EDUCATION BACKGROUND SEP. 2013 - JUN. 2016
LiShan High School | Taipei, Taiwam
SEP. 2016 - JUN. 2021
Department of Architecture | Tamkang University, New Taipei City, Taiwan
SEP. 2019 - JUN. 2020
Department of Architecture | CEU San Pablo University, Madird, Spain
ACADEMIC HONOURS
CHING YANG, LIN
OCT. 2016
Tamkang 66 Student Installation Exibition Competition |
SEP. 2017 - JUN. 2018
Teacher Wang Jikun Architectural Design Excellence Scholorship |
JUL. 2018 - AUG. 2018
Future Residence Design Competition | Participation
SEP. 2018 - SEP. 2018
The 6th Cross-Strait School of Architecture Student Exchange Workshop | 3rd
JUL. 2018 - AUG. 2018
The 7th Asian Contest of Architectural Rookie’s Award |
Jan. 2019 - Feb. 2019
52th Taipei Primary and High School Science Fair Logo Design |
Honorable Mention Award 1-3st
Participation 1st
PROFESSIONAL EXPERIENCE JUN. 2018 - AUG. 2018
Ospace Architects Intern | Taichung, Taiwan
JUN. 2019 - AUG. 2019
Bio-Architecture Formosana Intern | Taipei, Taiwan
1998/02/17 ACADEMIC EXPERIENCE
CONTACT
JUL. 2017 - AUG. 2017
Constructional Workshop | Fujain, China
SEP. 2018 - SEP. 2018
The 6th Cross-Strait School of Architecture Student Exchange Workshop | Nanjing, China
Jun. 2017
Tsuboniwa Bamboo Pavilion Final Exibition Position : Art Design Department
nnn1n2n3n11@gmail.com
+886 986597123 No. 2, Ln. 15, Gugong Rd., Shilin Dist., Taipei City 111, Taiwan (R.O.C.)
FB：林靜洋
SEP. 2017 - DEC. 2017
Architecture Week | Ghost house
SEP. 2018 - DEC. 2018
Architecture Week | Bingo
AUG. 2020
International Exhibition of Architecture Graduation Design
Position : Team Leader
Position : Vice Event General Coordinator Position : Activities Department
JUL. 2020 - Jun. 2021
Tamkang University 53th Graduation Association Position : Vice Event General Coordinator
SOFTWARE SKILL
LANGUAGE Chinese | English ( IELTS 6.5 ) | Spainish ( A2 )
CONTENT
01
“RIVER” IN THE BUILDING - Learning to Coexist with Nature through Community Participation + co-exist + reserve + place development
02
CITY FILTER - Tamsui Art Museum of Hint and Reappear + impression integration + ordinary life + urban interaction
03
21st CENTURY RESIDENTIAL ECONOMY - The Plan of Community Rehabilitation Industry + intergenerational co-housing + public connectivity + observe and be observed
04
HEALING ART EXCHANGE STATION - Tamsui District Art Classroom + extract + time trace + community memory
05
The RUNWAY OF URBAN - Dadaocheng Fabric Culture Center + woven structure + see and be seen + environmental interaction
+ ORTHER WORKS 06
RUIN FAIRY TALE
07
LUMINOUS PAVILION
08
PLACE is PUBLIC - FLIP the STREET
09
HALT and REST - BAMBOO PAVILION
10
WOODEN PAVILION
| “RIVER” IN THE BUILDING | Learning to Coexist with Nature through Community Participation
CEU San Pablo Spring EA4 Project / Nature City Community Center Instructor :
Valerio Oriol Canals Revilla / María Auxiliadora Gálvez Pérez
Site : Matadero Madrid ( Plaza de Legazpi, 8, 28045 Madrid, Spain )
The site is located south of Madrid, next to the Manzanares River. The river and its surrounding green belt are urban planning renewal areas. Although renovated, this area is like a high wall in the city that cuts off the possibility of residents' activities. The river in the city should not be just a stream of water flowing through the land; instead, it should be integrated with the architectures and be a part of people’s lives. Neither nature nor humans should survive by invading each other’s territory; we should strike a balance between human activities and nature through cooperation and reservation. In my opinion, the most effective way to learn about nature without stress is to absorb environmental knowledge through playing and every-day life activities rather than open textbooks and listen to lectures. For this purpose, I designed an ecological swimming pool as a place for summer recreation. Through the designed activities, people can see the process of how ponds are formed by the collected and filtered rain.It reminds people of the preciousness and lack of water resources: because of the rainy season, we can not see a pond full of water in every season. Since the amount of water storage changes from season to season, we have different community activities at different times of the year: The playground for children in the summer is the living space for fish in the winter. The Rivers in cities also occupy land or retreat over time, and the activities that take place in building rivers also change over time.
