Portfolio_Zhou Yangxunxun_University College London_March Design For Manufacture by Zhou Yangxunxun

ZHOU YANGXUNXUN APPLYING FOR MARCH DESIGN FOR MANUFACTURE UNIVERSITY COLLEGE LONDON

Student number: 18102701

Achitecture, to me, is not simply about its function and space, nor is it just a discipline teaching us how to construct a building. Instead, it is boundaryless. Architecture is related to social, culture, religion, technique, and even our environment. Interdisciplinary architectural design is what makes architecture charming, uniuqe, and ecological. Architectural design is like game playing--it is free, interesting and f l exible. With multiple possibilities, architecture never has its fixed form. Kazuyo Sejima's works are representatives of freedom, and they provide me with a feeling of purity, freedom, and comfort. Human-based experience in a building then becomes the priority of my design principles---what would people feel in a space. Architecture, without people, would lack its soul. In this portfolio, I'd like to express my idea of architectural design through multiple perspectives. Just as if you are roaming in the ocean of a game, lightly, freely, and pleasantly. Now, enjoy this trip!

CONTENTS 01. MEMORY TOWER

01-14

CEMETERY DESIGN

02. MUSIC KALEIDOSCOPE

15-30

PUBLIC SPACE DESIGN

03. ROAMIST LODGE

31-38

PROFESSIONAL PROJECT UNDER CONSTRUCTION

04. GROWING CELL

39-50

CITY PLANNING EXHIBITION CENTER DESIGN

05. AN AWAKENING CITY

51-62

RENOVATION OF TAIPA OLD CITY

06. OTHER WORKS

63-68

01 01

MEMORY TOWER A TOWER FOR PURE SOULS OF DECEASED AND PEOPLE WHO LOVE THEM TYPE: Academic ROLE: Individual work DATE: March, 2016 LOCATION: Xiamen, China DIRECTOR: Xie Shaoming

Cemetery, a place for burying the deceased. The cemetery, built with a grandeur that over shines the community of the living, can be simple or elaborate. It ref lects geography, riligious beliefs, social attitudes, aesthetic and sanitary considerations. They may also be regarded as â&#x20AC;&#x153;holy fieldsâ&#x20AC;? or taboo areas. In countries such as Japan, cemeteries are fortuitous places located in the center of the city around the residential area, in memory of the dead. In other countries and among other religious groups, like China, cemeteries are stark and are generally shunned. However, I have a different opinion on Chinese traditional view of the dead. Cemeteries should not be considered as ominous places but pure and sacred ones. So this project is located on the sea and the surounding is a modern city with dense population and high-rises. Instead of a shunned place,this new style cemetery is a vibrant scenery and a grand landmark in this city.

2004

2005

2007

200 9

20 1

19 9

Area /km² Population(Ten thousand) The number of crematories(unit)

2014

1998

200

2015

1997

2008

706 7 56 3 352 13 219 17 308 20 668 30 369 16 757 21 470 13 225 4 233 19 434 10 870 24 537 23 765 15 1077 46 957 38 1078 10 787 10 706 26 829 37 779 16 1067 41 1592 47 919 43 827 45 392 10 61 4 270 8 737 12 1191 31 1404 43 3017 45 2415 48 1547 46 2171 48

22112 29518 14246 9491 17224 21473 13085 11968 8034 2304 7649 6999 10108 7402 11819 8594 7446 15848 11445 8177 12948 20565 53100 14605 16596 6597 1699 32.8 271.8 1104 1996 7434 82402 6340 11946 16410

Nanning Lhasa Urumchi Yinchuan Hohhot Kunming Lanzhou Fuzhou Guiyang Haikou Xi'ning Taiyuan Xi'an Nanchang Changsha Wuhan Zhengzhou Shijiazhuang Hefei Ji'nan Shenyang Changchun Harbin Chengdu Hangzhou Nanjing Xiamen Macau Taipei Hongkong Shenzhen Guangzhou Chongqing Shanghai Tianjin Beijing

3 200 20

2006

Numbers of dispos

1996

al remains (Ten tho Cremation Rateusand) The ratio of old (%) people(people ove r 65 /%)

Birth Rate(‰) Death Rate(‰) Natural Growth Rate(‰) The number of cre mators (unit)

1 979

1995

198

199

19 81

199

198

0 1989

1988

1987

1986

1985

DATA SOURCE:

http://data.stats.gov.cn/index.htm http://blog.sina.com.cn/s/blog_416ba4c90102ebsf.html http://www.zhmu.com/

How to memory the deceased

Put the bone ash into the poterry

Put the bone ash into the pot plant

Trow the bone ash into the ocean

A tower in the ocean--space efficiently

Previous Crematory in Xiamen Drawbacks: 1. The crematory surrounded by old residential buidings is too small to accomadation huge amounts of dead bodies. 2. Only one narrow road can access to the crematory, which means that people always encounter traffic jams over there.

