P O RT FO L I O
Z i h e Ye
Selected Works 2015-2021
CONTENTS 01 02 03 04 05 06 07 08 09 10
COMMUNITY CORRIDOR
Af fo rd a b l e H o u s i n g i n M a n h atta n v i l l e
KNOWLEDGE PORTAL
C h i ca go C i t y B ra n c h L i b ra r y D e s i g n
HUTS IN THE WOODS
H i sto r y Re s ea rc h C e n te r D e s i g n
DISPLAYING
T h e Cu l t u ra l W i n d o w o f B o y l e H e i g h ts
SLUM JIGSAW
S l u m N e i g h b o r h o o d I n te r v e n t i o n i n J a i p u r
KANSAS CITY CATENA
E a st V i l l a ge N e i g h b o r h o o d D e s i g n
VARIOUS PUBLICITY
T h e St u d e n t D o m i to r y D e s i g n
THE LENS
The Film Museum Design
REVITALIZING THE SECOND-LINE PASS
T h e U r ba n Re n o vat i o n Re s ea rc h & D e s i g n
SHAPING PAVILION
T h e W o o d C o n st r u ct i o n
COMMUNITY CORRIDOR
01
Af fo rd a b l e H o u s i n g i n M a n h atta n v i l l e UVA ARCH 7010 Studio Coperation Work Collaborator: Jiayong Li Fall 2020 Instructor: Ali Fard According to the investigation of the existing functions around the site, we believe that the site has the potential to develop into a combination of cultural creativity, commercial facilities and affordable housing. In this scheme, connection and diversity become the design clues. On the one hand, as a project connecting the elevation difference between the east and the west of the site. It combines the landscape design with the elevation difference design, forming an internal corridor suitable for walking through, which changes the situation that the site was originally separated from the surrounding areas. Secondly, the project will also become a cultural and commercial media shared by surrounding communities in terms of function. It has formed a good community atmosphere and shared space for ar tists and community residents. At the same time, the design also takes into account their different needs, ensuring the residents’ independent streamline and exclusive public activity space, which not only protects their life privacy, but also increases their sense of community belonging.
FAR: 6.8 Site Area: 9,925m2 Footprint Area: 2,800m2 Open Space: 3,880 m2 Community Space: 7,600m2 (Gallery/Community center) Common Space for Residenter: 5,200m2
(Ground+Roof Courtyard/Garden) Housing Area: 34,100m2 Commercial Area: 5,600m2 Studio Area: 5,200m2 Underground parking: 5,600m2
Distribution: 19 Floors for housing units 2 Floors for studios 2 Floors for shops+restaurants 1 Floors for community activity 2 Floors for parking
Total: North Slab 23 Floors Sorth Slab 15 Floors 318 Units
CONTEXT: URBAN FLOW AND METABOLISM
SITE AND ACCESSIBILITY
Area Development Proposal
(Combining with site proposal of other two teams in the studio section)
C
A
A
B
B
C
GROUND FLOOR PLAN
VIEW FROM BACK COURTYARD
Underground community center (Exhibition event)
-1 Floor Plan: Community space & Service circulation 1:300
Level -2: Underground carpark & equipment 1:300
3 Floor Plan: Studios 1:300
6 Floor Plan: Work-live Loft & Co-work space 1:300
Underground community center (Musical event)
12 Floor Plan: Shift corridor units 1:300
16 Floor Plan: Service space & roof garden 1:300
CIRCULATION AND EXPLODED SCENES
View from connected stairs
A-A Section 1:200
View from residential corridor
B-B Section 1:200
VIEW FROM BACK COURTYARD
View from courtyard
Residential Unit Type 4.5 m 4.5 m
4.5 m 2.5 m Type A
Type B
Removable Partition
Residential Unit Distribution
Type C
Type D
02
KNOWLEDGE PORTAL
C h i ca go C i t y B ra n c h L i b ra r y D e s i g n UVA ARCH 6020 Studio Individual Work Spring 2020 Instructor: Jeana Ripple + Katie Stranix
The site of project is located next to the Chicago River which has a great view towards Goose Island , the previous industrial area near the water. As time flies, the role of Chicago river is transformed from a blowdown river to a city landscape which becomes an important resource to improve the life quality of Chicago citizens. Under this context, the project aims to combine the library to the landscape riverside and creates an open space for public activities. The library would work as a frame to capture wonderful views of riverside landscape, a gate towards knowledge and resources as well as a por tal towards communication in public activities. The inspiration of the project is to introduce the landscape around the riverside to the building and form a cour tyard which offers another oppor tunity for people to have a green view space during their reading and other activities while create a flowing space that encourage Chicago’s citizensand visitor to explore knowledge and resources in a public library.
