M.arch portfolio by zulhumar turghun

ZULHUMAR TURGHUN, M ARCH

P ORT FOLI O

Academy of Art University School of Architecture 2 0 1 4 â&#x20AC;&#x201D; 2 0 18

San Francisco, California

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

ZULHUMAR TURGHUN, M ARCH

P ORT FOLI O

Academy of Art University School of Architecture 2 0 1 4 â&#x20AC;&#x201D; 2 0 18

San Francisco, California

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

TA B L E O F CO N T E N T S

TA B L E O F CO NTE NTS PROJEC T 01

P ROJECT 0 5

Folded Tracks

Enlightened Symbols

Page 4

Page 66

PROJEC T 02

P ROJECT 0 6

Experience Hot & Cold

Continues Panels

Page 22

Page 82

PROJEC T 03

P ROJECT 0 7

Cloud of Books in the Forest

Painting In the Air

Page 40

Page 92

PROJEC T 04

P ROJECT 0 8

Shifted Angles

Personal Enrichment

Page 56

Page 96

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2017

FOLDED TRACKS

COU RSE

STATEMENT

Intermediate Design Studio 1

In this studio, we were asked to design a Center for Digital Fabrication Arts in West Oakland. The building needed to be an iconic landmark in the area with the inclusive mission of serving as a community-focused art center, training facility, and business incubator. The goal was to bring technology, art, and innovation to West Oakland and serve the local population by connecting it to the fast-growing industries of the Bay Area.

INSTR UC TOR S

Gabriel Kaperielian Peter Suen

P ROJE C T

Digital Fabrication Center

LOCAT I ON

West Oakland, California

4 / 5

The building provides both indoor and outdoor places for gathering, production space for training in the digital fabrication arts, rental space for business incubation, and housing units. The building fits in with the BART track behind the site location. It advertises itself with the screens on the faรงade facing BART that invites people to stop and visit the building. The products that are fabricated in the building will be displayed on the video screens or will hang from the interior ceiling.

F O L D E D T R AC K S

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

WEST OAKLAND SITE

6 / 7

0’

50’

0’

50’

0’

50’

2014-2018

01 DI AGR AM

Site Narrative 02 M O DE L

Site Morphosis 03 M O DE L

Site Morphosis

F O L D E D T R AC K S

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

TRANSFORMATION

FACADE

TRANSFORMATION

Bart train

FACADE

AXIS

Break

BREAK

building outline

Bart train

FACADE

AXIS

DIAGRAM

BREAK

building outline

Bart train

DIAGRAM Bart train BREAK Building outline building outline

DIAGRAM

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2014-2018

01 DI AGR AM

Transformation, Split, Axis 02 M O DE L

Egress & Structure Study 03 M O DE L

Program Study

F O L D E D T R AC K S

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

F O L D E D T R AC K S

Sunshade SUN SHADE

Facade FACADE

Structure STRUCTURE

Egress EGRASS

01 DR AW I N G

Site Plan

Program PROGRAM 02 AXO N

Exploded Building System

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

F O L D E D T R AC K S

4 3 UP

1. FABRICATION 2.AUDITORIUM 3.RECEPTION 4.OUTDOOR AUDITORIUM

01 R E N DE R I N G

Main Staircase 02 DR AW I N G

Ground Floor Plan

GROUND FLOOR PLAN

5’

15’

35’

75’

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

7 9

7 9 9

7.OFFICE 8.CO-WORKING SPACE 9.HOUSING 10.GALLERY

THIRD FLOOR 0

5’

15’

PLAN

35’ 75’

5 7 5

6 7

6 6

Fabrication hall

Auditorium

Reception

Amphitheater

Classroom

Design area

Office

Co-working space

9 10 1.FABRICATION 5.CLASSROOM 6.DESIGN AREA 7.OFFICE 8.CO-WORKING SPACE

14 / 15

SECOND FLOOR PLAN

5’

15’

35’

75’

