Zhaoxiang Li (Curtis) Portfolio

Page 1


CONTENTS

5

MOOD BOARD

7

DESIGN CONCEPT

9

SPACE PLANNING & DESIGN SOLUTION

11

FLOOR PLANNING

13

LOBBY

14

URBAN GARDEN

16

HALLWAY

17

TOWNHALL MEETING

19

OPEN OFFICE

1

ALIBABA

TENANT IMPROVEMENT Designer Zhaoxiang (Curtis) Li Tools AutoCAD, SketchUp, Vray, Adobe Photoshop, and Adobe Illusirator Phase Assignment

DESIGN CHALLENGE Alibaba is transforming their work environment to cater to the “Z generation”, which has become the main labor force of the company. In order to adapt to this change, the work environment has to be updated to maintain the vitality of young employees and have them love working in a new environment.

2

Tenant Improvement | 3


MOOD BOARD

HQ

A Launched in 1999, Alibaba.com is the leading platform for global wholesale trade.

4

Alibaba Group mission is to make it easy to do business anywhere.

Alibaba.com selling products 190+ countries and regions, and exchange hundreds of thousands of messages with suppliers on the platform each day.

Tenant Improvement | 5


DESIGN CONCEPT

LOBBY TABLE , BENCH SET

LIGHT FIXTURE

COFFEE TABLE BENCH 64”L X 82”W X 15”H 146”L X 78”W X 15”H OAK WOOD OAK WOOD FlexPlus

72”L X 90”W X 3”H FIBERGLASS

LOBBY COUNTER

FEATURE WALL

300”L X 20”W X 34”H FIBERGLASS

The concept of design is “connection”. This design idea inspired by the exterior design idea “bridge” form Alibaba headquarter (HQ) in China. The designer extends exterior design from HQ into the new office interior design, follow the Alibaba company mission to connect enterprise, employee, customer.

6

COPYRIGHT BY ALIBABA IN HANGZHOU, CHINA

Tenant Improvement | 7


SPACE PLANNING & DESIGN SOLUTION

ENT.

LOBBY COPY

STOR.

GATHERING SPACE

PRIME

For space planning, the designer used the arc comes from existing structure to create new hallways in office space.

8

Lobby Work Space Private Office Training Room War Room Medium Conference Small Conference Copy/Print

Mail Room Game Room Gathering Space Breakroom Wellness Area Storage Server Urban Garden

Sq/Ft 1,394 10,208 972 718 581 968 1,165 340 206 574 961 802 1,183 831 443 1,073 551 75 1,821

Qty 1 164 6 1 1 2 7 2 1 1 1 9 2 1 2 2 1 2 1

PRIVATE OFFICE

WELLNESS AREA

Lobby Open Work Space Private Office Training Room Townhall Meeting Conference Small Conference Copy/Print Mail Room Game Room Gathering Space Quiet Room Lounge Wellness Area Storage Bathroom Server Phone Booth Urban Garden

OPEN OFFICE BREAK ROOM

ENCLOSE CONNECT

TRAINING

QUIET ROOM

MAIL OPEN

CONFER.

GAME ROOM

SERVER WAR ROOM

URBAN GARDEN

DIRECT CONVENIENT REMOTE

Alibaba’s mission is to help to create a collaborative platform for businesses of different area and the customers. The design focus of this space is to inspires employees’ creatives and to stimulate teamwork performance. The design of the space also integrates biophilic elements. Because office design that helps individuals to connect with nature has proven to improve productivity, reduce absenteeism, and encourage workplace engagement.

Tenant Improvement | 9


FLOOR PLANNING DN

3

6 20

7

13

20

2

2

20 7

3

3

20 20 7

2 DN

12

DN

3

7

8

15

18 17

UP

7

12

20 20

13 2

20

8

9

15

3

7

4

6 UP

13

3

UP

20

16

21

7 11

1

10

5

14

19

2 18

10

1 2 3 4 5

Lobby Open Work Space Private Office Training Room Townhall Meeting

6 Medium Conference 7 Small Conference 8 Copy/Print 9 Mail Room 10 Game Room

11 12 13 14 15

Gathering Space Studio Lounge Wellness Area Storage

16 17 18 19 20

Bathroom Server Phone Booth Urban Garden Quiet Room

21 Workshop Room SCALE : NTS

Tenant Improvement | 11


LOBBY LOBBY TABLE , BENCH SET COFFEE TABLE BENCH 64”L X 82”W X 15”H 146”L X 78”W X 15”H OAK WOOD OAK WOOD FlexPlus

CELLE CHAIR HERMAN MILLER 27.5”L X 29.5”W X 39.25-44”H Fabric Recovery of plastic

