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TURNTABLE

HOW TO GET THE BEST FROM YOUR VINYL

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One-box high-end champ sets new standards

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W E LC O M E

You’re my first, my last, you’re my future and my past Simon Lucas, editor

It’s been almost 40 years since the first issue of What Hi-Fi? was published – a fact we’re commemorating fully in our October issue – and the world, it almost goes without saying, is a very different place now.

The way we consume music and movies has changed almost entirely out of recognition. And yet there’s one format that’s endured since that first issue, despite numerous reports of its demise: vinyl.

The long-playing record has weathered the digital storm, shrugged off accusations of userunfriendliness and emerged as an entirely valid (and entirely vogueish) method of storing and listening to music. So we’ve served up a comprehensive guide to getting the best from your turntable, plus reviews of three great new decks and an enduring favourite (p42) – because there’s no time like the present to step back to the future.

Experience. Heritage.

We’ve been helping the world discover the best in hi-fi and home entertainment for nearly 40 years, and have more than 100 years of reviewing experience under our collective belts – so you can count on our expert opinion.

Dedicated test facilities We test every product against its peers in our brand-new, bespoke reviewing facility at our Twickenham HQ. We test every product as a team – our opinions and conclusions are always the result of collaboration.

Reference kit Naim CDS3/NDS/UnitiServe/555 PS; Clearaudio Innovation Wood; Cyrus Phono Signature/PSX-R2; GamuT D3i/D200i; ATC SCM50; Cambridge CXU; Panasonic DMP-UB900; Pioneer SC-LX59; Epson EH-TW7200; PMC Twenty23; KEF R50; Sky+ HD

NEXT MONTH 32in televisions Bigger isn’t always better, as this group test demonstrates Chord DAVE (p78) Yes, it’s an inexplicably daft name for a product costing this much money, but DAVE sounds absolutely spectacular and looks like an example should eventually end up in the Design Museum.

Headphones All shapes, all sizes, all prices – your perfect pair is here AV receivers or How £500 Buys More Facilities Than You Can Shake A Stick At September 2016 issue ON SALE 3rd August

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CONTENTS

CONTENTS

“This is a sophisticated turntable, both in sound and build” Page 48

52 GET THE BEST SOUND FROM YOUR TURNTABLE

SAVE

“Vinyl is a format we like and it’s capable of terrific sound, provided you take a bit of care”

UP TO

54% RESPECTED VERDICTS

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THE WORLD’S MOST

One of the best ★★★★★ A serious contender ★★★★ Worth a look ★★★ Disappointing ★★ Awful ★

CONTENTS

THE HIGHLIGHTS

THIS MONTH WE’VE THE DEFINITIVE WORD ON THESE FINE PRODUCTS BLU-RAY PLAYERS Panasonic DMP-UB900

70

Samsung UBD-K8500

72

DACS

6 FIRST TESTS

38 INSIDER

Pound for pound, the best AV amp out there

A peek behind the curtain at What Hi-Fi?

Audio Analogue Puccini Anniversary

82

Audioquest DragonFly Red

34

Henry Audio USB DAC

10

Chord DAVE

78

TEAC UD-503

12

HEADPHONES Beyerdynamic T1 Generation 2

27

Bose QuietComfort 35

18

HOME CINEMA AMPLIFIERS Denon AVR-X2300W

06

Pioneer VSX-1131

36

MUSIC SYSTEMS Arcam Solo Music

30

Ruark R4 Mk3

25

Denon AVR-X2300W “Top sound and top features crammed into a £500 box. This is the best AV amp you can buy right now” Ced Yuen, News editor

56 TABLETS

68 HEAD TO HEAD

Cheap, cheerful and value for money?

Panasonic and Samsung in the battle of 4K players

PROJECTORS BenQ W3000

20

Sony VPL-HW65ES

33

RADIOS Goodmans Heritage II Connect

17

Revo SuperSignal

28

TABLETS Amazon Fire HD 8

58

Archos 80b Helium

60

Asus Zenpad C 7.0

62

Lenovo Yoga Tab 3

64

TELEVISIONSechnica AT-LP5 p48 Panasonic TX-60DX750

14

TURNTABLES 76 THAT WAS THEN

78 TEMPTATIONS

How does a B&W classic An ambitous DAC that’s measure up to its latest? full of eccentricities

Clearaudio Concept

44

Lenco L-85

46

Pro-Ject 6 Perspex SB

48

Rega Planar 2

50

WIRELESS SPEAKERS Ultimate Ears Roll 2

BUYER’S GUIDE

FIND THE BEST KIT AROUND, FAST! Our verdicts on every product worth owning, p87

11

“Panasonic knows how to make a great TV”

www.whathifi.com 5

FIRST TEST

FIRST TESTS

RD EXCLUSIVE, IN-DEPTH VE

ICTS ON THE LATEST KIT

Click here to view offer

Denon had a tough task in replacing the Award-winning X2200W, but seems to have succeeded

Denon AVR-X2300W | Home cinema amplifier | £500

“This amplifier is as loaded as they get” FOR Refined and insightful sound; expressive dynamics

AGAINST The control app is rather poor

★★★★★

We don’t envy Denon. Designing a replacement for the excellent AVR-X2200W can’t have been an easy task. This Award-winner marked a return to form for a brand that has struggled by its own high standards in recent times.

The X2200W rolled back the years with a combination of excellent sound and a feature list no rival could better. So how do you replace an Award winner? Judging by this new amplifier Denon’s answer seems to be, ‘very carefully’.

IN DETAIL...

Helping matters is a new-found ability to work in the 5GHz waveband along with the 2.4GHz of its predecessor. Even so, given a choice we would still stick to using an Ethernet cable for the extra stability it provides. The 2300 will stream just about every format across a network, including 24-bit/192kHz PCM and DSD in both single and double-speed form. The latter, along with the ability to stream AIFF files, is new for this model.

6 www.whathifi.com

7 X 150W

A lot of hard work

Approachable amps At first glance, a comparison between the old and new models suggests little has changed. They look all-but identical, sharing a well thought-out control layout and clear display. Round the back, the 2300 features slightly reorganised connections, but the company’s determined drive to make its AV amps more approachable keeps things as simple as they can be without compromising usability.

Denon hasn’t skimped on connections.

This amp has eight HDMI inputs, all capable of 4K 60Hz pass-through and HDCP 2.2 certified. Others include a sensible spread of optical digital and analogue stereo inputs plus legacy analogue video options such as composite and component. While not a major omission, it’s interesting to note there isn’t a digital coax input available.

Elsewhere this amplifier is about as loaded as they get. It will decode all current home cinema sound formats from Dolby and DTS, including Dolby Atmos in 5.1.2 form. The ability to handle DTS:X is a

KEY FEATURES

An adjustable cardboard mic stand and microphone for auto-set-up are supplied

software upgrade away, due later this year.

Spotify Connect, Airplay and Bluetooth are all supported, as is internet radio and streaming from a NAS device on your home network. Denon has tried hard to make this amplifier stable when using wi-fi, even in electrically noisy environments, and it works well in our test rooms.

The X2300W’s power output is unchanged from the last version and rated at 7 x 150W per channel. Impressive, but it should be noted that – just like every other major AV amp manufacturer – Denon is quoting figures measured under very generous conditions (six ohm load, 1kHz, 1 per cent THD and only one channel driven).

That output drops to a claimed 95W per channel into an eight ohm load, measured across 20Hz-20kHz with distortion held at 0.08% and two channels driven. The latter is closer to the way measurements are taken with traditional two-channel kit.

While the headline features have hardly changed between this and the last model, it is clear Denon has put in a lot of work at circuit level. Component quality has gone up and great effort has been made to reduce noise levels, both electrical and mechanical. Signal paths have been shortened where possible, and components redesigned to optimise their performance.

The company has worked hard on the digital section.

Dolby Atmos 5.1.2

8 HDMIs

FIRST TEST

"The X2300W is a clear improvement on its talented predecessor, and delivers the same fuss-free user experience. The price is unchanged too, and that makes it even more of a bargain"

The DAC chip itself remains unchanged – it’s a Burr Brown PCM1690. However, redesigning the surrounding parts has improved its performance, as has the retuned power supply. A new power supply for the on-board MW/FM radio tuner is designed to reduce any interference from the radio circuit, which also helps to raise the overall sound quality.

Accurate results Set-up is as straightforward as it gets too.

Denon has gone to a lot of trouble over recent years trying to simplify its AV amps without compromising features, and it has done a fine job here. There are a few tweaks over its predecessor, but on the whole the experience is still really very good indeed.

The menus are simple and easy to follow, while the built-in Audyssey auto set-up system is accurate and fuss-free.

The company not only supplies a dedicated microphone for auto-set-up purposes – par for the course – but also a folded, adjustable cardboard mic stand.

Assembled from three pieces, it holds the microphone at an appropriate height. It’s worth going to the trouble of using this, as it will give you more accurate results. Go through the whole Audyssey process and you’ll have to take multiple measurements.

It’s a bit tedious but, on the plus side, you only have to do it once. Once all the

readings are taken it’s a good idea to check them for accuracy. In this case no correction is needed.

For critical listening we recommend keeping the various Audyssey processing modes off and sticking to the plain vanilla set-up. It works best in our experience.

The remote looks unchanged from last year and is none the worse for that. It’s a neat unit with clearly labelled buttons and an intuitive layout. We like it, though we’re

far less taken with Denon’s 2016 control app. We tried both iOS and Android versions and neither proved particularly stable, crashing on a regular basis.

Our reference system is made up of Cambridge’s CXU Blu-ray player, Panasonic DMP-UB900 4K Blu-ray player and PMC’s Twenty 23 7.1 surround package, coupled to KEF R50 upward-firing Atmos speakers.

Epson’s EH-TW7200 projector carries out display duties. Once up and running through this the X2300W sounds beautifully balanced. We use it in a variety

The amp’s control layout and clear display are all-but identical to those of its predecessor

www.whathifi.com 7

FIRST TEST

2

IN DETAIL...

1

3 1) No shortage of HDMI inputs here – seven on the back panel and one on the front. All are capable of 4K 60Hz passthrough and HDCP 2.2 compliant. This means the Denon will work seamlessly with current and future 4K sources

2) Denon has worked hard on the wireless capability of the 2300. Wi-fi works across the 2.4GHz and 5GHz bands, and Bluetooth performance is great – the sound is crisp and clear, and the connection impressively stable

of modes – 5.1, 7.1, stereo and Dolby Atmos 5.1.2 – and it never fails to impress. We start off with a Blu-ray of Pixar’s Brave and like what we hear.

Voices are rendered beautifully. There’s weight, natural warmth and articulation in the midrange that leaves most rivals sounding mechanical in comparison. This amplifier is great at subtleties. Low-level dynamic shifts are delivered with skill and without overstatement. It helps draw the viewer into the action on the screen.

Denon’s easy-going balance remains unchanged. While it's no real substitute for a decent stereo amp such as the Marantz PM6005 – no other similarly priced AV amp we’ve heard is, either – the 2300 renders a cohesive and musical presentation that is hard not to like.

Tonally, things are slightly on the smooth side of neutral, just as they are with multichannel soundtracks. But it’s nicely judged and only goes towards making less-than perfect recordings (and sources) sound more acceptable.

Cohesive presentation As the film approaches its finale, the amp is happy to move up through the gears, delivering a spacious soundfield packed with stable and precise movement of growls and screams. The bear fight is delivered with plenty of enthusiasm and no shortage of punch. This Denon can play loudly too, certainly enough to fill all but the largest of rooms.

Moving onto the ludicrous but fun San Andreas shows that this Denon lacks little in terms of scale or authority. We watch as building after building collapses and love the aural impact the amp produces. There’s plenty of attack and floor-rumbling bass, but also a good supply of detail, so we’re never left in any doubt as to what’s happening.

Some rivals may deliver the sound with greater muscularity, but the 2300’s combination of refinement, insight and agility are hard to look past. It’s a polished performer that never fails to entertain.

The story remains positive with stereo music. Whether you listen through the line stages, HDMI, optical or Bluetooth, the

8 www.whathifi.com

3) There are seven power amplifiers built into the 2300. They're rated at 150W each, though that figure is obtained by using generous technical parameters. Each set of outputs are clearly labelled, though, and are easy to use

Fuss-free experience The remote looks unchanged from last year – a neat unit with clearly labelled buttons

The big question is whether the 2300 is better than its predecessor. We unpack our reference sample of the AVR-X2200W to find out. Such things aren’t always a given, but in this case we’re pleased to report that the new amplifier sounds notably cleaner.

The 2300 picks up a greater amount of low-level detail and is more precise with it.

Voices come through with improved clarity and precision. One of the biggest upgrades is at bass frequencies, where the 2300 sounds far tauter and more agile, making the older model sound a tad soft and ill-defined in comparison.

So where does that leave the X2300W? It’s clearly an improvement on its talented predecessor, and it delivers the same fuss-free user experience. The price is unchanged, so that makes this new one even more of a bargain. We are currently waiting for the new models from the likes of Yamaha, Onkyo, Pioneer and Sony but, as things stand, this is the finest £500 AV amp you can buy right now.

SYSTEM BUILDER BLU-RAY PLAYER Sony UHP-H1 ★★ ★ ★ ★ £400 A talented multimedia player at good price

PROJECTOR Epson EH-TW7200 £1900 ★★ ★ ★ ★ Perfect for big-screen entertainment

HOME CINEMA Dali Zensor 1 5.1 £980 ★★ ★ ★ ★ The best-sounding package at this price

Total build £3780 says

Rating ★★ ★ ★★ SOUND FEATURES BUILD

VERDICT No revolution, but there didn’t need to be. It’s a superb sonic all-rounder

FIRST TEST

Henry Audio USB DAC 128 MkII | DAC | £160

A tinker-friendly device that needs better tailoring FOR Far better than computer sound; open-source design

AGAINST Rivals sound better; our sample was poorly made

★★ ★ ★ ★

There’s not much to look at. That doesn’t matter so much but the poor build quality does

If you’ve ever thought to yourself “DACs are all good and that, but what I really want is one I can open up and take a soldering iron to," the Henry Audio USB DAC 128 mkII could well be for you. If you haven’t, it probably isn’t.

This is an open-source device, you see, in that Henry Audio is quite happy for you to tinker with it both in terms of software and circuits. It even provides the source code and schematics for encouragement.

Taken at face value That’s not really the sort of thing we’re into, though, and we don’t believe a great number of our readers are either, so we’re looking at the Henry more as a standard DAC – which is also very much encouraged by the team behind it. Unfortunately, taken as such there are some immediate disappointments.

For a start, our sample is pretty wonky.

The whole chassis is twisted. It at first seemed unusual to us that it arrived with just three rubber feet to stand on, but even if it had four there’d be one that wouldn’t touch the surface the DAC was sitting on. It’s not exactly pretty or stylish either, but that seems far less of a problem than the general iffiness in the way it’s been put together.

In terms of features, things are kept extremely simple: there’s a miniUSB input and stereo analogue output, and that’s your lot. So yes, this DAC is specifically designed to bridge the gap between your computer and stereo amplifier – you can connect an iPhone or iPad to it, but that would involve a series of adapters and cables.

Asynchronicity This 24-bit/192kHz DAC is an asynchronous design, which means it takes over the responsibility for timing from the less accurate clock in your computer. This can make a massive difference to the sound quality, so pretty much every DAC worth its it salt these days goes down the asynchronous route.

So how is the overall sound quality? It’s a significant improvemement over the soundcards in most computers. Compared with them you get a good deal more detail, detail punch and – yes – rhythmic accuracy.

10 www.whathifi.com

“Henry Audio is happy for you to tinker with it. It even provides the source code and schematics“ Unfortunately for the Henry, though, it’s not the only DAC that does the same sort of job for a similar amount of money: the recently reviewed DragonFly Red costs just £10 more and, while it’s angled more towards use with headphones, there’s nothing preventing you from using it as a bridge between your computer and amp. It also sounds better than the Henry when you do.

Big shifts and small changes Detail is good via the Henry and there’s a decent amount of punch and good bass extension, as revealed by the chunky notes in Radiohead’s Burn The Witch, but there’s a nagging feeling the Henry isn’t delivering on all of the drama and excitement of the track. This is partly down to dynamics – it conveys the big shifts fairly effectively but lacks the more subtle, low-level changes

KEY FEATURES

24-bit/192KHz Hi-res

USB-only

that contain so much of the underlying texture and threat. It’s also a result of timing that, while decent, allows the track to become more muddled than it should compared with the DragonFly, which orchestrates the carefully organised chaos a good deal more effectively. The Henry’s performance is quite front-and-centre, too, and while that level of projection is initially engaging, you soon begin to notice and regret the lack of spaciousness and three-dimensionality in the soundstage.

Rival challenge Modifiable

Henry keeps the connections simple – miniUSB in and stereo analogue out

All of this, in the end, means that while the Henry is undeniably a fine upgrade over most soundcards, it’s not as much of an upgrade as the DragonFly Red which, thanks to awesome portability and a built-in headphone amp, is far more flexible to boot. If you’re a hi-fi tinkerer, by all means add a star to our rating, but most hi-fi listeners would be better off spending their money elsewhere.

says

Rating ★★ ★ ★

★

SOUND BUILD FEATURES

VERDICT An interesting idea and decent sound, but iffy construction and better rivals hold the Henry back

FIRST TEST

UE Roll 2 | Wireless speaker | £80

“Another notch in the bungee belt” FOR Clear detail; snappy rhythm; great design; price

AGAINST Pricier rivals offer greater bass weight

Ultimate Ears’ colourful, outdoors-y Bluetooth speakers have been a hit, from the cylindrical Boom and Megaboom to the disc-shaped Roll. They look fun, they sound great, and they’re fine value for money.

The UE Roll 2 is another notch in the American company’s bungee-cord belt. It’s the second iteration of the Award-winning Roll, but at first glance you’ll be wondering what’s changed to warrant a new model.

The Roll 2 looks the same: it’s a tiny flying saucer of a speaker.

voice rises in intensity and goes back down to a soft, strained whisper.

The Roll’s design was a huge part of its appeal, and UE has been wise not to change it. The large volume icons that adorn the face are striking and intuitive to use. There are buttons at the back for power and Bluetooth pairing, and a 3.5mm socket under a waterproof flap at the back.

And it’s small enough (13.5cm wide and 4cm high) and light enough (330g) to carry around in a bag.

More for your money So what’s new? It’s 15 per cent louder (now 85dB), has a greater Bluetooth range of a claimed 100ft, and it’s cheaper by £20.

It doesn’t only go louder than the original, the Roll 2 is also more open, more dynamic, and sounds more detailed. In fact, if there’s a theme to the Roll 2, it’s ‘more’.

It has the same sense of fun as the previous model, but there’s a touch of maturity with the Roll 2. The thin, forward-bearing treble that could rear its head has been calmed down to even out the balance. The low end is more solid, and voices are allowed to breathe and flourish.

It’s surprisingly well organised too, with each instrument sounding distinct. And rhythm is impressively controlled – fast and punctual, yet never sounding as if it’s trying too hard to be precise.

The new Roll 2 is much more conscious of the shifting dynamics in a song. Fiona Apple’s vocals in Every Single Night are wonderfully clear and nuanced. The speaker shows off its dynamic skill as her

★★ ★ ★★

Outdoors fun The Roll 2 is built to be used outdoors, but, as attractive as it is, we’re never worried about damaging it. It will survive knocks and drops, and if it gets muddy or dirty, just clean it with good old soap and water – because it’s waterproof, too. The IPX7 certification means it can survive being dunked in a metre of water for 30 minutes.

The microUSB charging cable is included with the speaker but a charger isn’t. It’s an odd omission when everything else about the Roll 2 is so well thought out. For instance, if you want to know how much charge is left on the speaker, press both volume icons at the same time and a voice will tell you the percentage. Alternatively, you can download an app to access more features such EQ settings, alarm clock, and Double Up – which lets you connect two UE Roll speakers to play in tandem or in stereo.

There are five finishes: Tropical Anime (pictured), Volcano (black), Habanero (orange), Sugarplum (purple) and Atmosphere (blue)

IN DETAIL...

KEY FEATURES

And finally, there’s a new ‘Block Party’ feature that you can use via the app. This new ‘DJ-friendly’ feature lets you and your friends join up to three smartphones and take turns playing music on the speaker.

The Roll 2 shows just how much UE got right the first time round, with so many features hiding in that tiny design. Keeping its distinctive look unchanged was a good move, while the improvements in sound and the drop in price make it even better value than before.

If you’re after a compact, portable speaker that sounds great and is genuinely fun to use, we can’t recommend the Roll 2 highly enough.

Battery Life: 9 hours

says

Rating ★★ ★ ★★ SOUND

Bluetooth

FEATURES BUILD

The 'Floatie' allows you to take the waterproof Roll 2 into the pool with you

The handy bungee cord means you can attach the Roll 2 to pretty much anything

Waterproof

VERDICT Improved sound and a price cut make this ultra-portable, colourful speaker even more desirable than before

www.whathifi.com 11

FIRST TEST Click here to view offer

TEAC UD-503 | DAC | £700

Fine ingredients, but undercooked FOR Full-bodied, warm sound; vast file support; smart design

AGAINST Lacks punch; rivals are more faithful and rhythmic

With a killer storyline, a star-studded cast and a big-shot director at the helm, a film can have ‘Best Picture’ written all over it, yet slack execution can still turn it into a flop. It just goes to show that not everything that looks good on paper is as successful in practice.

It’s the same in the hi-fi industry and, more specifically, the TEAC UD-503 DAC/ headphone amplifier. Its spec-sheet paints a promising picture, alluding to its native playback of PCM files up to 32-bit/384kHz and DSD 256 support; its smattering of analogue and digital connections mean it can slot into almost any system with ease.

At £700, it looks the part too. But with competition cut-throat in the sub-£1000 market, we can’t help but feel a little short-changed by its sonic execution.

to make itself known, even though in absolute terms the TEAC’s bass response is a little on the soft side.

There’s plenty of room to experiment thanks to two frequency cut-off DSD filters and, for files below 352.8kHz, four PCM options. Of those, SDLY SLOW is our pick over the filter-free presentation for its added touch of refinement, making the shakers in Trey Songz’s Cake sound a little purer and more detailed.

With our attention now drawn to baking, there’s a comparison here to be made with the TEAC’s detail levels. While the edges of notes tend to be crisp, it leaves out the subtleties and nuances of a song that really give you the whole flavour. Compared with the competition, led by the Audiolab M-DAC (£600) and M-DAC+ (£800), it falls behind when it comes to transparency.

Rhythmically, it trips up too easily too, getting tongue-tied in Hans Zimmer’s Cornfield Chase as the organ arpeggios dance around densely packaged pianos and synths.

Body and warmth We’ll start with the positives. With the TEAC in your hi-fi or desktop system, you’ll enjoy a round, full-bodied sound with likeable warmth and smoothness. Clear and balanced, the UD-503 embodies an easylistening quality that, if you are so inclined, will happily accommodate a Sunday run through The Beatles’ discography.

Quick to grab your attention is its fleshed-out midrange, which errs on the side of richness and gives Kate Bush’s vocals a pleasingly lush character in Hello Earth. A deep-set solidity is noticeable from her first utterance, and there’s enough insight to communicate the lyrics’ emotional outpouring. Meanwhile, the male choral section sounds suitably big and ethereal.

That fullness extends to the staccato bassline in The Smiths’ I Know It’s Over, which is nicely plumped up and not afraid

12 www.whathifi.com

★★ ★ ★ ★

KEY FEATURES 110010101 101000101 100101101 PCM 32-bit/384kHz

Old-school approach Dual 6.3mm headphone outputs

DSD 256

Feature presentation It's a shame because, performance aside, the TEAC has a lot going for it. While twin asynchronous AKM Verita AK4490 DACs control and sync the full-fat PCM and DSD audio signals using the built-in 44.1kHz and 48kHz clocks, an input at the unit’s rear means you can add a 10MHz external clock to upgrade the performance down the line.

Standard connections include coaxial, optical (both limited to 24-bit/192kHz) and line-level inputs for connecting to an analogue source, and a single USB type-B input for hook up to a computer and compatibility with DSD 256 and 32-bit/ 384kHz files. A pair of RCA and balanced

XLR outputs can connect it to your amp or, thanks to the TEAC’s preamp functionality by way of volume dial, active speakers.

Bluetooth has been left on the shelf, but there is a combined mini optical/coaxial input for connecting portable devices, and two 6.3mm headphone outputs.

The TEAC’s facade opts for practicality over cleanliness, with a combination of button, dial and switch controls, all of which are pleasingly tactile in operation.

The prominent off-centre OLED text display can be as bold or discreet as you want thanks to three brightness settings. Or it can be turned off altogether.

This is a solid, smart 4kg unit, even if the visible screws on its brushed-metal finish (in silver or black) are a little agriculturallooking. We love its retro character, too.

The TEAC UD-503 will slip into any system and play ball with any file you throw at it, but its lack of transparency and rhythmic ability makes it a hard product to recommend – not least when Chord and Audiolab have better-sounding (and more affordable) rivals vying for your cash.

says

Rating ★★ ★ ★

★

SOUND BUILD FEATURES

Simplicity and a smart silver face for the remote

VERDICT Well equipped and easy to listen to, but sonically it's not a patch on the class leaders

Sound expectations...

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FIRST TEST Click here to view offer

Panasonic TX-65DX750 | 4K television | £2000

“Minor flaws, but a lot of television for your money” FOR Good contrast; impressive colours; flexible stand position

AGAINST Issues with light and shadow; needs more subtlety

★★ ★ ★ ★

SYSTEM BUILDER

UHD BLU-RAY PLAYER Panasonic DMP-UB900 ★★ ★ ★ ★ £600 Panasonic delivers a devastating first blow in the UHD Blu-ray player battle

14 www.whathifi.com

AV RECEIVER Denon AVR-X2200W ★★ ★ ★ ★ £500 Denon’s articulate and future-proof Dolby Atmos amp is very tempting

S SURROUND PACKAGE E Dali Zensor 1 5.1 ★★ ★ ★ ★ £980 This fantastic award-winning speaker package remains ahead of its rivals

VIDEO STREAMING Netflix ★★ ★ ★ ★ £10/pm About as complete a video streaming service as you can get right now

FIRST TEST

Panasonic knows how to make a great TV. This much we know for a fact, given the astonishing quality of the TX-65DX902, the company’s 2016 flagship. It left us with the conclusion that the company was back on steady ground after a couple of rocky years.

But what about the rest of the range? Can you get the same quality for less with one of the junior models? Enter the TX65DX750, which sits near the bottom of Panasonic’s top tier of TVs. That means you get some high-end features without having to pay high-end prices.

It’s a 4K Ultra HD TV, which gets you a resolution of 3840 x 2160 (about 8.3 million pixels). It supports high dynamic range (HDR), which promises greater levels of brightness, contrast and dynamism.

The DX750 is a junior model because it lacks the DX902’s UHD Premium certification – the industry gold star, indicating supercharged levels of peak brightness and colour-bit depth. The DX750 can handle the same video formats as its more expensive bigger brother, but you shouldn’t expect it to blow your socks off in the way that the very best can.

Connections are good: there are four HDMI sockets, two of which have HDCP 2.2 certification – which is what you need to play 4K 60/50p content from external sources like a UHD Blu-ray player or the Amazon Fire TV (2015).

This Panasonic does 3D. That might seem like an odd thing to point out, but now that Samsung and Philips have abandoned it altogether, it’s becoming something of a rarity. Although generally there is little love for 3D, Panasonic hasn’t abandoned the significant number of people who own 3D Blu-rays. You’ll still need to buy the active shutter specs though – there aren’t any included in the box.

Put your feet up The approach to remote controls is similarly spartan. While fancy models tend to offer two remotes – one with ‘smart’ features like voice control – here you only get the one. It’s a traditional stick design, but the buttons are nicely spaced, clearly labelled and easy to press.

The DX750 has a nice look, which Panasonic calls ‘Switch Design’. That’s just a fancy way of saying the feet can be rearranged. You can either place them close together near the centre of the screen, or far apart at the corners. The latter configuration is more stable, but the TV stands firm either way.

This option strikes us as wholly sensible because it caters for those with showroom homes and wide benches, as well as more traditional homes and modest furniture. We also note this Panasonic stands fully upright, as opposed to the DX902, which

IN DETAIL...

It comes at a cost, however. In chasing the deepest blacks, Panasonic has sacrificed subtlety. Most shadows offer fine increments of shade, but the DX750 struggles to show them off, instead being a little too keen to plunge you into the abyss.

The DX750 also has problems juggling those shadows with bright lights. While you lose out on detail in the shadows, you also don’t get the full sense of what’s happening in the bright areas, which suffer from a slight blooming effect.

It’s a pity, but elsewhere the DX750 does a decent job making up for it. We like the way it handles colours, which are rich and lovely to look at. Footage in HDR looks even better, as you benefit from a wider colour gamut and more subtlety in shading. It’s not the night-and-day difference of watching HDR footage on a UHD Premium TV, but the benefits are noticeable.

As for the level of detail, 4K footage is wonderfully sharp and remarkably clear, showing off all manner of texture without looking overly processed or artificial. The DX750 is a good upscaler too, handling 1080p Blu-rays with minimal noise and without an obvious a drop in resolution.

DVDs are significantly fuzzier, as expected, but the overall definition is still perfectly watchable and we still like those colours.

Panasonic's ‘Switch Design’ caters for different-sized homes and furniture

The connections are good: four HDMI sockets, two with HDCP 2.2 certification

leans back a little. It’s merely a question of aesthetics though, with little notable effect on picture performance.

Turn on the TV and you are greeted by Panasonic’s Firefox OS. This is a freshly refurbished answer to the old MyHomeScreen interface. It’s no longer cluttered, thanks to a minimalist layout that divides everything you do into three options: Live TV, Apps and Devices.

It’s intuitive enough, but there are neat little tricks to help anyway. You can pin your favourite apps to the main page, which saves you the hassle of going into the Apps page at all. Overall, LG’s multi-tasking WebOS feels slicker and more seamless, but Panasonic’s Firefox OS is speedy and responsive enough to be a good alternative.

The dark abyss Panasonic’s plasma technology was famed for its ability to offer inky blackness, and since plasma production ended it has put much work into bringing the same level of darkness to its LCD screens.

That effort shows on the DX750. Night scenes are impressively dark, with little evidence of uneven backlighting, and our review sample demonstrated no light bleeding at the edges. As far as black depth is concerned, it’s mission accomplished.

Thin TV, bulky audio

Only one remote – a traditional stick design with nicely spaced, clearly labelled and easyto-press buttons

The audio performance is surprisingly good. In recent times we’ve seen a gradual push back towards quality after years of thin TVs sounding thin – and this is a good example of that. It goes loud, but the top end never hardens up. The midrange is clear and direct, and while there’s not much bass there, it’s enough to add substance to Game of Thrones. For proper movie viewing, however, we’d still advise getting some speakers or maybe a soundbar.

The Panasonic TX-65DX750 is a mixed bag, but it’s mostly positive. It’s fairly well connected, it has a practical design, and its performance is mostly commendable. We would have liked more subtlety in its handling of darkness, but overall the picture performance is a proficient one. If you’re willing to accept the minor flaws, this is a lot of television for your money.

KEY FEATURES

says

Rating ★★ ★ ★ ★ Screen 65in

PICTURE SOUND FEATURES

HDR

VERDICT This entry-level Panasonic is packed with high-end features, giving you a lot of television for your money

www.whathifi.com 15

FIRST TEST Click here to view offer

Goodmans Heritage II Connect | Digital radio | £170

“A stylishly retro box” FOR Classy styling; portability; oodles of features

Remember when radios were just radios?

You’d turn them on, twiddle a knob and, out of the static, voices and music would emerge. We’ve come a long way since then.

Take this Goodmans: it may look like an old-fashioned wireless, but it’s got more in common with a modern all-in-one hi-fi.

It’ll deliver radio, of course, but it does so via FM, DAB and internet. It can play music from your home network or your phone using Bluetooth – you can even pair the two devices via NFC. Most exciting is the inclusion of Spotify Connect, which means the Heritage II Connect links directly to Spotify’s music servers while you use the app on your phone as a fancy remote control. Finally, by using the Undok app you can combine the Heritage with other compatible audio devices to create a multi-room music system. With all that tech crammed into a small, portable unit costing just £170 you'd think some corners have been cut, but if so, they aren’t immediately obvious.

There’s much to like about this unassuming little device. But let’s start with something we don’t like: the display.

Positioning it on the top edge of the radio might be a good way to keep the retro face uncluttered, but makes no sense from a usability point of view, especially when combined with some notable viewing angle limitations. Navigating menus and the like generally involves tipping the whole unit towards you. Do try and avoid poking yourself in the eye with the antenna.

Close scrutiny For a less risky way to operate the Goodmans you can use the Undok app.

You may not think about downloading it unless you’re looking to create a multiroom system, but it allows you to control all of the radio’s functions from anywhere in the house, and is straightforward to use.

Speaking of multi-room, any device you want to link up with the Goodmans needs to be based on Frontier Silicon chips. The list of compatible devices is fairly uninspiring, with only Ruark Audio really getting the blood pumping.

Back to the Heritage, though, and it is rather nicely made. There’s a satisfying weight and solidity to the stylishly retro box, and while certain elements don’t stand up to very close scrutiny (that handle may be real leather but it’s far from the finest),

AGAINST A little hard in the treble

The Goodmans may look like an old-fashioned wireless, but it’s got more in common with a modern all-in-one hi-fi

★★ ★ ★ ★

the two knobs (left for volume, right for tuning) have a nice feel to them – even if the thin, flat rectangular buttons that accompany them are a bit less tactile.

Top of the charts Before getting to the sound quality, a quick word about equaliser settings. The Goodmans has a bunch of them, but they’re generally not worth your time. However, the ‘Normal’ EQ that the radio defaults to is different from ‘Flat’, and we’d recommend the latter. ‘Normal’ increases both bass and treble and makes it sound a bit boomy at the bottom, hard at the top and unclear in the mid. Not normal at all.

With ‘Flat’ there is still a bit of hardness to the treble, but the overall presentation is balanced and clear. Listen to a talkie show, such as Desert Island Discs, and the voices are nicely projected and easy to follow.

KEY FEATURES

Internet radio

Spotify Connect

Battery

The display on top of the radio can cause issues with viewing angles

Play music, whether from internet radio or Spotify Connect, and while the Goodmans has nothing on a more dedicated micro system or wireless speaker (the Sonos Play:1, for example), for a radio it’s very listenable, with a weight, clarity and rhythm that’s rare for a such a compact portable device. Only that slightly nagging hardness blemishes the presentation.

That blemish is just enough to cost the Heritage Portable a star, but it’s still close to the top of the charts. If you like the looks and the features, you’re unlikely to be disappointed by this retro-styled radio.

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT Poor treble refinement prevents a flawless score, but there’s much to like about this feature-packed, retro radio

www.whathifi.com 17

FIRST TEST Click here to view offer

Bose QuietComfort 35 | Noise-cancelling headphones | £290

Bose leaves you in splendid isolation

The QuietComfort 35s are lightweight – and the earpads are some of the most comfortable in the business

FOR Insightful sound; generous battery life; comfortable

AGAINST Not the most forgiving balance

★★ ★ ★ ★

For a decade, Bose’s QuietComfort noise-cancelling headphones have kept crying babies, droning transport and office hum from coming between you and your music. This model does all that with the extra benefit of having no strings attached.

With the QC35s, Bose has cut the cord and brought wireless functionality to the range. It feels a long time coming – but still, this is a timely move if the rumours of Apple’s impending iPhone 7 ditching the 3.5mm headphone jack pan out. While the development from the QC15s to the QC25s focused more on nominal improvements in sound and aesthetics, this time features are at the forefront of the line’s evolution.

Of course, the famous sound-sucking noise-cancelling function remains.

Microphones inside and outside the earcups work to block external noise as effectively as ever. But the headline news is the addition of (non-aptX) Bluetooth for wireless listening, alongside NFC for one-touch pairing.

You’ll also spot a NFC tag and three buttons down the side replacing the previous in-line cable controls. The middle ‘multifunction’ button plays and pauses songs, answers and ends calls, and can also initiate voice commands such as Siri or voice dial. Either side of that are two volume buttons, slightly raised so you can feel your way around the buttons without needing to take the headphones off.

QC25s, which are the more likely of the two to win a beauty contest with their coloured accents. Generally, though, they are similar-looking things, and both build and finish are just as pleasing.

The QC35s can now draw extra functionality from the Bose Connect app – free for iOS and Android devices. This lets you manage paired devices and switch between them automatically; change volume; see the battery status; tell them when to sleep – and all on an interface that’s clean and responsive. It doesn’t seem to have much more purpose than that though – there’s no EQ setting, for example – so those who would rather use their own two hands for those functions may still want to download it to check for, and perform, software updates.

You need go only as far as a wired comparison with the QC25s to hear the £20 price hike is justified. Taking their predecessors for detail, dynamics and clarity, the QC35s bring everything in a song that much more to your attention.

Initiating pairing Piling on yet more convenience is the long-awaited abandonment of the AAA battery. Finally Bose has entered the 21st century by implementing a built-in rechargeable lithion-ion battery with a claimed (and generous) life of 20 hours.

Through the wire, using solely noisecancellation, that doubles to 40 hours. That means, in place of a pocket in the right earcup for a battery, there is now a small micro USB slot for charging. Much neater.

A silhouette drawing of the QC35s and their predecessor wouldn’t be enough to tell the two apart – the oval Bose-branded earcups and chunky headband that define the QuietComfort line’s signature look are back again – but that’s not to say there aren’t differences.

Sensibly, small design changes have been made to accommodate the wireless functionality. The power button on the right earcup now doubles as a Bluetooth pairing button – simply slide it right across to initiate pairing.

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Snug seal The partly suede headband features leather instead of cloth material now, and to us the cushioning underneath the band feels plumper. That may be to soften the blow of the QC35s’ 100g weight-gain – no doubt a repercussion of the wireless internals. They still feel lightweight to hold and wear though, and the familiar earpads are still some of the most comfortable in the business, providing a good and snug seal without causing any discomforting warmth.

The all-black and all-silver finishes look a little less interesting than those of the

“The Bose QuietComfort 35s have taken the legacy range to new heights. They have become Bose’s best portable headphone package to date” Design changes have been made to fit the wireless function, such as the buttons on the right earcup

KEY FEATURES

Noise-cancelling

Bluetooth

NFC

FIRST TEST

With the QC35s, Bose has gone wireless – it could be a timely move if Apple ditches the 3.5mm jack the twinkling electronic opening of ANOHNI’s Why Did You Separate Me from the Earth? It’s a demanding, bottom-heavy dance track, and the Bose afford it weight and punch while keeping a lid on any boominess with a deep and controlled bass.

Discipline is applied to the rhythmic side of things too, the QC35s keeping a firm hand on the patterns underlying the grubby, crashing synths that populate the chorus.

Best to date

Play Billy Bragg’s Levi Stubbs’ Tears and there’s greater texture and clarity to opening guitar plucks and scratchier strums later on, and more insight into the twanging bass and resonating vocals. Shakers are more distinct, and the soundstage feels a touch more spacious and open too.