Dwelling Exhibition gallery

01 DR AW I N G

Third Floor Plan 02 DR AW I N G

Second Floor Plan 03 R E N DE R I N G

From The Bart

F O L D E D T R AC K S

Z U L H U M A R T U RG H U N , M . A RC H

16 / 17

SELECTED WORK

2014-2018

F O L D E D T R AC K S

01 DR AW I N G

West & East Elevation 02 DR AW I N G

Main Cross Section

MAIN CROSS SECTION 1/8”=1’-0”

Z U L H U M A R T U RG H U N , M . A RC H

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S E L E C T E D W O R KS E L E C T E D W O R K

2014-2018 2014-2017

GATHERING SPACE 00

F O L D E D T R AC K S

ION ROOM MAIN STAIRS VIEW

MAIN ENRANCE

GATHERING SPACE

FABRICATION ROOM MAIN S

MAIN ENRANCE

01 R E N DE R I N G

Second Floor Lobby 02 P E R SP E C T I VE

Interior View From Different Spot 03 M O DE L

Main Cross Section 04 R E N DE R I N G (next page)

From Main Entrance

FABRICATION ROOM

MAIN E

Z U L H U M A R T U RG H U N , M . A RC H

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S E L E C T E D W O R KS E L E C T E D W O R K

2014-2018 2014-2017

F O L D E D T R AC K S

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

EXPERIENCE HOT & COLD

COU RSE

STATEMENT

Advanced Design Studio 2

In this studio, we were asked to design a complex and integrated project in an urban context, with a meaning that is expressed architecturally. The program was an abattoir that was to provide for the receiving of individual animals, slaughtering, butchering, dressing, sale, and the consumption all under one roof. We needed to decide how the architecture would go together programmatically and tectonically, and how our way of thinking about the design activity affects every step of the butchery.

INSTR UC TOR S

David Gill Benjamin Corotis

P ROJE C T

Neighborhood Butchery

LOCAT I ON

San Francisco, California

22 / 23

Rather than hiding the process, I chose to expose the butchery activities, in order to give everyone an opportunity to understand the whole workflow. The decision for the materials used were made based on the temperature needed in each program area. Consumers can experience the temperature change to deeply understand meat-making. Every design decision was made with fully integrated understanding of the butchery process.

