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CLOCK ISLAND THAT SWINGS ON TIME -
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2020
PORTFOLIO
PORTFOLIO
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擺 盪 在 時 間 上 的 鐘 島 / 吳興商圈「食」的信號變化
/ Signal of Dining Time in Wuxing Shopping Street
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Hua Yu once said “Death is not about losing your life; it is about living beyond the time. ”
What time is it? Can you feel the change of time in space?
/ follow the chimneys /
At the restaurant in clock island, try to find and feel time by small but vital changes around you.
3 p.m. about 4 o’clock...
In the afternoon.
The voice remind us every 30 minutes.
It’s 3:30.
/ CLOCK ISLAND THAT SWINGS ON TIME /
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05 - 08
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Content +
Introduction - Observation - Proposal
09 - 12
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Research Design - Research / Ways To Perceive a Period of Time / - Small Design 01 / Time Experience for Breakfast /
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13 - 18
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Site - Wuxing Slum - Unique Time Elements - Small Design 02 / Coffee Shop of Tailoring Time / / Restarant of Captureing Time / / Dining Tower of Filtering Time /
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19 - 28
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Final Design - Clock Island -Scale = L / City Relations / -Scale = M / Scattered Restaurants / - Scale = S / Sound Chimney / / Night Light Chimney / / Day Light Chimney /
CLOCK ISLAND THAT SWINGS ON TIME /
Signal of Dining Time in Wuxing Shopping Street
Restaurant Bookstore Hotel Beauty Salon Seats Tower
- 05 -
Hua Yu once said “Death is not about losing your life; it is about living beyond the time. ” The act of "eating" continues to occur in our daily lives in different forms. Diet represent culture and timeliness of a region. However, the space of dining is similar from breakfast to late night meal. By designing a new dining place surrounded by time signals, people who are eating can capture time as the space changes, and the restaurant can show the corresponding state at different timing.
| Introduction |
Wuxing Street is located on the border of the timeless Xinyi planning area, with extremely high functional diversity. The tailor shop, post office and print shop standalone among restaurants, opening alone in the Wuxing business district during non-dining hours. The unique activities hidden in these stores hint different timing in the day but are not discovered by us. I try to radiate these unique signals to imply different meals and patterns throughout the day. This restaurant was dismantled and placed throughout the island. The signal of time can come from the sound of neighbors, the penetration of sunlight, the change of activity...At the restaurant in clock island, try to find and feel time by small but vital changes around you.
- 06 -
The Place Without Time
「吃」以多種形式發生在日常，獨特飲食習 慣似乎代表著一個地區的作息﹑文化與時間 性。然而現今從早餐到消夜這些屬於吃的空 間都大同小異，由點餐的櫃台，座位，廚房 組成。然而這些被定義好的空間不能讓我們 感受到當下的時間。這是一個死亡的空間。
| Introduction | Time Lives in “The Space Without Names.”
有趣的是，我們吃飯前後所經過的街道反而 賦予了我們很多關於當前時間的線索。看到 穿著制服的孩子在遲到前的奔跑，或者看到 公園老人整齊跳著廣場舞，一樁樁事件發散 屬於日常的早晨氛圍。這些街道空間沒有特 定的名稱，但它是人們感知時間的重要場所 。
The Restaurant of Day What time is it?
- The Space Without Names -
- 07 -
因此我設想無名空間中的餐廳的可能性：藉 由設計一個包夾於無名空間中的用餐場域， 透過外部聲、光、影與活動的變化定位一日 中各餐的獨特環境。
- 08 -
| Introduction |
| Ways To Perceive a Period of Time | - Research 09 -
Research Composition “ "Time flows at different speeds in dif-ferent locations." Clocks next to one another tick at the same pace, but the farther apart they are in distance, the more varied their rates of progress.”