CITIZENS PARTICIPATION 4D MAP
Already Exists Workshop
Repair Items Instead of Purchases Save energy with restoration to replace the energy needed to produce new products.
Trash Recycling
Rock Climbing
Collect urban garbage, such as broken bicycles, electrical appliances, brooms, etc, and use recycled materials as the basis for rebuilding the base structure. The recycled stick can be used as a wall structure to set up rainwater collectors and green planting walls, providing space for planting vegetable of three meals.
Ice Sketing
Reconstruction 1. Wall facade 2.Kart track 3.Green house planting space 4.Roof
Swimming Pool
Cooking Space / Eating Space
Carting
Water Recycling Collect rainwater and purify rainwater for cooking. Food waste water is purified again as water for washing dishes. Collect dishwashing water and filter again for watering.
Trash Recycling Use recyclable waste as much as possible as a material for the water cycle process. Recycling community treasure bottles as water filter materials. Collect food shopping bags as water collection containers. Each filter unit requires four plastic bottles and a plastic bag.
Wood Workshop
Cooking
Learning Process The dining area extends to outdoor picnics in the summer, while dining in the greenhouse in the winter. In winter, you can see how the plants are irrigated and nourished during the meal, and personally participate in the process of planting. Understand that the cycle of plant growth is not just when it blooms.
| Energy Exchange | The section shows the possibility of rivers growing in buildings. The architecture collects the water from the rooftop in the rainy season (winter). Provide an aquaponics system with the recycling water. The ponds and the swimming pools become the biggest space for water storage. The light enters the interior through the roof glass and reflects to the plants on the wall by the ponds in the ground floor. The natural environment provides ingredients needed for community activities. The activities integrate with the environment.
Kitchen
Workshop
Transparent water pipe. You can see the process of filtering the kitchen water.
Consist process pools.
of hanging structures. The of building ponds and swimming
Green house / Reading space
Workshop / Play ground
Bed room / Play ground
Made of bubble structure. Aquaponics system's greenhouse providesspace for reading stops.
Production space. The new structure is constructed through the recycled bottles.
Concrete organic shell structure. Organically shaped spaces echo natural growth patterns.
Scale : 1/250
Scale : 1/800 N
NATURE OCCUPATION - RIVER FORMATION The expansion and flow of the river in the building.
Scale : 1/800 N
ARTIFICIALLY RESERVED The way to live with the nature environment.
| Detail of Living Space |
| Detail of Shower Space |
Scale : 1/150
The bedroom is reserved for the concrete shell system. The net and bubble envelope are combined with the thin shell system outside to become a space for plants and fish to survive. People are like living in thin natural shells. The Umbrella-like structure collects rainwater on the roof to provide a water source in the building.
