The International Landscape Photographer of the Year The
2016
International Landscape
Photographer of the Year
2016
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The International Landscape Photographer of the Year
2016
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THE IN TER N ATIONAL LANDS C AP E P H OTO G RA P H E R OF T H E Y E A R
Contents
Introduction 8 The International Landscape Photographer of the Year 2016
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The International Landscape Photograph of the Year 2016
18
Special Award Winners
22
The Top 101 Landscape Photographs of the Year
28
Sponsor Messages Momento Photobooks
130
Created For Life Printing and Framing
132
Judge Portfolios David Burnett
134
Jim M Goldstein
138
Kaye Davis
142
Tim Parkin
146
Luke Austin
150
Peter Eastway
154
I N T ROD U C T I ON
The International Landscape
he is nevertheless able to accept, criticise and appreciate
Photographer of the Year is a
photography in all its varied forms.
special combination of different Peter Eastway
talents. In addition to the
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“However, a couple of things really struck me: The determination and physical challenges which
During this year’s judging, David took a few notes.
photographers face are extraordinary. Some lucky ones
“I’m sure you’re aware of what seems to be a rather
may have taken their shots in the back yard, but for most it
amazing entrants each year,
strong trend for shooting with drones and some of the
is clear that the best pictures required getting person and
of paramount importance are
photographers are becoming incredibly good at it. There
gear over hill, dale, iceberg, wave and forest to find the best
the five photographers we
are lots of great, straight down vertical design pictures and
spot. You can tell a lot of energy and effort goes into this
ask to adjudicate. What makes our judges’ opinion better
while I’m sure some photographers banked $800 an hour in
work and I for one am very appreciative of those who put
than someone else’s?
a chopper, I think a drone is the tool for most of them.
their feet on the ground to get them there.
The short answer is that their opinions are no more
“Moving water still seems to be the muse which
“Finally, one thing I kept noticing was that in so many of
or less valid and everyone is entitled to their own views
beckons photographers the most, whether near the ocean,
the good images, it was a minor, often tiny detail that made
on the worth or merit of a photograph. However, I think
a river or waterfalls. Some of the photos are fabulous,
the picture. Whether it was a small car in a vast desert or
what each of our judges brings to our awards is their
while many are still full of that youthful exuberance as
something similar, that little detail is what made the picture
individual experience and our respect for not just their
photographers learn to understand their cameras in the
work. Even a bodacious set of rocks, snow banks or sunset
achievements, but their opinion. Even if we don’t agree
early years. This is not a criticism and I am sure many of the
can be upgraded to a real picture with such a small, but
with every image they choose, it at least prompts us to look
pictures, a good 70 per cent, should absolutely be in a place
recognisable detail.”
at the images more closely and to perhaps consider them
of honour on the photographer’s living room wall at home.
differently. I think in this way we all grow and develop
Although these photographs might not have made it into
as photographers.
the top 101, I hope the photographers will still see the joy in
photographers, so yet another very pleasing result. On
hanging them on their own walls. They deserve to be there.
behalf of David Evans, my co-convenor, we hope you enjoy
An issue of American Photo magazine a few years back nominated our judge David Burnett as one of the
“There were sufficient HDR and heavily worked pictures
Great comments, thank you David! This year, we attracted 2395 photographs from 601
the best landscape photographs in the world from 2016.
‘100 Most Important People in Photography’. What I love
where the post-production was so obvious as to be off-
about David is that although his personal approach to
putting. In fact, I think many of the ‘over done’ Photoshop’ed
photography is both varied and distinctive, extending well
images would have had a better chance of survival if they
Chairman of Judges
beyond the boundaries of pure landscape photography,
had less post-production, not more.
International Landscape Photographer of the Year Awards
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Peter Eastway
David Burnett
Jim M. Goldstein
Luke Austin
Kaye Davis
Tim Parkin
The International Landscape Photographer of the Year 2016 10
THE IN TER N ATIONAL LANDS C AP E P H OTO G RA P H E R OF T H E Y E A R
Alex Noriega U SA
Alex Noriega shoots landscapes and nature. He works
backpacking at high altitudes. I always have a Macbook
it for weeks at a time. “So I am sticking to North America
from home and on the road, often making extended trips
Pro with me in the vehicle, for editing on the road. No
for the time being. I believe the diversity of landscapes
around the western USA in search of new images.
other laptop I’ve used compares for colour accuracy of the
available in the western half of this continent is unrivalled:
screen, nor for responsiveness of the touchpad.
the incredible desert geology of the Colorado Plateau, the
“I’m a professional photographer in that this is how I make my living, but I am self-employed and run a small
“I’ve begun aerial photography and I’ve recently
numerous craggy and undeveloped mountain ranges, the
business. I do not shoot on assignment, I simply pursue
upgraded to the Phantom 4 Pro, which is a huge step up
lush and whimsical rainforests, and the thousands of miles
the images I want to and teach other photographers
to essentially DSLR image quality. All that said, I don’t focus
of coastline.
