Nº
er
31
d Deal
Zi
n e Fa l l W
er 2012-1
• b a
ar
nt
•
st
3
i
MAGNUS • MILANO CRIMINALE • MARC MCKEE • ZAMOC • SUD SOUND SYSTEM
â—€ Lukas Goller photographed by Roby Bragotto in Stuben
snowboards
Braap Passions that started as kids are often obsessing us as adults too. These were the dirtbikes that we loved when we were little punks... David Thorpe, Eric Geboers and Mark Barnett, with their mustaches and mullets rode these two stroke monsters: we would try to emulate them by putting some cardboard in the wheelframes of our bicycles to at least make some noise...
BSXSN108
BSXSN109
152
overall length waist width nose/tail width effective edge sidecut radius stance range
BSXSN110
156 152 cm 25,0 cm 29,3 cm 113.1 cm 760 cm 46/58 cm
overall length waist width nose/tail width effective edge sidecut radius stance range
156 cm 25,3 cm 29,8 cm 115.4 cm 770 cm 46/58 cm
159
overall length waist width nose/tail width effective edge sidecut radius stance range
159 cm 25,6 cm 30,2 cm 118,0 cm 780 cm 50/62 cm snowboards
Magnus Magnus is one of the most eclectic authors in the italian and european comicbook scene. His works reached the most diverse genres, from fantasy to erotic. Starting off with an essential style he later on evolved by researching the finest details. Together with his son Riccardo we dug in this great artist’s archives and we decided to dedicate a board as a tribute to one of his masterpieces: Vendetta Macumba.
BSXSN102
152
overall length waist width nose/tail width effective edge sidecut radius stance range
152 cm 25,0 cm 29,3 cm 113.1 cm 760 cm 46/58 cm
BSXSN103
156
overall length waist width nose/tail width effective edge sidecut radius stance range
156 cm 25,3 cm 29,8 cm 115.4 cm 770 cm 46/58 cm
BSXSN104
159
overall length waist width nose/tail width effective edge sidecut radius stance range
159 cm 25,6 cm 30,2 cm 118,0 cm 780 cm 50/62 cm snowboards
Devil Pop
Outrageuos beyond every limit. When you think that Marc Mckee’s graphics have touched any subject here’s a new one to leave you astonished. The Devil Pop was conceived in Italy, maybe he territory played an influence on Marc?
BSXSN105
152
overall length waist width nose/tail width effective edge sidecut radius stance range
152 cm 25,0 cm 29,3 cm 113.1 cm 760 cm 46/58 cm
BSXSN106
156
overall length waist width nose/tail width effective edge sidecut radius stance range
156 cm 25,3 cm 29,8 cm 115.4 cm 770 cm 46/58 cm
BSXSN107
159
overall length waist width nose/tail width effective edge sidecut radius stance range
159 cm 25,6 cm 30,2 cm 118,0 cm 780 cm 50/62 cm
The new SLIM shape The slim version of the 159 is not based on the simple narrowing of the board, it is in fact a total reassessment of the 159 classic twin tip, functional to a reduced waist width, developed by our long time friend and rider Lukas Goller. A board that’s so narrow compared to its lenght is clearly dedicated to those looking for agility, handiness and fast response. This board is mainly suitable for shoes sizes not bigger than 27.5 cm (42 EU) and a maximum weight of 80kg. The sidecut radius is composed by three different radiuses, wisely mixed and perfectly connected between each other, unraveling running lenght on a classic camber on 80% of its lenght. The remaining 20% of the camber is divided into two small flat surfaces that preceed the twin and tail tips, thus making smoother the transition to nose and tail. Too complicated? Well then just be aware that this is the way Lukas likes it.
BSXSN200
159 Slim overall length waist width nose/tail width effective edge sidecut radius stance range
159 cm 25 cm 29.1 cm 115.1 cm 830/880/750 cm 56/64 cm (offset 10mm) snowboards
â–ž Magnus photographed by Mauro Baldrati
Who was Magnus?