A Pier For The Crematory This pier used as a parking lot and a necessary place of the crematory.

The New Crematory Less traffic jam, far away from the crowded residential area, and near the transportation hub, the new crematory appears to be so attractive and convenient. Encircled by the sea, these tower buildings are standing there peacefully and serenely.

The relationship between cities and cemeteries Urban center

Cemetery

BEIJING Far away from the city

NEWYORK Mix in the city

LONDON Mix in the city

MEXICO Mix in the city

COEXISTENCE BETWEEN LIFE AND DEATH In Chian, cemeteries are far away from urban center; however, cemeteries from other countries coexist with cities. This is related to traditional culture and also could develops under the changing view of life and death. In the future, people, in China, might not treat cemeteries as a gloomy place but a place full of memories. Cemeteries are not far away from the center of a city any more. people would come and recall frequently, and deceased would be remembered forever.

XIAMEN, CHINA Far away from the city

JAPAN Mix in the city

NEW DELHI Mix in the city

SITE PLAN 1:10000

TOP VIEW OF THE MEMORY TOWER

15 15

11 13 14

11 5 17

5 12

2 4

Ground Floor Plan 1:400

1 Entrance square

6 Vigil room

11 Memory tower A

16 Circulation ramp

2 Service counter

Accessory room

12 Memory tower B

17 Cremains bottle

3 Toilet

Service counter

Garden tower

18 Cremains scattering pier

4 Office

Cremation room

Central sculpture

19 Circular corridor

Operation room

Plant with bone ash

5 Elevator room

16 14

14 16

Memory tower A

Plan Level 2 (h=4200mm) 1:500

Plan Level 4 (h=13200mm) 1:500

Memory tower B

Standard Plan 1:400

Plan level 12 1:400

Garden tower

Plan (h=12000mm) 1:500

Plan (h=15200mm) 1:500

FLOWS ANALYSIS 8-3

8 ENTERING INTO THE CEMETERY 8-1 Placing a golden bone ash bottle in the wall 8-2 Putting the bone ash into a pot and adding 8-2

some soil to grow a plant

8-3 Take a boat and then throwing the bone

8-1

ash into the sea

6 5 4

8-1

7 SENDING THE DECEASED TO CREMATORY ROOM 6 WALKING TO THE FAREWELL LOBBY After several days, family members and acquaintances bid farewell to the departed. It would be the last time for them to see the departed.

5 ENTERING INTO THE VIGIL ROOM I n C h i n a , Fa m i l y m e m b e r s a n d acquaintances could stay at the vigil room with thedeparted for several days in order to mourn them.

4 ARRIVING AT THE LOBBY Family members could proceed something related to the funeral and also take a rest at here.

3 ARRIVING AT THE ENTRANCE SQUARE 2 TAKING BOATS Taking boats is the only way to get the crematory. People could enjoy beautiful scener y, breathe fresh air, and also appreciate the crematory at a distance.

1 THE PIER People park their cars and then take boats on the pier.

Section of the city and the cemetery tower 10

Core yard

Analysis of transportation

Circulation of the memory tower A

Each tower has its own vertical transportation system and each f l oor has a circular passageway offering people a free and convenient experience in the tower building. The spiral ramp connects the these tower building, which offers people opportunities to shuttle back and forth among the three.