how I do it.”
much on gear. My used D600 has served me for years at
Alex first picked up a camera seven years ago and
“It will take me a long time to exhaust my possibilities
a sub-$1000 cost, while I see my clients and colleagues
here. As for time of year, spring tends to be best for the
found himself enthralled. “Initially, I photographed
routinely upgrading to the latest $3500 camera body.
rainforest and summer tends to be best for mountain
anything from portraits to architecture, but when I took
No camera will make my images better, only I can.
backpacking, but aside from those cases, my favourite
my first trip to the American West where I saw the Rocky
“The drone, on the other hand, is really an incredible
Mountains and the deserts of the Colorado Plateau,
tool for creating unique imagery via perspectives and
it stirred something in me. I knew that was what I wanted
scales that are impossible from the ground.
to spend my life photographing. “Right now, I’m happily making a modest living from
images are usually made in autumn and winter.” In terms of post-production, Alex only uses Adobe Camera Raw, Lightroom and Photoshop. “I’ve developed
“Lastly, my truck affords me the ability to not only live
my own set of techniques over the years that are
on-location for extended periods, but to access remote
completely non-destructive, allowing me to go back and
photography, both by teaching other photographers my
locations that have seldom been photographed – so that
make changes at any step in the process. This allows me
trade, in the field and online, and by selling my images.”
has to be counted among my gear as well.
to hone the images very precisely.
In 2016, Alex also won the USA Landscape Photographer
“I like to shoot in any sort of light or time of day
“Most of the processing is centred around creating
of the Year competition and the Epson Pano Awards
that evokes a certain mood. Obviously many landscape
or emphasising certain atmospheres, through the
Photographer of the Year. He uses a Nikon D600 with Nikkor
photographers shoot at the edge of day for the colourful
use of light and colour. Although I try to finish every
16-35mm f4, 50mm f1.8, and 70-200mm f4 VR lenses.
and dynamic nature of the light. However, I’ll shoot
image with the care required to make large prints,
anytime that anything interesting is happening – be it
I do acknowledge that the vast majority of viewers
allegiance, but because it combines the incredible
stormy spotlighting, a whiteout or foggy and overcast
will only ever see them digitally, so I am very mindful
dynamic range of Sony’s sensors with rugged, weather-
blues – anytime I can capture an atmosphere that is out of
of my web output as well.
sealed reliability. I’ve abused my Nikons with rain, snow,
the ordinary. You won’t find many colourful sunsets in my
sleet, ice, dust, dirt, mud and even head-to-toe ocean
portfolio, nor will you find blue skies on a sunny day.”
“I love Nikon not because I have any particular brand
waves, with zero failures thus far. “I also love my Really Right Stuff tripod which I recently downsized to the TQC-14 travel size to save weight when
While Alex acknowledges there are plenty of places
“I want to continue finding my own unique images that represent my love of certain landscapes and moods, and to continue exploring North America. As long as I’m
around the world he could visit, he loves the freedom of
making new images that excite me, business and career
traveling in his own vehicle and being able to live out of
advancements will follow.”
T HE IN TER N ATION AL L AN DS CAP E P H OTOGR AP H ER OF TH E Y EAR
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First Place | The International Landscape PhotographER of the Year 2016
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Alex Noriega
The International Landscape PhotographER of the Year 2016 | First Place
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Alex Noriega
First Place | The International Landscape PhotographER of the Year 2016
14
Alex Noriega
The International Landscape PhotographER of the Year 2016 | First Place
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Alex Noriega
Second Place | The International Landscape PhotographER of the Year 2016
16
Kath Salier AUSTRALIA
The International Landscape PhotographER of the Year 2016 | Third Place
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Peter Poppe BELGIUM
The International Landscape Photograph of the Year 2016
Hougaard Malan SO UTH AFRICA
Hougaard MalAn is a professional landscape
a D810 and I’m very happy with it. If Canon brings out
photographer based in Cape Town, South Africa.
something better, then I’ll jump ship again in the blink of
“I’m fortunate to have two of the world’s most amazing landscapes on my doorstep; the Namibian Desert and South
“What really makes my life easier when out shooting
Africa’s Drakensberg mountain range. I try to visit both these
in the field is a good backpack, tripod and an L-bracket.
iconic areas each year, as well as exploring something new.”
I’m much keener on specific brands when it comes to my
Hougaard says that like many nature and landscape
accessories. I can’t live without an L-Bracket, my Lee filters,
photographers, he didn’t plan his career. “It sort of just happened due to my passion for photography
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an eye. I use whatever produces the best image quality.