FLORENCE KNOLL LOUNGE CHAIR KNOLL 31.5”L X 31.5”W X 17-31.5”H LEATHER

FLOOR FINISH WHITE OAK

12

Tenant Improvement | 13


URBAN GARDEN CHADWICK MODULAR

WOMB CHAIR - MEDIUM

HERMAN MILLER 31”D X 81”W X 27”H PVC, Upholstery

KNOLL 31”D X 35”W X 31.25”H UPHOLSTERY: CATO, ORANGE

MATTTIAZZI SHE SAID STOOL HERMAN MILLER 19”D X 19.75”W X 29.534.25”H WOOD

COFFEE TABLE BY ALEXANDER KNOLL 26”D X 59”W X 16”H MAPLE WOOD WITH JET BLACK LEGS

FLOOR FINISH CONCRETE

14

Tenant Improvement | 15


HALLWAY

TOWNHALL METTING

FLOOR FINISH MARMOLEUM (MODULAR REAL-3241 ORANG FORBO

16

Tenant Improvement | 17


OPEN OFFICE

Quantity 8 2 4 4 2 3 3 1 3 3 4 3 8 4 4 8

18

MATTTIAZZI SHE SAID STOOL

CELLE CHAIR

HERMAN MILLER 19”D X 19.75”W X 29.5-34.25”H WOOD

HERMAN MILLER 27.5”L X 29.5”W X 39.25-44”H Fabric Recovery of plastic

TU WOOD WARDROBE

MOTIA SIT -TO- STAND

HERMAN MILLER 29”D X 15”W X 44”H WOOD

HERMAN MILLER 30”D X 60”W X 27-45”H STEEL WOOD

Model DU6ACS.3054LE FD16A.22P FD110.72 FD115.F2472R FD117.1B FD119. FD128.1 FD144.0806 FD150.ADN FD150.BCI FD151.0872 FD154.08S20 FD170.72PN LPT.4630FXLK LPT.4630FXRK Y1425.EA06

Description Rect Tbl C-Foot Sq-Edge Lam Top/Thermo Edge Elec Std Range 30D 54W Finished End Architectual Dock Painted 22H Dock Structure 72W Screen Dock Mounted Tackable Fabric Horz 24H 72W Dock Foot Shared Dock Foot Structural Dock-to-Dock Connector In-line Connection Power Entry Internal Direct Connect - Floor 8-Wire 4-Circuit Shared Neutral 6’ Cord Power Module - Bottom of Dock 8-Wire 1 Circuit A and 1 Circuit D on Each Side Power Module - Bottom of Dock 8-Wire 1 Circuit B and 1 Circuit CG Isolated Ground on Each Side Dock Power Harness 8-Wire 4-Circuit Shared Neutral 72WPower Block-to-Block Jumper 8-Wire Power Block-to-Block Jumper 8-Wire 4-Circuit Shared Neutral For Straight Dock-to-Dock Connections 20L Lower Cladding Painted No Knockouts 72W Lam Personal Tower Flex Open Left Bar Pull 46H 30D Lam Personal Tower Flex Open Right Bar Pull 46H 30D Enterprise Solution 3 Simplex Recep Pwr Cord w/Plug End 6’ Cord/Conduit

Tenant Improvement | 19


CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com



CONTENTS Butt er fl y

Peranakan Cuisine

4

MOOD BOARD

7

DESIGN CONCEPT & TILE DESIGN

9

SPACE PLANNING

11

FLOOR PLANNING

13

SECTION

15

FIRST FLOOR

17

SECOND FLOOR

19

THIRD FLOOR

2

BUTTERFLY

PERANAKAN EATERY Designer Zhaoxiang (Curtis) Li Tools Revit, SketchUp Vray, Adobe Photoshop, and Adobe Illusirator Phase Assignment

DESIGN CHALLENGE Design a restaurant based in the existing townhouse built in Singapore. This catering and gathering space must be local to Peranakan culture.

