第24屆台灣國際女性影展電子版手冊 by zozo 2017-WMW 台灣國際女性影展

目次 CONTENTS

影展的話

講座交誼廳

解憂映演所

國際論壇

國際影人

台灣競賽評審

節目選片人

場地資訊

購票資訊

票根優惠

場次表

開幕片

Words from WMW, Taiwan

Discussion Information

Secret Screening

International Forums

Special Guests

Members of Jury

Programmer

Venue Information

Ticket Information

Ticket Bonus

Screening Schedule

Opening Film

閉幕片

與羈絆／伴共舞

非一般酷兒想像

女人 94 正典

電影既視無懈形式

短短迷妳群

女生愛動畫

情色解碼：暴衝腦內啡

特別放映

台灣競賽

影片索引

Closing Film

The Entangled Dance

Beyond Queerness

There’s Always a Woman

A Perfect Shot

Shorts

Animations

Xposed: Eroticism as Subversion

Special Screening

Taiwan Competition

Index

影片版權

Print Source

影展的話 Words from WMW, Taiwan

近幾年影展成為公家和商業爭相辦理的快時尚，持續增長的影展量和越來越短缺的經費，讓女影的籌備越來越顯艱難。不過今年女影是笑看人生困頓，豁然開朗的一年一影展不必然是種競爭，性別並非得你死我活，既然考驗與羈絆難以避免，何不與它翩然共舞？本屆影展主題「與羈絆／伴共舞 Rave in Peace」即表達上述精神：拼貼構圖且明亮多彩的主視覺，藉由擁抱與陪伴、沉思與智慧、幽默與創意、影像與專業等悠然姿態和神韻，營造不同女性以幽默面對困境，舞出生命的堅定與風采。本屆主題亦呼應今年女影將聚焦討論的議題：近幾年長照成為政府與民間關注的話題，與羈絆／伴共舞討論照顧與被照顧兩方所經歷的愛恨情仇；同時，我們也解放女性情慾的羈絆，情色解碼：暴衝腦內啡將大膽挑逗觀眾味蕾，超限剖析情色（erotica）與色情（pornography）間的「高潮」迭起。本單元絕非普級，非禮勿視。性別平等的推動一直是女性影展的核心動力，女人 94 正典單元集結各式各樣動人的女性故事載體，捍衛女人的思想與話語權。非一般酷兒想像的此酷非彼酷，開幕片《查維拉：女人別為我哭泣》即顛覆觀眾對酷兒生活、音樂及大眾文化的刻板想像。除了議題導向，創新電影手法也是今年一大特色。電影既視無懈形式集結女導演在電影風格上的嶄新突破，例如閉幕片《卡爾梅克的海鷗》絕美的視覺風格，即為女影挹注充滿能量的影像敘事脈動。台灣競賽自去年開始邀請國際人士參與評選，藉由此競賽機會，讓更多國內女導演作品綻放國際舞台。今年影展活動依然值得矚目；除了議題講座與論壇、市集和好康活動之外，我們整合雙北資源，將主戰場勢力延伸，與新北市社會局合作辦理一系列「新北新勢力」的系列活動。羈絆或許是一種壓力，但也是無比可貴的動力，在此感謝影展路上，一路相伴的女影好友們。 2017 第 24 屆台灣國際女性影展

In recent years, film festivals have become a fad that governments and commercial enterprises increasingly like to participate in. The fierce competition brought about by a growing number of festivals, diminishing funding and shortage of financial support ─ these factors have also led Women Make Waves Film Festival into a difficult situation. However, this situation doesn’t push us into despair, but rather lets us face it head on, with confidence and smiles on our faces. Beyond competition, the relationship between film festivals also opens opportunities, just like the dynamics in gender politics do not imply competition, but liberation of all. Since ordeals and fetters are unavoidable, why not just dance with them peacefully? This year’s theme of WMWFF Rave in Peace carries this spirit. As this year’s festival poster expresses, the festival’s goal is to present different ways for women to deal with difficulties by means of embracing and accompanying, humor and creativity, thoughtfulness and wisdom, and above all, perseverance to show professionalism in filmmaking. So let’s keep dancing in the dark, raving in peace and courageously embracing the charm of life. The theme also highlights the main topic we would like to discuss this year: Long-term care has become a highly debated issue. Once the relationship between “caregivers” and “those being taken care of” exists, there is no escape from this intimate yet conflicted tension. The Entangled Dance touches on its struggles. Meanwhile, here comes the liberation of female desire, Xposed: Eroticism as Subversion celebrates the diverse erotic landscape of porn and erotica, and invites you into an orgasm wonderland that you have never experienced before. The promotion of gender equality has always been one of the missions of WMWFF. There's Always a Woman includes diverse types of women’s stories, speaking out loud to defend women’s rights, her story and her discourse. Beyond Queerness attempts to go beyond our imagination and stereotypes about queerness, and guide us onto a bigger dance floor, welcoming all kinds of possibilities and celebrations. Our Opening Film Chavela is a tour de force of such films. Besides its issues-oriented focus, WMWFF this year also features a cinematic treat embracing a novel language. A Perfect Shot explores new cinema within realms rather unfamiliar to the Taiwanese audience. For example, our Closing Film The Gulls from Russia demonstrates mesmerizing picturesque visuals that energize its narration. Taiwan Competition invites international film professionals as jury members since last year, hoping to open up opportunities for Taiwanese female directors to be seen on the international stage. Beyond film itself, this year’s events are noteworthy as well. WMWFF’s forums, lectures and market are mustattend events for sure. The festival has also extended its territory into New Taipei City, holding a series of events that will definitely surprise you. Fetters can be pressure, but they can be valuable motivation, too. Here, we would like to sincerely thank our friends who have accompanied us on the road along the way.

2017 24th Women Make Waves Film Festival, Taiwan

講座交誼廳

Discussion Info.

＊本系列活動報名請至女影官網 www.wmw.org.tw 或官方 Facebook。＊ Go register here www.wmw.org.tw or contact us via Facebook

選片人的姊妹鬩牆廝殺大亂鬥！

選片指南 Program Guild SUN

09.10 14:00

與談人羅珮嘉│ 2017 女性影展策展人王君琦│ 2017 女性影展節目選片人黃慧敏│ 2017 女性影展節目選片人周旭薇│ 2017 女性影展台灣競賽獎初選評審地點

光點華山 2 樓藝文廳│ 八德路一段 1 號（捷運忠孝新生站 1 號出口）

Combats among Programmers! Speakers Pecha LO │ 2017 Director of WMWFF WANG Chun-Chi │ 2017 Head of Program of WMWFF Teresa HUANG │ 2017 Head of Program of WMWFF CHOU She-Wei │ 2017 Member of First Selection Round Jury for Taiwan Competition Add

SAT

09.16 14:00

SPOT-Huashan multi-function exhibition hall 2F │ No.1, Sec. 1, Bade Rd. (MRT Zhongxiao Xinsheng Station Exit 1)

非一般酷兒想像：原來酷兒也能是這樣？同志當主角，不是只能有小情小愛，女影就是要顛覆你對酷兒的想像，告訴你所不知道的事！與談人

王嘉菲│《拉拉手，在一起：女同志影像故事》攝影師、導演紀大偉│政治大學台灣文學研究所助理教授、作家

地點

伊日講堂│ 八德路四段 778 號 9 樓之一（捷運松山站 1 號出口）

Introduction talk- Beyond Queerness in Focus

Speakers

WANG Jia-Fei │ Photographer, Director CHI Ta-wei │ Renowned Taiwanese writer and scholar of queer studies

Add

YIRI Living Space │ 9F.-1, No.778, Sec. 4, Bade Rd. (MRT Songshan Station Exit1)

TUE

09.19 19:30

色情解碼：慾望大解放放放到天亮「為什麼我看Ａ片不會開心？」其實完全不是妳的問題，是眼睛業障重！與談人

SallyQ │情趣品牌創辦人陳儒修│知名學者、第三屆女性影展策展人

地點

Changee │ 南京西路 18 巷 8-2 號（捷運中山站 1 號出口）

Introduction talk- Xposed: Eroticism as Subversion in Focus

SAT

09.23 14:00

Speakers

SallyQ │ Founder of the popular Taipei adult shop Ru-Shou Robert CHEN │ Director of the 3rd WMWFF

Add

Changee│ No.8-2, Ln. 18, Nanjing W. Rd. (MRT Zhongshan Station Exit 1)

女人 94 正典：革命尚未成功，女人仍須努力！就是使命感作祟，那些不得不談的女性主義和性別議題。與談人

張小虹│台灣女性主義代表作家康庭瑜│知名性別學者

地點

阿嬤家│ 迪化街一段 256 號（捷運大橋頭站 1 號出口）

Introduction talk- There's Always a Woman in Focus Speakers CHANG Hsiao-Hung │ Author representative of Taiwan's feminist movement KANG Ting-Yu │ Well-known scholar focusing on gender issues Add

WED

09.27 19:30

Ama Museum │ No.256, Sec. 1, Dihua St. (MRT Daqiaotou Station Exit 1)

與羈絆／伴共舞：與伴相處的一萬種型態照顧者與被照顧者之間必定有愛的存在，抑或是種難以言喻的羈絆？與談人

呂欣潔│關注長期照護與性別議題之政治工作者李青蓉│《花甲男孩轉大人》導演

地點

哢來│ 新北市三重區仁愛街 26 號（捷運三重國小站）

Introduction talk- The Entangled Dance in Focus Speakers Jennifer LU │ Political activist on long-term medical care and gender issues Gia LEE │ Famous Director Add

Togethere │ No.26, Ren ai St. (MRT Sanchong Elementary School Station)

FRI

09.22

解憂映演所

19:30

文青不挑片：女影直直撞

Secret Screening

想知道到底是什麼會在週五晚上直直撞呢？才不告訴你咧！只能先保證你一定會臉紅心跳又害羞，還會有機會和乾妹妹說掰掰。良心建議兩人一組入場，以免過 HIGH 而濕了分寸。

Two Secret Screenings offer the audience a glimpse of WMWFF’s best memories! Don’t miss our exclusive selection!

Spacebar_Room │ 和平東路三段 291 號（捷運六張犁站）無須預約，現場排隊低消入場。座位有限，坐滿為止，鐵門拉下即不再接客。

Hipster NO picks: Spot on female AV-film Spacebar_Room │ No.291, Sec. 3, Heping E. Rd. (MRT Liuzhanli Station) ＊ No reservation, minimum charge is required.

FRI

09.29 19:30

神秘放映場你是否正被他人照顧著，或正在照料著別人？依賴或不依賴是否始終讓人疲憊厭倦卻又無法自拔，難以逃脫…？

1. 法國巨星影后 2. 與羈絆／伴共舞？ 3.Money Money Money

HINTS

微貳獨冊│ 光復南路 346 巷 56 號（捷運國父紀念館站 2 號出口）請至女影官網 www.wmw.org.tw 或官方 Facebook 報名

Secret Screening MAYBE starring by Isabel Huppert Way to Read │ No.56, Ln. 346, Guangfu S. Rd. (MRT Sun Yat-Sen Memorial Hall Station Exit 2) ＊ Go register here www.wmw.org.tw or contact us via Facebook 6

女影『新』勢力 New Taipei New Vision 新北市作伴一起來！做女影從來不簡單，感謝一路羈絆的過程，總是有＂新＂人不停相伴！今年女影勢力整合雙北資源，從市中心延伸至新北市，辦理一系列「新北新勢力」相關活動，歡迎大家相揪一起來！ For the first time, Women Make Waves Film Festival cooperates with New Taipei City, presenting a wide-ranging series of exciting activities, including workshops, campus talks, special screenings. We aim to combine vibrant energies of the two cities, opening up a brand-new horizon, and building “New” power of Taipei. ＊ Go register here www.wmw.org.tw or contact us via FB ＊ Information desk for further detail or contact (02)2557-5227

伴 ‧ 新片

Special Screening

09.23

Campus Talks

校園趴趴走

特映會 SAT

伴 ‧ 校園

| 09.30

帶著最新一手影展消息神出鬼沒各校園，

SAT

94 嚇得你不要不要！

新北市婦女中心│

09 月中旬後

新北市板橋區區運路 101-111 號 3F

新北市各大專院校

免費入場、額滿為止。

※ 欲加入校園趴趴走活動之單位，

詳情請洽新北市婦女中心（02）8951-9029

歡迎至女影官方 Facebook 線上報名

伴 ‧ 女導

The Summit of Female Directors

女導演高峰會

伴 ‧ 議題

Theme Talks

羈絆／伴共舞：與伴相處的一萬種型態

09.27 WED 19:30 哢來 Togethere │

10.17 TUE ※ 本活動僅開放部分名額報名參加，觀迎至女影官方 Facebook 洽詢，詳情可見手冊 P.10 Further Information page 10

新北市三重區仁愛街 26 號（捷運三重國小捷運站） ※ 詳情可見手冊 P.05

伴 ‧ 影人

Further Information page 05

國際影人寶島巡禮

Tour Guides

10.19 THU ※ 本活動僅開放部分名額報名參加，

伴 ‧ 影像

觀迎至女影官方 Facebook 洽詢 Tournament Screening

新北市巡迴放映

11 月正式開跑 Stared in November

伴 ‧ 教育

Workshops

新北市影像培力工作坊

詳細場次請鎖定女影官方 Facebook

影像 x 媒體素養 x 性別議題各式課程，

※ 欲加入巡迴行列請洽專線（02）2557-5227

11.12 SUN － 11.26 SUN

全面進化你／妳的影像思辨能力！

※ 報名簡章請洽女影專線（02）2557-5227 或女影官方 Facebook 洽詢

新北市政府社會局協力辦理

國際論壇

International Forum

路邊野壇：屬於原住民的正義（建議觀賞 10.14 (SAT) 14:40《伊努克的怒吼》後參與）

這一年來，台灣的原住民歷經了許多風風雨雨和苦難，然而，這樣的煎熬不該是原住民獨自承擔。所有在這座島嶼上的人們，關於土地的正義、關於自然環境的守護，沒有人該是局外人。盼能藉著《伊努克的怒吼》這部電影，共同探討台灣原住民以及伊努克人本該擁有，卻被強行剝奪的「正義」。與談人原轉小教室之凱道小講堂 SAT

10.14 16:00

地點

光點華山電影館影像穿廊

※ 本活動不需事先報名

女導演早餐日談：女力崛起 ‧ 環遊國際在週末的早晨，伴隨呵欠與懶腰，在女導演們還在睡眼惺忪、毫無顧忌的時候，瞭解她們每一個人最赤裸的創作歷程；在她們最放鬆、自在的時刻，透過她們彼此間如閒聊般的對話，知曉女性工作者在世界上每個角落，常會面臨怎樣創作環境。與談人

埃琳娜．奈法薇妮│《我是世上的一抹曙光》導演奇奇．菲比安提│《帢拉萊：性別萬花筒》導演黛安．雷夏│《帢拉萊：性別萬花筒》攝影道芬．柯林＆莫瑞．柯林│《女兵的中場戰事》導演胡安妮｜《性愛包裹小心輕放》導演凱薩琳．貢德｜《查維拉：女人別為我哭泣》導演

SUN

10.15 11:00

地點

光點華山 2F 藝文廳

※ 本活動請至女影官網 www.wmw.org.tw 或官方 Facebook 報名

WMWFF in Taiwan invites international filmmakers and festival directors to take part in the festival every year. We also launch diverse forums and events, focusing on trends around the world and activities in Taiwan.

Talks on the Road: Justice for Aborigine Topics such as land justice and environmental protection have burst out in Taiwan vibrantly in recent years. This year we present a special screening of Angry Inuk by inviting Taiwanese aborigines to share their thoughts and views on land issues, and also to discuss the deprived “justice” the aborigines deserve.

SAT

10.14 16:00

Speakers

Taiwanese aboriginal rights advocate

Add

SPOT-Huashan Gallery

＊ This event does not require registration. ＊ We recommend to watch the screening of 10.14 SAT 14:40 Angry Inuk before the talk.

Breakfast Talk with International Female Directors For this leisure morning event, we invite female directors to talk about their secret and intricate processes of creation for understanding the circumstances they are dealing with.

Speakers

Elene NAVERIANI ｜ Director of I Am Truly a Drop of Sun on Earth Kiki FEBRIYANTI ｜ Director of CALALAI In-betweenness Dian RAISHA ｜ Director of Photography of CALALAI In-betweenness Delphine and Muriel COULIN ｜ Director of The Stopover Anne HU ｜ Director of Cake Catherine GUND ｜ Co-director of Chavela

SUN

10.15 11:00

Add

SPOT-Huashan multi-function exhibition hall 2F

＊ Go register here www.wmw.org.tw or contact us via Facebook

台灣女力高峰會女影不僅為影迷、為學術，更為台灣及世界的女性導演服務。這次我們想要知道，該如何立下女影的下一個里程碑，聚集優秀女性創作者於一室，討論影視脈象、替女影把脈。

TUE

10.17 11:00

地點

新北市市政府會議廳

※ 本活動僅開放部分名額報名參加，詳情請洽女影官網或 Facebook

深度議題：羈絆．繫伴的百萬種模樣（建議觀賞 10.22 (SUN) 10:00《媽媽鍊：歡迎來到嬰兒工廠》後參與）

當人與人之間的親密關係，轉化為「照顧」與「被照顧」對立局面，既複雜又難以割捨的愛恨情仇，便日復一日地重演。長照近幾年來儼然成為政府及民間團體重視的議題之一，政策推動、新聞報導、婦女團體另組專案團隊…等，都不斷提醒著此議題的急迫性。或許你我都還未深陷於此複雜難理的關係之中，但，終得做好準備，面對這世界上各種甜蜜卻深沉的繫絆。

地點

光點華山 2F 藝文廳

SUN

10.22 11:30

※ 本活動不需事先報名

The Summit of Taiwan Female Directors WMWFF serves not only the audience and the academic, but also all female filmmakers in Taiwan and overseas. This year we invite exceptional female filmmakers to examine and discuss the current trends in film and television industry in order to reflect on the future development of WMWFF. TUE

10.17 11:00

Add

New Taipei City Government conference hall

＊ Go register here www.wmw.org.tw or contact us via Facebook

In Focus: The Diverse Forms of Bonds Created by Long-term Care The phenomenon of intimate interpersonal relations turning into the antagonistic positions of “the ones being taken care of” and “caretakers”, and thus into a complicated and hard to avoid love-hate type of relationship, is something we experience daily. In our day and age, longterm care is among the most pressing issues for governments and civil society. Political initiatives, news media and women’s organizations all constantly emphasize the issue’s urgency. Some of us might not be involved in these difficult relationships yet, but all of us have to be well-prepared to face such indivisible ties for better or worse.

SUN

10.22 11:30

Add

SPOT-Huashan multi-function exhibition hall 2F

＊ This event does not require registration. ＊ We recommend to watch the screening of 10.22 SUN 10:00 Motherland before the talk.

國際影人

Special Guests

鄭淑麗 CHEANG Shu Lea 《體液 Ø》、《I.K.U.》導演｜ Director of Fluidø, I.K.U. 影人面對面 Guest Talk 10.17 (TUE) 21：40 光點華山１廳 10.21 (SAT) 21：40 光點華山１廳 10.18 (WED) 21：00 光點華山２廳 10.20 (FRI) 21：00 光點華山１廳

大師講堂 Master Class 10.21 (SAT) 14：00 光點華山 2F 藝文廳

凱薩琳・貢德 Catherine GUND 《查維拉：女人別為我哭泣》導演｜ Co-director of Chavela 導演講堂 Guest Talk 10.13 (FRI) 18：30 光點華山１廳女導演早餐日談：女力崛起 ‧ 環遊國際 Breakfast Talk with International Female Directors 10.15 (SUN) 11：00 光點華山 2F 藝文廳

卡拉・西蒙 Carla SIMÓN 《夏日 1993》導演｜ Director of Summer 1993 導演講堂 Guest Talk 10.18 (WED) 18：30 光點華山１廳 10.22 (SUN) 14：50 光點華山１廳

埃琳娜・奈法薇妮 Elene NAVERIANI 《我是世上的一抹曙光》導演｜ Director of I Am Truly a Drop of Sun on Earth 導演講堂 Guest Talk 10.14 (SAT) 17：10 光點華山１廳 10.16 (MON) 19：00 光點華山１廳

女導演早餐日談：女力崛起 ‧ 環遊國際 Breakfast Talk with International Female Directors 10.15 (SUN) 11：00 光點華山 2F 藝文廳

胡安妮 Anne HU 《性愛包裹小心輕放》導演｜ Director of Cake 導演講堂 Guest Talk 10.16 (MON) 16：00 光點華山１廳女導演早餐日談：女力崛起 ‧ 環遊國際 Breakfast Talk with International Female Directors 10.15 (SUN) 11：00 光點華山 2F 藝文廳

道芬・柯林 Delphine COULIN 莫瑞・柯林 Muriel COULIN 《女兵的中場戰事》導演｜ Directors of The Stopover 導演講堂 Guest Talk 10.15 (SUN) 14：40 光點華山１廳 10.17 (TUE) 19：00 光點華山１廳女導演早餐日談：女力崛起 ‧ 環遊國際 Breakfast Talk with International Female Directors 10.15 (SUN) 11：00 光點華山 2F 藝文廳

奇奇・菲比安提 Kiki FEBRIYANTI 《帢拉萊：性別萬花筒》導演｜ Director of CALALAI In-betweenness 導演講堂 Guest Talk 10.16 (MON) 14：00 光點華山１廳 10.20 (FRI) 15：30 光點華山２廳女導演早餐日談：女力崛起 ‧ 環遊國際 Breakfast Talk with International Female Directors 10.15 (SUN) 11：00 光點華山 2F 藝文廳

台灣競賽評審

Jury members for Taiwan Competiion 初選評審 Members of First Selection Jury

朱芷瑩 ZHU Zhi-Ying 國立台北藝術大學戲劇系畢。受賴聲川青睞，曾於表演工作坊《如夢之夢》擔綱女主角，並以《新丁花開》榮獲第 50 屆金鐘獎戲劇節目女主角獎。 As a student, ZHU Zhi-Ying caught the attention of influential playwright and theatre director Stan LAI, starring in Lai’s epic play A Dream Like A Dream in 2005. She won the Golden Bell Award for Best Leading Actress in 2015.

吳凡 WU Fan 長期從事策展、製片、企劃工作，多次擔任文化部、金馬影展等評審。現任台灣國際紀錄片影展活動統籌、國立台北藝術大學電影創作學系兼任講師。 WU Fan has long been engaged in film industry and festivals. She is currently Administrative Coordinator of Taiwan International Documentary Festival, university lecturer, and board member of Taiwan Women's Film Association. She also authored the books Film Production and Film Festival.

周旭薇 CHOU She-Wei 導演、編劇及製片，長年關注家庭及性別議題。作品《家好月圓》獲首爾國際女性影展亞洲短片競賽評審團大獎；《金孫》曾入圍台北電影節最佳劇情片。 CHOU She-Wei is a producer and director. She engages in debates of family and gender. Her works won a nomination at Taipei Film Awards and a prize at the 11th Seoul International Women's Film Festival, and have been shown at festivals internationally.

胡敏華 HU Min-Hua 國立彰化師範大學輔導與諮商研究所教學碩士班。曾任教育部性別教育專業人才庫講師、臺灣性別平等教育協會理事，現為羅東高中輔導教師。 HU Min-Hua majored in social work, guidance and counseling. She has worked as lecturer, a member of the Yilan Gender Equality Education Committee, and a board member of the Taiwan Gender Equity Education Association. HU is now a high school counselor.

決選評審 Members of Final Selection Jury 三木草子 MIKI Soko （日本） 1970 年代開始參與女性解放運動，著有《從女人走向女人》，編輯過《日本女性解放資料史》等書籍。現任日本大阪銀髮女性影展策展人。 MIKI Soko participated in the women's liberation movement since the 1970s. She published the newsletter From Women to Women for 18 years, and is a co-editor of The Documentary History of Women's Liberation in Japan. Now, she is the director of Senior Women’s Film Festival Osaka.

張亦絢 Nathalie CHANG 小說家及影評人，巴黎第三大學電影及視聽研究所碩士。作品曾入選同志文學選，著有散文《小道消息》及長篇小說《永別書：在我不在的時代》等書。 A writer and film critic. She holds a master's degree in Film Studies from the Université de Paris III: Sorbonne Nouvelle. Her major work, I'm leaving (2015), was nominated for TIBE Book Prize.

鴻鴻 Hung Hung 詩人、劇場及電影編導。曾獲金馬獎最佳原著劇本獎，現為「黑眼睛文化」及「黑眼睛跨劇團」藝術總監，任教於國立台北藝術大學電影系。 As poet, theatre and film director, Hung Hung has won several awards at major international film festivals. He is currently the artistic director of Dark Eyes Ltd and Dark Eyes Performance Lab.

鄺珮詩 Teresa KWONG （香港）積極推動電影及媒體藝術，現為香港藝術中心節目總監；多次擔任國際電影節評審，替海外文化機構策劃亞洲電影及短片專題放映。 KWONG is currently the Programme Director of Hong Kong Arts Centre. She is committed to nurturing creative talents in the entire region. She has been on juries of international film festivals, and has been invited overseas to promote Asian independent cinema.

節目選片人

Programmer 王君琦 WANG Chun-Chi 美國南加大電影電視批判研究博士，現任國立東華大學英美語文學系副教授。 WANG is Associate Professor of the English Department at National Dong Hwa University. She received her Ph.D. in Critical Studies from the School of Cinematic Arts at University of Southern California.

江郁欣 Joyce CHIANG 國立高雄師範大學性別教育研究所，曾任台灣國際女性影展國際聯絡、高雄電影節字幕統籌、紀錄短片《種一個家》共同導演、〈SLUTS X LEZ 女同志色情影像展〉共同策展人。 CHIANG has worked as international coordinator of WMWFF, subtitle proofreader and coordinator of Kaohsiung Film Festival, co-curator of SLUTS X LEZS, and also as co-director of the short documentary Zhong Yi Ge Jia. She’s currently studying at National Kaohsiung Normal University Graduate Institute of Gender Education.

陳慧穎 CHEN Huei-Yin 紐約哥倫比亞大學電影研究碩士，曾任紐約錄像與實驗片影展（VAEFF）助理策展人兼研究執行長，現任台灣國際女性影展選片人兼節目統籌。 CHEN received her MA in Film Studies from Columbia University. She has been involved in several film curatorial affairs and research projects related to Asian Cinema, experimental films, and video installation arts in museum contexts in both New York and Taiwan.

黃慧敏 Teresa HUANG 美國紐約市立大學電影研究所碩士，現於國家電影中心擔任數位修復組組長。 HUANG received her MA in Cinema Studies from the College of Staten Island, City University of New York. She currently works as Head of the Digital Restoration Department at Taiwan Film Institute.

羅珮嘉 Pecha LO 美國加州州立大學 Northridge 分校廣電系學士，英國倫敦大學 Birkbeck 分校電影史與視覺藝術碩士。現任台灣國際女性影展策展人、社團法人台灣女性影像學會秘書長。 LO received her bachelor’s degree in Broadcasting from California State University Northridge, and her master’s degree in Film History and Visual Arts from University of London, Birkbeck. She is currently the festival director of WMWFF and TWFA.

場地資訊

Venue Information

林森北路

市民大道

杭州北路

紹興北路

捷運善導寺站 6 號出口

入口

段路一德八忠孝東路一段

新生南路一段

金山南路

北平東路

忠孝東路二段

捷運忠孝新生站 1 號出口

光點華山電影館 SPOT-Huashan Theater 100 台北市中正區八德路一段 1 號（華山 1914 文創園區 - 中六館） No. 1, Section 1, Bade Road, Zhongzheng District, Taipei City TEL 886-2-2394-0622 FAX 886-2-2394-0650

【捷運】板南線（藍線）忠孝新生站 1 號出口步行約 3 分鐘，或善導寺站 6 號出口步行約 5 分鐘。 Take the Blue Line to Zhongxiao Xinsheng Station via EXIT 1 or Shandao Temple Station via EXIT 6

【公車】周圍公車站牌及路線忠孝國小／ 232、232（副）、605、605（副）、605（新台五線）、665 華山公園／ 669 審計部（忠孝東路）／ 205、232、232（副）、262（區間）、276、299、忠孝新幹線 Bus Stop: Zhongxiao Elementary School / Huashan Park

【開車】園區提供 24 小時停車服務，平日每小時 40 元，假日每小時 60 元。 Parking service: weekdays $40/1hr, weekends and holidays $60/1hr

購票資訊

Ticket Information

限量超值預售票 │購票期間│ 09 月 05 日（二）14：00 至 10 月 12 日（四）23：59 止 │購票地點│全台 7-11 │劃位期間│ 09 月 05 日（二）14：00 至 10 月 22 日（日） │劃位地點│全台 7-11

女影套票 ★ 限量

1099

，影展期間可於光點華山女影購票處劃位

180

單場預售票

內含張電影票元 / 套 + 超值好禮

元/張

500 組，09 月 05 日（二）14：00 準時開賣！

★ 影展期間憑套票票券至光點華山電影館女影服務台，即可兌換不拿會哭套票贈禮乙份，數量有限，換完為止！

套票贈禮 A.

