Zijian Cheng Final Journal by ZIJIAN CHENG

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Studio 35mm is an architectural filmmaking studio; and provides students with appropriate methods, tools and skills to learn the cinematic strategies for narrating architectural spaces, atmospheres and ideas. The process of working in this studio involves research into film and architectural theory, weekly filming and editing exercises and. Studio 35mm aims to employ the power of the moving image to study, dissect, communicate and promote architecture. This semester Studio 35mm provides students with the opportunity of making a film about the modern piazza of Melbourne; Federation Square. Within the framework of the studio each student will dissect an urban, architectural, narratological or phenomenological feature of Federation Square through the lens of a short film. All the short films will be put together as episodes (or parts) of a collective architectural featurette.

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What does "35mm" mean? 35mm film. (35 millimeter film) The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras. ... The 35mm film frame is 36 x 24mm, and high-end digital SLR (DSLR) and video cameras use sensors of equivalent size (see crop factor)

https://www.picturecorrect.com/tips/what-is-film-and-how-it-works/

Why “35mm”? For my studios C “forms of enchantments”(-I abstracted ideas from <Alice in Wonderland> to created a space of escapism)and studio D”love hotel”(my idea was about to created an inclusive sexual space--a sex cathedreal), they are both narrative based studios and I found myself quite obssessed with creating space based on a story or a character. When I was reading the brief of “35mm” studio,(which was filming a movie in federation square and about federation square) I feel like it was about narrative and architecture, but this time is not narrative shaping the space, but space shaping the narrative. 5

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site visiting site study five strategies to collect five stories

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History of Yarra River, developing of riverside Inclusive spaceâ&#x20AC;&#x201D; symbolize with different shaped of triangles "plaza" "triangles" "trams" "couples" "interactive screen" ......

Photo from site visiting 02/03/2020

F I V E S T R AT E G I E S T O C O L L E C T F I V E S T O R I E S The final short final film will be composed with five episodes, we need a solutions to make them coherent, those strategies could be: same items/charaters in five episodes same music matching color ...

Based on site visiting and some case study, I concluded five strategies to collect five episodes

RUN LOLA RUN GODâ&#x20AC;&#x2122;S PERSPECTIVE LEAKING INK DUNKRIK TRIANGLES 8

This technically stunning movie<run Lola run> is one of the most iconic multiple timelines movies. The story is about, Lola has 20 minutes to bring 100,000 DM to her boyfriend or he robs a store. If the money is not returned, there will be consequences. We see three possible scenarios, depending on Lola's encounters. The movies show these 3 scenarios with incredible editing. with the same character and plots, it shows 3 different possibilities, lead to different characters and different spaces.

photo resource: stage photo from movie <run lola run>

photo resource: http://www.jennypixels.com/1lola.html

For architectural space, the space of Fed Squ, although we have the same start, because of different aims and been led by different spacial experience, we all have different visiting experience. So I think from the reference to this movie, we could apply this strategy in our project. 9

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P h o t o f r o m s i t e visiting 02/03/2020 <Thelma> clips clip2 CCTV tower as one of equipment in Fed Square, watching people's activities everyday, it reminds me of the movie Thelma, the "God View" , how the camera movement move from crowds to individual

Photos from site visiting 02/03/2020

The ink of my pen leaked during my site visiting, and it is expanding during my visit, it inspired me another solution to show the process of time via film, is by filming the area of the ink on hero's hand

D U N K R I K -recording an event in Fed Squ Photo

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Different t im e p er io d , d iff er en t s t ar t , b u t three storylines connected at the end, still, it is another solution of planning the storyline.

Photos from site visiting 02/03/2020

Photo resource: https://www.reddit.com/r/Dunkirk/comments/6oqgl5/spoilers_i_made_a_little_ diagram_depicting_the/

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site visiting (07 March+11 March) narrative building

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Activities:people sit on square is looking at people, but himself/herself is also been look by others 15

History Role: The federation square reflected Melbourneâ&#x20AC;&#x2122;s history/culture(materials, the idea of triangles), but at the same time, Fed Squ is also where the history of tomorrow happens, itself plays a role as a spot-on history timeline but also as a place where history happens, as a witness also a reflection in Melbourne Federation Square is a landmark building in Melbourne. Its architectural form shows the cultural landscape and historical characteristics of Melbourne. While people visit or hold activities in federation square, these cultural activities are changing with each passing day and are also making and reshaping Melbourne

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PRECENT STUDY based on the scene/space/architural element 's connection with the story/concepts/characters 1 2 3 4 5 6 7 8 9

Ex Machina <2014> Anna Karenina<2012> Heredietary<2018> Her<2013> Alice in Wonderland<2011> Black Swan <2011> The house that Jack Built <2018> God's own country <2017> Nymphomaniac: Volumes I & II <2013>

Ex Machina (art directer nameďź&#x2030; "The appropriately programmed computer with the right inputs and outputs would thereby have a mind in exactly the same sense human beings have minds." Programmer Caleb Smith, who works for the dominant search engine company Blue Book, wins an office contest for a one-week visit to the luxurious, isolated, home of the CEO, Nathan Bateman. Nathan lives in a beautiful, modern home next to a waterfall and climbing hills and is alone apart from a servant named Kyoko (, who according to Nathan does not speak English. After an awkward introduction, Nathan reveals to Caleb that he has built a female humanoid robot named Ava with artificial intelligence. After asking Caleb if he is familiar with the Turing test, Nathan tells Caleb that he wants him to judge whether Ava is genuinely capable of thought and consciousness despite knowing she is artificial. Furthermore, the test will be passed if Caleb forgets that Ava isn't human during their daily sessions.

Ava has a robotic body but a human-looking face, hands and feet. She is confined to her isolated cell. Caleb is fascinated with Ava, but after trying to discuss Ava's technological design with Nathan, Nathan asks that Caleb only tell him how he 'feels' about her. Throughout their talks, Caleb begins to feel attracted to Ava, and she also expresses a romantic interest in him as well as a desire to experience the outside world. Ava tells him she can trigger power outages that temporarily shut down the surveillance system that Nathan uses to monitor their interactions, allowing them to speak privately. The power outages also trigger the building's security system to lock all the doors. During one outage, Ava tells Caleb that Nathan is a liar who cannot be trusted. Caleb grows uncomfortable with Nathan's narcissism, excessive drinking, and crude behavior towards Kyoko and Ava. He learns that Nathan intends to upgrade Ava, deleting her memory, including interactions with Caleb, and thereby "killing" her current personality in the process. After encouraging Nathan to drink until he has passed out, Caleb steals his security card to gain access to his room and computer. After altering some of Nathan's code, Caleb discovers footage of Nathan interacting with previous android models in disturbing ways, and learns that Kyoko is also an android. Becoming paranoid that he himself may be an android, Caleb goes back to his room and cuts his arm open with his razor to examine his flesh, thus confirming that he is human. At their next meeting, Ava cuts the power. Caleb explains what Nathan is going to do to her and Ava begs for his help. They form a plan: Caleb will get Nathan drunk again and reprogram the security system to open the doors during a power failure instead of locking them. When Ava cuts the power, Caleb and Ava will leave together.

Nathan reveals to Caleb that he observed Caleb and Ava's last secret conversation with a battery-powered camera. He says Ava has only pretended to like Caleb so he will help her escape. This, he says, was the real test all along, and by manipulating Caleb so successfully, Ava has demonstrated true intelligence. Ava then proceeds to cut the power. Caleb reveals that he suspected Nathan was watching them and modified the security system the previous day when Nathan was passed out. After seeing Ava leave her confinement on the surveillance camera, Nathan knocks Caleb unconscious and rushes to stop her. With help from Kyoko, Ava stabs and kills Nathan, but in the process he destroys Kyoko and damages Ava. As Nathan bleeds out, Ava enters his private room and repairs herself. She then takes pieces of artificial skin from Nathan's earlier android models to cover her mechanical appearance. She dons a long brunette wig, a white dress, and high-heeled shoes to take on the full appearance of a young human woman. As she leaves the facility she passes the room Caleb is now locked inside, but ignores his screams. Ava escapes to the outside world and is picked up by the helicopter meant to take Caleb home. Arriving in an unknown city, she merges into the crowd.

shooting location:The Juvet Lanscape Hotel@Norway

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"When I was in college, I did a semester on AI theory. There was a thought experiment they gave us. It's called "Mary in the Black and White Room." Mary is a scientist, and her specialist subject is color. She knows everything there is to know about it. The wavelengths. The neurological effects. Every possible property that color can have. But she lives in a black and white room. She was born there and raised there. And she can only observe the outside world on a black and white monitor. And then one day someone opens the door. And Mary walks out. And she sees a blue sky. And at that moment, she learns something that all her studies couldn't tell her. She learns what it feels like to see color. The thought experiment was to show the students the difference between a computer and a human mind. The computer is Mary in the black and white room. The human is when she walks out."

Ex Machina <2014> "The appropriately programmed computer with the right inputs and outputs would thereby have a mind in exactly the same sense human beings have minds."

LANSCAPE PLAYS A STRONG ROLE IN THE ART SETTING OF THIS MOVIE, EVEN THE THE FOREST AND THE COMPLICATED GORGEOUS AI ROBOT 'AVA' THE CONTRAST OF ORIGINAL NATURE VIEW AND HIGHLY INTELLIGENT ARTIFICIAL MACHINE, BRING UP TO THE THOUGHTS ON MORAL ETHICS AND NATURAL SELECTION THEORY OF "GOD BUILD HUMAN"&"HUMAN BUILD AI"

Direction one- redesign Ava's bedroom in lab The budget of this film is pretty low, discouted the budget of visual effect, the budget for the shooting

scene is pretty low.How designer embody the scene of a b illionaire's house is via introducing nature elements. the house view, and use heaps of pure elements But "Ava's bedroom" seems like weakened the feeling of the film

Direction two- design Ava's apartment after she get out of lab Director left an opening ending to us, the last shooting is Ava finally go to the crossroad, and

disappear into the crowds, which left us to imagine what her life will lead to, how she adapting the human life, how she contiinue the learning, and what the space will be like for a grey box of "AI" and human. 21

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In 1874, Russian Empire, Princess Darya "Dolly," banishes her unfaithful husband, Prince Stephan "Stiva" Oblonsky. Stiva's sister, Anna Karenina, a socialite in Saint Petersburg with her older husband, Count Alexei Karenin, and son, Sergei "Seryozha" Alexeyich Karenin, travels to Moscow to persuade Dolly to forgive. Stiva meets old friend Konstantin Levin, a landowning aristocrat despised by Moscow's elite for preferring country to city life. Levin says he loves Stiva's sister-in-law, Princess Ekaterina "Kitty" Alexandrovna, and Stiva encourages him to propose. Kitty declines as she hopes to marry Count Alexei Vronsky, a wealthy officer. Levin meets his elder brother, Nikolai, who has reonunced his inheritance and married Masha, a prostitute. Nikolai suggests Levin marry a peasant. On the train, Anna meets Vronsky's mother, Countess Vronskaya, isolated by her own infidelity. Arriving, Anna meets Vronsky and they are attracted. After a worker dies in an accident, Anna asks for help for his family. Vronsky gives money for this. Anna convinces Dolly to take Stiva back. At a ball, Kitty attempts to dance with Vronsky, but he prefers Anna, upsetting Kitty. Vronsky tells Anna he must be wherever she goes.

