Dimitris Zoupas Design Portfolio January 15’
ABOUT
“ I think of the work presented here as only the stepping stone to something better and more substantial. I believe in the importance of hard work, intense collaborations, of shifting paradigms, of keeping one’s eyes open. I enjoy working in different contexts, both geographical and social , both literally and metaphorically. I have lived and worked in Greece, the USA, China, South Korea and Germany and designed projects in Afganistan, Serbia, Cyprus, Finland, Taiwan, China, Hungary, Egypt, the Netherlands among others. I consider the global context in which we are called to work today both a challenge - a big opportunity, and a huge responsibility. We are past the point in time when “great architects” used to draw on napkin papers. The profession of the Architect has been wired closely to engineering and technological innovation, intertwined with the social and political sciences, attached to ecological movements and aspirations, branching out from the very small : designing objects and habitats that re-invent our everyday urban-hood to the extra large : reimagining our cities, urban and sub-urban surroundings as a whole. In this multi-tasking and interdisciplinary environment I see myself working for the years to come.” January 2015
BIO Name : Dimitris Zoupas Gender : Male Born : 04.02.1979 Nationality : Greek
CONTACT dzoupas@gmail.com +30 6945 418399 Grypari 17, 16345, Athens, Greece
EDUCATION 08.2009 - 01.2011
HARVARD GRADUATE SCHOOL OF DESIGN (Cambridge, MA) Master in Design Studies(MDesS), concentration in Design and Technology, Thesis : ‘Kolemvetes: Revisi(ti)ng the Oblique’, Professor Sanford Kwinter + The work addresses the use of anthropometric models in architectural design, using as its vehicle and focal point an analysis of the work of Claude Parrent and Paul Virilio on the ‘function of the oblique’.
02.2003 - 08.2003
LA SAPIENZA ROMA, School of Architecture (Rome, Italy) Erasmus Exchange Student
08.1998 - 08.2004
NATIONAL TECHNICAL UNIVERSITY ATHENS, School of Architecture (Athens, Greece) Diploma of Architecture (5 year) Thesis : FIX Mutations, Professor Dimitris Papalexopoulos + The work raises questions on history, collective memory, architectural heritage of the Modern and suggests multiple models of intervention on exisitng Monuments from rational to surreal.
TEACHING SPR. 2010
Research Assistant : GSD Ceramics Workshop, Castellon, Spain Professor M.Bechthold
SPR. 2010
Teaching Assistant : GSD Edessa Studio Professor M.Schwartz
FALL 2009
Research Assistant : The GSD Zofnass Program for Infrastucture Sustainability Professor S.Pollalis
FALL 2009
Visiting Critic : Pratt Institute, !st and 2nd year Core Design Studio
SPR. 2008
Teaching Assistant : NTUA 8th Semester Core Design Studio, Professor D.Issaias
FALL 2007
Teaching Assistant : NTUA 9th Semester Core Urban Design Studio, Professor A.Kourkoulas
PROFESSIONAL EXPERIENCE 08.2013 - present
Zoupas Architecture | CommonGround, Athens Architect / Principal Open collaboration platform among architects, designers, urban planners, business and culture management specialists|work includes: + Enercube, Research Project on Sustainable Building Strategy, South Africa + Sustainability and Development Studies for Private and Public Organizations + ICE London Gaming Exhibition Stand
08.2012 - 08.2013
Holzer Kobler Architects, Berlin (www.holzerkobler.ch) Project Architect Leading architectural competitions both in Germany and abroad |work includes: + Green City Competition, Zurich + New Library and Plaza for Green Square Competition, Sydney + Petriplatz Archaeological Visitor’s Center, Berlin + Museum of Bavarian History, Regensburg
02.2012 - 07.2012
Byoung Soo Cho Architects, Seoul (www.bchoarchitects.com) Project Architect involved in cultural, residential and office projects in South Korea |work includes: + Kishwire Museum and Office Building, Busan + Prada Flagship Store, Seoul
06.2011 - 02.2012