E X P E R I E N C E H OT & CO L D

2436

2448

KITCHEN

2448

SELECTED WORK

2436

STAFF STORAGE

Z U L H U M A R T U RG H U N , M . A RC H

2014-2018

2436

COLD STORAGE

2436

C 2448

2436

BUTCHERING

ENTRY LOBBY

DECK

public & private spaces

COLD 24 / 25

D DESIGN ONSUMPTION

ventilation

public & private spaces

E X P E R I E N C E H OT & CO L D

Roof

roof

Glazing glazing

Steel Structure steel structure

public & private spaces

Second Floor wall

01 DI AGR AM

Natural Ventilation 02 DI AGR AM

Temperature Control 03 AXO N

Exploded Building System

ventilation

Ground Floor building system

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

01 B

H C

JANITOR WOMAN'S RESTROOM

TRASH/RECYCLE

MAN'S RESTROOM H C 2448

2448

2436

2448

2436

2448

2436

KITCHEN

2436

2448

STAFF STORAGE

2436

COLD STORAGE

UP 2436

2436

2448

2436

BUTCHERING

A UP

ENTRY LOBBY

DECK

roof

glazing

steel structure

HOT & COLD

public & private spaces

ARH 619: INTEGRATED DESIGN SUNLIGHT, CRAFT, CONSUMPTION THE DOG PATCH NEIGHBOORHOOD BUTCHERY

wall

INSTRUCTORS: DAVID GILL , BEN COROTIS STUDENT:ZULIHUMAER TUERHONG

26 / 27

ventilation

building system

E X P E R I E N C E H OT & CO L D

02 B

2448

STORAGE

2448

PACKAGE & AGING

PREP-KITCHEN

MAN'S CHANGE

WOMAN'S CHANGE

SLAUGHTER

2448

DEMONSTRATION KITCHEN

2448

A UP

EVENT SPACE

MANAGER

B D

H C

JANITOR WOMAN'S RESTROOM

TRASH/RECYCLE

01 DR AW I N G

MAN'S RESTROOM H C

Ground Floor Plan

Second Floor Plan

2448

2436

2448

02 DR AW I N G

2436 2448

2448

2436

KITCHEN

2436

2448

STAFF STORAGE

2436

COLD STORAGE

2436

C 2436

BUTCHERING

2448

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

E X P E R I E N C E H OT & CO L D

01 R E N DE R I N G

Butcher Area 02 DR AW I N G

Section B-B

30X150 MM TIMBER PANEL 60X40 MM TIMBER 80X120 MM TIMBER

LIGHTWEIGHT CONCRETE W/ METAL DECK

30X150 MM TIMBER PANEL 60X40 MM TIMBER

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

80X120 MM TIMBER

2014-2018

LIGHTWEIGHT CONCRETE W/ METAL DECK SHEET METAL PARAPET CAP SHEET METAL PROTECTION

6"X12" STEEL BEAM

SHEET METAL PROTECTION

LIGHT WEIGHT CONCRETE

PLATE OF ANCHORAGE LAMINATED GLASS

GRAVEL

ROOF DRAIIN

WATERPROOF MEMBRANE THERMAL INSULATION

LIGHT WEIGHT CONCRETE W/ METAL DECK 6"X12" STEEL BEAM DRAINAGE PIPING

80X120 MM TIMBER 80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

LAMINATED GLASS ANCHOR TO THE CONCRETE PLATE OF ANCHORAGE

LIGHT WEIGHT CONCRETE

80X120 MM TIMBER

6" X 6" STEEL COLUMN ANCHOR TO THE FOUNDATION PLATE OF ANCHORAGE LEVELING MORTAR

80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

LIGHT WEIGHT CONCRETE WATERPROOF MEMBRANE SAND GRAVEL

EARTH

30X150 MM TIMBER PANEL 60X40 MM TIMBER 80X120 MM TIMBER

LIGHTWEIGHT CONCRETE W/ METAL DECK SHEET METAL PARAPET CAP SHEET METAL PROTECTION

6"X12" STEEL BEAM

SHEET METAL PROTECTION

LIGHT WEIGHT CONCRETE

PLATE OF ANCHORAGE LAMINATED GLASS

GRAVEL

ROOF DRAIIN

WATERPROOF MEMBRANE

0 1 D RAW IN G

THERMAL INSULATION

Section D-D

LIGHT WEIGHT CONCRETE W/ METAL DECK 6"X12" STEEL BEAM

0 2 D RAW IN G

DRAINAGE PIPING

Section C-C 80X120 MM TIMBER 80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