Sound-sucking ability The balance has changed paths slightly.

While still precise and agile, with good detail across the frequencies, the QC35s are a bit brighter and less forgiving, so will be the first to flag up use of poorer kit or lo-res files, (from Spotify, for example).

If you have experienced the QC25s’ noise-cancellation and think it can’t get any better… you’re probably right. The new Boses match their predecessor for

sound-sucking ability, which is still the best we’ve heard and puts you in a realm of isolation you’d only otherwise experience locked in an anechoic chamber. Yes it’s eerie to begin with, but you get used to it.

Bose knows how to do wireless headphones – its AE2w and Soundlink models have garnered reasonable success – and it has pulled off a happy marriage with wireless and noise-cancelling too. Bin the wire, and while there’s a drop in refinement and transparency (as is often the case with wireless performances) they’re almost as entertaining.

The presentation is clean as a whistle and the headphones offer a wide window into

Library Tapes’ Feathers provides some calm after the storm, and lays the QC35s’ dynamic talents bare. It’s easy to hear the varying burdens of each piano note, which stop abruptly before the next one starts on cue. These headphones are precise, yet manage to communicate the flow and fluidity of the sequence with ease.

It’s easy to hear that the Sennheiser Momentum 2.0 Wireless headphones (£380) are in a different league, though, with greater dynamic subtlety, bass depth and midrange insight. Anyone with an extra £90 to spend on sonic improvements should strongly consider them over these Bose. Just know their noise cancelling ability isn’t quite as effective.

By losing the noise and wires, and making further improvements in the sound department, the Bose QuietComfort 35s have taken the legacy range to new heights, and for that they have become Bose’s best portable headphone package to date. At this price, we’d happily work them into our next holiday budget.

says

Rating ★★ ★ ★ ★ SOUND COMFORT BUILD

VERDICT Bose cuts the cord and boosts sound quality to produce a highly desirable pair of portable on-ears

www.whathifi.com 19

FIRST TEST Click here to view offer

BenQ W3000 | Projector | £1200

A triumph for size over science FOR Accurate colours; good upscaler; compact build

Around the £1000 mark, the decision to buy a TV or a projector may swing to the former. At that price, you'll probably get 4K and HDR, but can you get a 100in screen?

No. Size matters, and while they may be dragging their heels when it comes to AV technology, projectors remain the number one solution for big-screen thrills.

If your budget is modest (in projector terms) and you’re content with Blu-ray and high-definition streaming, a 1080p 3D DLP projector such as this BenQ W3000 could be for you. Like its sibling, the W2000, it uses BenQ’s ‘Cinematic Colour’ technology, which means it’s calibrated to Rec. 709 colour space – an industry-wide colour reproduction standard for high-def TV. Curiously, the W3000’s claimed 10,000:1 contrast ratio is lower than the W2000’s 15,000:1, and only matches it for brightness (2000 lumens). But it justifies its status with better optics and picture processing under the CinemaMaster video engine (Motion Enhancer, Colour Enhancer and Pixel Enhancer); a bigger zoom (1.6x instead of 1.3x); and by adding horizontal lens shift to the W2000’s vertical one.

It's the business They’re in the form of two dials on top of the unit and, alongside the focus and zoom controls, will help you marry the picture to the screen. We’d use the test pattern in the projector’s menus as a handy guide, but first it’s important to sit the BenQ on a level surface near your screen (from 2.5m, it can project a 100in image), using the pop-out front foot and screwable back feet. If the W3000 is beaming off-angle, keystone adjustment will help square up the picture.

Whereas the W1100 and W2000 in the range feature flatter designs, the W3000 is more angular and has a business-like look about it, with a smart grey and white finish in place of the W2000’s gold.

Two HDMI, single PC and component inputs provide a hook-up to a home cinema amplifier or directly to a source, but plugging a Wireless HD transmitter (£200) into the W3000’s USB port can save the hassle of trailing cables. Around the back is also a mini USB for servicing, as well as RCA and 3.5mm audio outputs.

Once the BenQ is plugged in and set up, the last call of duty is picture settings.

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AGAINST Nothing particularly at this price

★★ ★ ★ ★

The W3000 has a rather businesslike look about it, with a smart grey and white finish

‘Cinema’ is our preferred mode, but a whizz through THX Optimizer disc sees us also tweak contrast, brightness and sharpness levels. Once it's calibrated, we play Guardians Of The Galaxy on Blu-ray, and fiercely etched lines and copious detail fill the screen – moss on Groot and fur on Rocket have convincing texture. But colours warrant special praise – there’s plenty of tonal variance in Gamora’s green skin and Peter Quill’s red jacket.

Blacks aren't as deep as we’ve become accustomed to on OLED panels, but by projector standards they're convincing.

While not the brightest we’ve seen, whites are sparkly clean, and punch behind the film’s enthusiastic palette.

DVD favourite The Lord Of The Rings: The Two Towers is a good advert for the BenQ’s upscaling talents – there’s barely evidence of a drop in quality. Edges are confident, and you can make out the fine detail in

KEY FEATURES

3D

Horizontal/vertical lens shift

10,000:1 contrast ratio

It may not match 4K TVs for picture quality, but the BenQ is a good option if you want to supersize your Blu-ray collection

Gimli’s helmet. It maintains good depth perception too as hobbits climb against the vast mountainous backdrop.

Those with 3D Blu-rays will be pleased to know that the BenQ maintains its crisp, clear picture while nailing the sense of immersion that 3D is all about – and that a pair of active glasses is included.

At this price, you’re probably using a home cinema amplifier and surround sound – BenQ is clearly riding that wavelength by including a built-in speaker powered by a 10W amp instead of the W2000’s 20W alternative. But as long as you are sitting close by, it's loud and clear, with dialogue having no trouble poking its head above Howard Shore’s epic score.

The BenQ W3000 may not be the most exciting or innovative AV product to come out this year, but if your priorities lie with size over science, it’s a tempting proposition for your Blu-ray and DVD collection.

says

Rating ★★ ★ ★ ★ PICTURE FEATURES BUILD

VERDICT The BenQ is a superb projector, performing well with Blu-rays and DVDs

FIRST TEST Click here to view offer

Audiolab M-DAC + | DAC | £800

“Dishes out the details like a bar-room gossip“ FOR Extensive spec; fine build and finish; tidy, expansive listen

AGAINST A touch more attack would make it even better

★★ ★ ★ ★

Some acts are tougher to follow than others. For every tough-act-followed-withaplomb, like Kasper Schmeichel, there’s a Jordi Cruyff. And Audiolab’s M-DAC+ has a long shadow from which to emerge: the original M-DAC has been among our favourite pound-for-pound DACs for half a decade now and has comfortably retained its five-star recommendation throughout.

So, the M-DAC+ has big, Award-winning shoes to fill.

products (iPhones from 5 onwards, iPads from Mini 2) and an AES/EBU balanced digital input to cater for those with pro-studio aspirations.

One area of specification that remains resolutely unfiddled-with in the M-DAC+ is the DAC chipset itself. The ESS Sabre32 9018 remains extremely well regarded, and is consequently carried over unchanged from the M-DAC. We start by examining the M-DAC+’s filter options. Like the M-DAC, the + has seven distinct filter settings for PCM files and, as with the M-DAC, we find we favour the Optimal TransientXD option – it offers the best balance between timing, organisation and attack.

Unlike the M-DAC, however, we also are impressed by the sound via the Minimum Phase setting – it’s a smaller, tighter-knit presentation than Optimal TransientXD but offers a little more attack and dynamism. In any event, we are unable to find a genre or source of music that isn’t best suited to one of these two filter positions.

So with the knotty filter issue resolved, we settle in for a long, critical listen.

A real plus The moniker ‘+’ is a confident start – and at first glance it’s easy to see why it’s appropriate. The M-DAC+ is a bigger proposition than its famous forebear in every direction – it’s like a DAC that’s treated itself to a loft extension. It’s probably still just about a viable candidate for the role of ‘desktop’ DAC – as long as your desktop is free of clutter.

Apart from the additional bulk, the M-DAC+ doesn’t stray too far from the build-quality and finish template established by the original M-DAC – which can only be a good thing. The M-DAC+ is smoothly and sturdily constructed, impeccably finished and comes complete with a very acceptable remote control – palm-sized but robust and responsive.

Aesthetically it’s matched with Audiolab’s recent 8300-series components, having a central OLED display and a pair of rotary knobs for input selection and volume control. As far as perceived value goes, the M-DAC+ looks and feels worthy of every penny of its £800 price ticket.

Pumped up It’s been ‘plussed’ in terms of specification, too. The coaxial and optical digital inputs (there are a pair of each) can handle 24-bit/192kHz music files, and the USB type-B socket is good for files as hefty as 32-bit/384kHz. There’s a USB type-A connection for Apple

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Any size will do Outputs include stereo RCA, naturally, a pair of XLRs, coaxial and optical digital, and a 6.3mm headphone socket. And the M-DAC+ is ready to handle DSD audio too. It’s ready to slot into full systems, big or small.

The original M-DAC was a veritable tweaker’s paradise, with no fewer than seven filter settings available. Each made a subtle but definite adjustment to the sound, and effectively rendered the M-DAC a much more bespoke proposition than its nominal rivals. For the M-DAC+, Audiolab has gone for more of the same – the filter count is up to a giddy 11, the additional four options applying to DSD audio.

The main DAC chip carries over unchanged from the M-DAC, but the '+'can handle higher-res files

“This M-DAC comfortably justifies its ‘+’ designation. Lavishly detailed, fastidiously organised and elegantly straight-edged in its sound, it absolutely demands an audition“

FIRST TEST

Audiolab refuses to compromise on design and build quality – even the remote is robust and responsive

KEY FEATURES

11 filter options

32-bit/384kHz

Bluetooth

Starting with CD-quality, 16-bit/44.1kHz WAV files of Johnny Cash’s One, Boards of Canada’s Aquarius and I Remember A Time When Once You Used To Love Me by Dirty Three, we’re impressed across the board by the Audiolab’s ability to establish a wide and, above all, believable soundstage.

It’s an overtly neat and tidy listen – not quite OCD in its fanatical delineation of the soundstage, but nevertheless very concerned with making sure it’s as explicit as possible. That’s a trait we wholly admire, and few other comparably priced DACs describe a stage quite as explicitly as the M-DAC+. Even the densest, busiest recordings are laid out openly – in terms of staging, focus and sheer threedimensionality, the Audiolab dishes out the details like a bar-room gossip.

Tiny detail, sharp timing It’s equally painstaking when it comes to timbre. The Johnny Cash recording is a pretty simple, spare affair with a fairly close-mic’d vocal, and the + makes the finest variations in the sound of acoustic guitar or pump organ available like it was the easiest thing in the world.

Timing is good, the interplay and integration between instruments sounding natural and unforced. It’s rhythmically adept too, handling the gimpy Boards of Canada beat with ease.

This is a gratifyingly egalitarian device. It doesn’t look down its nose when we switch to a poverty-spec 256kbps iTunes-derived file of David Axelrod’s London (it grants the tune as much breathing-space as is available and continues to focus well), and neither is it exposed when we move to 24-bit/192kHz files of Elvis Costello & The Attractions’ Man Out Of Time and Aretha Franklin’s Do Right Woman, Do Right Man. The more information-rich the file, the more information the Audiolab hands over, combining authority with fluent musicality in a way that encourages further listening.

It’s a similarly confident, authoritative performer when listened to via the headphone socket. The Audiolab’s talent for staging, focus and detail retrieval is even more apparent when using an appropriately capable pair of cans.

Nothing’s perfect though, obviously, and the M-DAC+ is no exception. For all its powers of organisation, rhythmic assurance and unflustered attention to detail, we would ideally like just a touch more drive and attack when recordings really demand it. It describes the shift from ‘very quiet’ to ‘very loud’ in a recording such as The White

Stripes’ Ball And Biscuit in a detailed and agile manner, but the last scintilla of the aggression the tune thrives on is fractionally underplayed.

We find we wonder how the M-DAC+ would handle itself in a mosh-pit.

Extended excellence Ultimately, though, we're nit-picking. Everything the M-DAC+ does well – and it does an awful lot well – it does really very well indeed.

M-DAC+ gets a great deal right – so much, in fact, it comfortably justifies its ‘+’ designation. Lavishly detailed, fastidiously organised and elegantly straight-edged in its sound, it absolutely demands an audition.

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT Its strengths are many, its shortcomings very few – the basic formula was good but the 'plus' adds in spades

www.whathifi.com 23

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Find yours at Dell .co.uk/XPS or call 0044 84 4444 3384 Subject to availability, prices (inc vat & shipping) and specifications are correct at date of publication and may change without notice. Dell Corporation Limited. Registered in England. Reg. No. 02081369 Dell House, The Boulevard, Cain Road, Bracknell, Berkshire, RG12 1LF. Subject to availability. Terms and Conditions of Sales, Service and Finance apply and are available from Dell.co.uk/terms. Dell Services do not affect customer’s statutory rights. Response times may vary according to the remoteness or accessibility of product location.

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FIRST TEST

Ruark R4 Mk3 | Stereo system | £650

Clearly up to the multi-task FOR Detailed, engaging sound; great design; easy to use

It would be crass of us to suggest Ruark releases the same things over and over.

We would never do that.

But we do appreciate consistency, and we can’t help noticing some commendable constants that have accompanied the last few Ruark products entering our test rooms: design and audio quality.

Take the Ruark R1 Mk3 and R2 Mk3, for example. Both got five stars last year, with the latter going on to win our 2015 Award for Best All-In-One System.

So it stands to reason that we have certain expectations of the Ruark R4 Mk3, big brother to the R1 and R2.

Best of both worlds Both retro and modern, the Ruark R4 wouldn’t look out of place in Frank and Claire Underwood’s guestroom. There it would sit on a chest or some such, because it’s too big for a bedside table. This is the largest of Ruark’s desktop systems – any larger and you’re looking at the vast R7.

We really like the ‘rich walnut’ enclosure with its rounded edges. You can get it in soft black or white lacquer instead, but that just makes the unit look considerably less interesting in our opinion.

On top, Ruark’s ‘RotoDial’ makes a return. That’s fancy speak for a volume knob surrounded by the essential buttons – and it's neatly designed. We note it is no longer removable for use as a remote control, as it was on the Ruark R4i. Now, then, you get a dedicated IR remote, which works just as well, although its plasticky feel is at odds with the lush build of the main unit.

The display, meanwhile, is a good one.

It’s an OLED screen and it has no problems clearly announcing your source, track and time information.

Constructive input Let’s talk about sources. Front and centre is a slot-loaded drive for CDs. You also get a 3.5mm input at the front, next to a 3.5mm headphone jack. The back features two pairs of phono connectors (one in, one out), as well as a digital optical input and a USB port. You can play MP3, WMA and AAC files off a memory stick.

AGAINST No streaming; price

★★ ★ ★ ★ Ruark's 'RotoDial' makes a return, this time alongside a separate remote

If you want to go wireless, you’ve got the choice of aptX Bluetooth or radio in either FM, DAB or DAB+ varieties. No internet radio, though – in fact, you don’t get internet at all. The Ruark R4 Mk3 is an offline-only affair, which means none of the streaming skills of the R2 Mk3. If you want Spotify, you’ll have to cue that up on your phone as a workaround.

KEY FEATURES

aptX Bluetooth

Get in the right mode But does it sound good? Yes it does, as long as you turn off some of the modes and settings that seem to be activated by default. Loudness Mode, for instance, exaggerates the top and bottom, and should only ever be used for a party. Then there’s ‘3D enhanced stereo’, which aims to widen your soundfield. It does that, but at cost to the subtlety of the sound. It’s unnecessary, because the sound is wide enough on its own. The two 9cm drive units and downfiring 13cm woofer need no assistance where scale is concerned.

Volume isn’t a concern, either. There are 31 increments and we never felt the need to go past 25 (which is just as well, as there the sound begins to lose composure).

The bassline is warm and welcoming, the top end is pleasingly crisp and the midrange is clear and direct, with solid voices that make their intention known even when the rest of the band goes a bit spare.

There is plenty of subtle detail. Strings, plucked or hammered, maintain their appropriate tension.

The Ruark is eloquent enough to dig out the

CD player

94

96

98

100

102 104

FM/DAB/DAB+

Peek underneath the R4 and you'll see the downwardfiring bass driver and bass port

indignation and resignation in Leonard Cohen’s most recent rasp and rumble.

That bass driver is not afraid to get down and dirty to deliver the menace of testfavourite Massive Attack. Never overbearing, the bass simply has natural authority.

What really impresses is the Ruark’s precision in rhythm. It succeeds in conveying the pace of a track, tensing up or chilling out where needed according to the appropriate mood. Put it all together and you have an engaging, compelling listen.

That said, we could do with the greater agility and snap of the Ruark R2 Mk3, which makes for a livelier presentation.

In perspective There is much to like about the Ruark R4 Mk3. It’s a good-looking and talented device, and we wouldn’t hesitate to recommend it. But the price makes us pause. At the time of writing, it costs £250 more than its smaller sibling the R2 Mk3, but doesn't provide a proportionate leap in performance or features. Still, if you’re after a fine all-in-one system and you have the budget, this has to be high on your list.

says

Rating ★★ ★ ★ ★ SOUND DESIGN FEATURES

VERDICT Another lovely all-in-one system from Ruark – but a rather pricey one

www.whathifi.com 25

Beyerdynamic T1 Generation 2 | Headphones | £800

“Ability to entertain as well as inform” FOR Comfortable and well made; excellent sound quality q y

We reviewed the original T1 headphones hea back in 2010. They cost £880 at the t time and stunned us with their performance. perfor They picked up a Best Buy Award in the high-end headphone category that th year. Six years on and we have the Generation Genera 2. At first glance little seems to have changed. c g The only visual differences are the headband, now lined with leatherette leathe rather than the real thing, and the th cable (now detachable), which is fully shielded and covered with a textile braid. They’re h y more comfortable too, with a little litt less inward pressure – but still enough to keep k them stable.

The ability to swap leads not only o y means replacement is easy, but also a opens up a balanced option. The move away from leather on the headband has been prompted by durability and cost reasons. Yes, even headphones at this price level are ar subject to budgetary constraints.

Beyerdynamic’s engineers have hav tweaked the driver units to impr improve performance, but the unusual semi-open se p enclosure remains unchanged. This, Th as the h name implies, is a halfway house between traditional open and closed designs, desig resulting in an interesting mix of strengths. open There’s the spaciousness of open-backed along (with some sound leakage) alongside the clos d designs. d . substance we associate with closed

Extra dose of resolution resoluti n Compare the spec sheet of the two generations and there’s little notable difference, though the frequency response graph shows the new model has greater low-end heft and smoother highs.

That’s not the way they present on initial switch-on though. The Gen.2s sound thin and bright, with a peaky response in the treble that grates with less-than-immaculate recordings. We’re a patient bunch, but it turns out the best part of a week’s worth of running-in is required before the G2s show their true colours. It's worth the wait.

Once they stabilise, these headphones take the insightful yet entertaining sound of the originals and add extra doses of resolution, transparency and low-end weight. All the while we still have a firm

AGAINST Need a top-quality source and amplifi p err

The semi-open enclosure stays – it’s a hybrid of open and closed designs

★★ ★ ★★ ★★★ ★★

S g to Drake’s Headlines shows the Switching T ity to entertain as well as T1s have the ability iinform. f arge along, pounding out They charge tthe rhythm y k with enthusiasm. There’s track p y of attack and a solid dose of low-end plenty aauthority. h y Importantly, p tantly, that bass power isn’t aat the expense off agility or precision.

H Higher up the frequency range we’re iimpressed p d by the he T1s’ articulate way with v vocals and the way they convey the d ces and varying pace of dynamic nuances D k d l ry. With this track the Drake’s delivery.

B y y cs turn in a complete Beyerdynamics p hat’s hard to fault. performance that’s

Six years aft fter the first T1s,, li l seems to o little h h d have changed i appearance e in

Top classs headphones

“Get your system right and we can’t see the T1s doing anything but impressing you” grasp of rhythmic information, and the kind of fluid dynamics we rarely hear from headphones, even top-end models.

Our listening sessions start off with Miles Davis’s So What and we’re impressed by the T1s’ ability to render fine detail. These cans capture the texture of instruments brilliantly and deliver the intensity of Davis’s playing with precision. Instruments are not only defined well, but rendered with convincing body and natural warmth.

Tonally, there’s a touch of emphasis from the lower mid downwards, and a touch of extra sparkle in the treble, but neither of these traits is excessive and they don’t stop these headphones from conveying the music’s message authentically.

KEY FEATURES

But you won’t get this performance by b connecting ecting these headphones i into any y old Smartphone or DAC – everything hing from the original recording d ng to the source and h headphone ne amp has to be high class.

Iff you’re re using a computer as source, CD-spec -spec 16-bit/44.1kHz files are a must, as is good media-playing software such ch as Pure Music or JRiver.

A for As f DACs/headphone headphone amps, look at either the Chord rd Hugo or Naim’s DAC-V1.

Iff you’re using a traditional hi-fi, consider tthe likes off Cyrus’s s’s CDi CD player a good sstarting g point, while hile a good headphone aamp p is essential too. Get the rest of the ssystem right h and d we can’t see the T1s doing aanything g but impressing pressing you.

IIf y you're after a pair of top-class pair of headphones without spending thousands, these – along with Sennheiser’s HD800Ses – would be our top recommendations. Pair these T1s with the right equipment and all you'll have to do is sit back and enjoy.

Detachable cable

says

Rating ★★ ★ ★ ★ SOUND

Weight: 360g

COMFORT BUILD

5 Five-year warranty

VERDICT No wholesale changes here, but they weren’t required. The Gen.2 T1s are truly convincing performers

www.whathifi.com 27

FIRST TEST

Revo SuperSignal | DAB Radio | £180

Revo sends out a clear Signal FOR Stylish looks; decent ergonomics; full-bodied sound

AGAINST Luxurious low end may be problematic for some

★★ ★ ★★

It’s been nearly four years since a Revo Rev product received anything less than a five-star review from us – and last year the SuperConnect radio (a bigger sibling of the SuperSignal) won an Award. Revo is clearly cl y on a roll, so the pressure’s on the SuperSignal to maintain the run.

If the SuperSignal is to besmirch the Revo name it won’t be on the basis of specification – it’s absolutely on the money m y for a product of this type. DAB, DAB+ and a FM radio reception, aptX Bluetooth streaming capability and auxiliary inputs inpu (stereo RCA and 3.5mm) constitute the sources, 10W of Class-D amplification provides the oomph and a 3.5in flat diaphragm driver (reinforced by a downward-firing reflex port in the bottom bot of the cabinet) delivers the sound.

There’s a bright, crisp OLED display, a very acceptable remote control if the responsive joystick on the fascia is too much faff, and an alarm in case you want wa to position the SuperSignal next to your bed. b .

more dynamic broadcasts all the m h droom they need. There’s headroom f frankly ly unlikely heft to low f frequencies, encies, nicely judged bite at t top the op end and an understandable t tendency ency to push the midrange slightly ly forward inbetween.

Both th DAB and FM reception is sturdy, y, even in the depths of our ( (metaphorically) aphorically) lead-lined listening ing rooms. The Revo identifies fies and grants access to an impressive p ssive number of stations, and clings tenaciously to the signal once you’ve made your selection.

Quart art in a pint pot

So far so covetable Nor is it found wanting in terms of build bui quality, finish or interior décor cachet.

Between the cabinet options (black, white, w or walnut) and grille finish, there’s a winning degree of modern retro chic on o display. The finish is smooth, ergonomics ergonom are logical, and the controls nicely judged.

So far so covetable, then. But a £200-ish radio stands or falls on the quality of its sound – and if we had to pick a word to describe the SuperSignal's sound, we’d go with ‘rich’. For the sake of the big picture, though, we’re going to use a few more.

It’s a large-scale sound the Revo produces and, given the brevity of the cabinet from which it emerges, its ability to fill a medium-sized room is not to be understated. Dispersion from the single driver is convincingly wide, and there are sufficient reserves of power to allow the

IN DETAIL...

KEY FEATURES

Talk radio Ta adio stations like the BBC’s 5Live or the shouty TalkSport have ample ple clarity and detail to make voicess crystal clear. Reasonably h h quality DAB music broadcasts high-quality are nuanced uanced and expressive, with a degreee of spaciousness that’s at odds dd with the SuperSignal's size.

Switch ch to music streamed via an aptX p Bluetooth-enabled ooth-enabled device and th there’s considerably derably more gusto than with a D DAB transmission. sion. New Order’s Bizarre L Love Triangle g via the LG G5 smartphone rreveals l the h additional dditional dynamism and detail rretrieval off which hich the Revo, given an appropriate source, is capable. Low frequencies are as rich and luxurious as they want to be, but the SuperSignal remains balanced, poised and times well.

Those who prefer a sleeker, more streamlined and less muscle-bound sound are well served by Ruark’s splendid R1 Mk3 (a product to which the Revo, visually at least, owes more than a little). But if the quart-in-a-pint-pot scale and heft of the SuperSignal appeals, there’s really no reason not to give it an audition.

aptX Bluetooth

says

Rating ★★ ★ ★ ★ SOUND

DAB+

FEATURES BUILD

SuperSignal's sound is reinforced by a downward-firing reflex port at the bottom

28 www.whathifi.com

The remote control is useful, and saves faffing with the joystick on the fascia

OLED display

VERDICT With its retro visual appeal and audio ability, the SuperSignal is a DAB radio to be reckoned with

MUON J U S T G OT MIGHT Y SMALL

“If the KEF MUO was to walk into a roomful of Bluetooth speakers, there’s no doubt a respectful hush would descend: it’s royalty when it comes to audio quality.”

Alphr, February 2016

WIRELESS SP EAK ER Design by Ross Lovegrove. Sound by KEF. Innovation disrupts.When KEF collaborated with design guru Ross Lovegrove to create the mighty MUON, it rocked the world of extreme high end audio. Inspired by the mighty MUON’s sculptural organic form and breakthrough technologies, the MUO makes new waves in the pursuit of art and sound perfection.

K EF.COM

OBSESSED WITH HIGH RESOLUTION

FIRST TEST Click here to view offer

Arcam Solo Music | Stereo system | £1500

“A Swiss army system...”

FOR Smooth, punchy sound; balance and detail; design

AGAINST No internet radio; app could be more stable

Sometimes it’s easier to have everything in one package – all-inclusive holidays or microwave meals, for example. But when it comes to hi-fi, there are benefits of having a system of separates over a one-box solution, mostly in terms of absolute audio quality and future upgrade opportunities.

For those put off by convoluted systemmatching, though, or who don’t have room to house multiple boxes and trailing wires, single-box solutions have their place.

There are budget micro systems such as the Award-winning Denon D-M40DAB, and high-end all-in-ones such as the Cyrus Lyric 09, but anyone looking for a premium just-add-speakers stereo system to be the central system of their hi-fi and home cinema entertainment should take a look at the Arcam Solo Music.

Arcam’s Solo range has been around for a decade or so. It initially garnered success with compact systems such as the original Solo and Movie 5.1, which both picked up Awards from us, before evolving to include a networked system and a soundbar.

connections, including four HDMI and single optical, coaxial, USB, phono and 3.5mm inputs. It can also cater for the likes of Blu-ray players, game consoles, satellite boxes and audio streamers.

Connect it to a TV or projector with a HDMI output and the Arcam can sit at the centre of a home cinema system too – essentially acting as middleman between your video source and screen, much like a soundbar without the built-in speakers. A 3.5mm headphone output on the front panel means you don’t have to turn Mad Max: Fury Road down to a whisper when the kids have gone to bed.

Third time? Still lucky Here we have the third generation of the Solo Music, which is the more audio-centric of the two compact systems. The (also third-gen) Solo Movie matches it for build and specification but adds extra output channels, Blu-ray playback, DTS and Dolby decoding and 4K video upscaling – and asks an extra £500 for those privileges.

But, even stripped of its sibling’s video functionality, the Solo Music has a Swiss army knife-like array of functions. As well as being a CD/SACD-playing, networkstreaming source in itself, and having DAB/ DAB+/FM tuners onboard, the Solo has a cluster of digital and analogue

★★ ★ ★ ★

Network and Bluetooth DLNA functionality also means that when the Solo is connected to your network – by ethernet, or wi-fi via the supplied antennae – it can pluck songs, including FLAC and WAV files up to 24-bit/192kHz, stored on any NAS drive or laptop connected to it.

Attaching the second antenna to the Arcam’s rear grants it aptX Bluetooth too.

The MusicLife app (available for iOS only) controls the Arcam and browses networked libraries. It identifies our Solo Music right away, sniffs out our NAS drives without prompting and proves handy for scrolling our lengthy catalogue.

The interface is clean and intuitive, but the Solo is sometimes slow to respond to commands. For general playback, we prefer using the backlit remote, which is intuitively laid out and practical.

It’s worth mentioning some of the Solo Music’s insides too. It shares components with Arcam’s home cinema and hi-fi separates, including 160W of Class G amplification – found at the high-end of

Arcam’s FMJ integrated amplifier range.

This configuration prides itself on power efficiency by implementing multiple power supplies so that when it receives a signal that goes beyond the capability of a first power supply, a secondary one is on standby to kick in.

More power supplies, more noise? Not here. After the disc tray closes on The Flaming Lips and Stardeath and White Dwarfs’ The Dark Side Of The Moon album with a satisfying click, the Solo runs so quietly that it won’t distract even if you find yourself sitting close to it.

Like many Arcam products before it, the Solo Music delivers an instantly likeable sound that you can settle in to for the evening: powerful, punchy and smooth, with sonic must-haves such as clarity, balance and detail also checking in.

The remote conrol is serviceable, and there's a decent Apple iOS app, but we rather like using the buttons on the unit, too

IN DETAIL 1 While the Arcam's wi-fi is impressive, we'd use ethernet for extra stability.

2 HDMI on a stereo product? It makes sense for improving your TV's sound.

1

30 www.whathifi.com

3 2

3 Quality speaker terminals ensure a good contact with the speaker cable.

FIRST TEST The Solo Music will handle CD, SACD, hi-res network streaming, both DAB and FM radio, and Bluetooth streams

KEY FEATURES

CD player

24bit/192kHz network streaming

Four HDMI inputs

USE IT WITH Dynaudio Emit M10 £500 Multi-talented standmounters that supply an arrestingly entertaining sound full of detail and subtlety

“The Arcam has the precision to communicate the tempestuous production, splitting even the most saturated instrumental parts into distinct layers” With no part of the frequency range tipping the tonal scales, the muscular bassline, fuzzy electrics and sprawling synthesizers that drive Any Colour You Like have just as much clarity as the everpresent cymbals that cut through them.

While it’s not an easy track to spell out, the Arcam has the space and precision to communicate the tempestuous production, splitting even the most saturated instrumental parts into distinct layers.

Its big, broad soundfield captures the epic scope of the The Lord Of The Rings: The Fellowship Of The Ring theme, spreading the underlying choir far and wide, taking the roof off woodwinds and flexing its muscles in the string ensemble, which has real welly behind it during the climactic moments. While it may overlook nittygritty subtleties, it communicates the dynamic outline of a track confidently.

Riding each rise and dip We switch to Anthony and the Johnsons’ Crying Light album for some vocal scrutiny.

The Arcam rides each rise and dip of Hegarty’s seesawing delivery, while communicating its soulful, adenoidal quality. It’s solid and focused and, in the

track Aeon, explodes out from beneath the accompanying harp and guitar.

Daft Punk’s Get Lucky is a track that often reveals a lazy-sounding product, but it can’t catch out the Solo Music, which affords it all the intended energy and radiance.

As expected, the presentation is little rougher around the edges through Bluetooth, losing some refinement and detail in the process. Still, there’s enough clarity and balance to keep it honest, even when streaming from Spotify.

Hi-res and radio highs We hook up our streamer to the Arcam’s line-level analogue input for a hi-res version of Fleetwood Mac’s The Chain (24-bit/96kHz), and the Solo steps up.

There’s real force to the thumping bass, and deep extension when the chorus’s meatier bass-line comes in. It handles the rhythmic drum patterns, and dynamically builds up the rising electric guitar solo.

Fancy a spot of radio? We listen to both FM and DAB, both with headphones and without, and are more than satisfied with the clarity and detail on offer from the Solo Music. And it proves just as impressive with presenters’ voices on

Absolute Radio as it is sensitive to the musical inflections of Michael Kiwanuka on BBC Radio 6 Music.

We don’t need to ascribe any different character reference for the headphone output, either. It has plenty of weight, punch and appropriate transparency as we listen through our Grado SR325es.

In 2005, we described the original Solo Music as “something of a benchmark system at this price level”, so it’s quite remarkable that the same is pretty much true of the latest version. A well-made, well-featured and fine-sounding product, the Arcam Solo Music is indeed a complete one-box stereo system.

says

Rating ★★ ★ ★★ PERFORMANCE FEATURES BUILD

VERDICT A solid-sounding just-addspeakers system that can stand at the heart of both your hi-fi and home cinema set-up

www.whathifi.com 31

T7 Bluetooth Speaker with Micro Matrix Or in layman’s terms, it sounds great. ™

It has taken Bowers & Wilkins’ 50 years of acoustic knowhow to make the T7. And thanks to high-resolution streaming via Bluetooth aptX® and an incredible 18 hours battery life you’re guaranteed best-in-class performance wherever you are.

£299.99

from authorised retailers Buy direct from bowers-wilkins.co.uk/T7 Two-year warranty Free delivery

FIRST TEST Click here to view offer USE IT WITH

Sony VPL-HW65ES | Projector | £2800

BLU-RAY PLAYER Sony UHP-H1 (£400) A talented Blu-ray player at a great price

“A truly enticing watch” FOR Immersive picture quality; fine detail; strong contrast

With Ultra HD 4K TV screens becoming more affordable for the home, is there a place for a £3000 projector that ‘only’ does Full HD resolution? With the VPL-HW65ES, Sony appears to be convinced that there is.

Having wowed us with its stunning 4K and HDR-toting VPL-HW520ES projector a few months ago, Sony proves it doesn’t have to push the boundaries of picture technology to give home cinema fans a great big-screen experience. It does just fine with a ‘normal’ 1920 x 1080 picture.

AGAINST No 4K; limited connectivity; not futureproofed

★★ ★ ★ ★

The Sony has a sturdy, curved design that won't stick out in your living room

An unearthly feel Unlike the pixel-popping 4K HDR projector, the Sony VPL-HW65ES doesn’t grab you by the eyeballs straight from the off. It coaxes you in gently, until you are completely immersed in the wonderful picture quality.

4K may have the extra pixels (and HDR opens up a world of subtleties), but the VPL-HW65ES’s Full HD resolution has no problem digging up fine detail.

You can pick out the textures of clothing that the townsfolk of ParaNorman are wearing, right down to ratty sneakers and the fluff on a well-worn jumper. Even in the stop-motion animated world there’s a convincing feel to trees, houses and streets, while the green tinge around the ghosts gives an appropriately unearthly feel.

Colours are natural, yet also rich. A less capable projector would struggle with distinguishing the various hues of brown and grey in The Imitation Game, but the Sony displays the various wooden textures, and black and grey suits with ease.

Skin-tones and textures look believable, too – there’s plenty of subtlety on show here.

The picture has a quality you associate with watching film reels in the cinema: the kind of depth and detail that doesn’t shout out at you, colours and sharpness of the picture believable, all the while drawing you into the film. Constantine’s gothic noir palette looks appropriately moody thanks to the Sony’s prowess with both dark and bright scenes. Rays of sunshine permeate the shadows without diminishing the intensity of inky deep corners.

The VPL-HW65ES uses Sony’s proprietary SXRD system, which is a type of LCOS (liquid crystal on silicon – a combination of DLP and LCD technology) display technology to ensure you get a strong contrast (a claimed 120,000:1 in the Sony’s dynamic setting) while outputting a bright

picture at 1800 lumens, without working your eyes too hard. That ability to deliver strong contrast with such ease and subtlety makes the Sony a truly enticing watch.

If we have a criticism, it’s that the picture’s sharpness falters briefly when it plunges into a dark scene. The outlines of characters and objects look just a tad unstable, but snap back to focus when the scene brightens up. Luckily, it’s not enough of a drop to distract us from our movie.

active 3D. You will have to shell out around £50 apiece for 3D glasses though, as none are supplied.

The projector itself is sturdy and hefty.

Its curved shaped and minimal design means it never looks bulky, so it shouldn’t stick out in your living room. It’s available in black or white finishes, and the included remote is neatly laid out and responsive.

A great sub-£3k projector

Lease of life The Sony won’t only do justice to your Blu-ray disc collection, it will also give your DVDs a fresh lease of life. There’s the inevitable drop in subtlety, but it’s still an enjoyable watch thanks to the Sony’s natural colours and interplay of light and shadows. While testing, we found that we couldn’t play DVDs natively through the HDMI inputs (the only source inputs available). A workaround for this is letting your Blu-ray player handle all the upscaling.

You would think that a big projector like the VPL-HW65ES would need hours to set up. In reality, adjusting the zoom, focus and lens shift to get a crisp, centred image takes just a handful of minutes. It would be even quicker if it had an automated lens shift system as on the VPL-HW520ES, but the manual process works just fine. Armed with a THX Optimizer disc, we breeze through the straightforward picture settings too.

Connections are limited to two HDMI inputs. There are LAN, remote and trigger ports for a home automated system, but no legacy inputs for those who don’t have HD sources or want more options.

Although other manufacturers are starting to phase it out, the Sony features

The included remote control is neatly laid out and responsive

KEY FEATURES

Full HD resolution

If you’re in the market for a great sub£3000 projector for your home, the Sony VPL-HW65ES is worth considering. In fact, this projector is now the same price as one of our 2015 Award-winners – the VPLHW55ES – making it an even better proposition. But in the current technology climate it matters that this projector doesn’t do 4K. The stunning 4K and HDR-capable Sony VPL-HW520ES is the clear choice here – but it does come with an £8800 price tag.

If you’re not concerned about futureproofing just yet (and it will be a few years before 4K Blu-ray is truly mainstream), we’re confident you’ll be more than happy with the Sony VPL-HW65ES.

says

Rating ★★ ★ ★ ★ PICTURE

Active 3D (glasses not included)

2 x HDMI inputs

FEATURES BUILD

VERDICT An excellent proposition for film buffs who want a compelling, cinematic picture for their Blu-ray collection

www.whathifi.com 33

FIRST TEST Click here to view offer

AudioQuest DragonFly Red | USB DAC | £170

“An immediate musical boost” FOR Sophisticated and solid sound; smartphone compatible co p e

AGAINST That shiny red finish iis too easilyy chipped

When the original DragonFly flew into our testing rooms back in 2012, it was a breath of fresh air. A DAC and headphone amp disguised as a USB stick – and with great sound to boot? It was some serious innovation and became the de facto quick and easy way to give a laptop a sonic upgrade, especially after the refinements and price drop of the v1.2 model.

Here in 2016, however, the landscape is markedly different – and rising above the tidal wave of DACs on the market is far harder. AudioQuest’s approach has been a two-pronged assault. On the one side there’s the DragonFly Black, an upgrade on the outgoing v1.2 that costs just £90. On the other side is the DragonFly Red.

feel like you’ve just experienced something genuinely dramatic. Through the Black, you aren’t left with the same feeling.