COLLAGE OF TRANSFORMATION INTENTION
SITE & CONTEXT
Concept Models
Site
Bring Landscape to library
1.Cafe 2.Children’s Space 3.Lecture Lobby 4.Lecture Hall 5.Lobby 6.Book Processing 7.Classroom 8.Multi-functional 9.Reading Space 10.Office
GROUND FLOOR PLAN
View from interior / ground corridor
SECOND FLOOR PLAN
THIRD FLOOR PLAN
FOURTH FLOOR PLAN
FIFTH FLOOR PLAN
VIEW FROM BRIDGE
VIEW FROM INTERIOR STAIR
03
HUTS IN THE WOODS
A m e r i ca n A rc h i te ct u re H i sto r y Re s ea rc h C e n te r D e s i g n UVA ARCH 6010 Studio Individual Work Fall 2019 Instructor: I. Martin-Robles
Thomas Jefferson contributes a lot in American architecture history. In his work, spaces are not only connected by corridors, but are frequented connected to each other directly. The transitions of rooms redirect our attention when we walk through each room. Moreover, his work always delivers a concern to make a dialog between man and nature, for example, the top window direct sunlight into the room, the French window facing the garden which brings an open view. The concept of my project is based on some of Thomas Jefferson's architecture practice. Situated on an open grassland in front of the Barboursville Ruins, the visitor center is composed of a series of little huts (rooms) with top windows which connected with each other directly. The form of the project is shaped by the plantation around the site. Each connection follows the same rule in being rotated in 60°and together they create an interesting cour tyard inside the visitor center. To make a better service to the all, the circulation is divided into two parts for visitors and researchers separately. However, the shared cour tyard connects them naturally and also brings both of them a good view from their point. More variations of space happen in a double-height which gives visitors a closer experience towards the sky. It is a sensory and delightful journey and a recalling of American architectural histor y to visit the huts in the woods near the Barboursville Ruins.
GROUND PLAN
VIEW FROM MAIN ROAD
ELEVATION & SECTION
Elevation A 1:32' = 1''
5 1
3
4 5
Section A-A 1:32' = 1''
18
19 11
1.Reception 2.Cafeteria 3.Shop 4.Public Toilet 5.Temporary Exhibition 6.Permanent Exhibition 7.Classroom 8.Library 9.Archive and Documentation 10.Staff Toilet 11.Conference Room 12.Conference Hall 13.Administration Office 14.Staff Changing Room 15.Storage 16.Facility and Tools Warehouse 17.Lodgment 18.Researcher's Office 19.Management Office
8
7
1
13
Ground Plan 1:32' = 1'' Section B-B 1:32' = 1''
EXPLODED VIEW
PROCESS MODEL
DETAIL MODEL
1
VIEW FROM INTERIOR 2
3
Detail A
4
5
6
7
9
8 9 10 11
Detail B
12
Detail C
Section C-C 13
14
Section D-D
15
16 21
22
23
24
25
17
Section E-E
28 16 17 18 19 20 26 27
Detail D Constructive Section Section F-F
Section G-G
Section H-H Detail A
Detail C
Detail B
Detail D
Section I-I
Section J-J
Structure Detail Section K-K
Section L-L
1.Roof light with double glazing: 8mm safety glass + 16mm cavity + 12mm lam. safety glass 2.Metal bracket for connecting CLT 3.Pitched roof scottish larch (20*120mm)roof cladding 4.Vapour control layer 5.Damp proof membrane 6.80mm Insulation 7.Timber support for pitching 8.Stainless steel supports with hotels for drainage 9.70mm titanium-zinc hidden drainage gutter 10.Initial wood support for drain 11.100mm screw 12.CLT 200mm structural panel 13.Timber support for drainage 14.Scottish larch (20*120mm)roof cladding
15.50*50 Timber battens 16.80*25mm batten support 17.Air gap 18.Insulation backed concrete board to create base 19.Drainage gully 20.Ground surface 21.Metal wall footing 22.300mm hardcore 23.Sand 50mm 24.65mm Insulation 25.Polished screed floor 75mm 26.Soil 27.Insitu concrete foundations 28.12mm concealed metal plate connection of structure to foundation
04
DISPLAYING
T h e Cu l t u ra l W i n d o w o f B o y l e H e i g h ts
UVA ARCH 6010 Studio Individual Work Fall 2019 Instructor: I. Martin-Robles
The project is located at Boyle Heights in east Los Angeles, next to the Mariachi Plaza, which is the physical, cultural and spiritual anchor of the surrounding community. In responding to fastening the neighborhood and bringing vibe to the surrounding area, our project assembles cultural and educational spaces together and shapes the school in a compact but organic way. Recognizing the significance of Mariachi Plaza in connecting the neighborhood, we build up a series of scenes that allows diverse conversations happening in and around the building. As for the special meaning of Mariachi plaza, the design intends to mark the ar t learning center not only be an art school but also a window for the display of Mexican-American culture. We build up diverse conversations with the community by extending the activities on the plaza to the building, and make the mariachi plaza as a part of the cultural and educational space of the school where both students and surrounding residents could use the space for flexible events.