Anna Karenina <2012> "I'd call on her if she'd only broken the law. But she broke the rules!"

In Saint Petersburg, Vronsky visits his cousin, Princess Elizaveta "Betsy" Tverskaya, a friend of the Karenins, and appears wherever Anna and Betsy visit, causing gossip. He flirts with Anna. Saying he has a promotion in Tashkent, she persuades him to stay. They later meet and make love. Stiva informs Levin that Kitty and Vronsky will not be married. Levin focuses on country life and contemplates marrying a workers' daughter. Anna and Seryozha go to the Karenin estate. Anna visits Vronsky and reveals her pregnancy. He wants her to leave Karenin. Anna suggests Karenin come to the horse races but betrays her feelings when Vronsky's horse falls. Afterwards, Anna admits she is Vronsky's mistress and Karenin says she must renounce him. Levin realises he still loves Kitty. Months later, Anna receives Vronsky. He tells her military duties delayed his visit. Karenin discovers Vronsky visited and steals his letters for a divorce. Levin and Kitty are reunited. Karenin visits Stiva and Dolly to say he is divorcing Anna. They beg him to forgive her: he refuses. Levin and Kitty announce their love and marry. Anna goes into premature labour and sends for Vronsky. She says he could never be the man Karenin is. Karenin returns, believing Anna is dying and forgives her. Anna survives and decides to stay. Princess Betsy tells Anna Vronsky wants to see her. Anna says Karenin believes they will be reunited. Karenin tells Anna she cannot marry Vronsky even if divorced, due to her adultery. However, he releases Anna. She and Vronsky leave for Italy with their daughter, Anya. Levin and Kitty return to his estate, where sickly Nikolai and Masha live in a storeroom. Levin tells Kitty he will send Masha away so Kitty does not have to meet her, but the newly mature Kitty ignores social norms and helps Masha nurse Nikolai. Levin's love for Kitty grows. Anna returns to Saint Petersburg for Seryozha's birthday, but Karenin dismisses her. Anna suspects Vronsky of infidelity. She attends the opera with Princess Myagkaya, an outspoken socialite, but society disdains her. Humiliated, Anna retains her poise, only to break down at her hotel. She uses morphine to sleep. Women avoid her in a restaurant. Dolly tells her Kitty is in Moscow to give birth. Dolly says Stiva's behavior is unchanged, but she has come to accept and love him. Vronsky informs Anna he must meet his mother for business. Anna becomes upset when Princess Sorokina gives Vronsky a ride, as she believes Countess Vronskaya wants Vronsky to marry her. Anna returns to Vronsky's estate. On the train, she imagines Vronsky and Princess Sorokina making love and laughing at her. Arriving at Moscow, Anna says to herself, "Oh God... " and jumps under a train. The scene flashes to a shocked Vronsky. Levin returns home from work to find Kitty bathing their child. Stiva and his family eat with Levin and Kitty. Karenin, retired, is living at his estate, with Seryozha and Anya playing.

JOE WRIGHT SET HIS â&#x20AC;&#x153;ANNA KARENINAâ&#x20AC;? IN A DECAYING RUSSIAN THEATER THE COMBINATION OF FILM AND STAGE PLAY IS AMBITIOPUS, AND IT ADDS A MORE DRAMATIC EFFECT TO THE PLAY. THE STAGE ALSO HINTED AT THE FATE OF ANNA KARENINA, IMPRISONED IN THE MORAL SYSTEM OF THAT HISTORICAL ERA-IN 1874, RUSSIAN EMPIRE, AND HER INEVITABLE FATE.

Direction one- design Another scene for Anna Karenina As we all know <Anna Karenina> is a novel by the Russian author Leo Tolstoy, and there are some the Mariinsky Theatre ST PETERSBURG, RUSSIA (1783)

scenes that were not been filmed in movies, I can build those scene from the novel in a threater like the movie do, studying the threater form of that hiwstory time and make the most use of the space and imagination to build a new filming scene 23

Heredietary <2018> "I'd call on her if she'd only broken the law. But she broke the rules!"

Failed architect and arch-sociopath Jack (Matt Dillon) recounts the elaborately orchestrated murders-each, as he views them, a towering work of art-that define his "career" as a serial killer.

<DOLLHOUSE MINIATURES> January/February 2019 2

Direction one- sizing, dollhouse As we all know <Anna Karenina> is a novel by the

Russian author Leo Tolstoy, and there are some scenes that were not been filmed in movies, I can build those scene from the novel in a threater like the movie do, studying the threater form of that hiwstory time and make the most use of the space and imagination to build a new filming scene

The house that Jack built <2018> "I'd call on her if she'd only broken the law. But she broke the rules!"

Failed architect and arch-sociopath Jack (Matt Dillon) recounts the elaborately orchestrated murderseach, as he views them, a towering work of art-that define his "career" as a serial killer.

Direction oneBODY&CONSTRUCTION

As we all know <Anna Karenina> is a novel by the

HER <2013> "I'd call on her if she'd only broken the law. But she broke the rules!"

Direction oneLONLINESS&CONTRAST

As we all know <Anna Karenina> is a novel by the

ALICE IN WONDERLAND<2011> "I'd call on her if she'd only broken the law. But she broke the rules!"

Direction oneGOTHIC&FANTASTIC

As we all know <Anna Karenina> is a novel

by the Russian author Leo Tolstoy, and there are some scenes that were not been filmed in movies, I can build those scene from the novel in a threater like the movie do, studying the threater form of that hiwstory time and make the most use of the space and imagination to build a new filming scene

BLACK SWAN <2011> "I'd call on her if she'd only broken the law. But she broke the rules!"

Direction one- PERFECT REFLECTION OF IMPERFECTION As we all know <Anna Karenina> is a novel by the

Nymphomaniac <2013> "I'd call on her if she'd only broken the law. But she broke the rules!"

Direction one- SEXUAL

As we all know <Anna Karenina> is a novel by the

This is the house that Jack built. This is the malt that lay in the house that Jack built. This is the rat that ate the malt That lay in the house that Jack built.

The house that Jack Built <2018>

This Is the House That Jack Built

It is a cumulative tale that does not tell the story of Jack's house, or even of Jack who built the house, but instead shows how the house is indirectly linked to other things and people, and through this method tells the story of "The man all tattered and torn", and the "Maiden all forlorn", as well as other smaller events, showing how these are interlinked. This kind of narrative technique is been applied in the movie.

"This Is the House That Jack Built" is a popular British nursery rhyme and cumulative tale. It has a Roud Folk Song Index number of 20584. It is Aarneâ&#x20AC;&#x201C;Thompson type 2035.[1] 32

This is the house that Jack built. This is the malt that lay in the house that Jack built. This is the rat that ate the malt That lay in the house that Jack built. This is the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the man all tattered and torn That kissed the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built.

This is the rooster that crowed in the morn That woke the judge all shaven and shorn That married the man all tattered and torn That kissed the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the farmer sowing his corn That kept the rooster that crowed in the morn That woke the judge all shaven and shorn That married the man all tattered and torn That kissed the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. This is the horse and the hound and the horn That belonged to the farmer sowing his corn That kept the rooster that crowed in the morn That woke the judge all shaven and shorn That married the man all tattered and torn That kissed the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built.

This is the judge all shaven and shorn That married the man all tattered and torn That kissed the maiden all forlorn That milked the cow with the crumpled horn That tossed the dog that worried the cat That killed the rat that ate the malt That lay in the house that Jack built. 33

PLOTS The story follows Jack, a serial killer with some artistic disposition, over the course of twelve years and depicts the murders that develop Jack as a serial killer through five "Incidents" and an epilogue. Throughout the film, he has side conversations with Verge in between the depictions of the incidents, most of which revolve around discussion of art, philosophy, ethics or Jack's view of the world.

picture recourseďź&#x161;https://weibo.com/2197389193O89AXJP/?utm_source=ig_web_copy_link