Central circulation system Starting at the 2nd f l oor, the spiral ramp ends every 3 fl oors Outward spiral ramp Inward spiral ramp Stairs Elevator

This passageway starts at the 4th floor and appears every 3 f loors Circulation system in each cremation tower

Spiral ramp

Circulation of the memory tower B

Inside view of the cremation urn in the cemetery tower

Outside view of the cremation urn in the cemetery tower

Stair Elevator

VIEW OF THE VERTICAL GARDEN TOWER

CIRCULATION OF VERTICAL GARDEN TOWER

Soil

Bone ash

Soil Bone ash

Details of the south side

Details of the west side

02 15

MUSIC KALEIDOSCOPE A SPACE FOR PEOPLE TO APPRECIATE MUSIC IN DIFFERENT WAYS TYPE: Academic ROLE: Individual work DATE: December, 2015 LOCATION: Crescent Spring, Jiuquan, China DIRECTOR: Bao Jing

Music is one of the most amazing things in the world, as it provides us with delightful feelings without any visibility. It is colorful, beautiful, delightful, peaceful. However, all of these description are abstract. If music could be seen in a real shape, people may experience its "mood" and something beyond expression. This project combines instrumental background music with nature patterns for creating a totally different experience of the musical perception. In this huge architectural equipment, people could relax their bodies, minds and souls! With harmonious, beautiful, quiet or even lively style, music can be used as music for visualization, music for relaxation, music for fascination. Here you would find a quiet and beautiful place for inspiration, healing, calming, creativity, fulfilled moments, and relaxation to inject new positive energy and strength to cope with the stress of everyday life. Relax together with these magical patterns from nature and instrumental music.

SANDS AND WATER VIBRATION EXPERIMENT

Assembling the metal panel

Splashing fine sand on the metal panel

Water pattern came into being

Putting the dish into the speaker

Sand pattern came into being

Water pattern

Instruments of the sand vibration experiment

Different sand patterns came out

Water pattern

Instruments of the water vibration experiment

Different sand patterns came out

Water pattern

Being different from the computer analysis, the patterns are much more beautiful and visualized. As if the gifts of the nature, extraodinary and amazing.

Oscillograph

Spectral Frequency

Spectral Tone

225HZ

403HZ

590HZ

630HZ

929HZ

1040HZ

1145HZ

1200HZ

1520HZ

1670HZ

2000HZ

2330HZ

2580HZ

3250HZ

3300HZ

SEARCHING FOR THE MESTERY BETWEEN SOUNDS AND IMAGES Sound isn't invisible, actually it possesses a characteristic of variety. Different frequencies of the sounds have their corresponding and unique images. Inputting these sounds into the computer, and then I recieved the three types of images by a software analysis. Now, obvious changes can be seen through images above.

Phone Different frequency of sounds are generated from the phone

Metal panel Acoustical signal Banana plug

Amplifier Vibrator

The enlarged acoustical signal

Patterns

Vibrator Coil

THE PROCESS OF SAND VIBRATION EXPERIMENT I downloaded an application used to generate different sound frequency and then these acoustical signal were amplified through the amplifier and finally entered into the vibrator. Eventually, different sand patterns were presented on the metal panel.

Jack Screw Wire

DIFFERENT SAND PATTERNS

225Hz

929Hz

1520Hz

2330Hz

403Hz

1040Hz

1670Hz

2580Hz

590Hz

1145Hz

2000Hz

3250Hz

630Hz

1200Hz

2118Hz

3300Hz

Different sounds are generated from the computer

Computer

Metal plate Acoustical signal

Speaker Amplifier

The enlarged acoustical signal Cone carton

Patterns Frame

Magnet Voice coil

THE PROCESS OF WATER VIBRATION EXPERIMENT I produced different sounds through a software named FL Studio in my computer. These acoustical signal were also amplified by the amplifier and finally arrived at the speaker. Eventaully, the plate was vibrated and generated different water patterns.

Connector

DIFFERENT WATER PATTERNS

TRANSLATING THE EXPERIMENT INTO HUMAN SCALE RATHER THAN EXPERIENCING IT IN HAND

SEEING THE MUSIC WITH OUR EYES RATHER THAN LISTENING TO IT

SITE PLAN 1:3500

4 4

3 2 3

1 Entrance 2 Sand vibrator 3 Seats 4 Water vibrator 5 Walkway

GROUND FLOOR PLAN 1:500

Sand cyclic process

Cable These cable usded to hold the transparent board is to make it much more stable

Spray-head Sands are sprayed evenly on the panel and then form different patterns

Sands drop down from the transparent panel and then fall into the channel and finally accumulate at the bottom. Sand collector can collect sands and sends them to the top and spray out again. In this case, sands can be used systematically.