Scale : 1/150
The bath water will be filtered and recycled for watering flowers and raising fish. In this space, people can see the process of water filtration and notice whether the use of shampoo ingredients will harm the ecology, affect the growth of vegetables and lead to poor harvests. The bathroom becomes an ecological reminder and warning classroom.
| Public Activities Conformation | The facilities in the building are built over time with community participation. The recycled urban waste, such as broken bicycles or electrical appliances, becomes a new material of building. Everyone can become a person who constructs a space, and feels that they are part of the city during the construction process. While using the space, it also helps the ecology to maintain the cycle, so that the ecological classroom is between life and coexistence with the environment can be more friendly.
| CITY FILTER | Tamsui Art Museum of Hint and Reappear
TKU Spring EA3 Project / City Museum Instructor :
Ching-Huang, Ju
Site : Tamsui Elementery School, New Taipei City, Taiwan
Tamsui is located near the north coast. With the Guanyin Mountain reflected in the water and sunset over the estuary, the beautiful landscape of Tamsui not only is a part of residents’ lives but has also become the representation of Tamsui. I think the museum is like a filter, filtering out the important miniatures of each era. The museum collects creators’ ideas, enabling artists’ communications that lead to new aesthetic consciousness.I hope to create different kinds of filters for art galleries. The pavilion itself is an interpretation of Tamsui, which reflects the natural environment and life of this city. This museum is also a large-scale exhibit, providing the community a place to explore art through the filters. In addition to being able to exhibit artworks such as paintings and statues, I hope the Art Museum is able to display exhibits related to people's lives; therefore, the exhibits I display are clothing and jewelry that are closer to people's lives. I then transformed Vivienne Westwood - Armour Ring, the most representative jewelry in modern times, into my main exhibition space form.
Each layer shows the different impression
Mirrored real images and virtual images
Interpret
Filter | MUSEUM FILTER | The art museum reflects the impression of a city, and the artistic atmosphere is built on people's interpretation of the city over and over.
Reality
| Multiple Exposure | Multiple exposure is a filter technique that can display images that occur at different times and locations in the same photo. Using this technique to print the exhibits and visitors' images on the same spot through the reflection of the curved mirror. Even if you can't actually touch the exhibits, you can interact with them in the mirror. Exhibits on different floors will not be restricted by floor slabs, but can be reflected on the same surface. You can touch them even if the location is different.
| Fisheye | Fisheye bends a wide range of pictures into a limited circle. Using the concept of this filter, I designed a barrel-shaped mirror with a wide top and narrow bottom to capture the sunlight in Tamsui. When the sun goes down, the light is reflected into the barrel and on the water at the bottom of the barrel, providing a new opportunity to interpret rays and the sunset in Tamsui. As the sunlight changes on the water, a new timer for Tamsui is reset.
| Panoramic | Panoramic connects perspectives that human eyes cannot see at once, providing people an opportunity to see 360 degrees around them. The disguise of the surrounding scenery through the specular reflection of the facade creates the illusion that the museum disappeared at the base. I Connect the surrounding street scenery to create a visual impact of the street landscape, making the scenery of Tamsui the most beautiful cortex in the museum.
| Tamsui Imagination | The metal steel skin reflects the scenery of Tamsui Street and reflects the sunset halo. The pool represents the sparkling and endless image of the Tamsui River.
| EAST ELEVATION |
| B - B’ SECTION |
| WEST ELEVATION |
Scale : 1/750
| Armour Ring | Amour ring is the representative of modern jewelry, reflecting the trend of this era, linking the ancient and modern clothing accessories of Tamsui. Implying its cultural diversity and integration transformation.
Scale : 1/350
| GROUND FLOOR PLAN |
SITE PLAN
BASEMENT
SECOND FLOOR
THIRD FLOOR Scale : 1/3300
N
N
| Spatial Arrangment | The museum is divided into two parts. The west is made of steel plates, and light is taken from the side slits, protecting exhibits from being damaged by direct sunlight. A large amount of glass as a community art center is used in the East. The transparent penetrating material makes the workshop easy to be seen by the passing people, increasing the curiosity of residents and children about internal activities. It also draws closer the connection between art and daily life.
