academic selected works
PORTFOLIO EDWARD FANG
edwardhsufang@gmail.com
hELLO!
con ten ts
I. Innature High Cliff Nature Histor y Center
II. Pop-up barge Milwaukee Inflatable Museum
III. Centennial Park Riverside Master Plan
Heat R i v e r f r o n t S PA / B o a t h o u s e Sound Hilltop Theater
Light Community Gallery
IV. ML Translation Deep Learning House
V. Riverwest Market Development Ri v e r w e s t Fa r m e r M a r k e t
High Cliff Nature History Center
I. 建築宿於荒原上與著探索原住民文化與舊式石工業的過客一同眺望遠方， 同時運用材料與空間展現對當地的連結，於內部緩慢引導旅客了解土地的 現況及歷史，建築功能以當地美術館及教育中心為主，並為了帶入歷史與 自然情感而努力。 The wilderness with guests that seeking the native history charm and trace of stone industry, the architecture aims to express these elements in its materials and programs. To present itself as the observer of the history and culture, it stands in front of the lake and look out with people that passing. Slowly guiding the visitors through what the land have witnessed, and what it is now. The building servers as local museum and education center, and to bring emotion of history and nature to the people.
High Cliff Nature History Center
隨著1956的最後一批大理石運出，基地附近的石工產業也隨之沒落，因此當地 也轉變為文化保留區，原民的動物塚與石工展業的地理景觀創造了非常獨特的 設計環境，對此，如何放大這些歷史軌跡也成為建築的主要目標 Follow by the last load of limestone went into klins in 1956, the local stone industry faced decline, and the area was assigned to be a nation park short after. The impact to the residents of this industrial town is visible, people started moving out to look for opportunities. This left the local effigy mounds and the landscape of poststone-industry to become its features. Therefore, how to interpret such historical path to the architecture laguage become the next challenge.
The Purple Martin is generally found in open habitats and areas close to water, particularly near or in human settlements.
Humans now provide nearly all nesting sites used by this species to include established structures like birdhouses or nest boxes and gourds The effigy mounds 1000 A.D. and 1500 A.D. They have an unmistakable, chirpy sound that fill each summer day.
The shapes of the effigy mounds are divided into two categories: animal and geometric.
When the birds leave the park in late August, their songs are noticeably absent.
west Sherwood
Animal shapes are thought to signify a better status than geometric and the buffalo shape was, most likely, reserved for families of the chief.
site location
A once lively little town of hundreds, Clifton, was the home of a thriving limestone quarry operation.
general store museum
“Flexed” remains are of the people who died when travelling to the area.
Red Bird chief statue
“Bundle” remains are those of people who died in winter, when the tribe was south.
Today the only remains of the one time boom town of High Cliff are the General Store Museum and the lime kiln ruins.
“Cremated” remains have also been found in some mounds. High Cliff state park
The bodies were then placed in the desired position, usually the head or heart portions of the mound shape.
The State of Wisconsin purchased the land in 1954 to prepare the site for a state park. The woodland tribes that built these mounds are thought to be Siouan origin.
The last load of limestone went into the kilns in September, 1956.
The lakes and rivers were attracted the mound builders to the woods of this area. They provided food and transportation in almost any direction. ea ta Ac ca ia
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To understand the site, a research of vagetation, industry and native culture and more is conducted and finalized as the story diagram for presenting
High Cliff Nature History Center
以鳥動物塚為發想起點發展兩個弧度量體相連，並以尾部面對不同 基地景觀及特色，而中央量體連接處以圓形空間強調其教育功能性 質，在西立面處將量體分成上下兩層以表現觀景及用餐空間功能， 最後以前後弧度量體區分主功能及輔助功能並將曲面面向自然空間 來延伸寬闊感 The design reconfigures the effigy mound to the two intersected curve mass, and edges of the mass point at different physical landmark or landscape, to link the views as a connector. The center which curve mass join is been emphasized to express the focus of educational function, and west side of the building divide to two story for viewing and dining functions. The frontback relationship show the divide of main and serves programs, and both curvature points at large grassland with vegetation background.