0 3 REN D ERIN G LAMINATED GLASS ANCHOR TO THE CONCRETE

From the Dining Area PLATE OF ANCHORAGE

LIGHT WEIGHT CONCRETE

30 / 31 80X120 MM TIMBER 80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

6" X 6" STEEL COLUMN ANCHOR TO THE FOUNDATION PLATE OF ANCHORAGE LEVELING MORTAR

E X P E R I E N C E H OT & CO L D

Z U L H U M A R T U RG H U N , M . A RC H

32 / 33

SELECTED WORK

2014-2018

01 DR AW I N G

Section A-A

E X P E R I E N C E H OT & CO L D

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 D RAW IN G

South Elevation

34 / 35

E X P E R I E N C E H OT & CO L D

Z U L H U M A R T U RG H U N , M . A RC H

36 / 37

SELECTED WORK

2014-2018

E X P E R I E N C E H OT & CO L D

04 30X150 MM TIMBER PANEL 60X40 MM TIMBER 80X120 MM TIMBER

LIGHTWEIGHT CONCRETE W/ METAL DECK SHEET METAL PARAPET CAP SHEET METAL PROTECTION

6"X12" STEEL BEAM

SHEET METAL PROTECTION

LIGHT WEIGHT CONCRETE

PLATE OF ANCHORAGE LAMINATED GLASS

GRAVEL

ROOF DRAIIN

WATERPROOF MEMBRANE THERMAL INSULATION

LIGHT WEIGHT CONCRETE W/ METAL DECK 6"X12" STEEL BEAM DRAINAGE PIPING

30X150 MM TIMBER PANEL 60X40 MM TIMBER

80X120 MM TIMBER

80X120 MM TIMBER LAMINATED GLASS

80X120 MM TIMBER 30X150 MM TIMBER PANEL

LIGHTWEIGHT CONCRETE W/ METAL DECK

ANCHOR TO THE CONCRETE

60X40 MM TIMBER

SHEET METAL PARAPET CAP SHEET METAL PROTECTION

PLATE OF ANCHORAGE

6"X12" STEEL BEAM

SHEET METAL PROTECTION

LIGHT WEIGHT CONCRETE

PLATE OF ANCHORAGE LAMINATED GLASS

GRAVEL

ROOF DRAIIN

WATERPROOF MEMBRANE THERMAL INSULATION

80X120 MM TIMBER

LIGHT WEIGHT CONCRETE W/ METAL DECK 6"X12" STEEL BEAM

6" X 6" STEEL COLUMN ANCHOR TO THE FOUNDATION PLATE OF ANCHORAGE LEVELING MORTAR

80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

DRAINAGE PIPING LIGHT WEIGHT CONCRETE WATERPROOF MEMBRANE SAND

80X120 MM TIMBER 80X120 MM TIMBER 30X150 MM TIMBER PANEL

01 DR AW I N G

60X40 MM TIMBER

GRAVEL

LAMINATED GLASS EARTH

ANCHOR TO THE CONCRETE PLATE OF ANCHORAGE

Wall Section LIGHT WEIGHT CONCRETE

02 DR AW I N G

Partial Elevation 03 DR AW I N G

Parapet Detail 04 DR AW I N G

Window Detail

80X120 MM TIMBER 80X120 MM TIMBER 30X150 MM TIMBER PANEL 60X40 MM TIMBER

LIGHT WEIGHT CONCRETE WATERPROOF MEMBRANE SAND GRAVEL

EARTH

6" X 6" STEEL COLUMN ANCHOR TO THE FOUNDATION PLATE OF ANCHORAGE LEVELING MORTAR

Z U L H U M A R T U RG H U N , M . A RC H

38 / 39

S E L E C T E D W O R KS E L E C T E D W O R K

2014-2018 2014-2017

E X P E R I E N C E H OT & CO L D

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

CLOUD IN THE FOREST

COU RSE

STATEMENT

Advanced Design Studio 1

In this studio, we were asked to explore the design of a high-profile library on an extremely exposed, scenic, and delicate site at Lincoln Park, San Francisco. Libraries are more than just repositories of books. They have a more active role in cultural and social engagement. The library is a symbol of remembrance and place for recollection. The studio asked us to investigate, question, and redefine the role of this enduring typology.

INSTR UC TOR S

Mark Muekenheim Maria Paz De Moura Castro P ROJE C T

Lincoln Park Library LOCAT I ON

San Francisco, California

40 / 41

I was moved by the beauty of the site. The view of green trees under white clouds creates a powerful peaceful image in my mind, and I didnâ&#x20AC;&#x2122;t want to break the harmonious feeling it gave me. It became my main concept to create a space that is under a cloud of books in the forest. Much like that view, there is no clear boundary between inside and outside. The building and nature perfectly merge together.