Riccardo “Draw” Raviola is a writer, artist and tattoo artist from Bologna. But he’s also the son of Roberto Raviola, a.k.a. Magnus, considered one the most important representatives of comic art in Italy and Europe. Who better than Riccardo can tell us how one of the fathers of comic art was also a good family man as well as an exceptional human being. Who has Magnus been for you? I can safely say that he was a good father. The passion for his work certainly diverted his attention from the family, but his way of being with us was really nice, we laughed a lot, we listened to a lot of music together, of many different genres. The bright side of his character was very strong, it shined. Who has Magnus been in the comic art universe? My father, throughout his career, having treated many different genres, has acquired many different styles, always being coherent with his own graphic style. He set an example in treating “uncomfortable” themes. He treated subjects such as politics, war, hate, violence, drugs, pornography, horror, but he never stopped in front of these subjects, always coming out clean. Three works that you would suggest to a new Magnus fan. Lo Sconosciuto, Le 110 Pillole, Tex. What’s your favorite work among Magnus production? This is my idea, but i think the story that involved him more
throughout time was inspired by a Chinese novel from the XIV century, “All men are brothers”. He was very fascinated by science fiction as well, that’s why he settled the comic in a “future-middle age” with
an oriental taste. Which ones have been his most laborious works? I would say “L’ uomo che uccise Ernesto “CHE” Guevara” from the series “Lo Sconosciuto” and Bonelli’s Tex-Texone. What was your father’s routine during the process of making a comic book? He was a very open minded and well educated person. He would read a lot. Books, new-
spapers, all types of magazines, a few selected comic books, philosophy and religious books, everything. And then he went back to drawing. What did he do when he wasnt’t drawing? When he wasn’t drawing, he was reading! He would read up to take care of the details of the stories. I say “stories” because, for instance, as he drew one story, he was already planning the next one and very often it had nothing to do with what he was working on. These “mental projects” were often thought of during the morning walk, while buying the newspaper or drinking coffee. Science fiction, adventure and eroticism. Where did Magnus draw his inspiration from? Inspiration, you know, is something that you don’t look for, it simply comes to you. The morning walk, a chat between friends at the bar, politics, society and its vices, vices themselves, a puddle after the rain... his readings. What’s the best way to get to know and understand your father and his work? Reading his comic books!
Marc McKee
McKee is one of the most famous and prolific artists for skateboard graphics. Often ironic, fun and sometimes shocking, his style is unmistakable. His presence in the skateboarding draws its roots in the early nineties and it’s strongly connected to the name World Industries. His graphics set a milestone in the visual world of skateboarding. With these questions we try to find out how Marc got to Milano and designed his first graphic for a bastard snowboard. How did you start drawing? Were you always interested in drawing and/or designing graphics? Yeah, ever since I was young. It started with drawing dinosaurs and stuff from Star Wars. Then later when I was in middle school and high school I would copy the art from Heavy Metal records and the Pushead drawings in Thrasher. How did you start working in the skateboard industry? In 1988-89 I did graphics for a BMX bike company called Bully that was owned by R.L. Osborn, who was a pro freestyle rider at that time. Coincidentally Steve Rocco and Rodney Mullen were his roommates at his house in LA. Rocco saw some of the T-shirt graphics I did for Bully and asked me to start doing graphics for World Industries. You worked side to side with Steve Rocco in the early 90s, in such an important moment in skateboarding’s history, did that leave a mark on you? Yeah. From the start of the company Rocco’s approach was always to do whatever he wanted without caring about what other people thought. It was a great environment for making art because of the total freedom from limitations.
What’s changed between then and now? Is your job any different nowadays, and if so, how? Unfortunately there is less involvement from the riders in coming up with their graphics. I need to try reaching out to them more. Also Rocco has long since retired and there will probably never be another company owner like him who just doesn’t give a fuck about anything like he did. Even after running World for a few years things changed and he shifted the focus of the company from total anarchy to more of a legitimate business. So even if he came back things would not be the same….
Best funny story in your whole career? Probably being locked in Disneyland jail with Danny Way, Lance Conklin and Jeff Tremaine. We were there because Lance was being arrested for jumping off the Monorail platform into the Submarine Ride. I filmed it for Big Brother magazine and it was also in the first Big Brother video. It was a crazy day. The reason
we were there was to interview the band Slayer. Somehow Kosick convinced their publicist to get a limo to bring them to Disneyland and get drunk with us in the hotel bar and then ride the rides together. A lot of the people that worked on Big Brother magazine back then like Tremaine and Kosick, (and Cliver, Wee Man, and Pontius, who were also there that day) went on later to create Jackass. What kind of relationship develops between you and the pros you design the graphics for? Hopefully a good one. The best graphics are when you get input from the riders, and then you come up with something that matches their personality. Like with Mike Vallely a lot of the graphics he had on World came from him being a vegan and involved animals as symbols of strength and survival. In that way it’s good to have a consistent theme or image for the riders, even though sometimes they might see it as typecasting them too much. Like with James Craig on Blind it might seem like his whole life is just watching the Lakers and drinking Coronas. The funny thing is that’s who he really is! (haha).
