ION CT RU T NS CO

1/4" THICK FLATSTOCK METAL FASTENED WITH COUNTERSUNK BLACK FLATHEAD SCREWS. ALTERNATE: PROVIDE SOLID OAK TRANSITION DETAIL, FINISHED BY WOOD CEILING SUPPLIER. TYPICAL AT ALL WOOD CEILING TRANSITIONS.

WOOD VENEER CLAD BOO SURROUND AS SCHEDULE PROVIDE PROPER BLOCKI AS REQUIRED. CANTILEVERED WOOD COUNTERTOP WITH CONCEALED SUPPORT BRACKETS.

OWNER'S REPRESENTATIVE VVA PROJECT MANAGERS AND CONSULTANTS 117 E 31ST STREET NEW YORK, NY. 10016 212.576.8400

NA NA NA NA ZP SB ZP SB ZP SB ZP SB

CONFIDENTIAL

T NO

TONGUE AND GROOVE WOOD CEILING NAILED & ADHERED TO PLYWOOD.

NA NA NA NA

ION CT RU T S ON RC FO

SPRING STREET

CHECK

2" 1/2"

5/8" THICK PLYWOOD

CHECK

ZP SB ZP SB ZP SB ZP SB

REF. NORTH

9 1/2"

1/4" THICK PLYWOOD WRAPPED IN WOOD VENEER FINISH AS SCHEDULED. EXPOSED EDGE TO BE FINISH

1/2" REVEAL PAINTED BLACK.

ISSUE FOR LL REVIEW ISSUED FOR CONSTRUCTION ISSUE FOR BID RECORD SET

PAINTED WOOD SLATS AS SCHEDULED. 12' - 4" B.O.S.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS O VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

MEP ENGINEER AMA CONSULTING ENGINEERS 825 EIGHTH AVENUE, 18TH FLOOR. NEW YORK, NY. 10019 212.944.7722

ISSUE / REVISION

11/08/2019 11/08/2019 11/15/2019 11/25/2019

6TH AV ENUE

DATE

1 2 3 4

CONSTRUCTION MANAGER JRM CONSTRUCTION MANAGEMENT, LLC 242 WEST 36TH STREET, 11TH FLOOR NEW YORK, NEW YORK 10018 212.545.0500

NO.

5/8" GYP BOARD SECURED TO HAT CHANNELS. PROVIDE CLEAN OPENINGS AT ANY ANY PENETRATIONS REQUIRED FOR METAL MESH CEILING. PAINT AS SCHEDULED.

NOTE ALL B.O.S. DIMENSIONS TO BE .I.F.

CLIENT ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET NEW YORK, NY. 10013

20GA 3 5/8" MTL STUDS SECURED TO STRUCTURE ABOVE AND BRACED AS REQUIRED.

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

CANTILEVERED WOOD COUNTERTOP WITH CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS SECURED INTO PONY WALL. GC TO PROVIDE BLOCKING INSIDE WALL FOR BRACKET ATTACHMENT.

8FL BREAKO W5 2' - 7"

5 A-603

1" 3"

7' - 5"

LIGHT FIXTURE BY LIGHTING CONSULTANT

9' - 4"

WD 05 WALLS

3' - 10"

WD 02

PT 01

3' - 4"

A-603

EXPOSED WOOD VENEER FINISHED SEATTO BE SCRIBED TO WALL.

CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS FOR BENCHING. GC TO PROVIDE IN WALL BLOCKING SECURED TO STUDS AS REQUIRED.

1' -

9 A-603

17' - 0"

ALIGN

SCALE: 1/4" = 1'-0"

3' - 4"

ENLG FIN WINDOW BOOTHS

KEY PLAN ALIGN

12 A-603

NLG FIN 8FL BOOTHS

CALE: 1/4" = 1'-0"

PT 01 PT 01 WC 01

PT 01 WC 01

SCALE: 1/4" = 1'-0"

W7 WD 02 UP 03

WD 02 UP 03

ENLG FIN 8FL BOOTHS

CALE: 1/4" = 1'-0"

16 0' - 0" A.F.F.

" PLINTH BASE, PAINTED OOD AS SPECIFIED

2' - 1".

SCALE: 1/4" = 1'-0"

3' - 11"

PT 01

UP 03 SCALE: SCALE: 1/4" = 1'-0" 1/4" = 1'-0"

PT 01

6' - 3" 2' - 10"

WD 02 UP 03

WC 01 PT 01

PLAN FIN 9FL BAN 15ENLGENLG

WD 02 UP 03 PT 01 WC 01

PT 01 WC 01

WC 01 PT 01

2' - 6"

FL BREAKOUT BOOTHS - EAST

PT 01 WC 01

4' - 0"

PT 01

1' - 3"

PT 01 EXPOSED WOOD VENEER FINISHED SEAT TO BE SCRIBED TO WALL.

9 A-603

2' - 6"

VERIFY CONNECTION OF POWER UNITS WITH ENGINEER

2' - 1".

CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS FOR 2". BENCHING. GC TO PROVIDE IN WALL BLOCKING SECURED TO STUDS AS REQUIRED. WT 01

1' - 7" EXPOSED WOOD VENEER FINISHED SEATTO BE SCRIBED TO WALL.

2' - 6"

EDGE OF MILLWORK FACE BELOW UPHOLSTERY. REFER TO SECTION DETAIL FOR ADDITIONAL INFO.

1' - 3"

2' - 10" 3"

9' - 4"

6' - 3"

WD 02 UP 03

OUTSIDE ELEV. - WINDOW BOOTHS

AINTED WOOD AS PECIFIED ANTILEVERED WOOD OUNTERTOP WITH ONCEALED SUPPORT RACKETS.

OOD VENEER CLAD BOOTH URROUND AS SCHEDULED.

PHOLSTERED SEAT AND ACK AS SCHEDULED

12' - 4" B.O.S.

2' - 6"

11/26/2019 9:27:38 AM

2' - 6" 2' - 1". 2' - 6" 2' - 1"

2' - 0"

8 AINTED WOOD SLATS S SCHEDULED, OPEN O ABOVE

OWER REQUIREMENTS AS NDICATED ON PCOM PLANS

2' - 1"

SCALE: 1/4" = 1'-0"

PT 01 WC 01

OPEN TO BEYOND

13 FL BREAKOUT BOOTHS - NORTH

INTEGRATED WALL BASE PAINTED AS SCHEDULED

AXON WINDOW BOOTHS CALE: 1/4" = 1'-0"

0' - 0" A.F.F.

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

UPHOLSTERED SEAT

9_lmarhefka.rvt BACK AS SCHEDULED.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

PAINTED WOOD SLATS AS SCHEDULED.

12' - 4" B.O.S.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

CONCEALED CASTERS INTEGRATED UNDER BELOW BOOTH ENCLOSURE. 0' - 0" A.F.F.

SCALE: 1/4" = 1'-0"

WOOD VENEER CLAD MILLWORK BOOTH ENCLOSURE AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

2" HIGH INTEGRATED MILLWORK WOOD WALL BASE PAINTED AS SCHEDULED

2' - 6"

PARTITIONBOOTHS PLAN 8FL BOOTHS 8FL BREAKOUT - EAST SCALE: 1/4" = 1'-0" 12

106' - 5 3/4"

WOOD VENEER FINISH AS SCHEDULED

SCALE:

2' - 1".

CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS FOR CANTILEVERED COUNTERTOP SECURED INTO PONY WALL ASSEMBLY. GC TO PROVIDE BLOCKING INSIDE WALL FOR BRACKET ATTACHMENT.

Elevation @ Booth Seating 9 F

NYC DOB NUMBER

ENLG FIN 9FL BANQUETTE SCALE: 1/4" = 1'-0"

ENLG FIN 9FL BANQUETTE

12' - 4" B.O.S.

0' - 0" A.F.F.

O RC O TF NO WD 02 UP 03

PAINTED WOOD SLATS AS OF 37 34SCHEDULED.

PAINTED WOOD ENCLOSURE AS SCHEDULED.

2' - 6"

5 SCALE: 1/4" = 1'-0"

INTEGRATED WALL BASE PAINTED AS SCHEDULED

WOOD VENEER CLAD MILLWORK BOOTH

12' - 4" B.O.S.

OUTSIDE ELEV. - WINDOW BOOTHS

3" 4"

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

PAINTED WOOD SLATS AS SCHEDULED.

SCALE: 1/4" = 1'-0"

CONCEALED CASTERS INTEGRATED UNDER BELOW BOOTH ENCLOSURE. 0' - 0" A.F.F.

WD 05 WALLS 9' - 4"

2".

1' - 7"

2' - 6"

6 A-603

7' - 8"

6' - 10"

W4.6

SCALE: 1/4" = 1'-0"

ENLG FIN WINDOW BOOTHS

PT 01 WC 01

6 INSIDE ELEV. - WINDOW BOOTHS

WD 02 UP 02

A-901 .00

ONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS FOR ANTILEVERED COUNTERTOP SECURED INTO PONY WALL ASSEMBLY. C TO PROVIDE BLOCKING INSIDE WALL FOR BRACKET ATTACHMENT.

SCALE: 1/4" = 1'-0" CALE: 1/4" = 1'-0"

PT 01 PT 01

0' - 0" A.F.F.