High Cliff Nature History Center
於內部空間的設計上，整體表現試著捕捉峭壁邊樹林的自然環境，空間倚靠著 大理石牆與上木紋理片表現著樹葉遮蔽感，而大理石牆運用當地建材並表現其 重量來與展覽空間相互呼應，天花板展現著動量指向著尾部量體與湖面景色， 同時創造特別的光影效果 The interior is designed to mimic the in between of the forest cliff zone, adjacent to the stone cliff with the canopy cover above. The limestone wall uses the local material and presented as heavy mass to the contrast of the large openness of the exhibition area. the top of ceiling panels create the vectors points toward the lake view at the end of mass, and further produce forest lighting effect when sunset.
Milwaukee Inflatable Museum
II. 以短期企業模型為思考方向創作一個活動式建築，期望重新打造密爾瓦基的河 岸水上體驗，此建築以駁船為基地帶入機動性，並謹慎思考停泊的場域及其 對駁船的相容性，其目標為將充氣式建築帶入人們的城市印象，並使城市以 其獨特的方式吸引觀光人潮 The project is aiming to create a temporary business model that reshape the riverfront image of downtown Milwaukee. The barge location is carefully consider to attract the near by tourism and creates a unique experience for the local customers as well.
Milwaukee Inflatable Museum
城市分析圖以Kevin Lynch的都 市意象五元素為基礎來了解各場 域對建築的影響，並以此找出高 聚集性的空曠場所為基地，這樣 可帶動建築成為夏天城市的特殊 活動並帶入人潮 The analyzation of the surrounding is based on Kevin Lynch’s understanding of city, which acknowledge the foot traffic and space gathering of the area. It occupies during summer and can be stored or shipped to other location for exhibition purpose.
Kevin Lynch’s The image of the city anaylsis for city of Milwaukee: Path, Edge, District, Node, Landmark
Park-Barge-Marcus Center as the linked downtown cultural node for the city
Milwaukee Inflatable Museum
建築的螺旋結構充氣式設計是結合 結構-活動-動線 為 設計理念來幫助使用者以互動的方式來理解建築的可玩 性，層與層之間可以夾放各類充氣式產品並提供空間 性，動線的使用強調空間的體驗性，並且創造和城市 完全不同的場域理解，中間遮蔽展場空間以提供完全 的對比性，讓使用者有更佳的帶入感
ball pit
game room
The multi-spiral inflatable design is based on the structure-activity-circulation principle that helps connect activities that happened in the space with the structural design. The layers of inflatable tubes are designed to hold the products and provided enclosure. While the tubes overlay with each others and form the circulation of space, the experience of pass beneath enhance the disjoin of the reality. Each spiral change size and top enclosure to fit the program and help bringing the contrast of space. b.
vestibule
refreshment
showroom
inflatable beach
a.
game room
showroom store
Milwaukee Inflatable Museum
建築以可玩性為主題將充氣式材料的表現發揮極致，並創造脫離現實的體驗感，重新定義 都市的夏日活動可以何種方式表現來帶出新鮮感，最終期望成為密爾瓦基於年輕文化的慶 祝方式 Within the Milwaukee river, the design is expressing the playful speculative with its material and correlation with the space that dissociate the perception of city. It’s questioning how summer experience can be differ within the city and responding to become its own celebration for the city residents.
Milwaukee Inflatable Museum
剖面模型以表現建築對於密爾瓦基於體驗上的關係 ，以 強烈的暖色來表示夏日作品的空間可玩性及獨特性，並 以此強調作品所帶出的正向的對比
The model illustrate the relation between the design and the city, which focus on the playfulness of space and the distinct understanding of what it means to generate positive contrast for city image.