彩虹酷兒組

關懷地球組

女影鐵粉組

A. 伊聖詩勇者無懼沐浴旅行組 ( 此款商品須憑套票票根，至伊聖詩芳療生活館指定門市兌換 ) B. 凱娜塑膠導管衛生棉條普通型 4 支入、C. 婦潔高效舒淨防護噴霧與沐浴露 D. 好物組合三選一 1. 彩虹酷兒組 2. 關懷地球組 3. 女影鐵粉組 ★ 部分贈禮為限量，如兌換完畢主辦單位可以等值贈品替代 ★ 伊聖詩【勇者無懼沐浴旅行組】指定兌換門市 ( 限大台北地區 )：京站時尚廣場門市、台北統一阪急門市、遠東百貨門市、板橋新館 MegaCity 門市、微風廣場門市、太平洋 SOGO 百貨 ( 忠孝店 ) 門市、新光三越南西本館門市

影展現場票 │購票期間│ 10 月 13 日（五）至 10 月 22 日（日） │購票地點│全台 7-11

，光點華山女影購票處

220

全票

平日日場票

元/張

平日日場票，

110

敬老愛心票

200

週一至週五 17:59 前開演場次適用。敬老愛心票，

元/張

65 歲以上長者或身心障礙人士與一名必要陪同者（需同時入場），入場時須出示相關證件，如未出示須補收差額。

團體票

160

團體票

元 / 張起

│購票期間│即日起至 10 月 12 日（四） │購票說明│單一場次購買

20 張以上即享團體優惠價，意者請洽

辦公室服務專線（02）2557-5227，上班時間週一到週五 10：00-19：00，非營利組織及婦女團體另有優惠

透早 VVIP 通行證

1500

│購票期間│即日起至 09 月 30 日（六） │購票說明│週一至週五 17：59 前開演場次任你看，

元/張

限個人使用，一日可換 4 場，每場限換 1 張。數量有限意者請洽辦公室服務專線（02）2557-5227，上班時間週一到週五 10：00-19：00

購票端點資訊全台各地 7-11 門市機台影展現場 : 光點華山電影館（台北市中正區八德路一段 1 號，捷運忠孝新生 1 號出口）光點華山女影服務台時間 : 影展期間每天首場開演前 30 分鐘內至該日末場開演後 20 分鐘內。

台灣國際女性影展觀眾服務服務專線 :（02）2557-5227，地址 : 台北市大同區興城街 10 巷 16 號 3 樓影展現場服務專線（2017.10.13-10.22）: 0966-634-091 客服專線 0800-016-138 ／（02）2659-9900 台灣國際女性影展官網 : www.wmw.org.tw

● Limited Advance Ticket Packages │WHEN TO BUY│From Tue, Sep 5, 14:00 to Thu, Oct 12, 23:59 │WHERE TO BUY│ │WHERE TO REDEEM│You can redeem your ticket package for specific screenings via ，or at the SPOT-Huashan WMWFF Ticket Counter (only during the Festival) │PRICE│ ◎ WMWFF Ticket Package – NT$ 1099 per package. One package contains 6 film tickets and 1 gift voucher. ★ LIMITED to 500 packages, on sale from Tue, Sep 5, 14:00. ★ Bring your gift voucher to the WMWFF Information Counter during the festival (Oct 13 - Oct 22) to exchange it for a gift set. Availability of gift sets is limited. ◎ Individual Advance Tickets – NT$ 180 per ticket.

● WMWFF Festival Tickets │WHEN TO BUY│From Fri, Oct 13 to Sun, Oct 22 │WHERE TO BUY│Via

or at the SPOT-Huashan WMWFF Ticket Counter.

│PRICE│ ◎ General – NT$ 220 per ticket.

◎ Weekday Matinee – NT$ 200 per ticket (only valid for screenings beginning before 17:59 on weekdays). ◎ Disabled or Senior Citizen – NT$ 110 per ticket. Eligible are senior audience members aged 65 and above, or disabled audience members and one accompanying person who need to enter the venue together. Please show valid identification upon entrance. Without valid identification, ticket holders will be asked to pay the price difference.

● Group Ticket │WHEN TO BUY│From TODAY to Thu, Oct 12. │COMMENT│Discounts are offered for each single purchase of more than 20 tickets per screening. Please call (02) 2557-5227 for more information during office hours: 10:00-19:00 on weekdays. │PRICE│ NT$

160 per ticket. Additionally, nonprofit organizations and women-related

organizations are welcome to get in touch for special discounts.

● Early VVIP Pass │WHEN TO BUY│From TODAY to Sat, Sep 30. │COMMENT│Valid for all screenings on weekdays starting before 17:59. Limited to 4 screenings per day. The pass grants the holder free access. Pass holders can only redeem one ticket for each screening. Limited availability. Please call (02) 2557-5227 to order the Early VVIP Pass during office hours: 10:00-19:00 on weekdays. │PRICE│NT$ 1500 per pass.

● Ticket Sales Information Via ◎ Venue: SPOT-Huashan Cinema, No. 1, Section 1, Bade Road, Zhongzheng District, Taipei City (Chinese Address: 台北市中正區八德路一段 1 號 ) ◎ WMWFF Ticket Counter: open from 30 minutes before the first screening until 20 minutes after the last screening every day during the festival.

● WMWFF Customer Service ◎ Ticketing sales: (02) 2557-5227, Office Address: No. 16, Lane 10, Xingcheng Street, Datong District, Taipei City ◎ Festival hotline (From Oct 13 to Oct 22): 0966-634-091 ◎

Service hotline: 0800-016-138 / (02) 2659-9900

◎ WMWFF website: www.wmw.org.tw

觀影須知 ◆ 所有演出時間及內容將依現場實際狀況而定，若遇不可抗力之因素，主辦單位保留節目更動之權力，最新訊息隨時公佈於 2017 女性影展官網 www.wmw.org.tw。 ◆ 各場次開演前 60 分鐘

停止販售該場次票券，僅可於戲院現場售票處購買。

◆ 影片開演後 20 分鐘，不再開放觀眾入場，亦不得退（換）票。 ◆ 票券為唯一入場憑證，請妥善保存票劵，若發生遺失、損毀等情形概不補發；套票未完成兌換前請自行保管。 ◆ 請遵守戲院之外食規定，每場放映完畢皆會清場，離場時請注意個人隨身物品。 ◆ 為了影廳內的安全與維持逃生動線，請勿逗留、站立或坐在廳內走道與其它非座位處。 ◆ 影片之權力屬於版權所有者，任何攝影、錄影、錄音行為皆屬違法，可能招致法律訴訟，主辦單位保留要求違法觀眾刪除檔案並離場之權力。 ◆ 影廳內無障礙設施席位有限，如有需求請事先來電預約（02）2557-5227。 ◆ 身高超過 100 公分及三歲以上孩童，須購票入場。

退票方式 ◆ 套票均為優惠價格，恕不接受「單張」退票，如需「整套」退票，申請人請於 10 月 12 日（含）前至女影辦公室辦理，或憑郵戳日期以掛號信件連同「金融機構存摺正面影本」、「身分證正反面影本」、「行動電話號碼」、「聯絡電話」、「郵寄地址」等資訊掛號郵寄至女性影展辦公室辦理，每套酌收 10％手續費，且須自行吸收匯款匯費，資訊經確認無誤將於 10/31 前將款項匯至戶頭。已兌換出之電影票劵不得退（換）票。 ◆ 單場票之退票最遲須於該場次放映前一天辦理。10 月 12 日（含）前退票比照套票退票模式辦理，影展期間請至光點華山電影館女性影展售票處辦理，每張酌收 10％手續費。 ◆ 「換票」視同「退票」，若需更換場次請依上述退票方式辦理。

Please Note ◆ The Festival reserves all rights to change the program schedule due to unexpected occurrences. All the latest updates will be announced on our official website: www.wmw.org.tw. ◆ Ticket sales for each screening end one hour before the screening starts. After that, tickets can only be purchased at the festival venues. ◆ Latecomers will NOT be admitted to enter screenings 20 minutes after the film begins. Latecomers' tickets CANNOT be changed or refunded. ◆ Please hold on to your tickets and Limited Advance Ticket Packages for admission. Tickets will not be re-issued if lost or damaged. ◆ Please respect the rules of the theatre. Pay attention to your personal belongings. The venue will be cleared after each screening. ◆ For safety reasons, please do not linger, stand or sit in access ways or other non-seating areas. ◆ Any use of photography / recording equipment is strictly forbidden in the theater, and the WMWFF team reserves the right to ask the people to leave and delete illegal recordings and pictures. ◆ Barrier-free seat availability is limited. Please make a reservation to (02) 2557-5227 in advance. ◆ Tickets must be purchased for children taller than 100 cm and above the age of 3.

Refund or Exchange Policy ◆ Any Ticket Package is only refundable in its entirety before Oct 12 along with (a) a copy of the buyer’s deposit book front cover, (b) a copy of the buyer’s ID, (c) the buyer’s cell phone number, (d) contact number, and (e) mailing address; all of which shall be sent to the festival office. Please note that a used package is not refoundable. ◆ Any ticket voucher is only refundable before Oct 12. Refund or exchange of an individual ticket shall be made no later than one day before the screening. A handling fee of 10% per ticket will be charged. ◆ Any exchange of tickets will be regarded as a "refund" and will follow the same process.

Step by step Purchase

購票操作流程購買套票票券中心

確認購票明細

電影票

2017 女性影展

輸入聯絡電話

套票

閱讀購票須知

選擇張數

列印繳費單 & 持票須知

持印有條碼之白色繳費單至櫃檯完成繳費，取得印有『序號／驗證碼』之套票兌換券

購買單場票票券中心

電影票

2017 女性影展

選擇日期／場次／區堿／票種／張數／座位

單場票

確認購票明細

閱讀購票須知

選擇張數

列印繳費單 & 持票須知

輸入聯絡電話

持印有條碼之白色繳費單至櫃檯完成繳費，取得印有『片名 / 場地 / 時間』之電影票

◆ 繳費單列印後，10 分鐘內有效，逾時該筆訂單失效，需重新操作。 ◆ 操作過程中若靜止逾 2 分鐘，畫面將跳回首頁，該筆訂單失效，須再重新操作。 ◆ 套票每次限購 1 套；單一場次之票券每次限購 4 張。 ◆ 票券經售出，恕無法於 7-11

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2017 女性影展

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持印有條碼之白色繳費單至櫃檯（無須繳費），取得印有『片名 / 場地 / 時間』之電影票

◆ 同一序號僅限單機操作，不可同時重複登入其他機台。 ◆ 單一場次每次限劃 4 張，每次操作至多可兌換 6 張。 ◆ 兌換過程中請仔細確認，進入「購票明細」後僅能「繼續選購」（新增其他場次）或「重新選購」（放棄整筆訂單），無法修改或刪除先前已選取完成之場次。 ◆ 繳費單列印後，10 分鐘內有效，逾時該筆訂單失效，須重新操作，套票兌換額度將於 30 分鐘後復原。

票根優惠

Ticket Bonus

影癡專屬．獨家優惠 Cinemaniac-Only Exclusive Bouns 凡持 2017 年女性影展電影票根即可至合作品牌門市兌換禮品或享折扣優惠 2017 女性影展擁有活動最終解釋權，優惠辦法與時間如有更動將以女性影展官網、粉絲團所刊登之資訊為準。

With ticket stubs from 2017 WMWFF, special bonus and discount will be offered in the stores from the following brands! Please go to the information desk for further details or contact +886-2-2557-5227

伊聖詩／至全省伊聖詩芳療生活館百貨專櫃，即可享消費滿 $1000，折抵 $200 之優惠 ( 限正價商品 ) SallyQ ／

至門市可獲得價值 300 元禮品

馬修嚴選／

至馬修嚴選全省門市即可享優格飲買一送一優惠

阿嬤家 AMA Café ／掌生穀粒／

至 AMA Café 店內消費任一飲品即贈送限量指定甜點一份

至掌生穀粒松菸門市，可現場折價 $20 購買蜂蜜涼涼飲 ( 蜂蜜水 )

T-STUDIO ／至門市可享有優惠 95 折優惠並加送一個彩虹小禮大春煉皂／生態綠／

至門市可享有折扣 9 折優惠

影展期間 (10/13-10/22) 於華山光點現場兌換生態綠百元折價券一張 ( 一人最多限換 4 張，使用規範須遵照生態綠規定 )，數量有限，兌完為止。

以上優惠即日起至 2017.11.30

華山周邊店家專屬優惠

小確幸紅茶牛奶合作社／華山文旅／

購買小確幸正濃紅茶牛奶，可折抵 10 元

即日起至 2017.10.31

可享最低 2680 元起訂房優惠價 ( 訂房請直接洽詢華山文旅 )

嵐光 – 青春農藝駐所／

購買飲品及蘭花享九折優惠

FabCafe Taipei ／至 FabCafe Taipei 外帶啤酒與甜點享九折優惠光點珈琲時光（華山店）／

以上優惠即日起至 2017.11.30 限 2017.10.13-10.22 期間

憑當日女性電影展票根外帶咖啡享半價優惠。（冰熱不拘，一票一杯）

限 2017.10.13-10.22 期間

光點生活（華山店）／光點華山電影館／

至光點生活消費即贈送獨家精美禮品。

限 2017.10.13-10.30 期間

購買光點華山電影館所有場次（部分影展除外），即可享光點會員票價。

限 2017.10.23-11.30 期間

票根乎你送

Ticket Bonus

主題票根兌兌樂 MON

FRI

10.16 － 10.20 13:00-19:00

女性影展現場服務台只要集滿 3 場，相同單元、不同場次之票根，即可兌換限量贈品組合。數量有限，兌完即止！

Theme Ticket Stub Gifts With any three ticket stubs from any film in the screening theme, one of the limited gifts will be yours! First come, first served, limited availability.

與羈絆 / 伴共舞

非一般酷兒想像

女人 94 正典

The Entangled Dance

Beyond Queerness

There's Always a Woman

教學杯

練習用

女影明信片＋ L 夾大春煉皂試用包一組兩件

女影明信片＋ L 夾 T-STUDIO 彩虹紙膠帶、凱娜月亮杯（教學杯）

練習用

女影明信片＋ L 夾、女影帆布包婦潔體驗包 30ml、凱娜月亮杯（教學杯）

情色解碼 : 暴衝腦內啡

台灣競賽

Xposed : Eroticism as Subversion

Taiwan Competition

女影海報＋ L 夾組合伊聖詩台灣茉莉香氛噴霧 15ml 鐵盒紀念版

女影明信片＋ L 夾禾餘麥酒卡其布杯墊（中美牌制服手工縫製）生態綠國寶茶或公平交易咖啡

主題膠囊日一口咬定 Theme Carnival

MON

10.16

每天給你一顆與節目單元相呼應的主題膠囊，服下後，搭配五大主題的獵奇遊戲、派對市集，保證你會如嗑藥般與羈絆／伴狂舞一段！

Corresponding to our screening program, interesting and exciting theme activities will be held every day at the screening venue during the entire festival. Please go to information desk for further detail.

吃一顆性別膠囊 Hooray for Queerness! 性別不是只有男或女，讓我們一起進到《帢拉萊：性別萬花筒》的世界，在這裡，有五種性別能做選擇，你會是誰？

活動內容從性別池中抽出你在帢拉萊世界的專屬性別，拍照打卡並分享至 Facebook 或 Instagram，即可獲得限量神秘小禮物。

TUE

10.17

吃一顆伴／絆膠囊 Hooray for Rave in Peace! 人與人的關係，萍水相逢、彼此牽絆？不管如何，都該先讓自己從路人變熟人！

活動內容與兩位陌生人一起在主視覺背板前合照，上傳至 Facebook 或 Instagram 後寫下 : 「與羈絆共舞，在女性影展遇見我的伴。」即可獲得限量神秘小禮物。

WED

10.18

吃一顆慾望膠囊 Hooray for Fantasy Lust and Desire! 女人們！說出妳心中最露骨的性幻想，《情慾告白 X 檔案》主角換你當！活動內容匿名寫下內心最深層赤裸的性幻想，填寫完畢後即可獲得限量神秘小禮物。最露骨的前五名，我們將會寄給《情慾告白 X 檔案》導演 Erika Lust 將讓妳的幻想躍上大螢幕！

THU

10.19

吃一顆意識膠囊 Hooray for Feminism! UpUp 抬個頭，UpUp 舉個手 ! 覺得今年最影人入勝的招牌動作是什麼？活動內容模仿 2017 年女性影展海報中任一插畫人物，並於現場指定背板前拍照，上傳至 Facebook 或 Instagram 並寫下「我在女性影展，猜猜我是誰？」即可獲得限量神秘小禮物。

FRI

10.20

吃一顆瘋台膠囊 Hooray for Taiwan! 台灣，就是我此時此刻所踩踏的土地！

活動內容

MarketDays

10 月 20 日至 10 月 22 日連續三天，來自台灣各地的手作藝品、小食飲品、藝術設計、互動創作將強勢佔領影展現場。這狂放不羈的台灣主題市集，就是要向來自世界各地的影人、台灣的觀眾影迷，證實並大聲宣揚台灣製造的韌性質地與溫暖關懷 ! Taiwan Theme Market 10/20-22, various kinds of vendors present you the essence of Taiwan

市集相關訊息請關注女性影展臉書粉絲團欲參加每日活動，請洽女性影展現場服務台，不用客氣等你來玩！

Screening Schedule

Notes： ◆ ▲ means non-English speaking films, and it will screen without English Subtitles ◆ ★ and ☆ means the screenings with QA sessions after the screening. Guest list will announce on WMWFF Web and Facebook. If there is any change will announce on the Internet and Festival Venue bulletin boards. ◆ Rating-G: General Audience / P: Protected / PG12: Parental Guidance under 12 / PG15: Parental Guidance under 15 / R: Restricted ◆ The Film Length, Rating and event on this Festival Schedule are the most complete one. However, the Film rating may change due to the classification by Ministry of Culture. Any further change will be announced on the WMWFF official Website. Audience who cannot see the screening due to the rating changing can request full refund for the ticket. The Film length would not include QA sessions. ◆ WMWFF Team reserves all rights to change the program schedule due to unexpected occurrences. If the Nature disaster occurs, our screening will depends on the official announcement from Taipei Government. All the latest updates will be announced on our official website. ◆ Entry to screenings will not be permitted once 20 minutes of the film has elapsed. Please be ready with your ticket and be seated before the film begins. ◆ WMWFF website: www.wmw.org.tw

◆ 女影官方網站：www.wmw.org.tw

◆ 為維護觀影品質，電影放映二十分鐘後，不再開放觀眾入場，敬請持票準時入場。

主辦單位將依台北市政府發布之命令決定是否取消放映，並儘速於女性影展現場、女性影展網站公佈。

◆ 影展保有影片更動之權力，影片映演更新資訊將隨時於影展中公佈，如遇天災或不可抗力因素發生，

觀影，票款將可全額退回。片長不包含映前與映後座談時間。

所變動，若有異動，將於官方網站與戲院現場另行公告。於公告前購票之觀眾若因級數異動而無法

◆ 場次表所列之影片片長、級數與活動為刊物付印前之最完整資料，但可能因為文化部審議結果而有

◆ 普 G：普遍級／護 P：保護級／輔 12：輔導 12 歲級／輔 15：輔導 15 歲級／限 R：限制級。

路及現場公告。

◆ ★和☆包含映後座談之場次，出席影人或講者會公布於女影官網及臉書，有任何變更將於網

◆ ▲為非英語發音影片無加附英文字幕。

備註：

場次表頁碼 PAGE

時間片名 TIME TITLE

SPOT-Huashan A Two

光點華山２廳頁碼 PAGE

99min | 護 P

21:40 無主之城 Godless

40min + 90min | 普 G

104min | 輔 12 PG12

38 21:10 林北小舞 89 The Gangster's Daughter

90min | 普 G

18:30 開幕式 32 19:10 開幕片：查維拉： 32 開幕片：查維拉：女人別為我哭泣 50 50 女人別為我哭泣 Opening Film: Chavela Opening Gala Opening Film: Chavela

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.13（五）FRI

77min | 輔 12 PG12

76min | 輔 12 PG12

84 14:30 短短迷妳群合輯 Shorts

110min | 普 G

42 12:10 亂髮少女的日記 Breath

99min | 限 R

21:40 情慾告白 X 檔案 XConfessions

94min | 普 G

19:30 娜魯的憂鬱邊界 Nalu on the Border

80min | 護 P 59

68 | 71

75min | 限 R

78 21:30 Erotica：女性情慾之旅 80 Erotica: A Journey into Female Sexuality

98min | 普 G

40 19:00 不玩美女人 Ladies

98min | 護 P

17:10 消失人口 64 16:20 心靈時鐘 Śledztwo the Inquest Packages from Daddy 65 我是世上的一抹曙光 I Am Truly a Drop of Sun on Earth

82min | 護 P

14:40 伊努克的怒吼 Angry Inuk

94min | 護 P

12:30 媽媽鏈：歡迎來到嬰兒工廠 Motherland

76min | 普 G

50 10:20 非一般酷兒想像短片集 52 Queer Shorts 53

頁碼 PAGE

10:30 彩虹國度的真相 A Queer Country

時間片名 TIME TITLE

頁碼 PAGE

SPOT-Huashan A Two

光點華山２廳

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.14（六）SAT

80min | 普 G

22:10 必殺絕招愛上妳 Signature Move

88min | 普 G

19:50 被竊取的故事 The Girl in the Book

103min | 普 G

17:30 屋中魅影 House of Others

102min | 護 P

14:40 女兵的中場戰事 The Stopover

82min | 普 G

12:30 大人的模樣 The Grown-Ups

72min | 普 G

10:30 卵巢瘋上路 Ovarian Psycos

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.15（日）SUN 時間片名 TIME TITLE

46 21:50 性愛包裹小心輕放 Cake 幹爆你 Lovedoll 索命快照 Snapshot 89min | 限 R

89min | 普 G

58 19:50 日常對話 Small Talk

103min | 普 G

62 17:30 屋中魅影 House of Others

54 14:40 十年願景＊本場次不開放售票

82min | 普 G

39 12:30 大人的模樣 The Grown-Ups

99min | 普 G

57 10:00 安娜想自由 Free 神愛噬人 A Mere Breath

頁碼 PAGE

SPOT-Huashan A Two

光點華山２廳

82 83

頁碼 PAGE

時間片名 TIME TITLE

SPOT-Huashan A Two

光點華山２廳頁碼 PAGE

96min | 護 P

98min | 普 G

82min | 普 G

82 15:30 巴特 Bart 83 橋仔頭的春秋大夢 Fantasy

100min | 普 G

21:30 蒙娜麗莎的淫笑 81 21:00 Erotica：女性情慾之旅 80 Pictures at an Exhibition Erotica: A Journey into 我要妳深呼吸 Female Sexuality Breathe 吸血淫娃 Enactone 75min | 限 R 73min | 限 R

80min | 護 P

19:00 消失人口 64 18:00 擬音 Śledztwo the Inquest A Foley Artist 65 我是世上的一抹曙光 I Am Truly a Drop of Sun on Earth

16:00 性愛包裹小心輕放 Cake 幹爆你 Lovedoll 索命快照 Snapshot 89min | 限 R

60min | 輔 15 PG15

14:00 天啊！有異性戀！ 51 13:20 不玩美女人 Superbia Ladies 帢拉萊：性別萬花筒 CALALAI In-betweenness

104min | 輔 12 PG12

11:30 林北小舞 89 11:10 女人 94 正典短片集 60 The Gangster's Daughter There’s Always a Women 61 Shorts

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.16（一）MON

60min | 輔 12 PG12

80min | 限 R

21:40 體液 Ø Fluidø

102min | 護 P

19:00 女兵的中場戰事 The Stopover

99min | 護 P

16:30 無主之城 Godless

44 45

頁碼 PAGE

89min | 普 G

48 21:00 日常對話 Small Talk

87min | 護 P

54 18:30 台灣競賽短片集 2 Taiwan Shorts 2

76min | 普 G

94 95

38 16:00 學數學的女孩們 88 Girls Who Fell in Love with Math

110min | 普 G

72 13:30 亂髮少女的日記 Breath | 77

76min | 普 G

15:00 女生愛動畫合輯 Animations

時間片名 TIME TITLE

50 11:10 羅薩里奧的抉擇 Rosario 姊妹情深 Sisters 最後的時光 House Call - Vika 100min | 輔 12 PG12

頁碼 PAGE

SPOT-Huashan A Two

光點華山２廳

13:00 彩虹國度的真相 A Queer Country

11:00 十年願景＊本場次不開放售票＊此為無障礙口述場

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.17（二）TUE 頁碼 PAGE

11:00 性愛包裹小心輕放 Cake 幹爆你 Lovedoll 索命快照 Snapshot 89min | 限 R

時間片名 TIME TITLE

SPOT-Huashan A Two

光點華山２廳

100min | 普 G

73min | 普 G

36 19:00 咫尺天堂 Almost Heaven

79min | 護 P

68 15:30 台灣競賽短片集 1 Taiwan Shorts 1 | 71

116min | 輔 15 PG15

74min | 限 R

21:10 布卡下的唇唇慾動 56 21:00 I.K.U. I.K.U. Lipstick Under My Burkha

97min | 輔 12 PG12

18:30 夏日 1993 Summer 1993

76min | 輔 12 PG12

15:30 短短迷妳群合輯 Shorts

77min | 輔 12 PG12

13:30 非一般酷兒想像短片集 52 13:00 擬音 A Foley Artist Queer Shorts 53

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.18（三）WED

92 93

82 83

頁碼 PAGE

時間片名 TIME TITLE

SPOT-Huashan A Two

光點華山２廳

99min | 限 R

21:30 情慾告白 X 檔案 XConfessions

94min | 普 G

18:30 娜魯的憂鬱邊界 Nalu on the Border

98min | 護 P

15:30 心靈時鐘 Packages from Daddy

99min | 普 G

13:10 安娜想自由 Free 神愛噬人 A Mere Breath

44 45

頁碼 PAGE

110min | 普 G

78 21:00 亂髮少女的日記 Breath

94min | 普 G

40 18:30 娜魯的憂鬱邊界 Nalu on the Border

70min | 普 G

88 15:00 尊瑪、尊瑪：我和她們 90 在喜馬拉雅山的夏天 Tsunma, Tsunma: My Summer with the Female Monastics of the Himalaya

43 12:50 羅薩里奧的抉擇 Rosario 姊妹情深 Sisters 最後的時光 House Call - Vika 100min | 輔 12 PG12

11:00 女人 94 正典短片集 60 10:30 十年願景 There’s Always a Women 61 ＊本場次不開放售 Shorts

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.19（四）THU

74min | 限 R

21:00 I.K.U. I.K.U.