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

CANTILEVERED WOOD COUNTERTOP WITH CONCEALED SUPPORT BRACKETS.

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

PT 01 WC 01

WD 02 UP 03

C:\swap\REVIT LOCAL FILES\JUUL_233 SPRING ST_CENTRAL_2019_lmarhefka.rvt

9FL BANQUETTE 9 EAST ELEVATION

2' - 1".

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

6' - 10"

PAINTED WOOD SLATS AS SCHEDULED. 12' - 4" B.O.S.

PT 01 WC 01

SCALE: 1/4" = 1'-0"

PAINTED WOOD SLATS AS SCHEUDLED.

UPHOLSTERED SEAT AND BACK AS SCHEDULED

2' - 6"

INSIDE ELEV. - WINDOW BOOTHS

WD 02 UP 02

14 FL BREAKOUT BOOTHS - SOUTH

2' - 7"

SCALE: 1/4" = 1'-0"

SUBCONTRACTOR.

INTEGRATED WALL BASE PAINTED AS SCHEDULED

0' - 0" A.F.F. CONCEALED CASTERS INTEGRATED UNDER BELOW BOOTH ENCLOSURE.MILLWORK TO BE MOBILE.

UPHOLSTERED SEAT BACK AS SCHEDULED.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

12' - 4" B.O.S.

PAINTED WOOD SLATS AS SCHEDULED.

SCALE: 1/4" = 1'-0"

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

6' - 10" 2' - 7"

2' - 1"

2" PLINTH BASE, PAINTED INTEGRATED WALL BASE PAINTED AS SCHEDULED WOOD AS SPECIFIED

WALL & CEILING SECTIONS & DETAILS

Finish Plan 1 @ Banquette Seating

2' - 0"

2' - 6"

12' - 4" B.O.S.

0' - 0" A.F.F.

2' - 6"

DRAWING TITLE:

DRAWING NUMBER:

CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS FOR CANTILEVERED COUNTERTOP SECURED INTO PONY WALL ASSEMBLY. GC TO PROVIDE BLOCKING INSIDE WALL FOR BRACKET ATTACHMENT. 2' - 6"

FELT IN BETWEEN ON VERTICAL ONLY. FINISH AS

INTEGRATED OUTLET FOR POWER. OUTLET TO BE ABLE TO PLUG/ UNPLUG INTO ADJACENT FLOOR MOUNTED J-BOX. REFER TO PCOM PLAN FOR ADDITIONAL INFO.

FRONT ELEVATION - WINDOW BOOTHS

5' - 6" 3' - 6" 2' - 6"

2' - 6"

WOOD VENEER FINISH AT ALL EXPOSED FACES OF MILLWORK BANQUTTE.

CONCEALED IN WALL RAKKS SUPPORT BRACKETS FOR CANTILEVERED COUNTERTOP SECURED INTO PONY WALL ASSEMBLY. INTEGRATED OUTLET GC TO PROVIDE BLOCKING INSIDE WALL FOR LOCATIONS AS INDICATED BRACKET ATTACHMENT.

UPHOLSTERED SEAT AND BACK AS SCHEDULED

SOLID WOOD PANELING AT WALL AS SCHEDULED. PROVIDE BLOCKING AS REQUIRED.

LIGHT FIXTURE BY LIGHTING CONSULTANT.

CANTILEVERED BANQUETTE SECURED TO WALL ASSEMBLY WITH CONCEALED IN WALL RAKKS BENCHING SUPPORT BRACKETS. GC TO PROVIDE IN WALL BLOCKING SECURED TO STUD FOR BRACKET ATTACHMENT.

2' - 1".

ENCLOSURE AS SCHEDULED. PROVIDE PROPER BLOCKING1' - 6" 1' - 4" 3" AS REQUIRED.

2' - 6"

SEAL

LIN CONS GENIUS BAR 8FL WEST BREAKOUT BOOTHS - EAST

LE: 1/2" = 1'-0"

WD 02 UP 03

PT 01 WC 01

WD 02 UP 03

PT 01 WC 01

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED.

UPHOLSTERED SEAT AND BACK AS SCHEDULED

WINDOW BOOTHS WITH CONCEALED

PAINTED WOOD SLATS AS SCHEDULED, OPEN TO ABOVE

PAINTED WOOD AS SPECIFIED

3' - 6"

AXON 8FL BREAKOUT BOOTHS 02-2034-0100

PT 01 WC 01

0' - 0" A.F.F.

AS NOTED

INTEGRATED OUTLET CONCEALED IN WALL RAKKS SUPPORT FOR POWER. OUTLET TO BRACKETS FOR CANTILEVERED COUNTERTOP BE ABLE TO PLUG/SECURED INTO PONY WALLOPEN ASSEMBLY. TO UNPLUG INTO ADJACENT GC TO PROVIDE BLOCKING INSIDE WALL FOR BEYOND PW FLOOR MOUNTED J-BOX. BRACKET ATTACHMENT. P REFER TO PCOM PLAN 2' - 0" INFO. FOR ADDITIONAL

3' - 10"

2" PLINTH BASE, PAINTED WOOD AS SPECIFIED

DRAWING SCALE:

UPHOLSTERED SEAT AND BACK AS SCHEDULED WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. WOOD VENEER CLAD BOOTH PROVIDE PROPER BLOCKING SURROUND AS SCHEDULED. AS REQUIRED. PAINTED WOOD AS 0' - 0" SPECIFIED 3" A.F.F. CANTILEVERED WOOD COUNTERTOP CONCEALED CASTERS INTEGRATED UNDER WITH CONCEALED BELOW BOOTH ENCLOSURE.MILLWORK TO SUPPORT BRACKETS. BE MOBILE.

PROJECT NUMBER:

W U

PAINTED WOOD AS SPECIFIED CANTILEVERED WOOD COUNTERTOP WITH CONCEALED SUPPORT BRACKETS.

PAINTED WOOD SLATS AS SCHEDULED, OPEN TO ABOVE

UPHOLSTERED SEAT

2' - 6"

SCALE:

12' - 4" B.O.S.

PT 01

AXON 8FL BREAKOUT BOOTHS

SCALE: 1/4" = 1'-0"

POWER REQUIREMENTS AS INDICATED ON PCOM PLANS

All drawings and written material appearing herein constitute original and unpublished work of the architect BACK AS SCHEDULED. and may not be duplicated, used or disclosed without written consent of the architect.

OPEN TO BEYOND

ENLG FIN 8F

13 16

4' - 0"

TABLE BY FURNITURE VENDOR 0' - 0" B.O.S. 2" PLINTH BASE, PAINTED WOOD AS SPECIFIED

WALL BASE PAINTED AS SCHEDULED

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

ISSUE / REVISION

275 Seventh Avenue, New York, NY 10001 2" HIGH INTEGRATED MILLWORK WOOD 212.938.1260

PT 01

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED.

SCALE: 1/4" = 1'-0"

PT 01

UPHOLSTERED SEAT AND BACK AS SCHEDULED

DATE

2' - 0"

PAINTED WOOD SLATS AS SCHEDULED, OPEN TO ABOVE

NO.

2' - 0"

12' - 4" B.O.S.

0' - 0" 2" HIGH INTEGRATED MILLWORK WOOD WALLA.F.F. BASE PAINTED AS SCHEDULED 2" PLINTH BASE PAINTED WOOD AS SPECIFIED

AXON WINDOW BOOTHS 8FL BREAKOUT BOOTHS - NORTH SCALE:

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

Halsey McCormack & Helmer Inc. Architects WOOD VENEER FINISH AS SCHEDULED

1' - 7"

POWER REQUIREMENTS AS INDICATED ON PCOM PLANS

Wall Detail @ 9th Floor Banquette Seating

TABLE BY FURNITURE VENDOR 0' - 0" B.O.S. 2" PLINTH BASE, PAINTED WOOD AS SPECIFIED

2' - 6"

PAINTED WOOD ENCLOSURE AS SCHEDULED.

9' - 4"

INTEGRATED MILLWORK WOOD ASE PAINTED AS SCHEDULED

3' - 6"

PAINTED WOOD SLATS AS SCHEDULED.

Genius Bar

5' - 6"

Axon @ Booth Seating

SCALE: 1/4" = 1'-0"

2".

VENEER FINISH AS SCHEDULED

SCALE: 1/4" = 1'-0"

UPHOLSTERED SEAT BACK AS SCHEDULED. 2' CLAD - 6" BOOTH 3' - 6" WOOD VENEER PAINTED WOOD ENCLOSURE AS SURROUND AS SCHEDULED. SCHEDULED. PROVIDE PROPER BLOCKING WOOD VENEER FINISH AS SCHEDULED AS REQUIRED.

FRONT ELEVATION - WINDOW BOOTHS

12' - 4" B.O.S.

WD 05 WALLS

D WOOD ENCLOSURE AS ULED.