Riverside Master Plan
III. 溫度、聲音、光線，坐落於密爾瓦基河畔，此基地利用 三件設計”河岸SPA-表演廳-美術館”探討著三種空間 的質感，並且成為當地人在假日的休閒場域。基地總體 設計以提供適當的近水活動為目標，同時保存地基的自 然紋理及歷史來達到與自然共存共利的價值 The site locate at upper stream of Milwaukee river and near by the ecology center, which serves as a nature escape from the urban setting for the community. The master plan determines the layout for the following projects and reframe the relationship with riverwest neighborhood, especially preserve the ecological role the site play throughout the history. While the development change the condition of environment, the plan is actually saving the existing hill and forest contour and intend to coexist with the nature.
Riverside Master Plan
ĺ&#x;şĺœ°ćœŹčşŤćœ‰ćĽľéŤ˜çš„éŤ˜ĺşŚĺˇŽďźŒĺ‰ľé€ é€˛ĺ…Ľć˛łĺ˛¸ĺœ°ĺ?€çš„動硚莊垗漾為é‡? čŚ ďźŒĺ?Œć™‚äşŚčŚ čƒ˝ĺ¤ č€ƒé‡?ĺˆ°čĄŒĺ‹•ä¸?äžżäşşĺŁŤçš„ćŹŠç›ŠďźŒĺ› ć¤ĺťşçŻ‰é ¸ĺ?€ć–š é?˘č€ƒé‡?著景色〠動硚ĺ?Ščˆ‡ć¤?袍相鄰 ďźŒćœ€ĺžŒĺ?Œć™‚äż?ćœ‰é? čż‘éƒ˝ĺ¸‚ĺ?€çš„ ĺšłčĄŒé “čˇŻč¨č¨ˆ With the large height difference of the site, the challenge becomes how to introduce the use of lower area by the river into people’s daily routine. As well as providing access points for the ADA accessibility reason. Therefore the locations of each building are consider through view, circulability, and adjacency with the vegetation. The street side also maintains horizontal layout to merge with urban setting.
Riverfront SPA / Boathouse
河岸前的平坦區域是當地人重要的戶外休憩場所，選址所在地位 於河流中間點來提供適宜的進入口，SPA功能將提供多一項的冬 夏季活動場所，而背景的植被也將提供更好的隱蔽性以確保人 們自然活動的體驗 Right along Milwaukee river, the shallow contours before hills transform community’s outdoor experience. The design aims to create a mid point for the river for summer river events and winter SPA, it further preforms as the conjunction of these routines. While the hillside play as the backdrop of the building, people are about to enjoy the activity around and within the building with convenience.
Heavy-Light Split
Define Circulation
Lifting
Recompositing
River Flow
Expanding
Massing Image
Riverfront SPA / Boathouse
Outdoor Seating C Staging+ Training
Kayak Storage
C
Public Plaze
To Rooftop
Dock
A g. d. e.
f.
a. Lobby b. Shower
g. a.
c. Changing Room
B
h.
k.
d. Vender Kiosk e. Vender Office
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f. Quiet Bath g. Bathroom h. Loud Bath i. Sun Bath j. Outdoor Bath k. Indoor Bath l. Hot Bath
c. i.
j. B
l.
n. m. A
m. Cold Bath n. Sauna
Section A-A
建築運用材料輕與重的對比來表現量體及其功能， 與此呈現地與水的對應關係，外懸垂屋頂木樑架表 現水的流動同時與河岸坡地對話。建築設計阻隔需 要調節熱功能的空間並提供適當的熱傳導，因此提 供不同的泡澡體驗， 而船屋提供河邊戶外活動及觀 景台功能 The design follows the heavy-light contrast of materials and forms, which response to the ground and water image. The overhang roof representing the flow of river and provides the visual conversation with hillside forest. The layout of building helps heat circulate within the bath area and allows people to have different experience with types of bath. The boathouse serves as the training place for outdoor activity and rooftop as a observation seating for community to watch boats racing and surrounding nature.