由書籍 «Einstein’s Dreams» 出發，以夢境章節尋 找感知時間的方式，再藉由電影、展覽參考相關時 間概念與現實連結，最終轉譯成空間。
- Twentu-sixth Dream in Einstein’s Dreams by Alan Lightman
本設計以 Research 09 的時間概念貫穿主軸。 3. Space Essence | Time is Local |
| Research Design |
在 «Einstein’s Dreams» 第二十六個夢境中提到， 時間地域性的，而日常生活中有很多時間信號。每 當提到早晨這個時段，陽光下的早餐咖啡是一種信 號、來自鬧鐘的聲音也是一種象徵。這些信號同時 不斷發生，從而融合在一起，形成一種特殊的時間 印象。時間是信號當下的集合。
| The signal of time |
1. Story Reference to 《Einstein’s Dreams》
2. Movie / Exhibition
| 10:15 - 10:25 |
案例參考的展覽 ”The Clock ”試圖描述 10:15 到 10:25 的這段夜晚片刻。 作者藉由延深並展開一段時間的手法，在其中設立 許多節點，剪接來自不同電影但用來描述夜晚時間 的片段。 儘管這些影片原先沒有任何關係，但經過擷取，畫 面中人物的燈光、事件和情緒都形成了這個時期獨 特的信號。來自不同電影場景融合後，形成了晚上 十點的氛圍。
| The Signal Layer of Time |
轉換到空間，空間應該有多種的層次，活動跟隨著 空間變化一層一層被分解與延展。從不同的位置可 以相互穿透並傳送時間信號。在每一層相互滲透下 ，所有關於時間的線索都匯集在一起，創造並感受 當下的時刻。
- 09 -
| 10:15 - 10:25 | Reference / + The Clock + by Christian Marclay
“ "Time flows at different speeds in dif-ferent locations." Clocks next to one another tick at the same pace, but the farther apart they are in distance, the more varied their rates of progress.”
- Twentu-sixth Dream in Einstein’s Dreams by Alan Lightman
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- Time is a Circle -
- Mechanical and Body Time -
- Time Has Three Dimensions -
- Time Stands Still -
- Time Flows Like Water -
- Time Flows -
“ Suppose time is a circle, bending back on itself. Every handshake, every kiss, every birth, every word will be repeated precisel. ” - First Dream in Einstein’s Dreams by Alan Lightman
“ There are two kinds of time in this world, "mechanical time" and "body time." Those who live by the latter do not use clocks; they eat, sleep, and work whenev-er they feel like it. Those who live by me-chanical time wake, eat, and work at the same exact time each day. Both worlds can simultaneously exist "in one," but when they come together, they cause "desperation," and when they move apart, they cause "contentment." Though "each time is true," their "truths are not the same." ”
“In time, there are an infinity of worlds. ”
“ Here, "time stands still"; everything is frozen in stillness; raindrops and clock pendulums are stuck in midair. People who get closer to this place begin to slow down until they come to "dead center" and "stop." This happens because time does not move at "the center of time." Instead, it ripples "outward in concentric circles" like a stone thrown in a pond. ”
- Third Dream in Einstein’s Dreams by Alan Lightman
“ In this world, time is like a flow of water, occasionally displaced by a bit of debris, a passing breeze.”
“ Time flows more slowly the further from the center of the earth.” - Fifth Dream in Einstein’s Dreams by Alan Lightman
- Second Dream in Einstein’s Dreams by Alan Lightman
- Thirteenth Dream in Einstein’s Dreams by Alan Lightman
| The cycle of time |
| The mechanical of time |
| The overlapping of time |
| The center of time |
| The process of time |
| The shape of time |
| Palindrome |
| Precise Calculation |
| Multiple Exposure |
| Emotions make time stand still |
| Between real and virtual |
| Save time, Save time |
Reference / + Arrival (2016) + Comedy Bud Abbott and Lou Costello's "Who's On First?"
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Reference / + The Intern + 70 years old + Fashion design company intern + The phone book factory retires + Regular life
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Reference / + Illustration by Clive Head
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- People Lost Memories -
- Time is a Visible Dimension -
- Time is Local -
“ The inhabitants of the city in this world walk around disoriented, using maps to find their way or writing down their experiences as they happen for future reference. Although the people have lived in this city since they were born, they are always discovering it anew because "in this world, people have no memories." ”
“ One may choose his motion along the axis of time. One can step into the future or remain in the present. ”
“ "Time flows at different speeds in dif-ferent locations." Clocks next to one another tick at the same pace, but the farther apart they are in distance, the more varied their rates of progress.”
- Twenty-third Dream in Einstein’s Dreams by Alan Lightman
Reference / + Dance performance (Long paper walk) organize by James Lee Byars + Photo by Julieta Cervantes + Dancer / Brennan Gerard + Dancer / Ryan Kelly + Location / New Museum of Contemporary Art
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- Time is Captured -
- The Passage of Time Brings Increasing Order -
- Texture of Time -
“ In this world, everything is neat and orderly. For instance, the leaves fall from the trees in organized patterns, the paint on the buildings does not peel and grows brighter instead. Here, "the passage of time brings increasing order. Order is the law of nature." Instead of spring clean-ing, people make a mess every spring. They break things and throw away their watches and appointment books. This goes on all through spring and winds down as summer begins.”