212 938.1260

CANTILEVERED WOOD COUNTERTOP WITH CONCEALED IN WALL RAKKS STRUCTURAL SUPPORT BRACKETS SECURED INTO PONY WALL. GC TO PROVIDE BLOCKING INSIDE WALL FOR BRACKET ATTACHMENT. UPHOLSTERED SEAT AND BACK AS SCHEDULED

8FL BREAKOUT BOOTHS - NORTH

STERED SEAT AND S SCHEDULED

SCALE: 1/4" = 1'-0"

SCALE:

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

EVERED WOOD COUNTERTOP ONCEALED IN WALL RAKKS URAL SUPPORT BRACKETS ED INTO PONY WALL. GC TO E BLOCKING INSIDE WALL FOR ET ATTACHMENT.

14 Elevation @ Banquette Seating

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED.

ALTERNATIVE TECHNOLOGY CLIEN 233 SPRING STREET 233 Spring Street, New York, NY 1001

0' - 0" A.F.F.

275 Seventh Avenue EAST ELEVATION New York,9FL NY 10001 BANQUETTE 9

UPHOLSTERED SEAT AND BACK AS SCHEDULED

17' - 0"

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

WILLIAM S. MANDARA LIC. # 030307

WOOD VENEER FINISH AT ALL EXPOSED FACES OF MILLWORK BANQUTTE.

WINDOW BOOTHS WITH CONCEALED

PAINTED WOOD AS SPECIFIED

1' - 6" 1' - 4" 4"

UPHOLSTERED SEAT BACK AS SCHEDULED.

IN-WALL BENCHING SUPPORT BRACKETS CONCEALED BY MILLWORK BENCHING ASSEMBLY. PROVIDE RAKKS OR EQUAL. COORDINATE BLOCKING AT STUDS FOR IN-WALL BRACKET ATTACHMENT.

ARCHITECT OF RECORD

CONF

SCALE: 1/4" = 1'-0"

PAINTED WOOD SLATS AS SCHEDULED, OPEN TO ABOVE

1' - 5"

9' - 4"

D WOOD SLATS EUDLED.

APPLICATION ONLY. FINISH AS SCHEDULED.

PAINTED WOOD SLATS AS SCHEDULED. PAINTED WOOD SLATS AS SCHEUDLED. ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION FINISH AS UPHOLSTERED ONLY. SEAT AND SCHEDULED. BACK AS SCHEDULED

BREAKO EAST 8FL ELEVATION SCALE: 1/4" = 1'-0"

6' - 3"

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

2' - 10"

12' - 4" B.O.S.

PAINTED WOOD SLATS AS SCHEDULED.

SCALE: 1/4" = 1'-0"

6' - 3"

8FL BREAKOUT BOOTHS - SOUTH

2' - 10"

3/4" SOLID OAK PANEL FASTENED SECURELY TO DRYWALL W/ CONT. METAL "Z" CLIPS OR FASTENERS AS REQUIRED.

SECURITY CONSULTANT KASTLE 205 EAST 42ND STREET NEW YORK, NY. 10017 ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL 212.824.3803

PAINTED WOOD SLATS AS SCHEUDLED.

UPHOLSTERED SEAT AND BACK AS SCHEDULED

0' - 0" CONCEALED IN WALL RAKKS SUPPORT BRACKETS A.F.F. FOR CANTILEVERED COUNTERTOP SECURED INTO PONY WALL ASSEMBLY. INTEGRATED OUTLET GC TO PROVIDE BLOCKING INSIDE WALL FOR LOCATIONS AS INDICATED BRACKET ATTACHMENT.

3D DATA MAPPER HYPSOMETRIC arash@hypsometric.com 914.217.0723

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED. 12' - 4" B.O.S.

CANTILEVERED BANQUETTE SECURED TO WALL ASSEMBLY WITH CONCEALED IN WALL RAKKS BENCHING SUPPORT BRACKETS. GC TO PROVIDE IN WALL BLOCKING SECURED TO STUD FOR BRACKET ATTACHMENT.

SCALE: 1/4" = 1'-0"

7' - 6"

SOLID WOOD PANELING AT WALL AS SCHEDULED. PROVIDE BLOCKING AS REQUIRED.

8FL BREAKOUT BOOTHS - SOUTH

0' - 0" A.F.F.

IT CONSULTANT TM TECHNOLOGY PARTNERS, INC. 825 8TH AVENUE, 18TH FLOOR NEW YORK, NY. 10019 212.404.4747

2" PLINTH BASE PAINTED WOOD AS SPECIFIED

AV CONSULTANT DGI COMMUNICATIONS 101 BILLERICA AVE, BUILDING 6 NORTH BILLERICA, MA. 01862 978.495.3800

CONCEALED IN WALL RAKKS S CANTILEVERED COUNTERTOP GC TO PROVIDE BLOCKING INS

12' - 4" B.O.S.

0' - 0" A.F.F.

7' - 7"

LIGHT FIXTURE BY LIGHTING CONSULTANT.

2" PLINTH BASE, PAINTED WOOD AS SPECIFIED

PAINTED WOOD AS SPECIFIED CANTILEVERED WOOD COUNTERTOP WITH CONCEALED SUPPORT BRACKETS.

CANTILEVERED WOOD COUNTERTOP WITH CONCEALED SUPPORT BRACKETS.

WT 01

3/4" PLYWOOD BACKING PANEL

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

CLIENT DESIGN CONSULTANT REVEL ARCHITECTURE & DESIGN 417 MONTGOMERY ST, 7TH FLOOR SAN FRANCISCO, CA. 94104 415.230.7000

3/4" PLYWOOD CLEAT, OR EQUIVALENT. PROVIDE BLOCKING AS REQUIRED FOR SUPPORT.

STRUCTURAL ENGINEER DESIMONE CONSULTING ENGINEERS 140 BROADWAY, 25TH FLOOR NEW YORK, NY. 10005 212.532.2211

0' - 0" A.F.F.

UPHOLSTERED SEAT AND BACK AS SCHEDULED

Booth Seating at Breakout Space Rendering 2" PLINTH BASE PAINTED WOOD AS SPECIFIED

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED.

ACOUSTICAL FELT IN BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

LIGHTING CONSULTANT REVEAL DESIGN GROUP LLC 150 W 28TH STREET, SUITE 401 NEW YORK, NY. 10001 212.633.4353

UPHOLSTERED SEAT AND BACK AS SCHEDULED

CANTILEVERED BANQUETTE SECURED TO WALL ASSEMBLY WITH CONCEALED IN WALL RAKKS BENCHING SUPPORT BRACKETS. GC TO PROVIDE IN WALL BLOCKING SECURED TO STUD FOR BRACKET ATTACHMENT. 5' - 6"

PAINTED WOOD SLATS AS SCHEDULED. 12' - 4" B.O.S.

MEP ENGINEER AMA CONSULTING ENGINEERS 825 EIGHTH AVENUE, 18TH FLOOR. NEW YORK, NY. 10019 212.944.7722

AXON 8FL BREAKOUT BOOTHS

CANTILEVERED WOOD COUNTERTOP WITH SCALE: CONCEALED SUPPORT BRACKETS.

PAINTED WOOD SLATS AS SCHEDULED, OPEN TO ABOVE

NOTE ALL B.O.S. DIMENSIONS TO BE .I.F.

EXPEDITOR MILROSE CONSULTANTS, INC. 498 SEVENTH AVE, 17TH FLOOR NEW YORK, NY. 10018 212.643.4545

WOOD VENEER CLAD BOOTH SURROUND AS SCHEDULED. PROVIDE PROPER BLOCKING AS REQUIRED.

12' - 4" B.O.S.

12' - 4" B.O.S. SOLID WOOD PANELING AT WALL AS SCHEDULED. PROVIDE BLOCKING AS REQUIRED.

PT 01

NOTE MILLWORK TO BE COORDINATED AS A DESIGN ASSIST PACKAGE WITH AWARDED SUBCONTRACTOR.

OWNER'S REPRESENTATIVE VVA PROJECT MANAGERS AND CONSULTANTS 117 E 31ST STREET NEW YORK, NY. 10016 212.576.8400

POWER REQUIREMENTS AS LIGHT FIXTURE BY LIGHTING CONSULTANT. INDICATED ON PCOM PLANS

PT 01

WALL ASSEMBLY AS SCHEDULED

PT 01

9th Floor Banquette @ Breakout Space Rendering

CONSTRUCTION MANAGER JRM CONSTRUCTION MANAGEMENT, LLC 242 WEST 36TH STREET, 11TH FLOOR NEW YORK, NEW YORK 10018 212.545.0500

PAINTED WOOD ENCLOSURE AS AS PAINTED WOOD SLATS SCHEDULED. SCHEDULED. - 4" AS SCHEDULED WOOD VENEER12'FINISH B.O.S. 2" HIGH INTEGRATED MILLWORK WOOD IN WALL BASEACOUSTICAL PAINTED AS FELT SCHEDULED BETWEEN WOOD SLATS ON VERTICAL APPLICATION ONLY. FINISH AS SCHEDULED.

CLIENT ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET NEW YORK, NY. 10013

2' - 6"

TONGUE AND GROOVE SHU SHUGI BAN WOOD CEILING NAILED & ADHERED TO PLYWOOD. PROVIDE MITERED CORNERS WITH CONTINUOUS GRAIN DIRECTION OF SAME PLANK.

NOTE ALL B.O.S. DIMENSIONS TO BE .I.F.