Heat Distribution Map
Section B-B
Riverfront SPA / Boathouse
在建築周邊的景觀設計以成為河岸中繼站為功能來 服務當地人潮，並帶入不同類型的社區成員已成為 類似活動中心的存在，其中包含開放式澡堂及用餐 區等多功能場所，間接創造更好的戶外體驗
While the SPA serves as the main function of the building, the landscape around it is designed to reactive the near river area for various community members. By creating the outdoor bath area and dinning space, the programs transforms to create transition of indoor-outdoor relationship for larger perspective.
Hilltop Theater
在找尋空間對於聲音的定義上，社區表演廳將減噪及放大聲音為目 標幫助周遭環境已達成和諧，同時，建築尋找著如何運用活動式設 計來擴大其內部空間，並創造一個更悠閒的觀賞場所 In search of understanding space for sounds, the community theater intends to balance the acoustic of space with its surrounding. The project explores not only such knowledge but also experiments the mechanism of operable building design to utilize contour of hill, which enlarge the number of seating and perform as more causal space for the audiences.
Hilltop Theater
Outdoor Seating
Performance Space Lobby
Toliets
Stage Vestibule
Coat Check
Environment
Program Placing
Program Reforming
“The Shed“
View Shaping
Space Expanding
設計表演廳時利用基地的獨特高低差來突出量體，並將其分成兩部分 ，倚靠 樹植被及視覺表現的量體。而在內部的隔音牆設計上，運用參數設計獨特曲 線及隔板來除噪音及抵銷回音，並減少對於外在的噪音影響，屋頂則包含機 房空間及活動式設計以擴大表演廳以適應各類活動 The site condition provides a unique opportunity to frame the design. The massing is divided to two part with entrance closer to the forest and theater acts as the visual presenting of the project. The acoustic design of the interior panels aims to eliminate the reflected sound difference, and the side panels work as barriers to prevent sound pollution for the environment. The theater roof contain the mechanical to expand the theater space to create outdoor seating for various public events.
Hilltop Theater
當屋頂擴展時形成的開放空間保留了河岸景色及周遭視野，而尾部的 牆面可以收起以讓觀眾可以在稍遠處欣賞表演，變成類似戶外音樂會 的場域，內部的隔音牆同時也可以嶄露其視覺特色 Responding to the view to the Milwaukee River, the expanding of roof structure preserves open view to the surrounding. While theater back wall can be fully open and stored, the audiences can enjoy the performance and the nature environment at the same time. For interior of theater, the sound panels enrich the acoustic experience and maintain as a visual feature of space.
Community Gallery
座落於最靠近民宅區的一角，美術畫廊不僅僅只是展覽的功能， 更以成為居民們的生活聚集場所為目標，其中包含了中廊及庭院 以植植被邊緣展開，不僅間接創造畫廊功能，更成為貫穿整個 建築的脊椎 Directly facing residential area, the gallery serves as gathering space and cultural center for the neighborhood. The design include the courtyard formed by forest and circulational core, which become the visual center of the project and create the layers of serves core-gallery system.
Community Gallery
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曲硚動硚č¨č¨ˆäťĽĺ‰ľé€ ä¸?ĺ?ŒçŠşé–“çš„ĺ…‰çˇšĺ“ čłŞç‚şç›Žć¨™ďźŒäťĽć¤čƒ˝ĺ¤ 珌ĺ?ˆä¸?ĺ?ŒéĄžĺž‹č—?čĄ“ĺ“ çš„çŠşé–“ ć„&#x;ďźŒč€Œä¸ĺ¤ŽĺťŠé “ĺź•é “č‘—äşşĺ€‘çš„ĺ‹•çˇšďźŒĺ?Œć™‚ć??䞛兊税ä¸?ĺ?Œçš„鍔銗ć„&#x;ďźŒä¸€ç¨ŽäťĽĺ?ƒč§€č€…ç‚şä¸ťďźŒ ĺ?Śä¸€ç¨Žć??äž›çŠşé–“çľŚç•śĺœ°ç”&#x;ć´ťçš„ä˝?ć°‘ The curvature of the design is to create various space that can provide different light quality. As the circulation is guilded by the center core, it also allows two different experience on both side: one for vistors of gallery and one for the community member to gather.