Who’s been the most demanding pro you’ve ever worked with? Maybe Jason Dill? Only because the few graphics I did for him when he was on 101 were things he wanted that were basically just copied from other artists like Mucha or the guy who illustrated Winnie the Pooh. They weren’t quite the same as the rip-off graphics we were known for back then where we would change the characters or logos in some way that made fun of things. What are the steps you take for creating a new graphic and for finalizing an idea? Usually I start with an idea first and just try to picture it in my mind to decide if it will work or not. Then sketch it really roughly in pencil, sometimes from different angles or with the figures in different positions. Like with the James Craig Lakers board I tried drawing it as a vertical graphic before changing it to be horizontal. I almost always feel like the process is way too complicated and takes too long. How many deck graphics have you designed in your career? Do you physically hold to every board you design? Probably over 1000. I used to keep one of each board but I stopped doing that about 5 years ago. I still have one of each of almost all the really early graphics though from the 90s. What’s the best offer you’ve received for a vintage board that you own or for one of your original designs? A few years ago someone offered $2000.00 for the 101 Eric Koston Buddha deck. The most I’ve seen someone else sell one for on Ebay was over $5K for the Natas Devil Worship board. So far though I haven’t sold any of the boards from
my own collection, and they’re just sitting in boxes, which seems kind of like a wastehaha. I keep going back and forth on if it would be better to keep everything together, or if I should start selling them. Name your 5 favorite graphics of all times and why do you like them so much. The number one has to be the Ray Rodriguez Skull and Sword for Powell by V. C. Johnson. It pretty much forever established the skull as the main symbol for skateboarding. And the angle of how the skull is drawn where you’re looking up at it from below is totally awesome. Number two is the Rob Roskopp series from Santa Cruz by Jim Phillips of the arm breaking through the target. That was great how it created a progression over 5 different boards where you would see more and more of the arm of the monster breaking through each time. Then the Dogtown Cross by Wes Humpston and the Dead KKK guy for Real by Natas and Jim Thiebaud. The Dogtown cross was great how it had the look of gang graffiti. It totally captures how skaters are outlaws, which is true to this day since street skating is still illegal in most places. Of the ones I’ve done the Natas devil is probably my favorite. A big part of that is because Natas was one of my favorite skaters and how he offered to use the graphic when it got turned down by Jason Lee, who it was for originally. That was really cool, especially since he didn’t mind how it played on how everyone used to make a big deal of how his name was “Satan” spelled backwards. How did you start collaborating with bastard? Last year I came out with a book of my art, and in April
Bastard put on an art show and book release party in their design office in Milano. After that we talked about doing a collab which ended up being T-shirt, snowboard and skate deck combo that would be with Blind Skateboards. The idea was to do something that had the controversial subject matter of some of the old Blind graphics and that was also related to Italy. A pope with devil’s horns, how did such an idea cross your mind? The original idea came from Claudio! It was to show the Pope from behind and have the lower half of his body with goat legs and feet, and a devil tail. He was going to be standing on the balcony above St. Peter’s square, so the people below would only see the top half of his body. I sketched it out that way first, but it turned out better to just show him from the front lifting his hat to show the horns. It’s basically the same idea.
Warning: The Art of Marc McKee is probably the best way to get a general idea of what Marc did trhoughout his long career.
Construction technique
Our snowboards are handmade, as they used to be back in the day, but with that little bit of technology that doesn’t ruin the party. We use high quality materials, very expensive and sometimes hard to find. Although our suppliers may hate us for how much obsess on little details and perfection, we are indeed our first customers and that is why we demand top quality products.
CARATTERISTICHE • MADE IN ITALY
• Sintered base ISO 7500.
• Handmade construction, sandwich technology, twin-tip shape and centered stance.
• Triaxial ment.
• Traditional camber 80% +20% toward nose and tail. • Two year warranty against manufacturer’s defect. • Beech and poplar vertical laminated woodcore, without knots and joints.
fiberglass
reinforce-
• 48 HRC steel edges with anti-vibration rubber along the whole perimeter and in crtitical areas of the board, assuring great holding, sturdiness and an accurate response.
• 6MA 4×2 stainless steel inserts, with a minimum depth of 6mm on shorter boards, up to 7mm on longer ones for guaranteed holding. • Ready to use, high-grade hydrocarbon blended wax by Oneballjay®.
• Sublimated Bastardium surface, anti-scratch.
PRODUCTION Craftmanship, industrial precision and designed by snowboarders! This is basically our concept for bastard snowboards. A small workshop near our offices, where decades of experience and hard manual labour are mixed with modern CNC machines, so that our nerdy snowboarder expectations can be met.
CONSTRUCTION The construction relies on the trusty classic sandwich with twin tip shape (same nose and tail) and perfectly centered stance. So far so good. Sometimes useless innovations are only a catch for believers, we prefer small interventions and constant improvements on well-tested products. This is why the basic construction of our snowboards is always the same, yet constantly improved and modified in order to adapt top the newest riding requirements. After years of classic camber we slightly modified the angle of our boards by adding a 20% rocker on nose and tail. The precision of a classic camber with the rocker agility.