EXPLODED VIEW
MARIACHI PLAZA VIEW FROM DAY TO NIGHT
ELEVATIONS ELEVATIONS
SECTION PERSPECTIVE
STRUCTURE AXON
7
6 5 4 3
2
1. shading shutters 2. Diagonal Bracing 3. Multicolored Glass 1
4. Footing and columns 5. Plastic panel handrail
1/ 3/4” polycarbonate panel 2/ 1” cover in lacquered MDF 3/ 1/6” pleated sheet metal 4/ 3” Vented airspace 5/ Plastic panel Handrail 6/ 1” wood shading board 7/ 2”floor layer 8/ 4”Concrete floor 9/ 1.5” steel cover
1
6. Concrete oor
6 2
7. Concrete sheer wall
3 4
7 8 9
5
Facade Detail A 1
5 6
2
7 3
8 9
4
Facade Detail B
1 2
10 11
3 4 5 6 7 8 9
12 13 14
15
SECTION DETAILS AND FACADE
1/ Perforated board 2/ Operable Window 3/ 1.5” gypsum board 4/ Steel fixture to foundation 5/ Inner operable glazing 6/ Shading screen 7/ Steel column 8/ 4” concrete floor 9/ Concrete foundation
Facade Detail C
1/ 1/2” gypsum board 2/ 2*6 24 OC wood frame 3/ Interior finish 4/ Continuous bead of adhesive 5/ Continuous bead of sealant 6/ Cavity insulation 7/ Masonry flashing 8/ Continuous bead of sealant 9/ Sill Sealer 10/ Brick veneer 11/ 1” Vented airspace 12/ 2-piece adjustablebrick tie 13/3/4”Rigid insulation 14/ Joint weep 16” OC 15/ Concrete foundation
5.
6. Change Atrium move the position of trim on 2nd& 3rd floor
ILLUMINATION INTENSITY TEST
SLUM JIGSAW
Slum Neighborhood I n te r v e n t i o n i n J a i p u r UVA ARCH 8010 Studio Individual Work Fall 2021 Instructor: Maria Gonzalez Aranguren + Pankaj Vir Gupta
Jaipur faces a serious housing and infrastructure crisis, especially for those living in informal housing settlements, or slums as they are more commonly known by. The large slum areas in east Jaipur face problems of inaccessible transpor tation, basic amenities, and sufficient public space, while also consisting of inhumane housing conditions which leaves residents’ homes vulnerable to flooding during the monsoon season. Informal housing settlements in Jaipur lack adequate access to potable water, basic sanitation infrastructure, toilets, ventilation, and greenspace. The project aims to improve life in the slums by adopting a series of strategies such as circulation reorganization, infrastructure upgradation, shared public space creation and updating the housing unit in the model neighborhood. The model neighborhood is situated within the slum of Saraswati in east Jaipur along the Aravalli Range. It provides many oppor tunities to create new service roads and transportation access to the adjacent areas to the west. Finally, these strategies are encouraged to be applied to the areas facing similar situations in or out of Jaipur.