Chip off the old block If you are wondering whether a DAC such as this makes a difference to your daily dose of Spotify, we can confirm it does. Even these comparatively lo-res streams get a hefty improvement in the detail, definition and dynamic departments, and they’re as strong a case for the Red over the Black as 24-bit stuff is. The fact that the Black and Red, unlike their predecessors, work with smartphones could prove a big selling point

Earth-shattering news AudioQuest has set itself quite a challenge by giving the Red a £170 price tag to justify, and on paper the case doesn’t look particularly strong. One criticism levelled at the DragonFly range is that its hi-res music support stops at 24-bit/96kHz. The Black retains that limitation, but is at least affordable with it. The problem is that the pricier Red is similarly restricted.

AudioQuest points to a number of upgrades for the Red over the Black: a more advanced DAC and headphone amp for starters, plus a “bit-perfect digital volume control contained on the DAC chip itself” that’s avowedly a big improvement on the analogue volume control in the Black. A higher voltage output (2.1v compared to the Black’s 1.2v) makes it more suitable for driving demanding headphones, too.

None of that sounds particularly Earth-shattering, but it does bring with it some rather good news: the DragonFly Red sounds better than the Black. And what's more, it’s at least £80 better.

The Black is already a big improvement on plugging your headphones into your laptop’s headphone socket, with timing, dynamics and detail getting a huge boost.

But the Red is a more sophisticated listen.

The first thing you notice is the Red’s extra authority. This is partly in the form of overall bass extension, but what’s more impressive is the extra body given to each and every note. There’s a solidity and texture to every sound that makes the Black seem a little two-dimensional by comparison (though accomplished in its own right and price-point).

34 www.whathifi.com

★★ ★ ★ ★

KEY FEATURES

USB 24-bit/96kHz

Smartphonecompatible

As well as being fuller-bodied, each note also contains a good deal more detail, and that, combined with excellent low-level dynamics, means everything has a natural, subtle and expressive sound.

Then there’s the way the Red organises a soundstage. Feed both DACs the 24-bit version of Radiohead’s Burn The Witch and, while the Black allows the organised chaos to become a muddle as the track reaches its crescendo, the Red maintains full control, allowing you to admire every thread of the gloriously complicated arrangement.

As the track builds, it becomes ever more frantic and layered – and, when it ends, you

“There’s a solidity and texture to every note that makes the Black seem two-dimensional” for potential buyers, though you'll need an adaptor lead to make it work.

The one blot against the DragonFly Red is that the glossy red finish seems easy to chip. There’s a pouch for safe transportation, but a Red that is roughed up on the road may become blemished in no time at all.

The qualities that made the previous DragonFly so great remain as compelling as ever. It’s a compact and convenient device that can be taken anywhere for an immediate musical boost, and the logo lighting up in different colours depending on the file format is an elegant method of delivering mind-easing information.

If you’re unconcerned by that slightly fragile finish (and who buys a USB stick DAC for its aesthetic properties?), you can consider the DragonFly Red a pretty perfect computer music upgrade.

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT The DragonFly Red is a near-flawless option for anyone looking to give their computer music a hi-fi boost

7000i 5.1 SERIES

CONCEPT CINEMA PACK

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FIRST TEST Click here to view offer

Pioneer VSX-1131 | AV receiver | £550

“Rich layers of low-end wallop” FOR Big, powerful sound; good build and interface

AGAINST Needs a touch more finesse, clarity and drive

★★★ ★ ★

Big. Powerful. Muscular. Those are words we often associate with Yamaha and Onkyo’s affordable AV receivers. The same can't necessarily be said of offerings from Pioneer, whose signature sound has always been about precision and agility.

But things have changed over recent years, with the Pioneer’s budget and mid-priced VSX range of receivers gaining in richness and heft, and last year’s VSX-930 achieving a hitherto elusive fifth star.

There’s no VSX-931 this year, the featureladen VSX-1131 taking its place – and this £550 AV receiver is a powerful beast.

though. Voices can get a touch swallowed up in the middle of action sequences and, when it reaches scenes with plenty of dialogue, more nuance would let the characters get their emotion across.

That missing level of detail would add more finesse to the Pioneer’s sound. The £500 Denon AVR-X2300W, Pioneer’s newest rival, is more articulate and immersive with its delivery.

The VSX-1131’s robust performance is enjoyable, but we wish it had more of the subtle and agile nature of Pioneer’s £1000+ receivers (the SC-LX59, for example), which manage to balance power and punch with clarity and precision.

When it comes to music, we watch the Talking Heads’ Stop Making Sense on Blu-ray, and it’s an entertaining listen on its own. Having said that, while the new Denon may not have the power and scale of the Pioneer, it does have a more musical and engaging approach.

There’s the inevitable drop in subtlety and clarity when streaming music from your smartphone over Bluetooth and Spotify Connect, but there’s still that sense of solidity running through the music. It’s worth playing around with the sound modes to switch between stereo and surround, too. Surround makes everything sound bigger and grander, but stereo snaps rhythms into place in a more organised way.

A muscular character We start with the two-hour cinematic chase that is Mad Max: Fury Road, and the VSX-1131 roars into life. As the monstrous cars tear through the desert wasteland, the receiver rumbles and charges through the soundtrack with stacks of energy.

The changing gears, the grinding of metal on metal, engines roaring and whining against the strain of the chase – there’s plenty of detail here to enjoy, and the muscular character of the VSX-1131 works brilliantly with this action-packed film.

It’s a brawny performance, with rich layers of low-end wallop. It goes pleasingly deep, with just a touch more precision needed to give the Pioneer class-leading drive. The bass isn’t flabby or plodding, although it can be a tad too rich, and while it's pleasing to hear it can take away some overall crispness and subtlety. It’s a punchy sound, but not as articulate as we’d like, so we’d recommend turning the Pure Direct sound mode on for a touch more solidity and organisation.

The scale of sound is impressively large, even before we plug the Atmos channels in.

It’s wonderfully open and spacious, allowing plenty of room for the top end – which never goes bright or sharp – to soar.

A more sedate film such as The Book Thief retains that sense of openness, with detail allowed to flourish in such a big and airy soundfield. We’d like a little more clarity and refinement from the Pioneer,

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“The Pioneer gives a brawny performance, which goes pleasingly deep. Just a touch more precision is needed for class-leading drive”

KEY FEATURES

A focus on user experience From a quick glance at the Pioneer receiver, you wouldn’t think much had changed. The sturdy rectangular chassis (available in black or silver), the large display that’s easy to read from a distance, the buttons and control dials that work seamlessly – it’s the high standard of build that we’ve come to expect from Pioneer, but there's a new focus on the user experience.

The remote control is smaller than before, with superfluous buttons, such as the number keys, having been dumped.

The main buttons for navigation and volume are large, distinctively shaped and laid out in a way that’s intuitive to use.

Pioneer’s iControlAV5 app is a colourful, interactive alternative which puts most others to shame. You can adjust every setting through the app, with the slick

HDR 4K/60P/HDR

7x HDMI inputs

Spotify Connect

A Dolby Atmos configuration of up to 7.2.2, 4K HDR support and more. Impressive…

FIRST TEST

The VSX-1131 has the build quality you expect from Pioneer, but there's a focus on user experience

design and a fun interface (the Sound Explorer bubbles are our favourite) making it enjoyable to use. We use the remote for basic functions, but the app is worth downloading if you want to play with the sound settings.

There's an interface revamp, tied to Pioneer’s MCACC auto calibration system, which is now a far speedier proposition. We almost miss the harsh, repetitive test tones as it guides us through a ten-step process, but the calibration is as accurate as ever.

Once you turn the receiver on and go to the home menu, you’ll find a smarter-looking interface with large icons and better graphics than before.

Giddy heights You might have expected Pioneer to reserve some of the more headline-grabbing features for its pricier amplifiers, but this £550 receiver has all the latest technology and streaming features to make any home cinema enthusiast giddy with delight.

From Dolby Atmos and 4K HDR support to Google Cast and hi-res music streaming, the VSX-1131 has it all. It's a seven-channel amplifier with a claimed 160W per channel (at 6 ohms), and another set of terminals available for Dolby Atmos channels.

The maximum Atmos speaker configuration goes up to 7.2.2 (seven speakers, two subwoofers and two Atmos channels) – a good start if you’re serious

The remote is now smaller and has been simplified, but there’s also a well designed app

about an Atmos-equipped home cinema.

Those wanting to try out the DTS:X surround sound format can do so too – after the firmware update later this year.

All the HDMI connections on the receiver support 4K/60p passthrough, with three HDCP2.2 certified – meaning they are capable of playing 4K Blu-ray discs. They also support high dynamic range (HDR) signals and BT.2020 wide colour gamut standards that accompany 4K HDR discs.

Along with seven HDMI inputs, there are also two digital optical inputs and a coaxial input (something missing on the Denon AVR-X2300W). Two HDMI outputs, legacy analogue connections, a 6.3mm headphone socket, a 3.5mm input and a USB port round off a comprehensive list of connections.

You won’t be able to play songs off your smartphone through USB (that’s where Bluetooth and AirPlay come in) but the inclusion of dual-band wi-fi (5 GHz and 2.4 GHz) means you can stream hi-res files up to 24-bit/192kHz in FLAC, AIFF and WAV files over your home network. There are no interruptions over wi-fi during our test, and there’s always the ethernet connection for a more stable link.

Google Cast also features on Pioneer amplifiers for the first time, so you can ‘cast’ content from any compatible app straight

through the amp and onto your screen.

There’s native support for Spotify Connect, while Tidal and Deezer subscribers can expect the same after a firmware update.

Pioneer’s VSX range of products hasn’t always enjoyed the unanimous success of the higher-range SC-LX series. And while last year’s VSX-930 gained five stars for its excellent performance, the new VSX-1131 can’t quite balance power and subtlety as well as its new Denon rival.

Pioneer has thrown everything possible at the VSX-1131, and its excellent spread of features deserves attention at this price.

That huge, open and muscular performance will appeal to many as well – if you’re starting to build your home cinema system, this is certainly worth considering.

says

Rating ★★★ ★ ★ SOUND FEATURES BUILD

VERDICT A big performance from Pioneer, with an excellent spread of features that’s sure to appeal at this price

www.whathifi.com 37

INSIDER

INSIDER

TEST ROOMS WITH A VIEW We open our (soundproofed) doors and invite you to look around What Hi-Fi?‘s newly completed test labs

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HOME CINEMA ROOM

HI-FI ROOM

TV ROOM

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INSIDER Welcome to Insider. As the name suggests, the purpose of this section is to give you an insider’s view of the world of hi-fi, a glimpse into the unseen parts of the industry, the people and places behind all the news and reviews that make up the bulk of our offerings.

Normally, this is where you would find our accounts of visits to recording studios and factory floors, or analysis of showcase industry events, or a trip back into the hallowed archives of hi-fi giants.

But it’s time for the ultimate Insider, one that shows off the most exclusive location of all: What Hi-Fi? Towers. We recently moved house, you see, vacating our offices in the old Teddington Studios and moving 10 minutes down the road to nearby Twickenham, the rock upon which we spent six figures building new test rooms. We’d love you to take a look.

Word on the street

Located right next to Twickenham’s railway station, with its fast connections to central London, is our new home, Bridge House. Our test rooms are in the basement of this recently refurbished office block. Being below street level presented one particular problem – that of noise from passing traffic – so we had to build some new walls.

To block out the outside world, we constructed new walls on the inside and outside – in effect, building a new room within a room. The outside walls are made of a special soundproof board, and there is isolating material between each layer. It has certainly worked. We are heavily shielded, and nothing short of an earthquake will alert us of anything happening beyond those doors.

That’s the outside world dealt with, but the inside requires considerably more finesse. A delicate balance is needed to reduce unwanted reflections without sucking the life out of the room.

We also need the clarity to differentiate products while staying true to the

properties of real-life environments.

Who lives in a padded recording studio?

Untreated, the sound would bounce around the rooms with the energy of a rabbit on espresso, particularly in the treble. So before we fully moved in, we padded the place out with furniture – sofas, tables, shelves full of discs and old editions of What Hi-Fi? dating back to the 1970s – plus deflection panels for flutter and absorption panels to calm down the higher frequencies.

We also installed a dedicated mains system to avoid any unwanted electronic interference. After much tinkering, we achieved a balanced sonic signature. But enough about treatment – let’s talk about the rooms themselves.

“Untreated, the sound would bounce around the room with the energy of a rabbit on espresso, particularly in the treble” Thorough examination

There are three rooms, each with a different purpose. The TV Room has multiple racks for side-by-side comparisons. There are Freeview and Sky HD feeds, and high-speed broadband lets us stream video in 4K to different TVs at once. We also have the latest Blu-ray players and UHD Blu-ray players to give every TV a thorough examination.

However, ‘TV room’ is not the most accurate description, as this is also where we test smaller audio products, such as desktop speakers and portable music players. The room doubles as our video studio too, as this is where we film unboxings and hands-on reviews.

The Hi-Fi room, however, is dedicated to separate stereo components such as

REFERENCE KIT ❏ Naim CDS3 + ❏ Naim 555 PS power supply x2 ❏ Naim NDS streamer ❏ Naim UnitiServe ❏ Clearaudio Innovation Wood turntable ❏ Cyrus Phono Signature/PSX-R2 ❏ GamuT D3i preamp ❏ GamuT D200i power amp ❏ ATC SCM50 speakers ❏ Analogue, digital and speaker cables from Chord Company ❏ Cambridge CXU universal Blu-ray player ❏ Panasonic DMP-UB900 UHD Blu-ray player ❏ Pioneer SC-LX59 Dolby Atmos home cinema amp ❏ Epson EHTW7200 projector ❏ PMC Twenty 23 surround speaker package with KEF R50 Dolby Atmos speakers ❏ Chord Company cables ❏ Sky+ HD

CD players, amplifiers and stereo speakers. At any time the room houses at least £60k of equipment, much of which is our reference system. There are also speaker parts lying around, which serve as a constant reminder of the minutiae.

Elaborate blueprints

Finally, we have the Home Cinema room.

This is our largest room, for testing plus-sized AV kit, such as projectors and surround sound speaker packages. It often gets loud around these parts, and though we may not be able to hear the outside world, passers-by may have occasionally been able to catch the fury of our twin subwoofers blasting out one of our favourite test tunes. The latest addition to our reference collection is Dolby Atmos speakers, so we can keep on top of the latest trends.

Beside the test rooms, we also have a dedicated photography studio. We believe in providing our own original and exclusive shots for every product, which means we don’t have to rely on the standard press shots. We also have a fully loaded stockroom, so that at any time we are able to bring out suitable rivals to test against new products.

It was time-consuming, but nothing good in the hi-fi world comes without elaborate blueprints and acoustic treatment, and we are pleased with the results. These rooms are our sanctum and our livelihood. The only thing missing is a new sofa. Beige is so 2005.

The Hi-Fi room (top) and Home Cinema room (below). The beige sofas came from our old office

How we test…

We are the only UK-based hi-fi magazine to have a dedicated team of in-house reviewers. We don’t use freelancers or accept outside contributions, so we have complete control over how products are tested and the environment in which they are tested. Between the team, we have more than 100 years’ experience of reviewing, testing and writing about consumer electronics.

All products are tested in comparison with rival products in the same price category. All review verdicts are agreed upon by the team as a whole – so it’s not just down to the opinion of one individual reviewer. Each product will be listened to (or viewed) by several members of the test team, who then discuss the final verdict before it appears in the magazine or on the website. This avoids any individual bias towards brands or products from creeping in.

No manufacturer or their PR is ever shown a review prior to publication – in fact, not even our own advertising department knows what the test verdicts are before the magazine is published or a review appears online.

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INSIDER

INSIDER

PHES5 TLAO UNC 1 1 Pro-Ject VT-E £230 Ever wanted a vertical turntable? Well now you can have one. It features manual speed change and you can wall-mount it too. A special clamp holds records in place. http://whf.cm/VTEturntable

Straight to the top of your wishlist

2

3

3 Marantz 6006 series CD player and integrated amp from £400 Marantz knows how to make a good budget CD spinner and stereo amp combo. Just look at the 6005 series and the 6004 series before that. Once again the innards have been improved to optimise sound quality. http://whf.cm/Marantz6006

5 Xbox One S from $250 Microsoft has updated its Xbox One console. We don't yet know what the 'S' stands for, but it might be 'smaller'.

We're more excited about 4K compatibility, which means this will be the world's most affordable UHD Blu-ray player. http://whf.cm/XboxOne4K

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5

2 Cyrus Soundkey from £TBC Cyrus has joined the micro DAC fray and turned to Kickstarter for funding with a goal of £50,000. If you want your phones and tablets b sounding better, you'd better i Early E l Bird Bi d and d get a word in. k il bl .

VIP packages available. // / u d y http://whf.cm/SoundKey

4 4 Roksan Blak series from £2500 Roksan has gone upmarket with its new Blak series integrated amp and CD Player combo, which promise to be beefier than Caspian M2 components. Available in 'Anthracite', 'Charcoal' and 'Opium'. Definitely not black. http://whf.cm/RoksanBlak

ADVERTISING

F E AT U R E

SENNHEISER AMBEO BOTTLING REALITY IN SOUND New immersive 3D audio technology puts the listener in the centre of the action for a completely fresh sound experience

ennheiser’s latest technology has a lofty ambition: to transform the listening experiences across music, broadcasting, VR gaming, and beyond.

It means you’ll be placed inside the music, the game, the movie or the soundscape – a completely new experience – and you’ll hear fine details like never before.

The technology is called AMBEO, and it forms the company’s range of 3D immersive audio products and activities. Sennheiser has been involved in immersive audio for a long time, through 9.1-channel mixing and recording, and audio design for highprofile exhibitions – so it’s little surprise that it’s at the cutting edge.

S

AMBEO is as versatile as it is powerful.

Take Sennheiser’s upcoming VR microphone: it captures high-quality audio in three dimensions, allowing the finest nuances of any environment to be accurately soundmapped. It’s impressive stuff.

AMBEO’s sense of ‘being there’ also hugely benefits recorded music. Composer, musician and producer Simon Franglen, known for his work on Titanic, Avatar and Spectre, says his 3D immersive mixes boast super clarity. “The extra playback area allows individual voices and instruments room to breathe in a way that the flat plane of a stereo mix can never hope to accomplish,” he says.

www.sennheiser.com

Tonmeister Gregor Zielinsky, who masterminded Sennheiser’s 3D audio installations for the David Bowie is exhibition, agrees. While it’s notoriously challenging to capture emotion when recording music, he says 3D gives us back that emotional experience, fully immersing you in sound that retains depth and colour. By comparison, stereo and even 7.1 are like “looking through a small slot into the music of the artist,” he says.

In other words, AMBEO is reality, bottled.

And who wouldn’t want that?

T U R N TA B L E S

P U D N U O R

SPINNING

CLASSES From humble plug’n’play decks to top-spec precision players, turntables have got us in a whirl. So we’ve assembled a quartet of test specimens that span the price spectrum

T

urntables are back. With vinyl sales at the kind of high we haven’t seen in years, and Technics and Sony turntables taking the limelight away from TVs at this year’s CES, it feels as though the vinyl revival is reaching a peak.

The four turntables we’ve featured here cover a wide price-band in an attempt to suit every budget, with our decks carrying price tags from £100 to over £1000. The five-time Award-winning Clearaudio Concept is joined by brand-new decks from Lenco, Pro-Ject and Rega, each offering a different experience and sonic flavour.

We’ve also put together an exhaustive guide to every aspect of the turntable, from explaining types of cartridges to guiding you through each step of the setting-up process. By the end of this special feature, we guarantee you’ll be able to get the best possible performance out of your turntable.

WHATS ON TEST? Clearaudio Concept p44 Lenco L-85 p46 Pro-Ject 6 Perspex SB p48 Rega Planar 2 p50

Join us on Spotify & Tidal whf.cm/playlist16 Listen to our favourite tracks every month!

42 www.whathifi.com

T U R N TA B L E S

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T U R N TA B L E S

FROM YO EXCEPTIONAL SOUND

UR RECORDS

Clearaudio Concept £1000 FOR Clean, rhythmic and detailed sound; easy set-up

If you’re not familiar with the Clearaudio Concept turntable by now, the ‘concept’ part of that is essentially getting the most exceptional sound you can from your records at this price. If that, combined with the five stars at the top of this review (and this deck’s mantelpiece full of What Hi-Fi? Awards) doesn’t convince you to part with a grand, we suppose our work is cut out with the remaining stretch of this review.

Still, we’ll soldier on undaunted because we think anyone who treasures their stack of vinyl deserves to know just what delights the Clearaudio has to offer.

Simplicity is a big part of this package’s charm. Unlike some rival designs, which require patience, a steady hand and a passable grasp of mathematics to get the whole thing working, the Concept is a ‘plug- and-play’ product, which basically means you can play your records pretty much straight from the box.

The company’s own moving-magnet Concept cartridge is fitted to the Verify Direct Wire Plus tonearm (though there is also a moving-coil alternative available), and Clearaudio sets everything, including the cartridge weight and bias, before the turntable leaves the factory.

As with all turntables, you’ll need a level, rigid and properly damped support for this deck to sit on if you’re serious about getting the best out of it – and at £1000, you should be. You can fit a platter and a drive belt, can’t you? Of course you can – and then the Concept’s ready to play.

AGAINST Sound is on the lean side of neutral

The Concept is ‘plug-and-play’ turntable, which is part of its charm

KEY FEATURES

N

S

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“The Clearaudio Concept sands off any edges that would dilute the character of the music.

Instead it lets the instruments tell their own story”

Magnetic arm bearing

A fist to the thorax

Before dropping a record into place, though, it’s worth taking a moment to admire the Concept’s clean design and chunkily substantial finish. Speed (33.3, 45 and 78rpm) is controlled by a hefty rotary dial, and the whole thing operates with the sort of solidity more readily associated with outside water closets.

Having been largely redundant during the set up process, all that’s left for us to do now is dig The Pixies’ Doolittle album from its sleeve, delight in drawing the Concept’s magnetically poised tonearm – which has a magnetic bearing – over the edge of the record and let it drop gently into place.

★★ ★ ★ ★

33.3, 45, 78 Three speeds

Kim Deal chugs those first four bass notes and guitars yell as we anticipate being hit by the opening track Debaser like a fist to the thorax.

What’s immediately impressive is that it’s so incredibly taut, matching its blistering pace with extraordinary poise and agility. It’s something like the Rudolf Nureyev of £1000 turntables.

Immersed in the whole Cartridge fitted

It isn’t the weightiest of sounds in terms of low-end anchor but the bass guitar feels anything but cumbersome, afforded the same light feet as its six-stringed cousins, and you certainly couldn’t describe it as substantially lacking in terms of depth.

As we tear through the opening tracks without pause for breath, we find it difficult not to be enamoured by the precision of the Concept’s timing. It’s incredibly fast, yet consistently in control, never stumbling or tripping over its laces. Pixies’ frontman Black Francis’s rhythmic gasping in Tame, for example, has that combination of pace and restraint that builds anticipation to fever pitch ahead of the final chorus.

Afforded a slight reprieve as the intensity is relaxed a touch for tracks such as Wave Of Mutilation and Here Comes Your Man, we now also have time to explore the ample space within the mix. There is air around the instruments – they have room enough to interact

T U R N TA B L E S

“What is impressive is that it’s so incredibly taut, matching its blistering pace with poise and agility.

It’s like the Rudolf Nureyev of £1000 turntables”

IN DETAIL...

The three speeds – 33.3, 45 and 78rpm – are controlled by a hefty rotary dial

Clearaudio sets cartridge weight and bias before the turntable leaves the factory

without ever colliding into one another, allowing us to focus on a singular part, or let ourselves be immersed in the whole.

If analysis is a chief concern, it is aided by the Concept’s transparency and level of detail of which George RR Martin would be proud. Having expended both sides of Doolittle, we dig out some Django Reinhardt.

Complex dark and shade

Short of seeing the room and smelling the air for ourselves, Clearaudio comes close to transporting us all the way to 1930s France. It’s like the company’s proof of honesty being the best policy, the Concept refusing to sand off any edges that would alter or dilute the character of the music, instead digging into the timbre of the instruments to let them tell whatever is their own story.

And what story do they tell here?

Reinhardt’s tale is often one of complex dark and shade, rife with slides and trills – a spritely dance with delicate

dynamics. By now you’ll be unsurprised to read that the Concept tracks this dynamic journey step for step.

A conceptual masterpiece

It is this delicate sense of alternating intensity that sets the very best hi-fi apart, and a significant factor in giving Clearaudio such a stranglehold on this portion of the market.

Indeed, as the company’s glut of What Hi-Fi? Awards indicate, we can find no discernable shortcomings at this price.

That isn’t to say this Clearaudio is the perfect option for everyone. Many people might, for example, prefer the more vigorous performance offered by the Rega RP6/Exact.

But we can’t see anyone turning down the Clearaudio Concept because of its lack of talent. It is as clean, rhythmic, detailed and spacious as you’ll find for the money, not to mention engaging and entertaining. In fact, you could almost say it’s a Conceptual masterpiece.

Clearaudio’s Concept cartridge is fitted to the Verify Direct Wire Plus tonearm

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT A thoroughly sorted, easy-toown package with tremendous sound.

What more could you ask for?

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T U R N TA B L E S

LE – AND AFFORDABLE, LAUDAB

DIGITAL

Lenco L-85 £120 FOR Enjoyable sound for the money; user friendly; price

AGAINST Rivals offer subtler, more dynamic sound

Remember the DUPLO blocks you’d play with as a child before graduating onto proper LEGO sets? Think of the Lenco L-85 as that: a beginner’s turntable that gives you all the basics with promise of more exciting things, while still being enjoyable in its own right.

This is a semi-automatic, belt-driven, turntable with a built-in phono stage.

It supports USB recording. And it costs just £120.

The bargain price may inspire trepidation (we still can’t shake off the memory of the poorly executed Crosley Cruiser), but the L-85 surprised us all.

If this green doesn’t do it for you, there’s also red, yellow, black, white or grey

★★★ ★ ★

Nice, and simple

Lenco has tried to make the turntable experience as easy as possible, and this is by far the best plug-and-play machine we’ve come across at this budget price.

At first glance, it looks – and feels – like a toy. It’s made predominantly of plastic, and is very light.

Once we take a closer look, however, we don’t have any complaints with the actual build quality. The plinth, platter and tonearm are all nicely made, they all fit together neatly and, once we start using it, there aren’t any wobbly or creaky parts – it’s an encouraging start.

The plastic buttons for changing the speed (33⅓ and 45rpm), and to record (more on that in a bit) are responsive.

Our review sample is a vivid green, but you can get five other finishes: red, yellow, black, white or grey.

Added extras

The analogue outputs are also tucked away at the back, right next to the power switch. Lenco helpfully includes a pair of RCA cables in the box, so you can get started straight away. Thanks to the built-in phono stage, you can plug the L-85 into your stereo amplifier, or directly into active desktop models such as the Wharfedale DS-1s. The L-85 also comes with a removable plastic dust cover that sits back neatly on its hinges.

Our one small gripe is that there’s no LED telling you when the turntable is switched on.

The Lenco L-85 is designed to be as user-friendly as possible – and it succeeds. Everything comes pre-fitted, including the moving-magnet cartridge, 46 www.whathifi.com

KEY FEATURES P R

“Lenco has tried to make the turntable experience as easy as possible, and this is by far the best plugand-play machine we’ve come across at this price“

N D

Semi-automatic operation

Integrated phono stage

USB direct recording

and there’s no need to set the counterweight, adjust the bias, or weigh anything.

The only adjustment you have to make is to reset the auto-return motion.

Move the arm right to the end of the record, and then let go: it will calibrate itself and return to its armrest in one smooth motion.

If you want to stop the record playing in the middle of a song, you don’t have to physically move the arm yourself either.

Just press that big ‘Reject’ button on the front and the arm will automatically rise up and return. Neat!

Lenco has another little trick up its sleeve: converting your vinyl into MP3 files so you can listen to your music

when you’re on the move. It’s all done via USB as well, and couldn’t be simpler.

There’s no need for special audio sofware or tricky laptop hook-ups – just plug a memory stick into the front panel’s USB port, hit the record button when you’re ready, and voila – you have an MP3 version of your vinyl record that you can play on your laptop or copy onto your smartphone. You can also separate the tracks by pressing the split button.

MP3 standard

It will only record as MP3 files, but remember this is a £120 turntable – it would be unrealistic to expect hi-res FLAC files from it. If you like the recording feature but want higher-quality files,

T U R N TA B L E S

“It’s a surprisingly decent performance. We weren’t expecting such a likeable, inoffensive sound that’s this easy to listen to“

IN DETAIL...

There’s no need to adjust the counterweight. Like the bias, it’s preset

From top left: speed selector; track split button; record button; USB input

we’ll point you to the excellent Sony PS-HX500 (£450, five stars).

Time to find out how the Lenco L-85 actually sounds, and we tentatively put on Alice in Chains’ MTV Unplugged recording. It’s good. In fact, it’s a surprisingly decent performance.

Voices are the deck’s strongest point, with Layne Staley’s strained and piercing singing on Down In A Hole coming through clearly – you can really glean the emotion he puts across in the song. The sharp twang of the acoustic guitar cuts through the hazier rhythm of the rhythm guitar and drums, too.

We’ll admit it’s not the most detailed or articulate performance, nor does the rhythm charge along with pin-point precision and agility, but we weren’t expecting such a likeable, inoffensive sound that’s this easy to listen to.

Play Michael Jackson’s Beat It and the drum hits are too gentle, and the bass is woolly, but the balance across the frequencies is admirably even and there

are no coarse edges at the top end. Play those USB-recorded files on your computer, and you’ll find the sound character is exactly the same as the Lenco’s vinyl performance.

Listening to the L-85 is equivalent to listening to MP3 or Spotify streams on your smartphone using £50 headphones.

You know you can achieve better, but this method gets the essential structure of the songs right.

In keeping with the L-8s’s plug’n’play ethos, the cartridge comes pre-fitted

A great way in

The Lenco L-85 is very much ‘My First Turntable’ – a great starting-point for you or your kids to get into vinyl, or if you’re a student wanting something decent yet affordable to play your records on.

Unless we bring to mind decks that cost well over £200, we can’t think of another turntable that combines its features and user-friendliness with such a likeable performance. If you’re thinking of getting into vinyl, this is a decent place to start.

says

Rating ★★★ ★ ★ SOUND FEATURES BUILD

VERDICT Great features and user-friendly operation make this Lenco the best plug-and-play turntable we’ve come across

www.whathifi.com 47

T U R N TA B L E S

ANT AND SOPHISTICATED, ELEG

CLASSY

Pro-Ject 6 Perspex SB £1700 FOR Composed performance; high-quality build and design

AGAINST Sound needs a touch more dynamism

Pro-Ject’s recent record has been a smattering of rather good four-star turntables, although the original 6 Perspex turntable received a five star review from us in 2008. So, can the 2016 version follow suit?

The new Pro-Ject 6 Perspex SB is a manual, belt-driven design that incorporates its own electronic speed box (the SB in its name), but with no internal phono stage built in. Our review sample is pre-fitted with the Ortofon Quintet Black moving coil cartridge – usually £650, but the bundled deal with the 6 Perspex SB (which is £1300 on its own) brings the grand total to £1700.

That’s no printing error. You get limited edition black-and-blue vinyl when you attend a gig at Jack White’s Third Man Records in Nashville, the only place in the world that cuts music live to acetate. This here is Ashley Monroe.

★★ ★ ★ ★

A refined, elegant sound

We start with a recording of Shostakovich’s Symphony No. 1 in F minor (Op. 10) and are taken by how refined and elegant the Pro-Ject sounds.

The opening exchanges between trumpet and bassoon are playful and just a little bit menacing, and the 6 Perspex SB delivers each note with utmost clarity.

The melody is sprightly, with plenty of space surrounding the solo instruments.

As the orchestra sweeps in, we feel the effect could be just a bit grander: we want the strings to hit us like a rising tsunami of sound, and it sounds just a tad reticent through the Pro-Ject. But there’s enough detail and engaging fluidity to keep us listening.

The extent of the Perspex’s detail definition shines through Michael Jackson’s Billie Jean. The chunky bassline is taut and full of deep, gorgeous texture, and the low-end rumble is engaging. The intro notes sound pristine and authoritative, but the Perspex can’t quite put the build up across – almost like it’s stuck in a loop, rather than moving towards the first lines of the song. We want the Pro-Ject to be more engaging and pull us into the music.

Drums hit with decent smack, although a touch more conviction wouldn’t go amiss to really make those notes have a forceful impact. We can’t help but feel that the Pro-Ject is a little too polite with its delivery.

Switch to Nick Cave’s mellow, mournful singing on The Boatman’s Call and you can easily get lost in his voice.

But that inherent good taste once again 48 www.whathifi.com

KEY FEATURES

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“The Pro-Ject 6 Perspex SB is the exact opposite of a plug-and-play machine. It is for those who cherish tinkering with every aspect of their record player”

Magnetic suspension

Cartridge included

takes away the last smidge of expression and raw emotion. More talented decks allow emphasis of the storytelling and build-up of a song’s message, rather than just focusing on reproducing the notes with precision and clarity.

Tiny degrees of subtlety Electronic speed change (33.3 & 45)

What we criticised in the original 6 Perspex – the degree of excitement and verve – rears its head once again. The Pro-Ject isn’t fundamentally flawed in any particular area, it’s more a case of missing out on tiny degrees of subtlety, agility and dynamism. The 6 Perspex SB gives a highly accomplished performance, but one that we can’t quite fall in love with.

The 6 Perspex SB is beautifully crafted. The crystal-clear acrylic plinth, the carbon-fibre tonearm, the minimalist design – it’s elegant and classy. Every element is impeccably finished and the turntable is built to the highest standard, ensuring a rigid, well-damped machine.

The motor runs quiet and the arm and main bearings are nicely engineered, with low amounts of free play. The suspension system is cleverly designed using magnets: three pairs of opposing magnets prop up the sub-chassis, with plenty of scope to adjust the height.

Pro-Ject uses carbon fibre for the arm tube, which means it is light, rigid and well damped – perfect for keeping the cartridge steady.

T U R N TA B L E S

“The Perspex SB is beautifully crafted. The crystal clear acrylic plinth, the carbon fibre tonearm, the minimalist design – it’s elegant and classy”

IN DETAIL...

The Pro-Ject comes pre-fitted with the Ortofon MC Quintet Black cartridge

The controls are simple, with one button for switching between 33⅓ and 45rpm

This turntable is the exact opposite of a plug-and-play machine. It is for those who cherish tinkering with every aspect of their record player, from setting the correct counterweight and bias to manually operating the arm.

Sophisticated and clever

Remember to look up the details of the cartridge in the guide, as its tracking weight will affect the counterweight and anti-skating force you have to set. Don’t lose the stylus guard – you’ll want to keep that expensive, diamond-tipped cartridge protected when not in use.

There are plenty of extras included, such as four different counterweights, a pair of RCA cables for plugging the turntable into a phono amplifier, a spirit level and a removable dust cover.

The controls are simple, with just one button for switching between 33⅓ and 45 rpm and to put the turntable into standby mode. A single LED indicates when the turntable is settled in the

correct speed (blue) and will go green when the motor stops. Some may want separate buttons for each function, but we found it easy to get used to.

We’d take care with positioning the Pro-Ject turntable. A sturdy rack is a must if you want the best performance, and we’d recommend keeping it separate from any other equipment to prevent unwanted vibrations affecting it.

And finally, don’t forget to put the record clamp on. Playing a record on the Perspex without it makes the sound rather insubstantial and lacking in punch. Screw the clamp on, and you’ll be rewarded with a more solid sound.

Don’t let the lack of that fifth star deter you from enjoying the Pro-Ject 6’s accomplishments. This is a sophisticated turntable, both in sound and build. We love the design and clever magnetic suspension system, and the hands-on approach will be a huge part of its appeal. It’s a pricey proposition, but we’d urge you to give it a whirl.

Make sure you put the record clamp on – without it, the sound is insubstantial

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT The Pro-Ject 6 Perspex SB is not perfect, but this rather gorgeous, eloquent turntable is a very worthwhile listen

www.whathifi.com 49

T U R N TA B L E S

A HAPPY BIRTHDAY BOY MAKES

RETURN

Rega Planar 2 £375 FOR Rhythmically sound; great detail; authoritative; design

AGAINST Electric speed change would be preferable

What do What Hi-Fi?, Reese Witherspoon, The Eagles’ Hotel California album and Rega’s Planar 2 have in common? It’s not your average pub-quiz question, so we’ll spare you the head-scratching. The correct answer is that 2016 is the year they all turn 40.

The sleek, acryliclaminted plinth is a head turner, whether in black or white

★★ ★ ★★

The story so far

In 1976, three years after Rega’s creation, the Planar 2 launched as one of the brand’s very first turntables. Its S-shaped tonearm was then replaced in 1984 with Rega’s RB250, and at the turn of the century a brand-new version of the deck – fittingly named the P2 2000 – took its place in Rega’s catalogue until 2005.

Now, over a decade later, the Planar 2, having been developed over the past two years alongside the recently released Planar 3, has been brought back from the dead – this time with the unabbreviated ‘Planar’ name.

The Planar 2 has been on quite a journey then, so much so the only things existing from the original are the drive-belt and the plastic mouldings for the dust-cover lid hinges.

That’s surprising, as a picture of the last and current-generation models side-by-side would make a challenging spot-the-difference puzzle. The only things you’d ring straight away are the acrylic-laminated plinth – now supposedly more rigid and, like the Planar 3, sporting a more modish black or white glossy finish – and the power switch, which now sits underneath the plinth. It’s a smartly understated design, and the accompanying solid build quality is a sign of Rega’s longestablished success at this price bracket.

KEY FEATURES 1

3

5

2

4

6

Manual speed change

Further refinements

Less immediately obvious changes include the new 24v low-noise motor, newly designed central bearing, and upgraded platter with a new floating glass ‘Optiwhite’ design. Rega has also designed new feet to make the deck more stable. Even the packaging has been changed.

Most importantly, the Planer 2 is fitted with Rega’s new RB220 tonearm, which features new ultra-low friction ballbearings, a stiffer bearing housing and an automatic bias setting, making it 50 www.whathifi.com

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Moving-magnet cartridge

Dimensions (hwd) 12 x 45 x 36cm

“The Planar 2 has been on quite a journey; the only things existing from the original are the drive belt and mouldings for the dust-cover lid hinges“ virtually plug ’n’ play. That should please newcomers who want to enjoy their vinyl with minimal fuss, but do be aware the Planar 2 doesn’t have a built-in phono stage, so it needs to hook up to a stereo amplifier that has one. The Marantz PM6005 (£300), or a dedicated phono stage, such as the Rega Fono Mini A2D (£85) would be a good match.

The no-nonsense set-up requires minimal effort. Just ensure the speed is set correctly (speed change is manual) and adjust the tracking weight to balance the tonearm. Once the arm is in a floating position, setting the Rega Carbon MM cartridge’s tracking force to the recommended 2g simply entails turning the weight a whole circle.