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

42 / 43

SELECTED WORK

2014-2018

C LO U D I N T H E F O R E S T

public open puclic close private

01 M O DE L

Program Concept 02 DI AGR AM

Circulation Analysis

Diagram

Z U L H U M A R T U RG H U N , M . A RC H

44 / 45

SELECTED WORK

2014-2018

01 DR AW I N G

First Floor Plan 02 DR AW I N G

Second Floor Plan

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

46 / 47

SELECTED WORK

2014-2018

C LO U D I N T H E F O R E S T

ROOF

STRU

EXTER

FLOO 01 R E N DE R I N G

Exterior View 02 AXO N

Exploded Building System

Z U L H U M A R T U RG H U N , M . A RC H

48 / 49

SELECTED WORK

2014-2018

01 DR AW I N G

East Elevation 02 DR AW I N G

South Elevation

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

50 / 51

SELECTED WORK

2014-2018

01 R E N DE R I N G

Interior View 02 R E N DE R I N G

Interior View

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 D RAW IN G

Cross Section 0 2 D RAW IN G

Longitude Section

52 / 53

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

54 / 55

S E L E C T E D W O R KS E L E C T E D W O R K

2014-2018 2014-2017

C LO U D I N T H E F O R E S T

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

SHIFTED ANGLES

COU RSE

STATEMENT

Introductory Design Studio 2

In this studio, we were asked to choose our own site around Mono Lake for designing a spa by the lake. Mono Lake is a paradise for birdwatchers

INSTR UC TOR S

and photographers. There are three main bird watching areas: County Park, South Tufa and Lee Vining Canyon.

Keith Plymale Benjamin Rice P ROJE C T

Mono Lake Spa LOCAT I ON

Mono County, California

56 / 57

Therefore, I chose a location for the site that was equidistant from the three bird-watching areas. This location is also convenient for the visitors because it is located near the main access picnic grounds road. To see at least two bird-watching spots from each room, I decided to orient the building facing northeast and angle of the room rotated towards two birdwatching areas. In this way, the building could also receive enough light and enjoy the dynamic sunset and sunrise from each room.

SHIFTED ANGLES

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 REN D ERIN G

Room Perspective 0 2 D RAW IN G

Room Plan 0 3 REN D ERIN G

Inside of the Room

58 / 59

SHIFTED ANGLES

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

03 0 1 D RAW IN G

Forth Floor Plan 02 D RAW I NG Third Floor Plan 0 3 D RAW IN G

Second Floor Plan 0 4 D RAW IN G

Ground Floor Plan

60 / 61

SHIFTED ANGLES

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 D RAW IN G

Longitude Section 0 2 D RAW IN G

Cross Section 0 3 REN D ERIN G

View From Balcony

62 / 63

SHIFTED ANGLES

Z U L H U M A R T U RG H U N , M . A RC H

64 / 65

S E L E C T E D W O R KS E L E C T E D W O R K

2014-2018 2014-2017

SHIFTED ANGLES

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

ENLIGHTENED SYMBOLS

P ROJE C T

STATEMENT

National Museum of World Writing

In this competition, understanding the inevitable connection found between communication, writing and cultural identity became the fundamental criteria for researching, organizing and laying out our proposal. From the time of cave paintings and petrographic carvings to the word processing systems of today. It is clear that writing has had an evolutionary contribution on the definition, identity and growth of all cultural groups and societies associated with specific languages. Sounds and symbols are two basic categories which contributed to the evolution of languages.

LOCAT I ON

Incheon, South Korea INSTR UC TOR

Alberto Bertoli PA RTI C I PA N TS

Zulhumar Turghun Jinmeng Chen Yiyue Chen Hannah Moon Shawn

66 / 67

Ultimately, we believe that understanding the various existing social and cultural variations through the lens of writing will enhance the comprehension and connectivity of humanity in our planet. This is the goal of our proposal and the objective of our building design.

0 0 55

0066

0077

MORPH EN OLLO I GG HYT E&NFA E DB RSIYCM AT B IOOLN S

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

Public Space Staff Space

0 1 D IAG RAM

Building Mass Analysis 0 2 D IAG RAM

Timeline of Writing

68 / 69

Development of scripts

Tablet & Smart-phone

Mechanical writing

Computer & Smart-phone

Mechanical typing

Telegraph

Proto-Sinatic

Hittite

Indus script

Electronic typing

Hand writing

Ancient paper writing

Bamboo scroll writing

Clay tablet writing

Syllabic

Alphabetic

Elamite

Egyptian

Cuneiform

Logophonetic

00 06 07 08

Transparent screen Writing

Development of writing

ENLIGHTENED SYMBOLS

Virtual reality Writing in the air

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2017 8

ENLIGHTENED SYMBOLS

SITE PLAN

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2nd Floor Plan - Scale 1:500 01 N N