Fstop backpack or Gitzo Systematic and Traveller tripods. “ In terms of shooting technique, Hougaard tries not to
overpowering all my other interests. Then, over the years I
be too dependent on a wide-angle lens and red skies as he
have learned what to do to make a living out of it, such as
says this is just an excuse to neglect composition.
good relationships with my local publishing industry and by helping all the hobbyists get the iconic shots.
“I’m always searching for striking lines and shapes and when I find them, then I will try to wait for complimentary
“I’m pretty happy with where I am at the moment.
light. What I really love about the Drakensberg is that you
I went through a creative slump from 2012–2015, but I
can get as many great shots in midday light as you can at
feel that I am through it and producing better work than
sunrise and sunset.
ever. I’m making solid efforts to photograph areas that are unknown to the world. “For instance, I got to know the landscapes of Namibia
“Africa is definitely challenging to work in. Many popular places are dangerous to shoot at and safety is always a concern. One has to try and be creative while constantly
during the great floods of 2011, but I didn’t really know it as
scanning the horizon for suspicious characters looking to
a photographic destination. I now know every corner of it
nab your gear. Luckily, not all places are like this, but many
like my own backyard and I am patiently awaiting the next
are and it puts a strain on the creative process.”
flood year to capture the world’s most photogenic desert with an abundance of green grass and storm clouds.” Hougaard says he’s not a loyalist when it comes to
In terms of post-production, Hougaard says he tries to keep his images looking as natural as possible. “Some situations obviously require a bit more attention
camera gear, choosing to shoot with the equipment that
than others to match what the original scene looked like.
gets him the results he needs. “I shot with the Canon EOS
There’s always some contrast and colour enhancement,
5D Mark II for many years and jumped ship to Nikon without
minor Orton effect and some blending of bracketed
hesitation when they released the D800. I currently own
exposures where required.”
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THE INTERNATIONAL LANDSCAPE PHOTOGRAPH OF THE Y EAR
Second Place | The International Landscape Photograph of the Year 2016
20
Simone Cmoon Switzerland
The International Landscape Photograph of the Year 2016 | Third Place
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Eberhard Ehmke
Germany
The Black & White Award | The International Landscape Photograph of the Year 2016
22
Guy Havell Australia
The International Landscape Photograph of the Year 2016 | The Dominant Sky Award
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Leonardo Papèra
ITALY
The South America Award | The International Landscape Photograph of the Year 2016
24
Kalan Robb Australia
The International Landscape Photograph of the Year 2016 | The Squarial Award
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Ignacio Palacios
Australia
The Waterfall Award | The International Landscape Photograph of the Year 2016
26
Hougaard Malan SOUTH AFRICA
The Top 101 International Landscape Photographs of the Year 27
T HE IN TER N ATION AL L AN DS CAP E P H OTOGR AP H ER OF TH E Y EAR
28
Amarate Tansawet
29
Hans Strand
55
Kath Salier
81
Rachael Smith
107
Adam Williams
30
Guy Havell
56
Kath Salier
82
Riccardo Lucidi
108
Hougaard Malan
31
Alec Moustris
57
Kay Hathway
83
Roberto Marchegiani
109
Alex Noriega
32
Ignacio Palacios
58
Alex Noriega
84
Samuel Feron
110
Brad Smith
33
Ignacio Palacios
59
Max Foster
85
Samuel Feron
111
Ben Goode
34
Ignacio Palacios
60
Alex Noriega
86
Stephen King
112
Antwan Janssen
35
Ignacio Palacios
61
Alex Noriega
87
Yan Kurniawan
113
Glen Parker
36
Ignacio Palacios
62
Alex Noriega
88
Scott McCook
114
Chris Williams
37
Ignacio Palacios
63
Matt Anderson
89
Scott McCook
115
Fabio Antenore
38
Jefflin Ling
64
Leonardo Papèra
90
Simon Roppel
116
Cory Marshall
39
Isabelle Bacher
65
Leonardo Papèra
91
Simone Cmoon
117
Cory Marshall
40
Jannick Clausen
66
Leonardo Papèra
92
Xabier Mata
118
Danial Abdullah
41
Jannick Clausen
67
John Lucarelli
93
Tomasz Susul
119
Dietmar Herzog
42
Guy Havell
68
Leonardo Papèra
94
Vladimir Alekseev
120
Dietmar Herzog
43
Jeremy Barrett
69
Lukas Moesch
95
Warren Keelan
121
Eberhard Ehmke
44
Jeremy Barrett
70
Manu Allicot
96
Warren Keelan
122
Francis Pisani
45
Kath Salier
71
Paddy Scott
97
Warren Keelan
123
Dag Ole Nordhaug
46
Juan Pablo de Miguel
72
Mohammad Rahman
98
Thierry Bornier
124
Enrico Fossati
47
Ignacio Palacios
73
Martin Rak
99
Roger Wandless
125
Franco Cappellari
48
Jordan Cantelo
74
Peta North
100
Xuehua Jiang
126
Florian Gruet
49
Jordan Cantelo
75
Paul Hoelen
101
Xuehua Jiang
127
Craig George
50
Juan Pablo de Miguel
76
Peter Poppe
102
Yi Sun
128
Glenn Mckimmin
51
Krzysztof Browko
77
Peter Poppe
103
Ignacio Palacios
129
Grant Galbraith
52
Kalan Robb
78
Peter Poppe
104
Grant Galbraith
53
Kath Salier
79
Peter Poppe
105
Greg Hanlon
54
Kath Salier
80
Pierre Destribats
106
Amarate Tansawet Thailand
Lake Baikal, Russian Federation
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T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Adam Williams Australia
Country NSW, Australia
30
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Hougaard Malan South Africa
Ruacana Falls, Northern Namibia
31
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Alex Noriega United States
A winter sunrise at Crater Lake, Oregon, USA
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THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Brad Smith Australia
Cable Beach, Broome, WA, Australia
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T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Ben Goode Australia
Gumeracha, Adelaide Hills, SA, Australia
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THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Antwan Janssen Netherlands
