PORTFOLIO 2020 Zhang Haoyun
The title of this portfolio is “RE�, because at the beginning of each design, I re-observed the entire transaction and contradiction from my own perspective, and then responded and dealt with it. When I did my first design, I thought China had a lot of fake antique architecture (built with the form of antique buildings with concrete molds), but in fact this kind of architecture has no positive effect on the inheritance of traditional culture, and it even makes the audience misunderstand it. In my opinion, we need to fully explore the origin and development history of culture, and combine existing architectural technologies to build buildings with cultural connotation. The second design mainly involves design translation. There is narrative logic in movies, paintings and architecture. Then, I tried to translate these three narrative logics into each other, and expressed the visual effects of film production in architectural language, in which painting served as the intermediary of translation. In my third project, I chose to explore the architectural methods in nature by deconstructing the form of melting glaciers. I believe that nature always gives us unique inspiration. For the last project, as it was a renovation project, I aimed to find some design clues from the history of Lumicang. It makes sense to design through the atmosphere of historical life. In conclusion, I think the whole portfolio contains my relatively strong subjective thinking, just like holding a camera to find the subject in the lens. After the photo is postprocessed and printed, the effect of the photo may not be able to see the complete original directly, but the viewer will always find some clues about the original in the photo and try to give his own opinion about it. That’s why I hope to take such a wonderful "photo".
CONTENTS
01 THE RONGBAOZHAI RESTORATION PROJECT
03
02 THE RASHOMON RECONSTRUCTION PROJECT
13
03 THE ICE CAVE
31
Cultural space with protection and inheritance of Chinese traditional technology
Spa building with multiple mental perception
REMOULD PROJECT
Live house with changing visual perception
04 THE LUMICANG GRANARY RENEW PROJECT
41
05 OTHER WORKS
54
Building renovation project that continues the historical life model
a. I-YARD 2.0 Green building for the elderly（completed project）2018 b. POLY Building festival structure 2016 c. PHOTOGRAPHY 2017~2019 d. PAINTING 2019
-1-
-2-
THE RONGBAOZHAI RESTORATION PROJECT Cultural space with protection and inheritance of Chinese traditional technology The revival of RONGBAOZHAI is the revival of traditional culture. At present, cultural sites in Beijing are gradually decreasing and replacing with more commercial sites. The lack of confidence and distrust in traditional culture may lead to this situation. How to make modern residents experience the inheritance of traditional culture better and how to rebuild people's confidence in traditional culture through architectural design is the main purpose of this design.
Individual Work Tutor: Wang Chenhan Loctation: Beijing, China 2019.10
-3-
01
PLAN OF BEIJING 1905
f g
THE FORBIDDEN CITY e
d
INNTER CITY
c b a
OUTER CITY
River Wall The forbidden city Railway line The carriage road The inner city road The outer city road Guild hall The residence of the minister Qing Dynasty princely mansion
a Baoguo Temple
b Liulichang Street
1000
c East polishing factory Street
d Longfu Temple
-4-
e Baita Temple
500
f HuguoTemple
0
1000
g City Temple
2000
SECOND RING ROAD OF BEIJING 2019
https://pan.baidu.com/s/1oqgl_hH-ny73ditugpybZg
f
e
Wangfujing Street Xidan Street d
b a
River Building block The forbidden city Railway line Primary street Local street typeA Local street typeB 1000
a Baoguo Temple
N
500
0
b Liulichang Street
1000
2000
c Nil
-5-
1000
d Longfu Temple
500
e Baita Temple
0
1000
f HuguoTemple
2000
g Nil
M
THE MAIN COMMERCIAL STREETS IN QING DYNASTY Collage of main commercial street scenes in the Qing Dynasty.
BAO GUO TEMPLE Baoguo Temple has become a comprehensive public leisure place integrating accommodation, gathering, trading, reading and traveling.
XUANWUMEN The way for officials to go to work.
GUANGANMEN The only city gate facing the west.People must pass through it when entering and leaving the capital.
LITERATI They gathered under the pine trees
UPPER CLASS
DEAF
Poverty difficult students show their skills and sell books and paintings in order to climb the upper class.