1ST INCIDENT Jack is driving down a road when he encounters a woman who needs to fix her broken jack for her car. He agrees to take her to a local blacksmith, Sonny. Sonny fixes the tire jack, but when they return to try and repair the car, the tire jack breaks yet again. The woman asks to be taken back to Sonny. Offended by the woman's manner, Jack takes the tire jack and kills her with it. He then stores her body in an industrial freezer he had previously purchased. 2ND INCIDENT Jack knocks on the door of another woman and claims that he can help her with her dead husband's pension. The woman invites him in and he strangles her to death after which he stabs her in the chest. His obsessive-compulsive impulses over trying to clean up every surface in the house nearly lead to his undoing as a suspicious cop comes by. He then ties the woman's corpse to the back of his van and drags her body all the way to the industrial freezer. Around this time, Jack ends up giving himself the serial killer moniker, "Mr. Sophistication". 3RD INCIDENT Jack takes a woman he is dating and her two sons, Grumpy and George, deep into the forest for a hunting lesson. Shortly afterwards, he kills both sons using a sniper rifle from a distance and forces the woman at a monstrous picnic to feed pie to a very dead George. He then also hunts the woman down and murders her. Back at the industrial freezer, he re-arranges Grumpy's face into a grotesque smile. 4TH INCIDENT Jack appears to be in a relationship with Jacqueline, a woman he calls "Simple", as he believes her to be stupid. Jack confesses he has killed sixty people at this point and is the serial killer known as "Mr. Sophistication", but Jacqueline does not believe him. After he marks red circles around her breasts with a marker, she becomes frightened and approaches a policeman, but he dismisses her as a drunk. After being locked without escape in her apartment, Jack ties her up and gags her. He then cuts off her breasts with a knife and murders her. He pins one of the breasts to a police car and fashions the other into a wallet. 5TH INCIDENT Jack has detained five men in his industrial freezer and tied them to a makeshift post, lining their heads up in a row with the intention of killing them all with one bullet, but realizes that the intended bullet is not a full metal jacket bullet. Having gone off in quest of full metal jacket bullets, Jack kills a man known to him as SP. Having also murdered a policeman who had been summoned by SP to arrest Jack, Jack then grabs the one bullet he needs and steals the policeman's car, which he leaves outside his industrial freezer with the siren blaring. For the first time, Jack manages to open the firmly closed door behind the freezer and sees Verge. Verge suggests that Jack has unfinished business and has never really built the house that he was intending to build. Using the many frozen bodies stored in the freezer as construction material, Jack builds a house and when he enters the makeshift house, he sees a hole that leads down. At this point, the cops successfully torch through the door, and Jack decides to go through the hole, following Verge. EPILOGUE: KATABASIS IN AN ALLUSION TO DANTE'S INFERNO, VERGE IS ACTUALLY THE POET VIRGIL AND IS GUIDING JACK THROUGH THE CIRCLES OF HELL. AT THE VERY BOTTOM OF HELL, THERE IS A BROKEN BRIDGE AND A VAST DARK SPACE BELOW. THE DOOR ON THE OTHER SIDE OF THE BRIDGE LEADS OUT OF HELL AND PRESUMABLY TO HEAVEN AS VERGE TELLS JACK. JACK NOTICES THAT ONE COULD CLIMB AROUND THE CLIFF AND OVER TO THE OTHER SIDE, ALTHOUGH VERGE RECOMMENDS HIM NOT TO DO IT AND TELLS THAT THIS IS NOT WHERE HE IS TO BE DELIVERED. JACK IGNORES HIM AND TRIES TO CLIMB OVER, BUT FALLS DOWN INTO THE FIERY ABYSS. 35

Glenn Herbert Gould Canadian pianist who became one of the best-known and most-celebrated classical pianists of the 20th century. Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, and others, in favour of Bach and Beethoven mainly, along with some lateRomantic and modernist composers. Personal Quotes "I detest audiences. Not in their individual components but en masse... I think they are a force of evil." “I always assumed everybody shared my love for overcast skies. It came as a shock to find out that some people prefer sunshine.”

Juan Gris <Why Not Torture Terrorists> Juan Gris was a Spanish painter born in Madrid who lived and worked in France most of his life. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive. Gertrude Stein wrote in The Autobiography of Alice B. Toklas that "Juan Gris was the only person whom Picasso wished away". Juan Gris's architectural influence to john hejduk "Following up on the discoveries of Cézanne, Juan Gris, Piet Mondrian, and other modern artists, Hejduk soon came to realize the limitations of conceptual space, the enigmatic depths that became manifest by simply shifting a square plan forty-five degrees, or employing frontal axonometric projections" reference:Attunement : Architectural Meaning after the Crisis of Modern Science -page136 chapter4

The book of Urizen In the mythology of William Blake, Urizen is the embodiment of conventional reason and law. He is usually depicted as a bearded old man; he sometimes bears architect's tools, to create and constrain the universe; or nets, with which he ensnares people in webs of law and conventional society. Originally, Urizen represented one half of a two-part system, with him representing reason and Los, his opposition, representing imagination. Here connected to the character Jack, Jack is a engineer who wants to be an architect, it showed he worship god and his reasonable side.

File:Urizen with his net - The Book of Urizen, copy G, object 27 c1818 (Library of Congress) Detail.jpg

Cathedral "To cast some supplemental light on the story of the jack.The old cathedrals often have sublime artworks hidden away in the darkest corners for only God to see or whatever one feels like calling the great architect behind it all.The same goes for murder. When I say cathedrals It is first and foremost the gothic buildings we admire.Here elegant, pointed arches have replaced the earlier more primitive rounded arches. The art of engineering is first and foremost about staticsďź&#x152; that is so things remain standing in spite of the various forces that impact the buildings.

In this way, the pointed arch created a possibility to build much higher and with much more light but most importantly with less use of material. I often say that the material does the work. In other words it has a kind of will of its own and by following it, the result will be the most exquisite."

2ND INCIDENT Jack knocks on the door of another woman and claims that he can help her with her dead husband's pension. The woman invites him in and he strangles her to death after which he stabs her in the chest. His obsessivecompulsive impulses over trying to clean up every surface in the house nearly lead to his undoing as a suspicious cop comes by. He then ties the woman's corpse to the back of his van and drags her body all the way to the industrial freezer. Around this time, Jack ends up giving himself the serial killer moniker, "Mr. Sophistication".

David Bowie <Fame> This song first appears in accident 02, and it is been played three times among the whole movie. We could be seen this as the director's personal preference, David Bowie to Lars Von Trier is equal to Glenn Herbert Gould to Jack. "“When I was younger, I was fascinated by David Bowie,” von Trier explained in a 1996 interview. “He’d managed to construct a complete mythology around himself. It was as important as his music.” The journalist, however, only asked why Breaking the Waves, released a year after Dogme 95, dared to name a director in the credits – thus breaking one of the “Vows of Chastity”. It’s a pattern throughout von Trier’s press interactions: when interrogated on his films, he draws a parallel with the singer of “Space Oddity”. In this scenario, von Trier reasoned that the artist’s identity matters, and that the baggage is part of the art itself. Bowie, clearly, was his evidence."

The single cover shows David Bowie standing in front of a Ziggy-era poster and the words "Fame 90 David Bowie"

“I was very influenced by David Bowie at the time, and he used to go about in a Nazi uniform,” von Trier said in an interview in 2011. “I was trying to imitate him. It was all part of my rebellion against my mother.” At the film festival’s infamous press conference, von Trier repeated the same anecdote – but, instead of a Bowie allusion, he infamously said, “I understand Hitler.”

1&2:movies<the house that Jack built> 3&4:Bob Dylan - Subterranean Homesick Blues (alternate music video) (Digital Video)

Months later, von Trier announced that he had “decided from this day forth to refrain from all public statements and interviews.” The catalyst, he added, was a subsequent police investigation into whether his Cannes comments had violated French laws. But what if the director had simply realised that his press shenanigans were overshadowing the films? After all, you remember “Young Americans” for Bowie’s lyrics and melody, not the controversial promo he did as The Thin White Duke.

reference： https://www.dazeddigital.com/film-tv/article/40819/1/larsvon-trier-career-long-obsession-with-david-bowie<Lars von Trier and a lifetime spent imitating David Bowie> https://youtu.be/aRxvDa3I3iU<Lars Von Trier Interview 2014 English Butitles(2/2) from DAZED>

Charlotte Gainsbourg, Lars von Trier and Kirsten Dunst at the Melancholia press conference at the Cannes film festival. Photo: Guillaume Horcajuelo/ EPA

Seven years after he was declared a "persona non grata" at the Cannes Film Festival, filmmaker Lars von Trier is set to return to the Croisette Photo: REUTERS

The negetive Jack see the negetive as a way to show the brightest light is the darkest scource

William Blake <The lamb>&<The Tyger> William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker.Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. In the movie Jack queto the theory of "the lamb" and "the tyger" from Willam Blake. "Blake’s “The Lamb” and “The Tyger” is more suggestive to the nature of God. The idea is that the same God who made the lamb also made the tiger, so unless it is suggested that God created evil, then the tiger must not be “evil”. The fact that the same God created both the lamb and tiger suggest that they just represent two different sides of God: Two different aspects of existence. Blake’s perception of good and evil isn’t just one extreme to the other, instead, the ambiguity of evil isn’t evil; it is just the other side of good." reference： Essays, UK. (November 2018). The Lamb and the Tyger Analysis. Retrieved from https://www.ukessays.com/essays/ english-literature/william-blakes-the-lamb-and-the-tyger-english-literature-essay.php?vref=1 42

Desire:pleasure and pain Imagine a man walking down a street underneath the street lamps. Right under a light his shadow is the densest but also the tiniest. Then when he starts to move his shadow grows in front of him. The shadow becomes bigger and bigger while it thins out and the shadow behind him from the next lamppost emerges and becomes shorter and shorter until it reaches its ultimate density as the man stands directly underneath the light. Let's say that the man standing underneath the first lamppost is me when I've just committed a murder. I feel strong and content. I start to walk and the shadow in front of me grows bigger like my pleasure, but at the same time pain is on its way, represented by the shadow behind me from the next lamppost and at the midpoint between the lampposts, the pain is so great it outweighs my pleasure. And with every step forward pleasure dissolves and pain intensifies behind me. Finally the pain is so unbearably intense that I have to act, so when I reach the point with the next lamp in zenith, I will kill again.

3RD INCIDENT Jack takes a woman he is dating and her two sons, Grumpy and George, deep into the forest for a hunting lesson. Shortly afterwards, he kills both sons using a sniper rifle from a distance and forces the woman at a monstrous picnic to feed pie to a very dead George. He then also hunts the woman down and murders her. Back at the industrial freezer, he re-arranges Grumpy's face into a grotesque smile.

Animals&Hunting This song first appears in accident 02, and it is been played three times among the whole movie. We could be seen this as the director's personal preference, David Bowie to Lars Von Trier is equal to Glenn Herbert Gould to Jack. "“When I was younger, I was fascinated by David Bowie,” von Trier explained in a 1996 interview. “He’d managed to construct a complete mythology around himself. It was as important as his music.” The journalist, however, only asked why Breaking the Waves, released a year after Dogme 95, dared to name a director in the credits – thus breaking one of the “Vows of Chastity”. It’s a pattern throughout von Trier’s press interactions: when interrogated on his films, he draws a parallel with the singer of “Space Oddity”. In this scenario, von Trier reasoned that the artist’s identity matters, and that the baggage is part of the art itself. Bowie, clearly, was his evidence." “I was very influenced by David Bowie at the time, and he used to go about in a Nazi uniform,” von Trier said in an interview in 2011. “I was trying to imitate him. It was all part of my rebellion against my mother.” At the film festival’s infamous press conference, von Trier repeated the same anecdote – but, instead of a Bowie allusion, he infamously said, “I understand Hitler.” Months later, von Trier announced that he had “decided from this day forth to refrain from all public statements and interviews.” The catalyst, he added, was a subsequent police investigation into whether his Cannes comments had violated French laws. But what if the director had simply realised that his press shenanigans were overshadowing the films? After all, you remember “Young Americans” for Bowie’s lyrics and melody, not the controversial promo he did as The Thin White Duke.