AESTHETICS Many were surprised by the lack of a logo on our snowboards. We did this deliberately. We were just not feeling the image of the snowboarder as a living sponsor. We’d rather perceive a snowboarder as a simple rider owning an excellent board, also under an aestethic point of view, maybe designed by a great artist such as Magnus or Marc McKee.
snowboards
CUSTOMIZE YOUR BOARD Have you always desired a snowboard deck with a custom graphic and the possibility of choosing your own technical features? Well, you can now have it: we put at your disposal 15 years of experience in bulding handmade snowboards. All you have to do is unleash your fantasy and give us your graphic! For further details please write to: my s n owb o ar d@b a s t ar d. it
snowboards
snowear
BSUGN279
venom
A cozy jacket which is full of surprise, thanks to the full “neck friendly” double opening it will give you all the freedom you’ve always dreamt of.
XS-S-M-L-XL shell: 100% polyesther lining: 100% polyesther black - citronelle - blue skydiver - wool
SnowEAR
BSUGN277
Fuji
If your looking for a sponsor you can start from here! Simple, no gimmicks, no frills, this jacket has got all you need on the mountains.
XXS-XS-S-M-L-XL shell: 100% polyesther lining: 100% polyesther ash grey - black - citronelle - fingerfade - paper
SnowEAR
SnowEAR
BSUGN278
stash
If pockets are never enough this is the jacket for you. The only one with closet pockets, for a maximum storage capacity, hobo style.
XS-S-M-L-XL shell: 100% polyesther lining: 100% polyesther blue skydiver - black - orange pumpkin - chocolate brown
SnowEAR
SnowEAR
BSUGN280
yukon
Some like it hot. Some others simply like to stay warm. Here you go, the goose down used for the Yukon’s padding will keep you warm anywhere.
XXS-XS-S-M-L-XL shell: 100% polyesther insulation: 80% goose down, 20% feather lining: 100% polyester asphalt grey - ash grey - paper - fingerfade - black
SnowEAR
SnowEAR
BSUGN276
parker
From the city to the snowpark. The Parker Jacket has been developed thinking about shapers and to all those people actually working on the mountain.
XS-S-M-L-XL shell: 100% polyesther lining: 100% polyesther paper - black - chocolate brown
SnowEAR
BSUGN281
hubert
The urban hunter’s favorite. From snowy woods to the city traffic.
XS-S-M-L-XL shell: 100% polyesther insulation: 80% goose down, 20% feather lining: 100% polyester asphalt grey - ash grey
SnowEAR
BSUGL096
jama
Cozy as a fleece, warm as a jacket. So comfortable you’ll want to wear it in your bed.
XXS-XS-S-M-L-XL shell: 100% polyesther lining: 100% polyester asphalt grey - ash grey
SnowEAR
BSUPN245
cargo
An evergreen, tested by the best. Nothing else to say, except that the new colorways make it even more awesome...
SnowEAR
XXS-XS-S-M-L-XL shell: 100% polyesther lining: 100% polyester black - citronelle - blue skydiver - wool
BSUPN246
butcher
The new pant, sporty and ergonomic. Double ventilation, wrapping cut, precurved knees for maximum comfort.
XS-S-M-L-XL shell: 100% polyesther lining: 100% polyester asphalt grey - paper - black - chocolate brown - orange pumpkin
SnowEAR
Deep in snow...
Only if you’ve been deep in the snow up to the neck you can really understand the necessary features for good outerwear. That’s the reason why who designs the bastard® outerwear line has to be a snowboarder first. We believe that one can design a good product only if he’s able to test it himself. And we’ve been thinking so since nineteenninetyfour#.
FEATURES • SEALED SEAMS All the seams in our snowear are taped through thermal welding. • Ninja mask There is a hood pocket that hides a lycra mask, to be used when maximum protection is needed (available on the Venom, Yukon and Fuji models). • VENTILATION SYSTEM Zip openings with protective nets are provided for voiding
excessive heat.
tphone pouch/lens cleaning cloth, longer fit, precurved knees, ski pass wrist pocket, adjustable hood.
• double gaiter All of our jacket feature a double gaiter, that matches the zip on our Cargo and Butcher pants, thus creating a solid screen against snow infiltrations. • DESIGN AND ERGONOMICS Many little features devoted to improve the user’s experience. Lycra with hidden seams, keyleash, earphone pocket, smar-
• Twisted Wool PADDING To feel warm, cozy and and coddled as in your own bed (available on the Venom, Stash and Fuji).
Sealed seams
Ninja Mask
Ventilation system
Double gaiter
Earphone pocket
Skipass pocket
Lycra wrist cuff
New cord puller
New hood adjustment cords system
Key-leash
smartphone cleaning
Boot gaiter
SnowEAR
pouch/lens
Picking the right fabric
We particularly cared about choosing the right fabrics for this snowear collection. The goal of our research was finding fabrics that are soft and light as much as waterproof and resistant. After having observed, touched and tested a remarkable quantity of prototypes we have found exactly what we needed for the job. Rough. Strong and resistent fabrica with a slight rugged and patchy touch. For a worker look.
TECH. Perfectly smooth and lightweight. A real second skin. For those demanding maximum performance.
