Zuzanna Wysoczynska
Zuzanna Wysoczynska
Portfolio
Portfolio
‘First life, then spaces, then buildings...
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Content
MANIECZKI
Manieczki, Poland academic individual design 4th Year/ 7th Sem February, 2018 PhD Ewa Pruszewicz-Sipinska ewa.pruszewicz-sipinska@put.poznan.pl
SWEET AND SALT
Rijeka, Croatia academic individual architectural design team urban design involved in urban analysis, historical research, model making, diagram drawing 3rd Year/ 5th Sem March, 2017 PhD Spela Hudnik spela.hudnik@fa.uni-lj.si
MEADOWS
Tarnowo PodgĂłrne, Poland academic collaboration Karolina Wnuk 4th Year/ 7th Sem June, 2017 PhD Dominika Pazder dominika.pazder@put.poznan.pl
STRUCTURE OF LIGHT
indeterminate location academic individual design 3rd Year/ 5 Sem February, 2017 PhD TomaĹž Novljan tomaz.novljan@fa.uni-lj.si
LEAP OF FAITH
Poznan, Poland professional team design architectural assistant involved in conceptual design, model making, material choosing, execution drawings, execution supervision June, 2018 Atelier Starzak Strebicki info@starzakstrebicki.eu
Cultural Re-Use
Urban intervention
Community Center
Temporary Pavilion
Festival installation
Curiculum
Education
Experience
Awards
10/2014 – 02/2018
07/2016 –09/2016
Distinction, Best Student Project 2014
Poznan University of Technology, Poznan, Poland
Pracownia Projektowa Wojciech Kolesinski,
1st prize Concept for Center of Civic Activation, Tarnowo Podgórne, Poland 2014
Renewal concept of Kolegiacy Square, Poznan, Poland
Distinction, Center of Culture and Arts, Gorzów Wielkopolski, Poland with studio Fikus 2017
Faculty of Architecture Bachelor of Science in Architecture
competition, concept, graphic
3rd prize, Best Graduate Diploma 2018
Rector scholarship for the best Student years 2016/2017/2018
05/2017-07/2017
09/2016-02/2017
Center of Culture and Arts, Gorzów Wielkopolski, Poland
University of Ljubljana Faculty of Architecture Exchange Student Erasmus+ programme
Workshops
Studio Fikus competition, concept, graphic 11/2017-08/2018
Atelier Starzak Strebicki Pavilions and mobile exhibition system, Poznan, Poland mockup models, documentation
executive
08/2016
Parametric Summer School, Gdynia, Poland
Masterplan for Hammersmith Kaserne, Herford, Germany
Design and fabrication of beach sun screens (Rhino+Grasshoper+CNC)
competition, graphics, concept mockup models
03/2017
Refurbishment of an interior in a music school, Poznan, Poland
Re-wita 3 Poznan, Poland
Revitalization of historical district Chwaliszewo and old river bed of Warta River in Poznan 05/2017
Water Sideways Poznan. Poland
Designing small scale floating objects as part of International Design Expedition 07/2018
International Summer School Grozjan, Croatia
Series of workshops on philosophical aspects of architecture lead by Tehakaru Tezuka 08/2018
Emerging Resilience - Wo/Man Under Umbrella, Venice, Italy Montenegro Pavillion at Biennale Architettura 2018, Workshop on Architectural glossary
mockup models, documentation
executive
Temporary public space for Malta Festival Poznan 2018 on Plac Wolnosci, Poznan, Poland concept, mockup models, executive documentation, supervision over contractors on the building site
Interior of an courtyard of a city villa, Poznan, Poland
concept, mockup models, executive documentation
Ekochyby single family house for four, Grater Poland, Poland concept, mockup models, 01/2018-ongoing
Vakwerk Architecten Brewery with visitor center, Texel, the Neatherlands
concept, mockup models, graphic
Skills Software 3d Modeling, 2D Drafting AutoCAD Revit ArchiCad Sketchup Rhinoceros VectorWorks Digital Image & Rendering Vray Photoshop Illustrator Lightroom InDesign Office Word Excel Power Point
Languages Polish: Native English: Full working proficiency IELTS Certificate -CEFR C1 German: Limited working proficiency Goethe Zerifikat -CEFR B1
Handcraft Physical model making EPS foam cutting Handcrafting of foam board and balsa Sketching
3rd prize Best Diploma 2018
Exhibition The Best Diploma 2018
7th semester w2018, Final thesis
MANIECZKI Re-use of the Railway station Manieczki, Poland academic/ individual work PhD Ewa Pruszewicz-Sipinska ewa.pruszewicz-sipinska@put.poznan.pl
Man in shaping space tries to ensure that he fulfils both biological, social and higher needs related to cultural development. The designer’s task is to introduce into this environment a space abundant in culture and creative functions allowing for enrichment of artistic sensitivity. This project is a transformation of XIX century building into a place of culture to support social integration and maintain contacts between the inhabitants. Furthermore, reusing the forgotten building pays tribute to the history of the area. The primary objective was to restore old railway station to create space where people can regularly participate together in events.