As the operators of the temple, they are not only the high-ranking meditation of the world, but also the service personnel in the temple, providing accommodation and accommodation.
LIU LI CHANG Liulichang is both a cultural center with a strong academic atmosphere and a luxurious and beautiful commercial street. There are Beijing's most prestigious shops in old, operating antique calligraphy and painting, pen and ink, such as paper inkstone.
QIANMEN Bustling commercial street
BOOK MARKET Based on the book market, a cultural street full of culture and prosperity.
FAMOUS SCHOLAR
NORTH KOREAN MESSENGER
operating antique calligraphy and painting, pen and ink, such as paper inkstone.
They use Beijing Liulichang as the main activity center, association party, and make friends with books and paintings.
GRINDING FACTOR STREET The West Grinding Factory has many hotels and restaurants. The East Grinding Factory was originally known as fan shop, palace lanterns factory and Bookstore. CHONGWENMEN GUILD HALL A place for scholars and scholars from all over the world to live and communicate.
STREET SHOPS some long-line two-floor shops built along a street
FOLDING FAN SHOPS PALACE LAMPA
-6-
WAGON / STEAM TRAIN For transporting materials
HISTORY OF RONGBAOZHAI the Great Proletarian Cultural Revolutio Storage of books and artifacts
PRC
WOODBLOCK PRINTING
the New Culture Movement Exchange of new ideas
2019
1970 1960 1949 ROC
Abolish the imperial examination system STAGE
1912 1905
Emergence of New Types of Schools 1840
QING
1799
1672
First Opium War The Collision of Eastern and Western Culturev
1654 1644
CALLIGRAPHY AND PAINTING TRADING PLATFORM
MING
Flourishing Liulichang Street The boundaries between the market and the study are blurrin
PAPER MILL
1368 dynasties cultural development Rongbaozhai
-7-
Paper Mill
Nocturnal Market
Stage
Tea House
Veranda
Sale Room
-8-
Paper Printing Room
Paper Mill
Poetry Pavilion
General Building Plan
5m
0 1
N
EIGHT TIMES IN RONGBAOZHAI People's activities at different times of the day.
戌 酉
申
戌 酉
戌
戌 未
酉
酉
辰
申
酉
卯
巳 巳
-9-
寅
After the water has been removed, the flat, thin form remaining is permitted to dry. This becomes a sheet of paper.
午
午
未 戌
申
丑
戌
子
巳
未 申
巳
戌 未
午
酉
酉
申
午
亥
巳
申
巳
申
辰
午
未 戌
未
卯
酉
丑 寅
TIME 14:00
辰
申
午 子
巳
亥
Paper Library
丑
卯
午
未
There are also east and west wings and the stage for entertainment.
辰
子
丑
卯
亥
Here on display are the complete processes of paper making and printing in China.
寅
TIME 10:00
TIME 16:00
辰
Stage
Paper making Club
丑
卯
Literati communicate with each other from window to window.
子
寅
子
辰
亥
亥
Woodblock printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles.
寅
TIME 8:00
TIME 18:00
辰
Prologue Attic
Woodblock Printing
丑
卯
There is teahouse for literati to drink the tea which is steepled by the spring water.
丑
卯
子
子
寅
亥
寅
TIME 6:00
亥
The scenery of floating wine cup along the winding water originated from Chinese old tradition, such as poetry gatherings, civic picnickers, etc
辰
Bambooside Pavilion
TIME 20:00
卯
People sell very rare and valuable objects at dawn.
Floating Wine Cups Along Winding Water
丑
未
子
午
亥
寅
TIME 4:00
巳
Nocturnal Market
Woodblock Printing
Callgraphy and Paining Trading Platform
- 10 -
Stage
Paper Mill
- 11 -
N
- 12 -
THE RASHOMON RECONSTRUCTION PROJECT Spa building with multiple mental perception The design explores the translation method between film, painting and architecture. The reversing and changing visual impact feelings in the film are translated into abstract paintings through a hierarchical analysis of the psychological scenes of different characters, and then the abstract paintings are translated into architecture. While the site chosen in Kyoto, Japan Shirahige Jinja coastal areas, initially in Japan's Shinto nature worship mainly belonging to animist polytheism, depending on a variety of things in nature as gods, so choose the design of water as a key element of the building in series to form water as a main clue spa building. The Torii of shrine is the symbol of the domain of God's entrance for the main entrance to distinguish God inhabits the domain of God and human habitation of the secular world. The main entrance of the building is chosen below Torii in water, and you need to reverse through the Torii to enter the building. The wrong way of entering may be echoed with the constantly reversing arguments in the film "Rashomon".