While we’d prefer numbers on the dial for guidance, we do find it reasonably accurate. Needless to say, buying a stylus gauge to double-check the measurement would be money well spent. It’s important that the Rega sits dead flat on a tabletop or wall bracket, too.

Characteristic sound

We spin SBTRKT’s Wonder Where We Land album and the Planar 2 finds its groove straight away. Anyone wellversed in Rega decks will no doubt recognise its sonic stamp: balanced and authoritative, with impressive scale and natural musicality. It gets us toe-tapping to New Dorp, New York the moment the first beat thumps into being.

T U R N TA B L E S

“The Rega is big-sounding enough for the lush electronic soundscapes laced with synth chords to sound bold and atmospheric“

IN DETAIL...

The tonearm’s bias is preset, so all you have to do is set the counter-weight

The Planar 2 makes a return to Rega’s line-up after more than a decade

The Rega delivers the album’s distinctive basslines with punch, its low end earning its wings for handling the plunging depth and buzzy texture of the guttural bass guitar in Gon Stay.

Voice recognition

It also has the agility and momentum to bounce along to Ezra Koenig’s perky vocal accompaniment. There’s insight into his playful quips, and a fitting solidity to the more thick-set sections of monologue that reveals the Rega’s midrange versatility.

Any hi-fi kit that’s going to get the best from SBTRKT has to be fairly methodical in its handling of flittering tinny beats, slicing percussions and frenetic rhythms and, while the Rega has the necessary precision and rhythmic know-how to coordinate them accurately in the soundstage, its delivery isn’t so clinical as to be without enthusiasm.

The Rega is big-sounding enough for the lush electronic soundscapes laced

with synth chords to sound bold and atmospheric too. It gets into a Saturdaynight feeling with the album’s pop melodies, and uptempo drums are energetic and punctual in the mix.

It’s equally at home with the intricate, nuanced arrangements of Miles Davis’ Kind Of Blue too, rendering the dynamic subtlety and timing to grasp the music’s subtly shifting manner, and packing a single, wistful trumpet note with texture and information. The ability to tie all the musical strands together and paint them on a precise and spacious canvas seems to come easy to the Rega, and in that aspect its delivery just works.

A proper step up

Not only is this new incarnation of the Planar 2 a high-performing deck at a competitive price, it’s also a proper step-up in performance from the RP1.

And it can celebrate its milestone birthday with another five-star review from us.

This deck comes ready-fitted with Rega’s Carbon moving-magnet cartridge

says

Rating ★★ ★ ★ ★ SOUND BUILD FEATURES

VERDICT An elegant turntable that furthers the lineage of a classic deck with great sound and simple set-up

www.whathifi.com 51

Tiny bumps in the record’s groove are picked up by the stylus and converted into an electrical signal

Ideally, your turntable will be somewhere level, rigid and low resonance. Keep it well away from sources of vibration, such as speakers

Use a specially designed spirit level to ensure your turntable is level and that everything is spot on

The tracking force can be set and adjusted by moving the counterweight at the back of the arm

H O W TO. . . G E T T H E B E S T S O U N D F R O M YO U R T U R N TA B L E

HOW TO

Get the best sound from your turntable The continued popularity of vinyl makes the turntable an essential piece of hi-fi kit. From arm-positioning to cartridge-fitting, here’s how to get the best out of your record player

V

inyl is the format that just refuses to die. Back in the late 1990s its days seemed numbered, but since then, slowly but surely, sales have been building.

It’s a format we like and it’s capable of terrific sound, provided you take a bit of care – and this is where vinyl is different from other formats.

Unlike the digital alternatives, a lack of care in installation can cripple the final result.

Now there are some great ‘plug and play’ turntables on the market, and for more complex decks many dealers will help you set it up correctly. But if you’re prepared to get your hands dirty, there’s a lot you can do to ensure you get your turntable performing to its full capability.

So, to get the best sound from your record player, from arm-positioning to cartridge-fitting, we’ve prepared a few tips for you.

How do vinyl records work?

Have a close look at a record. That spiralling groove is packed with tiny bumps that move the cartridge stylus (sometimes called the needle). The movement is converted into an electrical signal by using an electromagnetic mechanism, consisting of a coil of wire and magnet, inside the cartridge body.

Consider that the tiny diamond tip of the cartridge is trying to trace bumps as small as a micron (1000th of a millimetre) and you’ll get an idea of just how difficult the task is. Any

external vibration will degrade the cartridge’s ability to track the groove accurately.

These disturbances can be caused by many different sources: the sound coming out of the speakers, footfall transmitted through the floor or even passing traffic sending vibration energy through the structure of your house. Yes, really.

As an experiment, place the cartridge on a record but don’t start it spinning. Turn the volume up on your amplifier and try tapping (lightly) on the support, the deck itself and maybe even walking near to where your turntable is positioned. The thumping sound you hear through your speakers is the mechanical energy being picked up by the record player. Loud, isn’t it?

When you’re playing a record this unwanted energy is still being fed into the structure of your deck, not only making its life more difficult, but also superimposing itself over the sound of the record. The result? At best, there will be a slight degradation of performance. At worst, awful feedback that spoils everything.

That’s why a decent turntable support is essential if you really want to hear how good your records can sound.

Where to position a turntable The ideal support would be perfectly level, low resonance and positioned as far away from sources of vibration as possible. Yes, that includes your speakers.

On a hard concrete floor, a floorstanding support will work fine, though such a support will emphasise footfall on a suspended wooden floor. If you have such a floor construction we recommend investing in a dedicated wall shelf.

This kind of support avoids the footfall issue totally. Just make sure you use proper heavyduty mounting screws and fixings, or the consequence could be very expensive.

Most decks have some sort of isolation built in. This could be something like rubber feet at the simplest, going all the way to a fully suspended design. The better the isolation, the less fussy the deck will be about the support, but even the most sophisticated designs will perform better with careful placement and a good support.

How to level a turntable Once you’ve got the ideal place to put your record player, the next step is to set the deck up properly. This is all about getting the basics right. Everything should be level – this is very important in order to ensure that the stylus tip sits properly in the record groove. Use a small, light spirit level to check.

Start with the plinth. If your support is already level – and it should be – there shouldn’t be much to do here.

But if for some reason you need to make adjustments, many turntables have adjustable feet to help you get things spot on. Next, check

“Vinyl is capable of terrific sound, provided you take a bit of care. Unlike the digital alternatives, a lack of care in installing your turntable can cripple the final result” www.whathifi.com 53

To measure the tracking force, you need cartridge scales. Cheaper plastic ones will do the job well enough

Once the cartridge body is aligned properly, the stylus top will sit at the proper angle in the record groove

Cartridges come in many shapes. Square-edged ones are easier to align correctly though

A phono stage provides extra amplification and equalisation. It pays to finetune the cartridge loading

H O W TO. . . G E T T H E B E S T S O U N D F R O M YO U R T U R N TA B L E

the platter is also level. With most decks, the platter position is fixed relative to the plinth and should be parallel unless something has gone wrong in manufacture. Suspended designs will allow a degree of adjustment.

Usually, the levelling can be done in situ, but some decks require a specific jig, which means a trip to the dealer.

How to adjust tracking force Back in vinyl’s heyday it was common for people to mix and match decks, arms and cartridges.

Today, while it’s still possible to take that approach, we tend to see more deck/arm packages instead, with the choice of cartridge left open. The story is different at more affordable price points. Here, the cartridge tends to be included, which makes life easier. You’ll still have to do some set-up, though.

Arm and cartridge adjustments are usually done together. If your cartridge is pre-fitted then it’s relatively simple. All you have to do is to set the tracking force – the weight with which the needle sits on the disc. This is done by moving the counterweight on the back of the arm. Then adjust the bias (sideways force) to compensate for the inward pull of the record groove.

The cartridge manufacturer will recommend a suitable range of downforce, usually between 1.5 and 2.5g, with a specific weight listed as most suitable. This would be our starting point, but with production tolerances and the use of different arms it is possible to get a better sound with a bit of experimentation.

If the sound is a bit dull and lifeless you’ve gone too heavy, while a thin or aggressive presentation means the tracking weight is a too little light. If you overdo the lightness, perhaps in an attempt to reduce record wear, the cartridge will mistrack, damaging the record grooves in the process. Counter-intuitively, if in doubt, go a touch heavier (be careful to stay within the cartridge’s recommended range though). The stylus tip will sit in the record groove with more stability, produce less distortion and cause less damage.

Most arm weights come with markings to help, but if you really want to be accurate it makes sense to buy dedicated cartridge scales.

There are expensive, and very accurate, digital options, but also plastic alternatives that do the job well enough and only cost a few pounds.

How to adjust arm height and cartridge alignment Many upmarket decks allow the user to adjust arm height. Usually the arm is set to be parallel when playing a record, though sometimes a

cartridge may have a particular preference depending on its design. Generally though, if the arm is too high you’ll get a bright, forward sound and the opposite if the arm is too low.

If the cartridge isn’t pre-fitted then you’ve got a bit more work to do. Most cartridges are held on with a pair of small bolts. These are easy to lose, so take care. However, some have captive nuts built in to the cartridge body, which makes things less fiddly.

Once it’s mounted, you’ll need to connect the thin, fragile arm wires to the cartridge. To make things easier these are colour coded, but there’s not much space to work in so you’ll need small long-nose pliers to help attach them. Be careful when doing this. It doesn’t take much to damage the connectors or even break the wires.

Next up is cartridge alignment. You’ll need a gauge to do this. While you can get expensive metal ones, many manufacturers supply a simple but effective card-based alternative in the box. This usually consists of two points, each surrounded with printed parallel lines.

The idea is to get the cartridge body square to the lines while the stylus tip is placed on each point. This takes a bit of patience, but once the cartridge is aligned properly the stylus top will sit at the proper angle in the record groove. This will help to reduce the distortion levels and minimise record wear. It’s worth taking the time to get this right. Errors as small as a degree can lead to large rises in distortion.

Picking the right phono preamp Get all these things right and your deck should be performing well, but that’s not quite the end of the story. One of the side effects of the move to digital has been the loss of a phono stage (also known as a phono preamp) from many amplifier designs.

Even if such a circuit is included – in ‘plug and play’ turntables, for example – it’s often an afterthought, with little care taken to maximise sound quality. So what does a phono stage do? It provides extra amplification (the output of a cartridge can be in the order of a thousand times less than a typical CD player) and equalises the tonal balance.

Vinyl isn’t physically able to accept large amounts of bass during recording, and so the tonal range of the music has to be skewed heavily towards the higher frequencies to make things work. On playback, the phono stage’s job is to rebalance this. A good phono stage will let your record player shine. A poor one will have you wondering what all the fuss is about.

All but the most basic of phono stages can usually cope with both moving magnet and

moving coil cartridges. Moving magnet designs are usually more affordable and produce a higher output. This is good news for the phono stage as the signal needs less amplification, and so less of a magnifying glass is put on any of the circuitry’s shortcomings.

What’s the difference between MC and MM cartridges?

Any electrical interface, in this case the one between the cartridge and phono stage, requires each to have specific electrical parameters (things like gain and impedance) for maximum information transmission.

Moving magnet cartridges tend to be consistent in terms of their electrical requirements, so phono stage manufacturers can design a single circuit that will suit (almost) all. Things aren’t so simple with moving coils.

High output MC designs aren’t far off their MM cousins in terms of level, while low output variants produce just a fraction of that. This means adjustable gain in the phono stage is desirable to optimise the sound in terms of signal to noise. While 40dB of gain is fine for most moving magnets, MCs will usually need anything from around 50dB to 70dB. Moving coils also vary in their requirements of resistance, capacitance and inductance – all three add up to make the overall impedance. Get these things right and the interface between the cartridge and phono stage will be better, leading to improved sound.

Most moving coil manufacturers will suggest suitable values for these parameters – but, once again, feel free to experiment.

In the context of your system it’s possible that slightly different values may work better.

Generally, the lower the resistance value the more solid and tonally dull the sound gets. Typical values will be in the region of 100-500ohms.

Capacitance values will normally be from around 200pF (picofarad) to 1nF (nanofarad) – the higher the value, the more high treble is filtered. If your system is transparent enough these changes will be easily heard.

The finish line…

Sounds complicated? It can be. Certainly years of using line-level sources such as CD players, that require little more than to be plugged in, has made getting the most from vinyl seem like something of a black art.

But it isn’t. Yes, you can get decent sound straight out of the box, but you just have to take a little extra care and patience to get things right. Once you do, you’ll be richly rewarded.

"Years of using CD players has made getting the most from vinyl seem like a black art.

It isn’t, but you just have to take a little extra care and patience to get things right” www.whathifi.com 55

TA B L E T S

Join us on Spotify & Tidal whf.cm/playlist16 Listen to our favourite tracks every month!

56 www.whathifi.com

TA B L E T S

BUDGET BARGAIN OR FALSE ECONOMY? Can you really get all the functionality you need from a tablet with a modest price tag?

We try four budget devices to find out

N

ot everyone wants an iPad. And, of course, not everyone has the budget for it. But can you buy a cheap tablet for less than £150 without making too many compromises?

Let’s get this straight from the off – you aren’t going to get the high-end performance of a tablet that’s three times the price with these products, but it’s all about getting the right balance. Compromise doesn’t have to be a bad thing, and it’s to be actively encouraged at this sort of price.

Of course, certain functions need to meet agreed minimum standards because nobody wants a device that’s frustrating to use. Avoiding poor-quality screens and overly clunky performance is far from easy though, and looking at specs on paper doesn’t always tell you all you need to know. The proof is in the testing, and so we’ve done just that, taking four tablets from some of the biggest budget brands – Archos, Amazon, Asus and Lenovo – to put them through their paces.

Ranging from £80 to £130, these screens offer a considerable discount over higher-end tablets, but are they really the bargain they seem? Or does that budget price tag affect their performance too much? Read on to find out.

W HATS ON TE ST Amazon Fire HD 8

Archos 80b Helium

Asus Zenpad C 7.0

Lenovo Yoga Tab 3

One of the largest tablets in Amazon’s affordable line-up, aimed at users wanting easy access to the company’s content

A 4G tablet under £100 that also packs a dual SIM-card slot for travel fiends who don’t want to be tied to wi-fi

With a 7in screen, this is the smallest of the tablets on test, and one with an equally small price tag to match.

With a clever design that hides speakers and a handy kickstand, this tablet knows how to stand out from the crowd www.whathifi.com 57

TA B L E T S

IN THE LAP OF THE GO

ODS

Amazon Fire HD 8 £130 FOR Bright screen; crisp video; lightweight design

AGAINST Music could have better timing; no Google Play

To stop trying to compete with the iPad was a clever move by Amazon. Dropping its tablet prices from the £300 mark for a more affordable range starting at just £50 not only gave the budget tablet market a healthy boost of options, it also created the perfect environment for Amazon to push its wealth of content.

Because that’s exactly what Amazon’s tablets are – vehicles to sell books, TV shows, films and audiobooks. In fact, that’s all so central to the Fire OS that we’d recommend a Prime membership if you want to get the most from the HD 8.

7.0), but it’s still very much on the soft side and you’ll need good lighting conditions for it to be usable.

The screen on the HD 8 is the same resolution as the Yoga Tab 3 and the Archos 80b Helium at 1280 x 800, but wins out over both of them. For a start it’s the brightest of the three, making the Archos look positively dull by comparison but, more importantly, it produces the cleanest, sharpest picture.

Being restricted to 720p still means putting up with an expected amount of softness compared with a full HD display, but it delivers much crisper outlines and a clearer, more detailed picture than the competition.

The screen’s brightness really helps with contrast, and highlights the ability to punch through a dark scene with more power than we see elsewhere. At the same time it retains a good level of shadow detail too, and is able to tell us more about Ron Burgundy’s dark chequered suit in Anchorman 2 than can the Yoga Tab 3. We also really appreciate the better viewing angles on the HD 8.

Unfamiliar appearance

If you haven’t used it before, Fire OS will take a bit of getting used to. Although it is built on Android, it looks nothing like it. The homescreen will be most familiar, as it features all your apps in a list, but swipe left or right and you’ll be taken to a number of different content menus, each offering suggestions for you.

You can load in your own content manually, of course, but Amazon stuff takes priority here and sometimes finding what you’ve uploaded can require a little bit of digging.

The Fire HD 8 follows in the footsteps of other Amazon tablets with its design, and, in complete contrast to the Lenovo Yoga Tab 3, embraces the bold, plasticky look with aplomb. The shiny plastic back panel certainly isn’t the most premium feeling material, but it keeps the tablet lightweight and you can get it in a choice of black, orange, pink or blue.

Go towards the light

The cameras on the HD 8 are 5MP and 0.9MP and, like most tablets of this price point, are really best avoided. The main cam will do a decent job with colours in good light, but there’s a lack of sharpness and detail in its pictures that the Yoga Tab 3’s superior snapper is a little more capable of capturing.

As for the selfie camera, it manages to focus on our face just fine (which is more than can be said for the Asus Zenpad C

Minimal delay

Performance is adequate for this level, and while we’ve come to expect the odd stutter when multitasking and a bit of judder when gaming, it generally handles these things with more immediacy and smoothness than the Archos 80b Helium or Asus Zenpad C 7.0.

Certainly simple tasks, such as unlocking the screen or moving from landscape to portrait, aren’t hampered by the same frustrating delays.

Battery life feels like a bit of a mixed bag. We are able to browse the web, listen to music or read books without making a huge dent on resources, but a 30-minute streaming of Netflix at full brightness does see a 14 per cent drop in battery, which is pretty close to the poor-performing Asus Zenpad C 7.0.

That said, the screen here is much brighter and you could get away with notching it down a bit to save some juice,

“The Fire HD 8 is the priciest of the tablets we’ve tested, but in just a short amount of time with it you can see where that extra money has been spent“ 58 www.whathifi.com

★★ ★ ★ ★ which isn’t the case with the dullerscreened Zenpad.

Despite being built on Android, the Fire HD 8 doesn’t have full access to the Google Play store, which can be frustrating if you’re a real app fiend.

Goodies in store

KEY FEATURES

8in screen

Resolution 1280 x 800

We notice a few holes in Amazon’s own app store compared with Google Play, but it’s much better than it used to be. All the major apps such as Netflix, iPlayer, Spotify and Tidal are here, and while you may notice a delay in new apps appearing after their launch on Android, for most it won’t be a dealbreaker.

Musically, the Fire HD 8 doesn’t rewrite the budget tablet manual and, like much of its competition, could do with a little more bite, a bit more get-up-and-go and much better timing. It’s even-handed in its delivery though, although it does get a little more disorganised during busier tracks than the Yoga Tab 3.

There are stereo speakers for headphone-free listening, and if you’re watching a movie at home there’s enough weight and clarity, plus a decent amount of volume.

Worth the extra Memory 16GB (+ microSD)

Cameras 5MP/0.9MP

At £130, the Fire HD 8 is the priciest of the budget tablets we’ve tested (and £140 if you don’t want Amazon ads on your lock screen), but in just a short amount of time with it you can see where that extra money has been spent.

You are going to need to really like Amazon and its services for this tablet to make sense, but when it comes down to getting the best performance for your money, this shows other budget tablets how it can be done.

says

Rating ★★ ★ ★ ★ PICTURE SOUND FEATURES

VERDICT If you don’t mind the Amazon hard sell, this is a good budget tablet that balances its compromises cleverly

TA B L E T S Though budget in feel, the back panel is light and comes in black, pink or blue as well as orange

It might be largely a vehicle for Amazon’s goods and services, but the HD 8 ticks many of the right tablet boxes

www.whathifi.com 59

TA B L E T S

ELY INERT NON-TOXIC BUT LARG

Archos 80b Helium £95 FOR Dual 4G SIM; microSD slot; decent colour with video

AGAINST Soft screen; hard edge to music; poor camera

Archos has long been a name associated with the more affordable end of the tablet market, releasing its first effort when the iPad was little more than a rumour on the internet.

Unfortunately, in the Archos 80b Helium, those years of experience don’t really shine through. There’s a pretty poor balance of performance versus price here – it might well be cheap, but you’ll be reminded of that every time you use it.

This isn’t helped by the fact that the screen is recessed, so much so you can actually see a gap between the glass and the LCD panel below it. Icons look soft and lack definition as a result, and text is missing a degree of crispness.

It also doesn’t help that the 80b Helium appears to pull in desktop versions of websites as standard, rather than smaller screen-friendly mobile versions. We checked the settings and couldn’t find out why, but it will be frustrating for those who like to use their tablet for browsing.

On a positive note, when we are watching video loaded onto the device, that softness mentioned above appears to be less of an issue. It’s still not the sharpest of pictures, and there’s a considerable lack of the kind of fine detail that really helps to bring pictures to life, but it’s still watchable, offering a warm colour palette that’s not overdone.

It’s all in the detail

Its build is a mixture of aluminium and plastic, and while it feels sturdy enough for the most part, it’s the attention to detail that’s missing.

For example, there’s a rough edge around the display where the casing sits a little higher than the screen, and the removable back panel is made from such thin plastic you fear you’ll break it before you actually manage to prise it off.

It’s worth giving it a go though, as underneath you’ll find space for two 4G SIM cards (great for travelling) and a microSD card slot, allowing you to boost the 16GB of onboard storage by a claimed 64GB. Don’t expect to get very much from either of the on-board cameras though.

Via the 2MP main camera, even pictures in good daylight aren’t able to dodge a fair amount of noise, with colours washed out, detail lacking and outlines fuzzy. Snap anything in low light and it will appear blurry and very noisy indeed, while the 0.3MP selfie camera is next-to useless, nixing the opportunity for any chance of decent video calls.

On screen

While it hardly shouts ‘premium tablet’, the 80b Helium’s appearance doesn’t immediately give away its budget price – but the screen does. The 1280 x 800 display is the same resolution as the likes of the Amazon Fire HD 8 and Lenovo Yoga Tab 3, but it doesn’t look as sharp as either of them.

but there’s plenty left to Google too, including browser and music player.

…and yet too bright

KEY FEATURES

8in screen

Not so bright…

Don’t think about trying to use the Archos outside though – the screen really lacks the brightness needed to be visible in daylight. This also affects its contrast levels, with whites unable to punch through a dark scene with any real impact, leaving it looking a little flat.

There’s no doubt that performance on most tablets at this level requires some patience, but we’d argue the Archos demands a little more still. Everything takes a good few seconds to wake, play or load – so much so that you often find yourself tapping something again for fear your touch hasn’t been registered.

Expect some jittery behaviour if you have too many things open at once too, and accept that the odd crash is par for the course if you push it too hard (and that’s not very hard at all). That’s not unlike a lot of other tablets at this level, but still something to bear in mind.

To its credit, there isn’t loads of bloatware from Archos taking up the 80b Helium’s 16GB onboard storage – you’ll get its video, email and messaging apps,

“The 1280 x 800 display is the same resolution as the likes of the Amazon Fire HD 8 and Lenovo Yoga Tab 3, but it doesn’t look as sharp as either of them“ 60 www.whathifi.com

★★ ★ ★ ★

Resolution 1280 x 800

When it comes to music though, there’s not lots to love. Timing is poor, organisation needs to be tighter and there’s a hint of hardness in the bright top end affecting the overall balance too.

It briefly helps the 80b Helium sound a bit more exciting than the more laid-back Amazon Fire HD 8, but ultimately it lacks the refinement for longer listens.

It doesn’t go very loud either, and even at full volume we want more from it.

Certainly don’t expect the Helium to cover the hum of an aeroplane’s engine or the buzz of a noisy office or train carriage without the help of some noise-cancelling headphones.

There is a single mono speaker for listening out loud, but we wouldn’t recommend it. Not only is it easily covered if the tablet is held in the wrong way, it’s also thin and tinny, and lacks any sort of authority. Stick to headphones whenever you can.

False economy Cameras 2MP/0.3MP

4G

Memory 16GB (+ microSD)

When a tablet is £95, you wonder just how much you can expect from it. We’d say it’s a lot more than this. For not a lot more money you can get better-built, better-performing tablets, and if your budget really can’t stretch, Amazon’s cheapest Fire tablet at almost half the price (£50) is where the smart money is spent.

The dual 4G SIM is a saving grace for those needing on-the-go connectivity, and a fairly rare proposition at this price, but for most people the Archos 80b Helium just makes too many compromises on core functionality.

says

Rating ★★ ★

★ ★

PICTURE SOUND FEATURES

VERDICT Even at this price, Archos makes too many compromises here to make the 80b Helium tablet a good buy

TA B L E T S

You won’t be buying the 80b Helium for its camera quality: both snappers (2MP and 0.3MP) disappoint

It’s smart enough at first glance but closer inspection reveals scant attention to detail in build quality

www.whathifi.com 61

TA B L E T S

NOT QUITE THE SECON

D COMING

Asus Zenpad C 7.0 £80 FOR Nice design; microSD card slot; decent volume levels

AGAINST Low-res, soft screen; battery life; poor cameras

A few years ago, Asus was behind one of the best-selling tablets on the market. It was responsible for the Google Nexus 7, a superb device that didn’t cost the earth and that not only beat the iPad mini to the shelves but also to our Best tablet up to 8in Award three years in a row.

The Zenpad C 7.0 looks remarkably similar to its Nexus-labelled brethren, and is the entry-level tablet in Asus’ flagship Zenpad line-up. It now feels strangely small next to its 8in competition and arguably a touch too small for purpose, especially with smartphones snapping at its 7in heels.

It’s perfectly well formed and looks pretty good for an £80 tablet, with silver edging to the screen’s black bezel and a textured plastic finish on the back panel.

This works well with the subtle curve to the Zenpad’s edges making it easy and comfortable to hold.

that found on the higher-resolution Archos 80b Helium.

Maximum brightness isn’t very bright though, and it’s still not crisp enough for our liking, with icons looking fuzzy around the edges and the accompanying text looking pixellated. But open up a webpage and text is displayed well enough and, though it could be sharper and bolder, it is readable.

Not-so-happy snaps

The cameras on the Zenpad promise 2MP and 5MP front and back respectively and, while tablets aren’t exactly the most natural form for taking photos, the Zenpad’s smaller dimensions make a little more sense.

Neither camera is great. Even in good daylight, the main one struggles to pick out detail in brighter objects, bleaching out clouds and the like even with the HDR mode switched on.

Outlines are hazy, particularly those at a distance, and colours lack vibrancy in a similar way to the Zenpad’s video performance. Shots indoors are subject to a fair bit of noise too, and as for low-light shots: they are next to useless.

As for the selfie cam, it’s very soft, almost blurry in its results and struggles to focus, even with its smoothing ‘beautification’ mode turned off.

Beyond resolution

With a resolution of 1024 x 600, the 7in screen falls short of even 720p HD but, since its display sits close to the glass, it has a nicer, sharper presentation than

longer than we’d like, and even fairly simple gaming suffers from lag and dropped frames. With a quadcore processor and just 1GB RAM, it’s hard to expect much more, but that doesn’t make it any less frustrating.

Asus has included quite a lot of bloatware on the Zenpad C 7.0 too, which you can disable but not uninstall.

This means you’re actually looking at more like 9GB of onboard storage from the advertised 16GB, though you can boost this via the microSD card slot hidden under a flap on the bottom right-hand corner.

Revealing video

The lower resolution is more evident in video. The detail that you can pick up on better tablets is smoothed over, meaning textures lack depth and definition, landscapes can look a little flat and outlines can appear smudged.

The colour palette sits on the slightly cooler side of neutral too and doesn’t have the punch in it to give blues, greens and reds the vibrancy that you’ll see on the Amazon Fire HD 8, leaving it looking a little washed-out in comparison.

It’s worth noting that the Zenpad C 7.0 can get a touch warm in use, particularly when gaming, even for a short amount of time. After a five-minute play through of Temple Run there is significant warmth from its back panel – not hot enough to burn you, but it will affect the battery life significantly when in this state.

KEY FEATURES

7in screen

Resolution 1024 x 600

Memory 16GB (+ microSD)

A drain on resources

Even when it’s not warm, the battery isn’t a great performer. After just 30 minutes of Netflix streaming (at maximum brightness), the battery drains by 17 per cent, which is pretty substantial.

There are some battery-saving modes, and dipping the brightness down will help, but don’t expect this to last for much more than a few hours of constant use if you’re a film and gaming nut.

Elsewhere, performance on the Zenpad isn’t anything to write home about either, but it’s a little snappier than the Archos 80b Helium. While menuflicking is mostly smooth, simple things such as switching apps and moving from landscape to portrait takes a second or so

“Even at £80 we still want an HD screen, considerably better battery life and a snappier performance to score any higher than mid-table“ 62 www.whathifi.com

★★ ★ ★ ★

Cameras 5MP/2MP

Music to the fore

When it comes to music, the Zenpad puts in a surprisingly bold and upfront performance, with a mid-forward balance that puts vocals in the spotlight.

We’re not sure if it’s this balance that creates an aural illusion, but it certainly makes the Asus sound louder than its competition, and lends it an enthusiastic character that works well with pop and rock music.

It’s not the last word in timing or organisation though, and dynamically it could be better, so classical music shows up its weaknesses. It’s a little unrelenting too, hardly the most relaxing of listens.

If you find the 7in screen size works for you, the Asus Zenpad C 7.0 is a reasonably priced tablet that gives you the full access to Google Play some of the competition doesn’t offer. It’s not without its quirks though, and even at £80 we still want an HD screen, considerably better battery life and a snappier performance to score any higher than mid-table. Not quite the second coming of the Nexus 7 we’d hoped for, then.

says

Rating ★★ ★ ★ ★ PICTURE SOUND FEATURES

VERDICT A cheap and cheerful 7in tablet that really shows its budget hand when it’s pushed too hard

You can boost storage via the microSD card slot under a flap on the Zenpad’s lower edge

It’s nicely designed and comfortable in the hand, but it’s not without a few quirks and shortcomings

www.whathifi.com 63

TA B L E T S

FLEXIBLE BODY, GREAT

POSTURE

Lenovo Yoga Tab 3 8in £120 FOR Clever design; good speakers; strong battery life

AGAINST Screen lacks fine detail; a little heavy for gaming

Lenovo’s Yoga Tab 3 feels a lot more expensive than it is – not something you often hear said about budget tablets.

A mixture of cool, brushed metal with a soft matte finish, it also blows the competition out of the water in the design stakes, with a clever form factor that makes it stand out in a sea of bland rectangles.

lacks fine detail and definition when compared with the Amazon Fire HD 8.

It’s a sharper, more engaging performance than that of the Asus Zenpad C 7.0, and certainly of the Archos 80b Helium, but the Amazon Fire HD 8 renders both local and streamed video with a touch more detail and clarity than the Yoga Tab 3 is able to.

The Fire HD 8 also takes it for overall brightness and offers better viewing angles, though we’d go for the Yoga’s slightly more natural colour palette over the HD 8’s warmer hues.

Of course, the Lenovo Yoga Tab 3 does have full access to the Google Play store too, which does win it back some points against the Fire HD 8, giving you a touch more flexibility when it comes to downloading apps – not to mention a more straightforward interface.

Novel design

Instead of aiming for the standard super-slim design, Lenovo has chosen to make one side of its tablet noticeably chunkier – like the spine of a magazine when you’ve folded it over – in order to incorporate some added functionality.

This includes a built-in metal kickstand, which allows the Yoga Tab 3 to live up to its shape-shifting name via a number of viewing positions as well as house a pair of stereo speakers and a swivelling 8MP camera. It also works well as a grip when reading in portrait mode. Now that’s muti-tasking.

This is not the attention to detail we’re used to seeing in a tablet at this level, and so just minutes in from getting it out of the box we’re pretty impressed.

The power button sits at one end of the chunky cylindrical edge, while a headphone jack sits at the other. There’s also a volume rocker, which changes its functionality based on your orientation – something lesser tablets choose to ignore – while hidden behind the kickstand is a removable panel for adding a microSD card to boost the 16GB of onboard storage.

Text sends the right message The 8in screen is bright and much crisper in its handling of icons, text and logos throughout its interface than the Archos 80b Helium (which has the same resolution display at 1280 x 800). Text is easily readable on webpages too, so browsing is no issue whatsoever.

Strangely though, the Lenovo falls short of expectations when you’re viewing video, presenting a picture that

the Lenovo design department – and they’re decently weighty and detailed.

The Yoga Tab 3 claims to support Dolby Atmos, and while we’d take that with a large pinch of salt when it comes to your expectations, there is a preinstalled Dolby app onboard with a number of modes to play around with.

As we mentioned earlier, the Yoga Tab 3 features a single, swivelling 8MP camera, which, as long as you can avoid putting your fingers over the lens as you turn it, doesn’t take a bad photo at all.

Leave it on automatic KEY FEATURES

8in screen

Rapid response

The performance of the Yoga Tab 3 is much more up to the standard we expect at this level, and we find we’re able to hop around between menus and apps with minimum delay.

Add in a few downloads or too many open pages and you might notice a few more stutters crop up, as well as the odd lag with gaming too, though it happens less often here than on rivals such as the Asus Zenpad C 7.0. That said, we’re not sold on the idea of the Lenovo being used as a gaming tablet. While it’s capable of it, the extra bulk can make the Yoga a little taxing on the wrists if you need to hold it for long periods of time.

The Yoga Tab 3 packs a well-balanced sound that steers clear of any hardness in the treble and makes for a perfectly reasonable listen. As with most tablets at this price, we’d like timing to be a little tighter and for there to be a little more precision, but dynamically it’s as expressive as we can expect and detail is perfectly acceptable too.

Lose the headphones and the quality of the stereo speakers is surprising.

They’re forward-facing – another tick for

“It blows the competition out of the water in the design stakes, with a clever form factor that makes it stand out in a sea of bland rectangles“ 64 www.whathifi.com

★★ ★ ★ ★

Resolution 1280 x 800

Camera 8MP

Memory 16GB (+ microSD)

Built-in kickstand

There are a number of selectable modes but using auto, we got sharp, detailed pictures the competition doesn’t come close to, with colours well balanced and outlines well defined.

The HDR mode does a decent job of balancing detail in the highlights and shadows too, while low-light photographs are surprisingly usable.

Planning a video call? The kickstand and swivelling camera mean you can get the positioning just right.

The Lenovo has plenty of stamina too and even in a day filled with music, movies and browsing, it rarely drops to much below 50 per cent. A 30-minute Netflix stream at full brightness takes just 7 per cent of battery, half that of the Amazon HD 8.

With a clever design that sets it apart from the crowd, the Lenovo Yoga Tab 3 is an easy tablet to like at this price. The screen’s performance is still too much of a compromise for the full five stars, but if you can put up with that and the occasional performance bugbear that’s part and parcel of this territory, this is a budget tablet really worth considering.

says

Rating ★★ ★ ★ ★ PICTURE SOUND FEATURES

VERDICT With a unique design that’s as clever as it is flexible, the Yoga Tab 3 is about as premium as budget tablets go

TA B L E T S Lenova has sited the power button at one end of the Yoga’s chunky (and versatile) cylindrical edge

Here’s proof that you needn’t compromise on good design and quality build, even if you’re on a budget

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TA B L E T S

TEST WINNER

Amazon Fire HD 8 £130 It’s all a question of balance

A

SYSTEM BUILDER

s we expected, when it comes to buying a budget tablet, there are some compromises you’ll have to make – and they won’t be compromises that everyone will be happy with. Manage your own expectations though, and you can get a tablet that gets the right balance between price and performance.

A tablet that unfortunately doesn’t manage that is the Archos 80b Helium, which has a screen that’s hard to excuse even at this price.

Its performance isn’t much better, with more lag than its peers and a lacklustre music performance to boot, meaning we’d really struggle to use this for all the things we’d want a tablet for in the first place. It’s not something we can really recommend, and it gets two stars.

Headphones AKG Y50 ★★ ★ ★ ★ £50 Boldly designed and insightful, these portable budget cans are a great match for the HD 8

A sharp, responsive screen and a decent way with music – plus the minor matter of Amazon’s catalogue at your fingertips… the genuinely inventive design that gives it some really useful functionality.

Battery life is strong, its stereo speakers and kickstand make it a great movie-watching companion and its performance is about on par for what we’d expect at this price. The only thing that really lets it down is its screen, which just lacks the level of sharpness and clarity that we crave, so it gets a highly commendable four stars.

Moving up

The dinky Asus Zenpad C 7.0 is the cheapest tablet on test, and the smallest, with a 7in screen. It also has the lowestresolution screen but actually managed to look sharper than the Archos, though its dull screen and short battery life let it down. We’ve given it a three.

The two highest scores come from the two most expensive tablets on test, but we feel they’re well worth the extra outlay. The Lenovo Yoga Tab 3 is easily the best-built tablet on test, and we love

F O R A F U L L L I S T O F S P E C I F I C AT I O N S A N D O T H E R U S E F U L I N F O V I S I T W H AT H I F I . C O M

Streaming service Tidal ★★ ★ ★ ★ £20 p/m CD-quality streaming with an extensive, often exclusive, music catalogue. What’s not to love?

Total build £200 Which leaves us with our winner – the Amazon Fire HD 8. While its design can’t compete with the Lenovo and its Amazon-focused interface won’t suit everyone, its sharp screen, responsive performance and decent way with music make it the best-balanced device here.

It still manages only four stars because of its locked-in Amazon architecture, but if that doesn’t bother you and you’re looking for a tablet that best walks the line between price and performance, the Fire HD 8 does it with style.

HOW THEY MEASURE UP TEST WINNER

Amazon Fire HD 8

Archos 80b Helium

Asus Zenpad C 7.0

Lenovo Yoga Tab 3

Screen size

8in

8in

7in

8in

Screen resolution

1280 x 800

1280 x 800

1024 x 600

1280 x 800

Storage

16GB

16GB

16GB

16GB

MicroSD slot

Yes

Yes

Yes

Yes

Cameras

5MP/0.9MP

2MP/0.3MP

5MP/2MP

8MP

Dimensions (hwd)

214 x 128 x 8mm

210 x 122 x 9mm

189 x 108 x 8mm

210 x 146 x 7mm

Weight

311g

320g

265g

467g

www.whathifi.com 67

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

WAY W WA AYO AY OFTHE FTHE 4KBLU-RAY 4 K BLU-R RA RA RAY AY Y

68 www.whathifi.com

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

ONCE MORE THE COLOSSEUM ECHOES TO THE SOUND OF A FIGHT TO THE DEATH... IT’S OUR UHD BLU-RAY HEAD-TO-HEAD

THE WAY OF THE DRAGON

T

he Chosen One will bring light to shadow and change our perception of reality, generally ushering in an age of clarity and enlightenment. So says the legend anyway.

But it’s not really a legend. Ultra HD Blu-ray is right here and right now, and it’s a very real thing indeed. We don’t know about ushering in an age of clarity and enlightenment, but it genuinely can bring you 4K resolution, billions of colours and high dynamic range.

We’ve been talking about the new format for so long that it had begun to feel like the stuff of fantasy. Then it arrived, swiftly followed by the first Ultra HD Blu-ray players. The time for theory is over. Now we must apply.

Panasonic has the DMP-UB900, Samsung has the UBD-K8500, and we have them both. But which one is worthy? Which one will do your AV temple proud? The only way to find out is the time-honoured tradition of mortal combat.