Hamnoy, Lofoten Island, Norway
35
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Glen Parker Australia
Iceland
36
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Chris Williams United States
A very early morning sunrise on the big island of Hawaii, USA
37
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Fabio Antenore Switzerland
Mer de Glace, France
38
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Cory Marshall United States
Bisti Badlands, New Mexico, USA
39
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Cory Marshall United States
Mt. Tamalpais State Park, California, USA
40
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Danial Abdullah Malaysia
Lake Matheson Track, West Coast, New Zealand
41
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Dietmar Herzog Austria
Bluebells in Hallerbos, Belgium
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THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Dietmar Herzog Austria
Heringsloch Gorge, Saxon Switzerland, Germany
43
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Eberhard Ehmke Germany
Bergwinkel, Hessen, Germany
44
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Francis Pisani Australia
Jokulsarlon Beach, Iceland
45
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Dag Ole Nordhaug Norway
South Rim, Grand Canyon, Arizona, USA
46
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Enrico Fossati Italy
Assininboine Provincial Park, Alberta, Canada
47
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Franco Cappellari Italy
Aerial image of the Tungna River, Iceland
48
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Florian Gruet France
Roquebrune Cap Martin, France
49
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Craig George Australia
Makers Workshop, Burnie, Tasmania, Australia
50
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Glenn Mckimmin Australia
Hawkesbury River, NSW. Australia
51
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Grant Galbraith Australia
Bombo Quarry, Bombo, NSW, Australia
52
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Grant Galbraith Australia
Bombo Quarry, Bombo, NSW, Australia
53
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Greg Hanlon Australia
Beyond the coast of Zadar, Croatia
54
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Hans Strand Sweden
River delta and two gulls, Iceland
55
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Guy Havell Australia
Cribinau off the coast of Anglesey, Wales
56
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Alec Moustris Greece
Cyclades Islands, Iraklia, Greece
57
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Ignacio Palacios Australia
Marismas del Guadalquivir, Spain
58
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Ignacio Palacios Australia
Torres del Paine, Chile
59
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Ignacio Palacios Australia
Frozen lake in Iceland
60
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Ignacio Palacios Australia
Iguazu Falls, Argentina
61
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Ignacio Palacios Australia
Marismas del Guadalquivir, Spain
62
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Ignacio Palacios Australia
Lenticular cloud, Torres del Paine, Chile
63
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Jefflin Ling Malaysia
Iceland
64
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Isabelle Bacher Norway
The majestic mountain Hjorthfjellet on Spitsbergen, Norway
65
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Jannick Clausen Australia
Small plantation forest outside the city Odense in Denmark
66
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Jannick Clausen Australia
The Castle “Valdemars Slot”, Denmark
67
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Guy Havell Australia
Ingjaldsholl Church, Snaefellsnes Peninsula, Iceland
68
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Jeremy Barrett United Kingdom
Lindisfarne Castle, Holy Island, Northumberland, England
69
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Jeremy Barrett United Kingdom
Wistman’s Wood, Dartmoor, Devon, England
70
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Kath Salier Australia
Mt Field National Park, Tasmania, Australia
71
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Juan Pablo de Miguel Spain
Athabasca Glacier, Rocky Mountains, Canada
72
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Ignacio Palacios Australia
Icebergs on beach, Iceland
73
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Jordan Cantelo Australia
Mt Cook National Park, New Zealand
74
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Jordan Cantelo Australia
Franz Josef, Mt Cook National Park, New Zealand
75
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Juan Pablo de Miguel Spain
Pyramid Lake, Rocky Mountains, Canada
76
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Krzysztof Browko Poland
Church of St Primus and Felician in Jamnik, Slovenia
77
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Kalan Robb Australia
Mirador in El Alto, Bolivia
78
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Kath Salier Australia
Iceland
79
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Kath Salier Australia
Flakstadoya Beach, Norway
80
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Kath Salier Australia
Ice cave near Jokulsarlon, Iceland
81
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Kath Salier Australia
Near Lofoten, Norway
82
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Kay Hathway Australia
Philosopher Falls, Tasmania, Australia
83
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Alex Noriega United States
Trees emerge from a meadow covered in thirteen feet of snow, Mount Rainier, Washington, USA
84
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Max Foster United States
Jasper National Park, Alberta, Canada
85
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Alex Noriega United States