2

Peranakan Eatery | 3


MOOD BOARD

‘PERANAKAN’ Peranakan means “locally born” in Malay. It is used to refers the offspring of foreign traders from China and local women in Southeast Asia from as early as the 14th century. Members of this community in Malaysia address themselves as “Baba Nyonya”. Nyonya is the term for the women and Baba for the men.

TILES Peranakan tiles are the ornately designed building element that adorns the buildings. Local Peranakan community regarded them as an emblem of wealth and affluence. With its intricacy and artistic detail, it is not hard to see why these tiles became a requisite of the Peranakan decorative repertoire.

4

Peranakan Eatery | 5


DESIGN CONCEPT & TILE DESIGN

The concept is butterflies, which was a common pattern used by Peranakan women in history. A series of tiles was designed by combining the concept and Peranakan culture to resemble Singaporean culture.

6

Peranakan Eatery | 7


SPACE PLANNING

UP

4

1

6

5

3

2

7

13

FIRST FLOOR: RESTAURANT DN

UP

8

12 11

9

10

13

5

7

SECOND FLOOR: BAR & NIGHTCLUB 13

DN

14

8 THIRD FLOOR: PRIVATE PARTY SPACE

1 Cashier 2 Waiting Area 3 Bench Dining Area 4 Square Dining Area 5 Toilets 6 Kitchen 7 Dumbwaiter 8 Standing Table Area 9 Rectangle Dining Area 10 Performance Stage 11 Lounge Area 12 Bar 13 Serving Table 14 Party Dining Area

11

SCALE : 1/10” = 1’- 0”

N

Site Location : Mondania Pte Ltd 56 Tras St, Singapore

This design uses a three-story building to create three spaces: restaurant, nightclubs and private party space to meet the needs of different people.

Peranakan Eatery | 9


FLOOR PLANNING UP

CUSTOM TILE

FIRST FLOOR

CUSTOM TILE

CUSTOM TILE

OAK WOOD FLOOR

DN

UP

CUSTOM TILE

CUSTOM TILE

OAK WOOD FLOOR

SECOND FLOOR

DN

OAK WOOD FLOOR

THIRD FLOOR 10

SCALE : NTS

Peranakan Eatery | 11


SECTION UP

12

Peranakan Eatery | 13


FIRST FLOOR

DINING TABLE

CHAIR

DINING TABLE

Ivory Marble Top 48” Counter Dining Table 48” x 48” x 36”

11 Navy Chair® Designed by Emeco 19.5” x 15.5” x 34” Seat H

Marble Table Top Dining Table Wood Legs 32” x 64” x 30”

Marble

PET

PET

Marble

Wood

WOOD BENCH

SCREEN

BENCH

60” x 18” x 18”

3 form Thatch 50 Percent

Dining Bench With Backrest 35” x 64” x 50” Seat H 18”

Wood

14

Wood

Wool

Leather

Peranakan Eatery | 15


SECOND FLOOR BAR STOOLS

EAMES CHAIR

“PHILLIPA” Replica Tolix Herman Miller Kitchen Counter Stool 29” x 19” x 21” Seat 15” x 15” x 26” Seat H 29” H 16”

Upholstery Wood

Steel

WOOD TABLE

BAROQUE

48” x 48” x 24”

Belle de Fleur French Love Seat 72” x 32” x 46” Seat H 18”

Marble

Leather

Wood

DINING TABLE

BAR STOOLS

STANDING TABLE

CHAIR

Dorel Home Furnishings Luxor White 30” Metal Bar Stool 16.5” x 17.5” x 46” Seat H 29”

42” Pub Table by Holland Bar Stool 24” x 24” x 42“”

111 Navy Chair® Designed by Emeco 19.5” x 15.5” x 34” Seat H 18”

Marble Table Top Dining Table Wood Legs 38” x 64” x 36”

Wood

PET

Marble

16

Steel

Steel

PET

Wood

Peranakan Eatery | 17


THIRD FLOOR

COFFEE TABLE

BLOCKS CHAIR

Sixinch Sven 36” x 36” x 15”

Sixinch Rock Elements Seat H 12”