Welcome, Grasshopper, to the way of 4K Blu-ray.

1080P Blu-ray It took an indecent length of time for this to get the Full HD Blu-ray transfer its standing as a martial arts chop-socky classic warranted, so we’re not holding our breath for a 4K upgrade.

In the meantime, this Shout! Factory reissue will do nicely – it’s not the last word in picture crispness, but the DTS-HD Master Audio 5.1 soundtrack sounds authentically painful. www.whathifi.com 69

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

MISSION ACCOMPLISH

ED…

Panasonic DMP-UB900 £600 FOR Lush colours; strong contrast; speedy operation

AGAINST Nothing of note in particular

★★ ★ ★ ★

Its USP might be 4K UHD, but make no mistake – this Panasonic is a superb Full HD player too

For a while we began to think 4K Ultra HD Blu-ray was just an elaborate hoax.

However, the first UHD Blu-ray player – the Panasonic DMP-UB900 – has finally arrived at What Hi-Fi? testing rooms and we can confirm it is a real thing.

Given the hyperbole surrounding UHD Blu-ray, we were expecting the device to look a bit Space Age. But the DMPUB900 wouldn’t look out of place next to a ‘regular’ Blu-ray player. It’s a solid metal box with glossy plastic panels; top and sides have a subtle brushed-metal effect, while the front sports a mirror finish. As is customary for Panasonic, a springy flap hides features at the front of the device: a disc tray, SD card slot (SDXC compatible) and USB port.

There are a generous number of connections, including two-channel and 7.1-channel analogue audio, optical and coaxial outputs. The internal DAC can handle hi-res files up to 32-bit/192kHz. Compatible formats include DSD, ALAC, FLAC, AAC, WAV and WMA. There are twin HDMI outputs, one handling video and audio, one audio-only. Phew…!

There is an ethernet port for wired connection, although you can also go online with dual-band wi-fi. Network functions include DLNA certification and Miracast, which means you can stream content from a NAS drive or ‘mirror’ the screen of a portable device. There are apps such as BBC iPlayer, and Amazon and Netflix offering 4K streams.

Included with the DMP-UB900 are UHD and regular Blu-rays of Mad Max: Fury Road and San Andreas, plus a code for a digital download. We play Mad Max: Fury Road and the DMP-UB900 loads it up with impressive speed. We’re used to Blu-ray players being a chore to navigate, but there’s no sign of button lag here.

For this test, we use the Panasonic DMP-UB900 with Sony’s VPL-520ES projector (4K, HDR) and a Samsung UE65JU7000 TV (4K, non-HDR). We also bring in the Cambridge CXU, our favourite high-end Blu-ray player.

We start with the projector, going all-in with 4K and HDR. It’s a huge leap

“Detail levels are astounding. Dirt, blood and sand are rendered with a sharpness that makes us feel like we’re viewing through a magnifying glass” 70 www.whathifi.com

KEY FEATURES

4K

HDMI out x2

HDR HDR

above the image quality we are accustomed to. Let’s take the colours. Oh wow! The colours. Mad Max is known for its stylised, saturated look, but this kicks it up a notch. UHD Blu-ray offers a more diverse and natural range of hues than we’ve seen on any display.

Every explosion and burst of flame is a dangerous and thrilling event. No longer are they flat clouds of orange – the flecks of fiery embers burn at varying intensities, with gradations in colour adding a dimensionality to the picture that renders 3D almost redundant.

Out of the shadows

While there’s much talk about HDR’s peak brightness, don’t expect a brighter picture. If anything, a UHD Blu-ray may initially seem a little darker than regular Blu-ray. We are impressed by the contrast on offer – brighter whites and darker blacks, with more degrees of separation in between. Bright areas – sunlight on the hood of a truck, for example – sparkle enough to make you squint. Yet, in the same frame, the DMP-UB900 reveals a huge amount of shadow detail, like the

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

dirt on the truck’s undercarriage. Detail levels are astounding. The dirt, blood and sand in the film are all rendered with the sort of sharpness and clarity that almost makes us feel we’re viewing the picture through a magnifying glass.

How does the 4K HDR image compare to a Full HD? We load a regular Blu-ray of the same film into our Cambridge CXU. Normally we’d swear by the CXU’s ability to wield a 1080p picture with gusto, but it simply is no match for the Panasonic DMP-UB900. The regular Blu-ray is noticeably reduced. Everything is less clear, textures are less defined, contrast is weaker and colours are flatter.

The difference is less stark when we move to the Samsung UE65JU7000, a 4K TV without HDR. But it is still a big jump in clarity, and even without HDR the UHD Blu-ray offers strong contrast.

The Panasonic proves itself up to the task of upscaling. Blu-rays are rendered with good detail and little noise. It’s the same with DVD upscaling – surprisingly

good definition, but at the sacrifice of motion stability. It’s a decent trade-off, however – the motion isn’t problematic enough to interrupt our enjoyment.

A new breed of Blu-ray

Sound has not had the same radical overhaul as the picture. The UHD Blu-ray specification includes Dolby Atmos, but if you don’t have Atmos you’ll get the Dolby TrueHD 7.1 soundtrack.

The DMP-UB900 is consistent with our experiences of Panasonic Blu-ray players. There’s a good sense of scale and no shortage of power. Sound effects are clearly and deliberately placed, and delivered with enough dynamism to grab your attention. If you want to be entertained, this will do nicely.

It is not easy being the first of a new breed. Not only does the Panasonic

DMP-UB900 need to perform well, it has to do so with the distinction required to thoroughly advertise a new format.

And it’s mission accomplished. The Panasonic DMP-UB900 has shown us the future of home cinema: a magnificent picture with startling clarity, gorgeous colours, and strong contrast.

UHD Blu-ray has arrived and Panasonic has delivered a devastating first blow. Your move, Samsung.

says

Rating ★★ ★ ★ ★ PICTURE SOUND FEATURES

VERDICT We waited a while, but 4K UHD Blu-ray is a sight to behold. This Panasonic player could be the future of home cinema

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H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

SOMETHING OF A CURV

EBALL

Samsung UBD-K8500 £430 FOR Fast loading; sharp picture; keen price

AGAINST Sound and picture need refinement; no display

★★ ★ ★ ★

Samsung would like your 4K UHD Blu-ray player to match your curved TV – assuming you have one

You’ve been waiting to see this film for ages, and now it’s out at the cinema.

But it’s not all that impressive, because you saw something just like it the other day. Only it was better and you can’t help comparing.

Let’s stop stretching a metaphor and talk about the UBD-K8500, Samsung’s first Ultra HD Blu-ray player. We saw a prototype in Berlin last September, and it has finally arrived in our testing rooms.

But Panasonic got here first, and the DMP-UB900 blew us away with its vivid idea of what Ultra HD Blu-rays are capable. It set the bar very high indeed.

Shaped for success?

No, it’s not your imagination. The casework really is curved. Why? It’s something to do with all those curved TVs we’ve been getting over the past couple of years. Assuming you have one of those, Samsung would like your Blu-ray player to match. There are no performance benefits, it’s just an aesthetic thing.

Our experience with oddly shaped boxes is that they look silly more quickly than ‘classic’ boxes – there was a reason Sony abandoned its geology-chic Blu-ray players inspired by crystals. The curve also means you might see the UBDK8500’s undercarriage peeking out.

The top of the player sports a sheet of metal, which looks and feels nice, but sadly this doesn’t extend to the rest of the player, which is coated in black plastic and feels a little tacky. The Panasonic DMP-UB900 is also liberally coated in plastic, but at least that has a nice mirrored finish and makes a solid stab at justifying its price tag.

There is no display, just a couple of LEDs blinking at you. With no screen telling you what the player is doing, you don’t know whether it’s loading, or how much time is left on the film. We might expect this from a £90 Blu-ray player, but not one costing £430. Instead, you get a plastic flap hiding a USB port.

Around the back, there are the essential plugs: power, ethernet, digital optical output and twin HDMI sockets.

That’s less well equipped than the Panasonic DMP-UB900, which also offers an SD card slot, a digital coaxial output, and a full array of multichannel analogue audio outputs.

We round off our tour with a look at the remote control. It’s small and easy to hold, not far from the little ‘smart’ remotes that come with many of

“Despite the price advantage, we can’t imagine a scenario where we would recommend this Samsung over the Panasonic DMP-UB900” 72 www.whathifi.com

KEY FEATURES

4K

HDMI out x2

HDR HDR

Samsung’s fancier TVs. But it’s fiddly to use, especially in the dark. There’s not much to differentiate the directional keys from the central ‘select’ button, and you’ll have a hard time hitting ‘pause’ in a hurry. The backlight feature that Panasonic has included in its remote control would have come in very handy.

We also note this handset drops the typical AA and AAA batteries for those coin-sized 3V batteries.

On the whole, though, it’s pretty decent to use. This UHD Blu-ray player doesn’t lag horribly like the first Blu-ray players did. Loading times, from the moment the disc tray clicks shut until the disc menu appears, are 30-40 seconds, which is decent given that regular Blu-rays take about 20sec.

We do have a couple of glitches involving the picture disappearing, or the machine crashing altogether.

However, this is sorted out by restarting the machine, so we’ll put it down to hiccups rather than a full-blown personality issue.

Off the menu

The menu system is clear and easy to navigate. Unlike Panasonic’s minimalist approach, Samsung has gone for massive tiles, where the option for playing a UHD Blu-ray takes up a quarter of the screen.

There are separate menus for settings

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

and apps, which include key video apps such as Netflix and Amazon.

Time to spin a disc, and we put on a UHD Blu-ray of The Martian, which comes free with the player. The opening is a mix of interior dialogue and exterior action, where Kate Mara and Jessica Chastain talk about weather reports before heading into a sand storm, mixed in a DTS HD Master Audio soundtrack.

Hard-edged voices

But in truth it’s not a great audio performance from the Samsung, which lags behind the Panasonic at every turn.

The voices often have a hard edge to them, as do the sound effects, which sound a little dynamically flat.

Meanwhile, the Panasonic’s sound is richer and more full-bodied, with more subtlety and detail, which adds substantial dimensionality to the sound.

The Samsung’s sound is not as spacious, nor as dynamic. The sandstorm never really feels as deadly as it should, and when Matt Damon is struck by a satellite, the impact never feels that strong. When the Panasonic plays the scene, however, you fear for his safety.

When it comes to video, the difference between the Samsung and Panasonic isn’t quite as much of a chasm. On the whole, the Samsung puts out a proficient

4K picture with impressive clarity. It does a good job with high dynamic range material too, showing off extra detail in the shadows and providing a good range of colours.

Maximising your discs

But the Panasonic still retains the edge. The Samsung puts out a good amount of vibrancy in its hues, but they are not as rich as on the Panasonic, which is also better at shading and providing a sense of depth.

As for Blu-rays and DVDs, the Samsung handles them with confidence, but it’s the same deal: the Panasonic offers a little more in subtlety of shading and edge definition. A final note on compatibility: as with the Panasonic player, you can play 3D Blu-ray, but not SACD or DVD-A. Overall, the Samsung UBD-K8500 is something of a disappointment. We have been very excited about 4K Blu-rays, but

we don’t feel this player gets the most from our discs. We can’t imagine a single scenario where we’d recommend it over the Panasonic DMP-UB900 – and that’s despite the price advantage.

UHD Blu-rays exist to give you the very best picture and sound you can get right now. If that’s what you’re after, the Samsung UBD-K8500 isn’t quite the player to deliver. We’d look elsewhere.

says

Rating ★★ ★ ★

★

PICTURE SOUND FEATURES

VERDICT Samsung has produced a decent UHD Blu-ray player but, compared to its Panasonic rival, it’s nothing special

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Revolution starts from within.

Look at our new range of power amplifiers and you’d be forgiven for thinking not much has changed. Only the DR badge on the rear panel hints at the revolutionary technology within. Inside, our new Naim DR (Discrete Regulation) power supply circuitry and the radical new NA009 transistors developed for our flagship power amplifier, the Statement NAP S1, enhance the fundamentals of pace, rhythm and timing for which the originals are so renowned.

The result is an even more immersive and involving music experience. Listen and you’ll feel the difference immediately.

Discover more and book a demonstration with your nearest specialist retailer at naimaudio.com

Go Deeper

H E A D -TO - H E A D : 4 K U H D B L U - R AY P L AY E R S

TEST WINNER

Panasonic DMP-UB900 £600 It’s a devastating first blow in the battle of the UHD Blu-ray players

I

t is not easy being the first of a new breed. Not only do you need to perform well, you have to do so with the distinction required to thoroughly advertise a new format. Both players here are perfectly capable of extolling the virtues of 4K on disc.

As far as we’re concerned, it’s mission accomplished for Panasonic and Samsung – they’ve both come far since the three- and two-star reviews from 2006 for the first Blu-ray players. That said, the Panasonic has emerged the clear winner here.

On paper, the Samsung has a distinct advantage: it costs £170 less than its Panasonic rival. But the reality is that neither is a budget offering, and the Samsung makes sacrifices that we would expect to see further down the range in the budget Blu-ray player market. Take the awkward remote control, for example, or the lack of display.

The very point of UHD Blu-ray’s existence is to give you the ultimate home cinema experience, and we don’t think Panasonic is asking for much more to make the most of your new 4K TV.

That extra £170 certainly justifies the difference. It buys you a nicer looking machine, with a more mature, highquality finish and more connectivity options. Its user experience is superior, as is its handling of picture and sound.

We were worried about format teething issues but, even at this early stage in the life of UHD Blu-ray, Panasonic has proved itself to be more than just proficient. It has delivered a devastating first blow, laid down the gauntlet and issued a challenge to all who dare.

In short, even with a significant price difference, we can’t imagine a scenario where we’d recommend the Samsung UBD-K8500 over the Panasonic DMP-UB900. If you’re searching for home cinema enlightenment, this is as close as you’ll get right now.

F O R A F U L L L I S T O F S P E C I F I C AT I O N S A N D O T H E R U S E F U L I N F O V I S I T W H AT H I F I . C O M

S S M SYSTEM BUILDER HOME CINEMA Dali Zensor 1 5.1 ★★ ★ ★ ★ £980 The best-sounding package at this price

AV AMPLIFIER Denon AVR-X2300W ★★ ★ ★ ★ £500 Superb, well-equipped sonic all-rounder

4K TELEVISION Samsung USE55KS7000 ★★ ★ ★ ★ £1500 Remarkable picture quality at good price

Total build £3580

HOW THEY MEASURE UP TEST WINNER Panasonic DMB-UB900

Samsung UBD-KD8500

Coaxial outputs

1

none

Optical outputs

1

1

HDMI ports

2

2

Analogue audio

7.1 channel

none

Dimensions (hwd)

435 x 68 x 199mm

406 x 45 x 230mm

Weight

2.4kg

1.9kg

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T H AT WA S T H E N

Creation & evolution B&W 602 S3

TESTED - MARCH 2002

When it comes to speakers, Bowers & Wilkins has long been in the know. How, then, does the company’s classic 2002 standmounter compare with its modern counterpart, the 685 S2?

602 S3

35cm

49cm

685 S2

32cm 19cm

29cm 24cm

GENERATION GAME The family resemblance runs deep, and the older, much larger speaker has the edge over the S2 in some areas

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T H AT WA S T H E N

I

t’s probably fair to say that when B&W’s 602 S3s were first introduced they were already something of a dinosaur. Even back in 2002, speaker design had long gone down the ‘smaller is better’ path, and slim proportions were most definitely in.

In contrast, these bruisers were huge, standing almost half a metre tall and featuring the kind of mid/bass driver that wouldn’t look out of place in a decently sized subwoofer. It took no fewer than eight bolts to hold that driver in place.

The clear suggestion was one of power.

Yet the ability to get furniture rattling wouldn’t be anywhere near the whole story. These speakers turned out to be far more talented than that.

Our first review (March 2002) talked of unfashionably large cabinets, and how sales would be low compared with the 600 range’s more compact offerings. This turned out to be true enough, as B&W turned to smaller solutions such as the 685s for subsequent ranges. Now, having spent some considerable time with well-preserved examples of the 602 S3 – B&W’s own reference units no less – we can’t help but feel that’s a bit of a shame.

Respect for the old ways

Talking to company insiders, we get the sense there’s still a lot of affection for the old brute – and it’s not just nostalgia either. There are some solid engineering reasons for the speaker’s appeal. Using a large driver in a cabinet of generous volume makes it easier to deliver high volume levels, strong dynamics and good low-end extension. Smaller speakers can’t do these things as naturally, so need far greater engineering effort to compensate (or, at least, attempt to).

The 685s (both original and current S2 models) are an obvious attempt to repackage the 602s’ virtues into a more domestically acceptable form. By current standards even these are considered large (35 x 19 x 32cm hwd), but next to the old timer they look pretty dinky, being about two thirds as tall and much narrower.

Depth, though, is pretty much the same.

Away from size, the engineering similarities between the 602 and 685 are striking. Both are two-way designs using 25mm aluminium dome tweeters coupled to Kevlar mid/bass units, and both have a front-firing dimpled reflex port to tune the low-end performance.

While the two products share much, it doesn’t take long to find signs of progress too. Build standards on the newer speakers are far higher. Cabinet edges are crisper and the quality of wrap – still vinyl, mind – is nicer. Finish options for the old timer were black ash, oak and

Sorrento, while the new one is limited to black or white.

Fit and finish are more precise on the 685, with the front baffle lining up with the outer panels more convincingly.

Those on the older product are surprisingly uneven in comparison – standards really have improved in this respect. The 602s still feel solid though, each weighing around 3kg more.

Take the earlier speakers apart (gently now) and the care taken in designing the drive units is impressive. There’s the tapered tube arrangement behind the tweeter that B&W still uses today, while the mid/bass driver’s sculptural metal frame looks lovely in its minimalism.

Take a look at the spec sheet and the frequency response hasn’t really improved over the years. The 685 S2s claim 52Hz – 22kHz within 3dB limits, while the (larger) older speaker delves a further 3Hz in the bass and has the same upper limit. The advantages of using a more generous driver and cabinet arrangement also show through in the sensitivity ratings, with the 602 S3 achieving 90dB/W/m – 3dB better than the current design. This makes a significant difference with lower power amplification, where the earlier design will be louder for any given signal.

Specs are one thing, but start listening and it’s clear that affordable speakers have evolved considerably. Despite having similar ingredients to their predecessors, the 685 S2s prove that B&W’s engineers haven’t just been sitting on their hands in the intervening years.

good to be written off. With the Tchaikovsky recording, they deliver an impressive dose of scale and authority, those generously sized drivers and cabinets paying off handsomely.

Dynamically they shine too, going from loud to quiet and back with considerable grace and ease. In comparison, the newer model – while probably having wider limits – just seems to have to work harder to do the same thing. Push the volume level northward and the 602s retain their composure for longer than expected too.

Agile and punchy

Play Massive Attack’s Angel and the S3s respond with enthusiasm. They have a lively balance and plenty of attack. We’re impressed with just how well low frequencies are delivered – there’s plenty of agility combined with punch – which leaves the newer speakers sounding just a touch thick in comparison.

The 602 S3 may not be flawless but they remain great fun to listen to. Our comparisons have shown that current speakers have taken huge strides forwards in many respects, particularly resolution and refinement, but we still can’t help but admire what these big old standmounters can do. If you can find a pair in good working condition we think you’ll love them too.

A marked difference

The newer boxes are better just about everywhere. We play a bit of Tchaikovsky’s 1812 Overture and it’s clear they’re considerably more detailed across the frequency range. Though the tweeter designs share much in terms of engineering principles, those in the 685 S2s are crisper, more refined and notably more textured in their output. The 602 tweeters sound surprisingly ‘one note’ and clearly lack subtlety in comparison.

Tonally the older speaker sounds brighter, verging on edgy with slightly aggressive recordings.

Stereo imaging and the speakers’ ability to layer a soundstage are significantly different too. Once again, the new model sets the standard here, making the 602s’ imaging skills appear limited and quite squashed in the depth perspective. Similarly, the older model doesn’t communicate rhythmic patterns with any great precision.

Despite being notably inferior in this comparison, the 602 S3s are still way too

TECH TALENT The 602 S3’s mid/bass driver (above) and tweeter (below) designs were both very advanced for 2002

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TEMPTATION EXPENSIVE, YES. BUT YO

U KNOW YOU WANT TH

EM

Chord DAVE | Digital-to-analogue converter | £7995

“...from outright frenzy to angelic” C

AGAINST If price isn’t an issue, nothing

768kHz Sampling rate limit

10x the processing power

The DAVE uses a high-end FPGA, the LX 75 version of Xilinx’s Spartan-6 – a chip that has around 10 times the processing power of that used in the company’s previous flagship, the QBD76.

As it should be at this price, the build quality is excellent. The DAC’s heavily sculptured aluminium case feels rigid and is nicely finished, though we wish Chord would take more care in lining up the top panel with the base. At this price we feel entitled to expect perfection.

We love how adventurous Chord continues to be with the visual design of its products. The DAVE’s appearance may not be to all tastes but it’s certainly a talking point, something a conventional black or silver box will never be.

Back panel connections are extensive, so it’s a shame that Chord doesn’t label them. We’re left relying on the manual, which makes wiring less easy than it should be. There’s the usual trio of digital inputs – USB (type B), co-ax and optical.

The DAVE loves big numbers, with the single USB accepting PCM signals with sampling rates up to an astonishing 768kHz. It handles DSD files up to staggering DSD 512 too, should you need.

Up to DSD 512

II

II

IIII

I

I IIIII

II

II

I

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KEY FEATURES

I

We like how adventurous Chord is with the visual design of its products

DAVE is an FPGA (Field Programmable Gate Array) loaded with highly developed proprietary software. This does everything from the digital-toanalogue conversion to filtering, even processing a DSD signal when required.

II

hord Electronics has taken an eccentric route with its product names in recent years. We’ve had Hugo, Mojo and now the DAVE – an acronym that stands for ‘Digital to Analogue Veritas in Extremis’. Yes, really.

Chord has something of a Midas touch when it comes to digital-to-analogue converters, if not with its monikers. It has dominated our Awards in recent years, and has set the standard with its innovative portable models. But the DAVE isn’t about portability. It’s about maximising performance.

Most rivals tend to buy in dedicated DAC chips from OEM manufacturers such as Wolfson or Burr Brown, and build their digital-to-analogue sections around these. But Chord has long done things differently. At the heart of the

★★ ★ ★ ★

III

FOR Sound quality; great rhythmic ability; fine build

Gain control

”The DAVE paints music with a class-leading naturalness that makes rivals sound restrained in comparison”

T E M P TAT I O N

The display is an improvement on Chord’s previous efforts. We find it a little cluttered, however

The Chord DAVE’s idiosyncratic appearance is more of a talking point than a conventional black or silver box

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T E M P TAT I O N

IN DETAIL 1

2

The DAVE has both balanced XLR and single-ended outputs. These can be configured as fixed or as having a variable output.

1

3

There is no shortage of inputs here,including USB, optical and co-axial using a less-commonly seen BNC connector.

2

The four coaxial and two optical inputs have upper sampling rate limits of 384kHz and 192kHz respectively. The DAVE also has the rare AES/EBU balanced digital input – limited to 96kHz signals – though we can’t imagine using this in a domestic situation. Look carefully and you’ll find a quartet of BNC connectors that Chord calls DX inputs.

These are for as-yet unannounced Chord source products. We’re intrigued.

The outputs are far more conventional, with single-ended and balanced analogue options. You should note that both deliver a far higher level of signal than is normal, so the DAVE will sound much louder than most rivals during comparison. Its single-ended connection delivers a 3V signal with the balanced output doubling that. Most rivals will measure around 2V and 4V. The display is better than Chord’s previous efforts. It’s relatively large and the type is clear, but we find it a little cluttered. There are display modes that add a bit of colour, but we prefer the basic option.

It’s in your head

Unlike previous range-topping Chord DACs there is a headphone output. It switches between line and headphone outputs when a 6.3mm jack is plugged in.

Set-up is pretty easy, though the lack of labelling slows things down until we’re fully familiar with the controls.

The large dome on the top panel is the volume control. It can be switched in or out of the circuit depending on your set-up. The buttons around it navigate the menu and change inputs – functions the supplied remote also performs.

DAVE can be configured to prioritise PCM or DSD signals. It’s the first time we’ve come across something like this, and it optimises the processing for the type of signal used. There’s a phase switch too. In our system it sounded best when this was set to negative phase.

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These four BNCs work with something Chord calls a DX input. It’s intended for use with some of the company’s forthcoming products.

There is an extensive range of connections on the back panel, it’s just a shame that they aren’t labelled at all

3

Other options include a highfrequency filter to reduce noise – we don’t notice much difference here – and, if you’re using headphones, three levels of Chord’s Crossfeed system. Crossfeed blends information between the left and right channels to move the presentation away from the typical ‘in your head’ balance to something closer to a traditional stereo speaker set-up.

Crossfeed gives a convincing soundstage in front of us, without diluting any of the good aspects of the sound.

Any DAC of this quality needs a similarly talented system to shine. We use a range of sources including our reference Naim NDS/555PS streamer, Cyrus’s Signature CD transport and a Macbook with Pure Music software.

Gamut’s D3i/D200i combination serves as amplification, feeding our trusty ATC

”Give DAVE a talented system and high-quality recordings and you’ll be amazed how good your music sounds” SCM50s. Chord Company provide the digital and analogue cables.

It takes no more than a few seconds of listening to realise the DAVE is something special. Orff’s Carmina Burana is one of the most demanding pieces of music we know, going from outright frenzy to angelic in the space of a few seconds, but the DAVE takes it all in stride. Sound-staging is excellent – precise, layered, neatly arranged and stable. The even-handed tonal balance is similarly impressive. No part of the frequency range gets undue preference and there’s a lovely balance between attack and refinement.

It’s the DAC’s dynamic ability that impresses us most. It paints music with

class-leading naturalness that makes most rivals sound mechanical and restrained in comparison.

Dave Brubeck’s Take Five shows off the Chord’s talents with high frequencies.

Cymbals are delivered with fully realised harmonics. There’s plenty of power when they’re hit and wonderful insight into their decay. We notice the excellent sound-staging with this recording too, though it’s the DAVE’s excellent rhythmic ability that really stands out.

Great with headphones too

That headphone output is similarly pleasing. It’s designed to drive headphones with impedances between 8 and 800 ohms – a range that covers most on the market. We tried Beyerdynamic’s T1 Gen 2s as well as a pair of Grado PS500s to great effect. The results are as convincing as through the line stages.

The DAVE even makes a decent digital preamp though, of course, a dedicated high-quality preamp will work better.

We’re truly smitten with the DAVE. It’s not perfect – some of the ergonomic decisions are pretty odd, and that appearance won’t be to all tastes. But give it high-quality recordings while partnering it with a suitably talented system and we think you’ll be amazed with just how good your music sounds.

Eight grand is quite some price tag, but then the DAVE is quite some product.

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT Looking for the best DAC money can buy? We haven’t yet heard anything as natural or insightful as the DAVE

The Experts Agree…

“The NightHawk had me choking back tears of musical appreciation.”

“The NightHawk isn’t merely a superb ‘first effort,’ it is a superlative headphone, period.”

—Herb Reichert, Stereophile.com, January 2015

—Ken Kessler, HiFi News, September 2015

“[NightHawk] gave us a glimpse of every single note being played, from the softest strum to the harshest thrash...”

“If a reviewer raves about the AudioQuest NightHawks, he’s basically saying that all the other headphones on the market are wrong—and so are all the rave headphone reviews he’s written in the past.”

—Elias Plastiras, July 2015, PCWorld.idg.com.au

“…a gorgeous balance of warmth below and precision above.”

—Brent Butterworth, SoundStageExperience.com, September 2015

—DigitalTrends.com, Ryan Waniata, August 2015

Even the least enthusiastic NightHawk review states that NightHawk might be the only “right” headphone!

Experts around the world agree: NightHawk is beautiful, comfortable, and produces a sound that is balanced, dynamic, and naturally detailed for a fatigue-free, emotionally compelling listening experience.

Take the time to listen for yourself.

We need your product reviews!

If you’ve recently bought a new hi-fi or home cinema product, or if you’ve got a classic piece of kit you love, we want to hear all about it.

Go to whathifi.com and submit a user review for publication online.

Your reviews will complement our own and give our readers valuable feedback from owners.

If we think your review deserves it, you could even get a coveted ‘Approved Reviewer’ badge.

To find out more, go to: http://www.whathifi.com/news/ how-to-write-your-own-review

T E M P TAT I O N

TEMPTATION Audio Analogue Puccini Anniversary | Integrated amplifier | £3000

“Real cannon fire...”

FOR Composed presentation; solid punch; fine build

W

e have fond memories of the original Audio Analogue Puccini, particularly in upgraded SE form. It delivered a combination of warmth, fluidity and insight few rivals could match, and did so wrapped in a beautifully elegant case.

Even the remote was special – a small, coffin-shaped metal unit equipped with just the minimum of buttons.

This would have set you back around £600 in the late 1990s, but since then Audio Analogue’s output has been uneven. There have been some excellent high-end amplifiers – the stunning, if ill-proportioned, £9000 Class A integrated, for example – but some average performers too.

The company is now making a determined effort to recapture that old magic, and the result is the new Puccini Anniversary amplifier. Though it shares a name with the original, one look at the price tag is enough to conclude that it is competing in a very different market.

Return to simpler times

In many ways, this 20th Anniversary celebration is a return to the simple days.

It’s an integrated amplifier with five linelevel inputs, one of which is balanced.

There isn’t a phono stage, or built-in digital-to-analogue conversion circuitry, but neither omission is particularly damaging with a premium product of this type. We can appreciate the neatness that comes with including multiple modules in a single box, but there is usually a price to be paid in performance.

We haven’t come across many cases where a built-in phono or DAC can’t be bettered by even relatively modestly 82 www.whathifi.com

AGAINST Sonic approach could do with more exuberance

★★ ★ ★ ★

priced outboard units. Building such circuits into an integrated amplifier also tends to divert the designer’s attention away from the design and has a habit of limiting sound quality due to their innate noise and power demands.

Anniversary’s power output goes up to 300W per channel as the load’s impedance drops to 2ohms and everything looks a lot healthier. This means this amplifier will cope with difficult speakers well, and shouldn’t be too fussy about partnering either.

The circuitry is also unusual in that it avoids the use of global feedback – used in electrical design to reduce distortion.

Almost every amp uses this technique, but some designers feel it degrades the sound and a few even try to get rid of it altogether. It’s an approach more often seen on valve amplifiers, but Audio Analogue feels it helps the Puccini deliver a clearer, more transparent sound.

In use this is a straightforward product, so there’s little here to confuse.

On a practical note we’d like the volume control to be easier to hold – its shallow dome shape looks nice but leaves little room to get purchase. Also, the indicators for input and volume settings are hard to see from an angle regardless of the brightness setting chosen.

We use our trusty Naim NDS/555PS streamer as the main source with backup from Clearaudio’s Innovation Wood turntable coupled to a Cyrus Signature Phono stage. Speakers used are ATC’s SCM50s and PMC’s Twenty 23s.

Handcrafted finish

The Puccini’s build quality is as good as we’ve come to expect from Audio Analogue. There’s something of a handcrafted feel about this product. It’s solid, smartly finished and aesthetically understated. It’s a hefty unit too, at 18kg, so make sure you have a solid support and, even though it doesn’t run particularly hot, plenty of ventilation.

Inside you’ll find neatly made circuit boards and a dual-mono circuit layout where the left and right channel signal paths mirror each other. This arrangement goes all the way to the sockets on the back panel, which are split with left and right connections bunched separately. The advantage of such a design should be more stable stereo imaging and better performance.

The mains transformer is rated at a relatively hefty 700VA, and helps the amplifier deliver 80W into an 8ohms load. That figure may not be overly impressive, but consider that the

KEY FEATURES

Five line-level inputs

80W per channel

Dual mono circuit

Connections on the back are also bunched into left and right – physical evidence of the dual-mono internal layout

T E M P TAT I O N The Anniversary has a handcrafted feel – it’s solid, smartly finished and aesthetically understated. At 18kg, it’s hefty too

The Anniversary has a dual-mono circuit layout, with connections split into left and right for better performance

We’re pleased by the Audio Analogue’s level of organisation. It sounds wholly in control and is as composed as you like when the production becomes demanding. The cannon blasts – real cannon-fire in the case of this recording – come through with the requisite force and a crisp initial crack. There’s proper authority here, belying the relatively modest claimed power output.

Listening to the Puccini, there’s much to admire. It’s a refined amplifier, in the mould of the original, though with considerably more muscle and insight – as it should be considering the price.

It’s right at home with Mount The Air

by The Unthanks. The presentation is full-bodied, with punchy yet articulate lows providing a firm foundation for the midrange to shine. It’s here, with voices, that the Puccini plays its strongest card, delivering an insightful and articulate performance that’s as good as anything we’ve heard at this price. There’s a charming organic quality to small-scale dynamic shifts that has us spellbound.

Tchaikovsky’s 1812 Overture shows a lovely mix of delicacy and dynamite.

Sophisticated approach

Stereo imaging is lovely too. It’s crisp, stable and nicely layered with an expansive sound stage that fills our listening room with ease.

Radiohead’s In Rainbows shows up some slight weaknesses in the Anniversary. That smooth character may help to tame aggressive recordings, but we find ourselves wanting more exuberance. It plays things too safe for our tastes, never quite giving percussive stabs enough energy or delivering the album’s complex rhythm tracks with the full snap they deserve.

The Puccini remains a capable and entertaining choice, but similarly priced

rivals such as Naim’s Supernait 2 manage to dig up more in terms of excitement and rhythmic dexterity. In short, the Naim is a bit more fun.

Make no mistake, the Puccini Anniversary is a fine amplifier, and its sophisticated approach to music replay works a treat. Add fine build and ease of use into the equation, and it’s easy to see the appeal of this amplifier. While not quite delivering the all-round magic of the original Puccini, this Anniversary model still does enough to make its ancestor proud.

says

Rating ★★ ★ ★ ★ SOUND FEATURES BUILD

VERDICT Delivers a smooth and insightful sound and is worth auditioning if you like a cultured approach to music replay

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BUYER’S GUIDE

BUYER’S GUIDE

BEST BUYS HI-FI

NOW WITH THE BEST BUYS IN EVERY CATEGORY Kobina Monney, Buyer’s Guide Editor

This is the definitive guide to the best home entertainment kit you can buy. From 75in TVs to smartphones, from portable Bluetooth speakers to Dolby Atmos surround-sound packages, here’s where you’ll find the perfect product, fast.

NEW ENTRIES A Sony turntable that keeps vinyl fresh while also looking to the future with hi-res ripping, and the Twenty 23 5.1 surround sound package from PMC – so good we decided to keep it!

Sony PS-HX500 (p112) “Want to rip vinyl to hi-res? This entertaining turntable has that unique ability”

PMC Twenty 23 5.1 (p124) “An elegant speaker package that delivers a captivating and transparent performance”

STEREO AMPLIFIERS

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PRE-AMPLIFIERS

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POWER AMPLIFIERS

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CD PLAYERS

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DACS

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VIDEO STREAMERS

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TELEVISIONS

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PORTABLE HEADPHONES

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TABLETS

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Received an outstanding product award from Hi-Fi News magazine who descrided the C 316BEE is an “absolute barnstormer of an amplifier”. The C 516BEE is the perfect partner.

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The Hi-Res XDP-100 digital audio player from Pioneer is the right travel partner for demanding music fans. It plays Hi-Res WAV and FLAC files with Studio Master resolutions of up to 24bit/384kHz and DSD files of up to 11.2 MHz.

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Q ACOUSTICS • 3050

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The flagship 3050 is the perfect speaker for larger rooms, boasting ultra-low levels of distortion, typically found of speakers costing three or four times its price.

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MONITOR AUDIO gOLD 200

The flagship floorstanding speaker of the CM Series sets a new standard for performance.

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THE WIRELESS Hi-fi SySTEM The Sonos Wireless HiFi System delivers all the music on earth, in every room, with warm, full-bodied sound that’s crystal clear at any volume. Sonos can fill your home with music by combining HiFi sound and rock-solid wireless in a smart system that is easy to set-up, control and expand.

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ARcAM • FMJ AVR550 • AV REcEiVER

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The Canton DM 55 sets a new standard for TV sound.

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The new Q Acoustics Media 4 is a high performance Soundbar designed to deliver high fidelity reproduction of music, and high quality audio from a TV or set top box, tablets and smartphones.

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Featuring a BD/DVD/SACD/CD drive and 250W of breathtaking Class G amplification in a stylish, low-resonance e nclosure, the Solo movie provides high-quality room-filling sound. Four HDMI, coax, optical, phono and 3.5mm line inputs allow for flexible system building without being over complex.

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OLED55E6V • 55” 4K UHD OLED TV OLED’s next generation pixel construction allows for unique screen architecture which is so light and thin it can be bonded to a transparent piece of glass. This stunning television produces an incredible picture with infinite contrast that is complimented by an innovative sound bar stand that produces superb audio. A masterful television from LG’s award winning OLED TV range.

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ARCAM • FMJ UDP411 • 3D BLU-RAY PLAYER

PANASONIC • DMP-UB900 • 4K UHD BLU-RAY PLAYER Premium player that features playback of Ultra HD 4K Blu-ray discs, HDR playback and 4K content from Netflix and other streaming providers.

Play and stream anything you can imagine in superb quality, with 4K upscaling up to 60p and HighResolution Audio.

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select spring 2016

Spring Issue Out Now!

select the sounds, the scenes and the sensations

Read Sevenoaks Select digital interactive e magazine today!

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the sounds, the scenes and the sensations

Hi-Res

rediscover your music

ers portableofplay ic future mus kbusters bring blochom e into your wina bluesound multi-room system10 see page

The Times They are a-changin 1964, and still one of bob’s best

BUYER’S GUIDE

BEST BUYS

Stereo amps up to £500

The only products worth considering

HI-FI

AMPLIFIERS

THE BEATING HEART OF YOUR HI-FI SYSTEM

Marantz PM6005 £300 May 2014 ★★ ★ ★ ★

The PM6005 is a multiple Award-winner for good reason. Nicely made, well featured and with refinement and insight few rivals can match.

Power 45W Inputs 5 line-in, MM Outputs 2 x speaker, headphone AWARD WINNER

Onkyo A-9010 £200 Best stereo amplifier under £300, Awards 2015 ★★ ★ ★ ★

Our favourite budget amplifier, this is arguably the most entertaining affordable amp around. It has agility and a wicked sense of rhythm.

Power 44W Inputs 5 line-in, MM Outputs speaker, headphone

Arcam FMJ A19 £600 May 2016 ★★ ★ ★ ★

Arcam’s entry-level amplifier is a terrific combination of sensible features, fine build and entertaining sound.

Power 50W Inputs 6 line-in, MM Outputs Speaker, headphone, preamp

Cambridge Audio CXA60 £500

PRODUCT OF THE YEAR

£500 to £1000

Best stereo amplifier £300-£700, Awards 2015 ★★ ★ ★ ★

This is a lively performer with expressive dynamics and a surefooted sense of rhythm. Build quality is impressive.