Queets Rainforest, Washington, USA
86
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Alex Noriega United States
Colorado Plateau, USA
87
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Alex Noriega United States
Wind and golden light on the sand dunes of Death Valley, California, USA
88
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Matt Anderson United States
Pyramid Peak, Amargosa Mountain Range, Death Valley National Park, California, USA
89
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Leonardo Papèra Italy
Tre Cime di Lavaredo, Dolomites, Belluno, Italy
90
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Leonardo Papèra Italy
Godafoss, Nordurland, Iceland
91
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Leonardo Papèra Italy
Kirkjufell, Grundarfjordur, Snaefellsness Peninsula, Iceland
92
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
John Lucarelli United States
Newport Beach, California, USA
93
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Leonardo Papèra Italy
Tellaro, Liguria, Italy
94
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Lukas Moesch Switzerland
Klausenpass, Kanton Uri, Switzerland
95
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Manu Allicot France
Isle of Skye, Scotland
96
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Paddy Scott United Kingdom
Simons Seat, Yorkshire Dales, UK
97
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Mohammad Rahman Australia
The Padma River, Rajbari, Bangladesh
98
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Martin Rak Czech Republic
Central Bohemia, Czech Republic
99
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Peta North Australia
Cockburn Market Garden, WA, Australia
100
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Paul Hoelen Australia
Lake Lefroy, WA, Australia
101
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Peter Poppe Belgium
Sandwich Harbour, near Swakopmund, Namibia
102
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Peter Poppe Belgium
Sandwich Harbour, near Swakopmund, Namibia
103
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Peter Poppe Belgium
Deadvlei, Sossusvlei, Namibia
104
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Peter Poppe Belgium
Deadvlei, Sossusvlei, Namibia
105
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Pierre Destribats France
Finnish Lapland close to the Russian border, Finland
106
THE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF T HE Y EAR
Rachael Smith New Zealand
Birdlings Flat, Te Mata Hapuku, Canterbury, New Zealand
107
T HE INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE Y EAR
Riccardo Lucidi Italy
Piano Grande di Castelluccio di Norcia, Sibillini National Park, Italy
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Roberto Marchegiani Italy
Castelluccio in Winter, Sibillini National Park, Italy
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Samuel Feron France
Aurora Borealis in the north of Iceland
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Samuel Feron France
North Iceland
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Stephen King Hong Kong
Futami, Mie, Japan
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Yan Kurniawan Australia
Richmond Lowlands, NSW Australia
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Scott McCook Australia
Southern Alps, New Zealand
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Scott McCook Australia
Dirk Hartog Island, WA, Australia
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Simon Roppel Switzerland
Southern Greenland
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Simone Cmoon Switzerland
Lofoten, Norway
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Xabier Mata Australia
Figures on snow, Spain
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Tomasz Susul Poland
Glacier du Geant and Dent du Geant, France
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Vladimir Alekseev Russian Federation
Svalbard Archipelago near Nordenskiรถld Glacier, Norway
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Warren Keelan Australia
A wave comes alive under an eerie sunrise, South Coast, NSW, Australia
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Warren Keelan Australia
South Coast, NSW, Australia
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Warren Keelan Australia
A jelly-like wave curls in multiple layers over a shallow reef, NSW South Coast, Australia
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Thierry Bornier China
Fujian, China
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Roger Wandless New Zealand
Wanaka, New Zealand
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Xuehua Jiang CANADa
River delta, south coast, Iceland
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Xuehua Jiang CANADa
Skeleton Coast, Namibia
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Yi Sun United Kingdom
Koehn Lake, California, USA
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Ignacio Palacios Australia
Chamonix, France
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SELF PUBLISH IN STYLE Award winning photobooks and portfolios
Momento Pro is Australia's first and finest on-demand photo book service. We handcraft premium books, boxes and stationery for professional photographers and creatives in Australia and New Zealand. We offer digital and inkjet printing with a broad range of contemporary and classic materials that suit all styles, budgets and purposes - from portfolios, client albums and self-published photography books through to limited edition fine-art books. Our specialty is print runs of one to 250 copies. Every order passes through our strict colour-managed workflow, every book is stitched, and every page is expertly quality checked before leaving our carbon-neutral production facility in Sydney. Our craftsmanship has been awarded locally and internationally and we support the industry with discounts, sponsorships and the Australian Photo Book Of The Year Awards.