82min | 普 G

19:00 大人的模樣 The Grown-Ups

76min | 普 G

16:00 彩虹國度的真相 A Queer Country

88min | 普 G

13:00 被竊取的故事 The Girl in the Book

80min | 普 G 57

頁碼 PAGE

99min | 限 R

49 21:10 情慾告白 X 檔案 XConfessions

82min | 普 G

39 18:40 巴特 Bart 橋仔頭的春秋大夢 Fantasy

60min | 輔 15 PG15

50 15:30 天啊！有異性戀！ 51 Superbia 帢拉萊：性別萬花筒 CALALAI In-betweenness

72min | 普 G

58 13:30 卵巢瘋上路 Ovarian Psycos

73min | 普 G

46 11:30 咫尺天堂 Almost Heaven

11:00 必殺絕招愛上妳 Signature Move

時間片名 TIME TITLE

頁碼 PAGE

SPOT-Huashan A Two

光點華山２廳

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.20（五）FRI 頁碼 PAGE

時間片名 TIME TITLE

SPOT-Huashan A Two

光點華山２廳頁碼 PAGE

76min | 普 G

94 95

32 50

70min | 普 G

38 17:10 尊瑪、尊瑪：我和她們 90 在喜馬拉雅山的夏天 Tsunma, Tsunma: My Summer with the Female Monastics of the Himalaya

87min | 護 P

54 14:30 台灣競賽短片集 2 Taiwan Shorts 2

90min | 普 G

32 12:10 查維拉：女人別為我哭泣 50 Chavela

80min | 限 R

21:40 體液 Ø Fluidø

80min | 限 R

48 21:40 體液 Ø Fluidø

56 19:30 蒙娜麗莎的淫笑 18:50 布卡下的唇唇慾動 81 Pictures at an Exhibition Lipstick Under My Burkha 我要妳深呼吸 Breathe 吸血淫娃 Enactone 116min | 輔 15 PG15 73min | 限 R

99min | 護 P

16:20 無主之城 Godless

102min | 護 P

14:10 女兵的中場戰事 The Stopover

90min | 普 G

12:10 查維拉：女人別為我哭泣 Chavela

80min | 護 P

88 10:20 消失人口 64 10:00 學數學的女孩們 Girls Who Fell in Love Śledztwo the Inquest 65 with Math 我是世上的一抹曙光 I Am Truly a Drop of Sun on Earth

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.21（六）SAT

84min | 普 G

20:10 閉幕片：卡爾梅克的海鷗 Closing Film: The Gulls

82min | 護 P

17:30 伊努克的怒吼 Angry Inuk

97min | 輔 12 PG12

14:50 夏日 1993 Summer 1993

103min | 普 G

12:30 屋中魅影 House of Others

94min | 護 P

10:00 媽媽鏈：歡迎來到嬰兒工廠 Motherland

時間片名 TIME TITLE

SPOT-Huashan A One

光點華山 1 廳

10.22（日）SUN 時間片名 TIME TITLE

SPOT-Huashan A Two

40min + 84min | 普 G

34 19:30 閉幕式暨頒獎典禮閉幕片： 66 卡爾梅克的海鷗 Closing Ceremony Closing Fim: The Gulls

60min | 輔 12 PG12

84 17:00 女生愛動畫合輯 Animations

79min | 護 P

36 14:30 台灣競賽短片集 1 Taiwan Shorts 1

73min | 普 G

62 12:10 咫尺天堂 Almost Heaven

94min | 護 P

42 10:00 媽媽鏈：歡迎來到嬰兒工廠 Motherland

頁碼 PAGE

光點華山２廳

34 66

72 | 77

92 93

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查維拉：女人別為我哭泣 Chavela

華山１廳｜ 10.13 ( 五 ) FRI 18:30 ★ 華山２廳｜ 10.13 ( 五 ) FRI 19:10 ▲ 華山１＋２廳｜ 10.21 ( 六 ) SAT 12:10

2017 柏林影展電影大觀單元觀眾票選獎、2017 Hot Docs 加拿大國際紀錄片影展 2017 Frameline 舊金山同志影展焦點影片

美國 USA │ 2017 │紀錄片 Documentary │ DCP │ Colour │ 90min 曾和墨西哥畫家芙烈達卡蘿浪漫同居，亦與好萊塢女神艾娃嘉納心繫情牽。她是導演阿莫多瓦的繆思歌后，也是拉丁樂史上最玩世不恭的靈魂歌者，以渾厚嗓音與中性裝扮風靡全墨西哥—她是每唱一次歌，就要死過一次的查維拉．瓦爾加斯（Chavela Vargas, 1919-2012）。曾經空虛異常而日夜流連貪杯，一度失去光環的她，睽違二十年後再次回到鎂光燈下，此後表演次次撕心裂肺，直至生命盡頭。查維拉走過繽紛驚險的人生，亦在舞台化作百轉千迴的生命之歌。 Chavela takes viewers on an evocative, thought-provoking journey through the iconoclastic life of game-changing artist Chavela Vargas. Centered around never before-seen interview footage of Chavela shot 20 years before her death. The film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being. 凱薩琳．貢德，Aubin Pictures 總監，曾以編、導、製作人身份獲艾美獎提名，作品關注社會議題且獲獎無數；身兼母親、社會運動者、幫助青少女及性少數的 Third Wave Foundation 與 BENT TV 創辦人。 Catherine GUND, the Founder and Director of Aubin Pictures, is an Emmy-nominated producer, director, writer, and activist. Her media work focuses on strategic and sustainable social transformation, arts and culture, HIV/AIDS and reproductive health, and the environment. She lives in NYC with her four children.

凱薩琳．貢德 Catherine GUND

達蕾夏．基伊，導演兼電視製作人，幕前與幕後經驗豐富，作品於各大影展獲獎無數。熱愛音樂，曾與 Chillum 共同表演及錄製專輯，現為 Angel City Chorale 成員及 Reciprocity 主唱。 Daresha KYI is an award-winning filmmaker and television producer with over 25 years in the business. She wrote, produced, directed, acted and also served as executive producer of some award-winning film and TV programs. Daresha has also performed with and recorded with several music groups.

達蕾夏．基伊 Daresha KYI

Cinematographer Natalia CUEVAS, Paula Gutiérrez ORÍO Composer Gil TALMO Editor Carla Gutierrez Producer Catherine GUND, Daresha KYI Production Tanya SELVARATNAM Print Source 佳映娛樂

Opening Film 開幕片

卡爾梅克的海鷗

華山１廳｜ 10.22 ( 日 ) SUN 20:10 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 19:30

The Gulls 2015 柏林影展最佳處女作提名

俄羅斯聯邦 Russian Federation │ 2015 │劇情片 Fiction │ DCP │ Colour │ 84min 冷冽的空氣有著凝止不動的鬱結。裏海邊小漁村教授鋼琴的艾沙和捕魚為生的丈夫，兩人既不親密也不協調；除了面對婆婆鎮日的怨懟，尚須面臨小叔隱約的戀慕。天候不佳仍出海的丈夫，遇上警方查緝非法捕撈，杳無音訊的不確定性，成了艾沙重獲自由與追求幸福的契機。寒寂的地景藉由簡約卻絕美的視覺風格，巧妙呼應角色的內在狀態，間接揭示卡爾梅克在傳統與現代間的拉扯與轉換。二十餘年來，俄羅斯聯邦卡爾梅克共和國首部長片即獲柏林影展最佳處女作提名。 The Gulls is a parable on the background of modern Kalmykia. It is about love, with the characters intuitively fulfilling forgotten traditions. Their love is silent and their sorrow without tears. The seagulls are souls of dead fishermen, broken boats, and hope. Elza, the fisherman’s wife, wants to leave her husband but cannot take this step because she is afraid of uncertainty.

1981 年出生於俄羅斯聯邦的卡爾梅克共和國的埃利斯塔。2005 年畢業於聖彼得堡大學電影電視學系，專攻聲音指導；2007 年進入莫斯科的電影導演暨編劇研究所，專攻導演。 Ella MANZHEEVA was born in 1981 in Elista, Republic of Kalmykia, Russia. In 2005 she graduated from St. Petersburg State University of Film and Television, specializing in sound directing. In 2007 she entered the Postgraduate School of Scriptwriters and Film Directors, Moscow, specializing in directing.

Cinematographer Aleksandr KUZNETSOV Editor Sergey IVANOV Producer Elena GLIKMAN, Yaroslav ZHIVOV Production Design Denis BAUER Print Source ANT!PODE Sales & Distribution

艾拉．曼芝華 Ella MANZHEEVA

Closing Film 閉幕片

近幾年長照成為政府與民間最關注的議題，只要「照顧」與「被照顧」的關係成立，彼此親密卻又對立的矛盾情緒，便不斷拉扯衝突；大眾對於照顧職責的期待與壓迫，亦常讓女性成為體制下的犧牲品。本單元從醫療體系、殯葬事業、母職與社會、宗教衝突、安寧與居家照顧等不同況味的人生百態，探索照顧、被照顧及照顧專業等多方所經歷的掙扎與糾葛。影片類型多元，劇本手法創新，為議題導向單元挹注充滿能量的敘事影像脈動。

夏日 1993

華山１廳｜ 10.18 ( 三 ) WED 18:30 ★ 華山１廳｜ 10.22 ( 日 ) SUN 14:50 ★

Summer 1993 2017 柏林影展 GWFF 最佳處女作獎

西班牙 Spain │ 2017 │劇情片 Fiction │ DCP │ Colour │ 97min 雙親亡故的六歲小女孩芙烈達，被迫搬離位於巴塞隆納的祖父母家，前往叔嬸在加泰隆尼亞的鄉村小屋，並在法律上成為他們的養女，和他們的小女兒，也就是芙烈達的小堂妹成為一家人。這一切都不是芙烈達自願或習慣的，她既拒斥新家庭卻又想獲得眷顧的矛盾情結，製造出一個又一個的難題，挑戰著她養父母的容忍極限。這個新家庭裡，兩個大人間、大人和孩子間、兩個孩子間各式各樣的情感角力，發生於日常的磨合過程，看得令人心驚，也反映了家人間的關係由創造與構築而生，並非理所當然。故事的時空背景是西班牙佛朗哥獨裁政權結束後的民主解放時期，因用藥文化導致愛滋擴散的危機年代，其背後所隱含的訊息並非道德警世，而是如何因愛滋而愛。 Spain, summer 1993. Following the death of her parents, six-year-old Frida faces the first summer with her new adoptive family in the Catalan province. Before the season is over, the girl has to learn to cope with her emotions and her parents have to learn to love her as their own daughter.

畢業於加州大學及巴塞隆納自治大學的視聽傳播系。畢業後在加泰隆尼亞電視台執導戲劇節目並擔任節目規劃，並前往倫敦電影學院深造。本片是她第一部劇情長片，獲得多項創投計畫支持。2013 年她創立教導兒童與青少年電影相關知識的組織 Young for Film!。 Carla SIMÓN studied at the University of California and the Audiovisual Communication Department Universitat Autonoma of Barcelona. Then she directed TV series and programs, and studied at the London Film School. Summer 1993 is her feature film debut. Carla created Young for Film!, an association teaching cinema to children and teenagers.

Cinematographer Santiago RACAJ Editor Didac PALOU, Ana PFAFF Music Ernest PIPO, Pau BOÏGUES Producer Valérie DELPIERRE Print Source New Europe Film Sales

卡拉．西蒙 Carla SIMÓN

The Entangled Dance 與羈絆 / 伴共舞 Long-term care has become one of the most pressing issues in modern society. Once the relationship between “caregivers” and “those being taken care of” is established, there is no escape from this intimate yet tense relationship, and often woman are sacrificed in such situation. As love and hate are bound together, The Entagled Dance presents a diverse variety of forms and contents around a topic that will increasingly shape our future.

無主之城 Godless

華山１廳｜ 10.13 ( 五 ) FRI 21:40 華山１廳｜ 10.17 ( 二 ) TUE 16:30 華山１廳｜ 10.21 ( 六 ) SAT 16:20

2016 瑞士盧卡諾影展金豹獎及最佳女演員 2016 塞拉耶佛電影節評審團大獎及最佳女演員

保加利亞 Bulgaria / 丹麥 Denmark / 法國 France │ 2016 │劇情片 Fiction │ DCP │ Colour │ 99min 保加利亞的世界陷入了沮喪、腐敗和悲劇之中。偶爾尋覓，愛卻不存在於遙遠的過去，也不存在於充斥恐懼與腐敗的當代後共產社會之中。偏遠小鎮裡的葛娜以照護癡呆老人為生，卻偷偷在清潔褥瘡和骯髒床單之間，盜竊被照顧老人的身份證並販售給貪腐的警察。葛娜與同住的母親互動緊張，與共謀者男友早已無性無愛，維繫關係的只剩成癮的嗎啡。「良心」對這位看護而言早已毫無意義，因為社會現實是就算殺人也不需要償命。就在葛娜聽到照護老人約恩的音樂之後，她的意識開始動搖，也隨著對約恩的同情心日益增長，葛娜被藥物及壓抑控制已久的心牆逐漸瓦解…。就在葛娜準備在慘澹生活中找回人性與靈魂之時，她卻被迫體悟，要做「正確的事」，必須付出無比的慘痛代價。 Bulgaria is mired in depression, corruption, and misanthropy. In a remote little village, Gana looks after the elderly suffering from dementia, at the same time she traffics their ID cards on the black market. Nothing seems to have consequences, even with occasional murders happening. But as Gana hears the music of Yoan, her soul is unlocked and ready for change. However, she learns that “doing the right thing” comes at a high price. 早期學習純藝術，爾後在英國國家影視學院就讀劇情執導系。曾獲坎城、柏林及多倫多等影展青睞，其短片曾獲得柏林影展最佳歐洲短片獎，作品 By the Grace of God 曾在坎城首映。 Ralitza PETROVA studied Fine Art, and later Fiction Directing at National Film and Television School in the UK. Her films have won acclaim at many film festivals. One of her works was awarded Best European Short Film at Berlinale.

Art Director Vanina GELEVA Cinematographer Krum RODRIGUEZ, Cgayse IRVIN Editor Donka IVANOVA, Ralitza PETROVA Producer Rossitsa VALKANOVA Sound Design Peter ALBRECHTSEN Print Source Heretic Outreach

拉利薩．佩卓瓦 Ralitza PETROVA

大人的模樣

華山１＋２廳｜ 10.15 ( 日 ) SUN 12:30 ☆ 華山１廳｜ 10.20 ( 五 ) FRI 19:00

The Grown-Ups 2017 西班牙巴塞隆納國際紀錄片影展最佳紀錄片、2017 法國 Creteil 女性影展觀眾票選獎 2016 IDFA 阿姆斯特丹紀錄片影展女性電影記者聯盟最佳女導演紀錄片

智利 Chile / 荷蘭 The Netherlands │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 82min 一群被預期會比父母更早離開人世，正邁入中年的唐氏症者，即使父母多已辭世且他們仍待在機構裡，清晰的自主性卻無法滿足他們對於開展自立生活的渴望。唐氏症寶寶的俗稱，總讓人以為他們的生命會在長大之前結束，也因此鮮少思及成年、甚至是老年唐氏症者的處境、需要的資源、自立的空間和條件。在鏡頭下，唐氏症者不再是被同情心浪漫化的無助受害者，而是具有自主欲望與意識的個體。 A group of friends with Down Syndrome have attended the same school for over 40 years. They always believed when their parents died, they would be able to do things they weren’t allowed to before, like living on their own, having sex, being parents, getting married, and having a real job. But things are not changing for them, and they have to deal with the frustration of living as if they were still ten-year-olds.

擅長以親近的方式，在日常生活的點滴中描繪拍攝對象的手法。作品曾在阿姆斯特丹紀錄片影展、邁阿密國際影展、歐洲影展等國際影展獲獎。 Maite ALBERDI has developed a highly particular style that achieves an intimate portrayal of the characters she works with. Her film Tea Time has received important film awards such as Best Female-Directed EDA Award-IDFA, Best Documentary Award at Miami International Film Festival, at EIDF-EBS Korea, DocsBarcelona, and FICG Guadalajara. Cinematographer Pablo VALDÉS Editor Menno BOEREMA, Juan Eduardo MURILLO Music Miguel MIRANDA Producer Maite ALBERDI, Denis VASLIN, Fleur KNOPPERTS, Sebastián BRAHM Print Source Catndocs World Sales

瑪蒂．艾柏地 Maite ALBERDI

娜魯的憂鬱邊界

華山１廳｜ 10.14 ( 六 ) SAT 19:30 華山１＋２廳｜ 10.19 ( 四 ) THU 18:30

Nalu on the Border 2017 柏林影展

巴西 Brazil / 烏拉圭 Uruguay │ 2016 │劇情片 Fiction │ DCP │ Colour │ 94min 這是一部關於真實邊界，也是一部探索溫柔與責任、情感與慾望、私人和公眾界限的影片。16 歲的娜魯與失明的父親魯本住在巴西與烏拉圭的邊境小鎮裡，在祖母死後，她開始學習照顧父親，兩人與其說是父女，關係更像是兄妹相互依存。邊界的生活窮極無聊，在哀悼祖母死亡之際，娜魯除了與父親相處，大多時間也只能和好友艾利莎鬼混，以及迷戀邊界另一方而來的男孩，和對性事及邊界之外的好奇。當魯本發現 16 歲的女兒慢慢成為一個女人，以及當充滿吸引力的羅莎里奧走進父女倆原本的生活中時，這個非典型的家庭開始出現不安，而娜魯與魯本的關係越顯衝突，兩人之間的照顧責任也愈顯變化與掙扎。本片由巴西新電影中，最出色的實力派演員馬拉特• 笛卡爾擔任失明父親一角。 Nalu is a teenager who needs to take care of her blind father after the death of her grandmother, dividing her time between a new love, the discovery of her sexuality, and the heavy responsibilities with her father. When Ruben realizes his 16 year-old daughter is becoming a woman, and when Rosario, an attractive 36 year-old Uruguayan woman, starts to be present in their lives, a disturbing proximity arises between this atypical family. 同時以助導、編劇、製片身分活躍於影壇中，她所執導的首部短片 Messalina 即受到世界各影展獎項肯定，首部長片更入選柏林影展新銳營和南特三洲影展國際提案一對一工作坊。 Born in Porto Alegre, Cristiane OLIVERIA started her career as filmmaker with shorts. Messalina was selected by over 20 festivals across the world and has won 13 awards. Her first feature won the VFF Talent Highlight at Berlinale’s Talent Project Market and was selected to the Produire au Sud workshop. Cinematographer Heloisa PASSOS Editor Tula ANAGNOSTOPOULOS Producers Aletéia SELONK, Cristiane OLIVEIRA, Diego Fernandez PUJOL Scriptwriter Cristiane OLIVEIRA, Michele FRANTZ Sound Design Miriam BIDERMAN, Ricardo REIS Print Source Loco Films World Sales

克里斯汀．奧莉薇拉 Cristiane OLIVERIA

咫尺天堂 Almost Heaven

華山２廳｜ 10.18 ( 三 ) WED 19:00 華山２廳｜ 10.20 ( 五 ) FRI 11:30 華山２廳｜ 10.22 ( 日 ) SUN 12:10 ☆

2017 柏林影展最佳紀錄片提名

英國 UK │ 2017 │紀錄片 Documentary │ DCP │ Colour │ 73min 來自湖南小村莊的十七歲少女和中國境內許多青少年一樣，必須離鄉背井到城市工作。怕鬼又怕黑的她，卻落得一個禮儀師的工作，幸好還有一位年齡相仿、聊得來的前輩可供慰藉，恐懼茫然因分享而不再顯得無措。前輩返鄉後，少女只能獨自勇敢，一邊學習如何在標準化的流程中盡心照料大體以慰家屬，一邊試著找出可以養家活口又可以實現自我的另一條路。在詩意細膩的觀察式鏡頭下，生與死、聚與散不再成對立之姿，而是萬物化生的晝夜之道。 Far from home, afraid of the dark, 17-year-old Ying Ling is training to become a mortician in one of China’s largest funeral homes. She strikes up a special friendship with her co-worker Jin Hau. When Jin Hau decides to leave, Ying Ling is left alone. She finally resolves to change her life.

紀錄片導演，作品曾多次在阿姆斯特丹國際紀錄片電影節、愛丁堡國際電影節等國際影展放映。擅長以近距離的觀察手法描繪日常生活當中具有普世共鳴的掙扎困境。 Carol SALTER is an award-winning documentary director specializing in closely observed and intimate portraits of people around the world. A graduate from the National Film and TV School (NFTS), her films have been screened worldwide - at Berlin IFF, IDFA, Sheffield Doc/Fest and Palm Springs.

Cinematographer Carol SALTER Editor Cinzia BALDESSARI Producer Carol SALTER, Elhum SHAKERIFAR Print Source Taskovski Films Ltd.

卡羅．索爾特 Carol SALTER

媽媽鏈：歡迎來到嬰兒工廠

華山１廳｜ 10.14 ( 六 ) SAT 12:30 華山１＋２廳｜ 10.22 ( 日 ) SUN 10:00 ☆

Motherland 2017 日舞影展、2017 柏林影展、2017 維也納國際電影節 2017 紐約現代藝術博物館新導演／新電影展

菲律賓 Philippine / 美國 USA │ 2017 │紀錄片 Documentary │ DCP │ Colour │ 94min 菲律賓的何賽法貝拉紀念醫院，擁有地球上最繁忙的產房，這是生活水平落在貧窮線以下孕婦的最後去處，護士們的日常就是應付每日六十個嬰兒的誕生，設備不齊、床位不夠、奶水不足，還有找不到自己嬰兒的媽媽，護士只得大聲廣播…。電影拍攝手法讓觀者一開始如旁觀者般面對此不甚熟悉的荒謬情境，隨著影片發展逐漸融入其中，真摯的人物情感和真實的生活片段再熟悉不過。在這坪數不大且兵荒馬亂的小醫院裡，有著他處難尋的溫馨和歡笑。 Taking us into the heart of the planet’s busiest maternity hospital, this cinematic experience takes the viewer into the hospital’s stream of activity. At first, the subjects are strangers. But as the film continues, it becomes absorbingly intimate, rendering them increasingly familiar. Three women emerge to share their stories with other mothers, their families, doctors and social workers. Their optimism, honesty and humor suggest a strength that they will certainly have to summon in the years ahead. 亞裔美籍導演、編劇、製作人及剪接師。擅長細膩的人物捕捉，作品曾於柏林影展、日舞影展、IDFA 荷蘭阿姆斯特丹國際紀錄片影展、紐約翠貝卡影展等知名大型影展放映。 Ramona S. DIAZ (Director, Producer, Writer, Co-Editor) is an awardwinning Asian-American filmmaker best known for her compelling character-driven documentaries. Her films have been broadcast on POV and Independent Lens and have screened and won awards at Sundance, Berlin, Tribeca, Silverdocs, IDFA, and many other top film festivals. Cinematographer Nadia HALLGREN, Clarissa DE LOS REYES Editor Leah MARINO Producer Ramona S. DIAZ, Rey CUERDO Print Source Dogwoof Pictures

雷蒙娜．狄亞茲 Ramona S. DIAZ

深度議題：羈絆 ‧ 繫伴的百萬種模樣 In Focus: The Diverse Forms of Bonds Created by Long-term Care 10.22（日）SUN 10：00 放映結束後光點華山 2F 藝文廳 SPOT-Huashan multi-function exhibition hall 2F

華山２廳｜ 10.15 ( 日 ) SUN 10:00 ☆ 華山１廳｜ 10.19 ( 四 ) THU 13:10

安娜想自由 Free

俄羅斯聯邦 Russian Federation │ 2016 │劇情片 Fiction │ DCP │ Colour │ 30min

安娜的生活受到音樂家父親嚴密控管，然而她卻愛上了父親的學生…本片雖為學生作品，但作品整體流暢成熟，也在不同影展中贏得了數個獎項。 Anna lives under the strict control of her father. However, having fallen in love with his subordinate, she begins to fight for independence and freedom.

1996 年生於俄羅斯。於格拉斯莫夫電影學院（VGIK）修習電影導演，並於 2016 年畢業。 Yuliya DMITRIYEVA was born in 1985 in Chelyabinsk, Russia. In 2016, she graduated from The Gerasimov Institute of Cinematography (VGIK) as a film director.

Cinematographer Darya BALANOVSKAYA Editor Andrey KONDRATKO Music Alexey AYGI Producer Yuliya DMITRIYEVA Scriptwriter Yuliya DMITRIYEVA, Elizabeth MELAMED Sound Ivan SAVELYEV Print Source CinePromo

尤莉亞．德米特里耶娃 Yuliya DMITRIYEVA

華山２廳｜ 10.15 ( 日 ) SUN 10:00 ☆ 華山１廳｜ 10.19 ( 四 ) THU 13:10

神愛噬人 A Mere Breath

羅馬尼亞 Romania │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 69min

多布林一家人長期住在歐洲污染最嚴重的小鎮裡，過著虔誠的信仰生活，小女兒丹妮莎的不良於行，讓多布林執著於信仰與神蹟。導演花七年時間，以固定式鏡頭跟拍記錄羅馬尼亞的這家人，沉默捕捉多布林所面對的道德抉擇，以及妻兒的苦難和考驗。以一種純粹詩歌的質性，顯現家庭關係本質上可能遇到的深刻矛盾，並揭示人類在愛與信仰之間所擦撞出的荒謬與美麗。

2017 法國 Creteil 女性影展 2016 芝加哥國際電影節

Dobrin lives with his family in Europe’s most polluted town. The youngest daughter is semiparalized, causing Dobrin’s obsession with God, hoping for a miracle to happen. At the crossroads between medicine and religion, the children grow up, and the profound contradictory nature of family love is revealed. The documentary observes the dynamics of family relations over 7 years, showing viewers the absurdity and beauty, the frailty and power of the human being, caught between love and faith, heaven and earth.

身兼導演、電視製作人及藝術總監等多重角色，曾以劇情短片 My Vote 橫掃多個主要影展，《神愛噬人》更是獲獎無數。她同時和知名導演亞迪安西塔魯共同製作多部影片。 Monica LAZUREAN-GORGAN has a BA in Film Directing. She is also a TV producer and an art director. The latest 4 Proof Film production, My Vote, a creative documentary, was awarded and selected in Rotterdam, Documenta Madrid, and elsewhere. She is co-producer of many films by well-known director Adrian SITARU.

Cinematographer Marius APOPEI, Barbu BALASOIU Editor Andrei GORGAN Producer Monica LAZUREAN-GORGAN Print Source Syndicado Inc.

莫妮卡．拉蘇里恩高根 Monica LAZUREAN-GORGAN

華山２廳｜ 10.17 ( 二 ) TUE 11:10 華山２廳｜ 10.19 ( 四 ) THU 12:50

羅薩里奧的抉擇 Rosario

墨西哥 Mexico │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 10min

羅薩里奧承擔著照顧重病丈夫的責任，身陷囹圄不得自由。日復一日的生活，讓感情也隨著時間流逝乾涸。沒人知道她的感受，每個人都佯裝自己過著幸福的日子。當生活變成一種承受，羅薩里奧能夠在責任與想望間找到平衡嗎？ Rosario sees her days go by under the yoke of her responsibility as caregiver for her ill husband. Silently, she bears the burden of a marriage that has dried up. No one in her family knows how she feels; everyone keeps up appearances. A struggle has begun between her duty and her own desires.

目前為國立電影培訓中心（CCC）的大四學生，並且從事導演、剪接等工作。 Marlén RÍOS-FARJAT is now senior student at Centro de Capacitación Cinematográfica (CCC), Mexico. She also works as director and editor in Mexico City.

Art Direction Tihui ARAU Cinematographer Ignacio Miguel ORTIZ Editor Carla LARREA, Marlén RÍOSFARJAT Music Charly DANIELS Producer Karla BUKANTZ, Henner HOFMANN Print Source Centro de Capacitación Cinematográfica (El CCC)

瑪蓮．里歐斯法里亞特 Marlen RÍOS-FARJAT

華山２廳｜ 10.17 ( 二 ) TUE 11:10 華山２廳｜ 10.19 ( 四 ) THU 12:50

姊妹情深 Sisters

俄羅斯聯邦 Russian Federation │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 26min

冷靜理智的妮娜是人生勝利組，卻有個令她頭痛的酗酒妹妹雅拉…。角色刻劃極具說服力，各有鮮明個性，演員詮釋細膩。導演藉著劇本呈現生活細節、以手持攝影機捕捉兩人的親密互動，深刻地描繪姊妹情深／情仇。 Nina is a successful family woman, but she has her “Achilles’ heel”: Her reckless younger sister Alla. Nobody understands why Nina is still taking care of her. One day Nina’s patience comes to an end, but she has to face a difficult choice... 2017 溫哥華女性影展

2010 年以導演、劇本寫作畢業，2013 年首部劇情片 Intimate Parts 曾榮獲俄國最大影展 Kinotavr 最佳新人、最佳女演員獎，並獲邀於各大國際影展放映。目前正在為 TNT 電視頻道拍攝單元劇。 Natasha MERKULOVA graduated from the Higher Courses for Directors and Scriptwriters in 2010. In 2013, she made her debut Intimate Parts, which won the prizes for Best Debut and Best Actress at Kinotavr film festival. In 2016, she made the television series Crisis of Tender Age. Cinematographer Ksenia SEREDA Producer Julia MISHKINENE, Aleksandr PLOTNIKOVA Production Design Oleg DORICHENKO Print Source Vita Aktiva Co.