4" 9" 4"

5/8" THICK PLYWOOD

GYP CEILING TO BE PAINTED WHITE. TAPE LIGHT AS SCHEDULED BY LIGHTING CONSULTANT

5' - 6"

NOTE MILLWORK TO BE COORDINATED AS A DESIGN ASSIST PACKAGE WITH AWARDED SUBCONTRACTOR.

3 A-603

SCALE: 1/4" = 1'-0" UPHOLSTERED SEAT AND BACK AS SCHEDULED

TICAL FELT IN BETWEEN SLATS ON VERTICAL ATION ONLY. FINISH AS ULED.

OD SLATS D.

NOTE MILLWORK TO BE COORDINATED AS A DESIGN ASSIST PACKAGE WITH AWARDED SUBCONTRACTOR.

ALTERNATIVE TECHNOLOGY CLIENT 233 SPRING STREET 233 Spring Street, New York, NY 10013

1 1/2" HAT CHANNELS 24"O.C. SECURED TO BLACK IRON.

CL MULLION

W 41ST

GENERAL/ CONSTRUCTION

SYMBOL

PRINTER

7.9

DESCRIPTION INDICATES EXISTING DOOR TO REMAIN

SYMBOL #

X## X

06-25J

6" TYP. (U.O.N.)

INDICATES DOOR NUMBER INDICATES FLOOR NUMBER INDICATES NEW MILLWORK. SEE MILLWORK SCHEDULE AND ELEVATIONS.

TYPE 'A'

EXISTING STAND PIPE & FIRE HOSE

CL MULLION

INDICATES EXTENT OF CONCRETE SLAB INFILL FD

4' - 8"

5' - 5"

W22 PRT-1 12 W22

OFFICE W62 10-31

7 A-905

7 A-902

6 14 A-601

9' - 9"

10-17 10-16

9' - 8"

25 9' - 8"

W24 W24

10 A-905

FLAME 10-08

F31

9' - 8"

W24 W24

14' - 6"

FLAME 10-09

F31

HUDDLE W22 10-10 Sim 5 PRT-1 A-702 21

W24 W24

W24

10-09

12' - 8"

1 2 3 4 5

DATE

10/08/2018 11/13/2018 11/19/2018 12/18/2018 01/18/2019

ISSUE FO ISSUED F ISSUED F ISSUED F ISSUED F

8' - 9"

14' - 7"

10-04

W22 PRT-1 6 HUDDLE 7 A-702 10-12 W22

CL MULLION

W22 8 OFFICE PRT-1 A-702 8 10-11 W22

COAT HOOKS

ALIGN PARTITION TO CENTER OF GRIDLINE ABOVE.

CL MULLION

7 A-701

KEY PLAN

6 2 A-701 W22

CL MULLION

10th Floor Existing Interior - Demolished

EXISTING EXISTING ELEVATOR ELEVATOR LOBBY LOBBY

CL 4 MULLION

Status: Built Location: 620 8th Avenue, 10th Floor, New York, NY. 10018. Role: Project Architect / Designer

EXISTING EXISTING OFFICE OFFICE FRONT FRONT

PRINTER

EXISTING EXISTING CEIL 8TH AVENUE

W22

GC TO PROVIDE WATERPOOFING AT WET AREAS TO PREVENT CONTAMINATION OF UNDER FLOOR AIR PLENUM

PLAN NORTH:

WILLIAMS WILLIAMS LEA TAG LEA , 620 TAG,8620 TH AVENUE 8TH AVENUE , NEW ,YORK NEWNY YOR 1

W 40TH

10th Floor Construction Plan 2/15/2019 2:44:11 PM

\\cifs01\Home\NAlhasan\WLT 620 8TH AVE_CENTRAL_2017_NAlhasan.rvt

W24 W24 W24 TYP.

14' - 6"

5' - 0" 11' - 4"

3' - 7"

4" STORAGE 10-06 10-06A

10-03B

4' - 2" 1 A-601

10-03

W24

10-03A

3 PRESENTATION

EX-FEC

10' - 6"

10-33B 10-33A EX-FEC COAT 10-33

W22

3' - 1"

EDIT 10-07

F31

10-08

2 A-702 3' - 9"

GREEN 10-05

10-06B

1 A-905

10-05

F31

ALIGN PARTITIONS TO CENTER OF GRIDLINE ABOVE.

F31 PANTRY 10-04

4 A-701

NIB WALL

TYP.

48' - 6"

4' - 0"

10-02

TYP. 10-12B 2 A-905

ELEVATOR LOBBY 10-47

NO.

GC TO PROVIDE ACOUSTIC BLANKET ABOVE CEILING, BELOW RAISED FLOOR, AND ALL ADJACENT WALLS. WALL ASSEMBLY TO BE BUILT FROM SLAB TO SLAB. GC TO PROVIDE DIVIDER @ CENTERLINE OF MULLIONS CONNECTED TO WALLS. GC TO PROVIDE MU METAL MAGNETIC SHEILD BLOCKING @ FLAT SCREEN DISPLAY. ALL HEADERS ABOVE CEILING TO BE 3 5/8" STUD. GC PATCH ADJACENT WALL AND CEILING ABOVE AS REQUIRED. CHANGES MADE TO EXISTING BATHROOM SINK WALL FINISH, COUNTERTOP, FIXTURES, AND WALL PARTITIONS ARE PART OF AN ADD ALT TO THE SCOPE OF WORK. GC TO PROTECT EXISTING WALL TILES DURING DEMOLITION AND CONSTRUCTION. PATCH & REPARE TILES AS NEEDED. GC TO PROVIDE INDUSTRIAL CLEANING OF EXISTING RESTROOMS, INCLUDING FIXTURES, WALLS, FLOORS, AND PLUMBING EQUIPMENT TO REMIAN.

CL MULLION

14' - 7"

PRT-2

PROVIDE ALLOWANCE TO PATCH WALL AS REQUIRED TO ACCOMODATE NEW AV EQUIP.

A-702

2 3 4 5 6 7

FIRE WARDEN STATION

9 3

CONSULTANT'S LOGO:

ISSUES / REVISIONS:

New York Times Building Interior 1

DISPLAY WALL

W22

7' - 7"

TYP.10-1A 2 A-905

RECEPTION 10-01

TYP. 1 A-905

CONSTRUCTION KEYNOTES

STAIR

1' - 7"

6 A-701

TYP. 10 A-902

ELEC.

STAIR

3' - 0"

LG CONF RM 10-02

TYP.

MECH.

ELEC.

TYP.

All drawings and writte and unpublished work o or disclosed w

F31

5 A-601

10-32

TYP.

1 A-702

10 A-903

W62

11"

OFFICE W62 4 10-30

4 A-905

10-15

9' - 8"

10-31 7 A-702

11. 12.

PANTRY 10-13

Tel: 212

WLTWLT | 680 | 680 8TH8AVENUE TH AVENUE EXISTING EXISTING PHOTOS PHOTOS 13. 1 A-701

17' - 2 3/4"

CL MULLION

PRINTER

W22 3' - 8" HUDDLE V.I.F. 10-29

W22

7 A-701

10.

10-13

8' - 6"

10-07

V.I.F.

9' - 7"

10-30 7 A-702 PRT-1 15 W22

10-14

6' - 0"

5' - 8"

9' - 8"

PRT-1 13 W22

AV CLOSET 10-32

10-29

NEW FEC

12' - 5"

CL MULLION TYP. 2 4 A-905 1' - 7"

5. 6.

2' - 4"

W22 STORAGE

FREIGHT

10-01B

W22

PANTRY 10-28

8 A-601

6' - 8"

8TH AVE

PRINTER

W22

CL MULLION 22

F31 9' - 11"

CL MULLION 4

COAT HOOKS 8

3' - 8"