“ In this world the texture of time hap-pens to be sticky. Those trapped in time are alone, and no one is happy. ”
“ Everyone shares the same fate. A world of one month is a world of equality.” - Ninth Dream in Einstein’s Dreams by Alan Lightman
- Thirteenth Dream in Einstein’s Dreams by Alan Lightman
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| The distance of time |
| The signal of time |
| The expiry of time |
| The array of time |
| Clue collection |
| 5 Centimeters per Second |
| 10:15 - 10:25 |
| Limited time generate value |
| Order and Disorder |
Reference / + 5 Centimeters per Second + Director / Shinkai Makoto
Reference / + The Clock + by Christian Marclay
- Tenth Dream in Einstein’s Dreams by Alan Lightman
- Eleventh Dream in Einstein’s Dreams by Alan Lightman
| The aggregation of time |
Reference / + Illustration by Joey Yu
Reference / + In time
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- Twentu-sixth Dream in Einstein’s Dreams by Alan Lightman
- Fourteenth Dream in Einstein’s Dreams by Alan Lightman
Reference / + Puddle(1952), by M. Cornelis Escher +The world no one has ever seen, by Jungho Lee (in Tempus)
Reference / + Exhibition - BOUNDARY + Designer / JAMES MING-HSUEN LEE
Reference / + Play time (1967)
| The texture of time |
| Slow Motion | Reference / + Days + Director / Tsai Ming-Liang + No dialogue movie
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| Research Design |
- Fourth Dream in Einstein’s Dreams by Alan Lightman
| Time Experience for Breakfast | Small Design 01
延展吃早餐的過程，早餐店的顧客通過串聯用餐經驗 接收周遭活動所發出的一系列時間信號。從公園、學 校、公寓到其他商店。點餐時身旁窗戶映射穿帶整齊 的女士，在上班趕路的壓力下匆忙下公寓樓梯，或者 在找座位之間看到學生們趕在7:30遲到鐘聲響起前， 從容走路到跑步上學再到鐘聲響起後恢復寂靜的變化 。
P01 - 吳興商圈的商家活動被限制在一樓，阻礙樓層 上下時間訊號的傳遞。透過設計天橋穿越建築打破訊 號發散在不同樓層間被限制的困境。 | Research Design |
Site Surrounding Site School Commercial Area Park Old Residential Area New Residential Area
P01 - 11 -
| Broken Footbridge |
| The Path on the Runway |
| Light Tower |
穿過兩向延伸大拱門遇見兩座樓梯， 找尋何者才是屬於早餐店的入口。順 著樓梯向上的軌跡，看到的分別是下 樓梯的上班居民與上樓梯的店家顧客 。在點餐櫃檯等待的10分鐘，窗外不 斷傳來居民下樓的奔跑痕跡，是承載 忙碌的活力通道，來自住戶經過之影 在空間閃爍。
被截斷的天橋兩端分別朝向公園廣場 並連接反射面鏡。在等待餐點的同時 ，面鏡反射公園季節性樹木的色彩， 在等待空間裡，在四季看見不同顏色 ，經歷花開花落。運動的老人在晨間 一同被印入空間，是早晨的動態。
拿著溫熱的早餐在天橋中央走道兩旁 的座位區選擇那張度過一日起頭時光 的桌子。學生不斷由中央走道經過， 腳步從緩慢加速到衝刺，最終再也不 見他們的身影。中央走道是時間的伸 展台，時間速度的變化從身旁掠過， 記錄著孩子們一天中早上獨特的運動 軌跡。
在從早餐店歇業到回家的過程，必須 一次又一次的經過信號燈塔。看見樓 下廚房的燈被點亮了，油煙排放的霧 氣再次升起。這道光是來自早餐店再 次營業的凌晨信號，抑或是鄰居回到 家準備烹煮晚餐的傍晚信號?