EXISITING CONDITION OF THE SITE
05
SLUM FORMATION
SURROUNDING INFRASTRUCTURE
TOPOGRAPGY DIAGRAM
JAIPUR RANGES
Roads (Pedestrain + Waste Collection)
House Torn + Plaza + Public Space
RESOURSE SUPPLY + INFRASTRUCTURE IMPROVEMENT
Green+ Parking Laundry
SECTIONS OF SLUM
Cooking
Public Toilet
Water Access
Parking +Loading
Family Business
Water +Sewage
PLAZA A PLAN
Outdoor cooking
Waste Collection
PLAZA B PLAN
Rest Space
Dry Clothes
PLAZA C PLAN
Playground
Parking Zone
Outdoor Classroom
Worship Space
NEIGHBORHOOD REFORM AXON
06
KANSAS CITY CATENA
E a st V i l l a ge Neighborhood Design 2021 ULI HINES Urban Design Competition Coperation Work Collaborator: Jingyu Zhang, Jiayong Li Spring 2021 Instructor: Ali Fard
The KC Catena is a mixed-use, mixed-income development suppor ted by three pillar s – Connectivity, Equity, and Resiliency. Kansas City has struggled to repair its fractured urban fabric and decades-long isolation of its neighborhoods caused by racial segregation and highway division. This proposal lays the framework for dismantling these physical and sociological separations and creates a seamless connection between the socioeconomic diversity of East Village, Paseo West, and beyond. | CONNECTIVITY | The heart of KC Catena is the string of green and open spaces punctuating the development. These spaces provide much needed placemaking for residents and visitors alike. The proposal leverages the Streetcar expansin along 12th Street. The transit station in the southwest corner of the site brings residents from multiple neighborhoods to KC Catena. | EQUITY | KC Catena aims to bring all residents together in a shared, accessible public realm. Par ticipator y civic engagement initiatives will empower residents to create programming and functions that are most desirable and needed. | RESILIENCY | In conjunction with sociallydistanced programming and spaces, KC Catena is built to have “smart infrastructure” and withstand tumultuous changes. Spaces can be repurposed for in case of environmental distress or a pandemic-like resurgence.
Charlotte St.
A’
Cherry St.
Legend 0
25’
50’
100’
200’
■ Connectivity
E 8th St.
1 Fountain City Welcoming Plaza
E 8th St.
2 Pedestrian Bridge Connecting to Paseo West
E 8th St.
3 Jazz Plaza Connecting to the North Neighborhood
3
4 Concert Garden for Holding Small Events
Locust St.
7
5 Private to Public Transportation Transit Center 6 Jazz Music Live-house 7 Community Theater
Ho
2
7
8 New Residential Housing
s St lme
3
2
9 New Office Tower
. 7
■ Equity
E 9th St.
E 9th St.
1
Merging Plaza for Community Events
2
Job Training E 9thand St.Assistance Center
3
Cherry St.
4
1
Charlotte St.
8
3
6 6
1
E 10th St.
Free Community Museum
6
Minority-Supported Retail Shops
7
New Residential with Affordable Housing
1
4
E 10th St.
Free Library for All Citizen’s Education
5
■ Resiliency
2
E 10th St.
Enterprise Incubator for Starting Business
4
2
Rain Garden Collecting Storm Runoff
2
Bio-swale Walk Enhancing Micro-climate
3
Online to Off-line Smart Shop
4
Solar Energy Rooftop
5
Roof Landscape for Private use
6
Parking Building Providing Emergency Shelter
7
Neighbor Plaza with Enough Social Distance
B
5 9 2
Holmes St.
Locust St.
B’
1
9
5 1
6
6 7
E 11th St.
E 11th St. E 11th St. 5
1
E 12th St.
Connecting to the North Neighborhood
7
7
Charlotte St.
Cherry St.
4
1
3
3
Jazz Plaza
7
E 12th St.
1
Rain Garden A
Holmes St.
Locust St.
E 12th St.
SITE PLAN
Collecting Runoff and Enhancing Micro-climate
Housing
Theater
Cafe/ Bar
Job Training
Biking
Office
Gym
Restaurant
Online Servise
Bus
Community Servise
Museum
Shop
Library
Streetcar
Livehouse
Hotel
Parking
Walking
Private Car
Tranisit Center
BIRD VIEW
ENTERPRISE INCUBATOR CULTURAL PORTAL
MIXED COMMUNITY
The open interface of KC CATENA with the attractions of surrounding cultural programs such as Jazz bars, theater, art gallery, library and lots of culture-related events.
The combination of affordable house and market-rate house for mixed-income residents. The hybrid of housing and studios for different purposes.
Curbside Parking
Offering preferential terms to start-up enterprise. Providing job training to the unemployed.
SMART NEIGHBORHOOD The practical base of smart retail economy linking the on-line service with off-line retail programs to provide the convenient and efficient shopping mode, adapting to various situation.