Transparent Board Sand patterns can be seen through the transparent board

Vibrator This machine can viborate violently and then make the transparent board vibrate in the same way

Cable This cable is used to hold the central machine

Amplifier This instrument is used to amplify different acoustic signals and then the vibrator above can be triggered.

Pipeline for sending sand

Sands are sent into the top of the column and then sprayed out

Sand collector

This machine can produce powerful suction in order to collect sands from the bottom

Sand accumulation space

SECTION OF CENTRAL MACHINES

FOCUSING ON MUSIC ITSELF RATHER THAN WATCHING THE SHOW

People sitting or lying down on the seats are appreciate those changeable patterns, while a band is playing downstairs

People also can sanding on the seat appreciate patterns above and music show downstairs at the same time.

-2F Plan 1:500

-1F Plan 1:500

1-1 Section 1:350

1 Cable

These cables, starting from the top of the column, used to support the transparent plate.

2 Transparent plate

People could see different patterns the vibrator and the plate generate through the transparent plate.

3 Seating area

This area allows people lying down with any gesture they like and they can appreciate those patterns changing randomly.

4 Vibration machine

The transparent plate is vibrated by this machine in which some music signals are inputted.

5 Performance space

9 10

Sometimes bands can play music in this area and bring people who come to here different experiences of music appreciation.

6 Sand collector

Sands across through this machine and then are sent into the top of the spray

7 Entrance

This entrance is separated away from the main buding to increase a sense of mystique

8 Passage -1F 9 Passage -2F

10 Elevator

Ergonomic design for seating area

Seating area

INTERIOR VIEW

SHADOW & LIGHT

ENTRANCE VIEW

03 31

ROAMIST LODGE

Roaming in the mist&Appreciating gorgeous scenery&Resting in a homelike lodge

TYPE: Professional Project under construction DATE: May, 2017 LOCATION: Garze Tibetan Autonomous Prefecture, Sichuan ROLE: Team work, Chief Designer INVOLVED: CAD plan & section drawing/analysis graphics drawing/ rendering PARTNER: Li Hang

When people are traveling, the lodge has become a popular travelers' choice now. Compared with traditional hotels, lodges are much more attractive and comfortable because of its unique room design and fascinating location, but not stereotyped and nature isolated style. My partner and I combined the element of snow mountains around the site and designed a double-deck house with m-type roofs that mimic the shape of snow-capped mountains behind. This site is so pure that starry night sky usually appears. In order to create an opportunity for every guests to enjoy the beautiful night sky, skylights were designed in each room to provide guests with the perfect opportunities to enjoy the starry night sky. Wandering in the beautiful scene, lying down and watching the starry night sky. What an enviable life.

Location

Canyon

Analysis Alfalfa land

Alfalfa land

Garden

Ser vice area: kitchen, storeroom, toilet, lounge Public area1: staircase, landscape platform, tree

Swimming pool

Snow mountains

Entrance Alfalfa land

Alfalfa land

Public area2: lobby, balcony, gym

Foreyards

Guests area: 8 rooms for guests

Function division is explicit and non-interfering

Maximizing the beautiful scenery around

Organization

1. Arranging the service area, the public area and the guest room area from the north to south. 2. In order to avoid disturbance from public area, service area is at the most north. 3. In order to reduce the noice from the public area, an outdoor landscape platform between the public area and the guest room area is established.

1. Guests in each room could see a wonderful view of snow mountains 2. Guests could appreciate the beautiful scenery before going into rooms by passing by the public landscape platform. 3. French windows designed in the lobby could provide a broad vision. 4. Since there are corridors in both west and east sides, guests could appreciate the view of snow mountains in the west and the view of cliff in the east.

1. Both inside and outside of the building could provide expanded outdoor activity areas.(the platform under the eave or the outdoor platform) 2. The building is blend in the environment, the strip-type of the building divides the site into 3 parts----the foreyards, the swimming pool, alfalfa land. 3. To make good use of the advantages of the ground floor, foreyards in front of the guests room were designed. It is not a good place to appreciate the cliff but an independent entrance to create a quiet environment around the guest rooms.