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| Research Design |
| Two-Way Extending Gate |
| About Xinyi District |
信義區作為台北的商業地標，中心計畫區域皆被商業、政治與百貨大樓佔據。由於各高層 建築占地廣大，與外部連接多被建築皮層店家佔據，導致內部區域幾乎封閉，獨自過著自 己的時間。這些地標空間代表著台北的商業卻無法記錄與感受這些商業活動所產生的獨特 時間性。
Xinyi District - The Space without names -
吳興街作為信義區常民的主要消費商圈，商家之間相互附加纏繞，而互相影響作息時間。 商家之間的錯縱空間關係訴說著這個商業中心獨特且複雜的時間故事，一個屬於信義常民 的生活時鐘地標，應該建立在巷弄間緊密的矮房之間，建立在這條被忽略的重要商業大街 上。信義區不只乘載著無個性的百貨大樓，屬於居民的生活的記憶、居民生活的時間成就 新的信義時鐘誕生。
| The Space Without Names in Xinyi District |
鑲嵌在街道內部的「之間」透露出信義區獨有的時間暗號，揭露生活故事。 | Site | Urban Planing Area
All blocks in this area are designated for clear and specific purposes. Commercial, residential, administrative area, etc.
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Old Area
Functions are mixed in this area. The old town adapts to the lifestyle of residents for a long time.
Function Extension
The functions extend to each other. The gate of the commercial street becomes the entrance for residents to go home.
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- Record -
- Record -
| 屋頂之間 |
| 招牌之間 |
有了包裹在寺廟之間的小吃店，讓夜晚的 寺廟不再因為人少而感到危險。是信義獨 有的夜間廟宇。
便利店的招牌延伸讓商店散發出擴張的錯 覺，商店背後的房子透露出似乎總有人在 的氛圍。二十四小時營業住宅只在信義開 幕。
Undefined Space
These spaces of mixed functions that cannot be easily defined have the basic essence of the space without names.
| About Wuxing Shopping Street - Xinyi Slum |
Planing Area
然而「之間」的形成卻造就吳興貧民窟的景象，餐廳與小吃的鄰居可以是珠寶店、機車行或是任 何其他商店，混雜的使用現況使街道在一天中的性質不斷轉換。重新梳理吳興商圈雜亂的商業空 間，讓餐廳與店家之間達成新的生活互助平衡。 Residential Area
| Site |
Wuxing Commercial District
Type A
Type B
Type C
Type D
Type E
Type F
Type G
Type H
Type I
Type J
Type K
Type L
車輛是鄰居
樓梯外的商店
隱藏店家
退縮店家
商店的門面
孤獨的商店
店中店
路霸
雜物旁的綠意
孤獨的商店
前門與後門
亦公益私的樓梯 - 14 -
Small Deign 02 Site Plan
+ Print Shop
| Site | | Before Clock Island - Unique Signals from Wuxing Street |
裁縫店、郵局與影印店豎立在餐廳之間，於非用餐時段的吳興商圈獨自營業。隱藏在這 些店家獨特的活動各自暗示著不同時間性卻不被閱讀。嘗試發散已存的獨特信號，以暗 示一天中不同的吃飯時間與型態。 Design 01
Coffee Shop of Tailoring Time - The Cloth Changing Room in the City - Time Symbols on the Street -
展開咖啡店的就餐流程，將每個用餐步驟分開並在鑲嵌在裁縫店各個活動之間。正如裁 縫選擇面料、線、裝飾的概念一樣，咖啡店的就餐順序和流程不受限制和規範，消費者 將量身定制自己的用餐體驗，並在過程中得到來自層裁縫店的時間信號。 Design 02
Restarant of Captureing Time - The Exchanging Station in the City
郵局裡的餐廳像包裝包裹一樣一層層推進。每向前走一區，就能看到公寓發出新的信號 ，看見下班後確認佈告欄提醒的住戶，每小時在樓梯間抽煙的中年人…… Design 03
Dining Tower of Filtering Time - The Study Room in the City
印刷店的小吃店通過光線的穿透變化來呈現日常活動的狀態，到達小吃店的光線被閱讀 間的玻璃、影印間的玻璃、陽台餐桌旁的鐵網一再過濾折射，光線隨著活動產生的濾鏡 下在每個時段展現屬於他的樣貌。
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| Site |
Design 02
Design 01
Design 03
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Print Shop
Book Reading Club / Bookstore
Art Studio
Seats Tower
City Memorial
| Site |
Hotel
Beauty Salon
City Fitting Room
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Dining Corridor
| Strategy |
| Site Select |
設計基地位於吳興商圈各個擁有獨特時間性的商家中央，嘗試以原先的機能延伸出的活動將原有的時間性 帶入島嶼中心，成為餐廳的信號來源。
Book Reading Club
Art Studio
| Site |
時鐘島上的餐廳由裁縫店的延伸美容院、郵局的延伸旅館及影印店的延伸書店與藝廊加上一個座位塔組成 。
Memorial
Fitting Room
Seats Tower Beauty Salon
| Mixed Scale | Hotel Bookstore
Scale = L
將外部來自不同商店不同頻率的時間信號帶入三角中心，使吳興商圈的 中心核形成，向外連接個不同機能的街廓，產生時間網路。 Scale = M
打開時鐘島內部後巷，嘗試與原先就存在的餐廳與小吃商店結合，創造 一條食的時間軸。 Scale = S
每棟獨立的設計以裁縫、包裹、濾鏡為主題分別將用餐的過程與其他機 能結合，透過各自整合形成新的時間性。 - 18 -
At the restaurant in clock island, try to find and feel time by small but vital changes around you.