Individual Work Tutor: Wang Chenhan Loctation:Kyoto , Japan 2019.11 RASHOMON RESET PROJECT THE THE RASHOMON THE RASHOMON RESET PROJECT RESET PROJECT
- 13 -
02
MOVIE PLOT ANALYSIS The film is based on the Japanese Heian Period, which is a war, a natural disaster, and a disease. It mainly tells a case caused by the murder of a warrior and the stories of people who have accused each other of being murderers after the case.
Woodman: evidence I
NOTICE
3 days ago
woman’s hat
00:07:39
00:08:56
00:09:06
00:09:15
00:09:18
00:09:28
00:09:32
00:09:40
00:09:41
00:09:52
00:12:58
00:13:02
00:13:08
00:10:01
Mook: evidence II
FIRST APPEAR
3 days ago
COURT 00:12:17
00:12:36
woman’s hat
00:12:43
00:12:47
00:12:50
00:12:53
00:12:55
COURT 00:13:37
Ronin: CAUSE
3 days ago
COURT
00:13:43
00:14:23
00:14:30
00:14:35
COURT
00:14:46
00:15:06
woman’s hat 00:16:58
00:17:02
00:17:18
00:17:23
DROP
PEEP
TIED UP
argument1
woman’s hat
woman’s hat
00:17:28
00:25:15
00:25:24
00:26:00
00:26:07
00:26:46
00:26:48
00:26:52
00:27:01
00:27:03
00:27:04
00:27:05
00:27:44
00:27:47
00:27:55
00:28:23
00:28:28
00:29:35
00:29:48
00:29:49
00:29:51
00:30:03
00:30:05
00:32:30
00:32:34
00:32:37
00:32:39
00:32:58
00:33:02
00:33:10
00:33:18
00:42:55
00:43:10
00:46:51
00:48:33
UNTYING
ronin \\ rope
00:31:59
00:32:03
DUEL(2 ppl) 00:32:27
DUEL(2 ppl)
Woman: TIED UP
argument2
3 days ago
COURT
00:38:44
00:40:34
00:40:43
00:40:58
00:41:20
00:41:35
00:41:48
00:41:56
00:42:51
00:45:43
00:32:27
00:45:45
00:45:53
00:45:57
MURDERER 00:46:00
00:46:14
00:46:41
CHAOTIC EMOTION(2 ppl) 00:45:53
COURT
Samurai: argument3
COURT
00:50:56
00:51:16
00:52:31
00:52:50
CREATE STRIFE COURT
00:53:02
COURT
00:53:08
00:53:12
00:53:38
00:53:55
00:54:09
00:54:21
00:59:00
00:59:19
00:59:25
00:59:29
00:59:30
00:59:34
01:06:14
01:07:06
01:07:22
01:07:28
DROP
SUICIDE(1 ppl) 00:57:16
TIED UP
3 days ago
amulet case with red lining 00:57:35
00:57:39
00:57:443
00:58:33
MURD
Woodman: TIED UP argument4
01:04:21
01:04:28
01:04:35
01:16:42
01:17:08
01:17:40
01:05:35
UNTYING
woman \\ rope
01:05:49
01:05:56
DUEL(3 ppl) 01:06:12
Through the analysis of the four main arguments in the film, I found that the same event has different development process, and explored how the same element produces different use attributes or characteristics in different use scenarios.