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T h e B e st Pr i n t i n g & F r a m i n g C r e at e d fo r Ph oto g r a ph e r s
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Photographer Glenn McKimmin is as passionate as we are about photography. Taking over from legendary Australian photographer Ken Duncan, Glenn reinvented Created For Life, turning it into a state of the art facility that offers sophisticated printing, mounting and framing. And naturally Ken Duncan continues to use Created For Life for his own work, along with other professional photographers like Luke Shadbolt and Charles Davis. However, the new focus of Created For Life is to print and frame for everyone and readers such as yourself are invited to try its services.
Sending Files Most customers send their files to Created For Life via the internet and full instructions on preparing your files can be found on its website – essentially you need to re-size your flattened files as JPEGs or TIFFs, depending on the size of the print you want. However, many customers are also sending in their raw files, along with broad instructions of what they want the final image to look like. Created For Life then works on the raw file and sends you back your finished file and print. “A lot of people try Photoshop themselves,” explained Glenn, “but no matter how many hours they spend, it’s difficult to be as good as someone who does it for a living. Lately a lot of people have been seeing the advantages of employing someone to do the editing for them and Created For Life has several expert editors available to refine your images.”
Making Prints Today many of the world’s leading photographers are discovering the magic of high quality inkjet printing.
w w w.cre ate dfo rlife. co m
Explained Glenn, “We exclusively use Hahnemuhle paper and large format Epson machines, offering prints up to 44-inches wide on the full range of Hahnemuhle surfaces.” Created For Life also offers Chromajet Metallic papers and they have an Epson Sure Lab, the most advanced dry lab in the world. “This will open us to the wedding and portrait market as well, offering bulk printing at affordable prices. “However, at present, most of our clients are producing prints for display on a wall. Some make five prints a year, some make 5000 prints, but we’re seeing that the industry has changed a lot in recent years. “It used to be that people would buy another photographer’s work to put on the wall, but now they want to put up their own photographs. The market has shifted to a DIY, which means not only do we need to offer printing, but mounting and framing as well.”
Seeing is Believing So, once you have a beautiful print, how do you mount and frame it? Created For Life has a myriad of ideas and options, from simple mounts to incredibly elegant frames from Bellini. “We have changed the way you view framing. Normally a framing shop is small and crowded with hundreds of samples on the wall, but it can be hard to get a sense of what is possible. “At Created For Life, we’ve created a purposedesigned gallery that displays a range of frames and mouldings because nothing works as well as seeing the real thing hanging on a wall.” The Created For Life showroom is impressive and will also host customers’ own exhibitions
from time to time. And with 40,000 cars driving past the gallery each day, it’s in a prime location in Erina.
Mounting Before hanging or framing, prints generally need to be mounted and Created For Life offers a range of options, from acrylic face mounting to Dibond, aluminium and stretched canvases. These can be hung directly on a wall without a frame if desired and many people like this modern look. For inkjet media, Gatorfoam is all that’s needed to produce a super flat surface. “Inkjet paper is not going to pick up any of the irregularities of the backing board, and so it looks super flat on Gatorfoam.” Acrylic face mounting can also look sensational on a wall, especially with polished edges and backed with Dibond up to 19 millimetres deep. And of course there is the popular canvas – there are lots of examples to choose from on the Created For Life website, including a series of small videos to give you a better feel for exactly what you’re ordering.
Framing Of course Created For Life offers a full range of frames, from inexpensive practical designs right up to the finest quality, Italian-made Bellini frames. “Bellini is a fourth-generation moulding manufacturer that offers the most incredible moulds you have ever seen. It lets us push
custom framing beyond anything seen in Australia before.” To choose your frames, you can visit the Created For Life website, but there’s also a fulltime consultant who you can talk to in person or on the phone. According to Glenn, the most popular Bellini frames are the bold, boxy 180-series, and the Balinese wood look series B145 can also look stunning. “And don’t forget the Roma Elite, the most desirable moulding in the world!” Created For Life has one of the most extensive ranges of custom framing in the country, as well as an extensive range of photo frames and family gallery ‘ready-made’ frames. “We sell lots of frames simply because people can see how good they look at full size. Having the gallery is a game changer for the industry and there’s no one else like us in Australia.” And no matter where you are in Australia, you can use the services of Created For Life. They have truly mastered the art of packaging and posting large framed prints all over the world – remember, they handle Ken Duncan’s work as well. “Our aim is to be the finest producer of finished photographic printing and framing in Australia, and with the connections we have with Bellini and Hahnemuhle, we are also using the finest materials available.” And with over 200 years of experience with their lab and framing staff, you too can be assured of a great result. Take a look at the Created For Life website: www.createdforlife.com
Glenn McKimmin Glenn ran Created For Life for four years before he purchased it with a partner from Ken Duncan. He also worked for three years as Ken’s assistant. A consummate professional photographer, Glenn’s passion is for landscapes and teaching others how to create great images. He is now the sole owner of Created For Life.