Studio Pei Zhu, Beijing (www.studiopeizhu.com) Intermediate Architect lead designer on a number of institutional and cultural buildings in China |work includes: + Minsheng Gallery, Beijing + Wuhan Art Museum, Wuhan + Elementary and Secondary Schools, Beijing
02.2005 - 08.2009
Zoupas Architecture, Athens (www.zoupas.eu) Architect / Principal _designed and completed a number of residential, commercial and public projects in Greece. _ participation in architectural competitions in Greece and abroad |work includes: + Europan 12, Groningen / European Mention + Piraeus Cultural Coast, International Architectural Competition, Athens + Germanina Estate, International Ideas Competition, Cyprus + Beton Hala Waterfront Center, International Competition, Belgrade + Heung Yuen Wai Boundary Control Point, International Competition, Hong Kong + Private Single and Multi-family Residences, Greece
[ Projects ]
Project
Bamiyan Cumtural Center
Location
Bamiyan, Afganistan
Type / Year
One Stage International Competition _ January 2015
Description
UNESCO and the Ministry of Information and Culture of Afghanistan, with the generous financial support of the Republic of Korea, are implementing a project to build the Bamiyan Cultural Centre. The Centre will be located near the boundary of the World Heritage property, the Cultural Landscape and Archaeological Remains of the Bamiyan Valley. The purpose of the project is to promote heritage safe-guarding and cross-cultural awareness, and thereby contribute to the broader aims of reconciliation, peace-building and economic development.
Credits
Iris Giannakopoulou, Architect
BAMIYAN CULTURAL CENTER
BELVEDERE
RESEARCH CENTER / LIBRARY
EXHIBITION
WORKSHOPS / CLASSROOMS
EXHIBITION
CONFERENCE / PERFORMANCE
N
EXHIBITION
ADMINISTRATION
As a principal design gesture we introduce a “thick wall” envisioned to act as a large scale optical device, a viewing machine through which the vast landscape is framed, measured and ultimately internalized in the life of the building.
LOCAL MARKET
FUTURE EXPANSION AREA ENTRANCE
ENTRANCE
+0.00 (+2545.00)
+8.50 (+2553.50)
TEA HOUSE
OUTDOOR EVENT SPACE
+3.00
STORAGE +0.00
PARKING
+4.00
+12.00 +10.50 (+2555.50)
TV STATION
PHOTOVOLTAIC PARK +10.00
NATIONAL POLICE DEPARTMENT
GARZANDOY GUESTHOUSE
GREEN AREA
POLICE STATION
BAMIYAN CULTURAL HERITAGE DEPARTMENT
PATH
BAMIYAN CULTURAL CENTER
UNESCO WORLD H
The Bamiyan Cultural Center rests in-between the local and the universal in-between the time of the present and a non-time, the time of a continuous presence, of the deep history of the Monuments. In our proposal we wish to incorporate these dualisms through the blending of two distinctly different design approaches. One that forms a clear dialectic with the transcendental context of the Valley , and one that ties the building back to the city, in terms of scale and spatial relationships. Facing the Budha Cliffs the building assumes an austere expression - one that does not compete with the Monuments yet borrows from them its critical characteristics : a sense of verticality and a puncuation of the facade. On the opposite side the building breaks down in volumes that respond to the programmatic requirements and relate more directly to their immediate surrounding.
PERSPECTIVE VIEW
TRANCE
2553,50)
BAMIYAN CULTURAL CENTER
By means of ramps and intermediate plateaus, the building spine unfolds as a continuous descent from the upper to the lower elevation of the site, adopting in this manner its longitudinal form. It adapts to the site and at the same time forces the immediate landscape of the site to adapt and respond to its interior programmatic organization.
20:00
14:00
W 1 2
12:00
S
In terms of programmatic organization, all major exhibition-related program is integrated in the outer “thick wall”. The rest of the program is housed in distinct, separate building modules. Captured between the Wall and the rest of the building volumes, the core circulation becomes a cinematic strip of varying frames and views, in turn of the Bamiyan valley and the nearby landscape of the site.