娜塔莎．摩古羅瓦 Natasha MERKULOVA

最後的時光

華山２廳｜ 10.17 ( 二 ) TUE 11:10 華山２廳｜ 10.19 ( 四 ) THU 12:50

House Call - Vika 2016 耶路撒冷影展、2016 IDFA 阿姆斯特丹紀錄片影展

以色列 Israel │ 2016 │紀錄片 Documentary │ HDCAM │ Colour │ 63min 在以色列，臨終的病患可以離開病房選擇返家，由護理師、醫生及社工所組成的醫療團隊，一同協助其伴侶和家屬陪伴病患走完人生最後的時光，而這部影片是關於一位年輕的單身母親薇卡的故事。罹癌的她，病情隨著日子不斷加重。影片團隊與薇卡的家庭醫療團隊一同在家中陪伴她走向生命的終點，將這些日子樸實地記錄下來，日子看似平靜但也是情感最裸露真實的最後時光。 Terminally ill patients living in Israel can choose to die at home, and have a team made up of a nurse, a doctor and a social worker doing everything possible to support them and their loved ones. This is the story of Vika, a young single mother with cancer. Her health is deteriorating by the day. We follow her team – nurse Glynis, doctor Roni and social worker Itzik - on their home visits during Vika's final days.

娜塔．休夏尼 1992 年起便以學生身份執導並贏得許多獎項。2013 年執導紀錄片 Handa Handa 4；2014 年及 2015 年執導電視劇 Minimum Wage 及 Kill Grandma。 Since 1992, Neta SHOSHANI has directed many films and won various awards worldwide. In 2013, she directed the documentary Handa Handa 4, and also the director of the TV series Minimum Wage and Kill Grandma.

娜塔．休夏尼 Neta SHOSHANI

大衛．歐菲克 1968 年出生於以色列拉馬干，畢業於耶路撒冷 Sam Spiegel Film School。身兼導演及作家，作品包括 Ha-Mangalistim (2003)、Ha Harug Ha 17 (2003) 及 30 Shakh LeSha'a (2012)。 David OFEK was born in 1968 in Ramat Gan, Israel and graduated from the Sam Spiegel Film School in Jerusalem. He is a director and writer, known for Ha-Mangalistim, Ha Harug Ha 17, and 30 Shakh LeSha'a.

Cinematographer Shahar REZNIK, Itai RAZIEL, Ofir PERATZ Editor Oded TABAK Producer Lee Yardeny BUCHRIS, Aviram BUHRIS Print Source Go2Films

大衛．歐菲克 David OFEK

多元性別議題相關電影正當道，但是能見度畢竟是個相對值，就如同「酷兒」的詞意般充滿不穩定性。作為女性影展的常設專題，其意義與政治性也隨之不斷地流動、轉變。「非一般酷兒想像」揭示了酷兒可以是一個集合名詞，也同時是集合之外的所有歪斜與扭曲。在台灣同性婚姻立法指日可待的時刻，我們可以思考怎麼回收過去包出去的紅包，也可以繼續在邊緣扭曲狂歡；或者，先來看場非一般的酷兒電影再說吧。

必殺絕招愛上妳

華山１廳｜ 10.15 ( 日 ) SUN 22:10 華山１廳｜ 10.20 ( 五 ) FRI 11:00

Signature Move 2017 SXSW 西南偏南電影節、2017 BFI Flare 倫敦酷兒影展

美國 USA │ 2017 │劇情片 Fiction │ DCP │ Colour │ 80min 贊娜是在芝加哥執業的巴基斯坦裔拉子律師，外貌俊俏帥氣，因緣際會下接觸墨西哥女子摔角。喪夫後前來同住的母親，除了揪心鄉土肥皂劇的劇情發展外，便是忙著替贊娜物色完美丈夫。面對傳統又保守的母親，行事果斷俐落的贊娜也只能躲在衣櫃，直到她愛上坦蕩熱情且能與自己曾是摔角選手母親無話不談的奧瑪。贊娜會拿出什麼必殺絕招，才能在親情與愛情間取得雙贏？拉子浪漫愛情喜劇，輕鬆幽默的小品細膩交織出多元族裔與不同世代的差異與對話，也讓美國語境下的拉子故事不再只有白人臉孔。 Signature Move is a comedic and heartfelt look at modern families and the complexities of love in its many forms. Zaynab is a Pakistani, Muslim lawyer living in Chicago who begins a new romance with Alma, a confident MexicanAmerican woman. Zaynab’s widowed mother Parveen has moved in and spends her days watching dramas while searching for a potential husband for her daughter. Zaynab tries to keep her secrets from her mother, who knows more than she lets on.

代表作為探討白人底層文化的表演錄像作品 White Trash Girl，透過藝術創作與社會倡議探討女性主義議題。現為伊利諾大學芝加哥分校的藝術系動態影像專長副教授。 Jennifer REEDER constructs personal fiction films about relationships, trauma and coping. Her award-winning narratives are innovative and borrow from a range of forms including after school specials, amateur music videos and magical realism. Her films have been shown at film festivals around the world.

Cinematographer Christopher REJANO Editor Felix PINEIRO Music Carlos VILLALOBOS, JR. Producer Brian HIEGGELKE, Fawzia MIRZA, Eugene Sun PARK, Hugh SCHULZE Sound John WONG Print Source The Film Collaborative

珍妮．佛利達 Jennifer REEDER

Beyond Queerness 非一般酷兒想像 The visibility of queer films for Taiwanese audiences is getting higher, at least relatively speaking. It’s nevertheless as full of uncertainty and subject to change as the term “queer”. Similarly, the intention and political message entailed in this program is also as ever-changing as queerness. “Beyond queerness” suggests the program for this year attempts to go beyond our imagination, or what we think of, and guides us onto a larger dance floor, welcoming all kinds of possibilities and celebrations.

體液 Ø

華山１廳｜ 10.17 ( 二 ) TUE 21:40 ★ 華山１＋２廳｜ 10.21 ( 六 ) SAT 21:40 ★

FLUID Ø 2017 柏林影展電影大觀單元

德國 Germany │ 2017 │劇情片 Fiction │ DCP │ Colour │ 80min 2060 年的後愛滋時代，超級政府宣告無愛滋時代的來臨，變種的愛滋病毒讓人類基因產生變異，出現性別不分的「零世代」，零世代擁有被編碼為 DELTA 的白色體液，不僅是可以取代白粉的超級藥品，更是未來最新型的性商品，僅透過肌膚接觸就可讓人爽嗨上癮。政府出動帶有抗體的複製人緝捕，零世代被夾在地下藥頭、當機的超級幹員、別有意圖的財團和腐敗政府間。鄭淑麗最新科幻實驗劇情大作，面向愛滋恐慌的歷史，以賽伯龐克科幻式酷兒寓言體探討數位科技時代病毒、性、駭客、用藥，以及監控體制的陰謀。 Set in the post-AIDS future of 2060, the government declares the era AIDS FREE. Mutated AIDS viruses give birth to ZERO GEN-humans, who become the bio-drug carriers of the 21st century. A new war on drugs begins and the ZERO GEN-humans are declared illegal. The Government dispatches drug-resistant replicants for round-up arrest missions. When one of these government androids‘ immunity breaks down and its pleasure centers are activated, the story becomes a tangled multi-thread plot. Cinematographer James CARMAN Editor Jörn HARTMANN Music Aérea NEGROT Producer Jürgen BRÜNING, Sonja KLÜMPER, Paula Alamillo RDDRIGUEZ Sound Vincent ZEGVELD Sound Design Zohar BONNIE Print Source M-Appeal World Sales

旅法的台裔美籍多媒體藝術家。創作媒材多元，如底片、錄像、裝置藝術、網路空間等。她的藝術追求展現了一份穿越社會、地理，政治與經濟結構疆界的想像力與欲望，重新定義性別、角色、機制等。近年多納入數位資訊時代的科技對人類生活意識影響的思考。 As an artist and filmmaker, CHEANG Shu Lea has worked with various art mediums and film formats, including installation, performance, net art, public art, video installation, feature length film and mobile web serial. As a net art pioneer, her BRANDON (1998-1999) was the first web art commissioned and collected by the Guggenheim museum in New York. She has been crafting her own film genre of new queer cinema, calling them eco-cybenoia Fresh Kill (1994), scifi cyberpunk I.K.U. (2000), scifi cyphepunk Fluidø (2017).

華山２廳｜ 10.18 ( 三 ) WED 21:00 ★ 華山１廳｜ 10.20 ( 五 ) FRI 21:00 ★

I.K.U. I.K.U.

日本 Japan │ 2000 │劇情片 Fiction │ DCP │ Colour │ 74min 西元 2030 年，跨國企業 Genom 正在開發名為「I.K.U. 芯片」的新產品。只要將其插入行動裝置，即可讓使用者無需身體接觸便可體驗高潮，私密感知只需透過科技來演算。本片藉由強烈的視覺風格及另類科幻的敘事手法，仍保有鄭淑麗所擅長的新媒體及跨領域創作的實驗性質，呈現後人類虛擬網絡及實體空間中的身體游移及情慾串流，也以再創敘述的方式介入日本的色情電影脈絡以及色情政治。開頭諧擬《銀翼殺手》，整片怪誕詭譎且桀驁乖張，為鄭淑麗的代表作之一。 The film is set in or around the year 2030. The multinational Genom Corporation is developing a product called the "I.K.U. Chip", which is plugged into a portable device allowing consumers to download and experience orgasms from the I.K.U. server without need for physical contact. The corporation sends their cybernetic shapeshifter Reiko, known as an I.K.U. Coder or replicant, to collect orgasm-related information catering to various sexual orientations.

Cinematographer Tetsuya YAMOTO Editor Kazuhiro SHIRAO Producer Takashi ASAI Print Source UPLINK Co.

SAT

大師講堂 Master Class

10.21 14:00

鄭淑麗 CHEANG Shu Lea X 李幼鸚鵡鵪鶉 Alphonse Perroquet/Parrot Caille/Quail Youth-Leigh

鄭淑麗 CHEANG Shu Lea

光點華山 2F 藝文廳 SPOT-Huashan multi-function exhibition hall 2F 詳情洽女影官網 www.wmw.org.tw 或官方 Facebook

華山１廳｜ 10.14 ( 六 ) SAT 10:30 華山１廳｜ 10.17 ( 二 ) TUE 13:00 華山１廳｜ 10.20 ( 五 ) FRI 16:00 ☆

彩虹國度的真相 A Queer Country

英國 UK │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 76min

在特拉維夫的同志首都美稱背後，有著宗教與外交盤根錯節的政治角力。在國內，同性戀慾望及生活方式並不見容於以色列猶太正統的治理基礎，反映了深植內部的價值衝突；在國際，為粉飾對於巴勒斯坦進行的軍事侵略，試圖透過「粉紅清洗（同志友善）」提升外交形象。以帶有史觀的批判視野，重新審視同志在以色列的處境，揭開背後複雜的成因與脈絡。

2016 好萊塢國際獨立紀錄片評比最佳女導演獎

A Queer Country uncovers how liberal attitudes in Israel are often at odds with the country’s legal structure. Interweaving the personal and political, the film builds an intimate portrait of Israel and its internal struggle, often drowned out by the conflict at its borders. The very question of Israel being an LGBT “champion” is controversial; some accuse the country of “pink washing”. This is an allegation that promoting LGBT culture is a way of detracting from human rights violations in the Palestinian Territories.

具英國里茲大學藝術與美學史學程學位，現為聖馬汀大學平面設計研究生，曾任廣告公司創意總監／文案。 Lisa MORGENTHAU has studied in History of Art and Aesthetics at Leeds University and is a postgraduate in Graphic Design at Central St Martins. She has worked as an Art Director/ Copywriter in advertising. Cinematographer Lisa MORGENTHAU Editor Luar Klinghofer BAR, Dov Music Ran BAGNO Producer Charlotte ARDEN, Harriet Jane DAVIES Print Source Taskovski Films Ltd.

查維拉：女人別為我哭泣 Opening Film 開幕片 Chavela

莉莎．摩根索 Lisa MORGENTHAU 華山１廳｜ 10.13 ( 五 ) FRI 18:30 ★ 華山２廳｜ 10.13 ( 五 ) FRI 19:10 ▲ 華山１＋２廳｜ 10.21 ( 六 ) SAT 12:10

美國 USA │ 2017 │紀錄片 Documentary │ DCP │ Colour │ 90min

曾經空虛異常而日夜流連貪杯，一度失去光環的她，睽違二十年後再次回到鎂光燈下，此後表演次次撕心裂肺，直至生命盡頭。查維拉走過繽紛驚險的人生，亦在舞台化作百轉千迴的生命之歌。 Chavela takes viewers on an evocative, thought-provoking journey through the iconoclastic life of game-changing artist Chavela Vargas. Centered around never before-seen interview footage of Chavela shot 20 years before her death. The film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being. 2017 柏林影展電影大觀單元觀眾票選獎 2017 Hot Docs 加拿大國際紀錄片影展 2017 Frameline 舊金山同志影展焦點影片 Aubin Pictures 總監，曾以編、導、製作人身份獲艾美獎提名，作品關注社會議題且獲獎無數；身兼母親、社會運動者、幫助青少女及性少數的 Third Wave Foundation 與 BENT TV 創辦人。 Catherine GUND, the Founder and Director of Aubin Pictures, is an Emmy-nominated producer, director, writer, and activist. Her media work focuses on strategic and sustainable social transformation, arts and culture, HIV/AIDS and reproductive health, and the environment. She lives in NYC with her four children. 導演兼電視製作人，幕前與幕後經驗豐富，作品於各大影展獲獎無數。熱愛音樂，曾與 Chillum 共同表演及錄製專輯，現為 Angel City Chorale 成員及 Reciprocity 主唱。 Daresha KYI is an award-winning filmmaker and television producer with over 25 years in the business. She wrote, produced, directed, acted and also served as executive producer of some award-winning film and TV programs. Daresha has also performed with and recorded with several music groups.

Cinematographer Natalia CUEVAS, Paula Gutiérrez ORÍO Composer Gil TALMO Editor Carla Gutierrez Producer Catherine GUND, Daresha KYI Production Tanya SELVARATNAM Print Source 佳映娛樂

凱薩琳．貢德 Catherine GUND

達蕾夏．基伊 Daresha KYI

華山１廳｜ 10.16 ( 一 ) MON 14:00 ★ 華山２廳｜ 10.20 ( 五 ) FRI 15:30 ★

天啊！有異性戀！ Superbia

匈牙利 Hungary │ 2016 │動畫 Animation │ HDCAM │ Colour │ 16min

在一座神秘島嶼上，聖獸的奶水流淌成河，男女以此為界，各自形成獨立的社會。當歷史上第一對異性情侶誕生，固有的疆界被打破，島上的居民該如何面對此衝擊呢？ The native people of the surrealistic land of Superbia, where men and women form separate societies, face the changes sparked by the first equal couple in their history.

2016 坎城國際影評人週 2016 棕櫚泉國際電影節

畢業於摩荷里納基設計學院和英國皇家藝術學院動畫系。畢業作品曾獲安錫國際動畫影展評審團特別獎，本片於坎城國際影評人週首映，成為當屆唯一入圍競賽動畫片。 Luca TÓTH studied animation at the Moholy Nagy School of Design in Budapest and the Royal College of Art in London. Her graduation short film The Age of Curious won the jury distinction at the Annecy IAFF. Superbia debuted at the Cannes Semaine de la Critique.

Producer Péter Benjamin LUKÁCS, Martin VANDAS, Juraj KRASNOHORSKY Print Source Gábor OSVÁTH

盧翠．托特 Luca TÓTH

華山１廳｜ 10.16 ( 一 ) MON 14:00 ★ 華山２廳｜ 10.20 ( 五 ) FRI 15:30 ★

帢拉萊：性別萬花筒 CALALAI In-betweenness

印尼 Indonesia │ 2015 │紀錄片 Documentary │ HDCAM │ Colour │ 41min

印尼布吉族（Bugis）遵循神話「加利哥」的世界觀，認為性別分為五類，其中本片關注的帢拉萊（Calalai）即以男性身份生活的生理女性。隨著外來文化及伊斯蘭教的傳入，其多元的性別視角受到威脅。影片以當地傳統吟唱，娓娓道出布吉族的文化。

2016 韓國首爾國際女性影展

A story about women in South Sulawesi, Indonesia, belonging to the Bugis culture, an exception in the modern world ruled by a binary gender system. The Bugis people have accepted gender diversity as codified in their La Galigo manuscript. They believe that humankind consists of five genders, and that one of them is calalai. Who are the calalai?

出生於印尼東爪哇的小鎮，從小便深受影像吸引。大學攻讀印尼文學，畢業後透過自學及參與工作坊等方式，開始鑽研影像製作，含本片現已完成四部紀錄片。 Kiki FEBRIYANTI was born in Indonesia. She discovered her interest in film while visiting an old cinema at an early age. She has directed four documentary films: Don’t Call Me Crazy! (2008), Yup… It’s My Body! (2010), The Wizard of Canberra (2015), Calalai In-betweenness (2015).

Cinematographer Dian RAISHA Producer RR AGUSTINE, Ursula TUMIWA Scriptwriter Kiki FEBRIYANTI, Catharina INDIRASTUTI Print Source Kiki FEBRIYANTI

奇奇．菲比安提 Kiki FEBRIYANTI

去留一念間 Half A Life

非一般酷兒想像短片集 Queer Shorts

華山２廳｜ 10.14 ( 六 ) SAT 10:20 華山１廳｜ 10.18 ( 三 ) WED 13:30

美國 USA │ 2017 │動畫紀錄片 Animated Documentary │ HDCAM │ Colour │ 13min

年輕的埃及男同志因為見證了驚駭的恐同事件而投身同志人權運動。當他知道自己的同志身份隨時可能令他陷入險境，國族認同面臨巨大挑戰，離開與否成為難題。然而，當代埃及動盪高壓的社會氛圍下，希望與行動仍有可能。

2017 紐約現代美術館 (MoMA) 紀錄片雙週展

After a traumatic encounter, a young, gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee. It is a timely story of activism and hope, set in the oppressive social climate of Egypt.

美國南加大電影藝術學院藝術碩士，目前進行中的計畫是一部透過女性經驗的跨文化對話，挑戰伊斯蘭恐懼的動畫虛擬紀錄片。 Tamara SHOGAOLU holds an MFA from the University of Southern California's School of Cinematic Arts. She is working on The Rose Farm, an animated, VR documentary that will challenge Islamophobia through cross-cultural dialogue around women's experiences.

Animation & Illustration Bramasta Dwi SAKA, Mohammed Abd ELHADI, Hafid FACHRUDIN, Gata Guruh MAHARDIKA Editor Tamara SHOGAOLU, Fred GUERRIER Music Joe NAMY Producer Tamara SHOGAOLU Print Source Ado Ato Pictures

扮家家酒 Lule Love Lila

非一般酷兒想像短片集 Queer Shorts

塔瑪拉．休葛璐 Tamara SHOGAOLU

華山２廳｜ 10.14 ( 六 ) SAT 10:20 華山１廳｜ 10.18 ( 三 ) WED 13:30

德國 Germany │ 2017 │劇情片 Fiction │ HDCAM │ Colour │ 16min

這晚，尤勒與麗拉倆姊妹決定打開藏有兩人自幼祕密紙條的願望寶盒，兒時紙條堆中，一張全新的願望紙條，讓尤勒發現了麗拉心中最真實的慾望。壓抑已久的失望、慾望、渴望與情感，就在合租的公寓裡暗濤洶湧地交鋒開打。 Tonight, the sisters Jule and Lilli confront their common past by opening an old box full of wish lists. Discovering a new letter in between all those old ones, Jule finds out about the most ardent desire of Lilli. It is the beginning of a dance of suppressed feelings, desires, and disappointments.

1994 年生於德國，17 歲時開始接觸短片拍攝。近期作品包括 Intuition (2016), Elemental (2015), Hamdullah- Im Namen Allahs (2015), Omas Beste (2015), Peter und der Wolf (2015)…等。 Anja GURRES, born in 1994 in Kaiserslautern (Germany), started making short films at the age of 17 in school. She graduated in 2013. She then studied media science in Weimar at the Bauhaus University for one year. Since 2014, she is studying directing for fictional films at the Filmakademie Baden-Württemberg.

Producer Ann-Katrin BOBERG, Aleksandra TODOROVIC Scriptwriter Anja GURRES, Manuel OSTWALD Print Source Anja GURRES

安雅．蓋赫斯 Anja GURRES

不醉不歡 Y 世代 Y

非一般酷兒想像短片集 Queer Shorts

華山２廳｜ 10.14 ( 六 ) SAT 10:20 華山１廳｜ 10.18 ( 三 ) WED 13:30

德國 Germany │ 2017 │劇情片 Fiction │ HDCAM │ Colour │ 24min

蘿拉是典型的「Y 世代」年輕人，自我、富足且具備多樣選擇的人生，反而也讓她失去了目標與想法。迷失的她似乎尋找著自己也摸不著頭緒的東西。某天晚上，蘿拉遇見了從母國逃出的薩菲，兩人的邂逅似乎讓蘿拉有了一些不同的想法。 Laura is a self-confident young woman, a member of the new “Me Generation“, also known as “Generation Y”. Spoilt by life’s abundance of choices, she’s always looking for something, she just doesn’t know what. One night she meets Safi, who has fled her homeland. The encounter gives Laura food for thought.

主修社工的吉娜．溫索，在實習期間開始拍攝與社會議題相關的紀錄片，開啟了對影像的熱愛。 2016 年進入科隆媒體藝術學院（KHM）進修碩士學位。至今已有多部作品產出，其中 Coming Out （2014）更曾於國內外超過 40 個影展中巡迴放映。 Gina WENZEL did internships in theatres in Germany and the UK before she completed her bachelor’s degree in social work in 2012. Since 2016, she has studied Media and Fine Art Studies at the Academy of Media Arts Cologne. Her short film Coming Out was screened at over 40 short film festivals. Cinematographer Andreas WIECHERS Director Assistant Katinka DINAND Music Bukahara Print Source Gina WENZEL

哈娃離家那麼遠 Home

非一般酷兒想像短片集 Queer Shorts

吉娜．溫索 Gina WENZEL

華山２廳｜ 10.14 ( 六 ) SAT 10:20 華山１廳｜ 10.18 ( 三 ) WED 13:30

科索沃 Kosovo │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 24min

根據傳統，只有男性能繼承家族財產，女人婚後則須入住丈夫家中。當哈娃的兄弟們決定分配財產時，哈娃連站在遠處觀看的權利都沒有。家族長男另一項重要任務，則是幫哈娃找到老公，哈娃能如大哥所願找到未來的歸屬嗎？ Hava’s brothers decide to divide their paternal property. According to traditional customs, the right to inheritance belongs to male descendants only, whereas Hava has no right to inherit. The eldest brother is obligated to find a husband for his sister. 2016 Raindance 英國雨舞影展

來自科索沃，作品屢次於國際影展獲獎。主題常圍繞當今社會議題，並帶出女性在社會上所遇到的困境與挑戰。藉由影像發聲，也實際參與科索沃女權行動。 More RAÇA is a Kosovar writer and director of short and documentary films, who focuses on social-economic issues facing women. Apart from her profession, she is actively engaged in the promotion and protection of women rights in Kosovo.

Cinematographer Latif HASOLLI Editor Don RAÇA Music Florent BOSHNJAKU Producer Sunaj RACA Sound Designer Oktaj RAÇA Print Source More RAÇA

摩爾．羅莎 More RAÇA

關於身體自主、情慾解放、女性書寫、多元性別、父權壓迫、自我賦能的故事，從未在女性影展缺席，因為這些遠比想像複雜的故事，持續在世界上各個角落發生。性別、身分與認同多重交織了種族、階級、國族、性／性相等結構，也與家庭、年齡、職業等場域的權力關係直接相關，故事的異質多音帶來不同的視野，除了意識並反抗性別壓迫之外，也反思只見性別而無視其他的偏狹。

華山１廳｜ 10.15 ( 日 ) SUN 14:40 ★ 華山１廳｜ 10.17 ( 二 ) TUE 19:00 ★ 華山１廳｜ 10.21 ( 六 ) SAT 14:10

女兵的中場戰事 The Stopover 2017 德國多特蒙德 / 科隆女性影展競賽首獎 2016 坎城影展「一種注目」最佳劇本獎

法國 France / 希臘 Greece │ 2016 │劇情片 Fiction │ DCP │ Colour │ 102min 每個人都從自己的角度解讀真相，然而真相卻難以捉摸。為了收入、自由以及與男性同等的機會，奧羅爾和瑪麗恩加入了軍隊。阿富汗軍事任務結束之際，兩位年輕女孩參加了為期三天的「減壓計畫」，由心理學家設計，目的在於讓士兵們忘卻創傷。然而，戰爭與暴力的夢靨難以抹滅，就算被迫看見或被迫遺忘，卻越來越難承受戰爭真相以及減壓過程中的遭遇。本片批判戰爭、種族與性別暴力，以及法國參加反恐戰爭對人民造成的傷害；五星級的飯店假期與和煦陽光，隨著角色歷程及氛圍的轉變，逐漸走向黑暗與未知。本片由法國話題女歌手 SOKO，以及威尼斯影后阿麗安．拉蓓領銜主演。 Everyone sees things from their own perspective, yet it’s just a partial view of reality. After duty in Afghanistan, soldiers Aurore and Marine are given three days of “decompression program” for PTSD in Cyprus. As our characters get closer to the truth of what happened back in the war, and as they suffer during the program, it becomes increasingly difficult for them to see things clearly.

導演姊妹共同執導本片且榮獲坎城最佳劇本獎。莫瑞參與多部法國影片的攝影，如奇士勞斯基的紅藍白系列；道芬身兼小說家，本片即改編自其同名小說作品。 Delphine and Muriel COULIN are French sisters who form a directing duo. Muriel COULIN began her career as cinematographer and camera assistant in the 1990s, working on films such as the Three Colors trilogy. Delphine is also a novelist. The Stopover is an adaptation of her novel.

Cinematographer Jean-Louis VIALARD Editor Laurence BRIAUD Producer Denis FREYD Production Aude CATHELIN Sound Nicolas BECKER Print Source Films Distribution

道芬．柯林和莫瑞．柯林 Delphine and Muriel COULIN

There's Always a Woman 女人 94 正典 Over 24 years, films about self-empowerment, body policy, sexual liberation, queerness, and patriarchal oppression have never been absent at WMWFF. It’s undeniable that these stories happen all the time around the world, are infused with issues of race, class, family, workspace power relationships etc., and present an array of wide-ranging subject matters. The heterogeneity also suggests that many voices come together as one powerful voice against sexual oppression, while it also provides us with opportunities to reflect on the insular view of sex and sexuality issues.