• 100% polyester • Waterproof 15K mm • Breathability 10K gr/24h/m2
• 100% polyester • Waterproof 20K mm • Breathability 20K gr/24h/m2
street. If you want to be coddled by your own clothing has to pick this particular fabric. It will feel like a warm blanket wrapped around you.
• 100% polyester • Waterproof 15K mm • Breathability 10K gr/24h/m2
SnowEAR
apparel
jackets
bsugl102
mach2
xs-s-l-m-xl
bsugl100
gus
88% polyester 10% viscose 2% elastan
grey
xs-s-l-m-xl
100% polyamide lin. 100% cotton
mil green
bsugl101
hammer
xs-s-l-m-xl
100% polyamide lin. 100% polyester
black - brown
bsugl103
blaze black
s-l-m-xl
shell 60% viscose, 40% polyurethane lin. 100% polyester
bsugl092
erik
xs-s-l-m-xl
100% cotton
black
apparel
bsugl098
chogan
xs- s-l-m-xl
bsugl099
dennis
100% polyamide lin. 100% polyester
grey
s-l-m-xl
100% cotton lin. 100% polyester
raw
bsugl088
ueno
s-l-m-xl
100% polyamide int. 100% polyester
black
bsugl095
kame
bsugl097 xs-s-l-m-xl
orange - grey - blue
100% polyamide
bloke
s-l-m-xl
100% cotton int. 100% polyamide
grey
apparel
denim Comfort
Our clothing items marked with the Comfort logo are made to obtain a slight elasticity, in order to enhance movements while wearing them. Their are made with a little percentage of Spandex (3% to 5% depending on items), that gets mixed with the main fabric like denim, cotton or synthetic fibers. We use the Comfort fabrics on certain models of jeans, shirts and snowear. They’re really comfortable for skateboarding or snowboarding and once you try them on you can never go back. No marketing here!
RELAXED FIT bsujn043
CLOUD dirty - soot
apparel
28-30-32 34-36-38
REGULAR FIT 98% cotton 2% elastan
bsujn040
PARVO
28-30-32 34-36-38
inked - brown - soot
98% cotton 2% elastan
DENIM WASHES
SOOT
STRENGHT
-- Black overdyed blue denim -- Light stone wash -- Worn in effect -- Light weathered effect
dirty
BLACKEST
BROWN
INKED
-- Light stone wash -- Coffe overdyed effect
-- Very black denim
-- Brown dyed bull denim
-- Indigo overdyed blue denim -- Light weathered effect
SLIM FIT bsujn042
JiNGO
28-30-32 34-36-38
98% cotton 2% elastan
strenght - blackest
apparel
pants
Cargo
Inspired by military life, it’s tough enough to withstand some serious whoop-ass and won’t let you down when the going gets tough. Just don’t expect to find us crawling around in the foxhole with you... We’re lovers, not fighters! 100% stone washed ripstop cotton since 1994!
BSUPL083
cargo slim
28-30-32 34-36-38
black - mud - grey - mil green - brown
bsupl050 100% cotton
cargo
26-28-30-32 34-36-38
100% cotton
black - mud - grey - mil green - brown - pitch black
apparel
BSUpl085
Cargo Gym
xs-s-m-l-xl
20% polyester 80% cotton
black
BSUpl086
CHAIRMAN
28-30-32 34-36-38
100% cotton
grey
BSUpl084
homer
xs-s-l-m-xl
80% cotton 20% polyester
black - charcoal - ash
BSUpl087
josh
26-28-30-32 34-36-38
97% cotton 3% elastan
brown
apparel
shirts
BSUCM034
ebisu
BSUCM037 s-l-m-xl
grey
BSUCM033
ddg black
s-l-m-xl
100% cotton
invert
s-l-m-xl
100% cotton
black
98% cotton 2% elastan
BSUCM038
must
s-l-m-xl
97% cotton 3% elastan
green, bordeaux
apparel
BSUCM035
Galway
BSUCM032 s-l-m-xl
100% cotton
navy
bsucm036
kirov marrone
s-l-m-xl
chink
s-l-m-xl
100% cotton
s-l-m-xl
100% cotton
brown
fabric 100% cotton lining 100% polyester
BSUCM039
Pilgrim navy
apparel
The jester
Luca Zamoc was born in the mid eighties and learned the first drawing notions from comic books, the bible and anatomy books. He later on moves to Milano to take an art direction and graphic design course at Nuova Accademia dell’Arte art academy. He draws on any media, from walls to paper to digital illustrations. He recently left again left his gray hometown, the city of Modena, moving subsequently to Los Angeles, San Francisco, Berlin and Milan. May he have changed since we last saw him? For a little journey into his iconographic world of inspiration check out Zamoc’s blog at io s on o bu lk ing t on. t um b lr. c om
After two years spent wandering in different cities who has Zamoc become? A man with fewer hair, i suppose. I have the same flaws as before, my english still sucks and i am still a victim of my own prodigality. Altough i may have gotten better at drawing. Which one of these cities has played the biggest influence on you? I would say Los Angeles, in Berlin i only went clubbing.. It seems like you’re pretty much enjoying life, so what’s with your encounter with Death? I was hoping i wasn’t going to be asked a serious question... Death is the only big theme in my work. I’m not good at describing life, i don’t know how to use colors, i can’t draw people (women in particular) and i can’t tell anything pleasant. If you visit my tumblr it’s all guts, monsters and assassins.