RECREATION CENTER
With landscapes and programming including fountains , shared spaces for live music and outdoor screenings.
ILUS W. DAVIS PARK
COMMUNITY LINKAGE Future development take the whole area as community service linkage to surrounding area.
Pedestrian Bridge
KEMP PLAYGROUND
SITE SECTION
PROGRAM AND SPACE USE
07
VARIOUS PUBLICITY
T h e St u d e n t D o m i to r y D e s i g n SCUT Architecture Design Studio Individual Work Fall 2015 Instructor: Yinan Wang
Modern society pays attention to the protection of personal privacy, and the design of student residence tends to confine its function to the single dormitor y. In this case, the public communication space of different students is often placed in the second place. Although students in my university are living under the same roof, their life trajectory seldom has the opportunity to know each other. The dormitory design starts from satisfying the living habits of different students, connecting the two apar tments to form three different combination apar tments. At the same time, shower, cooking and enter tainment functions are divided into public and private par ts. Two functions are arranged in each type of apar tment, and another function is missing in public areas close to these dormitories. In this way, students'daily life is endowed with a kind of public intersection, the border between dormitories is broken, and students have more oppor tunities to exper ience the fun of collective life and public activities. Campus residential buildings need to serve the collective life of students. They are the media connecting different students. The dormitor y can not only meet the living needs of students, but also give them some personal space. More importantly, dormitory design provides a lifestyle possibility. In the campus, the design that can link individual needs with collective needs is valuable.
PUBLIC POTENTIALS OF DOMITORY UNITS
PUBLIC POTENTIALS OF UNIT COMBINATIONS MODE A+A: Connected by Inward Atrium
MODE B+B: : Connected by Stairs
MODE A
MODE C+C : Connected by Outward Atrium
Balcony
Sleep
Study
A typical dormitory unit meets the need of four people. There are three kinds of connection methods among the units, including the inward patio, staircase and the outward, open space. The whole dormitory is semi-enclosed, consisting of six groups of connecting units, in which the corresponding public activity space is interspersed.
Cooking Bathroom
0
MODE B
2
5
10m
PUBLICITY DISTRIBUTIONS OF DOMITORY ROOMS
MODE A: Dormitory Units with no private Bathroom A
B
B B
Balcony
Sleep
Study
Dine
B
Public Bathroom
Toilet A
Public Living Room
MODE B: Dormitory Units with no private Living Room
A
MODE C
MODE C: Dormitory Units with no private Kitchen
A
C C
C
Public Kitchen C A
Balcony Sleep&Study Recreation Bathroom
0
1
2
5m
0
5
10
20m
GROUND FLOOR PLAN Dormitory C
SECTION
Dormitory B Side Entrance
Courtyard Entrance
Activity Space Reading Room
CONSTRUCTION A
Bathroom Discussion Room Reception Space
CONSTRUCTION B
Platform pine plank wood board concrete beam
Main Entrance
Floor pine plank wood batterns aggregate concrete rammed earth
Dormitory A
0
5
10
20m
DETAILS
beam reinforecd concrete foundation
PERMEATION OF LANDSCAPE On the side facing the lake, the floors step backward one by one, forming a type of apartment suitable for enjoying the lake scenery. On the side facing the courtyard, a characteristic elevation space is formed, which adds interest to a single corridor and forms a positive interactive space. The structure and floor of the building are made of concrete, which reflects the coherence of the structure. On the side facing the cour tyard, the residents can enjoy the pleasant courtyard landscape. The open design of the single corridor retains the independence of the dormitories to a cer tain extent. At the same time, it forms a good public life atmosphere to adapt to the humid and hot climate in South China and meet the diverse needs of the residents. residents.
COMPOSITION OF PUBLIC SPACE The design combines the form and function together and delivers unique architectural language. For example, stairs and high space are formed between the rooms, and interesting interaction happens among inhabitants. On the plan, there is an excessive space of corridor convergence, contributing to a variety of public space.
1/Chat Room
5/Table Room Vertical Traffic
Plan Traffic
Roof Space 1
2/ Kitchen & Dining
5
2
6/Dancing Room
Transition Space
Atrium Space
Activity Space 6
3/Meeting Room
3 7
7/Gym
8
4/Reading Room PUBLIC ACTIVITIES
Reception/Rest Space
The replaced public space provides a space for different leisure and learning functions. According to the principle of nearest arrangement in three unit mode, each public space makes up for the missing function of adjacent dormitories and creates opportunities for students living in dormitories to colive .