- 14 -
NOTICE rope
NOTICE
CRIME SCENCE
amulet case with red lining
COURT
00:10:07
00:10:09
00:10:21
00:10:37
00:10:47
00:10:49
00:10:49
00:11:01
00:11:13
00:11:32
00:17:35
00:18:52
00:18:58
00:20:05
00:20:15
00:21:18
00:21:29
00:21:48
00:21:49
00:21:57
00:24:10
00:27:16
00:27:21
00:27:25
00:27:26
00:27:27
00:27:29
00:27:33
00:27:34
00:27:35
00:27:39
00:27:42
00:31:20
00:31:23
evidence II
00:10:04
evidence I argument1
CREATE STRIFE 00:30:08
00:30:14
00:30:17
00:30:18
00:30:22
00:30:24
00:30:25
00:30:27
00:31:07
transition: now DUEL(2 ppl) 00:33:34
00:33:36
00:33:49
COURT
MURDERER 00:34:05
00:34:13
00:34:26
00:34:26
RASHOMON
00:36:14
00:37:47
UNTYING
CHAOTIC EMOTION(2 ppl)
woman \\ rope 00:43:23
00:44:28
00:44:30
00:44:47
00:44:56
00:45:01
00:45:05
00:45:08
00:45:30
00:45:31
00:45:34
argument2
rainy day RASHOMON 00:48:56
00:50:01
00:50:43
UNTYING 00:54:47
00:54:54
00:59:35
01:00:49
COURT
00:55:10
ronin \\ rope
00:55:20
00:55:47
00:55:56
00:56:12
00:56:34
01:01:11
01:03:13
00:58:03
rainy day RASHOMON 01:01:11
01:01:48
01:13:05
01:13:08
01:14:57
01:18:58
01:16:02
01:23:33
01:27:38
01:27:42
01:27:50
CREATE STRIFE 01:09:18
01:09:47
DUEL(2 ppl) 01:11:41
01:12:57
MURDERER
argument4
01:09:14
00:55:15
01:01:00
DUEL(3 ppl) 01:08:17
00:55:13
COURT
argument3
DERER
NOTICE
samurai’s cap
BABY end
rainy day RASHOMON 01:18:43
01:19:16
01:19:25
- 15 -
01:20:16
PAINTING EXPERIMENT with ink-stained, pixelated and oil-painted collages
Ink-stained
Pixelated and Oil-painted collages
LAYER 3
LAYER 3
Grid + Ink-stained + Pixel
Grid + Pixel block + Oil color block
Mixed brush strokes and collages
Line texture overlay
LAYER 5
LAYER 6
Grid + Ink-stained+ Pixel block + Oil color block + Pixel
Grid + Ink-stained+ Pixel block + Oil color block + Pixel + Line
- 16 -
LOCATION
Lake Biwa, Kyoto, Japan
N
Three movie characters have three different representative colors. The red for the Ronin, the pink for the Woman, and the blue for the Samurai. The different desires of the characters led to different arguments so the part of the painting with the colors overlap and merge is the part of the different relationship between the characters. And the positions where the oil color blocks appear are the moments when the characters change their subjective emotion in the plot. The high and low undulations indicate the mood swing of the character in the plot. Lines represent the different sentiments that movie characters bring to the audience.
- 17 -
GENERAL BUILDING PLAN The site is located in the lake near Shirahige Shrine （白鬚神社）.
N
0
5
10
20m
General Building Plan
Section 1
- 18 -
Axonometrical drawing:
WATER
STREAM
TRAFFIC
OCEAN
Three different types of water are interspersed in the building: seawater from ocean, falling stream and functional still water.
- 19 -
Section 1
BUILDING PLANS The building is mainly divided into four floors
5
2
2 3
3 2
9
9
1
6
1
7
-1m Floor
-3m Floor
4 2
2
3 4
5
5
3
5
9
6
6
5
8
7
7 8
8 8
6
-5m Floor
6
-6m Floor N 0
- 20 -
5
10
20m
ELEVATIONS The building facades are formed by plasticity.
Southwest perspective drawing
Northeast perspective drawing
Mount Hiei
8750.000
Observation tower
22.000
Shrine
15.000
Torri
7.500
Lake Biwa
Âą0.000 -7.000
-21.000
-10.500
0
- 21 -
5
10
20m
South elevation
FUNCTIONAL ANALYSIS The building consists mainly of these functional blocks:Hot Spring, Recuperation Room, Natatorium, Waterfall Stage, Exhibition, Aquarium, SPA, Diving Hotel.