sweatshirts
bsuFC267
ROUND
xs-s-l-m-xl
80% cotton 20% polyester
ash - black - brown - green - orange - bordeaux - charcoal
bsuFC268
solid
xs-s-l-m-xl
80% cotton 20% polyester
ash - black - brown - green - orange - bordeaux - charcoal
bsuFC272
mohican
xs-s-l-m-xl
80% cotton 20% polyester
ash - black - brown - green - orange - bordeaux - charcoal
apparel
bsufc274
LEFTY
xs-s-l-m-xl
BSUFc262
CAMAROUND
80% cotton 20% polyester
black - brown - orange
xs-s-l-m-xl
BSUFS098
PATROL
80% cotton 20% polyester
ash - black - green - bordeaux
bsufs122
NIN ash
xs-s-l-m-xl
80% cotton 20% polyester
ash - black - brown
BSUFz126
RACE
xs-s-l-m-xl
80% cotton 20% polyester
xs-s-l-m-xl
30% cotton 70% polyester
pitch black - wet mud
BSUFS123
PAL
xs-s-l-m-xl
green - orange
80% cotton 20% polyester
BSUFS115
COVER
xs-s-l-m-xl
80% cotton 20% polyester
black
apparel
BSUFC266
RACing
xs-s-l-m-xl
80% cotton 20% polyester
black - ash
LAZYRINT
xs-s-l-m-xl
80% cotton 20% polyester
black - green
bsufs119 brown
apparel
MACRO
xs-s-l-m-xl
80% cotton 20% polyester
black
bsufc263
logan
BSUFC264
xs-s-l-m-xl
BSUFC273
TRISE
xs-s-l-m-xl
80% cotton 20% polyester
black -ash
80% cotton 20% polyester
BSUFS124
PANCHO wool
xs-s-l-m-xl
80% cotton 20% polyester
BSUFC271
CLASSIC
xs-s-l-m-xl
80% cotton 20% polyester
ash - bordeaux
BSUFC265
MIXTAPE
xs-s-l-m-xl
80% cotton 20% polyester
black
BSUFS116
ET.NIK black
xs-s-l-m-xl
80% cotton 20% polyester
BSUFS125
pierre
xs-s-l-m-xl
80% cotton 20% polyester
black - brow
xs-s-l-m-xl
80% cotton 20% polyester
black - green
BSUsl025
RH
xs-s-l-m-xl
black - ash
CAVE
xs-s-l-m-xl
80% cotton 20% polyester
ash - bordeaux
BSUFS113
CABRIO
BSUFS114
xs-s-l-m-xl
BSUFS121
MOd
xs-s-l-m-xl
80% cotton 20% polyester
BSUsl024 80% cotton 20% polyester
black
80% cotton 20% polyester
TAD black
bsufs117
gambit
BSUFS127
xs-s-l-m-xl
drone
xs-s-l-m-xl
80% cotton 20% polyester
charcoal - ash
80% cotton 20% polyester
black - charcoal - ash
apparel
Zamoc, McKee, Sud Sound System, Preciuos, Magnus and Milano Criminale. Six names for this JAMMIN’ collection. With any of them we have a different type relationship, very informal with people like young Zamoc, to more respectful when dealing with the genius of Magnus. One thing that these products have in common is that they stem from a real and deep relationship that we develop with the people we collaborate with. You can see the present collection on bastard.it/jammin
In collaboration with Milano Criminale. bsusc091
lafuga
xs-s-l-m-xl
In collaboration with Magnus. bsumc315
Macumba
xs-s-l-m-xl
100% cotton
black - white
100% cotton
white
In collaboration with Precious.
Your life is precious, smoke less, smoke better. Precious makes accessories for those wanting to smoke for pleasure and not as a vice. Every pocket studied for a specific use: long and short papers, tobacco and lighter. BSX AT056
IROLL1 grey
apparel
40% polyurethane 60% viscose
BSX AT057
IROLL2 black
40% polyurethane 60% viscose
bsxat058
FASKI black
40% polyurethane 60% viscose
bsxac029
splice grey
40% polyurethane 60% viscose
In collaboration with Marc McKee.
Read his interview at the beginning of the catalog, from the first graphics to the connection with the many pro skaters. bsuFC261
devil
xs-s-l-m-xl
80% cotton 20% polyester
In collaboration with Zamoc.