8/Projection Room
3
4
The public space of dormitory becomes a bridge connecting strangers and provides rich choices for students'extracurricular life. The open courtyard is connected with the surrounding green space.
SECTIONAL PERS PECTIVE OF CENT RAL COURTYARD
The dormitory is connected with green space, which is suitable for walking and exercise. The diagonal bracing structure of the building blocks the afternoon sun and keeps the room ventilated and cool.
PERSPECTIVE VIEW FROM LAKE SIDE
08 TOP VIEW OF THE LENS
THE LENS
The Film Museum Design
SCUT Architecture Design Studio Individual Work Spring 2017 Instructor: Xiaolei Zhu
The museum design is an exploration between architecture and film. I always hold the belief that there is an inseparable link between architects and film directors. Architects use architectural language to describe the building of physical space, while directors use lens language to depict all the phenomena of the world. In other words, the architect is the director of space. It is undeniable that there are many criteria to judge a movie. The rhythm of the plot is among the key par ts. If a movie is regarded as a whole , there are many complicated relationships in it. The director's job is to organize and arrange the relationships, making them a stor y. There is no specific structure in the story, no matter what par t is missing, the meaning of the film is complete as a film. Based on the char acter istics of the film, museum design develops its linear ly plot. Different types of space indicate the beginning, progression, turning point and ending of the plot. The experience of exploring space is like that of watching a movie with rich plots. At the same time, they also become par t of the stor y of museum architecture in the process of visiting. This design enables them to become both audience and actors of the exhibition. The way to tr anslate film elements into architectural language is the core of the design. design.
EXPLODED VIEW
GROUND FLOOR PLAN 01. 02. 03. 04. 05. 06. 07. 08.
Local Film Exhibition Prop Exhibition Temporary Storage Temporary Exhibition Lecture Hall Resting Hall Storage / Exhibition Office Room
08
07
08
08
07
07
1. Drainge 2. Small Theater 3. Small Exhibition 4. Terrace 5. Film Device Exhibition 6. Film Studio Exhibition 7. Interactive Exhibition 8.08 Scene Exhibition08 08 9. Storage 10. Local Fimn Exhibition 11. Temporary Exhibition 08 12. Cafe 08 13. 07 Bar 14. Gallery
01. 02. 03. 04. 05. 06. 07. 08. 09. 10. 11. 12. 13. 14.
Drainge Small Theater Small Exhibition Terrace Device Exhibition Studio Exhibition Interactive Exhibition Scene Exhibition Storage Local Film Exhibition Temporary Exhibition Cafe Bar Gallery
01
02 08 08
08
03 03 08
02 03
05
07
01
06 04 05
10 06
09
04
08
12 11 13
0
5
10
20m
14
17 17
SPACE INTRTPRETATION
From the first floor to the end of the sinking square, visitors experienced space of interleaving openness and narrowness. The end of journey is an open space that assenbles galleries, shops and bars. It is also an excessive space for visitors to travel from museums to the real world.
I /Enterance Bridge
II /Corner Stairs
The corridor outside the tube extends many small terraces to the central cour tyard, which makes the process of walking through the corridor no longer monotonous. These small terraces also provide visitors with a unique perspective to appreciate central cour tyard.
The museum is divided into many interface from inside to outside. Diverse sensation is provided by various interface. Some interface are ambiguous and staggered, while others are not directly related to each other. As media, small platforms stimulate visitors'curiosity about the journey.
IV /Resting Hall
III /Cafe
V / Transparent Drainage
VI / Spiral Stairs
VII /Tour Balcony
VIII /Tour Balcony
IX / Inner Courtyard
III I
VI VII
I
VIII X
IV
V
IX
PERSPECTIVE SECTION
X /Office Corridor
SCENES OF MODEL The design of the building space begins with the concrete central tube from the negative floor to the top floor, which also serves as the end of the museum's journey. A transparent pipe leading to underground is suspended in the center of the central cylinder.
Beginning: The Bridge
Ending: The Sinking Plaza
On sunny days, the sun shines into the barrel, creating a wonderful light and shadow effect. On rainy days, rainwater flows through pipes into the pool on the negative floor, and the sound of rain brings the sound of nature to visitors.