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Created For Life Photography lab, printer, mounter and framer. 183 Central Coast Hwy, Erina NSW 2250 Phone:(02) 4367 8499
David Burnett CO-FOUNDER CONTACT PRESS IMAGES
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DAVID BURNETT (born Salt Lake City, Utah 1946) He learned photography at the Olympus High yearbook, and later shot pictures (mostly sports) at Colorado College (BA Poli Sci ‘68.) He began working as a freelancer for Time, and later Life magazine in the late 1960s spending two years covering the war in Vietnam. Following the demise of Life Magazine weekly, he joined the French photo agency Gamma and subsequently, in 1975 he co-founded Contact Press Images, in New York. His work for news magazines in Europe and the US has included politics, sports, and portraiture as well as the news. He has covered every Summer Olympic Games since 1984, as well as the 2002 and recent 2014 Sochi Winter Games, and photographed every American President since John F Kennedy. His awards include ‘Magazine Photographer of the Year’ from the Pictures of the Year Competition, the ‘World Press Photo of the Year’, and the Robert Capa Gold Medal from the Overseas Press Club. He has produced photographic essays for Time, Fortune, GEO, Paris-Match and ESPN Magazine. He served on the World Press Jury in 1997, 1999, and chaired the jury in 2011. He also taught the World Press “Joop Swart Master Class” in 2007. He is the author of two photographic books: “Soul Rebel – An Intimate Portrait of Bob Marley,” and “44 Days: Iran and the Remaking of the World,” pictures taken during the 1979 Iranian Revolution. He calls New York home, but is at home anywhere there is a good story.
www.davidburnett.com
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Jim M. Goldstein PROFESSIONAL AND FINE ART PHOTOGRAPHER
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JIM M. GOLDSTEIN is a professional photographer, author, and educator based in San Francisco, California. Passionate about nature and the environment, Jim infuses elements of the natural world into his commercial and editorial work. A member of the American Society of Media Photographers (ASMP), Jim produces the highest quality photography for both commercial clients and fine art photography collectors. Jim is the author of the eBook “Photographing the 4th Dimension – Time” and has published numerous articles in Digital Photo Pro, Outdoor Photographer, Popular Photography and several other publications and blogs. “How do you pursue getting an adrenaline rush? I’m not a skydiver, I haven’t joined a fight club, and I don’t extreme plank. I get an adrenaline rush being behind a camera, taking visually engaging and thought provoking images. “Specifically I love nature, colour, minimalism and challenging convention. I strive to see and feel subtlety, while keeping an eye open for the bold. “If you like standing where the view takes your breath away take a step closer and I’ll show you something amazing.”
www.jmg-galleries.com
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Kaye Davis NZIPP GRAND MASTER OF PHOTOGRAPHY
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Kaye DAVIS has close to 20 years experience as a photographer, following many years immersed in the creative industry of fashion and design. It was during her time studying for the fashion industry that saw her first experience the wonders of the darkroom, a love she went back to when deciding to retrain in photography many years later. Since then, she has worked as a freelance photographer, undertaking wedding, portrait and commercial photography. Now working as a full-time Senior Lecturer on the Bachelor of Applied Visual Imaging (UCOL, Palmerston North, New Zealand), she also gives back to the industry through writing a regular column for The Photographer’s Mail, as an international judge, a position on the NZIPP Board and as current Chair of the NZIPP Honours Council. Kaye’s practice now revolves around photographic art and a love of landscape, still life, illustrative and portraiture. Career highlights include Epson/NZIPP Professional Photographer of the Year 2013 (New Zealand), Illustrative Photographer of the Year 2013 (Australia), Creative Photographer of the Year 2014, 2013 and 2011 (New Zealand). “I absolutely love being part of this amazing profession and I’m constantly amazed and inspired by the passion, creativity and talent that exists at all levels. “As an artist, photography is my medium of choice for expressing and interpreting the wonders of nature and the world around me, and I love that I am constantly learning about the art of photography.”