- 22 -
FACING THE SHRINE Perspective of looking back at the shrine from the sea
1
3
2
1 entrance 2 SPA 3 diving hotel 4 aquarium 5 exhibition 6 natatorium 7 hot spring 8 recuperation room 9 waterfall stage
4
- 23 -
ENTRANCE
- 26 -
AQUARIUM
RECUPERATION
- 27 -
- 28 -
- 29 -
NATATORIUM
- 30 -
THE ICE CAVE REMOULD PROJECT Live house with changing visual perception The design is based on the gradual melting of Arctic glaciers, using the melting ice cave as a prototype, and trying to build a live house using Norwegian favorite music activities as a medium, in which people can enjoy the show and relieve the discomfort feeling caused by extreme weather. People may think about the dangers of glacial melting and the deterioration of the global environment.
Individual Work Tutor: Simon Meng Loctation:Ttomso, Norway 2019.12
- 31 -
03
LOCATION AND ICE CAVE The site is located by the lake in the center of Tromso in Norway. The grassland is wide in summer and the lake freezes in winter. Most local residents spend their time here.
Prestvannet
N 0
100m
Tromso ¡ Norway
Ice cave 0
- 32 -
5m
ICE CAVE SPACE ANALYSIS Ice caves show different melting states due to different environmental factors, resulting in a variety of spaces.
Crevasse
10-20%
10-20% Ice cave30-40% interlayer
10-20%
30-40% 10-20%
50-70% 30-40%
50-70% 30-40% Ice hole
80-90% 50-70%
80-90% 50-70%
Icicles80-90%
80-90%
DEGREE 10~20%
DEGREE 30~40%
DEGREE 50~70%
DEGREE 80~90%
In the process of glacier movement, the cracks formed by the stress of ice layer
the repeated process of water melting and refreezing.
As more and more ice melts in the ice cave, the ice cave formed a channel with the ice surface
The melting water in the ice cave came down and re-condensed and formed the icicle
10-20%
10-20%
30-40% 10-20%
30-40% 10-20%
50-70% 30-40%
50-70%30-40%
80-90% 50-70%
80-90%50-70%
80-90%
80-90%
Isometric
Section â…
100%
100%
100%
100%
80%
80%
80%
80%
60%
60%
60%
60%
40% 20% 0
40% 20% 0
40% 20% 0
40% 20% 0
100%
100%
100%
100%
80%
80%
80%
80%
60%
60%
60%
60%
40% 20% 0
40% 20% 0
40% 20% 0
40% 20% 0
Section â…Ą
Spatial simulation analysis
100%
Booth Stage
Livehouse
Open space
Bar
80% 60% 40% 20% 0
Scene collage
- 33 -
BUILDING PLAN The plane mainly includes open
space, booth, livehouse, stage, bar, bathroom, entrance and service counter
Section 1
B
5
7
4 A
D
2 Section 2
3 Section 2
1 C
7
6 8
N
0 1
5
10m
Building Plan 1 open space 2 booth 3 livehouse 4 stage 5 bar 6 bathroom 7 entrance 8 service counter
A view-p30 B view-p38 C view-p39 D view-p39
Section 1
- 34 -
PERSPECTIVE DRAWING View from the lake
Looking from the lake, the building looks like an iceberg floating on the ice. The perforated plate skin and grille skin with different transparency make the interior space like a crystal ice cave.
- 35 -
AXONOMETRIC EXPLODED VIEW The building is mainly composed of two parts: curved roof and surface built-in space.
Curved roof
Perforated plate
Grille facade
Interior space
Ground floor
- 36 -
DETAILS Roof membrane material support structure and translucent curtain wall structure
A: Roof membrane material support structure It is mainly composed of an umbrella-shaped structure formed by steel beams and trusses.Tapered arms made from varying thickness steel plates welded at edges with internal 6 mm thick diaphragm stiffening plates at 70mm centres. circular hollow section welded through base of arm for connection to column which connector located in column head and welded in place prior to fi lling column with concrete. 1 fixed bolt connection 2 φ8mm translucent polycarbonate grille
15
3 5mm-9mm-5mm double layer LOW-E glasses 4 aperture:φ15mm 5mm perforated aluminum plate
14
5 80mm steel plates
13
6 100mm steel plates
12
7 35mm laminated timber ribbed structure
11
8 5mm-15mm-5mm double layer thin concrete shell 9 φ100mm steel column with wooden cover
10
9
13 0.1mm PTFE coated fiberglass fabric
10 φ70mm 6mm thick curved steel plates
14 membrane sheath,sewn on
11 φ64mmtriangular tapered steel trusses
15 150mm×80mm trough steel
12 φ40mm and 8 mm thick circular hollow section
B: Translucent curtain wall structure The upper part is composed of long and empty aluminum plate and glass curtain wall. The porous aluminum plate adopts the specifications with a thickness of 5mm and a hole diameter of 15mm. Its lower half is made of semi-transparent PC plastic rods on the outside, and double-layer LOW-E glasses is installed on the inside, making this part's transparency slightly higher than the upper half. Eventually the entire building showing a sense of looming.