ALL FIRE RATED PARTITIONS TO HAVE 5/8" THICK TYPE "X" GYPSUM BOARD U.O.N. U.O.N., ALL WALLS TO HAVE ASSEMBLY EXTEND FULL HEIGHT OF SPACE FROM T.O. SLAB TO UNDERSIDE OF SLAB. MAINTAIN ACOUSTIC AND/OR FIRE RATINGS AROUND RECESSED FIXTURES, PIPING, DUCTWORK, PENETRATIONS AND ALL OBSTRUCTIONS. AT PARTITIONS SCHEDULED TO RECEIVE CERAMIC TILE FINISH, PROVIDE TILE BACKER BOARD AS REQUIRED. ALL ASSEMBLIES SHOULD CONFORM TO REQUIREMENTS FOR ACOUSTIC AND FIRE RESISTANCE RATINGS INDICATED. DO NOT LOCATE OUTLET BOXES OPPOSITE ONE ANOTHER IN PARTITIONS (BACK-TOBACK). LOCATE OUTLETS AT LEAST 12" APART AND IN SEPARATE STUD SPACES. CAULK PERIMETER OF OUTLET WITH ACOUSTICAL SEALANT. WHERE GYPSUM BOARD CEILINGS MEET WALLS HOLD CEILING BACK FROM THE FACE OF THE INTERSECTING WALL AND CAULK AIRTIGHT WITH A CONTINUOUS BEAD OF ACOUSTICAL SEALANT. WHERE NECESSARY, USE FOAM BACKER ROD TO PROVIDE A SURFACE AGAINST WHICH TO CAULK. AT CORNERS, HOLD THE LAST LAYER OF GYPSUM BOARD FROM THE FACE OF THE INTERSECTING WALL SUCH THAT NO GWB LAYERS ARE CONTINUOUS BETWEEN 2 ADJACENT ROOMS AND CAULK WITH A CONTINUOUS BEAD OF ACOUSTICAL SEALANT. PROVIDE 20GA (FLAT STOCK) AND/OR WOOD BLOCKING AS REQUIRED AT ALL WALL MOUNTED FIXTURES, FURNITURE, APPLIANCES, MILLWORK, TELEVISION MOUNTS, ETC. VERIFY EXTENT AND LOCATION OF BLOCKING PRIOR TO GWB INSTALLATION. MAX. STUD HEIGHT IS BASED ON L/240 (L/360 FOR PARTITIONS WITH TILE AND/OR STONE FINISH). PROVIDE ACOUSTIC INSULATION WITHIN PARTITIONS AT CLASSROOM, OFFICE, FACULTY, CORRIDORS, MECHANICAL ROOMS AND TENANT DEMISING PARTITIONS. USE FIRE RATED SEALANT AT FIRE-RATED PARTITIONS AS REQUIRED BY SPECIFICATIONS. MAINTAIN INTEGRITY OF EXTERIOR WALL CONTINUITY, ASSEMBLIES, INSULATION AND FINISHES AS REQUIRED. COORDINATE ALL MECHANICAL TRANSFER GRILLES AND RETURN AIR OPENING THAT OCCUR ABOVE THE FINISHED CEILING IN FIRE RATED AND ACOUSTICALLY TREATED WALLS. PROVIDE FIRE DAMPERS WHERE INDICATED. PROVIDE RETURN AIR (CEILING PLENUM) OPENINGS WHERE REQUIRED BY THE MECHANICAL DRAWINGS.

New York Times Building Exterior 3.

10-12A

EXISTING WATER FOUNTAINS.

10-11

W22

COAT HOOKS

Halsey Mc

275 Seven

1. 2.

5 PRT-1 18 W22

W 620 8TH NE

CONSTRUCTION NOTES

MULLION

12' - 8"

EXISTING WATER FOUNTAINS.

W22 OFFICE 8 PRT-1 4 A-702 10-15 W22

WOMENS

9' - 8"

CL MULLION

8 A-702

W22

3' - 6"

OFFICE 10-27

CORNER GUARD INDICATES EXISTING PARITION RELOCATION. REFER TO DEMO PLAN FOR EXISTING LOCATION.

CL MULLION

18 A-601

7 8 9

PART OF ADD ALT SCOPE.

10-27 9' - 8"

TYP.

7 PART OF ADD ALT SCOPE. 8 9

MENS

X## # X

FLOOR DRAIN

TV MONITOR, TYP. REFER TO AV DWGS.

W22 HUDDLE 5 PRT-1 6 A-702 10-16

EX-FEC

21 A-601

CL MULLION 9 A-905

5 A-701

2' X 2' RAISED FLOOR GRID

4 A-702

PRT-1 14 W22

SERVER 10-18

HUDDLE 10-19

10-10 9' - 8"

8 A-702

W22 W22

6 A-702

HUDDLE 10-20

REFERENCE NOTE NUMBER

PRT-1 9

CL MULLION OFFICE 10-26

28' - 9"

10-19

10-26 9' - 8"

8 W22 A-702 PRT-1 17 W22

10-25 9' - 8"

LG OFFICE

9' - 8"

PRT-1 3 W22

5 A-702

OFFICE 10-21

10-23

CL MULLION

PRT-1 5 W22

8 A-702

10-23

MOTHER'S RM

10-20

PRT-1 1

CONF RM 10-17

13' - 2"

12 A-601

9' - 8"

10-21

PRINT 10-22 23

10-24 9' - 8"

HUDDLE W22 PRT-1 10-24 19

9' - 8"

ALIGN PARTITION TO CENTER OF GRIDLINE ABOVE.

W22

10-25

8' - 9"

7 A-701 12' - 9"

ALIGN PARTITIONS TO CENTER OF GRIDLINE ABOVE.

ALIGN

COAT HOOKS

CL MULLION

3 A-701

10-18

PRINTER

7' - 1"

RECESSED FIRE EXTINGUISHER CABINET SURFACE MOUNTED FIRE EXTINGUISHER

CLOSET TYPE TYPE 'A': COAT CLOSET TYPE'A-1': ADA COAT CLOSET TYPE 'B': STORAGE REVISION NUMBER

INDICATES EXISTING PARTITION TO REMAIN.

FHC

DESCRIPTION DENOTES PARTITION TYPE. SEE PARTITION TYPE SHEET INDICATES NEW PARTITION

10TH FLOORLea CONSTRUCTION PLANRenzo Piano’s NY Times Building as the location for their new1offices. The building is strategically designed on 5x5 grid Williams Tag chose and raised flooring which allows for efficient retrofitting. The layout of the offices are primarily on the east and west sides of the building perimeter windows and along the north and south sides of the building core, allowing for open office workstations on the rest of the floorplate. The southwest corner of the plan is the client facing suite and reception. The client facing suite consists of high-end finishes and provides an open space for entertaining and events. The overall color palette of the office space is very moody, and elegant. Williams Lea Tag began as a start-up but are currently a very established company. The design of the space explores the typical typology of a “tech office” with bold finishes and bold colors but with a more established and high end approach.

SEAL

SCALE: 1/8" = 1'-0"

06 W ILLIA MS L E A TAG - M ID T O W N, N YC

NYC DOB NUMBER

Halsey McCormack & Helmer Inc. Architect

275 Seventh Avenue, New York, N.Y. 1000

6' - 6" FP 01

PROGRAM39"HIGH TABLE IN ROOM

10TH FLR DELTA CONSULTANT'S LOGO:

ELIN_CONS_CONF ROOM 10-17

STORAGE

FREIGHT

SERVER

PLAM PANEL BY FURNITURE VENDOR W/HOLE CUT FOR AV MOUNT. PROVIDE WALL BLOCKING BEYOND

PANTRY

10-16

10-35

10-15

SHELVING

Reception Schematic 2D Rendering

SHELVING

TYP. 1 A-905

PT 02

GL 02

STAIR

GL 02

GALLERY WALL

PRESENTATION

GL 02

4" WALL BASE 11' - 6"

SIT-STAND HUDDLE PRESENTATION

10-11

STOOL

IN_CONS_LOBBY WEST

WELLNESS

ELEC.

ROOMBY PLAMFLAME PANEL FURNITURE VENDOR W/HOLE CUT FOR AV MOUNT. PROVIDE WALL BLOCKING BEYOND

GREEN

COPY

PANTRY

-1

OPEN LOUNGE

GL Room 01 GL 01 GL 01Rendering GL 01 LG Conf Schematic 2D

10-14

HUDDLE OFFICE

EDITING SUITE

PRESENTATION

IDF / SERVER RM

PRINT / COPY

162

Sim

LOCKERS

SCALE: 1/4" = 1'-0"

PLAM PANEL BY FURNITURE VENDOR W/HOLE CUT FOR AV MOUNT. PROVIDE WALL BLOCKING BEYOND

TYP.

3 4 AS SPECIFIED. PROVIDE 1 AT - SCHLUTER 9'-6" HEIGHT

9' - 0" TYP. (6) EQ. PANELS 7 PROVIDE ALLOWANCE 6 A-903 FOR 3'-6" WIDE FROSTEDA-903 WINDOW FILM BANDING BY SIGNAGE VENDOR.

METAL HARDWARE TYP.

SCALE: 1/4" = 1'-0"

3' - 9"

TYP. 4 A-902

40TH STREET WALL COVERING AS SPECIFIED. PROVIDE SCHLUTER AT 9'-6" HEIGHT

FP 01

SOLID SURFACE COUNTERTOP

A.F.F. 0'-0"

SCALE: 1/4" = 1'-0"

PT 03

PT 01

MT 01

Reception - Construction Progress TYP.

AS NOTED

TF-001

PROJECT NUMBER:

02-3034-0100

TYP.

9' - 0"

ISS

N DRAWING TITLE:

SEAL

2 1/2" WALL BASE

ELEVATIONS

WB 02

1' - 6"

5 A-905

1 2 3 4 5

39"HIGH TABLE IN ROOM

TYP.(6) EQ. PANELS TYP. 7 6 A-903 A-903

ELIN_CONS_LRG CONF 10-04 SCALE: 1/4" = 1'-0"

PT 03

DRAWING SCALE:

PLAN NORTH:

METAL HARDWARE TYP.

10 A-905

ELIN_CONS_HUDDLE-HIGH

SS 02

WD 02

FIXED-HEIGHT TABLE

2 1/2" CONTINUOUS WALL BASE WB 01

2' - 10"

3' - 6"

TYP.

SCOPE OF WORK

DETAIL NO LONGER IN USE

WILLIAMS LEA TAG - 112 S LAKEVIEW CANYON RD ● 07/19/2018

LG Conf Room - Construction Progress

41ST STREET

LOUNGE SEATING IN ROOM

FROM COLUMN LINE

B.O.C. 9'-6"

KEY PLAN

MT 01

PLASTIC LAMINATE FINISH AT CABINETS & SIDE PANELS TYP.