Wood

FlexPlus with High Traffic Base

Steel

DINING TABLE AND CHAIR

LOUNGE CHAIR

Toast Box Restanrant Dining Furniture Set

Sixinch Diamond Seat Seat H 12”

FlexPlus with High Traffic Base

18

Peranakan Eatery | 19


CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com



Mrs.Cheng

CONTENTS

Ceramics Gifts Store

4

MOOD BOARD

7

DESIGN CONCEPT

9

FLOOR PLAN & SECTION & ELEVATION

10

PERSPECTIVE

12

PERSPECTIVE

14

CONSTRUCTION DETAILS

15

FURNITURE

3

MRS. CHENG

PERANAKAN POP-UP STORE Designer Zhaoxiang (Curtis) Li Tools Modo, Adobe Photoshop, and Adobe Illusirator Phase Assignment

DESIGN CHALLENGE Design a pop-up store located at the Singapore airport terminal 4. This pop-up store must have a very attractive appearance to promote and sell its products. The design intent is to build awareness of the Peranakan culture.

2

Peranakan Pop-up Store| 3


MOOD BOARD

NYONYA MARRIAGE In Peranakan traditional culture, a wife’s status in a family is very low. Depending on how wealthy the men are, they have the option to marry more than one wife. Therefore the women can only have faith in their husbands and hope that they will only love them only for the rest of they life.

KAMCHENG Kamcheng is a type of transactional Peranakan ceramic the brides bring to their husbands’ houses when they married. This particular ceramic has the meaning of keeping the joyfulness inside. To have a Kamcheng symbolized the newly married couple has their happiness protected interns, no other women will share it.

4

Peranakan Pop-up Store| 5


DESIGN CONCEPT

The designer was inspired by the shape of the Kamcheng ceramic at the very beginning of structural design. He used a powerful and flexible 3D modeling software, MODO, to construct the shape of the ceramic. After playing around with the 3D form in different orientations, the reclining style stands out amount all. This form allows customers to enter and exit the pop-up store quickly and give them fast shopping experiences.

This pop-up store is designed to sell Peranakan culture ceramics called “Kamcheng.” The design used Kamcheng as a concept and bright red to get people’s attention. The combination of the ceramic form and cloud light fixtures symbolizes Peranakan women’s history.

This design uses red as the main color to catch the eyes of the travelers busy heading to their boarding gate. Vibrant red can attract the attention of customers, especially the young generation.

6

Peranakan Pop-up Store| 7


FLOOR PLAN & SECTION & ELEVATION 14’- 0”

10’- 0” 10’- 10” 18’- 0”

SIDE ELEVATION

FRONT ELEVATION

6’- 0 ” 1’- 6”

FLOOR PLAN 8 SECTION

SCALE : 1/4”= 1’- 0”

Peranakan Pop-up Store| 9


PERSPECTIVE

10

Peranakan Pop-up Store| 11


PERSPECTIVE

12

Peranakan Pop-up Store| 13


CONSTRUCTION DETAILS

FURNITURE

LED LIGHT

Length is fixable COUNTER

DISPLAY CASE

DISPLAY CASE

LIGHTING SHADES

CABLE SEALS

Fiber Glass

14

Fiber Glass

The structure is connected by small pieces of fiberglass. The red epoxy is used to fill up the gaps the give it a better-finished appearance.

Cloud is the symbol of a dream, wish, and happiness in Peranakan culture. In this design, we used the cloud as the side concept to create the showcases and lighting texture. It is to give the customers an idea of brings happiness home.

Peranakan Pop-up Store| 15


CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com



CONTENTS CELLULAR STUCTURES 4

PROBLEM

5

SITE RESEARCH

6

DESIGN CONCEPT

8

EXTERIOR & INTERIOR

9

CONSTRUCTION DETAIL

11

SECTION

13

ISOMETRIC

15

PERSPECTIVE

16

PERSPECTIVE

19

PHYSICAL MODEL

4

CELLULAR STRUCTURES SHELTERING SPARTANS Designer Zhaoxiang (Curtis) Li Tools Modo, Adobe Photoshop, and Adobe Illusirator Phase Assignment

DESIGN CHALLENGE In California, one in every ten students are homeless and 50% of the students suffer from a lack of food. The challenge is to make homeless students safer and have a more comfortable life and learning problems that must be solved.