布卡下的唇唇慾動

華山１廳｜ 10.18 ( 三 ) WED 21:10 華山１廳｜ 10.21 ( 六 ) SAT 18:50

Lipstick Under My Burkha 2017 法國女性影展觀眾票選獎、2016 孟買電影節最佳性別平等電影、2016 東京國際電影節

印度 India │ 2016 │劇情片 Fiction │ DCP │ Colour │ 116min 居住在印度鄉下相同社區、不同世代、分屬穆斯林與印度教的四個女人，分別因為不同原因逸出生命常軌。想脫下布卡擁抱性感的流行天后；在媒妁之言的新婚前夕，仍與情人暗通款曲急欲出走的選美皇后；獨立撫養三個孩子，受到丈夫壓迫，透過經營銷售努力建立一番天地的家庭主婦；還有五十五歲的守寡阿嬤因電話戀愛，重新找回性的歡愉能量！儘管保守父權的控制無所不在，但她們無懼於觸犯常規，哪怕只有一點點自由她們都要奮力追求！本片由多名印度影壇一線女星主演，並在三十多個國際影展放映屢獲殊榮，卻一度被印度中央電影審核委員會以女性傾向過強、涉及色情及粗俗語言、敏感觸及特定群體等理由禁演，至六月才終於在導演的極力抗爭下取得映演資格。 In rural India, a burkha-clad college girl struggles with issues of cultural identity and her aspirations to become a pop singer; a young two-timing Beauty queen seeks to escape the claustrophobia of her small town; an oppressed housewife and also a mother of three kids lives an alternative life as an enterprising saleswoman; a 55-year-old widow rediscovers her sexuality through a phone romance. Caught in a conservative society, these women set forth to break the mold, in search of a little freedom. 居住於孟買，致力於敘說女性故事的劇情片導演及編劇，喜歡在作品中發掘女性的內心世界。本片是她的第二部長片。 Alankrita SHRIVASTAVA is a feature film director and screenwriter from Mumbai, India with a penchant for telling women’s stories. She likes to explore the complex interior world of women through her films. Alankrita has written and directed two feature films - Turning 30 (2011) and Lipstick Under My Burkha. Cinematographer Akshay SINGH Editor Charu Shree ROY Music Zebunnisa BANGASH, Mangesh DHAKDE Producer Prakash JHA Production Design Vikram SINGH Print Source M-Appeal World Sales

阿蘭克里塔．施里瓦斯塔瓦 Alankrita SHRIVASTAVA

卵巢瘋上路

華山１廳｜ 10.15 ( 日 ) SUN 10:30 ☆ 華山２廳｜ 10.20 ( 五 ) FRI 13:30

Ovarian Psycos 2016 SXSW 西南偏南電影節、2016 Hot Docs 加拿大國際紀錄片電影節、2016 Frameline 舊金山同志影展

美國 USA │ 2016 │紀錄片 Documentary │ Blu-ray │ Colour │ 72min 在治安敗壞的東洛杉磯，一群拉丁裔女人豪不客氣地以「卵巢大到我們不需要睪丸」為口號，組成「卵巢狂女幫」，在危機四伏的夜裡騎上腳踏車，透過奪回夜行權，拒絕父權對女性身體的禁錮，以行動取代沈默，反制父權對女性身上劃下的暴力印記。透過車隊組織，她們也積極實踐女性情誼的政治意義，不只並肩抵抗種族與父權所帶來的雙重壓迫，更互相扶持給予彼此力量。以薩帕塔左翼運動、拉丁裔移民民權運動、奇哥娜女性主義、女權龐克「暴女」、游擊龐克等反抗文化的符碼與精神，開出不同於中產白人女性主義者的實踐之路。透過記錄三個主要人物，我們看到個人生命與公共議題如何緊密交織，改變社會或許才是療癒創傷最好的解方。 Riding at night through streets deemed dangerous in Eastside Los Angeles, the Ovarian Psycos use their bicycles to confront the violence in their lives. The film intimately chronicles Xela as she struggles to strike a balance between her activism and nine year old daughter Yoli; street artist Andi who is estranged from her family and journeys to become a leader within the crew; and bright eyed recruit Evie, who despite poverty, and the concerns of her mother, discovers a newfound confidence.

喬安娜．蘇科洛斯基，獨立紀錄片工作者暨製作人。2013 年與凱特．川卜拉維創立 Sylvia Frances Films。 Joanna SOKOLOWSKI is an independent documentary filmmaker. She founded Sylvia Frances Films with her filmmaking partner Kate TRUMBULL-LAVALLE in 2013. 凱特．川卜拉維，獨立紀錄片導演，自社會公義媒體領域以教育者和節目企劃起家。2013 年與喬安娜．蘇科洛斯基創立 Sylvia Frances Films。 Kate TRUMBULL-LAVALLE is an independent documentary filmmaker who first began in the field of social justice media as an educator and a program coordinator for the Media Arts Center San Diego. She cofounded Sylvia Frances Films with Joanna SOKOLOWSKI in 2013.

Cinematographer Michael RAINES Editor Victoria CHALK Music Jimmy LAVALLE Producer Joanna SOKOLOWSKI, Kate TRUMBULL-LAVALLE Print Source Women Make Movies

喬安娜．蘇科洛斯基 Joanna SOKOLOWSKI

凱特．川卜拉維 Kate TRUMBULL-LAVALLE

被竊取的故事

華山１廳｜ 10.15 ( 日 ) SUN 19:50 ☆ 華山１廳｜ 10.20 ( 日 ) SUN 13:00

The Girl in the Book 2016 韓國首爾女性影展、2015 洛杉磯國際影展

美國 USA │ 2015 │劇情片 Fiction │ DCP │ Colour │ 88min 有著寫作企圖的艾莉絲在競爭激烈的紐約出版業擔任新手編輯，接手了最佳暢銷小說復刻版工作，但享譽盛名的作者卻是她最不想見到的人，因為書裡寫的即是她青春期時期一場不知如何回首的性啟蒙。當年，身為書商大亨父親好友的他，有著令人著迷的翩翩風采，在他的引領下，她感受著寫作與曖昧所帶來的愉悅感受，但當慾望超越了份際，卻令她的世界瞬間崩塌。小說與真實的界線曖昧模糊，作家筆下的人物，截然不同於她對過去的認知，而她決定直面相對，重新理解自己的經歷，並且毫不畏懼地以深愛的寫作自我和解。 Alice Harvey, a junior book editor, is unexpectedly asked to manage the re-release of a bestselling novel based on incidents in her own life. The novel’s author re-enters her life and opens a door to painful memories from the past. Alternating between past and present, Alice starts to find her own voice, trust herself once again and reengage with life and love, becoming the writer she always longs to be.

電影導演暨舞台劇導演，畢業於紐約大學電影電視學院藝術碩士。曾執導短片作品 Developing (1994) ，由娜塔莉波曼和老牌演員法蘭西斯康羅伊主演，有多次獲獎紀錄。 Marya COHN is the award winning writer/director of The Girl in the Book. Her short film, Developing, won grand prizes at the Belgian Festival Mondial du Cinéma de Court Métrage and the Message to Man Film Festival in St. Petersburg. She has also directed plays at theaters.

Cinematographer Trevor FORREST Editor Jessica BRUNETTO Producer Gina RESNICK Print Source Myriad Pictures

瑪雅．孔恩 Marya COHN

不玩美女人

華山２廳｜ 10.14 ( 六 ) SAT 19:00 ☆▲ 華山２廳｜ 10.16 ( 一 ) MON 13:20 ▲

Ladies

法國 France / 比利時 Belgium │ 2017 │劇情片 Fiction │ DCP │ Colour │ 98min 抗癌成功的露西過得並不好，乳癌的經歷讓她失去尊嚴，不知道這樣活下來的自己還有誰願意在乎。一位活潑外向的舞蹈老師說服露西參加他專為乳癌患者開立的舞蹈課程，這個課程的成果發表必須公開展現自己的裸體。這個驚奇的挑戰，卻帶領著她逐步走出傷痛，重新坦然面對自己及身旁的人。挑戰世俗對女性之美的標準，讓女人用更正面的眼光看待身體，獲得自信與美麗的勵志小品。 Lucie is in remission and her illness is almost a distant memory. Her family pushes her to live life to the fullest, and in doing so Lucie meets the charming and arrogant Clovis, who is immediately beguiled by her wit and humor. It is Dalila, however, an eccentric and delightful dance teacher, who inspires Lucie to rebuild her life and to grow into the woman she always wanted to be.

法國導演、編劇、服裝造型師。具豐富電影服裝設計經驗，曾於電視劇擔任服裝總設計師。2017 執導首部劇情長片《不玩美女人》，由知名脫口秀諧星弗洛倫斯．佛雷斯蒂以及拿下第 48 屆坎城影展最佳導演的實力派導演編劇兼演員馬修．卡索維茲擔當演出。 Anne-Gaëlle DAVAL is a French director, screenwriter and costumer. She was the chief costume designer of the television series Kaamelott (2004) and several short films including Dies iræ (2003), Panorama (2005). Ladies (2017) is her debut feature film, featuring Florence Foresti, a successful stand-up comedian and Mathieu Kassovitz, who is most famous for his role in Amélie (2001) and won Best Director at the 48th Cannes Film Festival for his directorial piece La Haine. Editor Frédéric BAILLEHAICHE Music Philippe GUKLBERT Producer Maxime DELAUNEY, Romain ROUSSEAU Screenplay Anne-Gaëlle DAVAL Print Source 佳映娛樂

安內．達瓦爾 Anne-Gaëlle DAVAL

最喧囂的沈默

女人 94 正典短片集 There's Always a Woman Shorts

華山２廳｜ 10.16 ( 一 ) MON 11:10 華山１廳｜ 10.19 ( 四 ) THU 11:00

The Loudest Silence 巴西 Brazil │ 2016 │實驗紀錄片 Experimental Documentary │ HDCAM │ Colour │ 15min

每四位女人中就有一名遭性侵的經驗，且多是被信任的人所傷害。本片觸及「約會強暴」，女性常因罪惡感將傷害合理化，選擇噤聲。導演刻意選擇一個廢棄場所來呈現疏離效果，本片採劇場表演形式，表演時用「她」或「我」切換人稱，讓觀者認同並省思自身。 One in four women are raped in their lifetime, often by men they trust. Guilt and naturalization of violence silences and blinds them. This is a film-essay about four women. They share their painful date-rape stories and reflect upon what it means to be a woman in this world.

聽／說故事是瑪賽拉生命中的摯愛。一直以來深受影像啟發，於青少年時期瘋狂愛上電影和拍電影，20 歲編導第一部短片後，從此無法（也不願意）停止創作。 Storytelling has always been Marccela MORENO’s passion. She grew up amongst travellers and collectors of art. Images were always there to inspire, and so they became part of her life and storytelling. At 20, she wrote and directed her first short and hasn’t stopped ever since.

Art Direction Camille GIROUARD, Duda MONTEIRO Cinematographer Marina MOULIN, Marina NUNES Editor Marccela MORENO, Helio CHROCKATT Producer Jessica MENEZES Sound Marta LOPES, Lucas C RAIOL Print Source Marccela MORENO

陰性書寫 : 印度之旅

女人 94 正典短片集 There's Always a Woman Shorts

瑪賽拉．莫瑞諾 Marccela MORENO

華山２廳｜ 10.16 ( 一 ) MON 11:10 華山１廳｜ 10.19 ( 四 ) THU 11:00

In Her Words: The Journey of India Women 印度 India │ 2015 │紀錄片 Documentary │ HDCAM │ Colour │ 46min

本片藉由訪談回顧印度女性文學史，並談及其歷史進程的定位，與其對於父權社會發出的反叛之聲。女性的家務重擔、生活禁錮及壓迫困境依舊，但來自各階層與不同型態的女性作家逐漸嶄露頭角，過去無法進入「正典」的文本，如漫畫和繪本等紛紛出籠。改變很慢，但正在發生。

2016 孟買國際電影節

The Film traces the historical and social journeys of Indian women as revealed through the literature they created in every era. The story of how women lived and their march towards freedom and self-definition was never officially documented. The film traces these changes through the translators, publishers, historians, contemporary writers and readers who are pushing towards a more gender equal society.

安妮•紮迪的作品亦包含許多文類，如新聞報導、詩歌、小說、戲劇，她的小說和戲劇作品曾被提名角逐諸多國際獎項；多年來，她也替許多知名雜誌撰文。 Annie ZAIDI writes across various genres-journalism, poetry, fiction and play. Her books were shortlisted for the Crossword Book Awards, and her play So Many Socks was for the META Awards. She has written for a range of newspapers and magazines including Mid-Day, Frontline, Tehelka, Caravan, Mint, Elle, Femina, DNA, Forbes.

Producer Rajiv MEHROTRA Print Source Public Service Broadcasting Trust

安妮．紮迪 Annie ZAIDI

果凍摔角女人 ONLY

女人 94 正典短片集 There's Always a Woman Shorts

華山２廳｜ 10.16 ( 一 ) MON 11:10 華山１廳｜ 10.19 ( 四 ) THU 11:00

Jello Underground 美國 USA │ 2016 │紀錄片 Documentary │ HDCAM │ Colour │ 10min

果凍地下社會創立於 2009 年西雅圖。從幕後策劃到摔角選手都由女生們一手包辦，更在當地培養出死忠粉絲，一反近年常被砲轟的比基尼果凍摔角樣態，將主導權交還給女性，本片將帶領我們一窺究竟！大門已開啟，儘管出招吧！ Chronicling a Seattle-based event that was founded in 2009 and continues to thrive with a dedicated fan base. Jello Underground is the only femaleproduced jello wrestling show in the world, and the film is going to lead us to have an intimate look behind-the-scenes, so bring it on! 2016 摩洛哥得土安電影學院影展最佳劇情短片葛雷西出生於西雅圖，投身於藝術創作及社會工作，本片為其首部短片作品。 Gracie GARNET is an American artist and social worker born in Seattle, Washington. Jello Underground is her first short film.

Cinematographer Tommy TANG Producer Gregory BAXLEY Print Source Gregory BAXLEY

奧屍路

女人 94 正典短片集 There's Always a Woman Shorts

葛雷西．加尼特 Gracie GARNET

華山２廳｜ 10.16 ( 一 ) MON 11:10 華山１廳｜ 10.19 ( 四 ) THU 11:00

Oslo Traffic 挪威 Norway │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 25min

琳達見義勇為拯救的妓女，是位保護五歲女兒而被迫從事性交易的羅馬尼亞媽媽，爭吵過程中撞死了買春男子的兩人該如何脫困？導演以動作驚悚片處理令人想起《末路狂花》，片中呈現女性的多重身分，以及全球化脈絡下性販賣（sex trafficking）的複雜議題。 A Norwegian woman and a Romanian woman who is a victim of sex trafficking are facing a troublesome night after accidentally killing a man who paid for sex. 2016 摩洛哥得土安電影學院影展最佳劇情短片

2016 畢業於挪威電影學院導演組。對於權力、身分認同和性別主題有興趣，作品曾於北歐、歐洲、非洲、美國放映。目前在挪威國家電影人才計畫中籌備第一部劇情長片。 Johanna PYYKKÖ has studied filmmaking and screenwriting in Sweden and she has a bachelor’s degree in film directing from The Norwegian Film School. She is interested in subjects related to power, identity and sexuality. She is in the national talent program Film Lab Norway with her first feature film project.

Cinematographer August Fabritius SANENGEN Editor Thomas Ersgård HASSELSTRØM Music Paolo NOBIS-SANDÉN Producer Dag André KOTENG Scriptwriter Marta Huglen REVHEIM Print Source Johanna PYYKKÖ

喬漢娜．皮柯 Johanna PYYKKÖ

以潛在的私密情感與細膩感知出發，召喚純粹形式來對應，加以形塑成一複雜的影像原型。帶著尋覓新銳導演的深刻期待，亦不斷往台灣觀眾較不常見到的國家電影深入探索，也希望能將新型態的電影手法和實驗性質濃厚的形式美學網羅進來。囊括了來自喬治亞、波蘭、俄羅斯聯邦等新銳作品，希冀在影像創新上帶來強力的無懈撞擊，讓我們在這個時代還能享受重新思考電影的可能性。

華山１＋２廳｜ 10.15 ( 日 ) SUN 17:30 華山１廳｜ 10.22 ( 日 ) SUN 12:30

屋中魅影 House of Others

2016 亞太電影大獎最佳攝影提名、2016 亞洲影評人聯盟最佳亞洲電影獎 2016 卡羅維瓦利國際影展「西方之東」競賽單元最佳影片

喬治亞 Georgia / 俄羅斯聯邦 Russia Federation / 西班牙 Spain / 克羅埃西亞 Croatia │ 2016 │劇情片 Fiction │ DCP │ Colour │ 103min 1990 年代早期，蘇聯解體，喬治亞和阿布哈茲因獨立問題而掀起戰爭。戰後，里歐一家人被分配到敵區的鄉間房舍，並開始了新生活，但戰爭的回憶和恐懼，卻仍在過往敵人的屋宅中迴盪著。戰後，移居他鄉令里歐的父親陷入失根的不安與恐懼，里歐的母親則務實而努力地重新開始；每個人處理創傷的方式迥異，親人之間彷彿都斷了弦似地，失去了緊密的連結。片中每個鏡頭都像畫作，攝影機以 360 度旋轉或緩慢推進：絕美的景色與緩慢的節奏，雨中氤氳猶如安德烈•塔可夫斯基的影像；幽暗的燈光與構圖的明暗，則令人想起荷蘭畫家林布蘭。 A cruel and devastating civil war between Abkhazia and Georgia has immersed the post-Soviet region in conflict. Those on the winning side look for a fresh start and relocate to the rural countryside, where they are assigned to houses previously occupied by the enemy. Living in a house of others, memories linger everywhere, a constant reminder of the horrors experienced by its past owners. They seek peace, but it seems unreachable amidst the war that continues to rage within them. 蘇聯解體後曾於國家電視台工作；2007 年時任製片和藝術指導。本片為「波羅的海串連東西方」十部歐洲拍攝計畫之一，入圍盧卡諾影展 Open Doors 計畫且獲賽拉耶佛影展補助。 Rusudan GLURJIDZE has worked in advertising and with Georgian national TV. Her directorial feature debut House of Others was among the projects chosen by B'EST (The Baltic Bridge East by West), was on the final list at Open Doors Locarno IFF 2013, and won an award at CineLink Sarajevo IFF.

Assistant director Alexander GLURJIDZE Editor Grigol PALAVANDISHVILI, Dmitri CHISTYAKOV, Levan KOUKHASHVILI Music Dusan MAXIMOVSKI, Alexei VOROBIEV Scriptwriter Rusudan GLURJIDZE, David CHUBINISHVILI Sound Dario DOMITROVIC Print Source Tato Film

露蘇丹．格魯吉澤 Rusudan GLURJIDZE

A Perfect Shot 電影既視無懈形式 With the fervent expectation of finding new female talents and the excitement of witnessing novel aesthetics, WMWFF painstakingly explored new cinema from realms rather unfamiliar to the Taiwanese audience. The result includes amazing debut films from Georgia, Poland and Russia, along with an Iranian film adapted from its director’s own novel. Get ready to embrace the impact of cinematic experimentation, and to enjoy the rethinking of contemporary cinema!

消失人口 Śledztwo the Inquest

華山１廳｜ 10.14 ( 六 ) SAT 17:10 ★ 華山１廳｜ 10.16 ( 一 ) MON 19:00 ★ 華山１廳｜ 10.21 ( 六 ) SAT 10:20

2016 鹿特丹影展未來之光單元

波蘭 Poland │ 2016 │實驗片 Experimental │ DCP │ B&W │ 19min 本片受波蘭作家史坦尼斯勞．萊姆的超現實短篇小說《調查》所啟發，以真人定格動畫的手法，描繪私家偵探尋找失蹤家人的奇誕故事。當偵探來到小鎮，準備開始調查工作，才發現小鎮裡許多人都神秘失蹤…。 Inspired by the Polish writer Stanislaw Lem’s short surrealistic fiction The Investigation (1959). The film is about a private detective who comes to town to solve the mysterious case of missing townspeople. He meets strangers on his way. Will he face the danger and discover the truth?

波蘭人，曾出版詩集與小說，致力於創作舞台劇、短片及錄像作品。 Ena KIELSKA published two poetry books (Witam państwa w mojej audycji gotyk i seks, 2008 and Weź napisz o mnie wiersz, 2011) and a narrative story (Pamiętnik Wendy, 2012). She also directed the monodrama Wendy’s Diary, as well as short films and video arts.

Producer Ena KIELSKA, Anna66 ANDRZEJEWSKA Print Source Ena KIELSKA

艾娜．凱爾斯卡 Ena KIELSKA

我是世上的一抹曙光 I Am Truly a Drop of Sun on Earth

華山１廳｜ 10.14 ( 六 ) SAT 17:10 ★ 華山１廳｜ 10.16 ( 一 ) MON 19:00 ★ 華山１廳｜ 10.21 ( 六 ) SAT 10:20

2017 德國多特蒙德 / 科隆女性影展、2017 荷蘭鹿特丹影展最佳處女作提名

瑞士 Switzerland │ 2017 │劇情片 Fiction │ DCP │ B&W │ 61min 身處雄性當道的社會，女人只是被拿來洩憤，然後隨手丟棄的用品。天色未明，美麗少話的四月再次因賣淫被捕，即便遭到釋放，喬治亞首都的太陽並未因而升起。當四月遇上非裔青年迪杰，人們眼中的「骯髒女人」與「黑鬼」，兩個失落又孤單的靈魂，該如何在看不見陽光的城市角落裡努力存活與共處？片名源於後殖民作家法蘭茲．法農的作品：「我膚色黑不是詛咒，而是我能捕捉整個宇宙的塵埃」。片名及電影主旨象徵主角內心的抑鬱、對於種族和性別歧視的不平，以及底層社會掙扎求生的無奈。受義大利新寫實主義影響，黑白攝影基調及極簡主義風格，詩意呈現幽靈城市裡不見天日的日常。一如費里尼對於悲劇性人物的呈現，本片加入詼諧幽默的處理，創造期望與現實的對比反差。 The sun has not quite risen when April is released after having spent another night in jail for prostitution. She meets Dijé, a Nigerian man who mistakenly ended up in Georgia. How will the two lonely souls encounter and survive in a ghostly city? The film title, adapted from postcolonial writer Frantz Fanon, represents the oppressed, their resistance to injustice, and their daily fight to survive. Shot in b&w, the film is influenced by the Italian Neorealists and Federico Fellini. 1985 年出生於喬治亞共和國首都提比里斯，定居瑞士。畢業於日內瓦藝術與設計大學電影所，研讀整合媒體策畫與評論系，本片為首部劇情長片。 Elene NAVERIANI was born in 1985 in Tbilisi, Georgia. She received her BA in Visual Arts from State Academy of Art, Tbilisi. She had worked with art collective LOTT for 5 years, then took her master’s in Critical Curatorial Cybermedia at Haute Ecole d’Art et de Design, Genève in 2014. Art Director Tako ELIZARASHVILI Cinematographer Agnes PAKODZI Editor Gabriel GONZALEZ Producer Britta RINDELAUB Print Source Film Republic

埃琳娜．奈法薇妮 Elene NAVERIANI

卡爾梅克的海鷗

Closing Film 閉幕片

華山１廳｜ 10.22 ( 日 ) SUN 20:10 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 19:30

The Gulls 2015 柏林影展最佳處女作提名

Cinematographer Aleksandr KUZNETSOV Editor Sergey IVANOV Producer Elena GLIKMAN, Yaroslav ZHIVOV Production Design Denis BAUER Print Source ANT!PODE Sales & Distribution

艾拉．曼芝華 Ella MANZHEEVA

亂髮少女的日記 Breath

華山２廳｜ 10.14 ( 六 ) SAT 12:10 華山２廳｜ 10.17 ( 二 ) TUE 13:30 華山２廳｜ 10.19 ( 四 ) THU 21:00

2017 溫哥華女性影展最佳導演獎、2016 愛沙尼亞塔林黑夜電影節最佳導演獎 2016 亞太電影大獎最佳兒童電影提名

伊朗 Iran │ 2016 │劇情片 Fiction │ DCP │ Colour │ 110min 愛做白日夢的小女孩巴哈爾有著一頭亂髮，常常一頭栽進書中世界，急著想把知識裝進小腦袋瓜裡，用自己的方式擁抱這世界的她，經常把身邊的現實、自己的幻想和書中的故事全混在一起。本片時空背景設於 1970 年代末的伊朗，女孩的童年剛好和兩個重大歷史事件重疊─伊朗伊斯蘭革命和兩伊戰爭，這些彷彿只存在於大人的世界，革命和戰爭所帶來的動盪卻從未隱形。本片改編導演的小說創作，由女孩的敘事視角出發，結合動畫的童趣方式，反諷及控訴戰爭的殘忍。 Breath is about the daily life of a daydreaming little girl, Bahar, and her persistent efforts to discover the world with all its sweetness and bitterness. Bahar loves to read, it enables her to tolerate the hardships of life. In her imagination, the folk stories blend with real events. Even though the two pivotal events in Iran’s history, the war and the revolution, are marginal in Bahar’s imaginative world, the war forces its reality into Bahar’s unruly imagination.

娜吉絲為伊朗著名作家，出版過三十部為不同年齡層讀者撰寫的短篇故事及小說。2005 年開始投身影像創作，《亂髮少女的日記》於愛沙尼亞塔林黑夜電影節首映，並獲得最佳導演獎。 Narges ABYAR was born in Tehran in 1972. As an established writer, she has already published 30 stories and novels for children, young adults, and adults. She started making films in 2005. Her most recent film Breath premiered at Tallinn’s Black Nights Film Festival and received the Best Director Award. Animators Hossein Jamshidi GOHARI, Amin HAGHSHENAS Cinematographer Saed NIKZAT Editor Sajad PAHLEVANZADEN Producer Mohammad-Hossein GHASSEMI, Abouzar POURMOHAMMADI Scriptwriter Narges ABYAR Sound Abas RASTEGARPOUR, Arash GHASSEMI Print Source Iranian Independents

娜吉絲．艾卜亞爾 Narges ABYAR

「斷捨離」堪稱人生最難課題之一。同樣的，要在短短的幾十分鐘內把一個故事說得簡潔有力又要說好說滿，絕非易事，這也正是短片的魅力之處──像是一場恰到好處的高潮，讓人心滿意足卻又意猶未盡；又像一記又快又直的刺拳，輕巧迅速卻又力道十足。而要在一部短片的時間內，不但把故事說得動聽，還進一步帶出值得探討的社會議題，那又是比高潮和刺拳更加過癮的事了。現在妳知道短短迷妳群的「絕對領域」何以那麼吸引人了。

非「法」女孩

短短迷妳群合輯 Shorts

華山２廳｜ 10.14 ( 六 ) SAT 14:30 華山１廳｜ 10.18 ( 三 ) WED 15:30

French 2017 紐約兒童影展評審團大獎、2016 棕櫚泉國際電影節 HP Bridging the Borders 獎

法國 France │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 22min 十七歲的喀麥隆少女塞納，熱衷於法國歷史，因為法國是她成長並深愛之處。塞納即將拿到高中文憑，擁有許多法國朋友的她，一心一意只想拿到法國國籍。然而，面對父親的強烈質疑與反對，傷心與憤怒之餘，塞納能做出什麼樣的決定？ At seventeen Seyna, a teenager from Cameroon, is passionate about the history of France, the country where she was born. Her diploma in hand, and approaching adulthood, Seyna aspires to only one thing: to acquire French nationality. However, her father Amidou is fiercely opposed to it.

喬薩是多本雜誌的專欄記者。2008 年時執導了第一部紀錄片 Cameroon Massage，不僅在電視上播出，也橫掃眾多國際影展。本片是她首部劇情短片。 Josza ANJEMBE is a journalist working for various magazines. In 2008 she directed her first documentary Cameroon Massage, which was broadcasted on TV and screened on different festivals, followed by two others. French is her first short film.

Cinematographer Noé BACH Editor Clémence DIARD Music Jan VYSOCKY Producer Nelson GHRÉNASSIA Production Design Juliette BIGOTEAU Print Source Yukunkun Productions

喬薩．安潔比 Josza ANJEMBE

Shorts 短短迷妳群 It’s extremely hard to tell a story in a nice and sexy way, and that’s how the charm comes in. A perfect climax that makes one longing for more, a fast jab that scores a point in no time; that is exactly the magic of telling compelling and thought-provoking stories. Welcome to the mesmerizing garden maze of short films!

賞鳥小艷遇

短短迷妳群合輯 Shorts

Some Birds Aren't Meant to Be Caged

華山２廳｜ 10.14 ( 六 ) SAT 14:30 華山１廳｜ 10.18 ( 三 ) WED 15:30

西班牙 Spain │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 15min

馬努爾和艾黛拉是一對來自馬德里的醫師夫妻，趁著參加研討會之便，兩人抽空到濕地賞鳥，巧遇了一位森林保護員，三人間出現有趣的張力。導演運用有趣的雙關語，突顯艾黛拉與森林保護員兩人間的默契，更插入一個夢幻寫實片段，呈現艾黛拉想要逃離婚姻／飛翔的欲望。巧妙的鏡位安排，突顯出艾黛拉的兩難。 Manuel and Adela are not going through the best stage of their marriage. During a trip to Las Cañas lake they meet Santi, a young bird spotter.