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Tim Parkin LANDSCAPE PHOTOGRAPHER, ON LANDSCAPE MAGAZINE EDITOR
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Tim Parkin is On Landscape online photography magazine’s editor and, along with Joe Cornish, co-founder. Originally a computer engineer with a PhD, he has worked extensively in publishing, the internet and the music industry, but today Tim is immersed in all aspects of the art and craft. While his background means he is completely comfortable with digital photography and post-production, he chooses to shoot a lot of his landscape work on film using large format cameras. “Our original goal for On Landscape was to create something dedicated to the people we both meet on a fairly regular basis. The amateurs who spend all of their spare time in the field, the semi-professionals trying to make a living from this misunderstood occupation and the full timers who have managed to build themselves a niche in a challenging business field. “At the end of the day my photography is about learning; learning to see, learning to take pictures, learning about other photographers. This process also becomes a conversation with other photographers (who tend to be a nice bunch mostly) and this engagement is satisfying in itself.”
www.onlandscape.co.uk/ www.timparkin.net/
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Luke Austin 2015 INTERNATIONAL LANDSCAPE PHOTOGRAPHER OF THE YEAR WINNER
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Luke Austin is an Australian born landscape and nature photographer currently based in Perth, Western Australia. Luke has spent time travelling and photographing throughout Australia, Canada, New Zealand and the United States of America. Luke is constantly out looking for new compositions, view points and subject matter to photograph while continually refining and developing his photographic techniques. “I have always felt a strong connection with the environment. My passion is creating images that capture the amazing landscapes of our world. In doing this I endeavour to bring the beauty of nature to the attention of others and I strive to move the viewer to feel what I felt at the time of capture. When I am on location I relax in the environment and immerse myself in the surroundings. I am then able to absorb the intricate details, subtle light and form of the landscape. It is these times when I am out and about with camera in tow that I feel truly free.� Luke was the winner of the 2015 International Landscape Photographer of the Year and as such has been invited to be on the 2016 judging panel.
www.lukeaustinphotography.com
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Peter Eastway G.M. PHOTOG., HON. FAIPP, HON FNZIPP, MNZIPP, FAIPP CHAIRMAN OF JUDGES
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Peter Eastway has been involved in landscape photography, photography competitions and judging for over 30 years. He was the Canon AIPP Australian Professional Photography Award Chairman for six years, is the Head Judge for the International Loupe Awards, and has judged internationally around the world. Peter has won many awards for his photography. In 1996 and 1998 he was the AIPP Australian Professional Photographer of the Year. He was Australian Landscape Photographer of the Year in 1995, 1996 and 1998, Australian Illustrative Photographer of the Year in 2004, and NSW Professional Photographer of the Year in 1995, 1996, 2004 and 2010. He has also won the Grand Award for the Commercial Category at the 2005 and 2008 WPPI Exhibition in Las Vegas. Peter’s passion is for landscapes, portraiture and the printed page. He is the publisher of Better Photography magazine and website. Peter’s work is so respected that Lonely Planet chose him to write their international photography guide book on landscape photography. More recently he featured in the Tales By Light television series, as seen on the Australian National Geographic Channel in partnership with Canon Australia. It is now available on Netflix. Peter is an AIPP Grand Master of Photography, one of only a dozen or so in the world and earned from a career spanning nearly 40 years. His role in the International Landscape Photographer of the Year awards is as chairman of judges and he will not be scoring the images himself.
www.petereastway.com www.betterphotography.com
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© Copyright 2016. Copyright resides with the individual photographers. The copyright for the book and concept with Pt 78 Pty Ltd and its partners.
The International Landscape Photographer of the Year • Cash prize of US $5,000 and trophy. • Printed copy of International Landscape Photographer of the Year 2016 Book • 2nd Place – Cash prize of US $1,000 and trophy
Third Edition Published August 2016 ISBN 978-0-9586237-3-5 Book Design: Kathie Eastway Writer: Peter Eastway Published by Pt78 Pty Ltd ABN 75 003 152 136 PO Box 351 Collaroy Beach NSW 2097 AUSTRALIA Phone: 61 2 9971 6857 Fax: 61 2 9971 6641
• Smaller printed copy of the International Landscape Photographer of the Year 2016 Book • 3rd Place – Cash prize of US $500 and trophy • Smaller printed copy of the International Landscape Photographer of the Year 2016 Book
International Landscape Photograph of the Year • Cash prize of US $2,000 and trophy • Inclusion and feature in the International Landscape Photographer of the Year 2016 Book • Printed copy of International Landscape Photographer of the Year 2016 Book
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of the publisher, or for particular images, the photographer. While all care is taken in compiling this publication, the publisher assumes no responsibility for the effects arising therein. Paper editions printed in Australia by Momento.
• 2nd Place – Cash prize of US $1,000 and trophy • Smaller printed copy of the International Landscape Photographer of the Year 2016 Book • 3rd Place – Cash prize of US $500 and trophy • Smaller printed copy of the International Landscape Photographer of the Year 2016 Book
Special Prize Winners • Each Special Prize Winner will have their image produced as a one metre wide print, presented on aluminium or behind acrylic as they choose, and a trophy. • Photobooks prizes proudly printed by Momento; framed print prizes by Created for Life.