PORTFOLIO AR518 Architecture Design Studio 5 Edwin Seng Yong Wei 1001746759
CONTENTS
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Project 1
Subject Matter
Project 2A
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12
20
Project 2B
Project 3
Technical Report
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50
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INTRODUCTION
X-Culture of Sitiawan
Sitiawan has gone through a long lineage of history and antiquities, with evident civilization tracing back to the 1800s. Throughout the historical lineage, the town has gone through various forms of change and transformations. Social and economic development began in Perak upon the signing of the ‘Pangkor Treaty’ in 1874 with the majority of the population being Malays, until the migration of the Foochow (Fu Zhou) led by Christian missionaries in the early 1900’s being a key impetus towards the economic development of Sitiawan. The Pangkor Treaty was a treaty signed between the British and the Sultan of Perak that legitimizes British’s control of the Malay Rulers which also paved the way for British Imperialism in Malaya. Migration happened gradually but the ‘Boxer Uprising’ that was happening in China during that period catalyzed the migration exponentially. Sitiawan was then seen as the Southern Canaan (The promised land) to the Foochows. The then colonial government had the intention for the migrants to concentrate on rice cultivation to help meet the food needs of the Malay states, which also became the ideal location for the colonial administration. However, failed attempts at paddy plantation sparked for a change of crop to rubber plantation which incidentally boomed in 1915, transforming many settlers into smallholders with wealth and social positions. By 1918, Sitiawan was infrastructurally connected to the bigger towns of Ipoh and Taiping. The Second World War brought hardship to the town, which continued with the declaration of the Malayan Emergency in 1948. Most areas in Perak were classified as “black areas”, and Sitiawan’s dispersed settlement and vast rubber plantations were advantageous to the communist guerrillas. It was not until Malaya’s Independence and the end of the Emergency in 1960 that Sitiawan regained its tranquility. Today the town is no longer rubber-based – 80% of estate land around it is used for palm oil cultivation and housing development, contract supplies to the lumut naval base, fishing, prawn farming and shipbuilding activities and they have spurred a diversified urban economy. The site for this semesters project is located in the waterfront intersection of the old township of Sitiawan and its neighbouring new township of Manjung, Perak. This is where the existing Tua Pek Kong temple, one of the major tourist attractions sits. Evident today beyond the perimeter of the site is a unique mix of communities involving the older and younger generations which is a result of the diversified mix of programs including various schools, religious buildings, a muslim cemetery, housing, fisherman’s village, palm oil plantations etc. Students will be looking into a potential cross-cultured programmatic
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Overview of Kampung Pasir Panjang, the project’s site. Image retrieved from Youtube (NN Creative)
intervention benefitting its local community whilst accentuating its potential secondary connectivity between the two regions, benefitting from the diverse social, religious and economic conditions of Sitiawan. X-Culture – is an attempt to establish an evolutionary cross-cultural perspective of the use of space and architecture as influenced by the cultural variables of society, economy, culture and religion. This agenda challenges designers to come up with progressive proposals and ideas, aimed at accomplishing the transition from a reactive to a proactive architectural practice. Within this project, the x-culture was explored in the lifestyle of the Foo Chows and their interest in gambling in their social and religious lifestyle and how it can be used to generate or advance the gambling culture lifestyle becoming one of the main income for Sitiawan’s development.
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PROJECT 1
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Site Synnergies
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1. The Temple
Within the sea, a massive temple looms, watching over the seas. It has been known that the people of Sitiawan prays for luck and safety within the lifestyle of the Foo Chows. That includes luck for gambling. The temple also has become a central tourist areas through its massive structure feature, gardens and religious activities.
2. The Luck
With the illusion of luck given to the people, they are encouraged to use it for something... Gambling, and if they win, they owe some of the earnings to the temple which help it grows. If they lose, they repeat the cycle.
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3. The Gamble
The Foo Chow’s lifestyle, the lack of extravert entertainment, and the illusion of luck has driven many to adopt the gambling habit. It is part of the Foo Chows, it is part of their lives. It is a skill of analysis and prediction, psychology and discipline. It is their entertainment.
