UCSI UNIVERSITY . SABE ARCHITECTURE DESIGN PORT FOLIO
PREPARED BY: TAN SHI JIA
AR415 ARCHITECTURE DESIGN STUDIO 4
1001746834
CONTENT
SITE ANALYSIS CRAFTING SKIN L2L TIMBER CRAFTING CULTURAL CENTRE
SITE ANALYSIS
CRAFTING SKIN
DESIGN CONCEPT
DESIGN DEVELOPMENT
Linkage created between site and timber craft in combination of timber crafting element and the plant densely grown on the site.
Timber panel with solid and void
Steel frame for timber panel
Steel supported column Steel bracing
APPLICATION OF CRAFTING SKIN
CONNECTIVITY Traditional timber crafting is dying due to the using of advanced machine and lacking of vocational training. L2L Timber Crafting Cultural Centre is design to create a connectivity between nation and craft.
Using wood lathe machine
Visitors can learn to do timber crafting in both traditional and advanced way in the workshop. Different spaces in the cultural are connected to allow communication between people.
Wood carving using carving tool
L2L TIMBER CRAFTING CULTURAL CENTRE LINK TO LEARN Link – The people together Create linkage between artisans and visitors. Learn – The timber crafting People gather at the same place to learn the skill
TARGET USER L2L Timber Crafting Cultural Centre is a place for everyone to take part in the process of wood carving. Artisans have the chance to exchange their knowledges with each other. This cultural centre act as a platform for artisans to share their knowledges to the visitors.
Timber crafting Artisans
Students are the backbone of the country. They can share their experiences and thoughts to others after visiting the cultural centre.
Nearby Residents
L2L Cultural Centre are designed for nearby residents to organize community activities such as competitions and campaigns to improve the neighbourhood relationship.
Students of all ages
Tourists can promote the timber crafting internationally after impressed by the process and outcome of timber crating.
Tourists
CASE STUDY CIRCULATION
Visitors travel from one museum to another through the solar shaded canopy at the middle of the cultural centre.
BAMBOO AND CONNECTIVITY Bambusa Blumeana is a densely tufted, sympodial bamboo. Sympodial-tufted bamboos or clumping bamboos, have axillary buds on the stem base which develop directly into shoots and then grow into new stems.
Form is arranged in perpendicular and connected to the main building.
1st Stage
Mother bamboo
New stem New building New building
This characteristic allow them to carry out the propagation cycle repeated with stem base of new stems develop into new shoots and grow into new bamboo stems again. An underground rhizome system of mother bamboo and new stems is formed. Connection is apply between the buildings in the form of walkways.
2nd Stage
Old building
Form is rotated in 45° to facing South-East for sufficient sunlight.
FORM WITH ENVIRONMENT
Form of building incorporate with some existing tree
Form of the building with shorter surface facing to North-East lead the wind to enter the space.
Longer surface of building facing to South-East get sufficient sunlight.
CONNECTION
Visual Connection
Physical Connection The buildings are connected through the walkway.
Visually connection occurs between spaces through the openings and balconies.