4" WALL BASE

2 1/2" WALL BASE

ELIN_CONS_PRES 10-03

PRINTER

FP 01

OFFICE FURNITURE AS SPECIFIED

-1

WB 02

TYP. 6 A-905

MONITOR AS SPECIFIED. REFER TO AV DRAWINGS FOR MOUNTING HEIGHT

1' - 6"

TYP. LG Conf RoomA-905 Elevation TYP.

B.O.C. 10'-3"

SS 02

ELIN_CONS_OFFICE 10-30

-1

1 -WALL COVERING

STORAGE

GL 01

OFFICE FRONT SYSTEM BY TBD. TYP. MILLWORK RECEPTION DESK. REFER TO DETAILS FOR MORE INFORMATION.

SUPPORT SPACES

PLASTIC LAMINATE FINISH AT CABINETS & SIDE PANELS TYP.

A.F.F.

4 TWO-WAY 12/18/2018 MIRRORED ISSUED FOR ADDENDUM #2 / LL COMMENT AS SPECIFIED. 5 GLASS 1/10/2019 ISSUED FOR LL COMMENT #2 WOOD WALL FOR ADDENDUM #3 01/18/2019PANELISSUED AS SPECIFIED, TYP.

SOLID SURFACE COUNTERTOP

PT 01

CALE: 3/32" = 1'-0"

FP COAT 01 CLOSET

0'-0" 620 8TH AVENUE, NEW YORK NY 100365 SIT-STAND DESK GL 01

FLR PRINTER STN.

CARPET

CREDENZA

WILLIAMS LEA TAG,

FROM COLUMN LINE

B.O.C. 9'-6"

HUDDLE RM

WD 02

OFFICE FURNITURE AS SPECIFIED

WILLIAMS LEA TAG, 620 8 TH AVENUE, NEW YORK NY 10036

3' - 9"

2-3

LG CONF. 21' - 7"RM

A-601

4 A-902

TYP. 6 A-905 B.O.C. 10'-3"

SM. CONF. RM

PHONE 16 RM

TYP.

HUDDLE

SMOKED GLASS

HARDWARE

PRINTE R

PLAN_FURN_01 - Option 1

SSED E TO MATCH

RECEPTION

HUDDLE

FP 01

MONITOR AS SPECIFIED. REFER TO AV DRAWINGS FOR MOUNTING HEIGHT

CCENT ING L&

EDIT

CREDENZA TOP

E: 1/4" = 1'-0"

LOWANCE ED M BY NDOR.

= 1'-0" HUDDLE SCALE: 1/4" HUDDLE

WILLIAMS LEA TAG NYC + LA

ELEVATION

-2

COATS RODS OR HOOKS

WALL SCONCE

IDF

160

ELIN_ENTRY DOOR

ACOUSTIC PANELS

FLAME

10-10

GENERAL PAINT

TEL. EMR

FLAME

GLASS

10-40

CHAIR FABRIC

10-41

HUDDLE 10-44

CONF RM TABLE

EDIT

ELEC.

10-38

GREEN

162

COMMON SPACE

7' - 1"

ELIN_CONS_OFFICE TYP. Reception Elevation SCALE: 1/4" = 1'-0" PANTRY

WORKSTATIONS

MEETING & CONFERENCE ROOMS

10-13

PANTRY

A.F.F. 0'-0"

STORAGE

WOOD CEILING BAFFLE

PHONE

| LARGE CONFERENCE ROOM FURNITURE + FINISHES

TABLE W/POWER + AV

DESK CONF RM

PHONE

STORAGE

226

HUDDLE

OFFICES GLPRIVATE 03

A.F.F. 0'-0"

2' - 10"

ELEV. LOBBY

WB 01

RECEPTION FEATURE WALL

PHONE

GL OFFICE 02 WD 01 PHONEGL 03 FURNITURE AS SPECIFIED

LG CONF RM

GL 02

DISPLAY WALL

MONITOR AS SPECIFIED. REFER TO AV DRAWINGS FOR MOUNTING HEIGHT

6' - 0"

SHOWCASE/ DISPLAY

B.O.C. STAIR 9'-6"

7' - 0"

10' - 3"

10-34

ELEC.

PRINTE

MECH.

ELEC.

9' - 6"

GL 01

DRAWING NUMBER:

1 PT 03

NYC DOB NUMBER

A-70

4' - 0"

WOMENS

REQUESTED

PRIVATE OFFICES 8 7 (-1) WORKSTATIONS 176 176 COMMON SPACE RECEPTION 1 1 2 3 (+1) 1/4" = 1'-0" SCALE:PANTRY OPEN LOUNGE 1 3 (+2) MEETING & CONFERENCE ROOMS SM. CONF. RM 2 1 (-1) LG CONF RM 1 1 HUDDLE RM 3 6 (+3) PHONE RM 2 2 GL 01 GL 01 EDITING SUITE 1 1 B.O.C. 1 SMOKED MIRROR 9'-7" PRESENTATION 1 DIGITAL SIGNAGE 1 TYP.2 FLAME RM 2 TYP. TYP. 1 10 1MULTI-USE ROOM 1 1 A-902 A-902 A-905 RECESSED MONITOR GL 01 GL 01 SUPPORT SPACES CONCEALED BEHIND TWOISSUES / MIRROR. REVISIONS: WAY REFER SERVER / DATA RM 1 1 - TO DETAIL NO. DATE FOR MORE ISSUE/ REVISION INFORMATION. PROVIDE PRINT/ COPY 2 1 (-1) 1 WD 01 WD 01 10/08/2018 ISSUE WALL BLOCKING ASFOR INTERNAL REVIEW GL 03 WD 01 GL 03 GL 03 CL STORAGE 3 2 WD2 01 11/13/2018 REQUIRED. (-1) ISSUED FOR BID, PERMIT & LANDLORD RE SUITE 150 DELTA PROGRAM2"/REQUESTED 3 COAT CLOSET & HANGER SPACE PERSON (312 PEOPLE) 11/19/2018 (+136) ISSUED FOR ADDENDUM #1

3' - 6"

PLOTTER

OFFICE

MENS

WALL BASE AS SPECIFIED

10-46

COLOR VIEWING

All drawings and written material appearing herein cons and unpublished work of the architect and may not be du or disclosed without written consent of the arch

2' - 0"

10-21

Fax: 212.938.1267

8TH AVENUE

10-23

10-18

10-24

MOTHER'S RM

HUDDLE

10-42

10-26

WALL FINISH AS

SPECIFIED 1 RECESSED DIGITAL SIGNAGE

COATS RODS OR HOOKS

10-17

CONF RM

Tel: 212.938.1260

MOUNTING INFO PER AV DRAWINGS

PRINTE

HUDDLE

PLOTTER

CUTTING BOX

OFFICE

COPY

LIGHT BOX

PANTRY

COAT

A-902

TYP. 6 -901

2" THICK SHELVING W/ PLACTIC LAMINATE FINISH.

Halsey McCormack & Helmer Inc. Architects 275 Seventh Avenue, New York, N.Y. 10001

PL 02

Tel: 212.938.1260

CERAMIC WALL TILE BACKSPLASH. CT 02

T.O.COUNTERTOP 3'-6" AFF

UNDERCABINET LIGHT AS SCHEDULED

SS 01

SOLID SURFACE COUNTERTOP. SS 01

ELEVATION |

ALL EXPOSED FACES TO BE PLASTIC LAMINATE FINISH. PL 02

14' - 7"

CONSULTANT'S LOGO:

PANTRY/BAR

EQUIPMENT

5' - 0" 42" AFF

4' - 11"

2' - 4"

V.I.F.

V.I.F

ISLAND @ PANTRY-EAST_ELEVATION 4 SCALE: 1/4" = 1'-0"

3' - 7"

OPEN SHELVING

V.I.F.

ALL EXPOSED FACES TO BE PLASTIC LAMINATE FINISH PL 02

1' - 4"

EVATION

All drawings and written material appearing herein constitute original and unpublished work of the architect and may not be duplicated, used or disclosed without written consent of the architect. EQUIPMENT

PL 02

AFF

V.I.F.

ELEVATION | TRY APPLIANCES

PANTRY/BAR 0'-0"

3' - 2"

' - 0"

PLASTIC LAMINATE FINISH AT ISLAND WALL

A-601

5' - 11" COFFEE MAKER

ICEMAKER

6" 2' - 0"

ADA ACCESSIBLE SINK COFFEE MAKER

5' - 0"

5' - 11"

DISHWASHER

19 14 13 11 8

DISHWASHER

39 9

3 15A

GFI

2' - 3"

1' - 7"

OPEN SHELVING

2' - 6"

Fax: 212.938.1267

SOLID SURFACE COUNTERTOP W/ WATERFALL EDGE

1 TYP.

TYP.

1 42" AFF A-903

2 10' - 0" A-903 V.I.F.

2' - 4"

T.O.COUNTERTOP Pantry Schematic 2D Rendering ICEMAKER

1' - 7"

ADA ACCESSIBLE SINK

VATION 10

3'-6"

V.I.F.