4TH INCIDENT Jack appears to be in a relationship with Jacqueline, a woman he calls "Simple", as he believes her to be stupid. Jack confesses he has killed sixty people at this point and is the serial killer known as "Mr. Sophistication", but Jacqueline does not believe him. After he marks red circles around her breasts with a marker, she becomes frightened and approaches a policeman, but he dismisses her as a drunk. After being locked without escape in her apartment, Jack ties her up and gags her. He then cuts off her breasts with a knife and murders her. He pins one of the breasts to a police car and fashions the other into a wallet.

Divine Comedy Written in the first person, the poem tells of Dante's journey through the three realms of the dead, lasting from the night before Good Friday to the Wednesday after Easter in the spring of 1300. The Roman poet Virgil guides him through Hell and Purgatory;

Frost&Dehydration&TheNobleRot “In order to achieve the most sublime sweetness and the greatest wines, nature has provided us with various methods.

The three most common forms of decomposition are frost...dehydration.. and a fungus with the enticingly mysterious name, the noble rot. The first method is the one that in Germany is used to produce "Eiswein." The method quite simply entails leaving the grapes on the vine for so long that they are exposed to frost for a certain number of nights before they are pressed.

‘The Barque Of Dante’ (1822) The house that Jack built poster(2018)

This method increases the sugar content in the wine dramatically. It is very risky, as the grapes must have certain qualities in order to be able to withstand the process. On top of that, there can be uncertainty about whether or not the first night's frost lives up precisely to the expectations, et cetera. The second method is called "Trockenbeeren" in which the grapes are allowed to hang on the vine until they dry up and very nearly become raisins. The last method, which, for example is essential for the production of Sauternes is a kind of mold that causes grapes to be very full-bodied and have an explosively high sugar content. You could say about all three processes that it's the breakdown that lifts the living grape up to be a part of an artwork. You can view the processes that start in a human being” 47

The theory of ruin value & Albert Speer Albert Speer[1], an architect by training, served as the Minister of Armaments and War Production in Nazi Germany during most of World War II. A close ally of Adolf Hitler, he was convicted at the Nuremberg trials and sentenced to 20 years in prison. The theory of ruin value Ruin value is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all. Ruin value , the idea was pioneered by German architect Albert Speer while planning for the 1936 Summer Olympics and published as "The Theory of Ruin Value" , although he was not its original inventor.[2] The intention did not stretch only to the eventual collapse of the buildings, but rather assumed such buildings were inherently better designed and more imposing during their period of use. Speer's memoirs reveal Hitler's thoughts about Nazi state architecture in relation to Roman imperial architecture: " Hitler liked to say that the purpose of his building was to transmit his time and its spirit to posterity. Ultimately, all that remained to remind men of the great epochs of history was their monumental architecture, he remarked. What then remained of the emperors of the Roman Empire? What would still give evidence of them today, if not their buildings […] So, today the buildings of the Roman Empire could enable Mussolini to refer to the heroic spirit of Rome when he wanted to inspire his people with the idea of a modern imperium. Our buildings must also speak to the conscience of future generations of Germans. With this argument Hitler also underscored the value of a durable kind of construction." 48

The model of reshaped Berlin Hitler accordingly approved Speer's recommendation that, in order to provide a "bridge to tradition" to future generations, modern "anonymous" materials such as steel girders and ferroconcrete should be avoided in the construction of monumental party buildings, since such materials would not produce aesthetically acceptable ruins like those wherever possible. Thus, the most politically significant buildings of the Reich were intended, to some extent, even after falling into ruins after thousands of years, to resemble their Roman models. Speer expressed his views on the matter in the Four Year Plan of 1937 in his contribution Stone Not Iron in which he published a photograph of the Parthenon with the subscript: "The stone buildings of antiquity demonstrate in their condition today the permanence of natural building materials." Later, after saying modern buildings rarely last more than fifty years, he continues: "The ages-old stone buildings of the Egyptians and the Romans still stand today as powerful architectural proofs of the past of great nations, buildings which are often ruins only because man's lust for destruction has made them such." Hitler approved Speer's "Law of Ruin Value" (Gr. Ruinengesetz) after Speer had shown him a sketch of the Haupttribüne as an ivy-covered ruin. The drawing pleased Hitler but scandalised his entourage. Ruin value is the concept that a building be designed such that if it eventually collapsed, it would leave behind aesthetically pleasing ruins that would last far longer without any maintenance at all.

[1]Albert Speer (March 19, 1905 – September 1, 1981)

[2]The Parthenon as an example of aesthetically pleasing ruins

[3]Aerial view of the ruins of the Bank of England by Sir John Soane (1830).

In reality it was a much older concept, even becoming a Europe-wide Romantic fascination at one point. Predecessors include a "new ruined castle" built by the Landgraf of HesseKassel in the 18th century, and the designs for the Bank of England built in the 19th century produced by Sir John Soane.[3] When he presented the bank's governors with three oil sketches of the planned building one of them depicted it when it would be new, another when it would be weathered, and a third what its ruins would look like a thousand years onward.

"But if glorification could demean a work, why should destruction and demolition not be able to do the opposite and create art? Albert Speer invented "The Theory of Ruin Value" by examining the Greek and Roman ruins and constructed his buildings using both weaker and stronger materials, so that they, in a thousand years, would appear as aesthetically perfect ruins. Which fortunately were smashed to atoms in mere few years after their construction. Hubris is punished by nemesis if I may use an old-fashioned expression. But an artist must be cynical and not worry about the welfare of humans or Gods in his art." 49

Jeriquo's trumpet & the Stuka Battle of Jericho The Book of Joshua is the story of how Israel conquered Canaan. Joshua, the leader of the Israelites, sent two spies to Jericho, the first city of Canaan that they decided to conquer, and discovered that the land was in fear of them and their God. The Israelites marched around the walls once every day for six days with the priests carrying the Ark of the Covenant. On the seventh day they marched seven times around the walls, then the priests blew their ram's horns, the Israelites raised a great shout, and the walls of the city fell [1]. Following God's law they killed every man, woman, and child, as well as the oxen, sheep, and donkeys. Only Rahab, a Canaanite prostitute who had sheltered the spies, her parents, brothers and all "those who belonged to her" were spared. Joshua then cursed anybody who rebuilt the foundations and gates, with the deaths of their firstborn and youngest child respectively. This was eventually fulfilled by Hiel the Bethelite under King Ahab's reign.

the Stuka Probably the most iconic German aircraft during WWII, the Stuka dive bomber became the symbol of a string of successful campaigns in the early stages of the war. Hailed as the weapon of terror, it was the lightning that struck from the sky. The German military doctrine, the Blitzkrieg – lightning war – swept across continental Europe. The Wehrmacht war machine indeed seemed unstoppable in 1939, when Stukas swarmed the sky above Poland. Designated as the Junkers Ju 87 Sturzkampfflugzeug,[2] the Stuka derived from a 1920s biplane, the American-produced Curtiss dive bomber that pioneered the dive-bombing technique.

Like the Greeks and the Romans with their battle cries, or the Mongols, whose cavalry, heard from miles away, often chased enemies off the battlefield long before the fighting had begun, the German Stuka dive bombers were to some extent used similarly. reference:https://www.warhistoryonline.com/ instant-articles/trumpets-jericho-luftwaffe.html

What specifically made these planes horrific were the two horns attached to the wings which produced a screeching sound once the aircraft was inbound for a strike. As the Stuka descended from the sky to drop its deadly load, the scream which accompanied it had a devastating effect on the morale of anyone who was on the ground. The two propeller-driven sirens with a diameter of 0.7 m (2.3 ft) were fitted on the B-1 model of the Ju 87, which was the first version of Stuka that went into mass production. They were either mounted on the wing’s leading edge, or on the front edge of the fixed main gear fairing.

[2]Un bombardier allemand Junkers Ju 87G-1 "Stuka" avec deux canons FlaK 18 Kanonenvogel de 37 mm ("canon-oiseau"), stationné sur un aérodrome en Union soviétique.

The haunting horns were dubbed the “Jericho trumpets” by the Germans, who relied on the psychological effect of the noise to give them an edge against their opponents.[3] [1]Depiction by Julius Schnoor von Carolsfeld (1794– 1872) 50

[3]Stuka Dive Bombers over the Eastern Front Bundesarchiv - CC-BY SA 3.0

The Stuka was a dive-bomber. They say that the pilots actually passed out for a brief moment during the actual dive. But the detail per favore. Fantastic. Incomparable. Notice the sound when the plane dives. The screeching sound. A result of poor design if you ask me. Poor design, please. On the contrary, the screeching was intrinsic sirens were attached to the undercarriage of the plane purposely designed as a psychological act of war. No one who heard it in action will ever forget that sound. It made the blood run cold in everyone's veins.Known as Jericho's Trumpet. Sadistic, but in your eyes probably a masterpiece. No, more than a masterpiece. An icon. The person or persons, who conceived the Stuka and its functions, were iconcreators. What I'm getting at is this as disinclined as the world is to acknowledge the beauty of decay it's just as disinclined to give credit to those no credit to us who create the real icons of this planet.We are deemed the ultimate evil.All the icons that have had and always will have an impact on the world are for me extravagant art. The noble rot. Stop it... you Antichrist!

Some people claim that the atrocities we commit in our fiction are those inner desires which we cannot commit in our controlled civilization.So they are expressed instead through our art. I don't agree. I believe heaven and hell are one and the same. The soul belongs to heaven and the body to hell. The soul is reason and the body is all the dangerous things, for example art and icons.