18:00
16:00
3
VALLEY WINDS
4 2 3
10:00
2
N
3 3 5
08:00
E ENERGY DIAGRAM
ENVIRONMENTAL STRATEGIES
1 2 3 4 5
THE OUTER WALL THROUGH ITS MASS AND THE SMALL AMOUNT OF OPENINGS INSULATES THE BUILDING FROM THE PREVAILING NORTH VALLEY WINDS AND MINIMIZES THE THERMAL LOSSES TO THE ENVIRONMENT GREEN ROOFS HELP REDUCE HEATING DEMANDS BY ADDING MASS AND THERMAL RESISTANCE VALUE DOULE LAYERED, DEEP FACADES CONSISTING OF GLAZING, MINI-ATRIUMS AND A SYSTEM OF CLAUSTRA CREATE COMFORT ZONES IN THE SOUTH ALLOWING THE SUN, WHILE FILTERING THE ENVIRONMENTAL NOISE THE CIRCULATION CORRIDOR IS ENVISIONED AS A CLIMATIC BUFFER ZONE THE PROPOSED PHOTOVOLTAIC PARK IN THE SOUTH END OF THE PROPERTY IS KEPT OUT OF DIRECT SIGHT AND IS EXPECTED TO COMPENSATE SUBSTANTIALLY TO THE ENERGY REQUIREMENTS OF THE BUILDING
CLIMATE CONTROLED SPACES
CLIMATIC BUFFER ZONE TEMPORARY EXHIBITION PERMANENT EXHIBITION atrium
atrium
+ 1,50
info + 5,50
lobby
BACKSTAGE
+ 4,00
M
W
V
RETAIL
PERFORMANCE HALL
OFFICES
K + 5,50
info
+ 0,00
OFFICE
LOADING unloading
TEA HOUSE + 3,00
to storage
M W
CONFERENCE + 3,00
WC
V
atrium
+ 1,50
atrium
+ 4,00
AIR CONDITIONED SPACES
PERMANENT EXHIBITION
+ 3,00
WORKSHOP STUDIO
MUSICIAN ROOM
CLASSROOM
CLASSROOM + 3,00
CLASSROOM
CLASSROOM
+ 0,00
RESEARCH
LIBRARY
STUDY ROOMS
NORTH ENTRANCE + 0,00 (+2545,00)
BAMIYAN CULTURAL CENTER
LOBBY
EXHIBITION
ENTRANCE / BOOKSTORE
50
50
BAMIYAN CULTURAL CENTER
40
50
40
200
80
40
100
40
40
200
UPPER ENTRANCE +8,50m
LOBBY +4,00m
TEA HOUSE +3,00m
PROGRAM BRE AKDOWN EXHIBITION COLLECTION STORAGE PERFORMANCE HALL & CONFERENCE RECEPTION/BATHROOMS/VESTIBULES WORKSHOP STUDIOS RESEARCH CENTER/LIBRARY CLASSROOMS ADMINISTRATION MECHANICAL
EXPLOSION DIAGRAM
STORAGE +0,00m
LOWER ENTRANCE +0,00m
BAMIYAN CULTURAL CENTER
WINTER VIEW
SUMMER VIEW
NIGHT VIEW
Project
Petriplatz Archaeological Visitors Center
Location
Berlin, Germany
Type / Year
Architectural Competition _ November 2012
Description
The old centre of Cölln (conteporary Berlin) came to light impressively in extensive excavations carried out on Petriplatz from 2007 to 2009. The foundations of the Petrikirche (St. Peter’s Church), the adjacent Latin School, Cölln’s Rathaus and the remains of the first half-timbered houses built here were revealed. To raise public awareness of these important findings the city of Berlin announced a one stage Iternational Ideas Competition for the design of the Petriplatz Archaeological Visitors Center
Credits
Holzer Kobler Architekten, Berlin Hager and Associates, Landscape Architects
PETRIPLATZ ARCHAEOLOGICAL VISITORs CENTER
The Petriplatz Archaeological Visitor Center will be a building unique of its kind for the city of Berlin. Built on the ruins of a gothic church and a Latin School the new center is comprised of two major areas : one is the Archive, where ruins from the site but also from other excavation areas will be stored and exposed temporarily and a series of laboratories and research facilities of non public mainly character. As the interstitial space of both, the relative small exhibition area of the Visitor’s center brings the public and non public aspects of the program together. The building hovers above the ground sitting on concrete pillars; the heavy, brutalist concrete box housing the Archive is juxtaposed withand the light translucent glazed surface of the laboratories.