Manieczki
Portfolio
Zuzanna Wysoczynska
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CULTURAL ISSUES After 1898, socialist farms were liquidated. Until then State Agricultural Farms were a significant social phenomenon. Next to the agricultural places, they created all social and cultural infrastructure - kindergartens, schools, and cultural centers. Manieczki was considered a role model farm. The sociological and economic effects of liquidation are felt in Manieczki, and throughout Poland to this day. The object of intervention is a former railway station in this village, which remained empty after suspending passenger line in 1995.
EVALUATION Before making a decision which parts are the most suitable for adaptation, a thorough evaluation has been conducted. The load-bearing structure was stable; only outbuildings needed roof intervention. The facade has few windows bricked up, and two additions from the 50s.
STRATEGY After mapping and observation, the key points have been stated. The goal is to revitalise all three buildings on the plot. The stress is going to be put on bringing back original state of the building: remove new additions, open bricked windows, and expose brick details on the facades. Due to limited inner space, the new volume will be added. The aim is to design new form as a notably different architecture, to enhance the values of the XIX century architecture.
Photography: Stanisław Wiktor
Manieczki
WORKING MODELS
Zuzanna Wysoczynska
technical facilities, and the development of the bicycle shelter, 26 models were created, which were then evaluated. The evaluation criteria were the volume of the objects, the quality of landscape openings, contrast with the existing building and the massiveness of existing buildings.
Portfolio
Models can reveal plenty of insights. Through a series of thematic explorations, I can follow various options and create a physical database of solutions. The concepts of the solid were developed using modules in the working model. Of the six essential elements such as the station building, the atrium roof, the entrance area,
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MODEL 1:200 The new structure is going to form a covered inner courtyard on the rear of the plot. With the opening towards the town and the fields, and close up to warehouses nearby. New form follows the roof angle, rhythms and details of the facade of the existing building.
FACADE
MANIECZKI
Manieczki
Portfolio
Zuzanna Wysoczynska
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RE_USE When it comes to adapting abandoned construction the main task is the reintroduction of life in the buildings, and thus increase place’s attractiveness. The principle idea behind the project was to incorporate new program into the structure in multiple ways. Space was divided into zones, which are multifunctional and flexible. In that manner, life continuously goes on in the building.
Pub
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Exhibitions
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Concerts Cinema
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SECTION CC
BIKE SHELTER A problematic design stage was the absorption of the conterminous building of the former chalet. It was decided to intervene in the roof and build the existing façade with glazing around the perimeter of the structure, thus creating a double façade. The void was covered with a simple, cuboidal form, which was moved towards the outbuilding while creating roofing of the bicycle station.
ENTERING ZONE To optimise and integrate the building, it was decided to join the objects collectively with a glass connector. From the first floor, there is a view of the Great Poland’s fields, which can be admired thanks to the glazing of the front wall. The boundary between the interior and exterior, to the field landscape in the south, subtly blurs.
This part of the building was destine for a pub. The place was chosen due to its unique architectural character, but above all because of the direct access from the pavement. As a result it invites people inside and attracts them to the facility. From the other side, pub space can be open to the atrium and expand event hall which is placed in the rear of the former railway station.
The open space on the upper floor is to be used as a workshop room. It was decided to discover the roof structure by closing the attic ceiling and thus increasing the room height. The workshop room can be isolated from the rest of the facility, which allows meetings and trainings requiring silence and focus.
