XAN logo guideline

Page 1

XAN visual identity guidelines June 2017


What brand colo

Skin

Green

Yellow

C6 M39 Y47 K 0

CMYK C75 M23 Y95 K0 C0 M20 Y84

R234 G167 B133

R79 G152 B76

R255 G204

HEX #EAA785

HEX #4F974B

HEX #FFCC4


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Brand Color

lor should I use?

4 K0 B67

43

Brown

Purple

C25 M37 Y73 K0

C19 M34 Y0 K0

R197 G158 B96

R202 G172 B210

HEX #C49E5F

HEX #C9ABD1


The logo = sym

Symbol

Logotype


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mbol + logotype

Logo

logo


Color va

Full-color positive


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ariations

Full-color reverse

logo


Let the log

10 cm

10 cm

0.10 cm

Clear space #000000

CMYK 0 0 0 100


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go breathe

2.5 cm

2.5 cm

0.10 cm

1 cm

Minimum size Print: 2.5cm

0.25 cm

logo


Please don

Do not change the size relationship of the symbol to the logotype.

Don’t place the log provide insuf

Partner Program Don’t create logo “lockups” by adding text in close proximity to the logo.

Don’t stre


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Logo (don’ts)

n’t do that!

go on backgrounds that fficient contrast.

etch the logo.

Don’t add effects like shadows.

Don’t compress the logo.


Our type English Type “Optima Family”

ABC D E F G H I J K L M NOP QR S T UVW X Y Z ab c de f g hi j k l m no p q rs tu v wx y z 1234567890! @#$ % ^& *()_ +

ABC D E F G H I J K L M NOP QR S T UVW X Y Z ab c de f g hi j k l m no p q r s tu v wx y z 1234567890! @ #$ % ^ & *()_ + Sample paragraph

Although the Optima® design is almost always grouped wit

it should be considered a serifless roman. Compare it with t

you will find similar proportions, shapes and weight stress. W slight flaring of its stroke terminals.

The Optima typeface is a clear and precise font designed by

inspired by classical Roman inscriptions and is distinguished

straights of the Optima fonts vary minutely in thickness to p


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Typography

e family Chinese Type ”華康黑體 DFHei Std”

杉淬寵物精品 杉淬寵物精品 杉淬寵物精品 杉淬寵物精品 杉淬寵物精品

th typefaces such as the Helvetica® and Gill Sans® designs,

typefaces like the Garamond™ and Centaur® designs, and

Where these designs have serifs, however, Optima has a

y the renowned type designer Hermann Zapf. Optima was

d by its flared terminals – the ends of letters. The curves and

provide a graceful and clear impression to the eye.


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