2

Sheltering Spartans | 3


PROBLEM

SITE RESEARCH

REASON

LOCATION -West Spartan Complex Central

SURROUNDING FACILITIES Food and Water -Associated Students House -Health Center -Barbecue Stove Increasing tuition fees

Increasing rent

Increasing food prices

RESULT

Parking -South Parking Garage -West Parking Garage Medical support -Health Center

10%

Study room -Spartan Complex Central

50%

Home less

Bathroom -Spartan Complex Central

N

Hunger

SOLUTION SS

Free food

4

Affordable accommodation

Sheltering Spartans | 5


DESIGN CONCEPT AS CHAIR

1’-6”

1’-6”

1’-6”

PLAN

ELEVATION

ISOMETRIC SCALE : 1/4” = 1’- 0”

AS SHELTER

10’-0”

10’-0”

13’-0”

PLAN 6

ELEVATION

ISOMETRIC SCALE : 1/8” = 1’- 0”

A cell is the most basic structural, functional, and biological unit of all known living organisms. Cell membranes and cell walls are extracellular bones, which have the ability to squeeze and and be rugged to protect the interior of the cell. Cells structures are independent, but they can also be aggregated. This design concept comes from cells, imagine the individual cell space combination to become a larger group.

Sheltering Spartans | 7


CONSTRUCTION DETAIL

EXTERIOR & INTERIOR EXTERIOR

Button for install fabric

SLEEPING

SLEEPING

STORAGE

INTERIOR

Wheel installation

8

Sheltering Spartans | 9


SECTION COFFEE TABLE

CHAIR WITH SWIVEL TABLE

PULL DOWN TABLE

Herman Miller Eames Molded Plywood Coffee Table Wood Base 34”W X 15.5 ”H Walnut

Lesro siena guest chair

50”L X 12”W X 20”H

LOUNGE CHAIR Herman Miller Eames Molded Plywood Lounge Chair with Metal Base 24.25”D X22”W X 15.5” -26.5 ”H White Ash

10

CUSTOMIZED CHAIR 18”D X 18”W X 18”H Fiberglass With Fabric Chair

Sheltering Spartans | 11


ISOMETRIC

12

Sheltering Spartans | 13


PERSPECTIVE

14

Sheltering Spartans | 15


PERSPECTIVE

16

Sheltering Spartans | 17


PHYSICAL MODEL

18

COMBINATION

SEPARATION

EXTENSION

CONNECTION

Sheltering Spartans | 19


CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com



CONTENTS

4

GENETIC CONTENT

6

TILES

7

PHYSICAL CUBES

8

FOLDING SCREEN

10

COLUMN

12

RENDERING

14

PHYSICAL MODEL

5

BART STATION

OBJECT FURNITURE MANIPULATION Designer Zhaoxiang (Curtis) Li, Andres Chen Tools Modo, Adobe Photoshop, and Adobe Illusirator Phase Assignment

DESIGN CHALLENGE This project aims to design a series of furniture that can be used at BART stations. The initial design concept is derived from dollar store objects.

2

The Almost Object | 3


GENETIC CONTENT OBJECT

SPRAY BOTTLE

TIMER

We chose mass-produced and consumer objects found at the Dollar Store. These items had a lot of common features and were very inexpensive. We understood the objects we chose through the process of decomposing and extracting the objects to create the column, couch, folding screen, light, and carpet for the space. Â

4

The Almost Object | 5


TILES

PHYSICAL CUBES

PROCESS

FRAGMENT

TILES

SCREEN

DETAIL

WOOD JOIN

TILES

6

WOOD

The Almost Object | 7


FOLDING SCREEN

STEEL RING TIMER LIGHT AND AIR The folding screen used parts of the timer as the main material. The steel shaft and steel ring are used as the main structure to connect timers to create a cascading effect. There are gaps in the folding screen to allow light and air pass through.

STEEL SHAFT

BALL BEARING WOOD BASE

8

The Almost Object | 9


COLUMN

STUD STEEL FRAME The design of the column is to install a steel frame over the existing structural steel column. The new tiles, which are inspired by the timer, will be hanging on the new steel frame to create the surface.