A
6 9
5 4
8
B
3 7
2
1
0
- 37 -
1m
Section 2
PERSPECTIVE ,ELEVATION AND SECTION The perspective shows the place of a bar, and the elevation and the section show the forms from outside and inside respectively.
View - B bar
North elevation
01
- 38 -
5m
Section 1
PERSPECTIVES The perspectives show the place of the entrance and the stage.
View - C entrance
View - D stage
- 39 -
- 40 -
THE LUMICANG GRANARY RENEW PROJECT Building renovation project that continues the historical life modeln Lumichang is a historical building that has existed since the Ming Dynasty, which was used to store food. But the function of a barn in a modern city is not needed, so I tried to find a new function that would fit the building -- a bookstore, and incorporated the granary culture into it by digging into its historical and cultural context, that means the bookstore will present a historic barn atmosphere.
Individual Work Tutor: Wang Chenhan Loctation:Beijing , China 2020.01
- 41 -
04
HISTORICAL EVOLUTION OF THE CANAL Lumicang is an important representative building for the transportation of grain from the south to the North during the yuan, Ming and Qing Dynasties, and it is also the end of the North-South Grand Canal.
BEIJING
TIANJIN
THE YELLOW RIVER
LUOYANG
KAIFENG
XUZHOU SUIAN
XUYI
NANJING
SHANGHAI
YANGTZE RIVER
HANGZHOU
Canal (Sui Dynasty)
River (21st Century)
Canal (Ming Dynasty)
Provincial boundaries
- 42 -
N 0
100km
LOCATION ANALYSIS It is located near Chaoyangmen, Dongcheng District, Beijing.
CHAOYANGMEN
DONGZHIMEN
Gtand Canal (Ming)
LUMI GRANARY
Key points of water transport
0m
27
500m
0m 41
40
0m
CHAOYANGMEN
m
300
buildings
Galaxy SOHO Zhihua Temple Former residence of Liang Sicheng and Lin Huiyin Former residence of Zhu Qiqian
SITE
Zhaojialou
streets
Satellite map
N
- 43 -
0 100m
Tile DYNASTY Yuan
Window with bamboo strips
Common construction: Cross Ridge ridge
DYNASTY Qing Size: 1.450 × 1.45 0m
Wood floor DYNASTY Qing Construction: Pine board // Stave wood // City-wall brick // Lime brick
5.960
Round crude wood
2.150
DYNASTY Ming Common diameter: 0.015~0.030m
42
.00 0
-1.000
City-Wall Brick DYNASTY Ming
15.6
Common size: 0.415 × 0.205 × 0.080m
00 1.4
00
THE CONSTRUCTION OF LUMICANG GRANARY The building is 42m long and 15.6m wide, with thick silo walls, about 1.5m at the bottom and 1m at the top. The construction of such a thick wall made of wall bricks will keep the indoor temperature relatively constant. These construction measures can not only prevent moisture, but also ensure ventilation, so that stored grain is not damaged for a long time.
- 44 -
THE PROCESS OF MAKING CITY-WALL BRICK Bricks were made of clay through the interaction of water and fire.
clay
shale
取 土
flyash
1.processing soil
gangue
选 料
3.drilling mud
练 泥
出 窑
8.take out of kiln
5.dry in the shade
阴 干
7.closed with water
窨 水
4.embryo making
制 胚
2.material selection
Bricks were made o f c l ay t h ro u g h the interaction of water and fire. A complete brick firing process will take about 1 year to finish.
wate
r
6.roasting
焙 烧 TIME 240d
150d
90d
- 45 -
30d
20d
10d
0
STORAGE METHOD Grain stored in the barn in the main granary.