Power 60W Inputs 4 line-in Outputs Preamp, 2 x speaker, headphone

Naim Nait 5si £925 January 2015 ★★ ★ ★ ★

Naim’s starter amp is an exceptionally polished performer which combines drama with the insight and subtlety to match the very best.

Power 60W Inputs 3 line-in Outputs speaker, headphone

Rega Elex-R £900 Best stereo amplifier £700-£1000, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Arguably the best-value amp Rega makes, with insight and the precise handling of rhythms that’s hard to better even at double the price.

Power 72W Inputs 4 line-in, MM Outputs Speaker, preamp

Naim Supernait 2 £2750 £1000 to £3000

December 2013 ★★ ★ ★ ★

A terrific integrated amplifier. It’s punchy, with a low-frequency performance that brims with authority. Dynamics are strong too.

Power 80W Inputs 5 line-in Outputs Speaker, headphone, preamp

Rega Elicit-R £1600 Best stereo amplifier £1000+, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Rega’s top integrated builds on the qualities of its smaller brother, the Elex-R. We haven’t heard a more precise amplifier for the money.

Power 105W Inputs 5 line-in, MM Outputs preamp, speaker

94 www.whathifi.com

AMPLIFIERS CONTINUED Roksan Caspian M2 £1900 October 2013 ★★ ★ ★ ★

Roksan K3£1250 February 2015 ★★ ★ ★ ★

This lively effort from Roksan delivers a sound that’s big, expressive and agile. It even performs capably on a Bluetooth connection.

Power 150W Inputs 5 line, MM, B’tooth Outputs Spkr, preamp, h’phone

£1000 to £3000

A supremely rounded product with solid build, classy aesthetics and a brilliant all-round sound that works well with all types of music.

Power 85W Inputs 5 line-in Outputs Speaker, preamp

Burmester 032 £12,380 June 2015 ★★ ★ ★ ★

Dan D’Agostino Momentum integrated £42,000 November 2015 ★★ ★ ★ ★

Get past the cost of the Dan D’Agostino Integrated and you’ll find a startlingly capable product – one of the finest amplifiers on the planet.

Power 200W Inputs 6 line-in Outputs Speaker, headphone

£3000 and above

An expensive product but feels it too. Plug the 032 into a system and it sounds lovely: top-class levels of resolution, authority and dynamics.

Power 105W Inputs 5 line-in, MM, MC Outputs Speaker, ’phone, preamp

GamuT D3i £6150 This GamuT D3i is a brilliant performer with excellent detail and superb transparency. It isn’t packed with inputs, but will cope with most set-ups.

Inputs 3 line-in Output Balanced, single-ended DAC No

Townshend Allegri £1895 August 2012 ★★ ★ ★ ★

The Allegri a passive unit with six inputs and two outputs, but the real attraction is a wonderfully transparent sound that brims with insight.

Inputs 6 line-in, MC Output Single-ended DAC No

Preamps up to £9000

January 2015 ★★ ★ ★ ★

Aesthetix Janus Signature£10,000 April 2015 ★★ ★ ★ ★

This cutting-edge valve-powered preamp is remarkably refined but preserves all the energy and power in the music. Expensive, but lovely.

Inputs 5 line-in, MM, MC Outputs Balanced, single-ended DAC No

February 2013 ★★ ★ ★ ★

Burmester’s masterpiece may be decades old but a string of upgrades have kept it relevant. Sound quality remains exceptional.

Inputs line-in, MM, MC (opt) Outputs Balanced, single-ended DAC No

£9000 and above

Burmester 808 MK5 £22,242

Mark Levinson 326S £9300 July 2015 ★★ ★ ★ ★

This classy unit has a refined presentation and a spellbinding sense of control. Construction quality is deeply impressive.

Inputs 7 line-in Output Balanced, single-ended DAC No

October 2013 ★★ ★ ★ ★

Don’t let the Cyrus’s compact casework fool you. This powerhouse delivers high volume levels with a pleasing dynamic punch.

Power output 225W Mono/Stereo Mono Inputs Phono, XLR

Power amps

Cyrus Mono X300 Signature £2750

www.whathifi.com 95

Up to £10,000

AMPLIFIERS CONTINUED GamuT D200i £8500 January 2015 ★★ ★ ★ ★

The D200i combines transparency, muscle and agility better than any alternative we’ve heard. Build and finish are excellent.

Power output 220W Mono/Stereo Stereo Inputs Phono, XLR

£10,000 and above

Altas Stereo Signature £10,000 April 2015 ★★ ★ ★ ★

This Atlas comes close to being all things to all listeners. It has loads of grunt, yet there’s a gentle side too with delicacy and exceptional insight.

Power output 200W Mono/Stereo Stereo Inputs 2 x Phono, 2 x XLR

Burmester 911 Mk3 £32,800 August 2012 ★★ ★ ★ ★

The 911 is a real powerhouse, capable of delivering high power into difficult speakers without struggling. Refinement is top class, as is build.

Power output 535W Mono/Stereo Stereo Inputs XLR

CD PLAYERS & TRANSPORTS GET THE RIGHT PLAYER AND CD CAN STILL SHINE AWARD WINNER

Cambridge Audio CXC £300 Best CD transport under £500, Awards 2015 ★★ ★ ★ ★

Up to £500

If you already have a DAC – the CXC is useless without one – we wouldn’t hesitate in recommending this transport over a standalone CD player.

Type CD transport Outputs Coaxial, optical AWARD WINNER

Marantz CD6005 £300 Best CD player under £500, Awards 2015 ★★ ★ ★ ★

Marantz’s CD6005 is rightly regarded as fantastic player, one that offers sprinkles of improvements on top of its superb predecessor.

Type CD player Outputs Coaxial, optical, RCA, headphone

Onkyo C-N7050 £350 April 2015 ★★ ★ ★ ★

£500 to £1000

A CD player or a hi-res music streamer? Whatever it is, the C-N7050 is a hugely appealing system that combines the best of both worlds.

Type CD player/streamer Outputs Optical, coaxial, line level

Cyrus CD t £750

AWARD WINNER

Best CD transport £500+, Awards 2015 ★★ ★ ★ ★

An exceptionally talented transport, the CD t offers a level of insight, transparency and clarity you’d struggle to find elsewhere at this price.

Type CD transport Outputs Coaxial, optical

Cyrus CD i £1050

PRODUCT OF THE YEAR

£1000 to £1500

Best CD player £500+, Awards 2015 ★★ ★ ★ ★

Cyrus says this player is its best-sounding yet, and after listening to how confident and entertaining it sounds, it’s tough to disagree.

Type CD player Outputs Coaxial, optical, RCA

Naim CD5si £1080 October 2014 ★★ ★ ★ ★

The CD5si boasts a full-bodied, winningly enthusiastic approach to music. The absence of digital outputs means there’s no upgrade path.

Type CD player Outputs RCA, DIN

96 www.whathifi.com

CD PLAYERS & TRANSPORTS CONTINUED £1000 to £1500

Roksan K3 CD Di £1300 November 2015 ★★ ★ ★ ★

Few players at this price are as musical as the K3 CD Di. It promotes the character of your music, so you’ll never tire of listening to it.

Type CD player Outputs Coax, opt, XLR, RCA Inputs Coax, opt

Cyrus CD Xt Signature £1750 May 2015 ★★ ★ ★ ★

£1500 to £2000

Looking for a top-class transport? The Xt Signature provides a sound that’s cleaner, crisper and more dynamic than its predecessor.

Type CD transport Outputs Coaxial, optical

Roksan Caspian M2 CD £1900 Awards 2010 ★★ ★ ★ ★

The Caspian M2 CD has been around the block, but it’s showing few signs of its age, showing skill with timing, dynamics and authority.

Type CD player Outputs Coaxial, optical, USB, XLR, RCA

Esoteric K-05 £7495 January 2014 ★★ ★ ★ ★

£2000 to £10,000

The K-05 is a hefty, well-built piece of hi-fi. The sense of scale and composure is impressive; as is its powerful, yet articulate bass.

Type CD player Outputs Coax, opt, XLR, RCA Inputs Coax, opt, USB

Metronome Le Player £5490 April 2016 ★★ ★ ★ ★

‘Entry-level’ in name only, this effort from Metronome features an agile, articulate presentation along with plenty of insight.

Type CD player Outputs Coaxial, optical, USB, XLR, RCA

Burmester 089 £13,320 January 2016 ★★ ★ ★ ★

£10,000 and above

A top-class player that requires a suitably talented system to shine, the 089 is one of the best digital sources money can buy.

Type CD player Outputs Coaxial, optical, USB Inputs Coax, opt

Burmester 069 £35,840 November 2013 ★★ ★ ★ ★

If you can get past the massive price tag then you have a wonderful player that ranks among the best, if not the best, we’ve ever heard.

Type CD player Outputs 2 x coaxial, opt, XLR, RCA Inputs Coax, opt

DACS A DIGITAL-TO-ANALOGUE CONVERTER IS A MODERN HI-FI MUST

Arcam miniBlink £90

AWARD WINNER

Best Bluetooth receiver, Awards 2015 ★★ ★ ★ ★

Audioquest DragonFly Black v1.5 £90

NEW ENTRY

Up to £200

This receiver has serious dynamic clout, with a zingy and fluid rhythm.

The 3.5mm analogue output means an adaptor is needed for trad hi-fi.

Inputs Bluetooth Size 25 x 30 x 40mm

July 2016 ★★ ★ ★ ★

Cheaper, and with improved sound and compatibility, this is arguably the best DragonFly yet. The 96kHz playback limit is a disappointment though.

Inputs USB Size 60 x 20 x 10mm Resolution Up to 24-bit/96kHz www.whathifi.com 97

Up to £200

DACS CONTINUED NEW ENTRY

Audioquest DragonFly Red £170 August 2016 ★★ ★ ★ ★

The more-expensive alternative to the DragonFly Black, this is a marked improvement over the original, sounding more sophisticated and subtler.

Inputs USB Size 60 x 20 x 10mm Resolution Up to 24-bit/96kHz

Chord Mojo £400

PRODUCT OF THE YEAR

£200 to £500

Best DAC £400-£800, Awards 2015 ★★ ★ ★ ★

The majority of the £1400 Hugo’s performance for a fraction of the price.

An enthusiastic performer that stays refined and superbly balanced.

Inputs USB, opt, coax Size 20 x 60 x 80mm Res 32-768kHz/DSD 512

Oppo HA-2 £250

AWARD WINNER

Best DAC under £400, Awards 2015 ★★ ★ ★ ★

£500 to £1000

The range of inputs makes this ideal to use with any laptop or smartphone.

The engaging performance and detail retrieval is remarkable at the price.

Inputs USB, optical Size 160 x 70 x 10mm Res to 384kHz, 16/24/32-bit

Audiolab M-DAC £600 June 2015 ★★ ★ ★ ★

A good desktop alternative to the Chord Mojo, with plenty more sockets and features. Smooth balance, fluid dynamics and subtle detail.

Inputs USB, opt, coax Size 6 x 25 x 25cm Res Up to 24-bit/192kHz

Chord 2Qute £1000 Best DAC £800-£1200, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£1000 to £2000

The 2Qute’s insight, accuracy and dynamic punch outshine rivals with aplomb. The colourful display and the shiny chassis continue to wow us.

Inputs USB, opt, coax Size 7 x 16 x 4cm Resolution Up to 32-bit/384kHz

Chord Hugo £1400

AWARD WINNER

Best DAC £1200+, Awards 2015 ★★ ★ ★ ★

The Hugo benefits from the genius circuitry informing Chord’s latest products. It has superb timing, remarkable clarity and plenty of power.

Inputs 2x USB, opt, coax Size 2 x 13 x 10cm Resolution Up to 384kHz

Naim DAC-V1 £1350 Februaru 2016 ★★ ★ ★ ★

Naim’s entry DAC is typical of the company’s sonic signature, combining a balanced tone with strong dynamics and fine organisation.

Inputs USB, 2x opt, 3 x coax Size 9 x 21 x 32cm Res 24-bit/384kHz

Bricasti Design M1 DAC £7000 March 2014 ★★ ★ ★ ★

£2000 and above

This high-end DAC is impeccably built. There’s power, rhythmic coherence and dynamic punch, but it majors in analysis of the music.

Inputs USB, opt, coax, AESB, HDMI Size 6 x 43 x 30cm Res to 352.8kHz

Chord Hugo TT £2995 September 2015 ★★ ★ ★ ★

This ‘table-top’ version is the basic Hugo design, but supercharged.

The finish is gorgeous, and it sounds better than its cheaper siblings.

Inputs USB, opt, coax Size 5 x 24 x 23cm Res Up to 32-bit/384kHz

TAD DA1000 £11,995 May 2015 ★★ ★ ★ ★

It’s massive and it costs an eye-watering £12,000, but this is a brilliant performer. Agile and refined, it handles low level detail with finesse.

Inputs USB, opt, coax, AES/EBU Size 9 x 27 x 27cm Res Up to 384kHz 98 www.whathifi.com

MUSIC STREAMERS THE BEST WAY TO SHARE YOUR TUNES AROUND THE HOUSE Bluesound Node 2 £435 November 2015 ★★ ★ ★ ★

Up to £500

Looking for a non-amplified streamer to hook up to your existing hi-fi?

The Node is back, and better, with improved design and connectivity.

DLNA Yes Inputs Toslink, 3.5mm Storage No

Google Chromecast Audio £30 January 2016 ★★ ★ ★ ★

Google turns its expertise to audio streaming to bring music from any Cast-compatible app to your amps and speakers. And for only £30.

DLNA Yes Inputs RCA, 3.5mm, optical Storage No

Cambridge Audio CXN £700

PRODUCT OF THE YEAR

Best streamer £500-£1000, Awards 2015 ★★ ★ ★ ★

Pioneer N-50A £500

AWARD WINNER

Best streamer £500-£100, Awards 2015 ★★ ★ ★ ★

£500 to £1000

Building on the success of Cambridge’s Award-winning Stream Magic 6 v2, the CXN features an all-new design and improved sound.

DLNA Yes Inputs optical, coaxial, 3 x USB Storage No

The impressive N-50A offers an insightful performance, and can pluck music over DLNA and Internet radio or via a hoard of inputs.

DLNA Yes Inputs optical, coaxial, USB Storage No

Cambridge Audio Azur 851N £1200 March 2016 ★★ ★ ★ ★

Cyrus Stream Xa £1250

AWARD WINNER

Best streamer £1000-£1500, Awards 2015 ★★ ★ ★ ★

The two-time Award-winning Xa is a corker. Its half-width design won’t be everyone’s cup of tea, but its truly entrancing sound surely will.

DLNA Yes Inputs 2 x optical, 3 x coaxial, USB Storage No

£1000 to £2000

A sterling streamer that boasts excellent file support, plenty of connections and a sound that’s both expressive and dynamic.

DLNA Yes Inputs 2 x optical, 2 x coaxial, 3 x USB, ethernet Storage No

Cyrus Stream XP2-Qx £2010 Awards 2012 ★★ ★ ★ ★

Naim ND5 XS £2245 Best streamer £1500+, Awards 2015 ★★ ★ ★ ★

A forward-thinking design from an established hi-fi company. A brilliant sonic performance and a must-have if you’re after a do-it-all streamer.

DLNA Yes Inputs USB, coaxial, optical Storage No

August 2015 ★★ ★ ★ ★

This multi-talented machine is a streamer, server, CD player and ripper, all wrapped in one superbly made chrome-laden box.

DLNA Yes Inputs optical, coaxial, USB Storage 4TB

£10,000 and above

Burmester Musiccenter 151 £12,500

AWARD WINNER

£2000 to £10,000

An all-in-one music streamer that serves up an energetic, enthusiastic and immersive performance. Worthy of the sizeable asking price.

DLNA Yes Inputs 2 x optical, 3 x coaxial, USB Storage No

www.whathifi.com 99

£10,000 and above

MUSIC STREAMERS CONTINUED Naim NDS/555PS £12,620 December 2012 ★★ ★ ★ ★

Hear what this monster of a streaming machine can do and there will be no going back. Can afford the outlay? Lucky you DLNA Yes Inputs 2 x coaxial, optical Storage No

RADIOS ONE OF THE OLDEST ENTERTAINMENT TECHS, STILL GOING STRONG

Pure Evoke D2 £90 Up to £200

Best radio under £100, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

A three-time Award-winner. For just £85, you have a stellar radio that not only sounds lovely but will look charming in any home.

Battery Yes Size (hwd) 15 x 21 x 7cm Inputs Mini-USB, 3.5mm

Roberts Stream 93i £150

PRODUCT OF THE YEAR

Best radio £100-£200, Awards 2015 ★★ ★ ★ ★

This Roberts delivers deep bass that doesn’t overpower the midrange.

Spotify Connect, wi-fi and USB playback are the headliners.

Battery No – Size (hwd) 21 x 24 x 13cm Inputs 3.5mm

Geneva World Radio DAB+ £270 September 2013 ★★ ★ ★ ★

This Bluetooth-toting portable radio is a sleek machine that’s a breeze to use. The full-bodied, detailed performance is worth the price.

Battery Yes (chargeable) Size 18 x 30 x 12cm Inputs 3.5mm, B’tooth

Revo Axis X3 £200 £200 and above

January 2014 ★★ ★ ★ ★

Strong with voices, the X3 goes surprisingly loud for a compact radio.

It also has internet radio, aptX Bluetooth and a Lightning connector dock.

Battery No Size 13 x 22 x 15cm Inputs 3.5mm, B’tooth, Apple, DLNA

Revo SuperConnect £280

AWARD WINNER

Best radio £200+, Awards 2015 ★★ ★ ★ ★

Not just a radio, this feature-packed Revo is a streaming music player that will play just about anything from nearly any source.

Battery No Size 18 x 27 x 12cm Inputs 3.5mm, Bluetooth, DLNA

Ruark Audio R1 Mk3 £200 April 2015 ★★ ★ ★ ★

A stylish design, petite size and a solid performance packed with detail and character mean this charming unit is perfect for talk-radio and music.

Battery Yes (opt) Size (hwd) 17 x 13 x 13.5cm Inputs AUX in, 3.5mm

STEREO SPEAKERS Desktop up to £1000

THEY BRING THE MUSIC TO YOUR EARS – SO CHOOSE WITH CARE Eclipse TD-M1 £800 August 2014 ★★ ★ ★

Some might feel the TD-M1s are watching them – but we’re more interested in the great stereo imaging, fine detail and precision.

Size (hwd) 24 x 16 x 22cm Powered Yes Finishes 2

100 www.whathifi.com

STEREO SPEAKERS CONTINUED AWARD WINNER

Desktop up to £1000

KEF Egg £350 Best desktop speaker £200+, Awards 2015 ★★ ★ ★ ★

Our 2015 Best Desktop Speaker Over £200 have a distinctive design and flexible connectivity – and a stunning, consistent performance.

Size (hwd) 27 x 13 x 17cm Powered Yes Finishes 3

Q Acoustics 3050 £500

AWARD WINNER

Best floorstander under £600, Awards 2015 ★★ ★ ★ ★

Tannoy Eclipse Three £300

NEW ENTRY

June 2016 ★★ ★ ★ ★

A speaker that’s easy to set up and partner, this is the most talented budget floorstander we’ve heard in years.

Size (hwd) 96 x 27 x 29cm Bi-wire No Finishes 1

“The Threes turn in a musically engaging performance that compares to the best at this price”

Floorstanders up to £1000

Another 2015 Award-winner, and no wonder. The powerful 3050s are so talented, they give speakers closer to £1000 a run for their money.

Size (hwd) 100 x 20 x 30cm Bi-wire Yes Finishes 5

“Hats off to Q Acoustics: these speakers are another staggering achievement”

B&W 683 S2 £1150 “Among the best floorstanders we’ve heard at this price”

October 2014 ★★ ★ ★ ★

Tremendously talented speakers. We’re impressed by their power, scale and delicacy – they’re wonderfully versatile performers.

Size (hwd) 99 x 19 x 36cm Bi-wire No Finishes 2

Q Acoustics Concept 40 £1000 If you want a talented set of speakers with an easy-going, welcoming sound, you must consider these.

Size (hwd) 97 x 17 x 29cm Bi-wire Yes Finishes 2

Tannoy Revolution XT 6F £1000

AWARD WINNER

Best floorstander £600-£1200, Awards 2015 ★★ ★ ★ ★

These Tannoys are something special – they fire out an infectious, entertaining sound that charms us. Superbly finished, too.

Size (hwd) 100 x 27 x 32cm Bi-wire Yes Finishes 2

“They’re beautifully finished, but more importantly they sound every bit their asking price”

£1000 to £2000

“Aim to give you a sound that you can happily listen to”

May 2015 ★★ ★ ★ ★

Tannoy Revolution XT 8F £1300 July 2015 ★★ ★ ★ ★

“Give them a larger room to play in and the XT8Fs will shine”

Few rivals will be able to match this combination of muscle and subtlety. Most of all they make listening to music fun.

Size (hwd) 108 x 32 x 35cm Bi-wire Yes Finishes 2

Eclipse TD 510Z Mk2 £3840 “They do things that no conventional rival can match”

August 2012 ★★ ★ ★ ★

The 510Z Mk2s plump for the single-driver route to quality sound. It yields insight, impressive agility and rock-solid stereo imaging.

Size (hwd) 98 x 38 x 39cm Bi-wire No Finishes 3

“Given a suitably talented system, the Twenty 23s sound terrific”

February 2014 ★★ ★ ★ ★

These PMCs show real class, serving up sound that’s both refined and exciting. The 23s stand on their clean insight and unfussy nature.

Size (hwd) 92 x 15 x 33cm Bi-wire Yes Finishes 4

Spendor A6R £2500 Best floorstander over £1200, Awards 2015 ★★ ★ ★ ★

Musical notes have dimension and depth, and vocals are conveyed with reality and emotion. Outstanding.

Size (hwd) 87.5 x 19 x 28cm Bi-wire No Finishes 5

AWARD WINNER

£2000 to £5000

PMC Twenty 23 £2300

“A fantastic pair of speakers that do so much right”

www.whathifi.com 101

Enjoy low internet-beating prices, face-to-face expert advice from our friendly teams, extensive ranges on display and in our demonstration rooms, plus exclusive VIP Club member in-store only deals.

Tayla, Manager, Guildford store. 2nd year of service

Lowest price guaranteed & take it home today!

We’ll beat any genuine advertised price, voucher offer or system deal, online & in-store, by up to £100!

Products must be brand new, with a similar guarantee and in stock. Ask in-store for full T&Cs.

Hi-fi a selection from our massive range Mission floorstanding speakers (pair) MX3i (black) Q Acoustics speakers (pair) 2020i (graphite)

Denon mini system exc. speakers DM40 DAB (black)

“They give instruments body and texture, and deliver vocals with a wealth of insight… they remain exceptional speakers.” – What Hi-Fi?

“Denon has done it again - the DM40DAB is a seriously impressive micro system for the money.” – What Hi-Fi?

99.95

£

“Peppy and communicative, the MX3s are a real achievement at the price.“ – What Hi-Fi?

Onkyo amplifier A9010 "If you’re looking for a musically captivating budget amplifier you’re in luck – the Onkyo A9010 is a real treat.” – What Hi-Fi?

VIP Club price

Call or see web

SAVE

70

£

RRP £169.95

6 Year Supercare only 10% of purchase price Also available in silver

Denon turntable DP300 (black) The DP300 is a sturdy and classy turntable, and with a built-in phono stage this Denon is ready to bring your vinyl to life.

VIP Club price

249.95

SAVE

£

50

£

Regular price £299.95 6 Year Supercare only 10% of purchase price

179.95

SAVE

£

70

£

199

£

RRP £249 | Regular price £199

6 Year Supercare only £19.90

Tannoy floorstanding speakers (pair) Eclipse Three (black)

Cambridge Audio CD transport CXC (black)

Chord USB DAC/headphone amp Mojo

"With good budget floorstanders a rarity, these Tannoys are the best we’ve heard in a while.” – What Hi-Fi?

“If you’ve already got a good DAC, we would not hesitate to recommend the Cambridge CXC over a standalone CD player to link to it.” – What Hi-Fi?

”Even at £399 we have to conclude that it's a bargain, and that makes it our Product of the Year.” – What Hi-Fi?

299

£

HOT NEW PRODUCT

299.95

399

£

£

6 Year Supercare only £29.95 Also available in silver

6 Year Supercare only £39.90 Available in the majority of stores.

Check richersounds.com for more details.

Why not add?

Chord speaker cable Clearway un-terminated

10

£

per metre

Chord interconnect C-Line (0.5m)

35

£

QED interconnect Reference Audio 40 (1m)

99.95

£

Audioquest speaker cable Type 4 Terminated 2m pair

185

£

More in every store

Get a demo in one of our 53 stores nationwide, or visit us at richersounds.com for more info

Premium hi-fi

GUARANTEED

“Experience better audio performance. Pop down to hear how a ttop-notch system enhances your favourite music in our comfortable demonstration demonst rooms.”

Chris, Deputy Manager, Leeds. 11th year of service

Monitor Audio Silver range speakers 6AV12

This state-of-the-art range is highly prestigious and widely reviewed, earning tons of awards across its 8 products.

Taking after the extraordinary success of the RX range, the Silver range advances on the art of the speakers by featuring updated bass and mid-range drivers to increase the strength and lower distortion. Also new are the tweeters, which produce much lower resonance.

6AV12

Silver 8

Trusted Reviews said of the 6AV12 system, “Yet another top-drawer speaker system from Monitor Audio, offering deeply immersive, insightful sound from beautifully made cabinets.”

Now in all stores, book your demo today!

Silver 1

From

375

†

£

† 6 Year Supercare 10% of sub price Also available in other colours.

Free QED uPlay Stream worth £69.95**

Cambridge amplifier & music player CXA60 & CXN

Arcam amplifier & SACD player FMJ A19 & CDS27

Audiolab amplifier & CD player 8300A & 8300CD

Roksan amplifier & CD player K3 & K3 CDDI

CXA60: "A great amplifier that looks and sounds the part – this Cambridge is a big success.” – What Hi-Fi?

FMJ A19: “The A19 is quietly confident of its ability to deliver a transparent and faithful sound.” – What Hi-Fi? CDS27: A top quality CD/SACD player and music streamer in one, the CDS27 is a complete digital entertainer.

8300A: “Build is excellent and its large-scale sound gives it an edge over many rivals.”

– What Hi-Fi?

K3 amplifier: “Roksan is back on its A-game with the K3, which is nothing short of a superb amp for the price.” – What Hi-Fi?

499.95

£

| 6 Year Supercare only £49.95

CXN: “A stylish, feature-packed streamer that sounds great and is a joy to use.”

– What Hi-Fi?

699.95

£

595 each

£

SAVE

400

£

RRP £1590 | 6 Year Supercare only £59.50 each

| 6 Year Supercare only £69.95

899.95

£

| 6 Year Supercare only £89.95

8300CD: “The 8300CD remains a useful machine and a capable, polished performer.”

– What Hi-Fi?

999

£

| 6 Year Supercare only £99.90

1249

£

| 6 Year Supercare only £124.90

K3 CDDI: “The CDDI is another five star product worthy of its place in the K3 range.”

– What Hi-Fi?

1299

£

| 6 Year Supercare only £129.90

Free QED uPlay Stream worth £69.95**

Elipson turntable Omega 100 RIAA BT

Audiolab DAC M-DAC+

Technics mini system & KEF speakers (pair) SUC550 (silver) & Q300 (black)

This Elipson is the world's first turntable capable of transmitting Bluetooth while keeping the sound quality unmatched.

"This is a clear step forward from the original M-DAC… it’s more sophisticated operationally, and has a usefully smoother and more subtle sound.” – hifichoice.co.uk

This versatile Technics mini system paired with these KEF speakers will let you hear your music in a whole new light.

499.95

£

6 Year Supercare only £49.95

HOT NEW PRODUCT

799.95

£

SAVE

200

£

Were £999.95 from 03.09.15 6 Year Supercare only £79.95

Our VIP Club is completely FREE for ALL customers.

Sign up in-store or online in seconds with just an email address. *Lowest Price Guaranteed, we'll beat any genuine advertised price, voucher offer or system deal, online & in-store, by up to £100. Products must be brand new, with a similar guarantee and in stock. Further T&Cs apply. **Ask in store for more details.

HOT NEW PRODUCT

1299.95

£

SAVE

350

£

RRP £1648 | 6 Year Supercare only 10% of mini system purchase price

Cyrus streaming mini system & Tannoy floorstanding speakers (pair) Revolution XT 6F (dark walnut) & Lyric Stealth A great CD player with fantastic features, which sounds amazing paired with the award-winning Tannoy XT 6Fs. (Not shown to scale)

2999.95

£

SAVE £500

RRP £3499 | 6 Year Supercare only 10% of mini system purchase price | Speakers also available in oak

Headphones

we stock 13 out of 14 What Hi-Fi? award-winning headphones

Sennheiser in-ear M2 IEi

AKG on-ear closed-back K550 Mk2

Shure in-ear SE425

Shure on-ear closed-back SRH1540

“Sennheiser's Momentum range grows and so does our admiration.” – What Hi-Fi?

“A hugely capable pair of closed-back headphones." – What Hi-Fi?

“The finest in-ears we’ve ever heard at this price.” – What Hi-Fi?

“The SHR1540s amount to another outstanding effort from Shure.” – What Hi-Fi?

74

199.95

109.95

SAVE

15

£

425

£

£

£

RRP £89

£

Also available in silver

Streaming audio “Experience better quality music from streaming services. Spotify, Tidal, Deezer, Qobuz and internet radio all sound incredible on these wireless speakers.”

Josh, Deputy Manager, Chelsea. 6th year of service

FREE 90 day Tidal trial**

FREE 90 day Tidal trial**

Audio Pro Bluetooth speaker Addon T3 (white)

Naim wireless music speaker Mu-So Qb

Naim wireless music speaker Mu-So

“A classy wireless speaker that ignores gimmicks and focuses on delivering the best sound possible for the money.”

– What Hi-Fi?

“A small speaker with big personality, the Qb combines style, substance and a whole lot of features at a more affordable price.“ – What Hi-Fi?

“Naim’s first entry into the wireless speaker market, and it’s an absolute belter.”

– What Hi-Fi?

2

595

164.95

£

£

6 Year Supercare only £16.45 Also available in other colours

6 Year Supercare only £59.50

895

£

HEOS

HEOS 3 HS2

2

HEOS 5 HS2

6 Year Supercare only £89.50

6 Year Supercare £34.90

HEOS 7 HS2

The What Hi-Fi? award-winning multiroom system from Sonos enables music throughout the home. From the most compact PLAY:1 in the kitchen, larger PLAY:3 and PLAY:5s in the study and lounge, to complete surround sound systems, Sonos has a solution.

169

£

6 Year Supercare £16.90 Also available in white

PLAY:3

429

2

£

6 Year Supercare £42.90 Also available in white

6 Year Supercare £49.90

SUB

599 £599 £

6 Year Supercare £59.90

SUB

6 Year Supercare £24.90 Also available in white

PLAY:5

PLAYBAR

249

£

249 £349 £499 £

6 Year Supercare £24.90

Sonos

PLAY:1

“Heos proves to be an exciting new product.“ – hifichoice.com

6 Year Supercare £59.90

PLAYBAR

PLAY:5

PLAY:1

PLAY:3

Samsung Wireless Audio 360 speakers R1 starter kit offer

R3

R6 (portable)

R7

“Sound quality is excellent and the bass is deep…

Hard to believe this all comes from such a small device.”

– richersounds.com customer review

“Attractively designed and well constructed… offers a tempting combination of performance and features.”

– avforums.co.uk

“The R6 was able to produce a balanced and spacious soundstage that really filled the room, no matter where we stood.”

– avforums.com

“A stylish, innovative and great-sounding speaker that takes multiroom technology to new heights.”

– trustedreviews.com

288

£ With FREE WAM250 hub**

SAVE

50

£

RRP £339 6 Year Supercare only £28.80

249

SAVE

70

£

6 Year Supercare only £24.90 Also available: R5 £349

RRP £399 6 Year Supercare only £32.90 Also available in white

6 Year Supercare available SUPERCARE

329

£

£

429

£

SAVE

70

£

RRP £499 6 Year Supercare only £42.90 Also available in white

(For hi-fi and home cinema components)

Just £9.99 for products under £100 and 10% of purchase price on products over £100. Plus, if you don’t use it, it needn’t cost you a penny! Call or ask in-store for more details.

TVs Brand new ranges TV

GUARANTEED

“Experience better image quality. 4K, UHD Premium and “Experience HDR will blow you away with the stunn stunningly realistic detail they produce. Don’t miss out on the best be new TVs.”” Tim, Deputy Manager, Bromley. 2nd year of service

Samsung 49" 4K HDR Smart LED TV UE49KU6400 “It’s certainly worth investing in, with HDR support, and a range of Smart features on Samsung’s Tizen platform. The system lets you stream video games and use a variety of apps, including Netflix and Amazon.” – trustedreviews.com Enjoy the beautiful picture quality of 4K Ultra HD, HDR compatibility for lifelike images and the latest Smart system to take your home entertainment to the next level.

Samsung rewards.

Buy this TV and save up to £100 off your next Samsung purchase.

799

£

HOT NEW PRODUCT

Also available 55”

CURVED

OLED

UHD PREMIUM

UHD PREMIUM

UHD PREMIUM

4K HDR

SMART TV

SMART TV

SMART TV

SMART TV Samsung rewards.

Buy this TV and save up to £150 off your next Samsung purchase.

Samsung 55" curved Ultra HD Premium Smart LED TV UE55KS9000

Panasonic 58 58" Ultra HD Premium Smart 3D LED TV TX58DX902B

LG 55" OLED Ultra HD Premium Smart TV OLED55B6V

Sony 75" 4K HDR Smart 3D LED TV KD75XD9405

"It looks gorgeous, sounds great, and its performance with UHD HDR content is so good that once you’ve witnessed it, it’s hard to go back to anything else.”

– trustedreviews.com

"A beautifully-engineered product, this Panasonic lays claim to being the best LED LCD TV so far in terms of picture quality."

– hdtvtest.co.uk

Bringing OLED and Ultra HD Premium together to create the best possible picture.

For deep, inky blacks and beautiful levels of contrast, this TV might be the one for you.

"This huge TV supports Ultra HD and HDR through streaming and physical formats, as well as active 3D. If that isn’t enough to lose you in AV-centric reverie, perhaps the fact that it looks stunning will be.” – What Hi-Fi?

1999

SAVE

£

100

£

Were £2099 from 25.02.16 Also available 49" & 65"

2599

£

HOT

SAVE

NEW PRODUCT

200

£

Were £2799 from 04.03.16 | Also available 65"

2799

4999

£

£

Also available 65"

6 year guarantee included

For VIP Club members on the vast majority of TVs and projectors.

Projectors over 30 models in our range

VIP Exclusive: Free BDPS6700 Blu-ray player worth £139**

VIP Exclusive: £200 of Richer Sounds vouchers**

VIP Exclusive: Free Optoma DS9092PWC screen worth £69.95**

Optoma 3D DLP projector HD50

Sony 3D SXRD projector VPLHW45ES

Sony HD 3D projector VPLHW65ES

Sony 4K 3D projector VPLVW320ES

"Images really look punchy and dynamic, with vibrant colours and a degree of genuine contrast range that’s rare in the budget projection market.” - trustedreviews.com

Bring the cinema home, with this Sony projector. Creating an exciting and immersive experience, you won’t want to look away!

"The HW65ES keeps Sony’s current projector roll going in emphatic style – and proves there’s plenty of life left in HD yet.”

– trustedreviews.com

"If you want a 4K UHD projector for your home or other non-professional cinema setting, the VPLVW320ES is one of the best choices available.” – 4k.com

999

£

RRP £1070

SAVE

70

£

1849

£

HOT NEW PRODUCT

Due late June | Also available in black

Our VIP Club is completely FREE for ALL customers.

Sign up in-store or online in seconds with just an email address. *Lowest Price Guaranteed, we'll beat any genuine advertised price, voucher offer or system deal, online & in-store, by up to £100. Products must be brand new, with a similar guarantee and in stock. Further T&Cs apply. **Ask in store for more details.

2799

£

Also available in white

5849

£

Join the Richer Sounds VIP Club free today and receive a fantastic set of privileges.

Sign up in-store or online in seconds with just an email.

6 Year Guarantee included

We’re open for you, 8am – 8pm

VIP-only discounts

For VIP Club members on the vast majority of TVs and projectors.

VIP Club members can book demos/shop by appointment between these times, Mon – Fri.

Special VIP Club savings on selected products in our catalogue, our emails, our website and in-store.

AV receivers

AV separates

“Experience better TV sound by adding a soundbar, sound base or home cinema system. We have something for everyone.”

dozens more in store

Ben, Store Manager, Birmingham. 10th year of service

Sony Smart Blu-ray player BDPS7200 “Serves up a classy picture and stunning sound - an impressive all-rounder.”

– What Hi-Fi?

169

Onkyo Atmos AV receiver TXNR646

£

A fantastic AV receiver, this Onkyo is the affordable answer to Dolby Atmos and DTS:X – experience better home cinema for less!

"The Onkyo TXNR646 is an awfully impressive receiver for the money, and it sounds terrific.” – cnet.com

6 Year Supercare only £16.90

Philips TV soundbar HTL5140

299

£

”Balanced, dynamic and well-integrated, the HTL5140 runs rings around its rivals.”

– What Hi-Fi?

SAVE

200

£

VIP Club price

199

RRP £499 | 6 Year Supercare only £29.90

£

SAVE

50

£

Soundbars & soundbases Best soundbar up to £300 Philips HTL5140

RRP £249 | Regular price £219 6 Year Supercare only 10% of purchase price

Yamaha AV receiver RXV381

Denon Atmos AV receiver AVRX2300

Pioneer Atmos AV receiver VSX1131

This entry-level home cinema amp has full 4K support and is sure to bring your TV and movies to life.

“The 2300’s combination of insight, agility and refinement are hard to look past. It’s a polished performer that never fails to entertain.” – What Hi-Fi?

Boasting Dolby Atmos and a whole range of features and connections for a seamless movie experience – this Pioneer is a dream to use.

349

£

499

HOT NEW PRODUCT

£

HOT NEW PRODUCT

549.95

£

HOT NEW PRODUCT

Pioneer TV sound base SBXB70 With this fully networked Pioneer you can stream your music, listen to Internet radio and even surf the FM airwaves, all in beautiful sound quality.

199

£

SAVE

170

£

6 Year Supercare only £34.90

6 Year Supercare only £49.90

6 Year Supercare only £54.95

RRP £369 | 6 Year Supercare only £19.90

Onkyo Atmos AV receiver TXRZ800

Onkyo Atmos AV receiver TXRZ810

Yamaha Atmos AV receiver RXA3050

Tannoy 5.1 speaker package HTS101XP

”It sounds delectable with high-res audio sources, and with DTS:X compatibility to complement Dolby Atmos. Give it a listen.”

– homecinemachoice.com

Experience powerful, dynamic sound from this Onkyo. Optimised for Dolby Atmos and DTS:X, plus high-res audio playback, you can have the best in sound quality.