Going straight ahead through pub, we come to a place for children, where illustrated books, as well as unique toys created by Polish designers, can be found. On the way, we will pass winding wooden stairs that lead to the first floor. It is the second staircase, previously existing in the building that has been restored.
Zuzanna Wysoczynska
CHILDREN LIBRARY
Portfolio
EXHIBITION SPACE
Manieczki
PUB
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CONSTRUCTION DETAILS
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The new elements are added by means of steel construction in the entering zone and cross layered wood in the atrium. The objective was to interfere with an existing structure minimally and thus reinforce reaming construction to ensure maximum functionality.
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D2 b. New-Old 1:50 1. cross laminated wood beam, 2. 100/60 mm galvanized steel beam 3. D2 double glazed glass 4. new gutter construction 5. renovated existing wood floors 6. existing brick wall 23%
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e. Floor junction 1. main concrete floor construction P4 2. double 5mm bitumen waterproof layer 3. separating foil 4. 60 mm thermal insulation 5. P4 lightweight concrete 6. new tiles
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1. 150/300 mm pine beam restored 2. rafter collar beam roof 3. 0.4mm zinc sheet sealing membrane 12 mm plywood sheet
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45 mm thermal insulation 28 mm pine wood sheet 4. fi 100 copper gutter 5. 300 mm existing brick work 6. reinforced brick lintel 7. casement window 2D
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c. Wall junction
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1. 0.4mm zinc sheet sealing membrane 12 mm plywood sheet D1D1 pine system truss
S7 45 mm thermal S7 insulation 28 mm pine wood sheet 2. Ytong wall insulation screws paneling
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Manieczki
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1. gravel 2. polished concrete flooring screed main concrete floor construction ballast 3. foundation wall waterproof vertical Sf insulation bubbleSf foil 4. reinforced concrete foundation bench
Zuzanna Wysoczynska 17
4th semester w2017
SWEET AND SALT Urban intervention Rijeka, Croatia academic individual architectural design team urban design involved in urban analysis, historical research, model making, diagram drawing PhD Spela Hudnik spela.hudnik@fa.uni-lj.si
In 2020 Rijeka will gain the title of Cultural Capital of Europe. Rijeka, once driven by a now deteriorated industry, can be divided into three essential areas: natural (Rjecina), urban (the areas by the former river banks), and coastal (port). Nowadays the city faces a problem of merged pedestrian area with abandoned industrial sites. The aim of the project is urban reinvention and architectural concept which deals with dying urban areas in the very heart of the city. New and unexpected dystopian space requires revitalisation, design and careful consideration in order to achieve its full potential. The project is a result of a partnership between the University of Ljubljana and the City of Rijeka.
Sweet and Salt
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STRATEGY
The site is located on a cliff in unfavourable sunlight conditions, most of the time plot is shadowed. Nowadays it is difficult to quickly go down to the river from upper parts of the city. The only existing connections are steps. This part of the Rijeka is also remote and not often visited.
The aim is to introduce new estate on the hill by the paper factory to foster intergenerational society. New houses will follow the lifestyle of the citizens, as well as will be added value to the ongoing revitalisation of the district by connecting different altitudes with a new type of Public Street.
Residential Towers
Green Hills
PROBELMATIC
140
70
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Step 1. Connect different altitudes The first objective is to introduce smooth connection incorporated into the added urban tissue. A new path will run between buildings and gardens on the rooftops.
Step 2. Introduce intergeneration To fully reintroduce area, it is vital to mix typologies and generations. All types will have the possibility to open private ground floor to the public life on the street.
CONTEXT
Port
Adriatic sea
Old city center
Plan
Castle Trsat
Residential Area
Soap Factory
Paper Factory
Sweet and Salt Portfolio
Paper factory
Postindustrial buildings
River Rijecina Photography: various authors
Zuzanna Wysoczynska
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SITE LOCATION
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LINES OF INTEGRATION After several industry collapses, Rijeka is struggling with the spaces torn out of the urban tissue. To incorporate back postindustrial sites, three lines of integration has been designed. Those run through the crucial city parts and connects formerly distant areas adding value to the cityscape
Natural area
Urban area
Old Town
Coastal area
Line of Recreation Line of Work Line of Living
Collaboration with: Katerina Nikolovska, Sanja Milojevic, Nina Jazbec
THE PAST The river has historically been the border between two cities and has always played a vital role in the city’s development. The design problem is based on the city’s approach that has historically mistreated its primary ecological resource. The question is how to push back parts of the city in order to unite Rijeka?