Form Generation

The idea of the formation is from the outline of snow mountains around

Createing a courtyard and then expanding the eave

Forming a two storey building

Completing the stairs and other transportation in the building

Laundry

Guest Room

Gym Staff Room

Garden

Staff Room

Garden

Ground Floor Plan

2-2 Section

Balcony Balcony

Balcony

Balcony Kitchen

Guest Room

Darkroom

Hall Video Hall

Corridor

Second Floor Plan

2F Terrace 2F Terrace

2F Terrace

Guest Room

2F Terrace

Guest Room

Eave

2F Terrace

Guest Room

Terrace

Light well

2F Terrace

Third Floor Plan

1-1 Section

ROOF DETAIL

WALL DETAIL 10

4 4

5 9

8 13

01. Troweling 02. Concrete panel 03. 100mm insulating layer 04. 20mm cement mortar 05. 4mm waterproof layer 06. 30mm fine stone concrete cover

07. 20*30mm counter batten 08. Tile roofing 09. Aluminium sheet gutter 10. Burned cedar boards 11. Nail

12. Polymeric cement mortar 13. Polystyrene insulating layer 14. 20mm 1:3 cement mortar 15. 200mm aerated concrete 16. 20mm Troweling

THE HALL

CONSTRUCTION ON SITE

This project started constructing at the end of November, 2017.

Step 1

Step 3

Step 2

Step 4

DIY Burned cedar boards process:

(We chose the burned cedar boards as the material of the lodge's facade)

Step 1: Preparing liquefied gas, Blowtorch Carbonization, and lighter Step 2: Blowtorch Carbonization Step 3: Preparing Tung Oil, bursh, and gloves. Step 4: Using heated Tung Oil to bursh the carbonized cedar boards Step 5: Washing the treated cedar boards Step 6: Airing Step 5

Completed board

04 39

GROWING CELL VARIETY&ADAPTABILITY TYPE: Academic ROLE: Individual work DATE: June, 2017 LOCATION: Zhangzhou, Fujian, China DIRECTOR: Xie Shaoming

Architecture could be considered as a “living” thing, as each part of the building is closely related to us-- our life, work, study, and even entertainment. In other words, architectural design should strive for ecological harmony, providing a space to make people feel comfortable and delightful. So many buildings are demolished although they are still in good condition; a great number of architectures may be assessed as out-of-date, because the function of buildings can’t meet users’ requirements. Many of those buildings could not satisfy the increasing need for varied functions. The development of a city would have no inf l uence on existing buildings if they are designed systematically and each part could be reassembled.

START FROM A BUILDING, END WITH A CITY Residence

Phase 1

Commerce

Phase 2

Hospital

Phase 3

School

Phase 4

Original Village

Phase 5

Green Space

Phase 6

50 Years

40 Years

30 Years

FUTURE MINI-CITY

20 Years

10 Years

Farmland Dry Land Forest Wasteland Beach

CURRENT SITUATION

Site

MINI-CITY

INFRASTRUCTURE Together with these five infrastructures, the mini-city could be called healthy.

Residence

Green space

Commerce

Education

Hospital

Park

Cinema

Gym

Chess Room

Library

Coffee

Office

Restaurant

Piano Room

Auditorium

TRANSLATION Extracting some of the necessary parts from the five infrastructures to adapt the development of the new mini-city

EXHIBITION CENTER

GROWTH----HEXAGON IN THE NATURE

VARIETIES IN PLAN

VARIETIES IN THREE-DIMENSION

FORM GENERATION

SITE PLAN

100

200

300m

ATRIUM

EXHIBITION HALL

1 5 3 5 4 7 6 2

15 7

10 11 18

6 7 13

GROUNDFLOOR PLAN 0 5

01 Entrance square 02 Office entrance 03 Lobby 04 Temporary exhibition

05 Library 06 Exhibition hall 07 Exhibition area 08 Planning model 09 Office

10 Meeting room 11 Lecture hall 12 Air-conditioning control room 13 Fire control room

50m

14 Distribution room 15 Screening area 16 Studio 17 Storage room 18 Vertical circulating parking

Exhibition Area Auxiliary Area Office Area Public Area Ancillary Facility Transportation Terrace

MODULE STRUCTURE

Pipeline Layout Electric wires are merged into one pipeline, and pass through holes on the I-steels.