CONCEPTUAL DIAGRAM
PERSPECTIVE VIEW FROM THE EXCAVATION SITE
PETRIPLATZ ARCHAEOLOGICAL VISITORs CENTER
LABORATORIES
OFFICE SPACE
ARCHIVE STORAGE / EXHIBITION
ARCHIVE SKIN
PILLARS
EXCAVATION AREA
EXPLOSION DIAGRAM
PETRIPLATZ ARCHAEOLOGICAL VISITORs CENTER
B - 2.60 m
UG A 1.27 Technik RLT 1.28 Technik Heizung / ELT
A
- 2.00 m
1.27 1.28
- 3.40 m
C Erschliessung Nicht-Öffentlicher Bereich Öffentlicher Bereich
C
B
GROUND FLOOR PLAN B
OG 1 A 1.3.1 Infobereich / Foyer 1.22.1 Studiensammlung 1.22.3 Schaudepot
A
1.23 Ausstellung 1.30.1 WC Damen / Herren 1.30.2 WC Behinderte
1.22.1
1.23
+4.00 m
1.30.1 Erschliessung
C
1.30.2
1.3.1
Nicht-Öffentlicher Bereich 1.30.1
Öffentlicher Bereich
C
1.22.3
B
ARCHIVE PLAN
SITE PLAN
PETRIPLATZ ARCHAEOLOGICAL VISITORs CENTER
FACADE DETAIL
PERSPECTIVE VIEW
GERMANINA ESTATE
GERMANINA ESTATE
Project
Germanina Estate
Location
Geroskipou, Cyprus
Type / Year
Two Stage International Competition _ July 2012
Description
The Municiplaity of Geroskipou has launched an architectural competition on the development of the former agricultural Estate of Germanina. The programmatic context demanded the regeneration, repurposing and master planning of the currently derelict farm of Germanina in Paphos. The suggested regeneration included temporary housing, museums, commercial areas and multi-use spaces. The project was selected for the 2nd Phase where it received an honourable mention.
Credits
Alexandros Avlonitis, Architect Rutger Oor, Architecture Student
ART LOADING / STORAGE
VIEWING TOWER
RESTAURANT
RETAIL ZONE / LOCAL PRODUCTS
UNDERGROUND COMMERCIAL AND EXHIBITION ZONE
OPEN AIR CINEMA / EVENT SPACE
MUSEUM OF AGRICULTURE
MUSEUM ENTRANCE
MUSEUM CAFE / BOOKSTORE
RESEARCH CENTER
INFO / MAIN ENTRANCE
ORGANIC FARMING
GERMANINA ESTATE
GERMANINA ESTATE
EXISTING SITUATION
As a pivotal gesture the proposal identifies the axial “cut� in the middle of the plot, allowing the larger portion of the program to be buried undergroung. All new structures erected above ground are complimentary to the existing buildings of the former Estate serving as an extension of their useful net area. They are however distinguished from them both as geometry and material expression. The overall desire is to keep a sense of homogeneity and visual continuity between the existing and the new fabric, as well as among the built and the natural landscape. MUSEUM ENTRANCE
PERSPECTIVE VIEW / MUSEUM OF AGRICULTURE
GERMANINA ESTATE
PARKING ZONE
AGRICULTURE
MUSEUM OF AGRICULTURE
PARK
RETAIL ZONE
SITE PLAN
GERMANINA ESTATE
BASEMENT PLAN AND LONGITUDINAL SECTION
EXHIBITION ZONE
Project
Liantang/Heung Yuen Wai Boundary Control Point Passenger Terminal
Location
Hong Kong / Shenzhen
Type / Year
Two Stage International Competition _ March 2011
Description
The design ideas competition called for active submissions in relation to the proposed Liantang/Heung Yuen Wai Boundary Control Point (BCP) Passenger Terminal building and the four vehicular bridges across the Shenzhen River. The new BCP will be located in Hong Kong’s north-eastern New Territories and Shenzhen’s Luohu district to serve passenger, goods and vehicular traffic travelling between Hong Kong (HK) and Shenzhen (SZ) East.