2 24 AFF 0'-0"

TYP. 3 A-903

SOLID SURFACE COUNTERTOP W/ WATERFALL EDGE KEG SS 01

PANTRY 10-13_ENLARGED PLAN 1' - 3" 1' - 3" 1' - 3" 1' - 3" 2' - 0"

SCALE: 1/4" = 1'-0"

2' - 0"

ISSUES / REVISIONS: NO.

PLASTIC UNDERCOUNTER LAMINATE MILK FRIDGE 1 FINISH AT ALL 2 UNDERCOUNTER MILLWORK DOORS. WINE FRIDGE 3 PL 02 4 5 KEG 1 1/2"

3' - 5"

14' - 7"

DATE

ISSUE/ REVISION

WILLIAMS LEA TAG ISSUE FOR INTERNAL REVIEW 620ISSUED 8TH FOR AVENUE, 10TH FLOORREVIEW BID, PERMIT & LANDLORD NEWFOR YORK, NY. #110018 ISSUED ADDENDUM

10/08/2018 11/13/2018 11/19/2018 12/18/2018 01/18/2019

ISSUED FOR ADDENDUM #2 / LL COMMENTS ISSUED FOR ADDENDUM #3

CHECK

ZP/SB ZP/SB ZP/SB ZP/SB ZP/SB

NA NA NA NA NA

UNDERCOUNTER MILK FRIDGE UNDERCOUNTER WINE FRIDGE

8' - 6"

WILLIAMS LEA TAG, 620 8 TH AVENUE, NEW YORK NY 10036

PLAN TYP.

Pantry Bar ISLAND Schematic@PANTRY 2D Rendering -WEST_ELEVATION

2" THICK SHELVING W/ PLACTIC LAMINATE FINISH.

SCALE: 1/4" = 1'-0"

WILLIAMS LEA TAG, 620 8 TH AVENUE, NEW YORK NY 10036

Halsey McCormack & Helmer Inc. Architects 275 Seventh Avenue, New York, N.Y. 10001

PL 02

VATION

6' - 4"

5' - 0"

14' - 7"

SOLID SURFACE COUNTERTOP. SS 01

ALL EXPOSED FACES TO BE PLASTIC LAMINATE FINISH.

8 10

PL 02

14 19

13 8

CONSULTANT'S LOGO:

39 9

KEY PLAN 41ST STREET

ISLAND @ PANTRY-EAST_ELEVATION 4 EQ

PL 01 1/4" = 1'-0" SCALE:

Fax: 212.938.1267

All drawings and written material appearing herein constitute original and unpublished work of the architect and may not be duplicated, used or disclosed without written consent of the architect.

(4) EQ. CABINETS

8' - 0"

EXPOSED FACES COATALL HOOKS TO BE PLASTIC LAMINATE FINISH. PL 02 2 1/2" CONTINUOUS WALL BASE Y APPLIANCES 0'-0" A.F.F.

W/ PLACTIC LAMINATE FINISH. PL 02 0'-0" 8X8 AFF CERAMIC WALL TILE BACKSPLASH. CT 01

1' - 4" 1' - 3"

SS 01

SOLID SURFACE COUNTERTOP W/ TYP. WATERFALL EDGE 2 SS 01 A-901 B.O.C. PLASTIC LAMINATE 9'-6" FINISH AT ISLAND WALL

TYP. TYP. TYP. TYP. 7 3 8 1 A-901 A-901 A-901 A-901

2' - 2"

CT 02

UNDERCABINET LIGHT AS SCHEDULED 7'-2" SOLID SURFACE B.O.C. COUNTERTOP.

Tel: 212.938.1260 COVE LIGHT ABOVE 4 UNDERCABINET LIGHT AS SCHEDULED T.O.COUNTERTOP 3'-6" AFF 2" THICK SHELVING

2' - 10"

CERAMIC WALL TILE BACKSPLASH.

EQ 1' - 3" 2' - 1"

3' - 0"

2' - 0"

A.F.F. 0'-0"

3' - 0"

SCOPE OF WORK

2 1/2" CONTINUOUS WALL BASE

5' - 11"

1' - 7"

SCALE: 1/4" = 1'-0"

8TH AVENUE

VATION Pantry PANTRY 10-04_ELEVATION 7 Elevation

14' - 7"

1' - 3" 1' - 3" 1' - 3" 1' - 3" 2' - 0"

PL 02

8' - 6" SS 01

24 24

A-601 2' - 0"

14' - 7"

3 A-601

8 11 13 14 19

PLASTIC LAMINATE FINISH AT ALL MILLWORK DOORS.

42" AFF GFI

PL 02

3' -42" 5" AFF 1 1/2"

40THREVISION STREET ISSUE/ DRAWINGREVIEW AS NOTED ISSUE FOR INTERNAL SCALE: ISSUED FOR BID, PERMIT & LANDLORD REVIEW ISSUED FOR ADDENDUM #1 ISSUED FOR ADDENDUM #2 / LL COMMENTS ISSUED FOR ADDENDUM #3

NO. DATE PLAN NORTH: 1 10/08/2018 2 3 4 5

11/13/2018 N 11/19/2018 12/18/2018 01/18/2019

42" AFF

SEAL

TITLE: Pantry DRAWING - Construction Progress

ENLARGED PLANS & ELEVATIONS

3' - 2"

2' - 6"

DRAWING NUMBER:

COVE LIGHT ABOVE

2" THICK SHELVING W/ PLACTIC LAMINATE FINISH. PL 02

6' - 4"

B.O.C. 9'-6"

5' - 0" (4) EQ. CABINETS

8X8 CERAMIC WALL TILE BACKSPLASH. CT 01 SOLID SURFACE COUNTERTOP.

TYP. 2 A-901

14 19

8' - 0"

2 1/2" CONTINUOUS WALL BASE

TYP. TYP. TYP. TYP. 7 3 8 1 A-901 A-901 A-901 A-901

SCALE: 1/4" = 1'-0"

1' - 4" 1' - 3"

COAT HOOKS

PANTRY 10-04_ENLARGED PLAN

UNDERCABINET LIGHT AS SCHEDULED

2' - 2"

7'-2" B.O.C.

NA NA NA NA NA

02-3034-0100

NTRY APPLIANCES

EVATION

CHECK

GFI

ISLAND @PANTRY -WEST_ELEVATION2 SCALE: 1/4" = 1'-0"

ZP/SB ZP/SB ZP/SB ZP/SB ZP/SB

PROJECT NUMBER:

Pantry Bar Elevation

GFI

ISSUES / REVISIONS:

A-601

PLAN

2 2' - 0"

SOLID SURFACE COUNTERTOP. ALL EXPOSED FACES TO BE PLASTIC LAMINATE FINISH. PL 02

11' - 5"

AFF 0'-0"

SOLID SURFACE COUNTERTOP W/ WATERFALL EDGE SS 01

2 A-903

39 9

2" THICK SHELVING W/ PLACTIC LAMINATE FINISH.

1 A-903

2' -TYP. 0" 3 A-903

CT 02

T.O.COUNTERTOP 3'-6"

CERAMIC WALL TILE BACKSPLASH.

1' - 7"

COVE LIGHT ABOVE

NIB WALL

5' - 0" TYP.

5' - 0"

4' - 2" TYP.

NYC DOB NUMBER

A-601 .00 18 OF 025

WLT |RESTROOMS

1' - 0"

LG CONF RM PHONE

WOMEN'S RR-NORTH_ELEVATION

= 1'-0" SCALE: 1/4" RECEPTION Restroom Schematic ELEVATION @ WEST VIEW 2D Rendering FEATURE WALL

ELEVATION @ EAST VIEW

2" HIGH BRUSHED BRASS KICK PLATE MT 01 3"

A.F.F. 0'-0"

CONF RM

GL 04

TOP OF TILE TO ALIGN WITH ADJACENT EXISITNG TILE.

B.O.C. 9'-6" GENERAL PAINT AS SCHEDULED

REQUESTED

PRIVATE OFFICES

SCALE: 1/4" = 1'-0"

HUDDLE RECEPTION

1' - 8"

PANTRY

10" R 0' -

CT 03

FLAME ROOM

EMR

5' - 3"

Restroom Elevation GREEN

EDIT

HUDDLE ELEC.

WELLNESS

ILLIAMS LEA TAG LA, 112 S LAKEVIEW CANYON RD

HUDDLE

IDF

COPY

SCALE: 1/4" = 1'-0"

-1

OPEN LOUNGE

4COVE LIGHT AS SCHEDULED +3

TYP. 9 A-901 A

B.O.C. 8'-1"

SM. CONF. RM

2-3

LG CONF. RM

HUDDLE RM

-1

PHONE 8RM

EDITING9 SUITE

PRESENTATION

A-903

A.F.F. 0'-0"

15A 13 8

39 HUDDLE 9

2' - 8"

SUPPORT SPACES

Restroom - Construction Progress IDF / SERVER RM

FLAME ROOM

GREEN

WOMEN'S RR-SOUTH_ELEVATION

A-903

1' - 6"

OUTLETS BEHIND COUNTERTOP FOR FAUCET SOAP DISPENSER.

PART OF ADD ALT SCOPE.

HUDDLE

CONF RM

3' - 0"

1' - 0"

WOOD LAMINATE

28 29 30

HUDDLE

TEL.