CIRCULATION
STAFF CIRCULATION
PUBLIC CIRCULATION
PROGRAMME & SPACES GROUND FLOOR SPACE
PRIVACY
AREA(m sq)
INDOOR EXHIBITION AREA LOBBY PUBLIC
215
GALLERY
PUBLIC
180
OFFICE
PRIVATE
35
GIFTSHOP
PUBLIC
68
TOILET
PUBLIC
25
PRAYER-ROOM
SEMI-PRIVATE
40
CAFE
PUBLIC
100
KITCHEN
PRIVATE
14
READING AREA
PUBLIC
80
COURTYARD
PUBLIC
16
CAFETERIA
LIBRARY
SPACE
PRIVACY
AREA(m sq)
SEATING AREA
PUBLIC
105
STAGE
PUBLIC
10
CLASSROOM
PUBLIC
75
RESTING AREA
PUBLIC
34
LOBBY
PUBLIC
120
STORE
SEMI-PRIVATE
40
PUBLIC
288
PUBLIC
258
AUDITORIUM
CLASSROOM
WORKSHOP
SITE OPEN EXHIBITION AREA JETTY
1ST FLOOR SPACE
PRIVACY
AREA(m sq)
LOBBY
SEMI-PRIVATE
121
GUESTROOM
PRIVATE
183
STAFF ROOM
PRIVATE
62
TOILET
SEMI-PRIVATE
42
PANTRY
SEMI-PRIVATE
12
LAB
SEMI-PRIVATE
60
WORKSHOP
SEMI-PRIVATE
60
GUESTHOUSE
WORKSHOP
WORKSHOP AUDITORIUM
JETTY EXHIBITION AREA
CLASSROOM
ZONING & SPATIAL RELATIONSHIP
GUESTHOUSE
CAFETERIA LIBRARY
GALLERY
ENTRANCE LOBBY
SITE PLAN SCALE 1 :2000
SECONDARY ENTRANCE
LOADING-UNLOADING
MAIN ENTRANCE
GROUND FLOOR PLAN SCALE 1 :800
18
2
SPACES 1. LOBBY 2. RECEPTION COUNTER 3. OFFICE 4. TOILET 5. GALLERY 6. GIFTSHOP 7. PRAYER ROOM 8. PARKING 9. KITCHEN 10. CAFÉ 11. LIBRARY 12. AUDITORIUM 13. CLASSROOM 14. LOADING-UNLOADING AREA 15. WORKSHOP LOBBY 16. STORE 17. OPEN EXHIBITION AREA 18. JETTY
15
17
11 13 10 12
9
14
7
5 4
8 3 1
6
2
7 4
1
1
16
SPACES 1. GUESTHOUSE LOBBY 2. BALCONY 3. GUESTROOM 4.WORKERS ROOM 5. PANTRY 6. TOILET 7.WORKSPACE 8. LAB
8
7
6
3
3 3
4 2 3
3 3
SCALE 1 :800
3 6 4
2 1
1ST FLOOR PLAN
6
5
2
OPEN EXHIBITION AREA
JETTY
GALLERY
LIBRARY GUESTHOUSE
CAFETERIA
GARDEN
AUDITORIUM CLASSROOM
GIFTSHOP
LOADING-UNLOADING
PARKING
MAIN SPACES
WORKSHOP
EXTERIOR
THE BUILDING SKIN IS APPLIED ON THE BOTH LONGER SIDES OF THE WORKSHOP. THE SKIN IS TILTED IN CERTAIN ANGLE TO GET SOME SUPPORTION FROM THE ROOF BEAM. THE SOLID AND VOID FORM OF THE SKIN CAST IRREGULAR SHADOW ONTO THE BUILDING.
VIEW FROM PURA TANJUNG SABTU TO L2L TIMBER CRAFTING CENTRE.
BALCONY AT THE 1ST FLOOR OF PURA TANJUNG SABTU IS VISUALLY CONNECTED TO THE RESTING AREA BESIDE THE POND, LIBRARY AND AUDITORIUM.
A SMALL COURTYARD IS DESIGNED INSIDE THE LIBRARY TO PROVIDE A BETTER RESTING PLACE FOR THE USERS.
INTERIOR
CAFETERIA IS THE SPACE OPEN UNTIL NIGHT. SUFFICIENT ARTIFICIAL LIGHTINGS ARE NEEDED. CRAFT LIGHTING IS USED IN THE SPACE.
WORKSHOP IS OPEN FOR EVERYONE TO MAKE TIMBER CRAFT. LARGE OPENINGS AND SKYLIGHTS ALLOW SUFFICIENT SUNLIGHT TO ENTER THE SPACE DURING DAYTIME.
TIMBER CRAFTING LAB CAN BE ACCESS THROUGH THE OUTDOOR RAMP AND THE INDOOR STAIRCASE.
TIMBER WORKSHOP
EXPLODED MONOPITCH ROOF (SHED ROOF) WITH SKYLIGHT
SHED ROOF STEEL TRUSSES
STEEL BEAM AND COLUMN STRUCTURE
STRUCTURAL FLOOR
STRUCTURAL SKIN
SPACES STRUCTURAL GROUND FLOOR FOOTING
FULL BUILDING SECTION
PARTIAL BUILDING AXONOMETRIC SECTION AND DETAILS
THE END