Scale : 1/300
| 21st CENTURY RESIDENTIAL ECONOMY | The Plan of Community Rehabilitation Industry
TKU Spring EA3 Project / Social Housing Instructor :
Hsin-Tsang, Peng
Site : Heart Village, Beitou, Taipei City, Taiwan
Observation
Show
As a residence for young and old people with less stable income groups, I hope the community itself can create economic benefits. Allowing residents to increase their income in the community industry while having their own lives. When entrepreneurial youth meet the elderly with physical disabilities who need help with rehabilitation, they may be able to market elderly rehabilitation products through the Internet market. The elderly with disabilities in the community is no longer just a burden, but can become a living sign board for product trial and observation, taking part in the power of young internet generations to run the internet rehabilitation industry. By connecting three-dimensional public spaces to all the work areas, I built the public areas into the residential units. The distance between the community work and living space can be easily reached, and the open public space allows the activities of people inside to be easily observed on the way to move and go home. To establish a three-dimensional community economy body, I mainly designed three large public spaces in addition to discussion spaces that are distributed on each floor: the package shipping space, the conference TV space and the open reading space for students outside the school, and the elderly-student-shared the kitchen.
| Site Analysis |
| Volume Planing | Public space penetration
TYPE B Public space internal connectivity
TYPE A
| Concept |
Observation and discussion
Discussion Corner / Dining for the Elderly Moving Pockets
Void Space
Kitchen
Extend
ACTIVITIES
Discuss Space Large Display Cabinet
Eating Together
Balcony Furniture Segmentation Reading
Main Activities
Set the Site Every Two Floors Discuss
Three-dimensional public space connects economic industry and life activities.
Conference and TV
Kitchen
Storage Package Shipment
After School Library / Space for Elderly and Students Eating Together
Three-dimensional - the elderly do not have to go up and down
Living Unit
| Living Unit |
| Wall Details |
TYPE A - Room for the elderly in need of rehabilitation (2 people)
Because the base is close to the driveway and next to the elementary school, residents' lives are easily disturbed by pedestrians and cars. I thus raised the living space up half a floor, vacated the first floor space and dug down the square, providing community visits and the connection with the villages in the rear lanes as the main external social space. The entrance to upper floors are controlled to ensure the quality of life of residents.
Bedroom Bathroom Smallest Room Unit
Scale : 1/90
Public Space
TYPE A Detached Kitchen
Attached Balcony
Sight
TYPE B - Entrepreneur Youth Quad Room Work Space Smallest Room
Public Space
Section TYPE B
Scale : 1/210
| Open Space Relationship |
| GROUND FLOOR PLAN |
Garden in the Terrace
Garden in the Terrace A
Discussion space
Space for Conference and Watching TV
Space for Packaged Goods Display
After School Library / Space for Elderly and Students Eating Together
N
Scale : 1/450
C-C’ SECTION Scale : 1/735
Lobby Chess Square
WEST ELEVATION
E
C
D
C
B
A
C
SECOND FLOOR
THIRD FLOOR
FORTH FLOOR
FIFTH FLOOR
A
A
SIXTH FLOOR
SEVENTH FLOOR
EIGHTH FLOOR
B
BASEMENT
N
Scale : 1/735
SOUTH ELEVATION
EAST ELEVATION
NORTH ELEVATION
| Working Space | Rehabilitation sales and testing trial activities penetrate the entire social housing. In the south of the second floor, the restaurant is composed of a truss system, which is used as the largest stretching catwalk for rehabilitation products in social housing. The design allows the entrepreneurs to publicly test whether the product can support daily use. The old man as the best model is no longer just a role to be taken care of, but can become an indispensable important figure in the industry. My design not only reversed the impression of social housing being weak, but also brought residents confidence.
Scale : 1/340
| Transparent Stair Space | The large staircase space between the third and fourth floors uses a large number of glass windows to reduce the sense of volume and weight. It allows our sight to penetrate and thus enable us to see the scenery of the family village hidden behind.