Credits
Angeliki Evripioti , Architect Bouras Kostantinos, Architect Io Karidi, Landscape Architect
BCP TERMINAL
SZ
HK
SITEPLAN
BCP TERMINAL
The forms involved in our proposal are inspired by thespeed of the moving articles and bodies. The space is to be observed from the point of view of the holder of the velocity, bestowed by the systems of transportation. Even our skylights are fashioned like linear openings to track the trajectories of the moving vehicles. In a space circumscribed by speeds, transits and flows we can no longer afford the single window opening, the corner, the detail, or the ‘here’ -anything that jeopardizes the continuum from A to B. Our elements had to be smoothened into meshworks, curves and a multiple ‘nowhere’ to better facilitate the act of conveyance.
AERIAL PERSPECTIVE
BCP TERMINAL
11.
11.
09.
04.
08.
05.
06.
07.
01. 10.
10. 04.
12.
+34.00
12.
12.
09.
02. 05.
03.
03.
05.
02. 09.
04.
12.
12.
01. 10.
+34.00
06.
07.
08. 09.
04.
11.
MAIN FLOORPLAN
09.
12.
BCP TERMINAL
SUSTAINABLE STRATEGIES
irrigation swales
energy crops phytoremediation terraces roof water collection
The island: Habitat Emergence : niche environment for migratory birds and native species.
1. FLOOD MITIGATION The Shen Zhen Reservoir makes a constant flood threat for the site - as it oftenly overflows towards the river causing hazardous floods. A set of marshlands, soft banks and detention basins recieve the excesive runoff flow sheat before they release it slowly to the river. SUSTAINABLE STRATEGIES 2. DE-CONTAMINATION OF PULLUTED WATER 1. FLOOD MITIGATION Run off water from The the areas Shenpaved Zhen Reservoir makes a and the constant flood threat for the site parking stations is being diverted towards as it oftenly overflows towards the river causing hazardous floods. A succesive wetlandssetand bio-swales of marshlands, soft banks andthat trap detention basins recieve the excepollutants before itsive finds towards the runoff its flow way sheat before they release it slowly to the river. river. 2. DE-CONTAMINATION OF 3. SUSTAINABLE HYDROLOGIC PULLUTED WATER SOLUTIONS & Run off water from the paved areas BIOMASS production for THERMAL HEATING and the parking stations is being diverted towards succesive wetAUTONOMY of the lands Station and bio-swales that trap pollutants before it finds its way Miscanthus fields provide a year round biotowards the river. mass produciton. The : 30.000sqm cultivated 3. SUSTAINABLE HYDROLOGIC and BIOMASS prosurfaces can yield SOLUTIONS 45 Tones /year equivalent duction for THERMAL HEATING of the Station of (90% efficiency) AUTONOMY for thermal heating and Miscanthus fields provide a year round biomass produciton. The : hot water. 30.000sqm cultivated surfaces can yield 45 Tones /year equivalent of (90% efficiency) for thermal heating and hot water.
flood mitigation
runoff purification
habitat creation
grey water purification
runoff purification
WETLAND VIEW
Project
Beton Hala Waterfront Center
Location
Belgrade / Serbia
Type / Year
International Ideas Competition _ June 2011
Description
The City of Belgrade launched an international one-stage architectural competition to design the Beton Hala Waterfront Center in Belgrade. The Waterfront Center is envisioned as the principal new access point from the capital’s riverfront to its historic core, and a contemporary architectural anchor point for a vibrant pedestrian zone in one of the city’s oldest continually inhabited parts.
Credits
Angeliki Evripioti, Architect George Koufakis, Architect Io Karidi, Landscape Architect
BETON HALA
PANORAMIC VIEW
BETON HALA
run off
pavements plazas
sustainable water management
rooftops bioswales
bioswales
river
irrigation of new planting areas cistern WC water
Pump
Our architectural proposal for the new Beton Hala Waterfront Center supports and asserts the project vision of a dynamic urban hub which will reflect the communication of history and future through a contemporary approach. The building comes into life as the amalgama of existing and new circulation routes and programmatic venues. Seen from below it presents itself as a bold architectural gesture, while seen from above it attempts to blend into the natural landscape and utterly ‘disappear’.