4. The People
The people of Sitiawan are widely known as the Foo Chows. Though its culture can be adapted by anyone, the Foo Chows lives a tranquil lives within each of their own neighbourhood, keeping celebrations in a small community. Hidden inside, they love to gamble at about anything.
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5. The Sea
The sea is an aspect assilimilated in the Foo Chow’s lifestyle as fishermen, providing fresh and delicious ingredients to the heart of Sitiawan. In between, the beach is a place where one enjoys leisure activities and has slowly become a tourist attraction.
6. The Industrialization
Sitiawan is constantly undergoing developments by the government to become an industry and port area. More foreigners worker has come in the land, would it be possible for them to assimilate into Foo Chow’s culture?
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Physical Model Mock Visualization
This mock visualization aims to explore the findings of the site synnergies in a 3D representation to a certain scale, to study the forms of entertainments longed by Foo Chows and how related it is to gambling and their religious background. These exploration looks into conceptual spatial sense and what it could be.
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RESEARCH MATTER A case of Foo Chow’s Culture and Gambling
History of Gambling 3000 BC
1000 BC
9th-10th Century
17th Century
1638
Origin of Gambling
China as Pioneer
China Evolution
Predecessor of Poker
The First Casino
Started all t he way b ack in the Paleothic P eriod, Astragali, Senet, and Patholli was one of the first form of gambling.
China became the next pioneer in gambling development when gambling houses were first introduced.
Playing cards and dominoes were invented w hich will become the pioneers fo modern casino games.
As-nas, the predecessor of P oker was invented in Persia.
The Ridotto, the first casino was ever built i n the world. Situated i n Italy, the casion w as owned b y the government.
Gambling has been a culture and lifestyle since 3000 BC, dates back to when Egyptians and other civilization would bet anything from personal belongings to slavery as part of their own entertainment and games. Over time, gambling has taken many different forms in the face of the world as newer games and society develops. This gambling culture has also disguised itself within the lifestyles or the norms of whatever happens in an era. For example, in the modern era, gambling although widely viewed negatively are ironically practiced in a certain relativity when it comes to the rapidly-growing cryptocurrency and video game’s lootboxes. Money are spent towards a game affected by luck and chance. The irony is where how can one condemn gambling while practices it? Is it all just relativity? While gambling addiction do pose a threat to gambling addicts, one is to blame individuals for lack of
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self restraint, as in the frequent gamblers knows its true values lies within its social capabilities and skills. In combating such issues, it became widely educated to the norm that gambling should always be avoided. However, how can one discards a way of life so easily? Especially among seniors. The absence of facilities has led to illegal syndicates to operate on their own, paving way to more unregulated operations which becomes a threat to gamblers if not for their own restraint. Gambling especially as part of games has already proven to bring about many benefits. Social, entertainment, and skills developement. Like all games, it set challenges, competition, it can be celebrated, tournaments can be held no different than boxing championship or horseracing. It’s what we called recreational gambling, whether it happens professionally or in homes, many people undenialably gambles and enjoys it. They may lose money,
they may gain money, but is there any difference when one spends their money to the movies? To the theme park? Or even to the brothel? As long social connection and entertainment are brought to the gamblers, it is said to already be beneficial. Economically, gambling revenues has helped the governments in crisis before such as Zika. Political leaders that can see through opportunities allows it, or rather exploit it to better develop Malaysia through taxes. Tun Mahathir, Tunku Abdul Rahman, and even Rosmah Mansur has seen the potentials of gambling revenue. Back to the initial question, if a certain form of gambling is viewed normal to do, why not all forms of gambling be equally treated? Introduced with carefully thought regulations to prevent addiction, how can we redefine a gambling centre to be socially accepted with the norm? How can we evolve it to be just another recreational hobby anyone can participate in?
20th Century
31st March 1969
21st Century
Genting’s Casino
Digital Era Gambling
Tunku Abdul Rahman suggested to Tan Sri Lim Goh Tong the gaming license to further accelerate the development of Genting
With the current limitation of gambling in Malaysia and the world, gambling has transition to the digital era with online gambling, s treams, cryptocurrency, video game lootboxes, and stock market.
Gambling in MalaysiaC ommon Gambling Localized Gambling The gambling culture was introduced i n Malaysia b y the Chinese Merchants and British. Horse Racing was introduced.