10

TILE

The Almost Object | 11


RENDERING

12

The Almost Object | 13


PHYSICAL MODEL

14

The Almost Object | 15


CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com



CONTENTS

2

4

Motion Studies

6

Dining by Design

8

Hermitage

10

Coffee Lab

12

Haerangchon Urban Sanctuary

14

Benching and Planter System

6

ADDENDUM

Addendum | 3


MOTION STUDIES Designer Zhaoxiang (Curtis) Li Tools Hand Drawing, Physical Model Adobe Photoshop, and Adobe Illusirator Phase Assignment

This design is inspired by Étienne-Jules Marey’s motion studies. Analyzing human movement and then applying the concept to the residential part of my design.

4

Addendum | 5


DINING BY DESIGN Designer Zhaoxiang (Curtis) Li Tools Modo, Adobe Photoshop, and Adobe Illusirator Phase Assignment

Dining by design is to create a dining vignette in the food court located in San Jose State University’s Student Union building. This design used the idea of a Japanese ramen cart to create a private dining space for communication between customers and the chef.

6

Addendum | 7


HERMITAGE Designer Zhaoxiang (Curtis) Li Tools SketchUp, Adobe Photoshop, and Adobe Illusirator Phase Assignment

Hermitage design concept is stacking bricks. This design stacks rectangular blocks to create quiet spaces for students relax.

8

Addendum | 9


COFFEE LAB Designer Zhaoxiang (Curtis) Li , Zhizi(Lucy) Xiao Tools Modo, Adobe Photoshop, and Adobe Illusirator Phase Assignment

This design uses liquid flowing as a concept. I remodeled the existing building and separate the space as three functional area cafes, coffee bean lab, and coffee lecture space.

10

Addendum | 11


Sinheung Market

The traditional market was the center of the knitwear industry in 1970s, another testimony to an important stage of Haebangchon’s development.

Linking the past to the future The Past provides a strong reference point for the Present and the Future. The history of the place is the community’s legacy that provides them a sense of belonging. When the past becomes a reference point for future development, social sustainability is achieved.

HAERANGCHON URBAN SANCTUARY Designer Zhaoxiang (Curtis) Li, Xiaotong(Erato) Li Tools SketchUp, Adobe Photoshop, and Adobe Illusirator Phase International Competition

The urban planning design for Haebangchon, Korean, which is history community, used the concept “the present and the future”. We create a new green bridge between two nature zones Namsan and Yongsan. We try to make a society that human and animals coexist. Let it become a new tourist attraction, so the local economy can recovery.

12

THE PRESENT

HAEBANGCHON A N E

HAEBANGCHON A N E W U R B A N S A N C T U A R Y

EW URBAN SANCTU

CONCEPT

Haebang Prebyterian Church

Pre-urbanization period - A sanctuary for animals Before the Korean War, Haebangchon was a vast pine grove, a nature THE PAST sanctuary for animals and birds. 108 steps

An important part of the spirit of the place, the church was built by the refugees from the north for spiritual support. The senior residents visit the church every weekend even when they are not living in Haebangchon.

The 108 steps is a living testimony to the colonial

Pre-urbanization period - A sanctuary for animals past of Haebangchon During the Korean War - A sanctuary for displaced people Before the Korean War, Haebangchon was a vast pine grove, a nature and a reminder of the sanctuary for animals and birds. nature sanctuary it once During and immediately after the Korean War, Haebangchon became a used to be. During the Korean War - A sanctuary for displaced people During and immediately after the Korean War, Haebangchon became a sanctuary for the people from the north displaced by the war and politicalTHE FUTURE sanctuary for the people from the north displaced by the war and political changes. Haebangchon Festival changes. Haebangchon Festival Knitting was the leading industry in Haebangchon during the 60s and the

Knitting industry in Haebangchon during the 60s and the A U.S military basewas was set upthe right afterleading the end of the Japanese colonial. The discontinuous occupation of the land lasts until 2017. 70s, and Haebangchon was known as a sweater manufacturing town in The present - A sanctuary for the youth Currently, Haebangchon is packed with artists and young people. Seoul. THE FUTURE

community AU.S new urbanbase sanctuary for up all right Safeguarding AHaebangchon military was set after the end the of the Japanese colonial. Haebangchon was built as a refuge where the displaced could find a home. This is an important becomes a green bridge between two nature zones: attribute of the area and this inclusive spirit of the place is respected. Namsan and Yongsan. The discontinuous occupation of the land lasts until 2017. By merging nature with the neighborhood, a better living environment is created for the local A east-west axis linking the three most significant character-defining elements of Haebangchon (108 steps, Haebang Presbyterian Church and Haebangchon Festival) creates a human line that connects the past to the future.