加泰隆尼亞影音學院電影製作碩士，馬德里雷頓實踐室戲劇研究，其所拍攝的七部短片和數個錄影藝術作品，曾在西班牙、各國際影展、藝術中心和文化機構展出。 Andrea JAURRIETA holds a master’s in filmmaking. She graduated in Drama Studies from the William Layton Lab, Madrid. She has just directed her first feature film Ana de día. Previously, she has directed short films and video art projects that have been exhibited at festivals, art centers and cultural institutions internationally.

安德烈婭．豪列塔 Andrea JAURRIETA

Producer Ivan LUIS Scriptwriter Andrea JAURRIETA Print Source Banatu Filmak

悸動 Close

短短迷妳群合輯 Shorts

華山２廳｜ 10.14 ( 六 ) SAT 14:30 華山１廳｜ 10.18 ( 三 ) WED 15:30

德國 Germany │ 2016 │劇情片 Fiction │ HDCAM │ B&W │ 14min

強納斯在舞蹈排練時，被要求得要親吻他暗戀的舞伴米拉。排練過程中，強納斯忙著掩飾心中不安，殊不知米拉也有著和他同樣的心情。節奏精簡明快，搭配舞者間的互動，主角間的曖昧緊張也在其中流竄，牽引著觀者。 During a dance rehearsal, Jonas receives the instruction to kiss his dance partner - his secret crush Mira. He is so busy hiding his insecurities that he doesn’t even notice how similarly Mira experiences the situation. 2017 慕尼黑國際影展 2017 德勒斯登國際短片影展

來自德國慕尼黑，曾在影視公司負責劇本發展與創意製作。2015 年進入慕尼黑影視學院（HFF M nchen）主攻導演，2016 年以自創劇本 Love Coach 獲得德國媒體（Prosieben Sat.1）主流獎項第三名。 Lisa REICH has worked in script development and creative producing of serial concepts and feature films. Since 2015 REICH has studied directing at HFF München. In 2016, her script Love Coach (co-author Josef Zeller) was placed third at the Prosieben Sat.1 Mainstream Award. Assistant Director Josef ZELLER Cinematographer Felix RIEDELSHEIMER Choreographer Daphna HORENCZYK Producer Emilia MÖBUS Scriptwriter Maya DUFTSCHMID, Josef ZELLER, Lisa REICH Print Source Lisa REICH

麗莎．萊許 Lisa REICH

女巫

短短迷妳群合輯 Shorts

Witches

華山２廳｜ 10.14 ( 六 ) SAT 14:30 華山１廳｜ 10.18 ( 三 ) WED 15:30

義大利 Italy │ 2015 │劇情片 Fiction │ HDCAM │ Colour │ 10min

女巫，是被汙名與唾棄的世紀罪人。獵奇、惡毒、迷信和恐懼成為世人面對巫術的字眼，女巫們最終發現，真實的自己，必須由別人決定。豔陽高照，橄欖樹下玩耍的五個孩子看見提著籃子的女巫經過，好奇心驅使而決心窺探女巫籃子裡的秘密…本片藉由義大利南方，鄉下古老的兒時記憶，刻劃那群被邊緣化及被遺棄的女巫的故事。 In fields of olive trees, five playing children see a witch carrying a package in her basket. Curiosity, malignity, superstition and fear of the odd become elements of the world of magic. Witches, prisoners of an unwanted myth, found themselves to be something the others had decided them to be.

賽麗娜•波塔為通訊與媒體領域的專家，亦從事電影編導和電影美術。 Serena PORTA (Molfetta, 1992) is an expert in communications and media, director and production designer. 多梅尼科•德切列亞為高等教育學院人文學科的教授，亦從事影像教育及電影編導。

賽麗娜．波塔 Serena PORTA

Domenico DE CEGLIA (Molfetta, 1978) is professor of humanities, media-educator and movie director. He teaches literature and history at “IISS Mons. A. Bello” in Molfetta.

Cinematographer Giordano BALSAMO Producer Domenico de CEGLIA, Serena PORTA Scriptwriter Serena PORTA, Domenico de CEGLIA Print Source Domenico DE CEGLIA

短短迷妳群合輯 Shorts

湖畔的陌生人 Camping with Ada

多梅尼科．德切列亞 Domenico DE CEGLIA 華山２廳｜ 10.14 ( 六 ) SAT 14:30 華山１廳｜ 10.18 ( 三 ) WED 15:30

挪威 Norway │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 15min

來自東歐的艾妲剛抵達挪威，和從事性工作的姑姑住在露營區。在園區裡遇見的挪威女孩，讓艾妲燃起追夢的希望，但殘酷現實卻撲面而來…靈活的手提攝影形式，巧妙的音畫分離手法，讓這部風格化的短片力道強悍，呈現了貧窮女性在面對現實生活時的困境。 Romanian Ada spends the summer working as a prostitute with her aunt at a Norwegian camp site. Her encounter with Henriette, a Norwegian girl, sparks her dream of a better life. Ada tries to push away reality, but as night falls, the two worlds starts colliding. Is her destiny inevitable?

2017 義大利米蘭國際影展 15 分鐘短片類最佳短片評審獎 2016 挪威短片影展最佳傑出攝影作品、挪威電影工作者協會最佳技術獎

2011 年開始投入影像拍攝製作，2013 年參加柏林影展青年導演訓練營。導演以嬉戲式的視覺方格，處理跨越邊界的社會議題，犀利的風格使她成為值得注目的明日之星。 Ina Lerner GREVSTAD is a daring director who works on themes related to trans-border social issues in a playful visual style. In 2013, she participated in Berlinale talent campus. Her edgy style makes her a talent worthy of attention in the years to come. Producer Stine BLICHFELDT Scriptwriter Hjertestart (feature) Hilde Susan JæGTNES Scriptwriter Valkyrien (TV-series) Bjørn EKEBERG Print Source Them Girls Film

伊娜．蕾納．葛瑞佛斯塔 Ina Lerner GREVSTAD

今年的動畫單元在主題、技巧、風格上都極為豐富多元。主題包括各種女性議題：為歷史上的女性重新定位發聲；將日常生活經驗或生命中的焦慮、以幽默而詩意方式呈現。技巧豐富多變，有畫風細緻的電腦動畫、流暢的手繪動畫、數位實驗或拼貼；影像、聲音、節奏的處理極富創意，每部動畫都是一個驚喜！

艾莉絲 2.0

女生愛動畫合輯 Animations

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

Iris 2.0

德國 Germany │ 2015 │實驗動畫 Experimental Animation │ HDCAM │ Colour │ 02min 發想自因失身自殺進而促使羅馬共和國建立—盧克萊西婭（Lucretia）的傳說；本片解構盧克萊西婭的畫像並重新命名，藉此反諷資訊媒體爆炸的現代社會，對於女性身體的操控不減反增。 This experimental video deconstructs a painting by Lucas Cranach the Younger. The name Lucretia goes back to a semi-legendary figure in the history of the Roman Republic. In the digital age and in media society, violence and manipulation are more and more directed against oneself and the own body.

作品跨越不同的媒介與形式，具實驗性且充滿詩意，連結了東西方跨文化理論與哲學的不同面向。 Isabella GRESSER works across media and forms. Her multilayered videos and installations combine video, found-footage, drawings and photographs with text passages from literature, philosophy or poetry. Her experimental poetic work is characterized by an emphasis on research and critical theory, and the linking of diverge culture-theoretical and philosophical aspects.

伊莎貝拉．格雷塞爾 Isabella GRESSER Producer Isabella GRESSER Print Source Isabella GRESSER

Animations 女生愛動畫 The animation works selected for WMWFF this year cover many themes. There are stories about the anxiety of daily life, repositioning of women in aviation history, father-daughter relations, and many more. The techniques applied also vary, they include hand drawings, experimental computer techniques, collages, and mixed media productions. Each director is creative in editing image and sound at one rhythm. Each animation is a surprise!

女生愛動畫合輯 Animations

我的胸罩小革命

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

Munitionnettes 法國 France │ 2016 │動畫 Animation │ HDCAM │ B&W │ 02min 2016 里斯本國際電影節最佳動畫短片獎當炸彈工廠女工們收到丈夫戰死的官方通知，一場微型革命即將引爆。

After receiving an official letter announcing the death of their husbands on the battlefield, female workers of a bomb factory decide to make their own kind of revolution.

甫畢業於法國高等視覺傳媒學院 Supinfocom，《我的胸罩小革命》為首部導演作品。 Born and raised on island La Réunion, Lara COCHETEL just finished her studies at Supinfocom, France. Munitionnettes is the first film she directed and made completely by herself.

拉哈．柯希泰爾 Lara COCHETEL

Producer Lara COCHETEL Print Source Lara COCHETEL

女生愛動畫合輯 Animations

焦慮不安胸悶心悸手抖 Panic Attack!

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

美國 USA │ 2016 │動畫 Animation │ HDCAM │ Colour │ 04min 2016 棕櫚泉國際電影節、2016 Raindance 英國雨舞影展從動彈不得的車陣中想起是否忘記關咖啡壺，到無疾而終的戀情，一路直達人生的大哉問。手繪動畫流暢變形為種種形象，極富創意的聲音處理，導演表示這些台詞是在她腦海中不斷重複出現的焦慮，最後將其以重疊的方式處理。

You know the nagging thoughts that start with "did I leave the coffee on?" and turn into "what if I give birth to Satan's baby?" This hand-drawn animation explores the anxiety, the experience in obsession, and one woman’s slippery hold on reality. 曾獲美國國家藝術基金會及女性電影基金會的好萊塢影音補助。拍攝執導商業動畫廣告，客戶含華納兄弟及 HBO 等公司。 Eileen O' MEARA received the National Endowment for the Arts Fellowship and Women in Film Foundation’s Hollywood Film & Video Grants. She has produced and directed commercial animated spots for clients including Warner Home Video, Motown, HBO, and WEA Latina. Producer Eileen O'MEARA Sound Tim Maloney Print Source Eileen O'MEARA

準備升空

女生愛動畫合輯 Animations

艾琳．歐米拉 Eileen O'MEARA 華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

Gaining Altitude 美國 USA │ 2016 │動畫紀錄片 Animated Documentary │ HDCAM │ B&W │ 02min 2016 曼徹斯特動畫影展、2016 韓國富川國際動畫影展以手繪、照片和拼貼等多元風格呈現不同年代。故事以女性飛行先驅為主角：第一位美國非裔女性飛行員；第一位飛行戰鬥機女飛行員；第一位駕駛七四七的印度女機師。這是飛行史上被隱形女性的故事。

Gaining Altitude is an animated documentary focused on women in aviation history. 畢業於麻州藝術與設計學院，喜歡將手繪的質感紋理和數位合成技術，結合於多數混合媒材創作中。希望專注於電影攝影，即使在創作動畫時亦嘗試採用真人演出的形式。 Kristen CURRIER likes to combine hand drawn textures with digital composites in mostly mixed media pieces. She likes to focus on cinematography, and tries to employ a live action approach to it even when working in animation. Producer & Scriptwriter Kristen CURRIER Print Source Kristen CURRIER

克莉絲登．克瑞爾 Kristen CURRIER

聖阿加莎夜

女生愛動畫合輯 Animations

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

Couplets for an Everlasting Eve 西班牙 Spain │ 2016 │動畫 Animation │ HDCAM │ Colour │ 06min 吟遊詩人瑪愛蓮盧漢比歐（Maialen LUJANBIO）運用巴斯克的古老傳統—配合著長棍敲打的節拍行過一間間的房舍，編寫出多首譴責性暴力的詩句，搭配二十位年輕的藝術家不同的動畫技巧，完成了反性暴力題材的集體創作。 St. Agatha’s Eve is a deep-rooted Basque tradition in which people walk from house to house, accompanied by improvised verse-makers (bertsolaris), singing verses to the beating of long sticks. Building on this celebration, bertsolari Maialen Lujanbio composes a stark denunciation of gender violence and our inability to combat it.

二十位年輕的巴斯克自治區藝術家群體（Ageda Kopla Taldea）的共同創作，以音樂和韻律暗示其高度形式化和敘事一致性，為詩句帶來了新的力量和深度。 The film is a collectively created work directed by 20 young Basque artists. The music and the rhythm of songs create a highly suggestive formal and narrative unity, which brings new force and depth to the verses. Cinematographer & Editor Edu ELOSEGI Music Xabier ERKIZIA Producer Lekuk Kultur ELKARTEA, Patxi AZPILLAGA Scriptwriter Maialen LUJANBIO Print Source Kimuak - Esther CABERO

古老傳說：黑夜誕生

女生愛動畫合輯 Animations

柯波拉塔迪亞 Ageda KOPLA TALDEA 華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

Tucuman 俄羅斯聯邦 Russian Federation │ 2015 │動畫 Animation │ HDCAM │ Colour │ 07min 在巴西的神話裡：曾經只有白天，在河底的夜被眼鏡蛇監看著。有天，好奇的士兵破壞了秩序，瞬間便被黑暗吞噬。眼鏡蛇的女兒說，她要如分髮般將日與夜分開，於是她拔了一根髮，天空染紅，黑夜於是誕生。

At the beginning, there wasn’t the Day and the Night. But the night is lurking in the depths of the water - at the heart of the Tucuma Nut.

出生於俄羅斯頓河畔羅斯托夫，並於 1995 年全蘇國立電影院畢業後從事藝術創作和擔任動畫導演。現居以色列。 Natalia RYSS was born in Rostov-on-Don, lived and worked there as a director-animator and an artist after graduating from VGIK in 1995. She now lives in Israel. Animator Ekaterina BOYKOVA, Natalia RYSS Composer Dmitriy MLLOVANOV Producer Tenghiz SEMENOV Scriptwriter & Art Director Natalia RYSS Print Source Natalia RYSS

黑色巴格達

女生愛動畫合輯 Animations

娜塔莉．瑞絲 Natalia RYSS 華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

The Black Land 伊拉克 Iraq │ 2015 │動畫 Animation │ HDCAM │ Colour │ 05min 伊拉克的巴格達因為當地濃密的棕櫚樹蔭，而有著黑色之地（the black land）之稱，而今已成了鮮血、死亡與宗教之爭的象徵。本片以美麗的女子為軸，道出宛如神話般的流暢敘事，富含神秘中東文化色彩外，也映照出伊拉克無奈與未知的命運。

Baghdad has long been referred to as Ardh Al Sawad (the Black Land). This fairy tale animation is a metaphorical story of the rape of my homeland. A beautiful woman representative of the city has lost not only her children to the wars and destruction, but her soul. 黛比．法第的建築背景令其作品細節、背景繪製與道具設計上有了更多的著墨。目前於愛爾蘭一間曾獲奧斯卡提名的工作室 Cartoon Saloon 中，擔任背景與道具設計師。 Daby-Zainab FAIDHI’s architectural background provides her with a unique sense of space that she applies as a background artist. She has real passion for the small details that characterise each place she visits. FAIDHI is currently living and working as a Background and Props Artist at Oscar-nominated studio Cartoon Saloon in Kilkenny, Ireland. Music Kevin PENKIN Producer & Scriptwriter Daby-Zainab FAIDHI Print Source Daby Zainab FAIDHI

黛比．法第 Daby-Zainab FAIDHI

女生愛動畫合輯 Animations

簡單來說 In Other Words

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

以色列 Israel │ 2016 │動畫 Animation │ HDCAM │ Colour │ 06min 久別重逢的父女在機場短暫會面彼此問候，而女兒的幾句話卻讓父親省思良久。結合真人演出與手繪技巧，導演用簡短的對白加以重複來加強力道。本片證明只要有創意，簡單的故事和拍攝技巧也可以將故事說得動人。

2016 地中海女性影展特別提名 2016 法國安錫國際動畫影展、2016 耶路撒冷動畫影展首獎

A man recalls a moment of a lost opportunity to communicate with his daughter. Their brief meeting after years undermines his world and renders his words meaningless. A unique experimental animation technique that organically fuses free hand drawing animation with segments of live-action.

畢業於畢沙雷爾藝術設計學院動畫與影像系，目前在以色列任動畫師、美術老師及電影道具製作。 Tal KANTOR is an animation artist graduated from the animation and video department at The Bezalel Academy of Arts and Design. Currently works as an animator. She was also a prop and model maker for the TV and Film industries in Israel. Key Cast Yehoyahin FRIDLANDER, Dana YADLIN Music Alon COHEN Producer & Scriptwriter Tal KANTOR Print Source Tal KANTOR

女生愛動畫合輯 Animations

樹瑪寶貝 Shuma

泰爾．坎多 Tal KANTOR 華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

愛沙尼亞 Estonia │ 2016 │動畫 Animation │ HDCAM │ Colour │ 07min 2016 曼徹斯特動畫影展水已經淹到膝蓋那麼高了！如果怕溺水，那就站在椅子上吧！對了，外頭的樹有五官面孔呢！簡潔的線條與畫面，配上帶點童趣的配樂音效，讓觀者感覺宛如讀了一首跳動的短詩。

Water is knee-high. If you are afraid of drowning, stand on a chair. There is a face in the tree. 出生於克羅埃西亞，現居愛沙尼亞。過去主修藝術，在愛沙尼亞取得動畫製作的博士學位後，進入 Joonisfilm 工作室擔任動畫師，她的動畫影片曾於世界多個影展放映參展。除了製作動畫外，也同時為兒童繪本與政治雜誌繪製插畫。 Lucija MRZLJAK studied at the Academies of Fine Arts in Zagreb, Krakow, Prague and Tallinn. After her MA of Animation in Estonia as a student of Priit and Olga Pärn, she worked as an animator in Joonisfilm Studio. Her animated films have been shown at festivals around the world. She is also an illustrator for children’s books and political magazines.

露西亞．姆爾日利亞克 Lucija MRZLJAK

Editor Olga PARN Music Composer Sofia GARCIA Producer Estonian Academy of Arts Scriptwriter Lucija MRZLJAK Sound Designer Horret KUUS Print Source Lucija MRZLJAK

女生愛動畫合輯 Animations

如果你也變成魔術方塊 Icky

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

伊朗 Iran │ 2017 │動畫 Animation │ HDCAM │ Colour │ 06min 在這個世界裡，人們的頭都成了一個個的魔術方塊，然而卻有個孩子，跟其他人不太一樣…動畫的美妙之處就是得以將天馬行空的想像和隱喻實體化，即使是簡單的故事，透過動畫也能讓人印象深刻，《如果你也變成魔術方塊》就是這樣的一部動畫。

In a world full of people with Rubik’s cube-shaped heads, there is a kid who is different from the others...

帕拉史特是個熱愛悠遊於故事之中的伊朗女孩，因而選擇製作動畫短片。 Parastoo CARDGAR is an Iranian girl who loves to get lost in the world of stories. That is why she makes animated shorts.

Producer & Scriptwriter Parastoo CARDGAR Print Source Parastoo CARDGAR

帕拉史特．卡格爾 Parastoo CARDGAR

女生愛動畫合輯 Animations

仲夏夜春夢 Love-in-Idleness

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

英國 UK │ 2016 │實驗動畫 Experimental Animation │ HDCAM │ Colour │ 05min

以簡潔的炭筆線條，描繪《仲夏夜之夢》中仙后泰坦妮亞（Titania）與化為驢子的巴頓（Bottom），其幻象般強烈又急促的關係。沒有粉紅泡泡的戀愛故事，也不存在時間感或角色位階，透過線條不停轉換變形的極簡形式，呈現飽滿的情慾流動。 A short animated film exploring the fleeting delusional romantic relationship between Titania and Bottom. There is no story, no time and no roles: Only raw emotions and sensations. The film is made with charcoal on paper, the images are a series of drawings constantly erased and retraced.

現居英國的義大利藝術家及影像創作者。她的電影與動畫作品，曾於世界許多影展和藝廊放映展出。除了自己的創作外，也在商業影像與廣播業中工作。 Kim NOCE is an Italian artist & filmmaker residing in the UK. Her films and animations have been show at many festivals & galleries across the world and her work has won many awards. Alongside her personal films she works for the commercials & broadcast industry.

Key Cast Ataru NAKAMURA Music Chikara UEMIZUTARU Producer Koji YAMAMURA Scriptwriter Honami YANO Print Source Mew Lab

女生愛動畫合輯 Animations

染色體戀人 Chromosome Sweetheart

金．諾切 Kim NOCE

華山１廳｜ 10.17 ( 二 ) TUE 15:00 華山２廳｜ 10.22 ( 日 ) SUN 17:00

日本 Japan │ 2017 │動畫 Animation │ HDCAM │ Colour │ 05min

你可能只記得人生中某些片段：戀人擺動的頭髮、失戀心傷的狂奔、已逝戀情的囈語。簡單的手繪動畫、創意的視野角度、與影像音樂對映的剪輯節奏，導演串聯各個重要時刻—人生俯拾皆是關於愛的進行式、未來式、過去式。 An ex-couple in a café, a girl playing with her girlfriend's hair, a running woman, a fleeting town, a little girl walking along the river. In this world, there are as many forms of love as there are people.

1991 年出生於日本愛媛縣，2013 年至美國羅德島設計學院交換學生，2015 年畢業於京都精華大學動畫系，2017 年畢業於東京藝術大學電影與新媒體研究所動畫所。 YANO Honami was an exchange student at Rhode Island School of Design in 2013. She graduated from Kyoto Seika University’s Department of Animation in 2015, and received her master's degree from the Department of Animation, Tokyo University of the Arts Graduate School of Film and New Media in 2017.

Music Chikara UEMIZUTARU Producer Koji YAMAMURA Print Source YANO Honami

矢野保奈美 YANO Honami

Ａ片與女性主義，是敵人還是盟友？女性觀點的浪動淫喘會是什麼樣子？女人所幻想與欲望的性又有何不同？色情不是男性的專利，女人也可以拍Ａ片。Ａ片裡的女人不必是受制於人的大胸細腿長髮美女，身貌各異的她可以主動施展自己的欲望和幻想，攻受由我，高潮乃真。社會對女性性相的規束和期待，讓女性與性產生斷裂而感到陌生甚至羞恥，主張女人的色情自由，不只是要找回女人對性愉悅的自主追求，也要揭露權力運作下，性的深沉與複雜。

情慾告白 X 檔案 XConfessions

華山１廳｜ 10.14 ( 六 ) SAT 21:40 華山１廳｜ 10.19 ( 四 ) THU 21:30 華山２廳｜ 10.20 ( 五 ) FRI 21:10 ☆

瑞典 Sweden │ 2016 │劇情片 Fiction │ DCP │ Colour │ 99min 2013 年，艾莉卡啟動了《情慾告白 X 檔案》計畫，她的網站歡迎任何人投稿自己的私慾幻想或不可告人的小秘密，每月挑出兩個告白拍成短片。這個計畫迄今屆第三年，已拍出上百部短片。本集是此系列中把藝術性和電影感推到最極致的作品，並且邀請客座導演來執導其中三部短片，集結各式綺麗幻想，從傳統的皮繩愉虐、貓女饗宴、巫術魅惑、情色紀錄短片，甚至是結合現代舞蹈的火熱三人性愛，讓你一窺來自世界各地最私密的情慾告白。 The XConfessions series are a site where users watch short films based on their own anonymous sexual confessions. Every month Erika Lust picks two of her followers’ fantasies and turns them into erotic explicit short films. XConfessions’ seventh volume is the most artistic and cinematic collection yet. There’s everything from good old fetishes to some new super fun and kinky stuff like our first erotic documentary on a real-life couple, an incendiary threesome mixed with contemporary dance and pure sexy witchcraft.

情色電影導演與編劇、部落客、母親，一手創辦了專門拍攝女性 A 片的製片公司，作品橫掃各大情色影展電影獎項。厭倦父權意識形態下的主流情色影片，希望提供更多元化的體型樣態、年齡、種族及性向，強調女性凝視和女性歡愉，大聲宣告女性有權享受看 A 片的樂趣！ 2004 年首部獨立短片獲得巴塞羅那色情電影節（FICEB）第一名，2013 年開始創作《情慾告白 X 檔案》系列，開拓了情色電影業中的女性市場，改變了一般人對於情色電影的刻板印象。 Erika LUST is a filmmaker, writer, blogger, mother, owner and founder of Erika Lust Films. Erika’s philosophy for a new adult cinema is based on 4 main ideas: women’s pleasure matters, adult cinema can have cinematic values, we need more body types, different ages and diverse races and the production process has to be ethical. Erika has directed three multiawarded erotic films.

艾莉卡．拉斯特 Erika LUST

Director Erika LUST Print Source Erika LUST

Xposed : Eroticism as Subversion 情色解碼 : 暴衝腦內啡 Can erotica befriend with feminism? How about pornography? And how do that sound, from feminist and queer perspectives? Pleasure matters and a safe sex environment is what counts. This program will introduce a new wave of erotica that is more accessible to women, and opens the door for a wholly new conversation about a medium that has too long been considered the domain of men.

Erotica：女性情慾之旅

華山２廳｜ 10.14 ( 六 ) SAT 21:30 ☆ 華山２廳｜ 10.16 ( 一 ) MON 21:00

Erotica: A Journey into Female Sexuality 1997 多倫多電影節、1997 加拿大電影獎基尼獎（Genie Awards）最佳紀錄片提名 1997 HotDocs 加拿大國際紀錄片電影節最佳藝術紀錄片提名

加拿大 Canada │ 1997 │紀錄片 Documentary │ DIGIBETA │ Colour │ 75min 《Erotica：女性情慾之旅》緊緊扣問「女性凝視」（Female Gaze）與「色情片及情色電影之間的分野」等核心問題。片中收錄了情色經典《O 孃》作者波琳．雷亞吉的最後訪談，還訪問到性教育工作者兼成人女星安妮．斯普林克、已故女性主義色情片先驅坎狄達．羅亞爾、法國著名攝影師貝蒂娜．蘭斯，以及巴黎施虐女王珍妮等人。導演試圖記錄作家、電影工作者、攝影師、表演者等，不同身份女性的陰性語言，以勾勒藝術和女性情慾間錯綜複雜的關係，為情色藝術正名。本片從執導、監製、剪接到現場拍攝，皆由女性製作團隊所攝製完成。 Produced, directed and edited by women, and shot with an all-female crew, Erotica is a provocative feature length exploration of “the female gaze” and the taboos around pornography vs. erotica as created by (and for) women. Featuring the final interview with a 90-year-old Pauline Réage, the author of Histoire D’O; sex educator/performer Annie Sprinkle; porn star-turned-filmmaker Candida Royalle; renowned Parisian photographer Bettina Rheims, and Parisian dominatrix Jeanne de Berg, among others. 導演、編劇、製作人，多從性別認同／情慾的觀看媒介去檢視「女性凝視」（Female Gaze），本片以大膽的開創性視角省視女性情慾。2003 年與賈斯汀．平洛特共創紅皇后製作公司（Red Queen Productions），藉由影像去挑戰社會加諸於女性及 LGBTQ 群體的刻板印象，將深受歧視、邊緣化的個體故事重新去污名化並帶回主流市場。 Maya GALLUS is an award-winning director, writer and producer whose work frequently explores “the female gaze” through the lens of gender and identity. She formed Red Queen Productions to make films that challenge stereotypes about women and LGBTQ people. Red Queen films have been characterized as “stories that humanize and bring into the mainstream often-derided or marginalized experiences.” Cinematographer Zoe DIRSE Editor Cathy GULKIN Location Sound Justine PIMLOTT Original Music Celina CARROLL, Chip YARWOOD Producer Julia SERENY Print Source Red Queen Productions

瑪雅．捷拉斯 Maya GALLUS

華山１廳｜ 10.16 ( 一 ) MON 21:30 華山２廳｜ 10.21 ( 六 ) SAT 19:30

蒙娜麗莎的淫笑 Pictures at an Exhibition

波蘭 Poland │ 2016 │動畫 Animation │ DCP │ Colour │ 01min 2017 蒙特婁地下電影節、2017 維也納女性動畫影展以三幕劇的形式揭開經典畫作中的女性情慾真面目。第一幕：麗達喜歡來硬的

第二幕：蒙娜麗莎有點頑皮

第三幕：梅杜莎的每日晨操

An art piece in three acts, uncovering the faces of female sexuality. Act 1: Leda likes it rough. Act 2: In a playful mood. Act 3: Her morning routine. 尤莉雅的作品於國際影展獲獎無數，她嘗試結合不同的藝術形式，加以實驗，尋找新靈感。目前主要從事動畫與非線性敘事的創作，也有畫布、拼貼和插畫等形式的作品。 Julija PROSKURINA has received numerous awards, prizes, and participated in various festivals and art events all around the world. She opens up new horizons with novel kinds of art, combining them and thus discovering new inspirations. Producer Slippy Tales Production (Julija PROSKURINE, Witold SZUK) Scriptwriter & Animator Julija PROSKURINA Script Consultant Witold SZUK Print Source Julija PROSKURINA

尤莉雅．波斯庫莉娜 Julija PROSKURINA 華山１廳｜ 10.16 ( 一 ) MON 21:30 華山２廳｜ 10.21 ( 六 ) SAT 19:30

我要妳深呼吸 Breathe

丹麥 Denmark │ 2016 │劇情片 Fiction │ DCP │ Colour │ 20min 2017 多倫多情色影展最佳 BDSM 獎、2016 柏林情色影展

矇眼、強迫著裝、棍打、鞭撻、拍打等樣樣都來，就是要把妳一路弄到高潮。本片獲多倫多情色影展最佳 BDSM 獎。

Watch this hot BDSM scene including cane, flogger, spanking, single tail whip and straightjacket in Breathe, which won an award at Toronto International Porn Festival for 'Best BDSM Scene' in 2017.