The city was named after the river [rijěːka], and the heart of the city should be where the river flows.
METAPHOR
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ntial u
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Sweet and Salt
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Portfolio way to run down the stream. It is bringing life to the banks, creeks help to water the crops, and is a source of flora and fauna. What if the new street concept run down the hill, between the houses, like the river, bringing the same added values to the society?
Zuzanna Wysoczynska
The impulse of the project was the metaphor behind the river. For many years industry followed the natural freshwater stream of the river Rjecina through the city to the salty harbour. This flow was artificial and human-made. In a natural environment river finds a
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ARCHITECTURE The aim of this concept was to bond vertically altitudes on the cliff. The solution was inspired by suspended bridges, port cranes, tectonic movements as well as work of Cedric Price.
“Architecture must concern itself continually with the socially beneficial distortion of the environment� -Cedric Price
TYPOLOGIES
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Zuzanna Wysoczynska
Typology of the household correspondences with the idea of creating a connected society. Design concerns different types of housing: studio, single-family house and multi-generational co-housing. Open ground floor allows smoothing transition between public and private space to allow interaction between neighbours.
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NEW LIFE The design is articulated as a living street with suspended settlements protruding out in the cliff. A path down the slope is suspended on platforms together with houses and rooftop gardens, which are directly accessible from the kitchen.
Sweet and Salt
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Zuzanna Wysoczynska
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STREET YARD Urban Farms
Living street
Made to on the tops of the settlements. Those places are placed in the sunny spot to allow residents to grow vegetables. It is also a solution for balancing the rainwater.
Along with the main urban concept of connecting paths, the new type of Adriatic Public Street has been designed to encourage interactions
The design is articulated as a living street with suspended settlements protruding out in the cliff. A path down the slope is suspended on platforms together with houses and rooftop gardens, which are directly accessible from the kitchen.
STRUCTURE The new structural element is introduced for cliff cities. It embeds flexibility into the urban system, not depending entirely on topography.
Sweet and Salt Portfolio Zuzanna Wysoczynska 29
1st prize Concept for Center of Civic Activation
7th semester S17
ZŁAKA_MEADOWS Community center Tarnowo Podgórne, Poland academic collaboration Karolina Wnuk PhD Dominika Pazder dominika.pazder@put.poznan.pl
“zŁaKA” from Polish means meadow and integration. The name of the project was created by combining the first letters of essential slogans referring to civic integration: join, educate and activate. In this project, I draw inspiration from Polish tradition, habits, local customs and typologies. Craft techniques and natural materials have been used to evoke an association with Polish rural landscape. Thanks to the concentration on the human being to a large extent, a project that integrates the residents and offers them a range of leisure activities, in the context of good architecture was created. As a result, a place was designed where architecture meets nature; nature meets citizens and a citizens can meet each other.
Meadows
Portfolio
Zuzanna Wysoczynska
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HISTORY RESEARCH The starting point of the design process was research on the site. Tarnowo Podgorne is a rural community, although the signs of that are barely visible. Findings of the study have shown strong Dutch influences on the Polish settlements. The aim of the project was to take that cultural heritage and presented it without unnecessary pathos or solemnity. To understand that everything local has significant value and is worth being cultivated. The form should refer to the community in the rural commune with the traditions of agriculture craft.
From XVI till XVIII, in the area of ​​Vistula River, at least 1,700 Dutch settlements were created. Traces are still visible today, both in rural architecture, spatial layouts of villages, and in the names of towns
STRATEGY Deriving from the history of the place, I based the initial design on the layout of the Greater Poland region village, influenced by Dutch settlers: a compact enclosed in a quadrilateral. Thanks to which space is not only functioning, but also meant to be a magnet that will attract citizens.
POLISH MEADOWS
An essential element of the project is ruralism presented in the form of a large amount of greenery. Native flowers and aerial view of the polish fields were a primary inspiration in designing landscape.