Floor Detail Each part of the structure is modular--simple operation, easy transportation.

Wall Structure Details

1. Outer Wall Facing 2. Heat Preservation/ Insulation Layer/ Waterproof Layer 3. Concrete Slab 4. Steel Structure

5. Inner Wall Facing

VARIETIES

Residence

Shop 1F

Recreation

Exhibition

Shop 2F

CONSTRUCTION IN THE FUTURE

Exsisting Gallery to Remain

Exhibition&Auditorium

Phase1

Shop&Library

Phase2

Phase3

Entertainment

Gym

05 51

AN AWAKENING CITY

RENOVATION OF TAIPA OLD CITY TYPE: Academic ROLE: Team work PARTNER: Xu Bin, Chen Zhiqiang DATE: June, 2016 LOCATION: Macao, China DIRECTOR: Xie Shaoming

INVOLVED: CAD plan drawing/analysis graphics drawing/ rendering/ model making/Joint and device Design/Block Planning PRIZE: Finalist, 2017 China Architecture College Design Work Overseas Exhibition

Taipa used to be a bustling city whose economy depends on fishing and a fire work factory. However, Taipa today is submerged in the modern city due to the land reclamation. From rise to ruin, the glory of Taipa city has fallen. Many alleys in the city are inanimate except for one commercial street and some historical buildings. Taipa is full of historical land marks, and it should be remembered. Now is the time for this old, sleeping city to wake up.

SITE

RESIDENTIAL AREA

FIR FAC OLD

RACECOURSE OLYMPIC SPORTS CENTER

OLD CITY OF TAIPA

GALAXY CASINO

1920 Encircled by the sea

1928

1942

Flourishing firework industry Colonized by Portugal

1960

1966

Reclamation

12â&#x20AC;¢3 Event---A protest

DATAN MOUNTAIN

REWORKS CTORY D SITE MACAU INTERNATIONAL AIRPORT

MACAU UNIVERSITY OF SCIENCE &TECHNOLOGY

THE CITY OF DREAMS CASINO

VENETIAN CASINO

1999

2016

Macao’s return

Old Taipa City and new city

Old city’s decline

Obsolete firework factory

Regeneration

Shop Shop&Residence Historical Building Abandonded Firework Factory Abandonded Buiding Abandonded Area Residence Existing Touring Route New Touring Route

Reuse of unutilized property space Add some public space

Existing touring route

Current situation

SEA RECLAMATION IN MACAO 1919

1944

1969

1986

1996

2008

Plaza Plaza

Site of Taipa

Sea Seareclamation reclamationarea area

Narrow Road Narrow Road

Ban Automobiles

Set floor on the 架空 open 部分一层 ground fl oor

Exploiting abandoned area to create public space 9

9 5 1 6

3 7

01. History Museum 02. Lounge 03. New Temple 04. Little Theater

05. Commercial Street 06. Lounge Bar 07. Community Stage 08. Fair

09. Plaza 10. Community Library 11. Visitor Center 12. Hostel

13. Memory Walls 14. Labyrinth 15. Community House 16. Community Studio

Plaza Activity

Plaza

Activity Plaza Plaza

Plaza Plaza

15 14

13 9

Memory Walls

12â&#x20AC;˘3 12â&#x20AC;˘3Event Event Throwing Tear Shell Throwing Tear Shell

Mass Brawl Mass Brawl

the end end ofof 1966, 1966, local local InIn the people built built temporary temporary buildings buildings for for people Confrontation Confrontation teachingdue duetotothe thedelay delayofofschool schoolextension extensionby by teaching MacaoGovernment. Government.On OnDec. Dec.33ofof1966,the 1966,the government government Macao forced toto remove remove these these buildings, buildings, and and then then angry angry local local people people forced protestedon onthis thisaction. action.Unfortunately, Unfortunately,books booksand andcity cityrecords recordstossed tossedinto intothe the protested streetwere wereburned burnedby bythe thegovernment. government.Finally, Finally,88people peoplewere werekilled killedby bypolice policeand and212 212 street wereinjured. injured.Therefore, Therefore,these thesememory memorywalls wallssetted settedare aretotocommemorate commemoratethis thisviolent violentevent eventininTaipa Taipa were