residents. Through the link between the past and the future, the community can expect a better future with their community legacies possessing a stronger sense of belonging, which assists in the

sustainable development of the area. The present - A sanctuary for the youth Currently, Haebangchon is packed with artists and young people.

The buffer zone between the mixed sanctuary and the animal sanctuary

THE FUTURE Humans making way for animals

The church: A visual reference point for Haebangchon

Reintegrating the traditional market

THE PAST

108 steps

The 108 steps is a living testimony to the colonial past of Haebangchon The traditional market is reconnected to the neighborhood by and a reminder of it.the removing the buildings that surrounded An urban park at the heart of the neighborhood is created in front of the market. The park brings it once naturenature closer to thesanctuary people. used to be.

Where humans and animals cross paths with each othercross paths with each other

which is a car-free road. In this part, animals can reach the street right after coming down from Namsan while human will need to take the wide stairs in the green.

THE FUTURE

brought in a great number of new people to the area that triggered gentrification of Haebangchon in 2006. The festival acts as the soul of the village that heals.

70s, and Haebangchon was known as a sweater manufacturing town in Seoul.

An important part of the spirit of the place, the church was built by the refugees from the north for spiritual support. The senior residents visit the church every weekend even when they are not A bridge with a water castcade connects to Sowolro 20-gil, living in Namsan Haebangchon.

Haebangchon Festival

10

8S

te

ps

The most prominent visual landmark of Haebangchon, the Presbyterian church becomes the centerpiece at the junction where human axis intersects the nature axis, in the middle of the urban park.

Haebangchon Festival brought in a great number of new people A tunnel allows seamless between Namsan to theconnection area that and Haebangchon. triggered gentrification of Haebangchon in 2006. The festival acts as the soul of the village that heals.

Linking Namsan to Haebangchon

Safeguarding the community Haebangchon was built as a refuge where the displaced could find a home. This is an important

A new urban sanctuary for all

Haebangchon becomes a green bridge between two nature zones: Namsan and Yongsan.

attribute of the area and this inclusive spirit of the place is respected.

By merging nature with the neighborhood, a better living environment is created for the local A east-west axis linking the three most significant character-defining residents. Through the link between the past and the future, the community can expect a better elements of Haebangchon (108 steps, Haebang Presbyterian Church and future with their community legacies possessing a stronger sense of belonging, which assists in the Haebangchon Festival) creates a human line that connectsA bridge thewith past to a water castcade connects Namsan to Sowolro 20-gil, The traditional market is reconnected to the neighborhood by which is a car-free road. In this part, animals can reach the street right the buildings that surrounded it. An urban park at the heart sustainable development of the area. after coming down from Namsan while human will need to take the theremoving future. of the neighborhood is created in front of the market. The park brings

Haebangchon Festival

0270

wide stairs in the green.

nature closer to the people.

The buffer zone between the mixed sanctuary and the animal sanctuary The most prominent visual landmark of Haebangchon, the Presbyterian church becomes the Humans centerpiece at the junction making way for animals where human axis intersects the nature axis, in the middle of the 10

8S

te

ps

tunnel allows seamless TheAconnection church: A visual between Namsan and Haebangchon. reference point for Haebangchon

Reintegrating the traditional market

Where humans and animals cross paths with each othercross paths with each other

Linking Namsan to Haebangchon

urban park.

Haebangchon Festival

0270

Addendum | 13


BENCHING AND PLANTER SYSTEM Designer Zhaoxiang (Curtis) Li, Graduates of SJSU interior design 2017, Graduates SJSU interior design 2018 Tools SketchUp, Hand crafting Phase Assignment

This project design was inspirated by islands and was developed into a set of benches with urban farming design in the center of Lee Matheson Middle school.

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CURTIS LI Interior Designer T 415.794.9082 E curtisli.interior@gmail.com


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