Go back a few pages and read the exclusive interview with Zamoc and Death. bsuFz253
JESTER
xs-s-l-m-xl
80% cotton 20% polyester
charcoal
ash - black
In collaboration with Sud Sound System.
In collaboration with Magnus.
bsuFC269
bsuFs120
The ideal protection during the winter dance halls on the beaches of Salento, chilled by the North Wind and Sirocco.
sss black
xs-s-l-m-xl
80% cotton 20% polyester
We grew up reading his comics, we can now wear them and ride in them...
macumba
xs-s-l-m-xl
80% cotton 20% polyester
black
apparel
Milano Criminale ▾ The three artists photographed by Lorenzo Barassi
Milano, 1970s. Where bullets are flying and villains are real villains. The law, under the Madonnina in Milano, is handled by cops tough as a pistol grip. So when the shit hits the fan the two toughest cops in town, De Falco and Lo Russo get into the picture. Everything is directed by Giuseppe Ferrario, Maurizio Rosenzweig and Diego Cajelli. Here you have Diego Cajelli interviewed by his boss Marco Schiavone.
Diego, what do you do for a living? I write. Comics-blogs-tv programs-articles-short tales- and whatever comes up. What sports do you practice or did you practice. When i was younger many martial arts, a lot. From Wing Tsun to Muai Thai. I know practice the sacred art of the Wellington filet mignon. Which ones would you like to practice? Well, setting above an encyclopedia of “ifs”, i wuld say MMA. What’s your relationship with the cities? Walker pathfinder. I once walked from Battery Park to the Dakota Building. ▶ The page 32 of Milano Criminale ‘s third volume is printed on the chest of the t-shirt Lafuga.
I guess then that New York City is one of your favorites... New York and London! The two cities i’ve visited the most and that i know best. What’s your relationship with the city of Milan? Ambiguous. Bipolar. Love and hate fastly alternating. This relationship seems to live through the pages of Milano Criminale, you portray the city with melancholic yet ruthless eyes... What would you still like to see of the 1970s? The truthfulness of the place. Milan, in those years, was simply Milan. With its own limits, its problems and its costs. Nowadays Milan pretends to be one the world’s metropolises, but it’s not. It only has the costs of a global metropolis,
but not the benefits. There are a few temporary episodes, that make you feel like you are in Europe. But it’s only a front. Speaking of portraits... What do you like to photograph? Stories are all around us. And i photograph them when i get a chance. Three albums you would bring on the proverbial desert island? Blood Sugar Sex Magik - Red Hot Chili Peppers, Kill ‘em All - Metallica, Skid Row - Skid Row. Now. If you ask me again in an hour it would be 3 different ones... What do you like to wear? I suffer from an acute T-shirt addiction. For an insight check dieg o z illa. b log s p o t . c om
t-shirts
solid
bsumc320
ash - black - brown - orange - bordeaux - charcoal
Mohican
random
classic
bsumc311
bsumc317
bsumc281
black - brown - orange - bordeaux
black - charcoal - ash
boardeaux - brown - ash
apparel
block
bsumc309
camaround
zlogan
apparel
black - brown - orange - bordeaux
bsumc310
bsusc092
jester
black - brown - ash grey
black - charcoal
round
bsumc319
bsusc090
ash grey
ash grey - black - brown - orange - bordeaux - charcoal
lazyrinth
infotree
bsumc313
bsumc312
basiq
boardeaux - orange - ash grey
ash grey - brown
lefty
bsumc314
bsusc074
asphalt grey
black - brown - bordeaux
Classic fit Classic bastard速 fit, double seamings, ribbed neck, internal sweatband. 100% combed cotton 130 gr/m2
Slim and extra long fit, loose neck opening with narrow rib and slim sleeves. 100% combed cotton 110 gr/m2
Sizes: xs-s-m-l-xl
Sizes: xs-s-m-l-xl apparel
accessories
bsxcl
gre en
12
accessories 10 0
co al
ha 1 2 6 rm ch ar
bsxcl
nd0 ol er o
Ba
r
t to
s te
co
l ye
%
po
10 0
%
n
ck
bla
12
rm4 -b lue al
bsxcl
fo 10 0 % ac
e
blu
12
r yl
ic
ok 1 ie
bsxcl
co r yl ic
12
lif5 ax
bsxcl
ac
ha
%
blu e
10 0
10 0
%
ac
r yl
ic
bsxcl
y
bsxcl
0 80 % la % m ac bs r y l wo ic ol
20 80 % la % m ac bs r y l wo ic ol
pil 1 30 gre l 2
di 122 bro re wn ct
beanies
accessories
ck
bla
13
1
mi x
-b
op er lue
tr
bsxcl
bsxcl 12
8
p 20 80 % la % m ac bs r y l wo ic ol
20 80 % la % m ac bs r ili wo co o l
gi ca
ma
bro wn
11
bo 9 on
bsxcl
Ba
10 0
%
ac
r yl
ic
bsxcl
en
jin 127 gl bla ck e -g re
wo ol
12
ko 3 ta
bsxcl
da
10 0
%
po
l ye
s te
r
-a pp le 10 gre 0% en ac -b r yl lue ic
ma 129 tch bla ck
bsxcl
20 80 % la % m ac bs r y l wo ic ol
belts
warriors
tangle
BSX AC020
BSX AC028
cow
BSX AC019
brown
lucs
BSX AC029
black
fist
BSX AC022
accessories
black
grey
black - assorted colors
accessories
sk8 bag
russel
dirk
BSX At055
frame
black
BSX At043
BSX At052
black
black
BSX At039
black
wallie
rhino
cubic
BSX At010
assorted colors
BSX At002
BSuAi001
skatesocks
assorted colors
BSuas001
black
accessories
BSX AT034
Pouff daddy
The Pouff Daddy, bean bag made of the same proven ripstop material of the bastard cargo line, has now been produced for over ten years..