| Final Design - Clock Island | Restaurant Bookstore Hotel Beauty Salon Seats Tower
Signal : 01
Signal : 02
Voice Tube
Reflected Chimney
美容院活動的聲音通過音管傳送到 不同的用餐空間。如同鐘聲一般， 每半小時循環響起。
鏡筒反射屋頂上衣架所曬七彩服裝 的光線和顏色。在每隔兩天的午後 當陽光普照之時，餐桌旁的牆壁映 射其獨特色彩。
Signal : 07
Signal : 08
Sun wall
Invisible Entrance
陽光穿過屋頂之間的縫隙，再透過 第二塊玻璃的折射照射到書店的牆 面。午後光線穿透書店，營造平穩 的閱讀空間。
光穿過鋼板和玻璃，穿透不同的活 動中的人們。地下畫廊的入口只有 在好天氣的傍晚在光線的直射下才 能顯現。
Signal : 03
Sound Staircase
美容院的入口樓梯環繞著點餐櫃檯 。人們購買早餐時，來自美容院消 費者路過發出的聲音和影子，將充 滿活力的早晨訊號帶入點餐空間。
Signal : 09
Day Light Chain Chimney
地下畫廊的開張暗示麵包店在陽光 明媚下的出爐時間。
Signal : 04
Signal : 05
Signal : 06
Dotted Window
Night Light Chimney
Light Bar Under Staircase
旅館裡的點光窗戶，在夜色中逐漸 亮起，如同星星閃爍。
夜幕降臨，透過旅館煙囪向內凸出 的環形窗戶照亮了二樓酒吧。夜光 煙囪只在夜晚亮起。
旅客返回旅館的過程間接影響到晚 上酒吧的氣氛。
Signal : 10
Signal : 11
Rotated Seats
Sound tower
在迷失高度的旋轉樓梯中，通過窗戶和陽台的景色判斷所處位置。隨著時 間的變化，陪伴的用餐夥伴也在變化。清晨的三樓陽台是寂靜的餐廳，相 反，晚上居民會陪你一起吃飯。
用餐座位配置緊鄰樓梯。用餐聊天 聲音時大時小的在圓柱形空間內穿 梭迴盪，成為吃飯的時間客人判斷 是否有座位的參考。 - 20 -
| Final Design - Clock Island |
| Time Signals on Clock Island |
散落的餐廳：餐廳被延展並分解於時間 島中，透過重組吃的過程接收來自不同 部分疊加發散的時間氛圍。來自書店的 市場原料到美容院的點餐檯再到旅館中 的酒吧，於移動的過程中接收信號。
鐘島時間：煙囪作為「食」的暗示，如指 針一般發出時間島上的時信號。島外原先 存在的煙的煙囪與島內新的日光煙囪、夜 光煙囪、聲之煙囪相互互動。在日昇日落 之間交替擺盪。
C
D
| Final Design - Clock Island |
E
B
E
A E
A
Sound Chimney
B
Night Light Chimney
C
Day Light Chimney
D
Seats Tower
E
Smoke Chimney
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E
A
| Final Design - Clock Island |
Ground Floor Plan 0
2
4 6 m
A-A’ Section
0
2
4 6 m
Restaurant Bookstore Hotel Beauty Salon Seats Tower
- 22 -
| 聲之煙囪 | Sound Chimney
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The Dining Seats Around Rumway /
緊鄰伸展台攝影棚的用餐區
P01
Whenever guests get a meal to enter the seating area, they will pass the sound chimney. The shutter sound in the studio on the catwalk sounds punctually per hour. As the angle of the sun changes throughout the day, the location of the photo studio changes. The background sound from the studio and beauty salon changes the atmosphere of the dining area, from noisy to quiet.