Deep Learning House
IV. 機械學習，以自己程式語言詮釋著不一樣的角度，此作品意在探詢機械學習是如 何接收各種圖片並重塑其之間的關聯性，此過程在於觀察每個機械詮釋內所產生 的細節，始於理解受指派的藝術系列作品，開發自己的建築規則並創造新的圖片 來讓機械學習加以詮釋 The project explores the translation of machine learning within architectureal perception. The focus of project heavily related to the process and interpretation of subtle detail that occur as the bi-product of ML outcome. Start with analyzing assigned artist’s project, we pick up the rule set being applied and use that to produce input data images.
Deep Learning House
首先以產生多量圖片為目標，以簡圖方式理解圖像 運作原理，並以參數設計打造一系列的圖片來運用 在機械學習的過程 In this stage, we focus on the multiplicity of iterations, which structure the forming of our final approach to the project and acquire the final output images.
Data Input Iterations
Deep Learning House
在經過機械學習的詮釋後，圖片自己產 生了機械行為，下一步我們將詮釋這對 建築設計之影響。首先重新規劃x-y面向 ，並以矩形圈住選定區塊來定義2D平面 圖，再以圖片細節來定義建築結構與空 間，例如條紋變色及橫豎銜接方式，在 這過程逐漸產生初步設計 We investigate the nuance within the output images and develop a process of manual translation that can clearly demonstrate the relationship with the ML output. In this case, the selected image is rotated 45 degrees for recognition of x-y axises, then create series of rectangles indicate ideas of floor plans bountary. As that is determind, the texture can be interpreted. The reading of stripes, overlapping of colors, the merging of horizontal and vertical, the bluring, and the cutaway of area. All these elements are illustrated within the simplest form of diagrams. Final ML Image for Translation Process
Transformation Diagrams
ML Output Images
Deep Learning House
利用平面圖所產生的元素來重新定義空間及量體，這裡利用推出的方式來產生 初步形體及高度，紋理及內部空間質量都以機械學習的方式呈現於新一批的 圖面，最後這過程可以重新利用並產生新的建築方案，而這一過程都以創新 的平台-機械學習-來表現何謂建築 The floor plan diagram suggest thinking of architecture, and we are able to apply the original rule set into the translation of spatiality, which in here are simple extrusion and offsetting height. The texture, interior-exterior relationship, space quality and circulation, all are part of the translation process. As this process go on, we can provide a consistent method to generate 3D massing from 2D images. Ultimately it creates a design associated with both architecture as end-product and machine learning as its platform.
Front Elevation
Extrusion Process
Section
Deep Learning House
最終的建築是一系列的多代同堂民宅，內部功能也 同時繼承了機械學習的表現方式，動線方面也以連 接各樓層為目標來適應期平面圖 The final outcome as architectural product is a multi-generation housing, and the programs within reflect the transformation that occur during the ML process. The individual floor plans have been manipulated to fit other floor plans above and below, as well as to create circulation that can connect every spaces.
Third Floor Plan
Riverwest Farmer Market
V. 河西區公共市場設計位於密爾瓦基一個種族多元且活躍的城區， 同時因地基位在橋梁交界處，因此對於設計本身可以帶入高流 量，除了市場本身設計還包含了季節性農作市場來幫助當地農業 發展，其設計目的是創造開放式社區公共空間，並以此刺激當地 的假日活動交流性 Bordering the Milwaukee river, Riverwest is known for being one of the most ethnically, culturally, and religiously diverse neighborhoods in Milwaukee. The site is right on Locust, one of busiest street in Riverwest. The project will be a public market and seasonal farmer market to help activating the street block, and further provides community a place to gather.
Riverwest Farmer Market
I. Open to below
H.
B. / J. Open to below
G.
G.
Second Floor a.
A.
B.
A.
B.
A.
A.
A.
A. C.
A.
A.
A. A.
b.
A.