Plan North orth Plan an Nor North

2014-2018

offices (above) see ground floor plan

224 m2

parking 1500 m2

636 m2

118 m2

warehouse 866 m2 2936 m2

N Basement Floor Plan - Scale 1:500 3rd Floor Plan - Scale 1:500 02 N

Site Plan - Scale 1:1200

Plan North

149 m2

220 m2

80 m2

61 m2

Level 2.5 Floor Plan - Scale 1:500

storage warehouse 866 m2

2nd Floor Plan - Scale 1:500

SITE PLAN

03 N N

Plan a Nor North Plan n North orth offices (above) see ground floor plan 224 m2

0 1 D RAW IN G

parking 1500 m2

636 m2

Third Floor Plan 0 2 D RAW IN G

118 m2

Second Floor Plan

warehouse 866 m2

0 3 D RAW IN G 2936 m2

Basement Floor Plan

0 4 D RAW IN G

Ground Floor Plan Basement Floor Plan -1:500 Scale 1:500 3rd Floor Plan - Scale

Site Plan - Scale 1:1200

Plan North

72 / 73

149 m2

80 m2

220 m2

ENLIGHTENED SYMBOLS

BUILDING PLANS

existing building

3 4

Proposed bridge to upper park parhway Upper plaza

Teflon tension structure above

View of Tribowl Theatre View of Arts Center

Plan North

Ground Floor - Scale 1:500

74 / 75 ha nic

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pu te

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Z U L H U M A R T U RG H U N , M . A RC H SELECTED WORK 2014-2018

Staff Circulation

Visitor Circulation

Vertical Circulation

0 1 D IAG RAM

Building Circulation

0 2 REN D ERIN G

View From the Storage

ENLIGHTENED SYMBOLS

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 D RAW IN G

Cross Section 1 0 2 D RAW IN G

Cross Section 2 0 3 D RAW IN G

Longitude Section 3 0 4 D RAW IN G

Longitude Section 4

76 / 77

ENLIGHTENED SYMBOLS

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

NS AND ELEVATIONS 4

Section 2: Scale 1:500

cale 1:500

on: Scale 1:250

ation: Scale 1:500

78 / 79

Section 3: Scale 1:500

Section 2: Scale 1:500

n 1: Scale 1:500

Section 3: Scale 1:500 00

01 DR AW I N G

North Elevation

Section 4: Scale 1:500 02 DR AW I N G

South Elevation

East Elevation: Scale 1:250

North Elevation: Scale 1:500

South Elevation: Scale 1:500

ENLIGHTENED SYMBOLS

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

0 1 REN D ERIN G

Building Night View 0 2 REN D ERIN G

View From the Plaza 0 3 REN D ERIN G

View From the Cave 0 4 REN D ERIN G

View From South Plaza

80 / 81

ENLIGHTENED SYMBOLS

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

CONTINUOUS PANELS

COU RSE

STATEMENT

Construction Documents

In this class, we were asked to develop a high level of competence in the technical aspects of architectural design through exploring a wall section with its related elevations, plans, and key details to provide a significant portion of a completed description of a building.

INSTR UC TOR S

David Gill P ROJE C T

Residential Building LOCAT I ON

San Francisco, California

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The project is a three-story home studio building facing south. The design concept is to maximize shade and reduce the thermal heat of the sun. The hanging aluminum composite panels become the main elements of the faรงade. The walls are non-load bearing. The structural steel framing system gives more opportunity to have larger openings. When the second floor Nana wall is fully opened, the balcony becomes an extension of the interior space. The foundation of the building is cast-in-place reinforced concrete.