09
REVITALIZING THE SECOND-LINE PASS T h e U r ba n Re n o vat i o n Re s ea rc h & D e s i g n
SCUT Urban Design Studio Coperation Work Collaborator:Yang Zhao Spring 2018, Instructor: Jin Yan Contribution: Research Composing, Diagram Drawing, 3D Model, Architectural Representation The Second-Line Pass is an essential historic product which recorded the development of Shenzhen Special Economic Zone. It was named after the frontier gateway between Shenzhen and Hong Kong, which divides the Special Economic Zone and the other territory of Shenzhen. The emergence has become both the driving force of Shenzhen's rapid economic development and the obstacle to the long-term development of Shenzhen Special Economic Zone. The design focuses on utilizing the traffic potential of the site, referring to the TOD development mode and relying on traffic stations to drive economic growth. It stimulates the overall vitality of the region by creating an open and public line for inhabitants. The design breaks the limitation of the second-line border guard station and build it into a center driving the development of the surrounding areas. The renovation includes constructions such as shopping centers, office buildings, and the Second-Line Pass Memorial Museum, which become the center of local consumption, entertainment, and business. | REVITALIZING THE SECOND-LINE PASS |
History of the Second-Line Pass, Shenzhen
Historic Sites of Buji Checkpoint
Opportunities for Development 84km Fence
BAIMANG XICHONG
SHAWAN MEILIN
YANTIAN
BEIJIAOZAI
BUJI
NANTOU
Sewage treatment of Buji River
TONGLE
Reconstruction of Old District
New Construction of Metro Lines
Bank Design of Buji River Park
Reconstruction Process
Main Checkpoints of the Shenzhen Second Line Pass
Stregnths
Evaluations of Existing Site, Buji
Weakness
1
Lack of Basic Facilities
Underground Sewage Treatment
1.Separation
1
Temporary Residence
Valid Land Resources
2
3 3
2
Railway Line Reconstruction
Polluted Water Nearby
1
4
Accessibility of Public Transpotation
5 5
6
Vitality of City Village
Industrail Radiation
6
3.Sewing Up
Lack of Public Space
6 5
4 4
2
3
The Second Line Pass
Poor Living Environment
4. Integration
Patterns of Function Reformed Area Renovated Area
1 2
2.Getting Through
Residential Area East Caopu Comunity West Caopu Comunity Urban Village Apartment Commercial Office Area Buji River Park Logistics Storage Area
(1) (2)
Composition of Residents
52% Immigrations
48% Local Residents
4
Workers
Company Employed
Self Employed
5%
Other Occupations
15%
50%
10% 20%
Unployeed
Site Occupations
Traffic Corridors
Scale Comparation
Mixed Use
Renovation Strategies
5
6
*
Strategies of Urban Village Renovation
3
Unemployeed Population
(1) (4) (6)
(1) (4) (5)
(3)
H H Credict to Yang Zhao/ Zihe Ye
Release Balconies
Add Corridors
Add Public Floor
01. Bouji River View Pavilion 02..Eco-wastewater Treatment Plant 02 03 .Tourist Service Center 04. Linear Park Management Office 05. Waiting kiosk 06. Frontier Residence (Reserved) 07. Second Line Pass Experience Hall 08. Buji Agriculture Product Market(Reserved) 09. Buji Business Complex 10 business office building 11. Dexing Metro Station Exit 12. Tsaopuxi Community Committee 13. Geriatric Activity Center 14. Housing Rental Management Office 15. Community Health Institutions 16. Caopu West Kindergarten 17. Qingshuihe Commercial Street Fair 18. Qingshuihe Shopping Area 19 Qingshuihe Art Creation Zone 20 Industrial Station Exhibition Hall (Reserved) 22 Hewei Village Community (Reserved) 23 Village Collective Co., Ltd. (Reserved) 24 Qingshuihe Talent Apartment (Renovated) 25 Reformed Apartment (Renovated) 26 Metro Commercial Street (Demolished) 27 Caopu Office Building (Demolished) 28. Comprehensive Supermarket 29. Industry Management Office 30. Life Commercial Street 31. Resettlement Communities (Demolished) 32. Farm Fair 33. Cao Pu Primary school 34. Village Archway
Applications of Renovation Planning Planning structure
Building Renovation
Ecological Center Business Center Living Group
Spot of Public Service
Scope of Public Service Effect of Public Service
1:8000
Railroad
Preserved Buildings
Metro Line
Reconstruction Buildings
Branch Road
Main Road
Branch
Demolition Buildings
Business Line
Public Service System
Master Plan
Traffic System
Space Publicity
Public Area
Semi-Public Area
Semi-Pravite Area
Landscape System
Landscape Nodes Buji river
Landscape infiltration
Indication of Connection
Credict to Yang Zhao/ Zihe Ye
Recidence, Landscape Renovation
Commercial, Retail and Business Complexed
Transportation, Business, Commercial, Culture , Education Complexed
Landscape Park, Retail
Public Service Node