Rural architecture analysis
Form
Proportions
Wood
Brick
Nature Immersion
Roof construction
Field pattern
Meadows
Plan
Zuzanna Wysoczynska
from old houses, although were given a twist in roof geometry. Wood and brick are prevalent materials, although they were not used as in the past.
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The focus of the design is to preserve native character of the place. The language of the rural characteristics is articulated throughout the design. The plan is based on the historical settlements, form and its proportions derive
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NATURE
BUILDINGS
PLANS
PANORAMA
LANDSCAPE
SECTION
Park in front of the plot is a buffer zone between the street and inner courtyard.
The inner courtyard purpose area. The de the preservation of th
There are two main plans visible in the direct neighbourhood. Greenery from the square dominates the foreground. The background is formed by the buildings opposite to the site. A low-profile building line with no visible dominant. No high-quality, coherent architecture. There is spatial chaos in the area; and a lack of aesthetic unity.
Vast per cent of the landscape is prevailed by nature. Yet, these spaces are not available to the public. Only a small square, bordering on the plot, functions as a park.
Meadows Portfolio
70% of plot is developed as biologically active area. With plenty of greenery, new buildings can naturally blend in with the landscape.
Zuzanna Wysoczynska
d serves as a multi esign was done with he existing trees.
The site is located in the centre of the town. In the area, there are two historical brick buildings from the 19th in the rural style — a mill and a barn with a red brick façade.
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SURVEY RESULTS ‘I have a small farm. It deals with the production of Eco food. There is no place in Tarnów where I could meet with clients and do business meetings. Small office space for rent would be a good idea.’
Robert, 38 years old Entrepreneur
68%
‘In our area, there is no neutral place where I could meet with friends from nearby places. We don’t want to sit all the time at home. Some kind of meeting spot would be great, with live music and dancing’
Grazyna, 21 years old
would like to spend more time in the open air
‘In Tarnów there is a problem with the lack of space for families with children. We ourselves have two children with whom I could spend time with the club at educational activities’
Aneta and Marek, Parents
20%
FUNCTION objectives The project assumes a multifunctional Centre for Civil Activation (commercialservice-education-recreation). The solutions applied are intended to foster spontaneous inclusiveness and integration of the local community. The Centre should be open to various social groups, connected with the neighbourhood surrounding them - through efficient communication and character. The designed object is to serve as the business card/commune identifier, and as its Centre - to capture the essence/symbol of the commune in the architectural form. The heart of the Centre is to be a library, with a possibility of promoting citizen activeness.
‘I have lots of free time on a retirement. I want to develop new passions. There are no meeting places for seniors in the area, where they could actively spend time and branch out into hobby.’
‘During winter, we do not have the opportunity to spend time outside. I would like to use the public library, but the existing one is very small. It lacks new books, and comfortable reading room’
Maciej, 65 years old Pensioner
would spend time meeting friends in a cafe
10%
Janusz, 41 years old
would be interested in hobby workshop
site plan
Meadows Portfolio
space which represents natural character of the commune. New vehicular road omits the heart of the complex, to make it pedestrian friendly. New quality space where people can actively spend time, together with new functions creates a community centre which is available to everyone.
Zuzanna Wysoczynska
Urban planning is designated as one of the fundamental steps of the project. To fit together conclusions from local history, the historical layout of the village and current state of urbanism was the most challenging part of this assignment. As a result, I’ve achieved to establish a rural
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PROGRAMME The design approach envisions, not only injecting lost vitality of the complex but also framing live in terms with it will ponder its role in the vigorous everyday life of the people. New program serves as an anchor for the community, making a centre live throughout the day, evenings or nights, with different parts being active depending on a purpose. Co-working Workshop Cafe Library Childcare
PHASES One of the advantages of the project is the possibility of developing the complex with time while providing from the first phase all the necessary functions. This solution allows community to optimise costs and enables to get a faster return on investment. 1st Phase
2nd
Meadows
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Zuzanna Wysoczynska
4th Phase
3rd Phase
Phase
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BUILDING TECHNOLOGY a. Ceramic tile b. Waterproofing insulation c. Wooden purlin d. Wooden planking e. Installations f. Rafter of CLT g. Baring structure od CLT h. Hidden gutter i. Clinker
j. Curtain wall k. Vertical shutter louver l. Vertical insulation m. Concrete foundation n. Gravel o. Ballast p. Flooring on the ground r. Acoustic insulation s. Oak parquet
a. b. c. d. e. f. g.