Lars Von trier reference his previous works when Jack was talking about "we commit in our fiction are those inner desires which we cannot commit in our controlled civilization."

5TH INCIDENT Jack has detained five men in his industrial freezer and tied them to a makeshift post, lining their heads up in a row with the intention of killing them all with one bullet, but realizes that the intended bullet is not a full metal jacket bullet. Having gone off in quest of full metal jacket bullets, Jack kills a man known to him as SP. Having also murdered a policeman who had been summoned by SP to arrest Jack, Jack then grabs the one bullet he needs and steals the policeman's car, which he leaves outside his industrial freezer with the siren blaring. For the first time, Jack manages to open the firmly closed door behind the freezer and sees Verge. Verge suggests that Jack has unfinished business and has never really built the house that he was intending to build. Using the many frozen bodies stored in the freezer as construction material, Jack builds a house and when he enters the makeshift house, he sees a hole that leads down. At this point, the cops successfully torch through the door, and Jack decides to go through the hole, following Verge.

EPILOGUE: KATABASIS IN AN ALLUSION TO DANTE'S INFERNO, VERGE IS ACTUALLY THE POET VIRGIL AND IS GUIDING JACK THROUGH THE CIRCLES OF HELL. AT THE VERY BOTTOM OF HELL, THERE IS A BROKEN BRIDGE AND A VAST DARK SPACE BELOW. THE DOOR ON THE OTHER SIDE OF THE BRIDGE LEADS OUT OF HELL AND PRESUMABLY TO HEAVEN AS VERGE TELLS JACK. JACK NOTICES THAT ONE COULD CLIMB AROUND THE CLIFF AND OVER TO THE OTHER SIDE, ALTHOUGH VERGE RECOMMENDS HIM NOT TO DO IT AND TELLS THAT THIS IS NOT WHERE HE IS TO BE DELIVERED. JACK IGNORES HIM AND TRIES TO CLIMB OVER, BUT FALLS DOWN INTO THE FIERY ABYSS. From the "man made" house opened the gate of hell, to Dante in red robe followed Verge, crossed the amniotic fluid road of the woman's vaginal metaphor, crossed the Styx and reached the deppest level ------ purgatory.

The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta(1824 - 1827)William Blake

"Overview of Hell", 1506 The Content of Dante's Divine Comedy Described in Six Plates. (Part 3)

N 21TH Apirl --- 10TH MAY 2020 Conceptual Design Portfolio of "Jack" Define Project From Original Movie:Art Studio Architectural Style Task: Volume Atmosphere Interior

Case Study Hugo HÃ¤ring Barry-warrk Frank Lloyd Wright <Slow House> Diller and Scofidio Other Reference

Narrative

Profile of the Jack

REFERENCE CONCLUSION Name: Jack(known as Mr "Mr. Sophistication") Birthday:November 24, 1946 Scene Setting:1980s(jack will be around 35)

Music Glenn Herbert who think audiences are evil, reviewer says he is dancing with demon when he is playing pianos David Bowie

Gender:Male Sexual oritention:Female

Wine Decomposition of grapes and human body

Cccupation: Architect (engineer background)

Art Juan Gris, who is closely connected to the innovative artistic genre cubism, who inspired architects John Quentin Hejduk â&#x20AC;&#x153; "Following up on the discoveries of CĂŠzanne, Juan Gris, Piet Mondrian, and other modern artists, Hejduk soon came to realize the limitations of conceptual space, the enigmatic depths that became manifest by simply shifting a square plan forty-five degrees, or employing frontal axonometric projections" reference:Attunement : Architectural Meaning after the Crisis of Modern Science -page136 chapter4 William Blake Literature The book of Urizen, Ancient story about the Battle of Jericho Photography The negetive Architecture Arches of Cathedral The theory of ruin Value & Albert Speer The Greek and Roman ruins and constructed his buildings using both weaker and stronger materials, so that they, in a thousand years, would appear as aesthetically perfect ruins. Frank Gehry Daniel Libeskind

Collage of Juan Gris's artworks <House in Paris> <The Painter's Window Juan Gris> <Glass and Checkerboard> 59

Process of murder in Jack's eyes

Seeking victim

Hunting

Exquisite Lethal Weapon

Cathedral's Arches

B Y

J A C K ,

W I T H

J A C K ,

F O R

J A C K

S t u d i o 2 9 : 3 5 m m E w e n ( Z i j i a n C h e n g ) 1 0 6 0 6 1 5

Decomposition of body

Grape Wine Making

Introduction The House That Jack Built<2018> Jack, a prolific serial killer, and failed architect recounts five of his crimes to Vergeâ&#x20AC;&#x201D;as Verge leads Jack through the nine circles of Hell. Utilizing Dante's Inferno as a metatext, the film is structured as a series flashback vignettes relayed by Jack to the Roman poet Virgil, feature commentary from both Jack and Verge, as Jack attempts to expound his worldview and a rationale for his murders as a grand artistic gesture. This film could be seen as a diary of a serial killer, it shows the connection between murder, destruction, evil, decay and art in Jack's eyes. Jack is Dante refer to divine comedy, and you can also find the hints that Jack is the director Lars Von Trier himself.

Death

Art

Original Movie Scene:

Jack's Architectural studios

Jack's personal preference about murder: Abstract from 5 Incidents

"But if glorification could demean a work, why should destruction and demolition not be able to do the opposite and create art? ... an artist must be cynical and not worry about the welfare of humans or Gods in his art."

Jack's Art Studio Function: including Architectural Studio Walk-in Freezer Modeling Room Photoshooting Studio Galley/Show Room

The movie tells a story that Jack, a prolific serial killer and failed architect, recounts five of his crimes to Verge—as Verge leads Jack through the nine

circles of Hell.

Each of Jack's crimes, depicted through flashback, feature commentary from both Jack and Verge, as Jack attempts to expound his worldview and a rationale for his murders as a grand artistic gesture.

The film is compelling It is interesting when Jack as an architect to illustrate the association between art, architecture and killing people, the beauty of decay, I think it would be fun to design something from Jack’s perspective. For the past few weeks Ive been studying the film language and the reference mentioned in this film, and abstracted the main ideas of what I want my project be like In Jack’s eyes While Jack is seeking his Victim he applies the technique of animals hunting to it, use sound, hound, smell The Exquisite Lethal Weapon in his eyes are Cathedrals’ Arches which both of them saved labours and materials to achieve something The Decomposition of human body reminds him the art of wine making ETC The death in his eyes is Art As a prolific serial killer and failed architect, Jack have been trying to build an ideal house for himself from the beginning of the movie, but he couldn't find the most proper material for it till the end he build a house with 64 human’s body. From all the reference and artist that Jack mentioned, I think The house that Jack built could be more fun than a body house. So Im gonna rebuild That, but it will be an art studio for Jack. From the five Incidents I concluded some personal preferences during jack’s art making, He photoshooting his victims in the murder scenes He has a walk-in pizza freezer to keep their body He makes Speciment and Souvenir to himself with the body he killed Combined with architect’s drawing, physical modeling materials keeping, and model making, The function of Jack’s art studio would includes :

Architectural studios Walk-in Freezer Modeling room Photoshooting studio Gallery or showroom

The art studio will sit in

Rottnest Island, Perth, Western Australia which is still faithful to the original site of Jack’s house

Filming Spot:

Jack's Architecture studios, Rottnest Island, Perth, Australia

Rottnest Island

32.0064Â° S, 115.5073Â° E

The location of Jack's unbuilt house was by a lake, the breathtaking nature scene express his prospect to his architectural career and his murder art making.

N SITE PLAN

100M

200M

Artist from original movie: Albert Speer, Juan Gris, Glenn Herbert

d orl Wa ond Sec The

Art Icons of Jack ar W

Other reference: Frank Gehry, Daniel Libeskind, Imre Makovecz

Th eT heo ry o f Ruin

y eca Value & Beauty of D

Orga nic Architecture Cu bis m

in Pai ntin ure g/S itect culptu h c r re Deconstructivism in A

The tone of this movies art direction is quite realistic, based on Jack’s Worldview, I tried to modify the setting a little bit organic, Which could combine the ideas of human body with architectural space, and since Jack, who is obsessed with “Ruin Value” and Deconstructivism, I choose those Three theory as my reference to keep my design. From The theory of Frank Gahry, Imre Makovecz Albert Speers, and the cubism sculpture from Juan gris I developed a collage about What the direction of my design would head to. I try to split The task into Volume, Materials and Interior. And here is my process so far. 65

Hugo Häring Haring’s Philosophy Organisches Bauen

Haring believed that architectural forms should grow from analysis of the surrounding environment and the function of the building. Therefore all projects have their individual fit form for the specific circumstances. These thoughts were in contrary to the idea of universality of Mies van der Rohe and other rationalist architects. Haring’s theories are known as ‘Organisches Bauen’ or ‘Neue Bauen’ which took a different path in architecture history.

"we must call on things and let them unfold their own forms...(we must) search for shapes rather than construct them" 'Wege zur Form‘(1925) Haring did not like the way some modern architects made grids and boxes to force people withdifferent activities into the same shapes of spaces. Instead he said the spaces should be made from inside out, with consideration of what happens in that particular building The term 'organic architecture' does not mean the form should look organic. It is more about applying the function to the building's design and making fluent relationships between each rooms and programs. Eventually these parts of the building will form a finished group as a whole. There also had to be careful consideration of the site, client and the users.