Public Service Effect
Art Fair
Attraction of Public Service
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1. Various types of plants correspond to the design of ecological park
Viewing Stand
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2.The fountain barrier brings much fun to child and creates comfortable feelings
Activity Corridors
Exhibition Area
Transformation of Railway Line
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3.Memorial landscapes offers pedestrians resting space to review history of railway
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SHAPING PAVILION
T h e W o o d C o n st r u ct i o n Wood Construction Competition Team Work Fall 2015 Collaborator: Jingyu Zhang, Sixuan Chen,Wanshu Zhang, Jintao Xu, HaoCong Zheng, Haodong Lv Contribution: Main Design, Diagram Drawing Material purchasing, Physical Construction
The competition is based on the theme of " m o d u l a r i z a t i o n " . Te a m s p a r t i c i p a t i n g i n t h e competition are required to design modulus, from structure to enclosure.The structure, enclosure and the location of the screw were following a cer tain logical relationship. The work considered the pre-fabrication and installation method in a shor t time on site. We also took the possibility of its industr ialization into consider ation; and ultimately combined all the small buildings together as a whole . The constr uctions were reser ved for a long period of time for exhibition function. Our design is based on modularization, forming an infinite number of combinations of single units and adapting to factory production and different needs. The design inherits the essence of traditional sloping roof, pays attention to the meticulousness of construction nodes, and creates a sense of rhythm in a narrow space. The final site construction was completed with good quality.
TYPE OF FLOW
CONCEPT The concept of the scheme comes from the traditional Chinese sloping roof buildings around the site, which are decomposed into small parts by means of deconstruction. Each of the small parts becomes a module that retain the characteristics of the sloping roof . Its right angles can be flexibly combined. By reassembling the decomposed modules, the construction develop a new order.
FORM
Roof Organization
The slope of the roof indicates the openness of the space, which is reflected in different combinations. On sunny days, the sloping direction of the sloping roof signaled welcome and became a symbol of openness. In rainy days, the sloping roof assumes the function of drainage. The inclined direction of the roof excludes people. In this case, the other side of module becomes an open surface to visitors.
Openness
Migration Flow
Cross Flow
Ergodic Flow
Combination for Site 1
The above three space flow modules are connected in different organizational ways. The change of the height of the single body makes the exhibition and sightseeing space with changeable rhythm in a limited plane range.
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CONSTRUCTION PROCESS
2
1/ Drainage Direction 2/ Structure Direction 3/ Active Orientation
PROMOTION
Other Combination
Exhibition
The unit combination is simple and flexible, and can be used as telephone booth, waiting booth, etc. Preset different walls according to demand under fixed frame brings more possibilities. Multi-module combination can form large space convenience and enr ich space experience at the same time. 1/ Visitors 2/ Exhibition Booth 3/ Sight Direction
1/Insert Pillars
2/Install Keels
5/Place Beams
6/Install Wall
3/Fix Keels
4/nstall Floors
7/Install Roof
8/Lay waterproof Roof
1 2 3
COMPONENT SIZE
CONSTRUCTION DETAILS
The load-bearing system and enclosure system are modularized. They are conducive to simplifying the facade and liberating the plane. The design also focuses on the flexible organization of space.
The load-bearing system and enclosure system are modularized. They are conducive to simplifying the facade and liberating the plane. The design also focuses on the flexible organization of space. Each component is formulated according to modulus, which can realize industrialized production.
Roof Connection
Side Enclosure
ADDITIONAL COMPONENT
4
1/Iron Base 2/Screw&Nut 3/Plastic Waterproof
Main Enclosure
4/Lightening Gable
Credict to Sixuan Chen/ Zihe Ye
Base Installation 1
2
3
PROCESS PHOTOS
1/ Process I-Design Model 1:75 2/ Process II-Physical Constraction 3/ Process III-Construction Outcome 1:1 Outside Perspective 4/ Process III-Construction Outcome 1:1 Intside Perspective 3/4 Credict to Sixuan Chen
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