The era where more modern gambling and casino starts to boom in the world.
Localized gambling starts from the form o f the dwellers in Malaysia to gamble with anything they have. The weather, lottery, kuda longkang, cockfighting, etc.
The table represents a general origin and history of gambling around the world and its impact in Malaysia.
19th Century
Malaysian Statistic of Gambling A study of gambler’s demographic in Selangor.
Average sin tax collected from 2008-2019 in Malaysia annually.
RM 9 Billion 5.6 Mil Population
70% Revenue to Gambling House
30% Tax 10.2% Moderate Risk Gamblers 4.4% Problem Gamblers RM 2 Billion Revenue Majority of gamblers are of young Chinese, from lower education, and paternal-headed family.
Malaysian Revenue
Dr Mahathir’s Proposal of Special Draws Benefits Personal Winnings
Chinese Temples
Gomen Tax: RM 80 Million
Statistics shows the revenues gain by gambling in Malaysia and the usage in aiding crisis.
Nipah Virus
The Straits Times, (2021). Malaysia's govt increases special lottery draws despite Islamist ally's anti-gambling stance
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The photomontage shows a representation of social stigma against gambling.
Many perception’s on gambling are negative throughout Malaysia, with a certain taboo to be discussed, more often tied to gambling addicts that has lost control in their gambling activities. These perceptions in a way closed certain potentials that other places have success on. (Macau, Vegas)
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The photomontage shows a representation of growing underground casinos in Perak.
Despite local banning, many would give rise to their own illegal gambling syndicate to operate of these gambling seekers, potentially becoming harm to the public without regulation. This hidden gambling syndicates are hidden from plain view under the lifestyles of the Foo Chows, hence the underground casino. While it operates under radar, many locals prefer to participate in this kind of casino rather than legalized gambling operations due to the varieties it offers.
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This comparison is used to show the relativity of illegal gambling and legal gamling
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Gambling habit and its culture is not fully against as well when local contexts such as the landmark Tua Pek Kong Temple encourages its people to gamble with lottery with a carwashing ritual. Which returns to the question of how beneficial recreational gambling can be? As shown above, gambling sought to come with these benefits, where skills and discpline are developed among players, potentially creating a new global tournament player representing the country in games like mahjong, poker, etc. One of the more famous benefit are social needs, the very reason most Chinese gamble to begin with, whether at home, or in the temples, they play social games to interact with one another and that also satsify their entertainment needs. This programme of course comes with revenue potential especially if regulated and taxed for the governemnt where it can be used for better course. With the last, improved security of the town where by the development of a casino programme always come with more security police to protect the sum of money moving around a city.
Gamgbling Context at Malaysia, Perak, and in Sitiawan.
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PROJECT 2A Dissection and Collocation
Dissection 1: Lifestyle
The first diessection layer focuses on the daily lifestyles of the Foo Chows in Sitiawan. These lifestyles focuses in the aspect of social, economy, religion, and development sectors. The shoplots, the farms, and the fishing villages represents the daily economical lifestyle that fuels Foo Chows culture in their food industry and local businesses. The kampung houses are the rural verncaular houses dates from a century ago, adding to a rich historical value. The mangrove forest are part of the eco biodiversity settings found in the site, although small, has a significant value to it. And finally, the ports and factories are future developements of Manjung in the site, aiming to increase its economical values in industrial field.
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Dissection 2: Illegal Syndicate
The illegal syndicates are the non-regulated gambling houses operating in the shadows of normal daily Foo Chows lifestyles. Hidden in plain sight, these syndicates operates unbeknown to non-gamblers. Still remaining part of the Foo Chow’s daily routine and social lifestyles, the gambling activities are not limited to commercial gambling but also grounded activities such as weather gambling, raft racing, etc.
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Collocation: The Ark
The ark represents the singular regulated gambling centre to be introduced on site to bring together all gamblers to a safe environment where they can safely practice recreational gambling and have a social circle within one another. This ark comes and siphon out the illegal gambling syndicates, converting all its customers and revenues into a purification process, in which all the revenues gained are used foor good purposes, such as development of Sitiawan, preservation of mangrove trees, or in aiding people in need. One of the main benefactor of this process is the Tua Pek Kong temples itself that plays a promnient role in encouraging people to gamble. Their developement funds were due to winnings and as their services expand, they are able to further help orphans and people in need in their own programmes.