A. Stall B. Seating C. Cafe D. Trash room E. Receiving room F. Manager room G. Bathroom H. Demonstration kitchen I. Event space J. Pre-function b.
Courtyard D. E.
F.
First Floor a.
基地附近生活機能豐富並提供了公共停車空間，唯一所缺少的是一個適 合不同住民的聚集場所，配上當地的普普文化表現可以看出基地的潛 力，因此設計本身以配合周邊建築風格來創造統一的文化色調 The surrounding context of the site includes community house, unique bars, live music and cross street parking. All these contexts help the site response to the need of central gathering and interactive place. The local art culture is routinely used to advance social causes, and a sense of civic celebration. The forms of art are just as diverse as the neighborhood, which bringing more cultural potential into the site.
Section a-a
Section b-b
North Elevation
Riverwest Farmer Market
建築以探索簡易量體圖為開端來調整市場 攤位的整合性與周遭統一性，以材料方面 而言，紅色量體以創造視野開闊的空間為 目的來連接中庭及主街道，並提供市場休 息的座位，而較高的量體創造上層隱蔽空 間來給消費者使用 In order to react to surrounding architectural language, the parti start with forming market stalls blocks to mimic the buildings cross street. The two blocks sharing some degree of materiality, and between them the “bridge“ was formed to allow people from main street to see into the courtyard and act as a breaking space for the visitor by making it coffee and seating space. The block close to the alley is higher to introduce more space for program and align with public house on the other side of the alley.
Riverwest Farmer Market
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Detail Illustrative Axon
MOCK-UP DRAWING 河西區公共市場牆體細部以重新思考中庭角落牆結構美觀性為主題更改 設計，以此來了解建築細部對於整體的價值，在重新設計的過程裡以了 解磚牆結構及規則為重點，最後結果為一種三磚鋪設為一單元的垂直波 浪型設計，上層窗戶則用一種內推型規則來表現其特殊性 By redesigning the corner of th building, the beauty of detail can be fully appreciated and the project can be more developed under the understanding of tectonic aspect. The redesigning process help the understanding of bricks and see the potential of material patterns. The three-stacked brick pattern was introduced to create vertical wave pattern onto the side wall. At the same time, the environmental condition was reconsider. In order to maximum the efficiency of the wall and create special effect, the shear open window pattern was placed so interior can have interesting sun effect in designed time of the day.
METAL ROOF FLASHING TREATED CAP BOARD ROOF MEMBRANE 4” RIGID FOAM INSULATION METAL DECKING INVERTED KING PIN TRUSS CANOPY CABLE ANCHOR TO WALL CANOPY CABLE METAL DECKING STEEL BEAM ANCHORED TO CMU CANOPY CABLE ANCHOR TO CANOPY
8” CONCRETE BOND BEAM ALUMINIUM WINDOW HEAD DOUBLE PANE LOW-E GLASS ALUMINIUM WINDOW SILL
3/8”
7 5/8” 8” CONCRETE BOND BEAM ALUMINIUM WINDOW HEAD DOUBLE PANE LOW-E GLASS ALUMINIUM WINDOW SILL
4” BRICK VENEER 2” AIR SPACE 3” RIGID FOAM INSULATION 3/8”BARRIER AIR MOISTURE/VAPOR 8” CMU BACK UP WALL 4” BRICK VENEER
2’ 7 5/8”
16” CONCRETE BOND BEAM 6“ CONCRETE SLAB 8” 3” RIGID FOAM INSULATION 3/4“ STONE FILL 6 COURSE CMU FOUNDATION WALL 3” RIGID FOAM INSULATION 8” ANCHOR BOLT CONCRETE FOOTING
3/8” 5’ 11 5/8”
WALL SECTION ELEVATION SCALE= 1” : 1’
SCALE: 1/2”= 1’- 0”
Detail Section
3 5/8” 7 5/8” 1 3/4”
3”
1 1/2”
3 5/8”
SECTION A-A SCALE= 1” : 1’
3 5/8” 7 5/8”
Detail Plan
Riverwest Farmer Market
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