Haring’s Organic Design

Form follows function Each site and need is unique Vernacular design Structural logic Coincidental design Hierarchy and order Relation between function and expression Design from the inside out 1927 Completed his essay, "Wege zur Form", in which he described his thoughts about organic architecture and how the forms of architecture should be made (1925) 1925~1926 Represented 'Der Ring' at the founding meeting of the Congres International d'Architecture Moderne (CIAM) CIAM (International Congresses of Modern Architecture) was an organization founded in 1928 and disbanded in 1959, responsible for a series of events and congresses arranged around the world by the most prominent architects of the time, with the objective of spreading the principles of the Modern Movement focusing in all the main domains of architecture (such as landscape, urbanism, industrial design, and many others). Secretary of the architectural group "Der Ring" (1926) Der Ring was an architectural collective founded in 1926 in Berlin. It emerged out of expressionist architecture with a functionalist agenda. Der Ring was a group of young architects, formed with the objective of promoting Modernist architecture. It took a position against the prevailing architecture of the time, Historicism. With the rise of National Socialism and the increasing difficulty between Hugo Haring and the other members, Der Ring dissolved in 1933. 1928 Cowshed The Siemensstadt Housing Estate (German: Großsiedlung Siemensstadt; also known as Ring Estate or Ringsiedlung) is a nonprofit residential community in the Charlottenburg-Wilmersdorf district of Berlin. It is one of the six Modernist Housing Estates in Berlin recognized in July 2008 by UNESCO as a World Heritage Site. It as built between 1929 and 1931, under the overall master plan of German architect Hans Scharoun. Seven prominent Weimar-era architects took part: Scharoun, Fred Forbat, Otto Bartning, Walter Gropius, Paul Rudolph Henning, and Hugo Haring. The nickname Ringsiedlung came from the association of these architects with Der Ring collective. Ziegler House(1936) Hay falling 1929~1931 Cowshed The Gut Garkau complex Nazi architecture was an architectural plan which played a role in the Nazi party's plans to create a cultural and spiritual rebirth in Germany as part of the Third Reich. Adolf Hitler was an admirer of imperial Rome and believed that some ancient Germans had, over time, become part of its social fabric and exerted influence on it. The influence of the Nazis made it difficult for Hugo to work in Germany.

1933 Cowshed 1923~1925 The Gut Garkau complex is perhaps the most demonstrative of his works. A barn and cowshed, grouped picturesquely around a courtyard, the buildings illustrate Haring’s belief that architecture should appear to arrive naturally and spontaneously from its surroundings. Eschewing the overstyled organic approach that characterized Art Nouveau and its associated movements, Haring preferred that the structure evolve around its function and environment. Cowshed Barn Gido Schmitz House, part of Schmitz Houses(1950) Silo Tower - No trusses - Optimum capacity 1936 Root Cellar Silage falls from the top to the trap door by gravity Roots are stored and collected Cow Stall Lamella roof Expression of material purpose through construction Local vernacular tradition Linear patterns made by brickwork and timber boarding Cows stalls are at the center as the main space. Cows eat in a pear shaped arrangement 1950 Rain collecting are at the north, and the young cows watch their parents like spectators stalls for heifers(virgin cows) 1958 Cow breathing 1925 Sausage factory in Neustadt, Holstein(1925) house for bullocks The Bull The most important animal stands in pride looking at his wives has distance away from the bull so that they don’t challenge to their father Dairy has a semi circle trough filled with water to cool milk tanks made in a curve to avoid calves fighting in cornerssemicircle for calves 1922 Took part in the Great Berlin Art Exhibition friedrichstraße office project (Mies van der Rohe, Hugo haring) , 1922 1921 Moved to Berlin Design for a railway station, 1921, taking circulation flow as main cue "What can we learn from Haring?" 1914~1918 Worked as a translator in the Balkans during World War 1 Theodor Fischer Progressive influence on Technische Hochschule

Barry-warrk

Exploring the manifestation of nature in architecture Founder of @_biophile_ Unit Tutor @bartlettarchucl London - Glasgow www.barrywark.com

Facade Grotto, Detailed view of a collaborative project with @sandhelden to reimagine an architectural facade with 3d printing technology. . #facade #3dprinting #grotto #blacksand #sectional . Photo by @studio.s.p

Grotto Facade, detail view of the rooftop gallery. . 3dPrint by @sandhelden Photo by @studio.s.p . #barrywark #3dprinting #grotto #blacksand

Grotto Facade- Section . The proposal explores the integration of substantial spaces where the primary purposes is not human inhabitation but flora colonisation. These spaces are inspired by the material and tectonic qualities of grottos which occupy the threshold between landscape and architecture. . #barrywark #grotto #facadedesign #plants

RnD object exploring textured mass and bio-aesthetics. . #barrywark #biodesign #RnD #objects

Frank Lloyd Wright

Frank Lloyd Wright (June 8, 1867 â&#x20AC;&#x201C; April 9, 1959) was an American architect, interior designer, writer, and educator, whose creative period spanned more than 70 years, designing more than 1,000 structures, of which 532 were completed. Falling water; Mill Run,PA. most famouse Usonian, 1935

Organic Architecture: Is a philosophy of architecture that encourages harmony between human living and the natural world through design and furnishings that resemble the complex and inconsistent geometry of nature. "Don not live on the hill; instead, live with the hill" - Frank Lloyd Wright. Frank Lloyd Wright:

-American Architect,designer, and educator -Born in Richland, Wisconsin on June the 8th, 1867 -Created the philosophy of Usonain Architecture - Very famous and successful architect

Wright's Beliefs:

-Growing up on a farm inspired his organic design concepts -Farming lifestyle heavily influenced his beliefs towards nature and society -One should live where one can be free -One of Wright's ultimate goals was to eliminate the city -Believed that Humans were intended to understand, maintain, and live amongst the beauty of nature -If Humans are meant to live in nature, then why do our buildings defy nature? -Urbanization, skyscrapers, and machines are all bad for society and have contributed to the "decline" of human culture. -Humans should return themselves to a more "primal" state of living -Wright blamed cities, urbanization, and machines for human separation from nature -Cities are no longer the cultural hubs they used to be; now filled with crime, disease and hate. -Modern homes are unnatural looking and designed to stand out from their natural surroundings -The cookie-cutter designs of modern buildings go against nature because nature is not uniform -Modern architecture and design are tools of destruction, not construction.

If we are to base our architecture off of nature, what will it be like?:

-Wright believed that houses should be built with large open spaces and locally sourced materials -Houses should have color patterns that are similar to their surroundings -Structures should "fit' into their environment, but not totally blend in. -Wright called this "ideal" house the Usionian, which is the primary concept in organic architecture -Usonian Houses were usually "L" shapped with little storage space. -Mostly devoted to the space of living. -Almost all had a flat roof -Generally built from local materials and natural materials. -About sixty Usonians were built during Wright's Usonian movement.

Fallingwater:

-Most famous Usonian house built -Wright was considered washed up in the world of architecture when he was given the job. -Far ahead of its time -Considered to be one of the best pieces of American architecture

Why didn't Usonian Design Catch on?:

-The radical, complex designs of Usonianism were unpopular amongst most home builders -Usonian homes emphasized large open space with little room devoted to storage -Building in the true Usonian spirit can be rather expensive, making it only viable to wealthy home builders -Many people liked Usonian houses, but not for the same reasons. -Most other architects like them for their refreshing design, not their intended purpose. -Usonians were popular, but expensive. -Only the rich could afford them, making it hard for Wright's idea to really take off

Usonians Today:

Usonian houses are still being built in small numbers across the world -Wright's philosophy of Usonianism is less popular in the architectural world today -More popular amongst interior designers and independent home builders

Overall effects of Organic Architecture on society:

-Wright did not succeed in making the city obsolete through natural designs -Wright was unable to revolutionize the world of mainstream architecture and interior design -Despite this, some consider Usonianism one of the first steps toward modern architecture. -Wright's designs still respected and copied worldwide -Established Wright as an important person not only in architecture, but American culture and history. -Introduced people to a new way of thinking about how we live in nature.

Jacobs House, Madison, Wisconsin. The first Usonian, built in1937. ORGANIC ARCHITECTURE Fallingwater; Mill Run, PA. Most famous Usonian, 1935. The Acres; Kalamazoo, Michigan. -Part of a community of Usonians. Frank Lloyd Wright

Jacobs House, Madison, Wisconsin, The First Usonian, Built in 1937

Slow House Diller and Scofidio There is no front facade, only a front door. The weekend house is conceived as a passage from physical entry to optical departure or, simply, a door to a window. Beyond the door, a knife-edge cuts the receding 100-foot long passage in two. To the left is a sequence of bedrooms and baths. To the right is the ascent to the kitchen and living area. At the far end is the ocean view. To either side of the “picture window” are two antennalike stacks: the chimney is to the right, the video apparatus to the left. At the summit of the left stack sits a live video camera directed at the water view and feeding the monitor in front of the picture window. The electronic view is operable; the camera can pan or zoom by remote control. When recorded, the view may be deferred— day played back at night, fair weather played back in foul. The composite view formed by the screen in front of the picture window is always out of register, collapsing the opposition between the authentic and mediated. (unrealized) The Desiring Eye: Reviewing the Slow House is a multi-media installation at Gallery Ma in Tokyo that tells the story of the house in 24 displays

•Two Options at the entrance •Public spaces upper floor •Private spaces down floor •Banana shape 74

•‘House with a view’ •Architecture can create ‘view’ •Digital screen •Use of the window as an object •Zoom in

•Two centres (c1, c2) •Same range “a” •Delay the view approach •Different visions at various positions

JUMP CUTS Drawing inspiration from the tradition of grand social ante-spaces like the Paris Opera, in which circulation area exceeds theater area by 5:1, Jump Cuts re-frames the question, on which side of the theater wall is the spectacle? An electronic marquee at the façade of the glass lobby consists of twelve liquid crystal panels over the street and corresponding projectors stationed before each of the panels at the interior. The projectors are fed by a string of live cameras positioned along the multiple levels of escalators in the grand lobby, either looking down in plan or across in elevation. The mechanical movement of the escalators past the stationary cameras supplies a succession of movie patrons on parade. As moviegoers zigzag through the stacked lobbies, they are reconfigured and displayed dynamically across the facade. The continuous stream of patrons is interrupted periodically by movie trailers.

MASTER AND SLAVE

The installation in the Cartier Foundation, as part of the exhibition 1 monde réel displays Rolf Fehlbaum’s collection of toy robots and delves into the myth of the robot in popular culture. The robot was thought to be a surrogate body that could perform menial tasks leaving man free for more important endeavors. Early on, however, a dystopic fear imagined that the robot could acquire enough artificial intelligence to invert the master–slave relationship. This fantasy guides the display strategy—to tease the viewer with only partial information. Spectators are squeezed into the space between the giant 1,000 sf glass vitrine and the glass envelope of the gallery. The atmosphere of the robot space is modeled on an unemployment office in a generic commercial 1960s building. The colony of robots parades on a conveyor belt along a 300’ long circuit, often sacrificing direct views with scientific ones—through an airport scanning device that broadcasts robotic entrails and magnified information delivered through a micro–surveillance system.