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PROJECT 2B Masterplan Exercise
The masterplanning exercises looks into the potential of the programme and the future development of it in the site with supprting programmes that aid the course of the ark at the coastal site. The idea was to utilize all given site to create a micronation for gamblers not only for Foo Chows but internationally for tourists who would come to the new land of Sitiawan where there is the safe gambling haven any gamblers can enjoy from. Stemming from diffrent phases, the development are separated into the entertainment sectors, accomodation section, and commercial sector. The layout of this masterplanning are related to the local context of the site, where the perception of programmes are arranged in accordance to friendliness of the site context. From the top, responding to the mosque and school, a friendlier programme such as commercial shopping mall and hotels are proposed and as it slowly goes down to the temple and international waters are where more illegally percepted programmes are introduced whereby the casino is proposed to be at the end of the coastal area. This creates a soft bleed of the zoning into the main building at the coastal site, without any hard division of the plans.
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PROJECT 3 The Hidden Playground
Space Matrix
Jetty Entrance Lobby Seating Area Money Exchange Counter The Playground High Roller Tournament Area Workshop/Research Gambling Bar Seating Area Social Area Spa + Bath Relaxation Market Boating Market Regular Market Food Bazaar Kiosk Security and Monitoring Administrative Office Gambling Store Room Kitchen Staff Changing Room Resting Area Toile t Important Link Loading Bay Link Not Important
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Programme Connection
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Schedule of Accomocadation
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Explorative Model
With the proposal of a regulated legalized casino in site, in respondance of the mangrove forest to how the strategies earlier can unfold new ways to estrablish a gambling centre, all these studies are made to developing the actual building. These explorative models are aimed to explore the forms of the buildings and to study potential programme connection methods in which certain criterias are assessed to what the buidling could be.
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The main entrance from the land side. The mangrove forest are used to make the casino hidden.
The street market are the first spaces to go through as the zhoning and legality of the programme slowly bleeds in
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As part of the mangrove programmes, where the mangrove walk are introduced as ecological tourism activities.
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The view from the jetty access from all the boating culture related to the fishing village
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Aerial view of the overall building.
The building access are aimed simliar to the masterplanning exercise where programmes are laid out from the perception towards the end, where the casino is held. From the access of land, where most public people will be, the casino is hidden where the only programme the public can access are the green activities, and public market where the people can cycle, walk, shop, and do about anything the public does. As it venture deeper, one will notice the hidden playground but still seemingly out of access as the only access to the building is going through the lower ground floor before being able to access the main building. This creates a slight visual connection detached by the lack of physical connection that isolates the building from the rest of the public programme. The centralized core that connects to all different spaces of the building.