每當客人穿梭用餐區與取餐區之間，他們都會經過 聲之煙囪。 走秀台上攝影工作室的快門聲每小時準 時響起。 隨著一天太陽入射角度的改變，攝影工作 室的位置相對發生變化。 工作室和美容院的背景聲 音成為用餐區的聲之時鐘，以半小時到一小時的間 距暗示享用一頓餐點的時間，計算白天到晚上，嘈 雜到安靜。
P01 - 來自洗頭廳的水聲每隔半小時經由鐵窗再到 聲之煙囪傳入樓下座位區。每三十分鐘響起的水聲 是結束用餐離開的提醒。
| Final Design - Clock Island |
P02 - 晴天下午的陽光在反射煙囪的作用下映射繽 紛的服裝色彩於金屬牆面之上，是午後下午茶最閃 爍的招牌。
P02
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+ First Floor
| Final Design - Clock Island |
+ Second Floor
+ Third Floor
+ Fourth Floor
+ Fifth Floor
B - B’ Section Plan 0
2
6 m
0
1
3
m
- 24 -
| 夜光煙囪 | Night Light Chimney
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The Night Bar Between Hotels
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旅館間的夜燈酒吧
P03
The roof of night bar is extends to the stairwell of each hotel. When the traveler returned to their rooms, they passed the stairwell, turning on the lights and making sound by climbing up the stairs. Those lights and sound from the staircases and rooms indicate that the bar is open. The number of travelers’ luggage implies the state of the number of people in the bar. With the departure of travelers in the morning, the bar transforms back to a static buffet.
酒吧的屋頂向上延伸到旅館各自的樓梯間，在旅人 回到住所的過程中，經過並打開的電燈成為營業暗 示。根據入住人數的多寡暗示酒吧今晚的熱鬧程度 ，隨著晨光來臨與旅人的離去，酒吧再次歇業，安 靜沉睡於旅館之間。 P03 - 旅館中的縫隙梯廳隨著旅人的回歸亮起，一 層層逐漸照亮酒吧。 P04 - 來自對面房間亮起的燈光穿越兩扇窗戶的過 濾，成為睡覺漆黑房間內的夜燈，提醒睡眠時間的 到來。
| Final Design - Clock Island |
P05 - 點狀窗戶集結成酒吧屋頂的光線，點亮旅人 的夜晚，成為故事交換之所。 P04
P05
- 25 -
+ First Floor
| Final Design - Clock Island |
+ Second Floor
+ Third Floor
+ Fourth Floor
C - C’ Section Plan
0 0
1
1
3
m
3 m
- 26 -
| 日光煙囪 | Day Light Chimney
/
The Market Under Library
書架中的果菜市場 蔬果市場與輕食飲料吧被夾在層層書店的中心。每 當天氣晴朗的早晨，陽光穿透層層玻璃與書櫃照亮 攤位，是營業的訊號。隨著陽光角度改變，市場空 間由明轉暗，光線灑落在地下藝廊的入口，宣告市 場的休憩並迎接藝廊的開幕。市場熱鬧與安靜氣氛 隨著光影交替在不同時段被印刷在空間中。
/
The market is caught in the center of the bookstore, like a sandwich. When the weather is good, the sun enters the central market through the bookshelves and guides residents to enter. The entrance of the gallery and bakery under the ground also opens and closes with the changes of sunlight.
P06 - 陽光穿越屋頂、穿越煙囪、穿越玻璃，最終 印在書店挑空的牆上，光與影轉動下印出深淺是時 間的痕跡。
| Final Design - Clock Island |
P07 - 網狀陰影在一天中變換位置，下午時分引導 人們走向地下藝廊與茶廳入口。 P08 - 藝廊下的廚房，只在晴天之時得以進入。 P09 - 書架下的影子是只屬於下午茶牆面典雅的印 花。 P10 - 光線在每日夕陽落下前最後三十分鐘的灑落 ，你是否已經選好茶與書了?
P07
P08
P09 - 27 -
P10
P06
| Final Design - Clock Island |
+ First Floor
+ Second Floor
+ Third Floor
+ Fourth Floor
D - D’ Section Plan 0 1
3 m
0
1
3
m
- 28 -
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PORTFOLIO
PORTFOLIO
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Keyword
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+ 延伸 / Extension + 伸展 / Stretch + 生命力 / Vitality
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