BETON HALA
AERIAL VIEW
PARK VIEW
TO HISTORICAL CITY CENTER
KONSANCICEV VENAC
HIGHWAY
TRAM ROUTE
EXISTING ICONIC CRANE
RETAIL CENTER
EXISTING BETON HALA BUILDING
MAIN ACCESS
EXHIBITION + CONFERENCE
KALAMEGDAN PRK AND FORTRESS
GREEN ROOF
HIGHWAY
BETON HALA
EXPLOSION DIAGRAM
Project
EUROPAN 12
Location
Groningen / Netherlands
Type / Year
European Ideas Competition _ June 2013
Description
The Europan 12 competition strategic site is in close proximity to a series of important urban clusters of the city, the Central Railway Station area, the Historic City Center, the Stadtspark to name a few. The competition of Europan comes to raise anew the question regarding the use of this area, its potential to complement the strategic planning of the city so far or even to exceed it, presenting ideas that could either conform to the hierarchical structure of the city or break away with it.
Credits
Angeliki Evripioti, Architect Iris Giannakopoulou, Student Marios Petrogonas, Student
EUROPAN 12
TERRA NOVA / URBAN ISLAND We consider the ‘brittle’ nature of the Dutch landscape. A landscape inhabited under the premise of technological ingenuity, owing its longevity to the capacity of the human intellect. Being Dutch means growing up under this fine line between the natural and the man made, the natural and the artificial, between what would naturally exist and what exists only as the desire of man. The Hoendiep canal is physically connected to - part of this vast technical undertaking of man. A barrier and a splendid opportunity to quote the competition organizers. To work with the canal means to take into account this vast network and consider its importance. The fiirst act of our architectural intervention is one of hydrological nature. Through the opening up of a new canal however we do a lot more than to reorganize slightly the stream of the water. We create a new artificial boundary, a new entity we choose to call the island. By treating it as an island we automatically introduce the potential of a new identity. Once the technological infrastructure proves stable and the threat of a natural disaster is diminished man starts to explore further this potential marriage of nature and technology. Artificiality becomes then an axiom and a modus operandi - the natural can never again exist without the technique. The engineers set new frontiers in the manipulation of nature to fulfil man’s desire. We decide to build on the idea of nature as artifice, of land as a sort of malleable piece of paper. We introduce imaginary geological forces. Mountains are built, some made to look ‘natural’, others made to look artificial. The program is buried underneath. Now we have the straight and the curved, the horizontal and the oblique in one. We have plateaus, valleys and canyons, a beach and a small biotope, swimming tanks and open air theatres. And in the interior a powerhouse of knowledge, research facilities, innovation.
Terra Nova Groningen
Giardini Venice
Christianborg Copenhagen
Ile de la Cite Paris
Museum Insel Berlin
EUROPAN 12
EUROPAN 12
AVON ARRET FROM MONO-LARGE TO
MULTI - MIX