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The interior spaces, featuring the playground, the VIP area, and the night club
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Drawings TECHNICAL Services Bomba Submission Basic Services REPORT
KAMPUNG ACHEH TAMAN NESA
AEON Mall Seri Manjung
TAMAN ASTAKA JAYA
Mangrove Park
TAMAN DESA DUA SERI MANJUNG SITIAWAN
W CO AST
TAPAK CADANGAN
EXPR
KEY PLAN nts
DRAWING TITLE :
KEY PLAN LOCATION PLAN 50
AY
1 L01
ESSW
KAMPUNG PASIR PANJANG
DRAWING NO. :
18 / AR 524 / SEM21-01 / L / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
1562
13929
33415
12355
34019
34017
8262
34022
33416
537
34024
551
AN JA IR P AS
KA
52539
MP
UN
GP
52538
NP
AN
13930
34030
34026
JAL
EN
CA
14581
LAN
G
34025
607
JAL A
34018
34021
NG
14582 28455
33418
19085 552
1568
543 561
JAL
34028
AN
536 19086
562
34031
MP
UN
GP
EN
CA
14071
21873
550 535
KA
34029
8845
LAN
8846
G
559
606
20181 19087 20183
549
9087
2224 21874
21833
566
8842
564 19088
20184
611
565
20180 20182
567
610
571 2225
568 26370
21832
613
20178
32703 33171
33173 41886
33172 41885
4518
33176
33174 33179
33175
10315
597
JANG
SUNGAI PASIR PAN
33180
33181
33182
33183 41888
33186
33184
10365
33187
33185
41889 33188
41952 41955 41953
33190 33191 BO
UN
DA
RY
41954 33192
33194
LIN
E 115
10366
41956 33193
33145
33195
243°
06'
33198
20"
41959
33199
33148
DARY
BOUN
33149 35015
70
20
"
LINE
86 7
5
42182
16
20"
E
20 "
DA RY LIN
29 °
BO
UN
06 '
35024
11 8
58
0
35024
41996
35025
33202 33223 33203 33224 33204 33225 33205 33226 35026 33206 33227 35027 41993 35028
10°
BO
06'
UN
DA
20"
RY
LIN
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35024
83 180
72°
06'
20"
596
TAPAK CADANGAN
33228 35029 33229 35030 35031 35032 35033 35034 41992 41991
BOUNDARY LINE
2 L01
BOUNDA
RY LINE
BOUNDARY LINE 65 980
01°
06'
111 588
20"
06 06'
20"
BOUN DARY
LINE
4 49 96
33160
41967
06'
LINE
33159
42181
35018
158°
28
°
06
'
775
35017
99 265
272°
06'
20"
LOCATION PLAN nts
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
NTS
2.5.2021
33158
33154
42183
35024
DARY
33153
33155
42180
41998
35024
BOUN
33152
33147
12367
12368
33151
33146
33196 173
33150
41999
41957
REMARKS:
REVISION:
CHANGED DRAWING, ADDED STREET AND RIVER NAMES, ADDED SITE LOCATION
N 51
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YL IN E AR BO UN D 20" 06' 10° 83 18 0
H
RC FLAT ROOF FFL: 11.18
RC FLAT ROOF
ARY L INE
FFL: 14.18
RC FLAT ROOF
BOUN D
FFL: 13.18
RC FLAT ROOF FFL: 13.18
RC FLAT ROOF FFL: 12.30
Legends
H
Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
1 SP01
SITE PLAN 1:350
DRAWING TITLE :
SITE PLAN 52
DRAWING NO. :
18 / AR 524 / SEM21-01 / SP / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
20 " 06 ' 29 ° 58 0 8 11 E LI N DA RY UN BO
INE L Y AR
72°
64 9 9 4
06'
20"
ND
BOUNDA
RY LINE 1 11 588
06 06'
20"
BOU
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:350
2.5.2021
REMARKS:
REVISION:
ADDED FIRE APPLIANCE ACCESS AND FIRE HYDRANT LOCATION
N 53
POINT OF ASSEMBLY
4
3 5 2
6 1
6 5 2
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THE CASINO
FFL: 5.18
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Legends Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
1 P02
GROUND FLOOR PLAN 1:250
DRAWING TITLE :
GROUND FLOOR PLAN PURPOSE GROUP, TRAVEL DISTANCES & EXIT DOORS 54
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 02
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
ATION UBST TNB S
POINT OF ASSEMBLY
THE ARENA FFL: 5.10
FFL: 5.18
OUTDOOR JETTY
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
REVISION:
ADDED PURPOSE GROUP, TRAVEL DISTANCE, AND EXIT WIDTH
N 55