THE BLUR BUILDING

The Blur Building is an architecture of atmosphere—a fog mass resulting from natural and manmade forces. Water is pumped from Lake Neuchâtel, filtered, and shot as a fine mist through 35,000 high-pressure nozzles. A smart weather system reads the shifting climatic conditions of temperature, humidity, wind speed and direction and regulates water pressure at a variety of zones. Upon entering Blur, visual and acoustic references are erased. There is only an optical “white-out” and the “white-noise” of pulsing nozzles. Contrary to immersive environments that strive for visual fidelity in high-definition with ever-greater technical virtuosity, Blur is decidedly low-definition. In this exposition pavilion there is nothing to see but our dependence on vision itself. It is an experiment in de-emphasis on an environmental scale. Movement within is unregulated. The public can ascend to the Angel Deck via a stair that emerges through the fog into the blue sky. Water is not only the site and primary material of the building; it is also a culinary pleasure. The public can drink the building. Within, is an immersive acoustic environment by Christian Marclay. The lightweight tensegrity structure measures 300 feet wide by 200 feet deep by 75 feet high and is supported by four columns. 75

OTHER REFERENCE _avilandaniel Section Model 1/50 of the interstitial farmlands along Sewoon Archipelago. Housing, farming, dining, and an indoor/ outdoor hiking trail along the one kilometer long building in Seoul @studio.s.p

bartlettkiosk @bartlettkiosk repost• @bartlettunit10 Inspired by ‘Alice in Wonderland’, Jason Ho's @jho_sketchbook 'A Day in Global Britain: A Christmas Gift to a Dear Friend in Memory of a Summer Day’ is a branch of the UK in the Southern Hemisphere. No longer a national burden, the elderly British are the key protagonists and contributors to UK’s ’national security’ protecting human resources, economy and fight against climate change and the abuse of nature. Jason Ho @jho_sketchbook received a Distinction for his Masters in Architecture RIBA part 2 and The Bartlett School of Architecture Medal, and is the prizewinner of the Fitzroy Robinson Drawing Prize 2018. #aliceinwonderland #lewiscarroll #globalbritain #christmas #southernhemisphere #humanity #caring #thirdage #nationalsecurity #migration #economy #humanresources #community #resilience #climatechange #architecture #urbanism #planning #utopia #dystopia #drawing #architecturestudent #thebartlett #bartlettschoolofarchitecture #ucl 76

bartlettkiosk @bartlettkiosk repost â&#x20AC;˘ @bartlettunit12 A sneak peek of some progress shots of our current projects #bartlettunit12 From one of our 5th years @lalakeay â&#x20AC;&#x2DC;s project: The New English Rural #bartlettkiosk #architecture #bartlettschoolofarchitecture #bartlettarchucl #newenglishrural

gnclt "Third.Nature" III ar twork made from vintage biodiversity illustrations ||| Full composition on my @behance or link in bio #illustration #digital #dititalart #artwork #inspiration #levelart #leveldesign #biodiversity #architecture #videogameart #videogameartwork 77

Hellarchipelago [1-3] | C4D_Octane -#3Dart #3Dartwork #atlas #mapdesign #C4D #cinema4D #octane #octanerender #levelart #leveldesign #digitalart #digital #inspiration #organic #organicart

cornell.architecture Swaying Udders by Christopher Yi (M.Arch. '19), Spring 2019 Option Studio Project Zero [Or Less] taught by Professor Caroline Oâ&#x20AC;&#x2122;Donnell and Professor Timur Dogan. Project Zero investigates sustainability not as a mere postfactum addition to an aesthetically motivated architecture, but as a return to the primary principles of ecological thinking. By rethinking the normative approach to site conditions and even design itself, the studio aims to produce architecture that not only behaves sustainably but also communicates that fact â&#x20AC;&#x201D; in other words, to produce a new ecological language of architecture. #cornell #cornellaap #cornellacchitecture #sustainability #design #cornellmarch #cor nellgradprogram #architecture #ecology #architectureandecology #zero #projectzero #greenarchitecture #cows #architectureandcows #architectureandagriculture #agriculture 78

Architectural collage: Frank Gehry <"El Peix", fish sculpture located in front of the Port OlĂmpic, in Barcelona, Catalonia, Spain (1992)> <Stata Center, Massachusetts Institute of Technology, Cambridge, Massachusetts (2004)>

Daniel Libeskind <National Holocaust Monument>

Albert Speer

Final project--

The Art studios that Ewen built (for Jack) - Architectural Work Shop - Walk-in Freezer - Photoshooting Work Shop - Gallery - Break Room

Cubism drawings-----Volume-----(+destruction)

I build it from original cubism drawing a drawing inspired by Juan Gris, then I convert lines, planes to pipe platform, and from Jackâ&#x20AC;&#x2122;s perspective, I try to symbolize the volume to the human body,

Cubism drawings-----Volume-----(+destruction)

The lines__ could be boned __ structure_cloumn, beams the plan__skin__platform The volumn__ flesh___space Multiple layers of skin compose to Flesh, and flesh is supported by bones

Throat-----Volume-----(Split)

From the I stretch two planes from the composition to symbolize stretching the skin to flesh. And at the end, I Introduce the concept of Gargoyle into it, after split the volume with a Gargoyle plan and I got Four main volumes. I rearrange those four, adjust their scale, then it turned out to be the final one

Four main Volume-----reorganise

Walk-in Freezer Photoshooting Work Shop Break Room Transportation Architectural Work Shop Gallery

Conceptual Atmospheric drawings-----Interior

Interior Developing Inventory:

ATMOSPHERE STUDY

Narriaive

SPACE VIBE

BY JACK, WITH JACK, FOR JACK 7 10

spacious- free/good contrast

propper- comfortable

low celling- depressing

I don't know what it would be without your help seriously .......

normal- welcoming

over look- dominant narrow- depressing

"Thank you so much for fixing this for me, Jack, I should have checked my jack frequently, how hilarious it is, my car is fixed by Jack with a Jack, ......

where are you heading to? we are heading to the same way .......

3 5

oh dear, it sounds like you are gonna have a long night. Sorry to take so much of your time You must haven't had dinner my place is just 15 mins drive away from here, why don't you come over and have dinner before the rest of your journey" The lady invited Jack to come over to her place to have a dinner to express her gratitude A thirty years old lady is easy to handle, especially when you found she is a single mom and pregnant. And "a pregnant woman", sounds like an interesting collection.

1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

Narrative--<By Jack With Jack For Jack>

<By Jack, With Jack, For Jack> OPENING "Thank you so much for fixing this for me, Jack, I should have checked my jack frequently, how hilarious it is, my car is fixed by Jack with a Jack, ...... I don't know what it would be without your help seriously ....... where are you heading to? we are heading to the same way ....... oh dear, it sounds like you are gonna have a long night. Sorry to take so much of your time You must haven't had dinner my place is just 15 mins drive away from here, why don't you come over and have dinner before the rest of your journey" The lady invited Jack to come over to her place to have a dinner to express her gratitude A thirty years old lady is easy to handle, especially when you found she is a single mom and pregnant. And "a pregnant woman", sounds like an interesting collection. 10:12 pm. With some useless strugglings and fightings ... She stopped breathing Without air, her baby died inside of her immediately Jack put the Lady on the chair Setting up the lamp...make sure there is enough lighting, Tidy up the room a bit, but keep the messy photo frames...the murder scene could not be too neat, Adjust the camera...Good composition and good focus is vital When all these are ready, there is a good photo. All right, time to bring you to my studio, young lady. Jack put the lady into the body bag and bring to his truck. 100

BODYS The sky is cold blue The road is bloody red Jack drive alone on a remote highway Driving through the black woods, then it is almost there, By the lake, there is a quirky volume hidden in the woods That is the house that Jack built Driving into the garage, Jack dumps the body bag on the lift, down to the lower platform, it connects to the walk-in freezer, there are 34 bodies there, from Jack's previous client, a rich young guy asked Jack to changed his hotel design for twenty more times, to Jack's wife, a poor lady, just simply chose a wrong guy. Jack dumps the lady into the freezer before he leaves, he takes a glance of the freezer, he is proud of himself.

Just like the lady said, it is kind of funny, Jack helped the Lady with a Jack, and the lady is killed by Jack with a Jack. Thinking of that, Jack starts laughing. He brings the Jack to the break room and walks down to the cellar to grab himself a bottle of wine, Jack loves wine, For Jack, the art of winemaking, the decomposition of fruits is as same as the decomposition of the human body, it is an art. But same, like all the other art behaviors in Jack's eyes, no one would agree with him about it. After a few glasses of wine, Jacl feels a bit of tipsy, He takes a glance at the camera on the sofa, stands up, walks towards his photo shooting studio.

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Narrative--<By Jack With Jack For Jack>

"SMILE" In the darkroom, Jack is providing his negative photos, This photo shooting studio is just in case if Jack is not happy about the pictures he takes in the murder scene if there is no chance to bring the body back to the scene, for example, the police block the scene, or the body is been damaged, Jack would rebuild a similar scene here, and takes a new picture of his project, And of course, all these photos would be sent to the local paper as "Mr. Sophistication"'s projects Luckily, Jack is quite happy about the photos he took tonight, it is a really good one. Jack smiles.