CO N T I N U O U S PA N E L S

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SELECTED WORK

2014-2018

01 DR AW I N G (previous page)

Main Facade Elevation 02 DR AW I N G

Sections 03 DR AW I N G

Floor Plan

CO N T I N U O U S PA N E L S

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

01 DR AW I N G

Floor Detail 02 DR AW I N G

Parapet Detail 03 DR AW I N G

Foundation Detail

CO N T I N U O U S PA N E L S

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SELECTED WORK

2014-2018

01 DR AW I N G

Entrance Door Detail 02 DR AW I N G

Nana Wall Detail

CO N T I N U O U S PA N E L S

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SELECTED WORK

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01 DR AW I N G

Sunshade Detail 02 DR AW I N G

Window Detail

CO N T I N U O U S PA N E L S

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

PAINTING IN THE AIR

COU RSE

STATEMENT

Digitally Generated Morphology

In this class, we were asked to come up with a project that was to be finished by a six-axis robotic arm. I came up with the idea to let the robotic arm investigate how geometry can be â&#x20AC;&#x153;paintedâ&#x20AC;? in the study of form and facade design. I used a physical model as a structural base of the building, and different facade designs were quickly studied visually by converting a three-dimensional model into light paths for the robotic arm to follow.

INSTR UC TOR S

Peter Suen P ROJE C T

Robotic Arm Interaction

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As a result, multiple studies of complex facade designs were made in an interactive process using long-exposure photography combined with the movement of robotic arm following a set path.

PA I N T I N G I N T H E A I R

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

Test 1: half surface path.

Test 2: whole surface path.

0 1 P H OTOG RAP H Y

Photo of Complex Facade Test 0 2 D IAG RAM

Robotic Arm Path Options 0 3 P H OTOG RAP H Y

Photo of Complex Facade Test

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PA I N T I N G I N T H E A I R

Z U L H U M A R T U RG H U N , M . A RC H

P R OJ ECT

SELECTED WORK

2014-2018

PERSONAL ENRICHMENT

P ROJE C T

STATEMENT

Hand Drawing & Painting

Architecture is a much broader spectrum which allows you to think beyond only designing a building. Iâ&#x20AC;&#x2122;ve always fascinated by the beauty of the nature, and also believed that the architecture should always integrated with its surrounding nature.

LOCAT I ON

Pingshan Village Anhui, China

In this chapter, I showed series of personal enrichment works that allow me to explore the beauty of small villages through hand sketching and watercolor painting.

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0 0 77 0 8

P E RPA S OI N T AILNEGNIRNI CTHHM E EANI R T

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SELECTED WORK

2014-2018

PERSONAL ENRICHMENT

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

PERSONAL ENRICHMENT

Z U L H U M A R T U RG H U N , M . A RC H

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PERSONAL ENRICHMENT

Z U L H U M A R T U RG H U N , M . A RC H

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SELECTED WORK

2014-2018

PERSONAL ENRICHMENT

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

AC K N O W L E D G E M E N T S

AC K N OW L E DG E ME NTS MY INS TRUCTOR S

MY FAMI LY

I would like to thank all of my studio instructors who gave me unending support over the years. Thank you Professor Alberto Bertoli, Benjamin Corotis, David Gill, Gabriel Kaperielian, Keith Plymale, Mark Muekenheim, Maria Paz De Moura Castro. Thanks for all the advice that you gave me.

I would like to extend my deepest thanks to my dear Mom and Dad who helped and inspired me for everything I did. Thanks for every support that you

MARY SCOT T

F R I ENDS

I sincerely thank Ms. Scott For her

Fan Zhang, Jinmeng Chen thanks for

guidance and encouragement in the

being so helpful and supportive friend

development of my M. Arch portfolio.

during my M. arch journey.

gave me and always being here for me.

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

CO LO P H O N

CO LO PH O N SC HOOL

COVER STOCK

Academy of Art University

Hard Cover, Imagewrap

COURSE

TE X T STOCK

Senior Portfolio, Mary Scott

Proline Uncoated #100 lbs, Eggshell Texture

STUD ENT

Zulhumar Turghun

F ONT

Ztuerhon2@gmail.com

Gadugi Bold, Regular

415-218-9950

Raleway Bold

BOOK BIND E R

SOF T WAR E

Blurb

Rhino, Auto CAD, Revit Adobe Creative Suite

PHOTOGRAP HY

Zulhumar Turghun Fan Zhang

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018

Z U L H U M A R T U RG H U N , M . A RC H

SELECTED WORK

2014-2018