POINT OF ASSEMBLY
4
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6 1
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FFL: 5.18
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Legends H
Fire Hydrant Hose Reel Fire Alarm/ Break Glass
H
Dry Powder CO2 Portable Fire Extinguisher, 2kg Wet Riser Landing Valve Smoke Detector Heat Detector Smoke and Heat Detector Emergency Light Keluar Signage
1 P03
GROUND FLOOR PLAN 1:250
DRAWING TITLE :
GROUND FLOOR PLAN FIRE EXTINGUISHING SYSTEM 56
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 03
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
ATION UBST
TNB S
TNB
H
THE ARENA FFL: 5.10
FFL: 5.18
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
REVISION:
UPDATED FIRE EXTINGUISHING SYSTEM WITH ADDITION OF FIRE EMERGENCY LIGHTING
N 57
FFL: 3.7
PANTRY
RECEPTION
FFL: 2.18 RESTAURANT M
Legends
RESTAURANT
Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
DRAWING TITLE :
1 P04
LOWER GROUND FLOOR PLAN 1:250
LOWER GROUND FLOOR PLAN PURPOSE GROUP, TRAVEL DISTANCES & EXIT DOORS 58
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 04
KITCHEN
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
77
AHU
FIRE FIGHTING ROOM
WATER TANK ROOM
M&E ROOM
ADMIN OFFICE
SPA
2
3 1
4
5 6 1
6
AQUARIUM
2
5
3
4
SPA
VIP AREA
FFL: -0.325 SPA
F
SPA SPA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 59
FFL: 3.7
PANTRY
RECEPTION
Legends H
Fire Hydrant Hose Reel FFL: 2.18
Fire Alarm/ Break Glass
RESTAURANT
Dry Powder
M
CO2 Portable Fire Extinguisher, 2kg
RESTAURANT
KITCHEN
Wet Riser Landing Valve Smoke Detector Heat Detector Smoke and Heat Detector Emergency Light Keluar Signage
DRAWING TITLE :
LOWER GROUND FLOOR PLAN FIRE EXTINGUISHING SYSTEM 60
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 05
1 P05
LOWER GROUND FLOOR PLAN 1:250
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
77
AHU
FIRE FIGHTING ROOM
WATER TANK ROOM
M&E ROOM
ADMIN OFFICE
SPA
2
3 1
4
5 6
1
6
AQUARIUM
2
5 3
4
SPA
VIP AREA
FFL: -0.325 SPA
F
SPA SPA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 61
CASUAL GAMING AREA 1
FFL: 8.30
SECURITY
CASUAL GAMING AREA 2
KITCHEN
FFL: 8.30
NIGHTCLUB
Legends Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
DRAWING TITLE :
1 P06
FIRST FLOOR PLAN PURPOSE GROUP, TRAVEL DISTANCES & EXIT DOORS 62
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 06
FIRST FLOOR PLAN 1:250
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 63
to GF: 3.3
22 steps 2 x 11 steps
CASUAL GAMING AREA 1
to GF: 4.53
30 steps 2 x 15 steps
FFL: 8.30
SECURITY
CASUAL GAMING AREA 2
KITCHEN
FFL: 8.30
NIGHTCLUB
Legends H
to GF: 6.3
40 steps 4 x 10 steps
Fire Hydrant Hose Reel Fire Alarm/ Break Glass Dry Powder CO2 Portable Fire Extinguisher, 2kg Wet Riser Landing Valve Smoke Detector Heat Detector Smoke and Heat Detector Emergency Light Keluar Signage
DRAWING TITLE :
FIRST FLOOR PLAN FIRE EXTINGUISHING SYSTEM 64
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 07
1 P07
FIRST FLOOR PLAN 1:250
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 65
Legends Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
DRAWING TITLE :
SECOND FLOOR PLAN PURPOSE GROUP, TRAVEL DISTANCES & EXIT DOORS 66
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 08
1 P08
SECOND FLOOR PLAN 1:250
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
VIP SEATINGS THE ARENA WAITING AREA
FFL: 12.87
FFL: 11.52
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
FFL: 13.02
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 67
Legends H
Fire Hydrant Hose Reel Fire Alarm/ Break Glass Dry Powder CO2 Portable Fire Extinguisher, 2kg Wet Riser Landing Valve Smoke Detector Heat Detector Smoke and Heat Detector
1 P09
SECOND FLOOR PLAN 1:250
Emergency Light Keluar Signage
DRAWING TITLE :
SITE PLAN FIRE EXTINGUISHING SYSTEM 68