Scale : 1/340
| HEALING ART EXCHANGE STATION | Tamsui District Art Classroom
TKU Fall EA3 Project / Art Classrom Instructor :
Jui-mao, Huang
Site : Tamsui Douglas Lapraik, New Taipei City, Taiwan
The unique scenery and climate of Tamsui has attracted many sketch painters. Through the artists’ paintings, we feel each other’s simplest impressions of Tamsui. Painting in Tamsui is no longer just a purpose, but a manifestation of life. By feeling the pure environment and human history of Tamsui, I hope that in addition to painters, students and even tourists can communicate and discuss here and redraw the most realistic idea of this area. In the process of painting a slow life, we get to know new land and live in the painting art of Tamsui, create a new fresh life style. Continuing the green area of Cultural Road, I hope to create an outdoor atrium in the north of the base to provide a comfortable outdoor painting space for urban sketchers and art class students. The art classroom is made up of bricks and concrete intersected. Through the process of stacking red bricks into the growth of plants, people can plant plants and leave traces while participating in art classroom activities, that is, participating in the temporal change process of the building. Through the gap between bricks, painters can use the light to feel the changes caused by time when they are in the museum. The course of people entering the healing exchange station is from approaching, guiding, overlooking, and experiencing to penetrating, and gradually making painting a living experience.
| Approach |
| Guide |
I create an outdoor path, which allows people to see the history of the hidden old street as the middle resting point of the city's sketch artist. The path connects the river bank and the campus, moreover, it creates a link between the residents area hidden in the lanes and the tourists crowd in the old commercial street. City Sketcher Enter Workshop
Tourist
Old Street Reproduction
Tandem
Provide art gallery exhibition space and workshops as the bottom activities. Seeing the expansion of activities and the gathering of exhibits through sight. Guide the tourist crowd into the art workshop, and naturally participate in art in life.
Student Stopover
Activity Expansion
Resident
Backyard exchange
Set Back
Aisle
Art gallery
Workshop
Exhibition
Attract
Diffusion
Aggregation
| Gaze |
| Penetration |
Feel the special slow atmosphere of Tamsui. The setting sun shines, the roof style, close to the green trees, and a record in the purest environment.
Green extends from the outside into the base and is no longer limited to flat green plants. Plants shuttle between the inside and outside of the building through the gap between brick walls. Through planting, the building was piled up again. Through planting, everyone becomes dependent on the workshop and develops a habit.
Green Area
Staircase Light Penetration
Balcony
| Starting Point | As a starting point for understanding Tamsui, the Small Town Art Museum provides a platform for bringing together works. Let you see Tamsui in the eyes of others and try to interpret new Tamsui in your own way. Connect ancient and modern perspectives with paintings and see the accumulated memories of the past in reality. Continue to record every moment of touching with painting. Become the starting point of perception forever.
Scale : 1/330
|
CONCEPT
|
Transform the scenery to the drawing or image through subtract the unnecessary elements and reorganize the important impression.
Scale : 1/230
| THE RUNWAY OF URBAN | Dadaocheng Fabric Culture Center
TKU Spring EA2 Project / Cuture Center Instructor :
YA-TING, Yu
Site : ChaoYang Tea Park ( Lane 64, Section 2, Chongqing North Road, Datong District), Taipei City, Taiwan
With the development of industrialization, the skill of hand-made customized garments has been eliminated due to time-consuming and cumbersome. Instead of mass-produced garments that are often displayed on the catwalk. I hope to combine traditional custom-made handcrafted production with the current catwalk display , so that traditional custom-made skills can step onto the stage in the future and be widely seen in new forms. On an urban catwalk, the model must be able to attract attention as much as possible. The exhibition is mainly composed of four extension platforms: outdoor performance space, craftsmanship workshop, main exhibition space and auxiliary exhibition space, facing Chaoyang Tea Park and Chongqing North Road and the high-rise buildings respectively. We not only can be visitors in the exhibition hall ,but also can see the exhibits when walking around the exhibition hall or in the building. The pavilion also acts as a sewing master for the skyline, closely combining the sky above the treetops with the activities under the leaves. I designed the position and height of the extension platform based on the height and height of the original trees on the base, and set up different platforms to match the possible postures of the visitors, so that we can always see the skills of the past while walking in a modern city.
| The Axis of the Runway and the Direction of the Tourists' Sight |
Tourist
Exhibits N
Scale : 1/860
First Floor A-A’ SECTION
Second Floor
B-B’ SECTION
Third Floor
Forth Floor NORTH ELEVATION Scale : 1/270
| The Relationship Between Virtual Reality Planting in Chaoyang Tea Park and Human Body Scale | Reality
South Elevation
Original
East Elevation
Original
North Elevation
Original
Virtual and Reality of Plant
Virtual and Reality of Plant
Virtual Runway
Space
Erecting
Virtual Space Erecting Model Runway
Model
Virtual
Model
Develop viewing platforms with different postures according to the height of the runway.