Bamboo tube
maize
DYNASTY Qing Application: vent the gas from the barn millet
Wood Strip wheat DYNASTY Qing Supporting successively placed wooden boards rice
kidney bean
black bean
Stored grain 3.500
Clay pot DYNASTY Ming
Board DYNASTY Qing Application: store and moisture-proof
Application: moisture-proof 3.30
0
Barn structure
READING ROOMS
Reading room 1 for 4 people self study
Reading room 2
Reading room 3
for 4 people conversation
for 3 people self study
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Reading room 4 for 6 people conversation
BUILDING LAYOUT AND CUTAWAY PERSPECTIVE VIEW The bookstore is mainly composed of these functional parts: reading rooms,library and study room.
A
5 6 3
A 2nd floor plan
2 1
4 B
B 3
1 bar 2 reading rooms 3 library
4 interactive area 5 Study room 6 meeting room
N
0 1
5m Ground floor plan
Section A-A
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EXPLODED ISOMETRIC The building is mainly composed of three parts: reading room, bookshelf and mezzanine platform.
Roof and rafter
Beam-column
Window
bookshelf
reading room
interlayer
open bamboo window
Ground floor
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DETAILS 1the windows are replaced original tiles with curved tiles.
1 2 3 4 5 6 7 8 9 10 11
12
1 roof tile
5 waterproof 1ayer
2 5mm curved glass
6 25mm×320mm wooden board
3 silicone sealants 4 nail-supporting layer
7 thermal insulation layer
8 80×40×15×2mm C-section steel 9 5mm tempered glass 10 L-section Aluminum window frame
11 wooden bezel 12 φ200mm crude wood
Roof construction
Section B-B
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READING ROOM
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LIBRARY
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05 OTHER WORKS
a.
I-YARD 2.0 Industrial+Individual+Intelligent = Detailed Design Team Work: TEAM BJTU(2018 china international solar decathlon competition) Team Contact Person: Junjie Li Location: Dezhou, China Responsible work: participation in construction, team promotion 2018.07
environmental issues and aging problems bring us inspiration in our i-Yard 2.0 design. Escaping from cities and diving into the charming countryside, which exactly our concept is, can be a dream of so many senior citizens in China. Based on renewable energy like solar power, we create safe, comfortable and intelligent home for them when immersed in fresh air and fascinating scenery.
WeChat public account VR experience
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GREEN PASSIVE TECHNIQUE Solar sunshading shutters
Atrium lifting device combined with passive climate adjustment
ON-SITE PHOTOS
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05 OTHER WORKS
Lifting light weight means that people are capable and easily perform various tasks, and ourPOLY is such a modular unit that looks simple and light. Combining deformations to meet the needs of different scenes, creating a variety of spatial forms. Identical hexagonal barrel unit, with Velcro connection parameters to achieve the Interactive exhibits and the viewer, so that structures over time to grow freely. In the form of module combination, it becomes chairs, tables, tables, and other scales.Furniture that adapts to different needs at any time.
Team Work Tutor: Pan Xi Location: Beijing, China Team members: Liu Xuan, Chen Xin Xing, Long Geng, Guan Zhiguo, Zhang Yidan Responsible work: Main design, modular construction, participation in construction 2016.05
0.45m
Module unit
0.2m
Use cardboard
Prestressed design
Connection
1.85m
STICK
1.7m
b.
POLY Multifunctional and interactive modular structure
Velcro hair surface Velcro gill surface
1.5 Ă— 0.6m
3m
2.5m
Elevation
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ON-SITE PHOTOS
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05 OTHER WORKS
c.
PHOTOGRAPHY Photography is my way of storytelling (2017-2019)
taken in Beijing(1) | taken in Hengshui(2/3)
Model: Huohuo
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taken in Hongcun
Model: Zhang Jingyi
taken in Beijing
d.
Model: Wang Meng
PAINTING painting app: Pocket, drawing from photos(2019)
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