DRAWING NO. :
09 / AR 524 / SEM21-01 / SP / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
VIP SEATINGS THE ARENA WAITING AREA
FFL: 12.87
FFL: 11.52
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
FFL: 13.02
to GF: 8.0
DRAWN BY:
52 steps 4 x 13 steps
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:250
2.5.2021
REMARKS:
DRAFT REVISION:
N 69
RC FLAT ROOF FFL: 11.18
RC FLAT ROOF FFL: 13.18
RC FLAT ROOF FFL: 12.30
1 P10
DRAWING TITLE :
ROOF PLAN 70
DRAWING NO. :
18 / AR 524 / SEM21-01 / P / 10
ROOF PLAN 1:250
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
RC FLAT ROOF FFL: 14.18
RC FLAT ROOF FFL: 13.18
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:518
2.5.2021
REMARKS:
DRAFT REVISION:
N 71
NIGHTCLUB
THE CASINO
1 S01
SECTION A-A 1:150
Legends Fire Appliance Access Final Exit Group V - Shop Group VII - Place of Assembly Horizontal Exit Storey Exit Vertical Egress Travel Distance
DRAWING TITLE :
SECTION A-A _ 72
DRAWING NO. :
18 / AR 524 / SEM21-01 / S / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURA CENTRE WITH A LOWER GROUND FLOOR AT NO.420 PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
AL RECREATIONAL 0, LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:150
2.5.2021
REMARKS:
DRAFT REVISION:
N 73
CASUAL GAMING AREA 1
THE CASINO
1 S02
SECTION B-B 1:150
DRAWING TITLE :
SECTION B-B BUILDING SERVICES 1 74
DRAWING NO. :
18 / AR 524 / SEM21-01 / S / 02
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
VIP SEATING
VIP SEATING
ARENA
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:150
2.5.2021
REMARKS:
DRAFT REVISION:
N 75
1 E01
FRONT ELEVATION 1:150
DRAWING TITLE :
FRONT ELEVATION BUILDING SERVICES 1 76
DRAWING NO. :
18 / AR 524 / SEM21-01 / E / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:150
2.5.2021
REMARKS:
DRAFT REVISION:
N 77
2
318mm x 2218mm x 3mm thk surface mounted warning tactile 22 1
21
2
20
3
19
4
18
5
17
6
16
7
15
8
14
9
13
10
12
1180mm high 50mm dia. stainless steel handrail mounted to brick wall
11
218mm x 218mm 1hr fire rated reinforced concrete column without plaster
2
1 D01
STAIRCASE PLAN 1:25
DRAWING TITLE :
COMMON STAIRCASE DETAIL 78
DRAWING NO. :
18 / AR 524 / SEM21-01 / D / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
50mm thk 1hr fire rated hardboard ceiling with polymer paint finishes
75mm thk 1hr fire rated clay brick wall with 12.5mm thk cement and sand plaster FIRST FLOOR LEVEL
1180mm height stainless steel railing with 50mm dia. handrail and 25mm dia. baluster with interval 230mm
150mm thk 1hr fire rated reinforced concrete solid flat slab
GROUND FLOOR LEVEL
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
150mm x 318mm 1hr fire rated reinforced concrete beam without plaster 2 D01
STAIRCASE SECTION 1:25
50mm dia. stainless steel handrail
25mm dia. stainless steel baluster
150
255
3 D01
DRAWN BY:
10mm thk cement and sand screed finishes reinforced concrete step
STAIRCASE DETAIL 1:10 STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:25 1:10
2.5.2021
REMARKS:
DRAFT REVISION:
N 79
DRAWING TITLE :
TABULATION 1 CALCULATION OF VOLUME, AREA AND BUILDING HEIGHT 80
DRAWING NO. :
18 / AR 524 / SEM21-01 / T / 01
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:518
2.5.2021
REMARKS:
DRAFT REVISION:
N 81
DRAWING TITLE :
TABULATION 2 CALCULATION OF OCCUPATIONAL LOAD & EXIT WIDTH 82
DRAWING NO. :
18 / AR 524 / SEM21-01 / T / 02
DRAWING TITLE :
PROPOSED TO BUILD A 3-STOREY CROSS-CULTURAL CENTRE WITH A LOWER GROUND FLOOR AT NO.420, PASIR PANJANG, JALAN PASIR PANJANG, 32180 SITIA
L RECREATIONAL , LOT 6969, KAMPUNG AWAN, PERAK
DRAWN BY:
STUDENT NUMBER:
EDWIN SENG YONG WEI
1001746759
SCALE:
DATE:
1:518
2.5.2021
REMARKS:
DRAFT REVISION:
N 83
84
85
86
87
88
89
90
91
92
93
edwin.seng@hotmail.com 014-3300276