Ground GroundFloor FloorPlan Plan 0

50m

NEWLY ADDED FACILITIES

Market

Commercial Street

Lounge Bar

Community Library

Fireworks Factory---Labyrinth

Fireworks Factory---Community Studio

Fireworks Factory---Memorial wall

Fireworks Factory---Community House

FORM GENERATION

Local Architectural Style

Lighting The Whole City

Almost 98% of water need to be transport to Macao from Zhuhai

Lantern Festival in March every year

Rain Collection

Lighting

Arch Recombination

Local people like resting under trees

Shelter

Evaporation Lake

Irrigation water

Domestic water

Rain collection

Fire water

Irrigation water

MODEL

06 63

OHTER WORKS Type: Academic & Practice & Internship Role: Individual & Teamwork Date: 2013-2016

AIRPORT LOUNGE INTERIOR DESIGN STUDY Azusa Sekkei, Japan, Internship Supervisor: Keita Tamura, PHAM THI PHUONG DANH Date: October, 2016

Sofa

Sofa Area

Communication Area

Wheelchair Accessible Restroom Special Table Area High Table

Men's Room Ladies' Room

“L” Sofa

High Table

Multifunctional Shelf 1

Special Table

Sofa

Multifunctional Shelf 2

Suspende

Long Table

Special Style of Su

a Area

High Table

Smoking Room Long Table Prechamber

Counter

Long Table

Storeroom

Bar Counter

Kitchen

B.O

Modification Range

ed Ceiling

uspended Ceiling and Range

Passenger Route Staff Route

HIGH-RISE DESIGN Type: Academic Role: Team work Partner: Liang Zitao Date: September, 2015 Location: Xiamen, Fujian, China Director: Lin Jindan

ELEMENTARY SCHOOL DESIGN Type: Academic Role: Individual work Date: September, 2015 Location: Xiamen, Fujian, China Director: Yang Nianmin

AIRPORT LOUNGE VISUALIZING Type: Internship & Practice Role: Intern Date: October, 2016 Location: Tokyo, Japan Director: Keita TAMURA

RESIDENTIAL DISTRICT PLANNING Type: Academic Role: Team work Partner: Bi Jingyi Date: November, 2015 Location: Xiamen, Fujian, China Director: Xie Shaoming

MUSEUM DESIGN Type: Academic Role: Individual work Date: November, 2014 Location: Xiamen, Fujian, China Director: Yin Peiru

DRAWING

ZHOU YANGXUNXUN Email: zhou.yxx@outlook.com Phone: (086)15605923036 Address: 03 Linxishuyuan, Xiufeng Road, Wenshan, Yunnan, China, 663000

ducation Huaqiao University

2012.09-2017.07

Major: Architecture Bachelor of Architecture GPA: 3.41/4.0 3rd Prize Scholarship of U. Huaqiao Architecture School 1st Prize Scholarship of U. Huaqiao Architecture School

2013&2014 2016.10

Chung Yuan Christian University

2015.03-2015.07

Exchange Program (Architecture)

ompetition 2017China Architecture College Design Work Overseas Exhibition

2017.06

Finalist - Macau Taipa City Design Role: Designer/Joint and device Design/Block Planning

College Teaching Building Renovation Design Contest

2015.02

First Prize - Street Design Organized by U. Huaqiao Architecture School

Chorus Competition of U. Huaqiao 2nd Award â&#x20AC;&#x201C; Piano Performance

2014.04

ternship Azusa Sekkei Co., Ltd. (Tokyo, Japan)

2016.07-2016.10

Job Title: Intern (manager of design department) Role: Preliminary Study/Modeling/ Drafting

Mountain Stream Wild House Agriculture Science and Technology Lt. (Ganzi, Sichuan, China)

2017.03-2017.05

Job Title: Architect Team Project: Manyun Lodge Architectural Design Role: Chief designer/CAD plan & section drawing /analysis graphics drawing

ctivity Fellowship Party of Chung Yuan Christian Univ.-Singer

2015.06

Campus Top10 Singer Competition

2014.12

Teaching Assistant

2012.07-2014.06

2012 U. Huaqiao Welcome Party

2012.10

Member of Street Dance Club of U. Huaqiao

2013.09-2014.04

-Choreographer and Dancing Leader

National Piano PETS – Level 9

oftware SketchUp AI ID PS CAD V-ray Rhino