旅居柏林的丹麥籍攝影師和影像創作者。2003 年首支情慾短片 Want Some Oranges 獲柏林情色影展最佳短片，此後情慾短片創作獲獎頻仍且深受肯定。 Goodyn GREEN is a Danish photographer and filmmaker based in Berlin. Her first short porn Want Some Oranges won an award at the Xposed International Film Festival, Berlin. Her various porn shorts and features have gained recognition worldwide and won several awards. Performers Jasko FIDE, Sadie LUNE Producer Goodyn GREEN Print Source Goodyn GREEN

古迪因．格林 Goodyn GREEN 華山１廳｜ 10.16 ( 一 ) MON 21:30 華山２廳｜ 10.21 ( 六 ) SAT 19:30

吸血淫娃 Enactone

美國 USA │ 2016 │劇情片 Fiction │ DCP │ Colour │ 52min 瑪莉史考特是長生不老的吸血鬼，雖意外得到復仇機會，卻必須為此付出代價…。年度吸血鬼節慶即將來臨，伴隨著讓人血脈噴張的酷兒性愛儀式，瑪莉能否抵抗對於高潮血液強烈渴求的原始慾望呢？明快的電子節奏由兼職 DJ 的導演一手操刀，展開一場 B 級嗜血大獵殺。

2017 柏林情色影展最佳劇情片、2017 BFI 英國倫敦酷兒影展

Marie Scott, now a vampire, got a second chance at living to take vengeance. But this type of life comes at a price. Enactone is a glimpse into queer, erotic rituals for a yearly vampire holiday. The question is, can she resist the most prime orgasmic blood in her quest toward becoming the next lair mistress?

2017 多倫多情色影展最嗆辣新導演

兼具音樂、影像及社運背景。本片為其首部執導影片，自有音樂品牌 Reveller Records 並兼職 DJ 現場演出，也為其他影像創作者做聲音後製，期望提升酷兒及有色人種在產業中的能見度，活躍於女性電音及數位藝術領域創作者網絡（female: pressure）。 Sky DEEP is a Berlin-based music producer, DJ, musician, filmmaker and activist. She advocates for the visibility of people of color and queer people in the music industry. She is also an active member of the female: pressure collective. Producer Sky DEEP, Marit ÖSTBERG, Ann ANTIDOTE Print Source Jürgen BRÜNING

天邊深處 Sky DEEP

華山２廳｜ 10.15 ( 日 ) SUN 21:50 華山１廳｜ 10.16 ( 一 ) MON 16:00 ★ 華山２廳｜ 10.18 ( 三 ) WED 11:00

性愛包裹小心輕放 Cake

美國 USA │ 2016 │劇情片 Fiction │ HDCAM │ Colour │ 10min

伊莉莎，雙性戀，已婚。為了在婚姻生活中增添更多「性趣」，伊莉莎訂購了一份驚喜禮物—有著亞洲面孔的真人版性愛機器人，這份禮物是兩人婚姻性福的萬靈丹嗎？切記，許願時請小心。 Eliza, a bisexual woman, tries to explore her sexuality within her marriage with her husband Thomas by surprise ordering a seemingly human female sex robot. But the sex robot is not the cure-all she had hoped for. Be careful what you wish for. 2017 美國紐約獨立電影節 2017 德國慕尼黑 BDSM 影展

HBO 資深製作人和剪接師，參與如《冰與火之歌》、《陰屍路》、《絕命毒師》等剪接；自行編導的短片則在國際影展上屢獲佳績，曾任 Film Fatales NYC Shorts（紐約女導演社群）及 The Filmshop（電影集體創作社群之一）領導人。 Anne HU is a director, writer, editor, and actor in New York. She is currently a Senior Producer and Editor at HBO. Her own films have received recognition. She is a former co-leader of Film Fatales NYC Shorts and the NYC filmmaker’s collective, The Filmshop. Assistant Director Jaclyn GRAMIGNA Associate Producer Cineslinger LLC, Small Media Extra Large, Jose Del C. MARTINEZ Cinematographer Don DOWNIE Composer Gene BACK Producer VIctoria NEGRI Print Source Anne HU

胡安妮 Anne HU

華山２廳｜ 10.15 ( 日 ) SUN 21:50 華山１廳｜ 10.16 ( 一 ) MON 16:00 ★ 華山２廳｜ 10.18 ( 三 ) WED 11:00

幹爆你 Lovedoll

巴西 Brazil │ 2015 │劇情片 Fiction │ HDCAM │ Colour │ 12min

寶拉一個人住在單身公寓裡，一日，她正坐在沙發上看電視，突然門鈴響起，一位快遞員送來一個裝有充氣娃娃的盒子。從那一刻開始，原本孤獨寂寞的空間，突然成為情慾、角色扮演及同性戀狂想的後花園。 Paula lives by herself in a condo. She’s sitting on the couch watching TV. The doorbell rings, it’s the postman who delivers a box with a sex doll in the inside. From that moment on, loneliness gives room to fantasy and Paula transforms through her homoerotic fantasies. 2017 慕尼黑國際影展 2017 德勒斯登國際短片影展黛寶拉和埃斯德凡皆為導演、編劇。他們一起導過三部影片，本片為首部合作短片，並於國際影展間巡迴放映。目前埃斯德凡正在進行首部合拍長片前製。 Débora ZANATTA and Estevan de LA FUENTE are screenwriters and filmmakers. They directed three films together. The first short film directed by the duo was Lovedoll, which participated in several festivals in Brazil and internationally. On the 13 was the second one, and Primavera de Fernanda is being finalized.

Scriptwriter Débora ZANATTA Producer DeLirio, Estevan DE LA FUENTE, Debora ZANATTA Print Source Débora ZANATTA

黛寶拉．扎納塔 Débora ZANATTA

埃斯德凡．得拉福昂提 Estevan de LA FUENTE

索命快照 Snapshot

華山２廳｜ 10.15 ( 日 ) SUN 21:50 華山１廳｜ 10.16 ( 一 ) MON 16:00 ★ 華山２廳｜ 10.18 ( 三 ) WED 11:00

2017 Frameline 舊金山同志影展、2017 多倫多情色電影節年度電影獎、2017 BFI Flare 倫敦酷兒影展

美國 USA │ 2017 │劇情片 Fiction │ HDCAM │ Colour │ 67min 查莉是名自由攝影師，一起殺人事件好巧不巧就發生在她所居住的社區。有天她無意間拍到涉嫌殺人的兇手，好奇心驅使她一探究竟。沒想到尚未找到兇手，就先遇見了超級放電機丹妮。當新的戀情正開始萌芽，兇手卻也找上門來…。本片為導演第五部長片，由曾演出導演代表作 The Crash Pad 的巧克力脆片（Chocolate Chip）和貝瑞塔 ‧ 詹姆士（Beretta James）所主演，知名跨性別色情片演員李吉斯（Jiz Lee）也在影片中客串演出。全片藉「觀看」帶出錯綜複雜且難分主客的情慾流動及其界線模糊的敵對關係，藉此向希區考克《後窗》及安東尼奧尼《春光乍洩》致敬。 A freelance photographer and woman about town, Charlie has her sights set on Danny, an older butch in search of adventure and romance. Just as things are about to click, Charlie accidentally snaps a photo of a murder, and becomes the next target. With a killer hot on her trail — and a new relationship developing — will Charlie find love... Or her own demise?

畢業於舊金山藝術學院，在情趣用品公司上班期間，意識到在主流成人影片市場外另闢新徑的重要性，她的酷兒成人電影與各地創作社群產生緊密連結，推動下一波由女性視角出發的成人電影浪潮。 Shine Louise HOUSTON’s works have become the new gold standard of adult cinema. She recognized an underserved demand for an alternative to mainstream pornography, and began to create well-crafted queer made porn. Shine’s films are among the next big wave of women produced porn and have been screened worldwide.

Assistant Director Jiz LEE Cinematographer Fisty MCGEE Lighting Director Daniel R. JUENEMANN Production Assistant Cameron AIREN Sound C. DADDIO Print Source Pink and White Productions, Inc.

夏因．休斯頓 Shine Louise HOUSTON

★ 路邊野壇：屬於原住民的正義 Talks on the Road: Justice for Aborigines 10.14（六）SAT 14：40 放映結束後光點華山電影館影像穿廊 SPOT-Huashan Gallery

《伊努克的怒吼》是今年選片的驚喜，加拿大女導演為遭動保團體污名化的伊努克族平反及發聲之作。導演鍥而不捨地對動保團體進行抽絲剝繭的調查，發現令人震驚的真相！女性影展特別選映這部影片，因為本片呼應了台灣正在發生的議題－原住民爭取傳統領域，希望能以此片作為他山之石，提供多面向的思考觀點。

華山１廳｜ 10.14 ( 六 ) SAT 14:40 ☆ 華山１廳｜ 10.22 ( 日 ) SUN 17:30

伊努克的怒吼 Angry Inuk

2016 加拿大年度十大佳片、2016 Hot Docs 加拿大國際紀錄片電影節觀眾票選獎

加拿大 Canada │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 82min 長久以來，加拿大伊努克族因獵食海豹和販賣海豹皮，而遭動保團體汙名化，本片藉由呈現伊努克族的生活樣貌，如獵食及製作海豹皮毛製品等真實狀況，深入探討這個複雜的議題，企圖為伊努克族平反。事實上，生活在寒冷極地的伊努克族，傳統文化極度依賴食用海豹肉，海豹皮更是賴以維生的經濟命脈。1983 年在動保團體倡導下，海豹皮市場崩盤，嚴重危及伊努克族人的生活，令他們至今仍處於貧窮與飢餓，導演追查出當初動保團體行動背後的黑暗內幕，過程中沒有人願意談論伊努克族如何受到影響，或者邀請伊努克族發聲。 Seal hunting, a critical part of Inuit life, has been controversial for a long time. Now, a new generation of Inuit, armed with social media and their own sense of humour and justice, are challenging the anti-sealing groups and bringing their own voices into the conversation. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

出生成長於加拿大北極區的努納烏地區首都伊瓜努，目前有自己的製作公司烏尼卡特。畢業於安大略雪瑞丹學院，專注於拍攝伊努克文化紀錄片和伊努克語言作品。 Alethea ARNAQUQ-BARIL works with Unikkaat Studios Inc. She is based in Iqaluit, the capital of the Nunavut Territory in the arctic of Canada, where she was born and raised. After she graduated from Sheridan Institute in Ontario, she focused on producing Inuit cultural documentaries and Inuktitut language productions.

Cinematographer Qajaaq ELLSWORTH Editor Sophie Farkas BOLLA Music Florencia Di CONCILIO Producer Alethea ARNAQUQ-BARIL, Bonnie THOMPSON (NFB) Print Source National Film Board of Canada

阿蕾希雅．阿納邱巴瑞 Alethea ARNAQUQ-BARIL

Special Screening 特別放映 This year’s WMWFF will hold a special screening of Angry Inuk, because it is closely related to issues we are facing now in Taiwan - the agenda of Taiwanese aborigines. Taiwan’s aborigines are currently engaged in tough struggles for their land and rights. This documentary shows the wisdom and humorous strategies that the Inuit apply, for instance using social media as a weapon, and does so in a very inspiring way!

自 2014 年起，女性影展將一直以來的台灣徵件單元提升為競賽單元，並設立「台灣競賽獎」獎金，以鼓勵台灣女性影像工作者。今年初審由朱芷瑩、吳凡、周旭薇、胡敏華等四位評審老師，從百餘部作品中，精選出 17 部入圍影片。女影致力於將台灣影片推向國際，邀請了日本策展人三木草子、香港策展人鄺珮詩、台灣策展人鴻鴻及作家暨影評人張亦絢，四位老師共同進行作品決選。獎項分別為首獎一名、特獎兩名、評審團特別獎及觀眾票選獎各一名，將於 10 月 22 日進行頒獎典禮。

日常對話

2017 亞洲女性影展聯盟競賽首獎

華山２廳｜ 10.15 ( 日 ) SUN 19:50 華山２廳｜ 10.17 ( 二 ) TUE 21:00 ★

Small Talk 2017 柏林影展泰迪熊獎最佳紀錄片、2017 台北電影節最佳紀錄片

台灣 Taiwan │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 89min 幾十年來，我和母親就像是生活在同個屋簷下的陌生人，唯一的交集是她為我準備的吃食。我們之間沒有噓寒問暖、沒有母女間的心裡話、沒有「我愛你」。當我注視著她，我知道在那震耳欲聾的沈默之下，藏著讓她難以面對及言說的秘密；我知道在緊閉的雙唇背後，是令她窒息且擺脫不去的恥辱。我終於鼓起勇氣與她開啟對話，但我真的準備好去面對她將給出的答案了嗎？我們又是否都能夠好好面對那些已經被埋藏許久的過去？ My mother and I are like strangers. Our only exchange is the food she makes for me. I know beneath the deafening silence lies a secret that weighs heavily on her, knowing that behind her tightly sealed lips is a shame so overbearing that it suffocates her. One day, I summon up the courage to sit her down and make her talk. But am I ready to listen to what she has to say?

六歲開始跟著媽媽跳陣頭；二十歲轉行從事社會工作，開始學習紀錄片，主要關注移工、原民及土地議題。曾任台北市紀錄片工會秘書長，現為自由影像工作者及一個孩子的母親。 At the age of 20, Hui-chen HUANG began to work for social causes and started to make documentaries. She focuses on labour rights, Taiwanese aborigines rights and land issues. Having been active in labour organisations and unions before, she is now an independent film maker and mother of one child.

Cinematographer 林鼎傑 LIN Ting-Chieh Executive Producer 侯孝賢 HOU Hsiao-Hsien Editor 林婉玉 Jessica Wan-Yu LIN Music 林強 LIM Giong、許志遠 Point HSU Producer 李嘉雯 Diana Chia-Wen LEE Print Source 黃惠偵 HUANG Hui-Chen

黃惠偵 HUANG Hui-Chen

Taiwan Competition 台灣競賽 The Taiwan Competition of Women Make Waves Film Festival was founded to encourage Taiwan's excellent female directors in 2014. This year, our first round review jury has selected a short list of 17 films from husdreds of works. WMWFF aims to promote Taiwanese films on the international stage, and invites festival director from Japan MIKI Soko, festival director from Hong Kong Teresa KWONG, festival director from Taiwan Hung Hung, and author and also film critics Nathalie CHANG, as our jury members for the final selection of the Taiwan Competition. There will be one Grand Prize, two Merit Prizes, one Special Award and one Audience Award. The final award winners will be announced at the closing ceremony.

華山２廳｜ 10.14 ( 六 ) SAT 16:20 ★ 華山１廳｜ 10.19 ( 四 ) THU 15:30

心靈時鐘 Packages from Daddy

台灣 Taiwan │ 2016 │劇情片 Fiction │ DCP │ Colour │ 98min

九歲的葉藍一直和家人在小漁港邊過著平靜幸福的日子，但父親的驟然離世，令全家都籠罩在悲傷的陰影之中，然而，比悲傷更令人不安的是，父親的死因在眾人口中成了禁忌，在葉藍尚不能理解和接受死亡之前，命運之手已將他推入大海中，迷失了方向。其後，葉藍收到父親生前寄出的古董時鐘，用途不明，秒針也停擺了，就好像永遠沉睡的爸爸。葉藍下定決心要修好這個怪鐘。他希望秒針再度轉動的時候，一切就會有了答案… 2017 休士頓國際影展 2017 金考拉國際華語電影節 2016 香港亞洲電影節

9-year-old Lan’s father has passed. The cause of death is an unsettling taboo among family and neighbours. Lan receives a strange antique clock his father had sent to him before he died. The clock has stopped. Lan is determined to fix it, hoping that as soon as it starts ticking again, there will be an answer to everything.

國立台灣大學社工系畢，英國 K.I.A.D. 美術碩士，曾出版繪本《我的 23 個臉孔》與《夏綠蒂的愛情習題》，最新劇情長片《心靈時鐘》獲金馬創投、利達數位影音獎及台灣華文原創故事編劇駐市計畫獎助。 TSAI Yin-Chuan has been honoured as one of Taiwan's Ten Outstanding Young Women. She just started her career as a director and scriptwriter, and has already won several awards. Cinematographer 劉芸后 LIU Yun-Hou Editor 陳曉東 CHEN Hsiao-Dong Producer 李志薔 Isaac LI Screenplay 蔡銀娟 TSAI Yin-Chuan Sound 高偉晏 RT KAO Print Source 中影股份有限公司 Central Motion Picture Corporation 張毓庭 Cleo CHANG

蔡銀娟 TSAI Yin-Chuan

華山２廳｜ 10.17 ( 二 ) TUE 16:00 ★ 華山２廳｜ 10.21 ( 六 ) SAT 10:00 ☆

學數學的女孩們 Girls Who Fell in Love with Math

台灣 Taiwan │ 2017 │紀錄片 Documentary │ DCP │ Colour │ 76min

本片描述兩位成就非凡且揚名國際的現任中央研究院院士—張聖容與金芳蓉追逐數學夢的故事，彼此激勵且快樂成長的記憶，並陳述了學數學沒有性別限制，女性特有的細膩與安靜亦為一種優勢。 This film is about two girls who grew up together during the 60s in Taiwan. It is the story of their dream to pursue math. Both Alice Zhang and Fan-Chung Graham are members of the Academica Sinica whose achievements are internationally renowned. The film shows that studying math is not restricted by gender. Instead, women's delicateness and calm are an advantage in studying math. 王慰慈，淡江大學大眾傳播系副教授、台灣女性影像學會常務監事，著有《從公視教改系列論台灣紀錄片的敘事策略與美學經驗》、《紀錄影像美學中的自我對話》、《記錄與探索》。

Associate Professor in the Dept. of Mass Communication at Tamkang University, Executive Supervisor of Taiwan Women's Film Association, as well as a scholar researching Documentary Study and Film Making. 井迎兆，美國加州大學洛杉磯分校電影電視製作碩士。現任文化大學戲劇系專任教授，從事紀錄片拍攝與文學創作。

王慰慈 Weitsy WANG

JING Yng-Jaw obtained her M. F. A. degree from the Dept. Motion Picture & Television at UCLA. He's currently teaching Film Studies, working as a freelance film maker, shooting documentaries and engaging in literary creation. Cinematographer 井迎兆 JIING Yng-Jaw Editor 井迎兆 JIING Yng-Jaw、王慰慈 Weitsy WANG Producer 王慰慈 Weitsy WANG Sound 王慰慈 Weitsy WANG Print Source 王慰慈 Weitsy WANG

井迎兆 JIING Yng-Jaw

華山２廳｜ 10.13 ( 五 ) FRI 21:10 ★ 華山１廳｜ 10.16 ( 一 ) MON 11:30

林北小舞 The Gangster's Daughter

台灣 Taiwan │ 2017 │劇情片 Fiction │ DCP │ Colour │ 104min

母親的葬禮上，小舞見到十多年沒見的父親溪哥，帶著一群黑道兄弟出現，讓小舞萌生崇拜之心。當小舞因退學被送去台北與溪哥同住，兩人重新建立失去已久的父女情，溪哥甚至考慮退隱江湖。溪哥以前的老大決定販毒，槍戰衝突中兄弟被誤殺，正帶著小舞旅行的他，在黑白兩道勾結的江湖亂世，如何在暴力與親情間選擇？

2017 紐約亞洲電影節 2017 芝加哥亞洲電影節開幕片 2016 洛杉磯台灣電影展開幕片

Shaowu lives with her grandma on sleepy Kinmen Island. After her mom passes, her greatest wish is to live with her dad, Keigo, a gangster in Taipei. As it turns out, Keigo likes being a parent. Now he must choose between fatherhood and violence.

出生於台北，國立台灣大學圖書館學系畢，美國南加州大學視覺人類學碩士。1994 年開始製作紀錄片，拍攝足跡遍及亞、歐、美、非洲，曾獲林肯中心與紐約文化局頒發最傑出亞洲藝術家獎，並獲美國女性電影協會頒發榮譽獎。美國洛杉磯時報及每日綜藝報等均予極高肯定，認為其作品「精緻並充滿人文及社會關懷」。 Ms. Chen received the Most Outstanding Asian Artist Special Award from Lincoln Center for the Performing Arts, and was honored by Women Make Film in the US. As a woman who grew up in a traditionally patriarchal culture, she has always been fascinated by codes of masculinity. Cinematographer 王均銘 Ming WANG Composer 林強 LIM Giong、許志遠 HSU Chih-Yuan Editing 陳博文 CHEN Po-Wen、翁玉鴻 Hong WONG Producer 劉紀鋼 Roger LIU Screenplay 花柏容 HUA PoJung Print Source 哈士奇電影股份有限公司 Wild Dog Productions

陳玫君 CHEN Mei-Juin

華山２廳｜ 10.16 ( 一 ) MON 18:00 ★ 華山２廳｜ 10.18 ( 三 ) WED 13:00

擬音 A Foley Artist

台灣 Taiwan │ 2016 │紀錄片 Documentary │ DCP │ Colour │ 100min

從配音、配樂、音效到最終混音，本片順著台灣同步音效師胡定一的職涯故事，追索台灣電影歷史發展中的聲音製作。同時，延伸至華語電影聲音世界，前往香港、北京、上海，一窺聲音製作歷史、技術發展與當今產業動態。從胡師傅個人故事出發，拉大至更寬廣的視角，《擬音》試圖在這個時代，為華語電影聲音發展留下重要記錄。

2017 瑞士真實影展 2017 新加坡華語電影節 2016 台北國際金馬影展

From the filming scene to post-production studio; from dubbing, music scoring, Foley, sound effects to the final mixing, A Foley Artist follows the only well-trained Foley artist in Taiwan, Master Hu Ding-Yi, and traces the history of sound making in Chinese-language films.

英國艾希特大學劇本寫作碩士。曾策劃製作【他們在島嶼寫作】文學大師紀錄電影：時任《如霧起時》製片並擔綱《化城再來人》副導及剪接；2012 年編導並剪接《無岸之河》。 WANG Wan-Jo holds an MA in Playwriting and Script Development from Exeter University, UK. She worked on the notable literary documentary series of Taiwan, The Inspired Island, and also wrote, directed and edited her first documentary, River Without Banks.

Director & Producer & Screenplay 王婉柔 WANG Wan-Jo Cinematographer 康盛理 KANG Sheng-Li Editor 矛小一 Yiyi MOU Sound 曹源峰 TSAO Yuan-Fong、陳嘉暐 CHEN Chia-Wei Print Source 牽猴子整合行銷股份有限公司 Activator Marketing Co., Ltd. 黃舜鈺 Anne HUANG

王婉柔 WANG Wan-Jo

尊瑪、尊瑪：我和她們在喜馬拉雅山的夏天

華山２廳｜ 10.19 ( 四 ) THU 15:00 華山２廳｜ 10.21 ( 六 ) SAT 17:10 ★

Tsunma, Tsunma: My Summer with the Female Monastics of the Himalaya 台灣 Taiwan │ 2017 │紀錄片 Documentary │ DCP │ B&W, Colour │ 70min 來自台灣的林麗芳，獨自前往海拔 4270 公尺的喜馬拉雅山，記錄安尼們如何在自然嚴峻的高原上生活和她們的信仰與夢想；一種喜馬拉雅山特有的謙卑與堅忍，這是她和安尼們的生活日記。這是屬於喜馬拉雅的夏天，用不一樣的眼睛，看見另一種生活，看見自己。 Tsunma, an honorific term connoting “noble, delicate, and pure”, refers to the Tibetan Buddhist nuns of the Himalayan Region. Taiwanese photographer Lin Li-Fang undertook a solo journey up 4,270 meters into the Himalayan Plateau and captured a life devoted to hope and faith and a people possessing a unique kind of tolerance, humility, and perseverance. 1965 年出生於雲林縣台西鄉；1993 年畢業於法國里昂 CTI 攝影學院；1989 年擔任天下雜誌攝影記者，開過四次攝影個展；1999 年開始印度之旅，記錄藏傳佛教僧侶在印度的學習與生活；2000 年獲得台灣金鼎獎雜誌攝影個人獎；2002 年始投入紀錄片創作； 2005 年獲 Jonny Walker 夢想資助計畫圓夢學堂；多部作品深受法國、荷蘭、日本等多國影展肯定。 LIN Li-Fang studied Photography at CTI College in France, where she graduated in 1993. She also studied at the National Taiwan University of Arts Graduate School of Applied Media Arts, graduating in 2002. In 1999, she began documenting the life and work of Tibetan Buddhist monks in India. She was awarded Taiwan's Golden Tripod Award and the Johnny Walker's Keep Walking Prize. Cinematographer 林麗芳 LIN Li-Fang Editor 林浩溥 LIN Hao-Pu Music 張文政 CHANG Wen-Cheng Producer 林孝謙 Gavin LIN Sound 簡豐書 Book CHIEN Print Source 牽猴子整合行銷股份有限公司 Activator Marketing Co., Ltd. 黃舜鈺 Anne HUANG

林麗芳 LIN Li-Fang

華山２廳｜ 10.16 ( 一 ) MON 15:30 華山２廳｜ 10.20 ( 五 ) FRI 18:40 ★

橋仔頭的春秋大夢 Fantasy

台灣 Taiwan │ 2016 │紀錄片 Documentary │ Blu-ray │ B&W , Colour │ 65min

橋頭糖廠曾造就二十世紀初台灣的經濟風貌；1999 年正式停工，劃下休止符。在這片翻騰的土地，「百年樹人」守住了這塊遺址，讓漂流藝術家有了另類的駐足領域。他們以海洋的視角與山林的縱深，看見一同生活在島嶼的多元族群，其豐富奔放的藝術能量，小心翼翼與所謂「主流」保持距離，維持著自身的邊緣性、獨立性、在地性、批判性與曖昧性。歷經農夫與工人的血汗辛勞，與這群另類藝術家的文化揮灑，百年糖廠舞台終將謝幕，只是這場謝幕，沒有觀眾。 The curtain fell on the history of the century-old sugar refinery, where farmers and workers spent their youth labouring hard. Later, the artists took over, toiling for twenty more years. They too had to leave eventually, one after another. This time the curtain falls again, but without any audience. 十多年來總是耗時盡力地投入每部影片創作，作品如《無米樂》及《牽阮的手》。《無米樂》獲選「影史百大華語電影」之一，兩人亦因此並列兩岸三地五十大華語導演之一。 YEN and CHUANG have been filming documentaries since the heavy earthquake that struck Taiwan on September 21, 1999. The two are among Taipei Golden Horse Film Festival’s list of the 50 Greatest Chinese-language Directors, and their work Let It Be was selected as one of the 100 Greatest Chinese-language Films.