shell: 100% cotton padding: virgin pearl in expanded polystyrene brown - mil green - black - pitch black - city night - wavestorm
accessories
kids
KIDS
BSK ML264
LAZYRINTH
BSK MC265 s-l-m-xl
ash grey - bordeaux
BSKGL081
gUS
xs-s-l-m-xl
MOhIcAN
s-l-m-xl
black - orange - bordeaux
shell 100% polyamide lining 100% cotton
mil green
BSK Ml281
RANDOM
BSK Ml263 s-l-m-xl
black - ash grey
BSK MC26t
BSKPL081
HOME
black - ash grey
kids
xs-s-l-m-xl
80% cotton 20% polyester
SOLID
CLASSIC
s-l-m-xl
ash grey - bordeaux
BSK MC262 s-l-m-xl
black - orange - ash grey- bordeaux
BLOCK
s-l-m-xl
orange - bordeaux
BSKFC258
CLASSIC
s-l-m-xl
80% cotton 20% polyester
bordeaux
s-l-m-xl
80% cotton 20% polyester
black - ash grey
BSKFC265
solid
s-l-m-xl
LEFTY
s-l-m-xl
80% cotton 20% polyester
orange - black
BSKFC257
BLINDARD
BSKFC260
BSKFC262
PATROL
s-l-m-xl
black - orange - ash grey - green
BSKFC266
TRISE
LAZYRINTH
s-l-m-xl
80% cotton 20% polyester
black - green
80% cotton 20% polyester
pitch black
80% cotton 20% polyester
BSKFC259
s-l-m-xl
black - ash grey
BSKFC261
MOHIcAN
s-l-m-xl
80% cotton 20% polyester
orange - ash grey - green
80% cotton 20% polyester
BSKFC264
RACING
s-l-m-xl
80% cotton 20% polyester
black - ash grey
kids
Chris Oliver shoots a huge Frontside Flip melon on the hip at the bastard bowl during the “Un Tranquillo Weekend da Paura� contest - indoor edition - due to rainstorms in the original location Usmate. Follow the bowl at: blog.bastar d.it /categor y/ bastar d/ bowl /
Nicola Giordano, sunset Hardflip... Thanks to Nicola and all of the Lazy Riders: Raul Lupia単ez, Daniele Galli, Marco Lambertucci, Nicola Giordano, Marcin Solecki (RIP), Nikolai Danov, Edo Paris, Lukas Goller, Matteo Borgardt, Zeman, Oliver Mondino, Mattia Molnar, Tobias Scherlin. Follow the bastard team at: b a s t ar d. it / t e am
Cover photo Lukas Goller shares his new Venom jacket with the penguin Tux.
b astard ® is produced and distributed by:
COMVERT S.r.l. is an Italian private company based in Milano that started its activity in 1994 with the design, production and distribution of snowboards, clothing and accessories developed by skateboarders and snowboarders for all the young people out there. For all inquiries and information, please contact us via proper e-mail address below, or by mail, phone or fax. Address
COMVERT S.r.l. via Scipio Slataper, 19 - 20125 Milano - Italia web
w w w.c omver t.c om E-mail
sales@c omver t.c om Email our sales office for pricelists, dealer catalogs, orders, invoicing and support on sales. p ro des @c omver t.c om for product development and design. Telephone
Head office ℡ +39 02 40708037 Showroom / bastard store
Come visit us at bastard store in Milano, which is directly connected with the bastard bowl. Catalogo al rivenditore - Dealerzine #31
This catalog and all the information about the #31 collection (Fall Winter 2012-13) is available online at: www.comvert.c om/b a st a r d /31
Product and lines may change without previous notice. b a s t a r d ® is a registered trademark of Comvert S.r.l. Printed in Italy. January 11th 2012 - Season 31
www.ba sta rd.it