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Privacy
Sun
The ability to cover the main courtyard by closing the panels.
Panels to adjust the amount of light entering the interior.
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Transparency The possibility of inter-penetration of the external and internal space by opening the panels.
Work comfort Work with a view of greenery with the possibility of going outside.
SUSTAINABLE SOLUTIONS
The airflow path through the house is dependent on external wind and temperature conditions. Natural airing is provided thanks to automated roof windows and shutters. VENTILATION
FACADE DESIGN
To optimise building technical functions regarding comfort as well as energy performance, moveable external shading were introduced. This solution can ensure comfort and low energy consumption.
Recycling of grey water is used for toilet flushing and irrigation after treatment or black water reuse. WATER The need for artificial light was minimized by an open plan and transparent partitions. Natural light-filled spaces influence work efficiency as well as visual comfort. Meadows
SUNLIGHT
Zuzanna Wysoczynska
ENERGY
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Heating cost were reduced by installation of power pipe which preheats water. It lowers the amount of energy needed the temperature and enlarges the water heater capacity.
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5th semester w2017
STRUCTURE OF LIGHT Temporary pavilion indeterminate location academic individual work PhD Tomaž Novljan tomaz.novljan@fa.uni-lj.si
The physical definition of light says that it is a part of the visible electromagnetic spectrum, which ranges from radio waves to gamma rays. I have never understood how someone can describe light simply as a definition using physical terms. I have always perceived the phenomenon of light as a much more complex issue. This work follows a theme of light as an intangible material which makes space more peaceful. As we get lost in daily life chaos, we search for our moments of intimacy. Space should serve people as a temporary reflection spot and as a symbolic “wilderness” shelter. The Structure of Light is firmly connected to contemplation and spiritual life. The emphasis in the project was put not only on the form but also on its play with light.
Structure of Light
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1. PURPOSE
2. STRATEGY
The design aimed to create pavilion as both architectural space and architectural object which placed in various environments will interact differently. I have looked for relevant references and concepts that can follow my objectives. The association with Jewish Sukkot Festival came naturally.
SUKKAH is a festive booth build in the tradition of the Jewish Sukkot holiday. The booth is mostly a temporary construction, typically built near the house, on a courtyard or in a garden. Sukkot take different forms and shapes - however, they always have to meet specific requirements - strictly defined in the holy books of Talmud.
The tent must be located in an open-air area. There are no limitations regarding a maximum size.
The Sukkot Festival, is one of the most joyful in the Jewish calendar. The name Sukkot comes from Hebrew, means a hut or tent and commemorates the forty-year journey of Jews through the desert to the Promised Land.
It can be placed on any surface - concrete, grass, on board a ship, or on a carriage.
The roof cover has to be made of natural materials, of something that grew in soil and was cut down.
The rooftop should be laid out to make the stars visible at night and provide much more shade than light.
4. FORM CREATION
Casting base form
Establishing the rhythm
Multiplication
3. IDEA SEARCH The ultimate goal was to translate the traditional principles of Talmud into a piece which intertwist art and architecture. The material used for shelter creation has to come from the ground. One of the commonly used is a palm tree. The analysis of form and structure of the single leaf has led to the form creation. The ribbing of the walls is inspired by the palm frond.
S'chach-plant material, palm leaves S’chach has to derive from things that have “grown from the ground”, such as palm leaves, bamboo sticks and pine tree branches
Structure of Light Portfolio
Experimenting with various heights
Inclining the walls
Zuzanna Wysoczynska
on both sides
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5. PARAMETRIC SOLUTION
6. DETAIL
It was decided that to create an organic form, the best solution will be working with parametric design. Analysis of the leaf, curves and rhythms were done in order to develop the final form.
Bamboo was chosen as a building material, due to its round shape, and tensile strength.
Wire rope Notch
Nut Bamboo fi10
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After establishing the base curve by analysing palm leaves, a curve was multiplied and placed according to sukkah requirements.
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Curves have been divided into segments and joined with each other, and it created a roof.
Metal insert Anchors
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A number of dividing points on the upper and lower curve is different, the inclination resembles more leaf structure and makes form dynamic.