Jack is a former engineer, currently an architect, although, he sold only one of his design to his old fellow, And you might find his body into the freezer if you look closer. Jack's mother always wanted Jack to do something with art, but Jack started to get into art stuff was kind of late, and at the time Jack started to get into art-making, he also started into the killing, various animals, but mainly human During his free time, Jack likes doing his art-making in his studio in the little dark woods, SCULPTURING DRAWING HOUSE PLAYING THE DIFFERENT PARTS OF BODY Jack brings this picture to his main workshop, there is a new sculpture standing there, with 15 people's skin, stretching, stitch them together, and two ladies without heads, that is it, Jack's latest artwork. Jack stepped in front of the drawing he is currently working on, appreciate his drawings Jack smiles

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103

Feedback

104

105

Feedback

Notes by Nick

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Mid-Term Review Feedback

Would his murdering be calculated? or quiet barbaric?? - that defines the nature of your design which you are already working on Theres a focus in the mesh of different techtonic but how about the way it is filmed? Hugo Haring: Organic architecture Look into the floor plan (which is based on space + events) Match the function with the form The strength of the project would be on how you stitch the diferent languages together The image and the iterations relates well The Hungarian architects work that hamid refered ; German architect Hugo haring - Space event - talks about the looks of spaces and how space is drawn based on the actions that takes place there Action that informs the actual form and geometries of the space- the process you are going through is very interesting...but what is going inside the space?? may you want to show that?? How about the section of the space?? Think of the killing machines in the space? The Ditch you have created is great! that type of form making is very successful Match the function to the form murdering as an art, he consider murdering with designing and engineering. the question defines the nature of what Ewen is going to do. what each of this architects is doing? are those columns in the space or they will be part of the final product? Jonathan guesses the success of your film would be based on how you stich these different languages together are you mixing up a bunch of architectural concepts? - Frank Gehry, organic architecture what's interesting in Jonathan's view is not the geometry but the juxatposition of different materials, for example, his home Actions in the FORM - maybe show interior of what drives the form the space is drawn based on the events of the space. Action informs the actual space you almost design a butcher space and this is great section showing spaces of ditching body adds another layer of intelligence to the project Take the section further, you can use secondary lights (car lights), entry point of the main character // guide the viewers eyefBe concise with the introduction of the movie/story and the space you will be designing and jump straight to the narrative (which is most important aspect) Take a look at "The manhattan transcipts- murder scene" Your visual scenes are powerful, you can take it further // self critique, can people understand the space by just looking at this one image or would there need to be more? and maybe does the item included in the space convey the function of the space? eg. the first 2 images are vague, can you create these spaces to be more accurate (include the main character walking down with a body or a lighting in the car / 2nd - some sort of action by the character to give the cues in what that space is You need a focal point on each image / treat each image as a story on their own Albertus - Try to put emphasis on certain spaces? (use lighting) Pretty good job in interpretating of the visuals Make sure you check if there are enough storyboards for the people to understand the spaces and the scale - to make it feel inhabited Presentation tips - talk through the narrative, you give a brief introduction and than jump into the most important parts "narrative" for your presentation.

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F F

I I

N N

A A

D A

E M

S A

I T

G I

N O

1 1 TH M AY

---

2 0 TH J U N E 2 0 2 0

Final Drawings Plans Sections Diagrams

Animation --<By Jack, With Jack, For Jack> Case Study Color+Atomophere Study Annimation Screenshots

Final Drawings-----Plans Plan 1

－5,250

4 －3,200

－5,100

－4,750

－4,850

PLANS N 0

0 110

10M

1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 10M 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

Plan 2

－5,250

4 －3,200

－5,100

－4,750

－4,850

10M

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Final Drawings-----Plans Plan 3

±0,000

1,200

±0,000

1,200

－3,200

－3,200 up 2,100

LIFT

－2,400

－0,150

－4,750

PLANS N 0 112

10M

1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

－2,400

Plan 4

±0,000

1,200

±0,000

1,200

－3,200

－3,200 up 2,100

LIFT

－0,150

－2,400

－0,150

－4,750

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Final Drawings-----Plans Plan 5

7 8

4,200

2,100

5,150

PLANS N 0 114

10M

1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

－2,400

Plan 6 - top view

3,900

－10,500

－9,000

－7,500

－6,000

1,200

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Final Drawings-----Sections

SECTION1 0

5,150

8 4,200

7 1,200

2,100

1 －0,150

－2,400

－4,750

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1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

SECTION2 0

5,150

4,200

2,100

1,200

±0,000

－3,200

－5,250

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Final Drawings-----Diagrams

EXPLODED VIEW&DIAGRAM 0

9 8 1

7&10

118

9 10

1. ENTRANCE 2. GARAGE 3. WALK-IN FREEZER 4. BREAK ROOM 5. CELLAR 6. LIFT 7. ARCHITECTURAL STUDIO 8. PHOTOSHOOTING STUDIO 9. DARK ROOM 10. GALLERY

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Annimation-----Case Study Crime scene photographer captured these horrors as well as Arthur Fellig, better known as Weegee. A Ukrainian immigrant who came to the United States at 10 and quit school at 14 to become a freelance photographer, Weegee soon made a name for himself as the go-to crime scene photographer in New York.

Unspecified New York murder scene. 1916. Universal History Archive/UIG via Getty Images

Close-up of a corpse's battered and bloodied face. Angres, France. 1912. Frederic Duriez/Media Drum World

A dead boy with his intestines visible. Date unspecified.

A New York police officer takes a peek at a dead body covered with newspapers. 1943. Weegee (Arthur Fellig)/International Center of Photography/ Getty Images

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The bodies of two would-be thieves named Robert Green and Jacob Jagendorf after a failed robbery attempt that ended when they accidentally fell down the building's elevator shaft. New York. 1915. Frederi Duriez/Media Drum World

A young woman dead in her bed. Circa 1930. Frederic Duriez/Media Drum World

The body of a man named Antonio Pemear, who was found murdered in his bed in Brooklyn. 1915. Frederic Duriez/Media Drum World

The body of mobster Benjamin "Bugsy" Siegel, who was killed by an unknown assailant who shot him through a window with an M1 Carbine while he was staying at an associate's house in Beverly Hills. 1947. Bettmann/Getty Images

An unidentified dead man in New York City. Circa early 20th century. Frederic Duriez/Media Drum World

The murder scene of Arthur "Dutch Schultz" Flegenheimer, a powerful New York gangster in the 1920s and '30s who was ultimately killed in Newark, New jersey by an assassin hired by the Mafia Commission. The Commission had denied Schultz's request to murder the prosecutor that was targeting him. When he disobeyed and attempted the murder anyway, the Commission had him killed. 1935.

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The dead body of Joseph Rosen, a candy shop owner who was killed by Murder Inc. leader Louis "Lepke" Buchalter in his own store in Brooklyn. 1936. Bur ton B. Turkus Papers/Lloyd Sealy Librar y Special Collections/John Jay College of Criminal Justice (CUNY)

A dead man at the foot of a staircase in a French crime scene. 1912. adoc-photos/Corbis via Getty Images

A photo of a bloodied couple lying dead in bed in New York. 1915. Frederic Duriez/Media Drum World

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A photo of a bloodied couple lying dead in bed in New York. 1915. Frederic Duriez/Media Drum World

A French crime scene. Circa 1930. adoc-photos/Corbis via Getty Images

Newspaper photographer Arthur Fellig, better known as Weegee, examines a body stuffed into a trunk and deposited on a patch of waste ground in New York. Circa 1945. Weegee(Arthur Fellig)/International Center of Photography/ Getty Images

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Blade Runner 2049

florent lebrunPRO Freelance Concept Artist

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125

Annimation Screenshots

"Thank you so much for fixing this for me, Jack, I should have checked my jack frequently, how hilarious it is, my car is fixed by Jack with a Jack, ...... I don't know what it would be without your help seriously ....... where are you heading to? we are heading to the same way ....... oh dear, it sounds like you are gonna have a long night. Sorry to take so much of your time You must haven't had dinner my place is just 15 mins drive away from here, why don't you come over and have dinner before the rest of your journey" The lady invited Jack to come over to her place to have a dinner to express her gratitude A thirty years old lady is easy to handle, especially when you found she is a single mom and pregnant. And "a pregnant woman", sounds like an interesting collection.

126

10:12 pm. With some useless strugglings and fightings ... She stopped breathing Without air, her baby died inside of her immediately Jack put the Lady on the chair Setting up the lamp...make sure there is enough lighting, Tidy up the room a bit, but keep the messy photo frames...the murder scene could not be too neat, Adjust the camera...Good composition and good focus is vital When all these are ready, there is a good photo. All right, time to bring you to my studio, young lady. Jack put the lady into the body bag and bring to his truck.

127

Annimation Screenshots

The sky is cold blue The road is bloody red Jack drive alone on a remote highway

Driving through the black woods, then it is almost there, By the lake, there is a quirky volume hidden in the woods That is the house that Jack built

128

Driving into the garage, Jack dumps the body bag on the lift, down to the lower platform, it connects to the walk-in freezer, there are 34 bodies there.

129

Annimation Screenshots

130

From Jack's previous client, a rich young guy asked Jack to changed his hotel design for twenty more times, to Jack's wife, a poor lady, just simply chose a wrong guy. Jack dumps the lady into the freezer before he leaves, he takes a glance of the freezer, he is proud of himself.

131

Annimation Screenshots

132

Just like the lady said, it is kind of funny, Jack helped the Lady with a Jack, and the lady is killed by Jack with a Jack. Thinking of that, Jack starts laughing.

133

Annimation Screenshots

134

He brings the Jack to the break room and walks down to the cellar to grab himself a bottle of wine, Jack loves wine, For Jack, the art of winemaking, the decomposition of fruits is as same as the decomposition of the human body, it is an art. But same, like all the other art behaviors in Jack's eyes, no one would agree with him about it. After a few glasses of wine, Jacl feels a bit of tipsy, He takes a glance at the camera on the sofa, stands up, walks towards his photo shooting studio.

135

Annimation Screenshots

In the darkroom, Jack is providing his negative photos, This photo shooting studio is just in case if Jack is not happy about the pictures he takes in the murder scene if there is no chance to bring the body back to the scene, for example, the police block the scene, or the body is been damaged, Jack would rebuild a similar scene here, and takes a new picture of his project, And of course, all these photos would be sent to the local paper as "Mr. Sophistication"'s projects

136

Luckily, Jack is quite happy about the photos he took tonight, it is a really good one. Jack smiles.

137

Annimation Screenshots

138

Driving into the garage, Jack dumps the body bag on the lift, down to the lower platform, it connects to the walk-in freezer, there are 34 bodies there.

139

Annimation Screenshots

140

Jack brings this picture to his main workshop, there is a new sculpture standing there, with 15 people's skin, stretching, stitch them together, and two ladies without heads, that is it, Jack's latest artwork. Jack stepped in front of the drawing he is currently working on, appreciate his drawings Jack smiles

END

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By Jack,

With Jack,

D e s i g n J u n e Zijian Cheng Studio29- '35mm' M e l b o u r n e

For Jack

J o u r n a l 2 0 2 0 1060615

studio leader:Hamid A. Khalili S c h o o l O f D e s i g n