Develop viewing platforms with different postures according to the height of the runway.
Virtual and Reality of Plant
Develop viewing platforms with different postures according to the height of the runway.
Tailor
Tourist
Building Volume Trend
Building Volume Trend
Virtual Space Erecting Model Runway
Building Volume Trend
ORTHER WORKS
| RUIN FAIRY TALE | + + + +
2019 Fall Rural Renew Development Model Instructor : Valerio Oriol Canals Revilla / María Auxiliadora Gálvez Pérez Site : Aldeanueva del Monte, Segovia, Spain
tree trunk tree trunk
nail fabric plant PVC soil net
straw brick
water Type A - Light
Type B - Planting
Scale : 1/350
RUIN FAIRY TALE LIN, CHING-YANG
PLAN
The emigration of people to cities has led to the fall of countryside. Life patterns in the countryside are challenged, and the new interaction mechanism between people and nature provides a new opportunity for life transformation. Organic growth and change interpret the laws of nature that change with the seasons. Abandoned buildings are like fairy tales, and they are once again given natural vitality. Re-exist with plants and animals under the old structure. A corner of reading will grow and expand with the environment over time, naturally becoming an indispensable facade of architecture. The facade provides the necessary food for animals to spend the winter, and the gathering of animals supplies people's needs for food and warm clothing materials. The flexibility of rural architecture growing over time provides users with better adaptability.
SCALE = 1/100
N Scale : 1/1000
Scale : 1/350
ORTHER WORKS
| LUMINOUS PAVILION | + + + +
2017 Fall A Space for the Players Who Exercise at Night to Tidy Up Themselves Instructor : Yi-Shan, Chen Site : Tamkang University, Tamsui, New Taipei City, Taiwan After observing the changes in the behavior of players who used the court all day, I discovered that the functions of Wuhugang were enough for the players during the day. However, after the field was closed at 10 p.m., the lights were turned off, lots of players thus could only gather close to the light on the road. It was very common to see players have nowhere to rest or discuss their practice. Therefore, I would like to build a place for players to rest on their way to leave the field. Since the site is located on a gentle slope, the concrete pavement for people walking will always produce a slight difference in road height when they are connected to each other. I continued the subtle height difference of the base, and created a layer of gaps on the facade by superimposing plates and plate members. The main structure is made of dark iron. The ground in contact with the human body is laid with wooden boards. In order to achieve the effect of light transmission and ventilation at night, the roof adopts textile material. The dark-colored iron frame can be hidden in the darkness of the night, making the wooden planks appear to float in the dark corridor and creating layers of gaps to echo the base, attracting people to this luminous corridor after playing.
ORTHER WORKS
| PLACE is PUBLIC - FLIP the STREET | + 2018 The 6th Cross-Strait School of Architecture Student Exchange Workshop + Group Work + Site : XinJieKou Street, Nanjing City, China
ORTHER WORKS
| HALT and REST - BAMBOO PAVILION |
| WOODEN PAVILION |
+ + + +
+ + + +
2017 Summer Group Work Instructor : Guo-Xin, Wang Site : Tamsui, New Taipei City, Taiwan
2017 Summer Group Work Instructor : Guo-Xin, Wang / Yi-Chih, Haung Site : FuJian University of Technology, Fujian, China
Trees are an important architectural element that defines the space of the site, and branches are used as the prototype to form the main structure of the pavilion. The various behavioral events on the tower are all important factors for the formation of the place, allowing people to produce stories of different physical experiences at different heights.
2016 - 2020 Architecture Portfolio Tamkang University 53th Ching-Yang, Lin