"This receiver has astounded me with the quality of sound produced. It makes me smile every time I use it.”

– richersounds.com customer review.

"It’s a fantastic-sounding package, as practical as ever and one of the best of its kind we’ve come across.” – What Hi-Fi?

VIP Club price

599

£

SAVE

450

£

RRP £1049 | Regular price £649 6 Year Supercare only 10% of purchase price

1049

£

HOT NEW PRODUCT

6 Year Supercare only £104.90 Also available in silver

VIP Club price

£1499

SAVE

500

£

RRP £1998 | Regular low price £1699 6 Year Supercare only 10% of purchase price

Get a demo in one of our 53 stores nationwide, or visit us at richersounds.com for more info

499

£

SAVE

100

£

RRP £599 6 Year Supercare only £49.90

We’ll help plan the perfect system for you!

No job too big or too small

n

From a simple TV set-up to multiroom systems, or a dedicated home cinema, we can help you select the right equipment at the best prices.

Wires hidden

n Leon, Holborn store.

13th year of service.

GUARANTEED

We’ll advise as to the best location within the room, so that unsightly cables can be hidden or chased into walls.

Inspirational ideas

n

Our experienced sales advisors can suggest innovative products designed to deliver dazzling sound and picture quality from discreet, living room friendly equipment, such as in-wall and in-ceiling speakers and projectors.

Unbeatable value

n

Highly competitive product prices as low as, if not lower than, the biggest internet retailers.

Ask us for a FREE, NO OBLIGATION consultation and survey at your home or place of work today. (10 mile radius)

Premium AV separates a selection from our massive range

Panasonic 4K Blu-ray player DMPUB900

REL subwoofer T7i (gloss black)

Monitor Audio 5.1 package Radius R90HT1

Yamaha Atmos soundbar YSP5600

“The future of home cinema, on disc. A sight to behold.” – What Hi-Fi?

This is a beautifully balanced sub, with a super fast engine and a gorgeous high-end finish.

It’s a first-rate performer with both style and substance.

“This package sounds wonderfully cohesive and entertaining – it’s up there with the very best at this price.” – What Hi-Fi?

"Delivers an exciting, immersive performance with superb overhead surround sound and plenty of great features.”

– What Hi-Fi?

599

£

1499

799

HOT NEW PRODUCT

6 Year Supercare only £59.90 Stock erratic

1699

HOT NEW PRODUCT

£

£

6 Year Supercare only £79.90 Also available in white

Ask in-store for 6 Year Supercare price Also available in white

Speaker packages

£

Best style package £ 1400-£1800 Monitor Audio Radius R90HT1

HOT NEW PRODUCT

6 Year Supercare only £169.90

3 great ways to buy In-Store

By Phone

Online

Enjoy specialist advice, demo rooms, install services and take your bargains home today!

Call us on 0333 900 0093. Lines are open 9am-6pm Mon-Fri (9-7 Thurs), 10-5 Sat & 12-4 Sun for the UK's sharpest prices and next day delivery.

With Click & Collect available at www.richersounds.com you get the best prices online – guaranteed!

Visit richersounds.com for store opening times.

We stock & demo the following premium brands:

0

Demonstration rooms in every one of our 53 stores!

Visit our website for local store details and opening times London

Bath 0333 900 0088 Belfast 0333 900 0070 Birmingham 0333 900 0023 Bournemouth 0333 900 0058 Brighton 0333 900 0039 Bristol 0333 900 0024 Cambridge 0333 900 0053

Cardiff 0333 900 0029 Cheltenham 0333 900 0057 Chester 0333 900 0063 Eton 0333 900 0087 Edinburgh 0333 900 0026 Exeter 0333 900 0061 Glasgow 0333 900 0038

Guildford 0333 900 0050 Hanley 0333 900 0060 Hull 0333 900 0059 Leeds 0333 900 0025 Leicester 0333 900 0043 Lichfield 0333 900 0089 Liverpool 0333 900 0030

London Bridge 0333 900 0021 London Bromley 0333 900 0051 London Chelsea 0333 900 0027 London Chiswick 0333 900 0055 London City 0333 900 0045 London Croydon 0333 900 0033 London Kingston 0333 900 0040

London Southgate 0333 900 0085 Swiss Cottage 0333 900 0031 London West End 0333 900 0028 Manchester 0333 900 0086 Maidstone 0333 900 0062 Middlesbrough 0333 900 0096 Milton Keynes 0333 900 0054

Newcastle 0333 900 0032 Norwich 0333 900 0046 Nottingham 0333 900 0035 Oxford 0333 900 0052 Plymouth 0333 900 0047 Preston 0333 900 0080 Prestwich 0333 900 0042

NEW LOCATION Reading 0333 900 0044 Reigate 0333 900 0081 Romford 0333 900 0041 Sheffield 0333 900 0034 Solihull 0333 900 0090 Southampton 0333 900 0036

Stockport 0333 900 0022 Tunbridge Wells 0333 900 0082 Watford 0333 900 0037 Weybridge 0333 900 0083 York 0333 900 0084 Customer Service 0333 900 0095

03 NUMBERS ARE NOT PREMIUM RATE NUMBERS! 03 numbers connect you directly to the store you call and are charged at the same rate as you are charged for numbers starting 01 and 02. 03 numbers are included in all bundle rates for mobile phones and landlines.

Some of these offers are exclusive to What Hi-Fi? readers. Please quote this ad when calling. While stocks last. Valid from 03.07.2016 - 06.08.2016 All trademarks are acknowledged. E&OE. All featured products strictly 1 per customer/household. Some offers may be for in-store callers only.

All stock is brand new in sealed containers and fully guaranteed for one year unless clearly stated otherwise. 1000s more bargains in-store!

RRPs are based on information supplied by What Hi-Fi?, manufacturers, Google, Which? & Pricerunner. Further information is available on request. *Lowest Price Guarantee, we'll beat any genuine advertised price, voucher offer or system deal, online & in-store, by up to £100. Products must be brand new, with a similar guarantee and in stock. **Ask in-store for more details.

STEREO SPEAKERS CONTINUED Spendor D7 £3500 £2000 to £5000

February 2014 ★★ ★ ★ ★

When it comes to insight and precision, these floorstanders set the standard at this price. Unfussy, and they deliver a huge sound for their size.

Size (hwd) 95 x 20 x 32cm Bi-wire No Finishes 6

Triangle Signature Delta £4900 July 2014 ★★ ★ ★ ★

Terrific timing ability combines with strong dynamics and impressive resolution to produce speakers that can stand toe-to-toe with the best.

Size (hwd) 123 x 37 x 39cm Bi-wire No Finishes 3

ATC SCM40A £6280 April 2014 ★★ ★ ★ ★

The price looks steep but factor in built-in amplification and exceptional sound, and the SCM40As emerge as something of a high-end bargain.

Size (hwd) 98 x 37 x 34cm Bi-wire No Finishes 2 Powered Yes

Focal Electra 1038Be £7700 July 2015 ★★ ★ ★ ★

A hefty slice of the performance of Focal’s high-end Utopia range, at a fraction of the cost. Impressive detail, dynamics, bass and timing.

Size (hwd) 125 x 30 x 40cm Bi-wire No Finishes 2

PMC Twenty 26 £5750 November 2014 ★★ ★ ★ ★

This range of speakers hardly puts a foot wrong. Here, it’s the insightful yet refined balance and impressive levels of detail that win the day.

Size (hwd) 109 x 19 x 44cm Bi-wire Yes Finishes 4

ProAc Response D40/R £6125 October 2013 ★★ ★ ★ ★

£5000 and above

“Spendor has a rich history of making terrific speakers.

You can count the D7s among them”

As musical as they come, these are also as articulate, transparent and dynamic as any floorstander we’ve heard around this price.

Size (hwd) 120 x 21 x 34cm Bi-wire Yes Finishes 6

Quad ESL-2812 £6500 October 2013 ★★ ★ ★ ★

Electrostatic speakers with cutting-edge standards of mid-range finesse, great detail and a smooth tone. In many respects, unmatched.

Size (hwd) 107 x 69 x 38cm Bi-wire No Finishes 1

Tannoy Definition DC10T £5250 October 2013 ★★ ★ ★ ★

We’ve heard few price rivals that come close to matching the dynamic envelope, authority and sheer engagement of these big Tannoys.

Size (hwd) 113 x 34 x 32cm Bi-wire Yes Finishes 3

Tannoy Kensington GR £9950 August 2015 ★★ ★ ★ ★

Along with that traditional appearance comes real substance. These are gentle giants, balancing finesse with force in a mighty appealing way.

Size (hwd) 110 x 41 x 34cm Bi-wire Yes Finishes 2

“They’re entertainers of the highest order”

“Once up and running, these ATCs are deeply impressive speakers”

“Wonderfully polished performers that work well with all types of music”

“An all-round package that’s very hard to pick holes in”

“We could stretch this out, but we won’t: the D40/Rs are wonderful”

“Spend some time with the Quads and the shortcomings in conventional speakers soon become apparent”

“These are speakers with a big heart and it’s really hard not love them”

“There’s enough sonic quality to place them on the top rung of speakers at this price”

Wilson Audio Sophia 3 £16,500 October 2013 ★★ ★ ★ ★

Eye-wateringly expensive but hugely capable, too. Properly partnered they’re able to deliver a sound full of detail, dynamics and drive.

Size (hwd) 105 x 35 x 48cm Bi-wire No Finishes 7 108 www.whathifi.com

“Arguably the Sophia 3s are Wilson Audio’s best-value speakers”

STEREO SPEAKERS CONTINUED Dali Zensor 1 £200 July 2015 ★★ ★ ★

If you’re looking for a versatile, energetic pair of affordable speakers, give these a listen. They have a real feel for the the music. Good fun.

Size (hwd) 27 x 16 x 22cm Bi-wire No Finishes 2 AWARD WINNER

For their size, these Monitor Audio Bronze 2 dig deep in the bass.

They’re tonally balanced and impressively detailed too.

Size (hwd) 35 x 19 x 26cm Bi-wire Yes Finishes 4

Q Acoustics 3020 £190 Best stereo speaker under £200, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

These lovingly constructed boxes deliver an exceptional combination of refinement, insight and dynamics. We can’t fault them.

Size (hwd) 26 x 17 x 23cm Bi-wire No Finishes 5

Standmounts up to £300

Monitor Audio Bronze 2 £280 Best standmounter £200-£400, Awards 2015 ★★ ★ ★ ★

Wharfedale Diamond 220 £180 March 2015 ★★ ★ ★ ★

A talented speaker that’s a great fit for a budget or mid-range set-up.

At less than £200 the Diamonds are an attractive proposition.

Size (hwd) 50 x 32 x 41cm Bi-wire Yes Finishes 4

Dali Zensor 3 £300 October 2014 ★★ ★ ★ ★

£300 to £500

If they’re made by Dali, they’re going to be fun to listen to. These classy-looking speakers have plenty of punch and winning dynamics.

Size (hwd) 35 x 21 x 29cm Bi-wire No Finishes 3

Q Acoustic Concept 20 £350 October 2013 ★★ ★ ★ ★

If you want a top-quality, sub-£500 standmounter you ignore this one at your peril. Clarity and refinement shine through in abundance.

Size (hwd) 26 x 17 x 28cm Bi-wire Yes Finishes 2

Dynaudio Emit M10 £500

NEW ENTRY

July 2016 ★★ ★ ★ ★

The M10s offer a layered, intricate and versatile sound that we can’t believe costs only £500. A confident return to form for Dynaudio.

Size (hwd) 29 x 17 x 24cm Bi-wire No Finishes 2

KEF LS50 £800 December 2013 ★★ ★ ★ ★

Quad S-1 £500 July 2016 ★★ ★ ★ ★

They’re only little, but the S-1s are smooth, intimate and insightful – especially in the midrange – as well as being a sight for sore eyes.

Size (hwd) 29 x 16 x 24cm Bi-wire Yes Finishes 2

NEW ENTRY

£500 to £1000

These striking speakers are blindingly good. Get their partnering kit right and you’ll revel in the excellent bass, energy and fine articulation.

Size (hwd) 30 x 20 x 28cm Bi-wire No Finishes 1

Martin Logan Motion 15 £795 December 2013 ★★ ★ ★

A talented and fun pair of speakers. We particularly like the lively, natural presentation, even if the low end could do with more punch.

Size (hwd) 29 x 13 x 24cm Bi-wire No Finishes 2 www.whathifi.com 109

STEREO SPEAKERS CONTINUED Neat Iota £695 £500 to £1000

December 2013 ★★ ★ ★ ★

You wouldn’t think it to look at them but these unusual speakers turn out a big, weighty, detailed performance. They sound truly remarkable.

Size (hwd) 13 x 20 x 17cm Bi-wire No Finishes 5

Triangle Esprit Titus EZ £600 April 2015 ★★ ★ ★ ★

Your hunt to find a supplier for the Esprits might take a while, but it will be worth it for the articulate and agile presentation you’ll hear.

Size (hwd) 31 x 17 x 27cm Bi-wire No Finishes 3

ATC SCM11 (2013) £1200

AWARD WINNER

Best standmounter £800-£1200, Awards 2015 ★★ ★ ★ ★

£1000 to £1500

These are the most talented standmounters anywhere near this price.

The transparency of their sound compares with far more expensive rivals.

Size (hwd) 38 x 21 x 25cm Bi-wire Yes Finishes 2 Powered Yes

Neat Motive SX3 £1045 November 2015 ★★ ★ ★ ★

If you’re tight on space, or don’t need an overpowering sound, these articulate, fun-loving speakers should be a shoo-in for your shortlist.

Size (hwd) 33 x 16 x 20cm Bi-wire No Finishes 4

ProAC Studio 118 £1075 November 2015 ★★ ★ ★ ★

Weighty, detailed bass, lively treble and a good natural balance overall.

The energy of the 118’s performance will provide hours of enjoyment.

Size (hwd) 38 x 19 x 24cm Bi-wire Yes Finishes 4

Dynaudio Xeo 4 £1775 £1500 to £2000

November 2014 ★★ ★ ★ ★

The active Xeo 4s (they have built-in amps) offer hassle-free set-up and an insightful, musical sound from almost any source. High-res support, too.

Size (hwd) 28 x 17 x 25cm Bi-wire No Finishes 2

PMC Twenty 22 £1920 November 2014 ★★ ★ ★ ★

Solid build and a quality finish are just the start; it’s a big, authoritative sound, perfect for those who like a natural kind of presentation.

Size (hwd) 41 x 18 x 37cm Bi-wire Yes Finishes 4

ATC SCM19 £2000

AWARD WINNER

Best standmounter £1200+, Awards 2015 ★★ ★ ★ ★

£2000 and above

It’s quite a trick for a speaker to be highly analytical with music yet never sound clinical or passionless. And yet so it is with the SCM19s.

Size (hwd) 44 x 27 x 30cm Bi-wire No Finishes 2

ATC SCM20ASL Pro £4380 October 2015 ★★ ★ ★ ★

These ATCs are terrific value. Getting standmounters and four power amplifier channels of such a high standard should cost far more than this.

Size (hwd) 45 x 25 x 39cm Bi-wire Yes Finishes 1 Powered Yes

Focal SM9 £4100 October 2013 ★★ ★ ★ ★

1.2 kW of power amplification and sound quality that conventional alternatives at twice the price would struggle to better. Quite superb.

Size (hwd) 32 x 49 x 39cm Bi-wire No Finishes 1 110 www.whathifi.com

STEREO SPEAKERS CONTINUED Roksan Darius S1 £5000 December 2014 ★★ ★ ★ ★

Spendor SP2/3R2 £2795 April 2016 ★★ ★ ★ ★

They might lack the excitement of modern alternatives, but these retro speakers boast an easy-going sound and are a pleasure to listen to.

Size (hwd) 55 x 28 x 33cm Bi-wire Yes Finishes 1

£2000 and above

Fluid, balanced and with a solid, agile bass, the S1s are among the most enjoyable standmounters we’ve heard in years.

Size (hwd) 38 x 20 x 38cm Bi-wire No Finishes 2

SYSTEMS SIMPLE DOESN’T HAVE TO MEAN LOWER QUALITY Sonos System From £175 Best multi-room system under £500, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

PRODUCT OF THE YEAR

Bluesound Generation 2 From £540 Best multi-room system over £500, Awards 2015 ★★ ★ ★ ★

Multi-room

If you don’t need high-res, Sonos is an obvious choice for multi-room.

A great user experience alongside a full-bodied, insightful sound.

Res 16-bit/44.1kHz App Mac, Android Formats MP3, iTunes Plus, WMA

Bluesound’s Generation 2 has a more streamlined design and sounds as good as ever, offering high-res support and good connectivity.

Res 24-bit/192kHz App iOS, Android Formats MP3, AAC, WMA, OGG

Cambridge Audio Minx Xi £400

AWARD WINNER

Best music system £400-£800, Awards 2015 ★★ ★ ★ ★

Denon D-M40DAB £350 Best music system under £400, Awards 2015 ★★ ★ ★ ★

PRODUCT OF THE YEAR

Denon continues to reign supreme on the micro-systems front. There are no Bluetooth or wireless features, but the sound makes up for it.

Inputs Analogue & digital Sources CD, streaming, DAB, FM

Stereo up to £500

This terrific system is a joy to use. It has a 24-bit/96kHz resolution limit, but that’s OK in light of its articulate and hugely likeable character.

Inputs Analogue & digital Sources Streaming, internet

www.whathifi.com 111

Stereo systems up to £500

SYSTEMS CONTINUED Ruark Audio R2 Mk3 £400 Best all-in-one music system, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Packed with extensive radio, network and streaming features, this is a system whose spacious, rich and dynamic performance is captivating.

Inputs Analogue & digital Sources Streaming, internet, DAB, FM

Naim UnitiQute 2 £1295 Best music system £800-£1500, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£500 and above

The epitome of a modern streaming system. The insightful, rhythmically precise, spacious sound is tremendous – and worth the high-end price.

Inputs Analogue & digital Sources Streaming, internet, DAB+, FM

Onkyo TX-8150 £550 April 2016 ★★ ★ ★ ★

This modest, unassuming black box is packed to the gills with every streaming feature you can think of. One of the bargains of the year.

Inputs Analogue & digital Sources Streaming, internet, AirPlay

Revo SuperSystem £550 May 2016 ★★ ★ ★ ★

An all-in-one system that exudes quality, this Revo features great sonic performance and terrific retro looks. It’s a talented system.

Inputs Analogue & digital Sources Streaming, internet, Bluetooth

TURNTABLES DECKS TO KEEP THE VINYL REVIVAL THRIVING

Audio Technica AT-LP5 £300

NEW ENTRY

June 2016 ★★ ★ ★ ★

A pleasure to use and listen to, the LP5 boasts both ease of use and the added bonus of a USB ouput. At this price there’s none better.

Speed 33.3 & 45rpm Size (hwd) 16 x 45 x 35cm

Pro-Ject Essential II £210

AWARD WINNER

Best turntable under £400, Awards 2015 ★★ ★ ★ ★

Up to £500

A frill-free, entry-level product that gets all the basics spot-on. Easy to set up and even easier to enjoy, it’s an obvious Award-winner.

Speed 33.3 & 45rpm Size (hwd) 14 x 46 x 36cm

Rega RP1 £225 Awards 2010 ★★ ★ ★ ★

The unadorned RP1 is an impressive turntable in its own right, with a good sense of drive and pleasing transparency.

Speed 33.3 & 45rpm Size (hwd) 12 x 45 x 36cm

Rega Planar 2 £375

NEW ENTRY

August 2016 ★★ ★ ★ ★

Forty years old and still kicking on, the Planar 2 is a proper step-up from the RP1, and offers great sound at a competitive price.

Speed 33.3 & 45rpm Size (hwd) 12 x 45 x 36cm

Sony PS-HX500 £450 July 2016 ★★ ★ ★ ★

NEW ENTRY

A turntable with the unique ability to rip vinyl into hi-res files, this is an entertaining deck with a big, open sound.

Speed 33.3 & 45rpm Size (hwd) 11 x 43 x 36cm 112 www.whathifi.com

TURNTABLES CONTINUED AWARD WINNER

Clearaudio Concept £995 £500 to £1000

Best turntable £800+, Awards 2015 ★★ ★ ★ ★

A thoroughly sorted, easy-to-own package with tremendous sound, combining punch, extension and tonal variation in equal measure.

Speed 33.3, 45, 78rpm Size (hwd) 14 x 42 x 35cm

Rega Planar 3/Elys 2 £625 May 2016 ★★ ★ ★ ★

Rega builds on the 3’s predecessor by adding extra servings of clarity, precision and insight. The result is the best RP3 yet.

Speed 33.3, 45, 78rpm Size (hwd) 12 x 45 x 36cm

Rega RP6/Exact £1000 December 2014 ★★ ★ ★ ★

£1000 and above

The RP6’s simple styling belies its engaging, detailed sound. One of the most expressive and enthusiastic turntables you can buy for the money.

Speed 33.3, 45rpm Size (hwd) 12 x 45 x 36cm

Rega RP8/Apheta £2200 December 2014 ★★ ★ ★ ★

A terrific turntable that sets standards at the price. A detailed sound delivered with superb agility, strong dynamics and exceptional precision.

Speed 33.3, 45rpm Size (hwd) 12 x 45 x 36cm

VPI Prime £3750

PRODUCT OF THE YEAR

Best Temptation, Awards 2015 ★★ ★ ★ ★

A confident-sounding package that can organise with the best and maintain composure even when faced with the most challenging music.

Speed 33.3, 45rpm Size (hwd) 18 x 54 x 40cm

WIRELESS SPEAKERS

Up to £150

FREE YOUR MUSIC WITH ONE OF THESE STREAMING WONDERS Cambridge Audio Go £120 Awards 2014 ★★ ★ ★ ★

Few wireless speakers offer such a great combination of build quality, battery life and enjoyable performance as this former Award-winner.

Size (hwd) 24 x 12 x 6cm Battery Yes, up to 18 hrs playback

114 www.whathifi.com

WIRELESS SPEAKERS CONTINUED JBL Flip 3 £100 May 2016 ★★ ★ ★ ★

Correcting the missteps of the Flip 2, the Flip 3 boasts a smooth, warm sound as well as improved battery life and connectivity.

Size (hwd) 6 x 17 x 6cm Battery Yes, up to 10 hrs playback

Up to £150

Ultimate Ears Boom 2 £120 February 2016 ★★ ★ ★ ★

UE has built on the success of the original Boom and produced a speaker that betters its predecessor in usability and performance.

Size (hw) 18 x 7 x 7cm Battery Yes, up to 15 hrs playback

Ultimate Ears Roll 2 £80 July 2016 ★★ ★ ★ ★

NEW ENTRY

The Roll 2 has a sound that’s more open, more dynamic and goes louder than its predecessor. The drop in price makes this a bargain.

Size (hw) 4 x 14cm Battery Yes, up to 9 hrs playback

Audio Pro Addon T3 £165

PRODUCT OF THE YEAR

Best portable wireless speaker £100-£200, 2015 ★★ ★ ★ ★

This classy boombox from Audio Pro ignores gimmicks and focuses on delivering the best sound possible for an extremely tempting price.

Size (hwd) 12 x 22 x 14cm Battery Yes, up to 30 hrs (at half volume)

JBL Xtreme £250 November 2015 ★★ ★ ★ ★

The Xtreme delivers all the power suggested by its brutish physique, but is also capable of great subtlety and insight. Powerful and portable.

Size (hwd) 13 x 28 x 12cm Battery Yes, up to 15 hrs playback

Best mains-powered wireless speaker under £200, Awards 2015 ★★ ★ ★ ★

The Airstream S150 boasts impressive clarity and detail with solid, weighty bass and an agile and dynamic delivery.

Size (hwd) 27 x 12 x 14cm Battery No

AWARD WINNER

£150 to £300

Monitor Audio Airstream S150 £150

Sonos Play:1 £170 January 2014 ★★ ★ ★ ★

Well built, with solid bass response and great detail and clarity, the Play:1 offers much more than its price tag might suggest.

Size (hwd) 16 x 12 x 12cm Battery: No

Ultimate Ears Megaboom £250 April 2015 ★★ ★ ★ ★

Arguably the most polished performer in the UE range. Battery life and build quality are excellent: you’re in for a musical treat.

Size (hw) 23 x 8cm Battery Yes, up to 20 hrs playback

Audio Pro Allroom Air One £400 August 2014 ★★ ★ ★ ★

Bluesound Pulse Mini £420 February 2016 ★★ ★ ★ ★

£300 to £500

Winner of an Award in 2013, the Air One put the cat among the pigeons. It’s still tough to argue with its rounded, entertaining sound.

Size (hwd) 20 x 31 x 19cm Battery No

A great addition to Bluesound’s family of wireless speakers, it packs the Pulse’s impressive sound into a smaller, more affordable package.

Size (hwd) 17 x 16 x 34cm Battery No www.whathifi.com 115

WIRELESS SPEAKERS CONTINUED Geneva Model S Wireless DAB+ £330 Best mains-powered wireless speaker £200-£600, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

A classy speaker with additional radio features, the Model S Wireless DAB+ offers clear, detailed, punchy sound with agility and precision.

Size (hwd) 15 x 14 x 18cm Battery No

KEF Muo £300 Best portable wireless speaker £200, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£300 to £500

The Muo brings a touch of luxury with its detailed musical performance and great looks. You won’t get better without going mains-powered.

Size (hwd) 8 x 21 x 6cm Battery Yes, up to 12 hrs playback

Q Acoustics Q-BT3 £350 June 2014 ★★ ★ ★ ★

Few products are as versatile as these for the price: wireless speakers, soundbar replacement, iPod dock or powered stereo speakers.

Size (hwd) 31 x 19 x 24cm Battery No

Ruark Audio MR1 £300 October 2015 ★★ ★ ★ ★

The £50 wireless battery pack for the R1 radio will turn these Awardwinning desktop speakers into a tidy little wireless package.

Size (hwd) 17 x 13 x 14cm Battery No

Sonos Play:5 £350 December 2015 ★★ ★ ★ ★

Its rich bass response, great detail and crystal-clear mid-range make the Play:5 a class leader as a wireless speaker or part of a multi-room set-up.

Size (hwd) 20 x 36 x 15cm Battery No

Bluesound Pulse 2 £600

NEW ENTRY

July 2016 ★★ ★ ★ ★

A speaker with a big and bold character, this has a rich and engaging sound that will fill the biggest rooms. A big step in the right direction.

Size (hwd) 20 x 42 x 19cm Battery No

B&O BeoPlay A6 £800 February 2016 ★★ ★ ★ ★

£500 and above

Oozing style and substance, the A6 effortlessly combines the simplicity and convenience of a one-box system. It’s a job fully well done.

Size (hwd) 30 x 54 x 16cm Battery No

B&W Zeppellin Wireless £500 December 2015 ★★ ★ ★ ★

Eight years on, the Zeppelin speaker is still a must-have for the audiophile who wants fine sound in a convenient package.

Size (hwd) 18 x 66 x 18cm Battery No

Geneva AeroSphère Large £650

AWARD WINNER

Best mains-powered wireless speaker £600-£800, Awards 2015 ★★ ★ ★ ★

Not only is this bulbous beauty among the best-looking wireless speakers we’ve seen, it’s high on the list of the best we’ve heard too.

Size (hwd) 41 x 41 x 32cm Battery No

Naim Mu-So £895 Best mains-powered wireless speaker £800+, Awards 2015 ★★ ★ ★ ★

The Mu-so has a rich, powerful sound, a huge sense of scale and soaring dynamics – and it’s now been updated to accommodate Tidal.

Size (hwd) 12 x 63 x 26cm Battery No 116 www.whathifi.com

AWARD WINNER

BUYER’S GUIDE

BEST BUYS The only products worth considering

HOME CINEMA BLU-RAY PLAYERS

ENJOY HIGH-DEF MOVIE THRILLS

Panasonic DMP-BDT170 £90 August 2015 ★★ ★ ★ ★

Up to £100

Picture quality is what counts. It might be short on catch-up services but the arresting colours, strong contrast and good upscaling make up for that.

Compatibility Blu-ray, DVD, CD

Sony BDP-S4500 £75 August 2015 ★★ ★ ★ ★

Nothing’s perfect in this life, but the BDP-S4500 comes pretty close.

Delivering on every count, it’s a positive steal at this price.

Compatibility Blu-ray, DVD, CD

Panasonic DMP-BDT370 £100

PRODUCT OF THE YEAR

Best Blu-ray player under £150, Awards 2015 ★★ ★ ★ ★

A bright, sharp picture, weighty sound and 4K upscaling, all for just £100. Enough to award this player our 2015 Blu-ray Product of the Year.

Compatibility Blu-ray, DVD, CD

£100 to £300

Sony BDP-S5500 £110 July 2015 ★★ ★ ★ ★

A tiny player that goes big on performance. Features and design are strong too – and there’s a dedicated Netflix button on the remote.

Compatibility Blu-ray, DVD, CD

Sony BDP-S7200 £180 Best Blu-ray player £150-£300, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

The pictures here are impressive, but it’s with sound quality that this model’s star shines brightest – it’s entertaining, exciting and musical.

Compatibility Blu-ray, DVD, CD, SACD

Sony UHP-H1 £400

NEW ENTRY

July 2016 ★★ ★ ★ ★

£300 to £800

A Blu-ray player in name only, this one-box offering is one of the most talented multi-media players we’ve seen around this price.

Compatibility Blu-ray, DVD, CD, SACD

Panasonic DMP-UB900 £600 May 2016 ★★ ★ ★ ★

The first 4K Blu-ray player is a stunner. Lush colours and strong contrast are allied with great defintion. The future of home cinema has arrived.

Compatibility Blu-ray, DVD, CD

Best Blu-ray player £300+, Awards 2015 ★★ ★ ★ ★

A universal disc-player, packed with features and connections, that pushes the boundaries with both picture and sound quality.

Compatibility Blu-ray, DVD, CD, SACD

AWARD WINNER

£800 and above

Cambridge Audio CXU £1000

www.whathifi.com 117

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£800 and above

BLU-RAY PLAYERS CONTINUED Oppo BDP-105D £1100 March 2015 ★★ ★ ★ ★

£1100 is a lot for a disc player, but if you want a quality component that’s as adept with music as it is with movies, you’ll want this. Top class.

Compatibility Blu-ray, DVD, CD, SACD

HOME CINEMA AMPLIFIERS STUNNING SOUND THAT TRULY BRINGS MOVIES TO LIFE

Sony STR-DN860 £400 Up to £500

September 2015 ★★ ★ ★ ★

Sony proves the value of performance over the latest mod cons. No Dolby Atmos, but a thoroughly authoritative and engaging sound.

Power 7 x 95W Dolby Atmos No HDMI in/out 5/1

Yamaha RX-V379 £300 Best home cinema amplifier under £350, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

This entry-level amp is a great way to start in home cinema. Champion under £350 at the Awards, it offers a scale of sound belying its price.

Power 5 x 70W Dolby Atmos No HDMI in/out 4/1

Denon AVR-X2300W £500

NEW ENTRY

£500 to £1000

August 2016 ★★ ★ ★ ★

Better than the stunning AVR-X2200W; the sound has been refined, it’s very easy to use and has plenty of features, all for the same price.

Power 7 x 150W Dolby Atmos Yes HDMI in/out 8/2

Yamaha RX-V679 £600 October 2015 ★★ ★ ★

No Dolby Atmos but Yamaha does offer a big, spacious sound with decent detail and balance, though some others are more nuanced.

Power 7 x 90W Dolby Atmos No HDMI in/out 6/1

Onkyo TX-NR3030 £2500 £1000 and above

June 2015 ★★ ★ ★ ★

Looking for high-end, high-quality surround audio? This amp delivers with a spacious, subtle sound, a plethora of features and Dolby Atmos.

Power 11 x 185W Dolby Atmos Yes HDMI in/out 8/3

Pioneer SC-LX59 £1400

AWARD WINNER

Best home cinema amplifier £1000+, Awards 2015 ★★ ★ ★ ★

The SC-LX59 makes it six £1000+ Awards in a row for Pioneer. This latest offering is better than ever, making it a class-leading receiver.

Power 9 x 140W Dolby Atmos Yes HDMI in/out 8/3

PROJECTORS Up to £1000

BECAUSE A MASSIVE PICTURE IS HOME CINEMA BenQ W1080ST+ £850 Best projector under £1000, Awards 2015 ★★ ★ ★ ★

This short-throw projector can sit less than six feet from the screen at max zoom – and looks brilliant thanks to its crisp, eye-catching pic.

Throw ratio 0.69-0.83:1 Inputs 2 x HDMI, component Speakers Yes

120 www.whathifi.com

AWARD WINNER

Epson EH-TW6600 £1400 April 2015 ★★ ★ ★ ★

If you aren’t bothered about wireless connectivity, you’ll be thrilled by its bold, rich colours, sharp lines and hugely impressive contrast.

Throw ratio 1.32-2.15:1 Inputs 2 x HDMI, PC, component Speakers Yes

£1000 and above

Epson EH-TW7200 £1900

PRODUCT OF THE YEAR

Best projector £1000-£2000, Awards 2015 ★★ ★ ★ ★

Versatile and easy to set up, this one raises the bar for picture quality in the sub-£2000 arena with its realistic, subtle and punchy performance.

Throw ratio 1.34-2.87:1 Inputs 2 x HDMI, component Speakers No

Sony VPL-VW520ES £8800 April 2016 ★★ ★ ★ ★

With one eye on the future, this feature-laden, 4K and HDR projector performs superbly – if you can afford it.

Throw ratio n/a Inputs HDMI, LAN Speakers No

SET-TOP BOXES THE BEST WAY TO ACCESS THE WORLD OF TELEVISION AWARD WINNER

Humax DTR-T2000 £180 Best PVR, Awards 2015 ★★ ★ ★ ★

This YouView recorder is still one of the best ways to handle live TV. Its 500GB is a decent amount of space, but it’s now available with 1TB too.

Tuners 2 Storage 500GB Ultra HD No

Humax FVP-4000T £200 PVRs

March 2016 ★★ ★ ★ ★

Catch-up TV is made supremely easy with this Freeview Play box.

It’s a comprehensive entertainment hub with minimum fuss.

Tuners 3 Storage 500GB, 1TB Ultra HD No

Humax HDR-1100S £190 (500GB), £220 (1TB), £270 (2TB) December 2015 ★★★★★

Now with wi-fi, this impressive Freesat recorder is a genuine wireless entertainment hub. It’s our top subscription-free choice.

Tuners 2 Storage 500GB , 1TB, 2TB Ultra HD No

BT Ultra HD YouView min £15/month + fees November 2015 ★★ ★ ★

Sky+HD 2TB free or £250

Set-top

The first 4K box to hit the market, this is the most accomplished live TV you can watch. Content is a little limited right now – so sports fans only.

Tuners 2 Storage 1TB Ultra HD Yes PRODUCT OF THE YEAR

Best subscription service, Awards 2015 ★★ ★ ★ ★

Sky+HD is a complete subscription package that’s hard to rival.

The interface keeps getting better too, which is great for longevity.

Tuners 2 Storage 2TB Ultra HD No

F O R A F U L L L I S T O F S P E C I F I C AT I O N S A N D I N - D E P T H R E V I E W S V I S I T W H AT H I F I . C O M

Rs

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SET-TOP BOXES CONTINUED

SOUNDBARS AN IMPRESSIVE WAY TO IMPROVE YOUR TV’S SOUND Philips HTL5140 £270

Up to £500

December 2014 ★★ ★ ★ ★

Insightful, balanced and unobtrusive, this slimline package will suit almost any set-up. Comfortably deserving of its five-star status.

Size 5 x 104 x 7cm Inputs Coax, optical, USB, analogue Sub Yes

Q Acoustics Media 4 £330

PRODUCT OF THE YEAR

Best soundbar under £500, Awards 2015 ★★ ★ ★ ★

Q Acoustics’ debut soundbar is remarkable value – even more so at its reduced price – and more than worthy of its two-time PoY status.

Size (hwd) 9 x 100 x 14cm Inputs Optical, RCA Subwoofer No

Dali Kubik One £800 Best soundbar £500+, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£500 and above

A gorgeous and complete package, Dali’s debut soundbar impresses with its hugely engaging sound and smart, well-equipped exterior.

Size (hwd) 15 x 98 x 10cm Inputs Optical, 2 x RCA Subwoofer No

Philips Fidelio B5 £600 December 2015 ★★ ★ ★ ★

Thanks to two detachable (wireless, battery-powered) speakers, it can add surround sound or be a multi-room system. Great sound, too.

Size 7 x 104 x 16cm Inputs 2 x HDMI, optical, coax, RCA Sub Yes

Sonos Playbar £600 January 2015 ★★ ★ ★ ★

Better TV sound is one thing, but this is Sonos in a soundbar – so you can stream music from a NAS, laptop or smartphone or access internet radio.

Size (hwd) 9 x 90 x 14cm Inputs Optical Subwoofer Optional

SOUNDBASES AN ALTERNATIVE SOURCE OF SUPERIOR TV SOUND Cambridge Audio TV5 £250 Up to £500

June 2015 ★★ ★ ★ ★

The TV5 shares its TV2 sibling’s rich presentation, but with an extra driver and bigger chassis there’s better detail, clarity and dynamics.

Size (hwd) 10 x 73 x 34cm Inputs Optical

Canton DM55 £330 Best soundbase under £400, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£500 and above

Replacing the DM50, the £70 cheaper DM55 is even more appealing – its meaty yet subtle sound is a huge audio upgrade for your TV. Size (hwd) 7 x 55 x 30cm Inputs Optical, coaxial

Geneva Model Cinema £550 June 2015 ★★ ★ ★ ★

This premium soundbase has a big, balanced and authoritative sound, with detail and dynamic insight in spades. It’s worth the extra spend.

Size (hwd) 10 x 70 x 35cm Inputs Optical, coaxial

122 www.whathifi.com

AWARD WINNER

SET-TOP BOXES CONTINUED

SOUNDBASES CONTINUED £500 and above

Philips Fidelio XS1 £500 April 2016 ★★ ★ ★

If you’re willing to trade a little audio quality for features, connections and streamlined looks, the XS1 should be on your shortlist.

Size (hwd) 73 x 4 x 33cm Inputs coaxial, digital, HDMI 1.4, HDMI, RCA

SPEAKER PACKAGES GOOD SURROUND SOUND IS A MOVIE-MAGIC MUST

Style packages up to £1000

Q Acoustics Q7000i £900 November 2013 ★★ ★ ★ ★

Got £900 to spend on a sub/sat package? Spend it here. This compact set creates a cohesive and expansive soundfield, with strong bass.

Size (hwd) Centre speaker 12 x 20 x 16cm Finishes 2 AWARD WINNER

Tannoy HTS-101 XP £600 Best style package under £1000, Awards 2015 ★★ ★ ★ ★

The latest incarnation of a multiple winner has a sonic character that retains its fast, spacious quality, but with extra detail and solidity.

Size (hwd) Centre speaker 19 x 10 x 11cm Finishes 1

B&W MT-50 £1100

AWARD WINNER

Best style package £1000+, Awards 2015 ★★ ★ ★ ★

Style packages £1000 and above

These speakers sound crisp, clear and insightful, and the sub and satellites integrate so well. Value and versatility combined.