A.F.F. 0'-0"

28 29 30

ELEC.

SOLID SURFACE COUNTERTOP SS 03

SCALE: 1/4" = 1'-0"

MEETING & CONFERENCE ROOMS

PANTRY

DELTA

PANTRY

HUDDLE

PHONE

3' - 10"

KEY PLAN

WALL TILE TO BE STACKED TO 7'-6" A.F.F

PRESENTATION

SUITE 150

PANTRY 10-28 160 -2 - NORTH

ELEVATION @ WEST VIEW COMMON SPACE

11' - 3"

PT 01

PHONE

PROGRAM

PHONE

STORAGE

LG CONF RM

RECEPTION DESK-NORTH_ELEVATION WORKSTATIONS 15162 GENERAL PAINT

HUDDLE

CURVED MIRROR

10' - 0"

PHONE

PRESENTATION

2 1/2" CONTINUOUS WALL BASE

3' - 0"

HUDDLE PRESENTATION

1' - 1"

STONE SIDE FACE ST 01

2' - 2"

PRESENTATION

PHONE

A.F.F. 0'-0"

WALL/FLOOR TILE

PART OF ADD ALT SCOPE.

GALLERY WALL

A.F.F. 0'-0"

B.O.C. 7'-2"

BRUSHED BRASS PARTITION MT 01

7' - 0"

EXISTING FIXTURES

B.O.C. 8'-1"

2' - 2"

A-

2' - 4" 1' - 0"

COAT HOOKS COORDINATE HEIGHT IN FIELD WITH ARCHITECT. PROVIDE BLOCKING AS REQUIRED.

B.O.C. 9'-6"

7' - 2"

TOP OF EXISTING TILE WALL

2' - 10"

B.O.C. 9'-6"

REMOVE EXISTING SHELF. PREP, PATCH AND REPLACE WALLS FOR HANDRYER PLACEMENT AS NEEDED. HANDRYERS AS SPECIFIED. PROVIDE POWER PER MANUFACTURER'S REQUIREMENTS. TO BE MOUNTED AT ADA HEIGHT.

EDIT

PRINT / COPY

GC TO PROVIDE VALUE ENGINEERED EQUAL FO

1 1

HUDDLE

RECEPTION ,DESK_ENLARGED PLAN14 112 LOCKERS 162 WILLIAMS LEA TAG LA

SCALE: 1/4" = 1'-0"

TYP. TYP. 3 1 A-904 A-904

FLR PRINTER STN.

2 COAT A-904CLOSET

TYP.

PANTRY 10-28 162 - - SOUTH

S LAKEVIEW CANYON RD

STORAGE

SCALE: 1/4" = 1'-0"

-1

3' - 1"

6' - 11"

5' - 4

V.I.F.

6B 6B 24

42" AFF 9

42" AFF

19 11 14 8 13

A.F.F. 0'-0"

UNDERCOUNTER FRIDGE AS SPECIFIED.

6 39 9 15A

PART OF ADD ALT SCOPE. 2' - 7"

LEVATION

A-601

42" AFF

WB 01

GFI

F. PREP, PATCH AND REPLACE WALLS CEMENT AS NEEDED. HANDRYERS AS OVIDE POWER PER MANUFACTURER'S NTS. TO BE MOUNTED AT ADA HEIGHT.

60" AFF

42" AFF

SS 01

2 1/2" CONTINUED WALL BASE 4' - 7"

SOLID SURFACE COUNTERTOP PT 01

1 1/2"

19 A-601

2' - 10"

30 29 28

20 A-601

30 29 28

5' - 8"

B.O.C. 7'-2" 33

WOMEN'S RR_ENLARGED PLAN SCALE: 1/4" = 1'-0"

MOTHER'S ROOM-EAST_ELEVATION 13 SCALE: 1/4" = 1'-0"

7' - 8"

PANTRY 10-28_ENLARG SCALE: 1/4" = 1'-0"

TOP OF TILE TO ALIGN WITH ADJACENT EXISITNG TILE.

Open Work Area Construction Progress

Reception Construction Progress GFI 42" AFF

1' - 8"

SS 03

28 29 30

SIDE AND TOP SURFACE TO BE STONE ST 01 2" HIGH BRUSHED BRASS KICK PLATE MT 01 EQ.

EQ.

SOLID SURFACE COUNTERTOP

ACOUSTICAL FABRIC PANEL

MT 01 1' - 0"

-1 0' R 28 29 30

S BEHIND RTOP FOR FAUCET SPENSER.

SOLID SURFACE COUNTERTOP

BRUSHED BRASS PARTITION

2' - 6"

WALL TILE TO BE STACKED TO 7'-6" A.F.F CT 03

3' - 10"

GENERAL PAINT AS SCHEDULED PT 01

13 A-601

19 27 26

SS 01

TYP. TYP. 5 4 A-903 A-903 6A

ALL EXPOSED FACES TO BE PLASTIC LAMINATE FINISH

SS 01

A.F.F. 0'-0" 2' - 0" 4

5' - 0"

HOLD

2' - 10"

CURVED MIRROR Pantry Construction Progress GL 04

evise Layo t or

ites

Typical Floor Plan Status: Built Location: One New York Plaza, New York, NY 1004. evise Layo i age Role:t Project Architect / Designer

The client Brookfield, and their tenant Convene had a strong affinity for a welcoming, luxurious, and functional client facing space. The “village area” (on the left) is the central focus of the floor plan. It is a space designed for business, 04/22/2019—Design Presentation roo el onvene e or la a lounging, events, and dining. The carefully curated materials, and furniture of the space were selected to invoke a sense of comfort as well as luxury. The terrazzo was custom poured and flown in from Italy. The wood ceiling was custom stained and carefully cut and assembled on site. The reception desk, and booth seating were all custom designed millwork. The wallpaper in the village area huddle rooms were a custom finish to match the adjacent paint. The open office area is strategically designed for flexibility for future clients. All openings and layouts of workstations are placed to allow for standard office front installations as required in the future. This allows the client to accomodate more or less tenants as needed.

Village Area Enlarged Plan

04/22/2019—Design Presentation roo

07 BROOKFIE L D - FIN A NCIA L D I S TR I C T, N YC

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ecorative i t res i age ecorative i t res i age

Reflected Ceiling Plan Diagram The village area pendant lighting concept was designed with LOOP Lighting consultants to add a layer of depth and volume in the space as the ceiling design changes over the program. 04/22/2019â&#x20AC;&#x201D;Design Presentation roo

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04/22/2019â&#x20AC;&#x201D;Design Presentation roo

Reception Schematic Rendering

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Reception Built

ntr

o ris

Reception Screen Schematic Rendering

Reception Screen Built 04/22/2019—Design Presentation roo

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i age

Nourish Area Schematic Rendering

Nourish Area Built 04/22/2019—Design Presentation roo

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Village Area Schematic Rendering

e or la a

Village Area Built 04/22/2019—Design Presentation roo

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Village Seating Built

Conference Room Built

Nourish Area Built

Village Quiet Area Built

Village Huddle Built

Open Office Built

BOARDROOM 3104

OFFICE A+ 3136

EXEC CONF ROOM 3134

STORAGE RECEPTION 3102

HUDDLE 3106

OFFICE A+ 3135

ELEVATOR LOBBY 3101

HUDDLE 3105

COATS

STORAGE RACK A1

RESTROOM 3122

RACK A2

OFFICE B

OFFICE A 3133

OFFICE B 3115

OFFICE B 3116

3'-6"

MDF ROOM 3121 COATS

CONF ROOM 3107

RACK A3

PANTRY 3109

OFFICE A2 3132

31st Floor Relfecting Ceiling Plan

COPY 3120 MOTHER'S ROOM 3119

OFFICE A2 3131 PH. ROOM 3118

OFFICE A2 3130

PH. ROOM 3117

OPEN WORK AREA 3112

OFFICE B 3126

OFFICE B 3127

HUDDLE 3125

OFFICE B 3128

OFFICE A+ 3129

31st Floor Plan

31st Finish Plan

Omnicom Group, a global marketing and corporate communications holding company, relocated their executive offices to a 12,800 square feet space in New York City. Materiality is used to define typology of space. For example: Angled wooden ceilings are used to indicate client facing areas or executive offices/admins. The overall palette of the design is very minimal with contrasting high end finishes of dark wood and light marble. Every seam and groove in the materials are intentional and meticulously placed to indicate zoning and provide a grid for the plan.

Status: Under Construction Location: 280 Park Ave, New York, NY 10020. Role: Junior Architect / Designer

Elevator Lobby Rendering

08 OMN ICOM - M ID T OWN, NYC

Reception Rendering

ece tion Lo nge

rivate f ce aterial alette

Reception Lounge Rendering

antry

oar oo lass table to

Design Presentation

Project 2020 NYC

E ec tive rea Boardroom Rendering

Design Presentation

Project 2020 NYC

en f ce

Executive Office Rendering

Pantry Rendering

Admin Station Rendering

Design Presentation

Design Presentatio

Project 2020 NYC

Design Presentation

Project 2020 NYC

15Open

Work Area Rendering

Project 2020 NY

Design Presentation

Project 2020 NYC

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