We consider the existing structures of the strategic site redundant. Their poor ‘tin-box’ quality lacks identity and can only deteriorate further. Their poor performance makes our decision lighter. The transformation of such tin-box structures would have been possible. Yet only as a temporary solution. After the ground is cleared all that is left is the potential generated from the city itself - the dynamics of the urban surroundings. We see a ground plane full of potential. A ground that is pushed upwards to host a diverse program. We don’t abolish the parameter of large-ness but we push it to its extreme. We wish to create a cluster of multiple program and users, wrapped under an iconic architectural gesture. URBAN LANDSCAPE NATURAL LANDSCAPE 15HA
32 HA
29HA
RECRETIONAL LANDSCAPE
urban canyon
SITE PLAN
EUROPAN 12
city panorama
urban terraces
biotope
IDENTIFYING PROGRAM TYPOLOGIES ON THE SITE
MIXING AND ADDING NEW PROGRAM TYPOLOGIES
swimming pool
Retail Industry Recreation Education Research
IDENTIFYING THE STAKEHOLDERS
KEMA FURNITURE KEMA
RETAIL RETAIL
FURNITURE
PREDICTING THE NEW STAKEHOLDERS
KEMA UMCG KEMA GENERAL
UMCG PUBLICCULTURAL
INITIATIVES GENERAL MUNICIPALITY PUBLICCULTURAL INITIATIVES
MUNICIPALITY
Kema (Energy Company) Furniture Retail UMCG General Public Municipality Cultural Initiatives
[ Thumbnails ]
ΚΑΤΟΨΗ ΚΛΙΜΑΚΑ 1/100
Project
MUSEUM OF UNDERWATER ANTIQUITIES
Location
Piraeus / Greece
Type / Year
International Competition _ 2013
Credits
Avlonitis Alexandros, Architect Giannakopoulou Iris, Student
Project
LIGET / 2 MUSEUMS
Location
Budapest / Hungary
Type / Year
International Competition _ 2014
Credits
Marios Petrogonas, Student Rutger Oor, Student
Α Ν Α Σ Χ Ε Δ Ι Α Σ Μ ΟΣ ΤΟΥ Υ Π Α ΡΧΟ Ν ΤΟΣ Κ Τ Ι Ρ Ι ΟΥ ΤΟΥ Α Π Ο Θ Η Κ Ε Υ Τ Ι ΚΟΥ Σ ΤΑΘ Μ ΟΥ Σ Ι Τ Η Ρ Ω Ν Κ Α Ι ΤΟΥ Π Ε Ρ Ι Β Α Λ ΛΟ Ν ΤΟΣ Χ Ω Ρ ΟΥ ΤΟΥ Σ Ε Μ ΟΥ Σ Ε Ι Ο Ε Ν Α Λ Ι Ω Ν Α ΡΧ Α Ι ΟΤ Η ΤΩ Ν . Α Ν Α Π Λ Α Σ Η Π Α ΡΑ Κ Τ Ι Α Σ Ζ Ω Ν Η Σ ΤΟΥ Ο Ρ ΓΑ Ν Ι Σ Μ ΟΥ Λ Ι Μ Ε Ν ΟΣ Π Ε Ι ΡΑ Ι Ω Σ Κ Α Ι Μ Ε ΤΑΤ Ρ Ο Π Η Σ Τ Η Σ Σ Ε Ε Λ Ε ΥΘ Ε Ρ Ο Α Ν Ο Ι Χ ΤΟ Χ Ω Ρ Ο Υ Π Α Ι Θ Ρ Ι Α Σ Ψ Υ Χ Α ΓΩ Γ Ι Α Σ .
ΑΠΟΨΗ ΑΠΟ ΤΟ ΦΟΥΑΓΙΕ ΤΟΥ ΤΕΤΑΡΤΟΥ ΟΡΟΦΟΥ
Project
WUHAN ART MUSEUM
Location
Wuhan / China
Type / Year
Invited Competition _ 2011
Credits
Studio Pei-Zhu
Project
MUSEUM OF BAVARIAN HISTORY
Location
Regensburg / Germany
Type / Year
Invited Competition _ 2013
Credits
Holzer Kobler Architekten
Project
GREEN CITY
Location
Zurich / Switzerland
Type / Year
Invited Competition _ 2012
Credits
Holzer Kobler Architekturen, Berlin
Project
GERMAN EMBASSY
Location
Kairo / Egypt
Type / Year
International Competition _ 2014
Credits
Ahylo Studio
Project
ELEUTHERIAS SQUARE
Location
Thessaloniki / Greece
Type / Year
European Competition _ 2013
Credits
Iris Giannakopoulou, Student
Project
PRADA SEOUL
Location
Seoul / S.Korea
Type / Year
Invited Competition _ 2012
Credits
BCHO Architects
Project
PLASTICITIES
Location
Cambridge / USA
Type / Year
Academic _ GSD_2010
Credits
J.King, D.Jack, A.Vacas
Project
CAD / CAM
Location
Cambridge / USA
Type / Year
Academic _ GSD_2010
Credits
Stephen Schaum
Project
PRIVATE HOUSE
Location
Athens / Greece
Type / Year
Professional _ 2007-2009
Credits
Zoupas Architects
Project
OFFICE BUILDING
Location
Athens / Greece
Type / Year
Professional _ 2014 -
Credits
A.Avlonitis, G.Anagnostopoulou