Assistant Director & Executive Producer 鄭羽紋 ZHENG Yu-Wun Cinematographer & Producer 莊益增 Cres Yi-Tzeng CHUANG Editor & Art Director 顏蘭權 YEN Lan-Chuan Key Gaffer 張永明 CHANG Yung-Ming On-set Production Manage 鄭鈺耀 ZHENG Yu-Yao Print Source 顏蘭權 YEN Lan-Chuan

顏蘭權 YEN Lan-Chuan

莊益增 Cres Yi-Tzeng CHUANG 華山２廳｜ 10.16 ( 一 ) MON 15:30 華山２廳｜ 10.20 ( 五 ) FRI 18:40 ★

巴特 Bart

台灣 Taiwan │ 2016 │動畫片 Animation │ DCP │ Colour │ 17min

美好鎮的鎮民在殘暴鎮長的壓迫下只得紛紛逃跑，遺留下拖車裡恐懼又絕望的孤兒巴特。以撿拾垃圾勉強維生的困頓窘境裡，她許下願望，讓再造的垃圾玩偶們有了生命。鎮長發現這個秘密後，索性想將巴特和垃圾玩偶們燒掉！ Orphan girl Bart survives by living in an abandoned van collecting garbage. One day she brings the garbage dolls magically back to life. The Cruel Town of Wonders mayor commands to burn them…

2017 紐約獨立影展 2017 金穗獎一般類最佳動畫 2016 台北國際金馬影展 1982 年生於彰化傳統捏麵工藝世家，從小便開始在廟口販售捏麵人，除了傳統造型之外，更喜歡自創許多稀奇古怪的角色，並賦予它們故事和個性。 Born into a craftsman’s family, Sian’s work transforms the Chinese dough-crafting tradition to make stop-motion animation with beauty and cultural depth.

Editor 旋轉犀牛原創設計工作室 Turnrhino Original Design studio、周淑玫 JHOU Shu-Mei Producer 吳彥杰 WU Yan-Jie Screenplay 黃勻弦 HUANG Yun-Sian、吳彥杰 WU Yan-Jie Sound 聲產力文創 Sounds Great Institute Stop-motion Animator 唐治中 TANG Zhi-Zhong、楊笛 YANG Di、蔡易錦 TSAI Yi-Chin Print Source 旋轉犀牛原創設計工作室 Turnrhino Original Design Studio

黃勻弦 HUANG Yun-Sian

雙 Duet

台灣競賽短片集 1 Taiwan Shorts 1

華山２廳｜ 10.18 ( 三 ) WED 15:30 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 14:30 ★

台灣 Taiwan │ 2017 │動畫片 Animation │ Blu-ray │ Colour │ 07min

《雙》主要探討人格分裂。慘遭性侵的艾娜，在絕望與辱悔之際，意外發現肚子有了小生命，飽受精神折磨的她在萬分掙扎下，選擇生下腹中的胎兒，並堅強的活下去。沒想到看著長大後的女兒，那段地獄般的夢靨卻再次浮現… Anna got pregnant from sexual abuse. Despite her inner struggles, she still gives birth to her child. At first she decides to be strong and move on with her life. Anna didn’t expect the hellish nightmare to reappear after her daughter has grown up… 2017 青春影展 2017 HPC 動畫功夫國網中心

出生於 1995 年 8 月 18 日。上大學後第一次接觸到了 3D 動畫後，發現自己的強烈興趣，希望做出既可以讓人看見少數族群的弱勢處境，又能夠讓人印象深刻的動畫作品。 HUANG Pin-Xuan discovered her interest in 3D animation at university. in order to draw attention to the difficulties facing disadvantaged groups, she hopes to create animated films that leave a lasting impression.

Advisor 劉怡君 Jenny LIU Editor 李瑋芹 LI Wei-Chin Music 里洋錄音工程 Lofty Deity Studio Producer 吳宜芳 WU Yi-Fang Screenplay 湯淳羽 TANG Chun-Yu Print Source 吳宜芳 WU Yi-Fang

祝我好孕 Happy Birthday

台灣競賽短片集 1 Taiwan Shorts 1

黃品瑄 HUANG Pin-Xuan

華山２廳｜ 10.18 ( 三 ) WED 15:30 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 14:30 ★

台灣 Taiwan │ 2016 │紀錄片 Documentary │ Blu-ray │ Colour │ 32min

在台灣，生產過程的非必要性醫療介入情況嚴重，產婦自主權極低，因此容易感到無助與恐懼，連帶造成生育率下降。本片記錄嘉霙與嘉黛兩位助產師姊妹，以及幾位產婦的生產過程，藉此勇敢挑戰體制，將身體作為舞台，試圖喚起醫界、政府與民眾對生育自主的重視，讓生產不再是冰冷的標準流程，而是母親與孩子愛的旅程。

2016 新北市紀錄片獎優選

Unnecessary medical intervention in childbirth is a serious problem in Taiwan. Happy Birthday tries to raise the awareness of mothers’ right in childbirth, elevating childbirth from an unpleasant operation to a journey of love.

蘇鈺婷，Legna Studio 負責人，政大新聞系畢，獨立影像工作者。相信紀錄片是社會的家庭相本，土地的故事等待被散播。 Angel SU believes documentary films serve as the family album of society, and the stories of the land are waiting to be spread. 陳育青，於法國南特 Cinécréatis 電影學院研修電影製作。創作面向多為人權處境與環境問題，希望以美學、文字、影像等媒材實踐理想。

蘇鈺婷 Angel SU

Mimi CHEN studied filmmaking at Cinécréatis in Nantes, France. Her major fields of work include human rights, human plight and environment problems. Cinematographer 黃燕燕 Ether HUANG Editor 楊凱諺 Joseph YANG Producer 蘇鈺婷 Angel SU、陳育青 Mimi CHEN Sound 李俊宏 LI Jiun-Hung Print Source 黃力仁 HUANG Li-Jen

陳育青 Mimi CHEN

我媽的婚禮 My Mom's Wedding

台灣競賽短片集 1 Taiwan Shorts 1

華山２廳｜ 10.18 ( 三 ) WED 15:30 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 14:30 ★

台灣 Taiwan │ 2016 │劇情片 Fiction │ DCP │ Colour │ 25min

南部歌仔戲班的小生春琴要結婚了，新郎是戲班裡負責打鼓的小鮮肉阿忠，她的女兒會同意嗎？這對生活在不同世界的母女，就像親密的陌生人般，各有各的心事，而關係裡的愛恨情仇，將在這場熱鬧的婚禮中，一次爆發。她們最後是否將因為「愛」而祝福對方呢？ Shu-Jun’s mother intends to get married, and the groom is an old friend of Shu-Jun. Mother and daughter engage in a passionate argument over the appropriateness of the marriage. Will Shu-Jun accept her mother’s choice? 2017 倫敦世界影人影展 2017 台美電影節觀眾票選獎

90 年代中期開始從事劇場創作；2008 年移居美國紐約學習電影拍攝製作；2012 年返台就讀國立台北藝術大學電影創作研究所，作品《深夜海產店》於多個國際影展大放異彩。 Mian Mian LU became involved in Taipei’s avant-garde theater scene in the 90s. She makes short films and directs theater productions since 2012.

Cinematographer Richard CORNELISSE Director & Screenplay 陸慧綿 Mian Mian LU Editor 郭宗瑋 Flamingo KUO Sound 林子翔 Terry LIN Print Source 陸慧綿 Mian Mian LU

呼叫冥王星 Echo Each Other

台灣競賽短片集 1 Taiwan Shorts 1

陸慧綿 Mian Mian LU

華山２廳｜ 10.18 ( 三 ) WED 15:30 ☆ 華山２廳｜ 10.22 ( 日 ) SUN 14:30 ★

台灣 Taiwan │ 2017 │實驗片 Experimental │ DCP │ Colour │ 15min

描述一對以手語溝通的同志戀人，雖然無法言語，但感情比任何情侶都還熱烈。本片摒棄時間的連貫性，運用零碎片段的結構，堆疊兩位女主角反覆為了日常小事彼此推擠、拍打、吶喊且彼此丟擲物品的故事。以失戀 X 哲學 X 實驗影像的概念，呈現這對已經分手的戀人，使用手語與肢體語言溝通傳遞，亦體現出無聲以對的觀影經驗。 Telling the story of a lesbian couple only communicating through sign language, the film abandons the coherence of time and uses a fragmented structure to construct the narrative. Abandoning spoken dialogues and only using sign and body language, the film gives the audience an experience of this silent communication.

1993 年生於台北，現於崑山科技大學視訊傳播設計系就讀中。曾獲英國、希臘、美國、西班牙等國際影展肯定；2016 年獲公視劇展輔導金挹注，並以畢業製作企劃受 IAFOR 國際學術論壇研討會邀請至日本發表。 CHEN Pin-Ru and her team were awarded a major grant by Taiwanese public television in 2016, and she was invited to the 12th Filmasia film festival to present her graduation work by The International Academic Forum (IAFOR). Cinematographer 陳瑱輿 CHEN Jhen-Yu Editor 朱巧凌 CHU Chiao-Ling Producer 粘霈萱 NIEN PeiHsuan、趙婉婷 CHAO Wan-Ting Screenplay 陳品儒 CHEN Pin-Ru Sound 陳思憫 CHEN Szu-Min Print Source 趙婉婷 CHAO Wan-Ting

陳品儒 CHEN Pin-Ru

獅子林 Lion Plaza

台灣競賽短片集 2 Taiwan Shorts 2

華山２廳｜ 10.17 ( 二 ) TUE 18:30 華山２廳｜ 10.21 ( 六 ) SAT 14:30 ★

台灣 Taiwan │ 2016 │劇情片 Fiction │ DCP │ Colour │ 25min 準備尋死的麗華，從答錄機那頭聽見了母親的死訊…為了處理母親身後事，闊別多年麗華再度回到母親經營禮服店的獅子林大樓，過往的生活記憶以及兒時的片段回憶逐漸浮現。此時，突然出現的小男孩，像是母親最後的餽贈般…

2017 金穗獎學生組、2016 波蘭電影攝影藝術國際電影節 2016 莫斯科 VGIK 電影學院國際影展

Upon attempting suicide, Li-Hua receives the news of her mother's death. While Li-Hua goes through her mother's belongings, memories of the past gradually emerge. All of a sudden, a boy comes into her life. Like a final present from her mother, he is about to change Li-Hua’s life…

1994 年生，宜蘭人。畢業於世新大學廣電系電影組，作品擅長描繪人與人之間的疏離與寂寞。 Ama Yen-Ju YU's works always focus on the alienation and loneliness between humans. Cinematographer 張鷺瑩 CHANG Lu-Ying Director & Screenplay 游雁如 Ama Yen-Ju YU Editor 翁培紘 August Pei-Hong WONG Producer 薛克昭 Jocelyn HSUEH、黃晧宇 Joseph Hao-Yu HUANG Sound 郭政達 Dada GUO Print Source 游雁如 Ama Yen-Ju YU

視線 Voyant

台灣競賽短片集 2 Taiwan Shorts 2

游雁如 Ama Yen-Ju YU 華山２廳｜ 10.17 ( 二 ) TUE 18:30 華山２廳｜ 10.21 ( 六 ) SAT 14:30 ★

美國 USA │ 2016 │動畫片 Animation │ DCP │ Colour │ 04min 關於看與被看。整個格拍世界用紙製作而成，暗示著這個世界裡人與人之間緊張且脆弱的關係，一觸碰就可能毀壞，人們不交談也不互動；既不堅強也非英雄的主角，什麼決定都無法改變任何事情，原來她和一般人沒有不同—只是逃避，寧願選擇不再去看。

2017 金穗獎學生組優等

Voyant is a film about watching and being watched. The whole world is made of tissue paper, symbolizing relationships between people are very fragile, just like the paper. Confronting their fears, people do what they usually do; they choose not to see.

2015 年秋季，開始在南加大的動畫旅程。她喜愛停格動畫，並試著在每支短片裡講述更好的故事。 In fall 2015, YU Yu started her Master’s in Animation and Digital Arts at University of Southern California. She loves to use her hands to build a world of her own, and tries to tell a better story in every film. Animator & Cinematographer & Editor 余聿 YU Yu Sound & Music 張易婷 CHANG Yi-Ting Print Source 余聿 YU Yu

進行式 About Time

台灣競賽短片集 2 Taiwan Shorts 2

余聿 YU Yu 華山２廳｜ 10.17 ( 二 ) TUE 18:30 華山２廳｜ 10.21 ( 六 ) SAT 14:30 ★

台灣 Taiwan │ 2016 │動畫片 Animation │ DCP │ Colour │ 03min 2017 荷蘭國際動畫影展、2017 青春影展 2017 奧地利惡女國際動畫影展家該是等同避風港或庇護所的存在，卻因為家人的不在場，如空殼般，讓人感到不安和恐懼。

Home should be a safe haven or shelter, but if there is no family member inside, it still feels lonely and frightening.

2012 年任職 Studio2 動畫工作室美術設計時受到啟發；2014 年進入國立台南藝術大學動畫藝術與影像美學研究所深造；本片為首部獨立製作動畫，入圍荷蘭與奧地利等國際動畫影展。 While LIU Kuan-Wen worked in an animation studio, she found her passion in animation. In 2014, she enrolled at Tainan National University of the Arts. Her first short film About Time was shown at Holland Animation Film Festival and Tricky Women Animation Festival. Adviser 林巧芳 LIN Chiao-Fang Sound 張易婷 CHANG Yi-Ting Print Source 劉冠汶 LIU Kuan-Wen

劉冠汶 LIU Kuan-Wen

離枝 All Endings Are Beginnings

台灣競賽短片集 2 Taiwan Shorts 2

華山２廳｜ 10.17 ( 二 ) TUE 18:30 華山２廳｜ 10.21 ( 六 ) SAT 14:30 ★

台灣 Taiwan │ 2017 │劇情片 Fiction │ DCP │ Colour │ 30min

一個下著雨的午後，小偉發現母親不見了。因酗酒而失去工作的父親啟文，令越南籍母親金枝長期承受著壓力而選擇離家，小偉決定要從母親留下的書信裡，找尋與母親的連結，並改善自己與父親之間的關係。 Wei’s mother Chin-Zhi is from Vietnam. Having endured domestic abuse, she decides to leave the family. Wei is determined to find his mother through assembling clues from the letters left by her.

1994 年出生於桃園，從小受母親影響，非常熱愛電影，而後進入世新大學廣電系電影組就讀，2016 年畢業迄今，目前持續在影像和文字上面做努力。 Mandy HO was born in Taoyuan in 1994. She majored in Film Studies at Shih-Hsin University, and she works hard on writing scripts and editing images.

Cinematographer 吳軍翰 WU Chun-Han Director & Screenplay & Editor 何旻容 Mandy Ho Producer 張哲魁 CHANG Che-Kuei、林柏偉 LIN Bo-Wei Sound 林子祥 LIN Zi-Xiang Print Source 何旻容 Mandy HO

阿波羅十一號 Apollo 11

台灣競賽短片集 2 Taiwan Shorts 2

何旻容 Mandy HO

華山２廳｜ 10.17 ( 二 ) TUE 18:30 華山２廳｜ 10.21 ( 六 ) SAT 14:30 ★

台灣 Taiwan │ 2016 │劇情片 Fiction │ DCP │ Colour │ 25min

宇欣小時候最喜歡乘著父親哲明的計程車—阿波羅十一號，像太空漫遊般穿梭在城市裡。父親過世後，宇欣才發現有個男孩被他認養，好奇心驅使，宇欣決定開著阿波羅十一號，執行最後一次太空任務，當她到達一處月球表面般的荒地時，哲明留下的對講機突然傳來了男孩的聲音… Hsin’s father is a taxi driver fascinated by space travel. He even named his taxi Apollo 11. After his death, Hsin is surprised to learn that her father secretly has another child. Hsin embarks on her final mission to space, as she drives Apollo 11 to find the boy. 2017 金穗獎學生組最佳劇情片與最佳製片 2017 休士頓國際影展白金獎

來自高雄，政大廣播電視研究所畢，參與過多部影像製作製片及導演，關注女性議題及家庭題材，首部完整作品《阿波羅十一號》獲得金穗獎學生組最佳劇情與最佳製片。 CHEN Chih-Yin was born 1989 in Kaohsiung, Taiwan. She works on short narrative feature films. She focuses on women issues and family relationships. She also works as line producer of short films.

Cinematographer 古曜華 KU Yao-Hua Director & Screenplay & Editor 陳稚尹 CHEN Chih-Yin Producer 傅崑閔 FU Kun-Min Sound 李穎 LEE Ying Print Source 陳稚尹 CHEN Chih-Yin

陳稚尹 CHEN Chih-Yin

影片索引 Index A

89 A Foley Artist 擬音

G 74 Gaining Altitude 準備升空

43 A Mere Breath 神愛噬人

88 Girls Who Fell in Love with Math

50 A Queer Country 彩虹國度的真相

學數學的女孩們

94 About Time 進行式

38 Godless 無主之城

95 All Endings Are Beginnings 離枝 41 Almost Heaven 咫尺天堂 84 Angry Inuk 伊努克的怒吼

H 52 Half A Life 去留一念間 92 Happy Birthday 祝我好孕

95 Apollo 11 阿波羅十一號

53 Home 哈娃離家那麼遠 45 House Call - Vika 最後的時光

91 Bart 巴特

62 House of Others 屋中魅影

67 Breath 亂髮少女的日記 81 Breathe 我要妳深呼吸

65 I Am Truly a Drop of Sun on Earth 我是世上的一抹曙光

82 Cake 性愛包裹小心輕放

49 I.K.U. I.K.U.

51 CALALAI In-betweenness 帢拉萊：性別萬花筒

76 Icky 如果你也變成魔術方塊

71 Camping with Ada 湖畔的陌生人

60 In Her Words: The Journey of India Women

32,50 Chavela 查維拉：女人別為我哭泣

陰性書寫：印度之旅

77 Chromosome Sweetheart 染色體戀人

76 In Other Words 簡單來說

70 Close 悸動

72 IrIs 2.0 艾莉絲 2.0

75 Couplets for an Everlasting Eve 聖阿加莎夜

92 Duet 雙

93 Echo Each Other 呼叫冥王星 81 Enactone 吸血淫娃 80 Erotica: A Journey into Female Sexuality Erotica：女性情慾之旅

91 Fantasy 橋仔頭的春秋大夢 48 Fluidø 體液 Ø 43 Free 安娜想自由 68 French 非「法」女孩

61 Jello Underground 果凍摔角女人 ONLY

70 Some Birds Aren't Meant to Be Caged 賞鳥小艷遇

36 Summer 1993 夏日 1993

59 Ladies 不玩美女人

51 Superbia 天啊！有異性戀！

94 Lion Plaza 獅子林 56 Lipstick Under My Burkha 布卡下的唇唇慾動 82 Lovedoll 幹爆你

75 The Black Land 黑色巴格達

77 Love-in-Idleness 仲夏夜春夢

89 The Gangster's Daughter 林北小舞

52 Lule Love Lila 扮家家酒

58 The Girl in the Book 被竊取的故事 39 The Grown-Ups 大人的模樣 34,66 The Gulls 卡爾梅克的海鷗

M 42 Motherland 媽媽鏈：歡迎來到嬰兒工廠

60 The Loudest Silence 最喧囂的沉默

74 Munitionnettes 我的胸罩小革命

54 The Stopover 女兵的中場戰事

93 My Mom's Wedding 我媽的婚禮

90 Tsunma, Tsunma: My Summer with the Female Monastics of the Himalaya

O 61 Oslo Traffic 奧屍路 57 Ovarian Psycos 卵巢瘋上路

尊瑪、尊瑪：我和她們在喜馬拉雅山的夏天

40 Nalu on the Border 娜魯的憂鬱邊界

88 Packages from Daddy 心靈時鐘

75 Tucuman 古老傳說：黑夜誕生

94 Voyant 視線

71 Witches 女巫

74 Panic Attack! 焦慮不安胸悶心悸手抖

81 Pictures at an Exhibition 蒙娜麗莎的淫笑

44 Rosario 羅薩里奧的抉擇

78 XConfessions 情慾告白 X 檔案

53 Y 不醉不歡Ｙ世代

76 Shuma 樹瑪寶貝 46 Signature Move 必殺絕招愛上妳 44 Sisters 姊妹情深 64 Śledztwo the Inquest 消失人口 86 Small Talk 日常對話 83 Snapshot 索命快照

版權資料 Print Source A

A Foley Artist 擬音

Close 悸動

Home 哈娃離家那麼遠

牽猴子整合行銷股份有限公司 Activator Marketing Co., Ltd. 黃舜鈺 Anne HUANG hsyu.angie@gmail.com

Lisa REICH lisa_reich@hotmail.de

More RAÇA moreraca.director@gmail.com

Couplets for an Everlasting Eve

House Call - Vika 最後的時光

聖阿加莎夜 Kimuak - Esther CABERO kimuak@filmotecavasca.com

Go2Films festivals@go2films.com

A Mere Breath 神愛噬人 Syndicado Inc. aleksandar@syndicado.com

A Queer Country 彩虹國度的真相 Taskovski Films Ltd. festivals@taskovskifilms.com

House of Others 屋中魅影

Tato Film o.yershova@gmail.com

Duet 雙吳宜芳 WU Yi-Fang duet0235@gmail.com

About Time 進行式

劉冠汶 LIU Kuan-Wen kuanwen124@gmail.com

All Endings Are Beginnings 離枝

何旻容 Mandy Ho mandy83824@gmail.com

Almost Heaven 咫尺天堂 Taskovski Films Ltd. festivals@taskovskifilms.com

Angry Inuk 伊努克的怒吼

Echo Each Other 呼叫冥王星

我是世上的一抹曙光 Film Republic info@filmrepublic.biz

趙婉婷 CHAO Wan-Ting tk846142@gmail.com

I.K.U. I.K.U.

Enactone 吸血淫娃

Uplink Co. hirai@uplink.co.jp

Jürgen BRÜNING producer@ottothezombie.de

Icky 如果你也變成魔術方塊

Erotica: A Journey into Female Sexuality

Parastoo CARDGAR parastoo.cr@hotmail.com

Erotica：女性情慾之旅 Red Queen Productions redqueenproductions@sympatico.ca

National Film Board of Canada d.dussault@onf.ca

Apollo 11 阿波羅十一號陳稚尹 CHEN Chih-Yin fyfy1130@gmail.com

Bart 巴特旋轉犀牛原創設計工作室 Turnrhino Original Design Studio turnrhino@gmail.com

In Other Words 簡單來說

顏蘭權 YEN Lan-Chuan cres431@gmail.com

Tal KANTOR kantaltor@gmail.com

Fluidø 體液 Ø

IrIs 2.0 艾莉絲 2.0

M-Appeal World Sales films@m-appeal.com

Isabella GRESSER isa.gress@gmx.de

CinePromo cinePromo@yandex.ru

Iranian Independents info@iranianindependents.com

French 非「法」女孩 Yukunkun Productions nelson@yukunkun.fr

Breathe 我要妳深呼吸 Goodyn GREEN goodyngreen@hotmail.com

Gaining Altitude 準備升空 Kristen CURRIER kcurrier.animation@gmail.com

Cake 性愛包裹小心輕放 Anne HU annehufilms@gmail.com

Girls Who Fell in Love with Math CALALAI In-betweenness

學數學的女孩們王慰慈 Weitsy WANG weitsy@gmail.com

帢拉萊：性別萬花筒 Kiki FEBRIYANTI febriyanti.kiki@gmail.com

Godless 無主之城 Heretic Outreach ioanna@heretic.gr

Camping with Ada 湖畔的陌生人 Them Girls Film stine@themgirls.no

Chavela 查維拉：女人別為我哭泣佳映娛樂國際股份有限公司 Joint Entertainment International Inc. info@j-ent.com.tw

In Her Words: The Journey of India Women 陰性書寫：印度之旅 Public Service Broadcasting Trust anjuli@psbt.org

Fantasy 橋仔頭的春秋大夢

Free 安娜想自由 Breath 亂髮少女的日記

I Am Truly a Drop of Sun on Earth

Half A Life 去留一念間 Ado Ato Pictures tamara@adoatopictures.com

Chromosome Sweetheart

Happy Birthday 祝我好孕

染色體戀人 YANO Honami beasnb773.g@gmail.com

黃力仁 HUANG Li-Jen li.jen.huang05@gmail.com

Jello Underground

Pictures at an Exhibition

The Loudest Silence 最喧囂的沉默

果凍摔角女人 ONLY Gregory BAXLEY baxleygregory@gmail.com

蒙娜麗莎的淫笑 Julija PROSKURINA proskurina.julija@gmail.com

Marccela MORENO marcela.vegah@gmail.com

The Stopover 女兵的中場戰事

Ladies 不玩美女人

Films Distribution festival@filmsdistribution.com

Rosario 羅薩里奧的抉擇 Centro de Capacitación Cinematográfica(El CCC) mariana@elccc.com.mx

佳映娛樂國際股份有限公司 Joint Entertainment International Inc. info@j-ent.com.tw

Tsunma, Tsunma: My Summer with the Female Monastics of the Himalaya 尊瑪、尊瑪：我和她們在喜馬拉雅山的夏天牽猴子整合行銷股份有限公司 Activator Marketing Co., Ltd. 黃舜鈺 Anne HUANG hsyu.angie@gmail.com

Lion Plaza 獅子林游雁如 Ama Yen-Ju YU ama1994624@gmail.com

布卡下的唇唇慾動 M-Appeal World Sales films@m-appeal.com

Tucuman 古老傳說：黑夜誕生

Signature Move 必殺絕招愛上妳

Natalia RYSS boshvib@gmail.com

The Film Collaborative jeffrey@thefilmcollaborative.org

Lovedoll 幹爆你 Débora ZANATTA debozanatta@gmail.com

Sisters 姊妹情深 Vita Aktiva Co. info@vita-aktiva.ru

Love-in-Idleness 仲夏夜春夢 Mew Lab kim@mewlab.com

Voyant 視線余聿 YU Yu yyu177@usc.edu

Śledztwo the Inquest 消失人口 Ena KIELSKA enakielska@gmail.com

Lule Love Lila 扮家家酒 Anja GURRES film@anjagurres.de

Shuma 樹瑪寶貝 Lucija MRZLJAK luci.sidd@gmail.com

Lipstick Under My Burkha

Small Talk 日常對話

Witches 女巫 Domenico DE CEGLIA gruppofarfa@gmail.com

黃惠偵 HUANG Hui-Chen fest.smalltalk@gmail.com

Snapshot 索命快照

Motherland

Pink and White Productions, Inc info@pinkwhite.biz

媽媽鏈：歡迎來到嬰兒工廠 Dogwoof Pictures luke@dogwoof.com

Erika LUST erikalust@lustfilms.com

Some Birds Aren't Meant to Be Caged 賞鳥小艷遇 Banatu Filmak info@banatufilmak.com

Munitionnettes 我的胸罩小革命 Lara COCHETEL lara.cochetel@gmail.com

Summer 1993 夏日 1993

My Mom's Wedding 我媽的婚禮

New Europe Film Sales kat@neweuropefilmsales.com

陸慧綿 Mian Mian LU lu.mianmian@gmail.com

XConfessions 情慾告白 X 檔案

Y 不醉不歡Ｙ世代 Gina WENZEL gina-wenzel@gmx.de

Superbia 天啊！有異性戀！

Gábor OSVÁTH gosvath@gmail.com

Nalu on the Border 娜魯的憂鬱邊界 Loco Films World Sales laurent.danielou@loco-films.com

T O

Oslo Traffic 奧屍路 Johanna PYYKKÖ pyykko.johanna@gmail.com

Ovarian Psycos 卵巢瘋上路 Women Make Movies kfitzpatrick@wmm.com

The Black Land 黑色巴格達 Daby Zainab FAIFHI daby.ihsan@gmail.com

The Gangster's Daughter 林北小舞哈士奇電影股份有限公司 Wild Dog Production amychen196611@gmail.com

The Girl in the Book 被竊取的故事 Myriad Pictures info@myriadpictures.com

Packages from Daddy 心靈時鐘中影股份有限公司 Central Motion Picture Corporation 張毓庭 Cleo CHANG cleo_chang@movie.com.tw

Panic Attack! 焦慮不安胸悶心悸手抖 Eileen O'MEARA eileenomeara@earthlink.net

The Grown-Ups 大人的模樣 Catndocs World Sales maelle@catndocs.com

The Gulls 卡爾梅克的海鷗 ANT!PODE Sales & Distribution festivals@antipode-sales.biz

anoka.asia facebook.com/anoka.asia

第24屆 台灣國際女性影展 電子版手冊

第24屆台灣國際女性影展電子版手冊