Pillar base
Metal clamp Lumber block Bolt nut
M20 bolts
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Modification in the upper curves was made to make a design impression of the leaf during wind.
Stone bolt C o n c r e t e
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w2018
LEAP OF FAITH Temporary Festival space Poznan, Poland professional/ group work Partners: architectural assistant involved in conceptual design, model making, material choosing, execution drawings, execution supervision Atelier Starzak Strebicki info@starzakstrebicki.eu
This design is an interpretation of the idiom “leap of faith”- a theme of the international theatre festival. What is faith? Where do dividing lines run, as well as those of understanding? After the brainstorm, it was a challenge to translate our collocations regarding a topic into temporary public space. As a result colourful form was introduced in the western part of the square, this place aimed to be an attracting spot of integration for the locals as well as a festival community. It has been turned into a multifunctional space with different rooms, niches and nooks. By using simple scaffolding structures, and 370m of semi-transparent fabric. A temporary structure has been “inhabited” by the townsfolk for two weeks in June 2018.
Leap of Faith
Portfolio
Zuzanna Wysoczynska
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PURPOSE
SCALE STUDIES
The aim of the project was to change the monumental scale of Wolnosci Square into human scale. Wolnosci Square both during summer and winter remains unused and the concrete surface as well as the lack of greenery curb the spontaneous actions of city dwellers. Dividing this large area (more than 3000 m2) into smaller regions and designing places for particular activities helped to establish accessible friendly space for everyone.
Model and scale are tools that allow architects to imagine their design ideas. The festival is located in the historic centre of Poznan. Due to the importance of space and spatial proportions between zones in the square, it was decided to check them on the model. After examining the initial needs, the concept became clear. I see models as a crucial tool for improving, developing, and presenting the project in a three-dimensional, tangible way.
USER RESEARCH
AM
PM
zone 1 Food truck
CONCERT zone 2 Main stage
DANCE
MEETING
PUBLIC
zone 3 Bacstage
THEATER zone 4 Workshop
KIDS zone 5 Chillout DISCUSSION
PARTY
To create a better urban life, and define different activities as well as its individual spaces, a graph was used. We have created day time line to establish areas need in activities in the circles according to the daytime. The size of the ring corresponds with the approximate amount of participants. This graph represents how specific zones should be implemented in the square. The project aims to attract neighbors and citizens to take part in the life of the square and festival. For that reason, we have placed public space in the middle of the graph.
Step 1. Establishing workshop and concert tent, with backstage
Leap of Faith Portfolio
Step 3. Chill out zone mock-up
Zuzanna Wysoczynska
Step 2. Establishing food court
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MODEL 1:200
ZONE 1 Food court
ZONE 2 Main Stage
ZONE 3 Backstage
Photography: Mateusz Bieniaszczyk
ZO Wo
ONE 4 orkshop
ZONE 5 Chill-out
ZONE 6 Tarace
Leap of Faith
“The choices made will shape not just the urban fabric, buildings and spaces but also social relationships, collective identities, the sense of belonging and the opportunities to move towards a sustainable peace.�
Portfolio Zuzanna Wysoczynska
Architecture and conflict. Introduction. Learning from architecture and conflict - By Brigitte Piquard, Mark Swenarton ( The Journal of Architecture Volume16 Number1 )
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Day 1. Establishing workshop and concert tent, with backstage
Day 3&4. Semi-transparent partitions and plants are installed
Photography: Mateusz Bieniaszczyk
Day 2. Scaffolding structure is being assembled
Leap of Faith Portfolio Photography: Mateusz Bieniaszczyk
Zuzanna Wysoczynska
Day 5. Opening night
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Leap of Faith
Portfolio
Zuzanna Wysoczynska
Photography: Mateusz Bieniaszczyk
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Zuzanna Wysoczynska I am, an engineer in architecture, currently working in a medium scale architectural office in the Netherlands. I am focused on expanding kwnowledge and portfolio with new projects. My work follows themes of renovation, inspiring public spaces and small-scale designs. I am interested in architecture that moves the senses of a human being based on wide research activities.
Leap of Faith Portfolio Zuzanna Wysoczynska
Achterom 111 2611 PM Delft, Netherlands zuza.wysoczynska@gmail.com +48 500 089 780
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...the other way around never works’