Size (hwd) Centre speaker 25 x 11 x 16cm Finishes 2

B&W MT-60D £1950 May 2012 ★★ ★ ★ ★

Compact and stylish (we love that sub), this package presents a dynamic, powerful sound that excels with surround sound and stereo music.

Size (hwd) Centre speaker 25 x 11 x 16cm Finishes 2 AWARD WINNER

Dali Zensor 1 5.1 £980 Best traditional package under £1000, Awards 2015 ★★ ★ ★ ★

Why did it win an Award? Because of the sound’s punchy dynamics, abundance of detail, expression, articulation and impressive integration.

Size (hwd) Centre speaker 16 x 44 x 29cm Finishes 3

“Continues the Q Acoustics’ tradition of punching way above its weight”

July 2015 ★★ ★ ★ ★

A budget package that makes the sound from films come across as subtle, atmospheric and detailed. This is a fun listening experience.

Size (hwd) Centre speaker 15 x 43 x 20cm Finishes 5

Wharfedale Diamond 220 HCP £850

“Watching Birdman we are so immersed it is easy to imagine we are backstage in a Manhattan theatre”

July 2015 ★★ ★ ★ ★

Featuring one of our favourite standmounters, this package offers an excellent surround-sound experience for a reasonable price.

Size (hwd) Centre speaker 17 x 47 x 27cm Finishes 7

Monitor Audio Bronze B5 AV £1500

Traditional packages up to £2000

Q Acoustics 3000 Series 5.1 £700

PRODUCT OF THE YEAR

Best traditional package £1000-£2000, Awards 2015 ★★ ★ ★ ★

Our Speaker Package Product of the Year is beautifully designed, has ample punch, creates a spacious soundfield and is very musical.

Size (hwd) Centre speaker 17 x 46 x 19cm Finishes 4

“This may be the easiest £1500 you’ll ever spend”

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SPEAKER PACKAGES CONTINUED B&W 683 S2 Theatre £2750 “It packs a good deal of punch and a pleasing sense of scale”

November 2014 ★★ ★ ★

Traditional packages £2000 and above

We’d like a bit more authority in the bass, but we’re still delighted by the detailed, agile sound, focused surround steering and power on offer.

Size (hwd) Centre speaker 22 x 59 x 30cm Finishes 2

KEF R100 5.1 £2850 Best traditional package £2000+, Awards 2015 ★★ ★ ★ ★

Gorgeous looks and superior sound quality – the R100 5.1 has both.

There’s great scale, seamless integration, and an expressive midrange.

Size (hwd) Centre speaker 17 x 53 x 31cm Finishes 4

AWARD WINNER

Monitor Audio Silver 6 AV12 £2875 June 2014 ★★ ★ ★ ★

“No doubt worth every penny of its asking price”

With terrific build and finish, and a fine degree of insight and precision in the sound, these speakers work together seamlessly. A top-notch package Size (hwd) Centre speaker 19 x 50 x 24cm Finishes 6

PMC Twenty 23 5.1 £8240 July 2016 ★★ ★ ★ ★

NEW ENTRY

One of our favourite floorstanders features in a speaker package that delivers a captivating performance. So good it’s our reference system.

Size (hwd) Centre speaker 17 x 52 x 31cm Finishes 1

VIDEO STREAMERS DON’T RESTRICT STREAMING TO A LAPTOP – GET IT ON THE TELLY Google Chromecast 2 £30

Up to £50

December 2015 ★★ ★ ★ ★

The second-gen Chromecast still ‘casts’ content from a device to a TV over wi-fi, but now with speedier operation and a performance boost.

Resolution 1080p, 720p Storage No Ultra HD No

Now TV (2015) £15 February 2016 ★★ ★ ★ ★

Now it outputs 1080p and passes through 7.1 surround sound, NOW TV is a great way to open your doors to a plethora of Sky content.

Resolution 1080p, 720p Storage n/a Ultra HD No

Amazon Fire TV (2015) £80

£50 to £150

Best streaming box, Awards 2015 ★★ ★ ★ ★

An improvement on the first Fire TV. For the same money you get 4K streaming, greater speed and power, and expanded storage options.

Resolution Ultra HD, 1080p, 720p Storage 8GB Ultra HD Yes

Roku 3 £100 March 2015 ★★ ★ ★ ★

Super-slick operational speeds and a plethora of content make Roku’s latest entry to its established streaming catalogue the best we’ve seen.

Resolution 1080p, 720p Storage opt. 2GB microSD Ultra HD No

£150 and above

“There aren’t many speaker packafes as exciting as this one.

It will transform your movies and music”

PlayStation 4 (500GB) £300 February 2014 ★★ ★ ★

With stacks of smart music and movie apps plus solid performance, Sony’s latest is a must-have for gamers and entertainment-seekers alike.

Resolution 1080p, 720p Storage 500GB, 1TB Ultra HD No

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AWARD WINNER

“Stick with the PMCs and you’ll be rewarded with an incredible surround-sound experience”

VIDEO STREAMERS CONTINUED £150 and above

Xbox One (500GB) £300 January 2014 ★★ ★ ★

This hugely ambitious console isn’t without imperfections, and it might need time to realise its potential. For now it’s a very good games console.

Resolution 1080p, 1080i, 720p Storage 500GB, 1TB Ultra HD No

TELEVISIONS MAKE THE FOCUS OF YOUR ENTERTAINMENT HUB A GOOD ONE

Up to 40in

Samsung UE32J6300 £380 March 2016 ★★ ★ ★ ★

It expertly ticks all the boxes you’d expect from a Full HD TV. The only issue is the availability of larger rivals at the same price.

Type LCD/LED HDMI 4 Resolution Full HD Tuner Freeview HD AWARD WINNER

Panasonic TX-40CS520 £380 Best 40-46in TV under £500, Awards 2015 ★★ ★ ★ ★

This is a great deal. It might not be flashy (there’s no 3D or 4K) but it’s packed full of features and its picture quality is best-in-class.

Type LCD/LED HDMI 2 Resolution Full HD Tuner Freeview HD

Panasonic TX-40CX680B £700 August 2015 ★★ ★ ★ ★

Samsung UE40JU7000 £880

AWARD WINNER

Best 40-46in TV £500+, Awards 2015 ★★ ★ ★ ★

40in to 50in

This good-looking telly is a great advert for smaller-screen 4K, offering a fine picture and a good stack of features with it. £700 well spent.

Type LCD/LED HDMI 3 Resolution Ultra HD Tuner Freeview HD

You don’t need a huge screen to appreciate the benefits of a 4K pic.

This sleek 40in set combines features, functionality and performance.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freev’w/Freesat HD

Samsung UE48J6300 £650

PRODUCT OF THE YEAR

Best 47-52in TV under £1000, Awards 2015 ★★ ★ ★ ★

It has a pronounced curve, but the picture quality is a fantastic proposition at this price. Astonishingly good Full HD performance.

Type LCD/LED HDMI 4 Resolution Full HD Tuner Freeview HD

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40in to 50in

TELEVISIONS CONTINUED Samsung UE48JU7000 £1250

AWARD WINNER

Best 47-52in TV £1000+, Awards 2015 ★★ ★ ★ ★

This Samsung is special: super-sharp 4K, realistic textures, a smart interface, and a slim, attractive physique. Impressive.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freev’w/Freesat HD

Panasonic TX-50CS520 £500 October 2015 ★★ ★ ★ ★

This Full HD TV presents a stunning picture, but the sound is good too.

Add a fine interface and that £500 price becomes an act of generosity.

Type LCD/LED HDMI 2 Resolution Full HD Tuner Freeview HD

Panasonic TX-50CX802B £1800 September 2015 ★★ ★ ★ ★

50in to 60in

This is an impressive 4K screen, but it also renders Full HD content with particular flair, with great upscaling being the real talent here.

Type LCD/LED HDMI 3 Resolution Ultra HD Tuner Freev’w/Freesat HD

LG OLED55C6V£3000 July 2016 ★★ ★ ★ ★

NEW ENTRY

LG’s latest OLED looks to the future (Dolby Vision, HDR10) but in the here and now it boasts a rich, detailed picture with impressive blacks.

Type OLED HDMI 3 Resolution Ultra HD Tuner Freeview HD

Samsung UE55KS7000 £1500

NEW ENTRY

July 2016 ★★ ★ ★ ★

Samsung has built on last year’s momentum with a spectacular TV. It’s sharp and clear and renders images in a remarkably subtle way.

Type LED HDMI 4 Resolution Ultra HD Tuner Freeview/Freesat HD

Sony KD-55XD9405 £2000 June 2016 ★★ ★ ★ ★

NEW ENTRY

The presence of HDR significantly improves the image on this set, which offers a level of subtlety that leaves others trailing in its wake.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freeview HD

LG 65EF950V £4000 January 2016 ★★ ★ ★ ★

One of the very best TVs on the market, this LG is a lovely looking telly with a fantastic picture. Whisper it, but OLED is becoming accessible.

Type OLED HDMI 3 Resolution Ultra HD Tuner Freeview HD

Panasonic TX-65DX902B £3200 60in and above

June 2016 ★★ ★ ★ ★

NEW ENTRY

With its lovely contrast and lush colours, this set offers stunning all-round performance. If you’re after a great big 4K/HDR TV, have a look at this.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freev’w/Freesat HD

Samsung UE65JS8500 £3000 Best 60in+ TV, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

This curved set combines excellent smarts with a gorgeous, insightful picture. If a big screen and 4K are must-haves, your search is over.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freev’w/Freesat HD

Sony KD-75XD9405 £5000 July 2016 ★★ ★ ★ ★

Sony’s flagship sets a marker for others to follow by going all out to maximize compatibility and picture performance. As good as it gets.

Type LCD/LED HDMI 4 Resolution Ultra HD Tuner Freeview HD 126 www.whathifi.com

NEW ENTRY

BUYER’S GUIDE

BEST BUYS The only products worth considering

PORTABLE HEADPHONES

BIN THE BUNDLED BUDS, AND INVEST IN BETTER SOUND

Best in-ears under £50, Awards 2015 ★★ ★ ★ ★

Paying £40 for a pair of buds like these ranks as one of the simplest, most affordable and most satisfying upgrades available.

In-line controls Yes Cable length 1.2m

Sennheiser Momentum M2 IEi £90

In-ears up to £50

AWARD WINNER

SoundMagic E10S £40

PRODUCT OF THE YEAR

Best in-ears £50-£100, Awards 2015 ★★ ★ ★ ★

£50 to £100

You wouldn’t think anything so small could sound so good – not for just £90. But good they sound, wonderfully smooth, expressive and balanced.

In-line controls Yes Cable length 1.3m

Sony MDR-EX650AP £60 November 2014 ★★ ★ ★ ★

These smart buds are nicely judged tonally, with plenty of detail. Add an expansive soundstage and you’re looking at great value for money.

In-line controls Yes Cable length 1.2m

Focal Sphear £100 November 2015 ★★ ★ ★ ★

These Focals back that a classy design with a full-bodied, detailed sound that’s seriously engaging. They are a comfortable fit, too.

In-line controls: Yes Cable length 1.2m

£100 to £500

Klipsch X11i £200 November 2014 ★★ ★ ★ ★

As comfortable in your ear as a cotton bud, the X11is deliver great sound too – exciting yet smooth and insightful. Highly recommended.

In-line controls Yes Cable length 1.3m

Shure SE425 £200 Best in-ears £100-£300, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

If you’re serious about the quality of your in-ear headphones, we’d point you here. The energetic, immersive performance is irresistible.

In-line controls Yes Cable length 1.6m

Sennheiser IE 800 £600 Best in-ears £300+, Awards 2015 ★★ ★ ★ ★

Shure SE846 £950 June 2014 ★★ ★ ★ ★

£500 and above

You might think it a waste to spend £600 on buds, but don’t make up your mind till you’ve heard these – they’re astonishing performers.

In-line controls Yes Cable length 1.1m

AWARD WINNER

Stunning detail, supreme tonal balance and extraordinary dynamics.

You just need to ensure you use an equally talented source In-line controls Yes Cable length 1.2m & 1.6m www.whathifi.com 127

HEADPHONES CONTINUED AKG N60 NC £230

AWARD WINNER

Noise-cancelling headphones

Best noise-cancelling headphones under £250, Awards 2015 ★★ ★ ★ ★

The N60s are ultra-portable and offer effective noise-cancellation, leaving them free to present a punchy, musical, balanced sound.

Quoted battery life 30 hours

Bose QuietComfort 25 £270 April 2015 ★★ ★ ★ ★

These cans are a real treat. Their noise-cancelling capabilities are extraordinary, their clear, balanced sound a joy to hear.

Quoted battery life 35 hours

PSB M4U2 £250 April 2015 ★★ ★ ★ ★

As well as obliging with a powerful delivery the PSBs offer a choice of listening modes (passive, active and noise-cancelling), to suit.

Quoted battery life 55 hours

AKG K451 £50 On-ears up to £100

October 2012 ★★ ★ ★ ★

Great agility and precision timing combined with excellent build and compact size, makes the K451s a must-audition pair of cans.

Type Closed Connection 3.5mm Weight 120g

AKG Y50 £50 Best portable on-ears under £100, Awards 2015 ★★ ★ ★ ★

Our Product of the Year cans for 2015 are portable on-ears, and deliver a rhythmic, clear, detailed, dynamic sound. At this price they’re amazing.

Type Closed Connection 3.5mm Weight 190g

AKG K550 £100 Best home on-ears under £150, Awards 2015 ★★ ★ ★ ★

These on-ears, relatively light and very comfy, are communicative too, natural and unforced. And they deliver bass with punch and precision.

Type Closed Connection 3.5mm/6.3mm Weight 305g

Bang & Olufsen BeoPlay H2 £170 £100 to £200

May 2015 ★★ ★ ★ ★

Not only do these headphones look great, they also do a fine job of music reproduction – and offer great pride of ownership.

Type Closed Connection 3.5mm Weight 155g

Grado SR125e £150 December 2014 ★★ ★ ★ ★

These might have looked at home on the ears of a wartime radio operator, but they sound great. Stay at home, though: they’re leaky.

Type Open Connection 3.5mm/6.5mm Weight 363g

Philips Fidelio M1MkII £135 May 2015 ★★ ★ ★ ★

The Fidelios offer an unusually smooth delivery and plenty of weighty, punchy bass. Clarity and precision are further strong points.

Type Closed Connection 3.5mm Weight 166g

£200 to £300

PRODUCT OF THE YEAR

Beyerdynamic T51i £245 Awards 2014 ★★ ★ ★ ★

It’s satisfying when great design, premium build and top performance all come together. These on-ears really do sound as good as they look.

Type Closed Connection 3.5mm/6.3mm Weight 174g

128 www.whathifi.com

AWARD WINNER

HEADPHONES CONTINUED B&W P5 Series 2 £250 February 2014 ★★ ★ ★ ★

Clear, precise sound, bags of detail, punchy rhythm – these gorgeous ’phones have the lot. We can’t think of anything to say against them.

Type Closed Connection 3.5mm Weight 195g

Grado SR325e £270 Best home on-ears £150-£300, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

£200 to £300

If you don’t mind the sound that leaks from them, you’re free to enjoy the fluid dynamics and wonderfully musical presentation.

Type Open Connection 3.5mm/6.5mm Weight 330g

Philips Fidelio X2 £230 October 2015 ★★ ★ ★ ★

The X2s have a smooth, neutral sound, great rhythm and punchy bass.

Superior design helps make them supremely comfortable too.

Type Open Connection 3.5mm Weight 380g

Sennheiser Momentum 2.0 £270 Best portable on-ears £200-£300, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

We love the design but it’s more than just pretty – the Momentums 2.0s are comfortable on your ears and fold neatly off them.

Type Closed Connection 3.5mm Weight 240g

B&W P7 £330 September 2014 ★★ ★ ★ ★

Shure SRH1540 £400 Best home on-ears £300+, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Once the music starts you’ll focus on the expansive, beautifully balanced sound. There’s agility, enthusiasm and genuine musicality too.

Type Closed Connection 3.5mm Weight 286g

£300 to £500

Worth every penny. The solid build quality and comfy fit we expect, but the level of detail and dynamics swept us off our feet.

Type Closed Connection 3.5mm Weight 290g

AKG K812 £1100 October 2014 ★★ ★ ★ ★

Sennheiser HD800S £1200 June 2016 ★★ ★ ★ ★

NEW ENTRY

If the price invites doubts, rest assured the performance is absolutely worth it provided your source and amplification are up to the job.

Type Open Connection 6.3mm Weight 330g

AKG Y50BT £150 By wireless standards, they’re excellent. Clarity and insight are particular strong points, but it’s also a great design.

Folding Yes Quoted battery life 20hrs+ Wireless range n/a

Philips Fidelio M2BT £185 Janaury 2015 ★★ ★ ★ ★

Bluetooth here is the superior aptX version. There’s also NFC connectivity and – most important – a rich, balanced, musical sound.

Folding No Quoted battery life 10hrs Wireless range 15m

AWARD WINNER

Wireless up to £200

Best wireless headphone under £250, Awards 2015 ★★ ★ ★ ★

£500 and above

For outright insight you’d have to spend thousands more than this on speakers before you get close to the resolution and agility on offer here.

Type Open Connection 3.5mm/6.3mm Weight 390g

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Wireless £200 and above

HEADPHONES CONTINUED AWARD WINNER

B&W P5 Wireless £330 Best wireless headphones £250+, Awards 2015 ★★ ★ ★ ★

All the characteristics of the P5 Series 2 without the wire. The Bluetooth connection works well and the sound is nigh-on as good as the Series 2.

Folding Yes Quoted battery life 17hrs Wireless range n/a

Sennheiser Momentum 2.0 Wireless £380

AWARD WINNER

Best noise-cancelling headphones £250+, Awards 2015 5 ★★ ★ ★ ★

Take the Momentum 2.0, add aptX Bluetooth and active noise cancellation and – voilà. Very desirable.

Folding No Quoted battery life 22hrs Wireless range 10m

PORTABLE MUSIC PLAYERS TREAT YOUR TUNES TO A DEDICATED MUSIC PLAYER Apple iPod Touch (6th Gen) 128GB £330 Up to £400

December 2015 ★★ ★ ★ ★

“There’s still life in the iPod Touch yet”

There’s life in the iPod Touch yet. Its price and talent with CD-quality music makes it a worthy challenge to pricier rivals with hi-res audio.

Hi-res compatible No Weight 88g Storage128GB

Sony NW-AH25N £240

“Stays composed as the music becomes complex and never sounds edgy or harsh”

February 2016 ★★ ★ ★

Likable and affordable, the AH25N boasts plenty of features and, although the ergonomics could be better, it produces a good sound.

Hi-res compatible Yes Weight 66g Storage 16GB

Astell & Kern Ak Jr £400

PRODUCT OF THE YEAR

Best portable music player, Awards 2015 ★★ ★ ★ ★

£400 to £700

Our favourite portable unit of 2015, this hi-res player isn’t cheap, but its build quality and performance make it a formidable, portable pleasure.

Hi-res compatible Yes Weight 93g Storage 64GB

Pioneer XDP-100R £500 February 2016 ★★ ★ ★

A player that ticks all the boxes on the hi-res checklist thanks to its excellent compatibility, massive storage and balanced sound.

Hi-res compatible Yes Weight 181g Storage up to 432GB

Sony NW-ZX100HN £500 April 2016 ★★ ★ ★

While it’s too polite in terms of presentation, this likeable player hits the sweet spot for design, performance and price.

Hi-res compatible Yes Weight 145g Storage 32GB

“Makes the case for high-res audio in unequivocal style”

“Gives an impression of refined detail, an even balance and a full-bodied, solid sound”

“An affordable player with a touch of premium quality”

Acoustic Research M2 £900 £700 and above

June 2014 ★★ ★ ★

There are niggles with the interface and design, but this is one of the best-sounding players we’ve heard. You really need to listen to the M2.

Hi-res compatible Yes Weight 245g Storage 64GB

Astell & Kern AK100 MkII £700 April 2014 ★★ ★ ★

This middle-of -the-range hi-res player’s fluid, dynamic and detailed sound and extensive file compatibility far outweigh the sluggish interface.

Hi-res compatible Yes Weight 170g Storage 32GB

130 www.whathifi.com

“Piles on the punch and power without missing a step”

“One of the best-sounding portable high-res music players”

PORTABLE MUSIC PLAYERS CONTINUED September 2015 ★★ ★ ★

“It’s a master at picking out the detail and nuance in music”

This second-gen hi-res Walkman is impressive. If you’re an audio enthusiast who takes music seriously you should take a closer look.

Hi-res compatible Yes Weight 235g Storage 128GB

£700 and above

Sony NW-ZX2 £950

SMARTPHONES SUPERB MUSIC AND VIDEO PLAYERS THAT MAKE PHONE CALLS TOO PRODUCT OF THE YEAR

“As you’d expect from Apple, it all works perfectly”

Best smartphone under 5in, Awards 2015 ★★ ★ ★ ★

The iPhone 6s packs class-leading audio and video performances, a faster processor, better camera and the intuitive 3D Touch feature.

OS iOS Size (hwd) 138 x 67 x 7mm Storage 16/64/128GB

Apple iPhone 6S Plus

“A confident performer and a desirable phone in its own right”

January 2016 ★★ ★ ★ ★

The best big screen iPhone yet, we heartily recommend this if you have deep pockets and are looking for a fantastic multimedia device.

OS iOS Size (hwd) 158 x 78 x 7mm Storage 16/64/128GB

LG G5 (with Hi-Fi Plus DAC)

NEW ENTRY

July 2016 ★★ ★ ★ ★

LG combines innovation and performance to produce a phone that’s up there with the best. The modular components are a brilliant idea.

OS Android Size (hwd) 149 x 74 x 8mm Storage 32GB & microSD NEW ENTRY

HTC 10 July 2016 ★★ ★ ★ ★

AWARD WINNER

Best smartphone above 5in, Awards 2015 ★★ ★ ★ ★

It’s pricey, but with a performance this good and a design this gorgeous, we’d pay it. It’s our favourite big screen phone.

OS Android Size (hwd) 154 x76 x7mm Storage 32/64/128GB

Samsung Galaxy S7 July 2016 ★★ ★ ★ ★

A lesson in how to make a great phone even better. With microSD support, a superb screen and good design, there’s little to moan about.

OS Android Size (hwd) 142 x 70 x 8mm Storage 32GB & microSD

NEW ENTRY

“LG G5 with Hi-Fi Plus

by B&O Play may be a mouthful, but it is the complete package”

“HTC has focused on the core functionality and we think it has got the focus absolutely spot on”

“There’s no doubt that this is the big-screen phone to opt for right now”

Over 5in

HTC rebounds with a superb effort that really nails the core functionality of a smartphone and excels in the audio and video departments.

OS Android Size (hwd) 146 x 72 x 3mm – Storage 32/64GB/microSD

Samsung Galaxy S6 Edge+

Under 5in

Apple iPhone 6S

“Samsung’s made careful tweaks to an already great phone, making it one of the best you can buy”

Sony Xperia Z5 March 2016 ★★ ★ ★

We expected more in the way of innovation but, nevertheless, the Z5 is an admirable achievement that has improved sound and fast operation.

OS Android Size (hwd) 146 x72 x7.3mm Storage 32GB & microSD

“A phone that offers some really good flagship-like features”

F O R A F U L L L I S T O F S P E C I F I C AT I O N S A N D O T H E R U S E F U L I N F O V I S I T W H AT H I F I . C O M www.whathifi.com 131

STREAMING APPS & SERVICES THE BEST WAY TO GET YOUR STREAMING FIX BBC iPlayer Free

PRODUCT OF THE YEAR

On demand video

Best video-on-demand service, Awards 2015 ★★ ★ ★ ★

Quality content, a great interface and free (for catch-up TV), BBC’s iPlayer is one of, if not the best, video on-demand platforms out there.

Resolution up to 1080p Offline playback Yes

Google Play Movies & TV Variable June 2014 ★★ ★ ★ ★

Google’s venture into video streaming is a success, offering pretty much everything we could ask for from an on-demand video service.

Resolution Up to 1080p Offline playback Yes

7digital Variable January 2016 ★★ ★ ★ ★

On demand music

A download site that features competitive pricing, a strong catalogue and that’s easy to use, this is one of the best music-dowload sites around.

Resolution Up to 24-bit/192kHz Offline playback Yes

Qobuz Sublime £220/pa May 2016 ★★ ★ ★ ★

Qobuz Sublime is, well, sublime. Easy to use, with a diverse catalogue and competitive prices, this is a service that packs in a lot of value.

Sound quality Up to 24-bit/192kHz Offline playback Yes

Technics Tracks Variable January 2016 ★★ ★ ★ ★

Offering a (very) similar experience to 7Digital, the Technics site focuses on hi-res music, which is what gives it the edge over its competition.

Resolution Up to 24-bit/192kHz Offline Playback Yes

Amazon Prime Instant Video £6/month June 2014 ★★ ★ ★

Video apps

A very good video subscription service, its strengths lie in its strong film library, offline playback and its near-ubiquity among devices.

Resolution Up to Ultra HD Offline playback Yes

Netflix £6 SD, £7.50 HD, £9 Ultra HD Best video subscription service, Awards 2015 ★★ ★ ★ ★

Without doubt one of the most satisfying streaming services runs on practically every platform available, even on your Ultra HD television.

Resolution Up to Ultra HD Offline Playback No

Now TV from £7/month June 2014 ★★ ★ ★

Music apps

Essentially a Sky service without the subscription, Now TV is a great way of getting the latest content without paying through the nose for it.

Resolution Up to 1080p Offline playback No

Apple Music £10/month September 2015 ★★ ★ ★ ★

This long-awaited service from Apple has intelligent curation, a huge catalogue, good sound quality and an engaging live radio station.

Sound quality Up to 256kbps AAC Offline playback Yes

132 www.whathifi.com

AWARD WINNER

STREAMING APPS CONTINUED Spotify from free July 2015 ★★ ★ ★ ★

Music apps

The service that led the streaming revolution, its accessibility, ease of use and content are reasons Spotify remains at the top of the pile.

Sound quality Up to 320kbps Ogg Vorbis Offline playback Yes AWARD WINNER

Tidal from £10/month Best music streaming service, Awards 2015 ★★ ★ ★ ★

One of the few streaming services to offer lossless audio, Tidal’s exclusive content and curated playlists make it stand out.

Sound quality Up to 1411kbps lossless Offline playback Yes

TABLETS TOUCHSCREEN HEAVEN, WITH LAPTOP SMARTS

Best tablet under 8in, Awards 2015 ★★ ★ ★ ★

Under 8in

AWARD WINNER

Apple iPad mini 4 from £320 Apple’s best small tablet yet? A superb screen, great user experience, punchy audio and fine apps make this the best small-screen tablet.

OS iOS Size (hwd) 203 x 135 x 6mm Storage 16/64/128GB

PRODUCT OF THE YEAR

Apple iPad Air 2 from £400 Best tablet 8in+, Awards 2015 ★★ ★ ★ ★

The iPad Air 2 ticks all the boxes: best-bar-none video and audio; an unrivalled user experience; snappy in use, and a gorgeous design.

OS iOS Size (hwd) 240 x 170 x 6mm Storage 16/64/128GB

Over 8in

NEW ENTRY

Apple iPad Pro (9.7in) from £499 July 2016 ★★ ★ ★ ★

Fits all the things we like about the bigger Pro in a smaller form. This smaller screen incarnation is a seriously tempting proposition.

OS iOS Size (hwd) 240 x 170 x 6mm Storage 32/128/256GB

Sony Xperia Z4 tablet £500 Reviewed online ★★ ★ ★ ★

An excellent screen, superb sound and lovely features. The Z4 is a great option for Android fans and, at last, a real competitor for the iPad. OS Android Size (hwd) 254 x 167 x 6mm Storage 32GB (expandable)

Liven up your daily commute with these films

Star Trek into Darkness (Netflix)

It Follows (Amazon Prime Instant)

Straight Outta Compton (NOW TV)

It’s not as good as the reboot, having a dodgy title and a twist you could see coming even at warp speed, but Star Trek into Darkness still entertains thanks to the cast and breakneck narrative. As you’d expect, it looks and sounds terrific, even on a tablet.

A film that worms its way into you, It Follows stars Maika Monroe as a teenager who is relentlessly stalked by an evil spirit wherever she goes. The real highlight is the soundtrack, which echoes John Carpenter’s landmark ’80s scores.

A music biopic that has a slightly loose relationship with the truth. Despite the liberties it takes, Straight Outta Compton tells an engrossing story of greed, race and ambition as NWA surged to the top of the hip-hop charts before the group’s inevitable downfall.

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BUYER’S GUIDE

BEST BUYS The only products worth considering

ACCESSORIES ANALOGUE INTERCONNECTS

DON’T SKIMP ON CABLES: THEY’RE A TOP-VALUE UPGRADE

Atlas Element Integra £45 November 2013 ★★ ★ ★ ★

Up to £50

An Award-winner three years on the trot, this cable digs up detail and isn’t fussy about the kit it’s used with. A great first upgrade.

Balanced/Single Single

Chord C-Line £45 Best analogue interconnect, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Few entry-level interconnects at the price come close to offering the sonic enjoyment that Chord has produced with this cable.

Balanced/Single Single

QED Performance Audio 40 £45 Reviewed online ★★ ★ ★ ★

£50 and above

If you covet space and detail along with sure but nimble footwork and heaps of insight, all for less than £50, look no further.

Balanced/Single Single

QED Reference Audio 40 £85 June 2014 ★★ ★ ★ ★

An engaging interconnect that’s capable of expressing the dynamics and nuances of a track, and which has reassuring build quality.

Balanced/Single Single

AV & HI-FI RACKS

Up to £500

HI-FI KIT CAN ONLY SOUND ITS BEST WITH THE PROPER SUPPORT Atacama Eris Eco 5.0 £460 April 2012 ★★ ★ ★ ★

Whatever hi-fi you have will sound agile, detailed and dynamic on this.

If that’s not all, the Eco is well built, easy to construct and looks smart.

Width 590mm Modular Yes Cable management No

Atacama Elite Eco 12.0 £500 £500 to £800

March 2013 ★★ ★ ★ ★

Those looking for a strong support for AV and hi-fi that enables a fluid, authoritative presentation will like the performance this rack can offer.

Width 1157mm Modular Yes Cable management Yes

Atacama Evoque Eco 60-40 SE £525

AWARD WINNER

Best equipment support, Awards 2015 ★★ ★ ★ ★

The SE stands for Special Edition, while significant improvements in the Eco 60-40’s design and dampening mean it works better than ever.

Width 600mm Modular Yes Cable management No 134 www.whathifi.com

“A great-performing, well-built and well-priced kit rack”

“We were impressed by how our system performed when using this rack”

“If you’re of the opinion all hi-fi racks are created more or less equal, think again”

AV & HI-FI RACKS CONTINUED “The Podium XL comes across as a well-made piece of furniture”

June 2010 ★★ ★ ★ ★

Made for home cinema, this large rack can take a 65in TV and with performance that has more weight and top-end refinement than most.

Width 800 to 1200mm Modular Yes Cable management No

£800 and above

Hi-Fi Racks Podium XL £1050

HEADPHONE AMPLIFIERS HOW TO GET THE VERY BEST FROM YOUR CANS NEW ENTRY

Audio Technica AT-HA5050H £4500 July 2016 ★★ ★ ★ ★

A headphone amp whose design harks back to the 1970s, this unit has a spellbinding sound that will leave you captivated.

Outputs headphone x2 Inputs coaxial digital, XLR, RCA, USB

A supremely capable headphone amp which doubles as a talented, if feature limited, stereo amplifier. Treat the DAC as a nice bonus.

Outputs 3.5mm, 6.3mm Inputs RCA,3.5mm, USB

Up to £5000

Meridian Prime £1200 February 2014 ★★ ★ ★ ★

Pathos Aurium £850 August 2013 ★★ ★ ★ ★

A top-class choice for amplification, but you’ll need a source and a pair of headphones of similar quality if you want the best from it.

Outputs 6.3mm, XRL, RCA Inputs XLR, 3 RCA

MAINS PRODUCTS A CLEAN POWER SOURCE IS VITAL FOR INTERFERENCE-FREE HI-FI

September 2015 ★★ ★ ★ ★

Grants a system far greater freedom of expression without sacrificing control or authority. If you can afford to, buy it without reservations.

Type Block Mains filter Yes No. of plugs 6

Up to £200

Olson Sound Fantastic HF6 £135

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MAINS PRODUCTS CONTINUED Tacima CS947 £45

Up to £200

September 2015 ★★ ★ ★ ★

Great value, the highlight being how well it allows for greater detail, attack and dynamics. For the price, it’s a brilliant entry-level purchase.

Type Block Mains filter Yes No. of plugs 6

Audioquest Jitterbug £40 April 2016 ★★ ★ ★ ★

Though it looks insubstantial, when plugged into a USB port it works wonders filtering signal noise to allow a more solid and precise sound.

Type USB Mains filter No No. of plugs n/a

Isotek EVO Polaris + Premier cable £400 £200 and above

September 2015 ★★ ★ ★

Offers a significant improvement over just plugging your hi-fi into the wall, allowing your system to sound more positive and confident.

Type Cable + block Mains filter Yes No. of plugs 6

Russ Andrews X6 £350 September 2015 ★★ ★ ★ ★

No matter what the source material, the X6 helps unearth a revealing, well-integrated listen, allowing your kit to be as explicit as it can be.

Type Block Mains filter Yes No. of plugs 6

PHONO AMPLFIERS EVERY RECORD DECK NEEDS A PHONO AMP

Graham Slee Gram Amp 2 Communicator £160 Up to £200

June 2013 ★★ ★ ★ ★

Fast, organised and dynamic, this box offers great quality on a budget.

The Gram Amp 2 Communicator is low on frills but high on quality.

Type MM Dimensions (hwd) 7 x 10 x 25cm

Rega Fono Mini A2D £85 March 2012 ★★ ★ ★ ★

There’s little fancy about the Fono Mini A2D but that doesn’t matter when the presentation is this good. And it has a useful USB output.

Type MM Dimensions (hwd) 6 x 18 x 25cm

Power Promotion!

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Buy any of our power products before 13th July 2016 and get 25% off!

BUY NOW AT www.russandrews.com/power or call us on 01539 797300

Mail Order Direct • 60 Day Money Back Guarantee • Cable Upgrade Scheme • Free Delivery (within most of UK Mainland)

136 www.whathifi.com

Hurry! Offer ends 13th July 2016

60 DAY MONEY BACK GUARANTEE

PHONO AMPLIFIERS CONTINUED Rega Fono MM Mk2 £200 Best phono stage, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

Rega Aria £800 December 2015 ★★ ★ ★ ★

£200 to £1000

Although it lacks the detail of other similarly priced phono amps, the Rega Fono more than justifies its price in terms of dynamics and scale.

Type MM Dimensions (hwd) 7 x 4 x 33cm

A phono stage of rare quality under £1000, the Rega Aria will perform superbly – as long as the rest of your system is suitably talented.

Type MM, MC Dimensions (hwd) 8 x 22 x 32cm

May 2016 ★★ ★ ★ ★

Partnered with the PSX-R2 power supply and a suitably talented turntable, the Signature sounds great. It’s a top-class phono stage.

Type MM, MC Dimensions (hwd) 7 x 22 x 36cm

£1000 and above

Cyrus Phono Signature/PSX-R2 £1900

SPEAKER CABLES ONE OF THE MOST COST-EFFECTIVE UPGRADES YOU CAN MAKE

November 2013 ★★ ★ ★ ★

Not only is the FLX-SLiP 14/4 able to turn a corner no matter how tight, lest we forget, it’s also an incredibly easy cable to listen to as well.

Single or Bi-wire Single

Up to £10/m

Audioquest FLX-SLiP 14/4 £5.80/m

www.whathifi.com 137

SPEAKER CABLES CONTINUED QED Ruby Anniversary Evolution £6/m Up to £10/m

March 2014 ★★ ★ ★ ★

Capable of delivering a jolt of excitement to a hi-fi system, but can emphasise any harshness present in bright-sounding electronics.

Single or Bi-wire Single

Wireworld Luna 7 £6.50/m March 2014 ★★ ★ ★ ★

A fine speaker cable, the Luna’s exciting presentation and all-round ability means it should sit well with a wide range of systems.

Single or Bi-wire Single

Chord Clearway £10/m

PRODUCT OF THE YEAR

£10/m and above

Best speaker cable, Awards 2015 ★★ ★ ★ ★

Not the flashiest cable, its strength is aiding dynamics and musicality, as well as knitting instruments together for an enjoyable experience.

Single or Bi-wire Single

QED XT40 £10/m Awards 2014 ★★ ★ ★ ★

Facilitates a detailed, balanced and authoritative sound with a full-bodied presentation that leaves competitors sounding lean.

Single or Bi-wire Single

SPEAKER STANDS STAND-MOUNT SPEAKERS NEED THE BEST SUPPORT YOU CAN GET

Atacama Duo 6 £65 February 2013 ★★ ★ ★ ★

Up to £200

Easy to assemble (we suggest you mass-load the stand), these Atacamas help produce a detailed, clear and energetic sound.

Top plate size (wd) 130 x 170mm Height 60cm Fillable Yes

Atacama Moseco 6 £120 Best speaker stand, Awards 2015 ★★ ★ ★ ★

AWARD WINNER

A speaker stand that impresses with how weighty and dynamic it allows systems to sound. Considering the price, it’s something of a steal.

Top plate size (wd) 130 x 170mm Height 60cm Fillable Yes

“Really good at letting a system to do its job properly”

“The Mosecos may just be our new favourite affordable speaker stands”

Soundstyle Z2 £70 November 2008 ★★ ★ ★ ★

An ideal stand if you’re on a budget, the Z2s can boost your speakers’ detail, attack and openess for less than £100.

Top plate size (hwd) 125 x 166 x 3mm Height 57cm Fillable No

Custom Design FS104 Signature £200 £200 and above

September 2011 ★★ ★ ★ ★

A stylish, reasonably priced stands that work across a variety of speakers. Buy Custom Design’s Inert Filler (£20) for the best results.

Top plate size (hwd) 220 x 260 x 4mm Height 60cm Fillable Yes

Q Acoustics 20 speaker stands £200 September 2014 ★★ ★ ★ ★

Designed with QAs’ Concept 20 speakers in mind, the clever construction and elegant design ensures other speakers give their best too.

Top plate size (hd) n/a Height 66.5cm Fillable No

138 www.whathifi.com

“The Z2 does everything right at a reasonable price”

“There’s something elegant in the Signature’s simplicity”

“£200 for a pair of speaker stands?

When they’re this good, we don’t mind”

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DEMONSTRATION AND INSTALL SERVICE AVAILABLE

www.ericwiley.co.uk 01977 556774 / 553066 64 & 85 Beancroft Road, Castleford, WF10 5BS

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LINN NAIM REGA B+W PROAC FOCAL MUSIC SYSTEMS CINEMAS MULTIROOM/CONTROL

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AVON

Luxman D-06U £5995.00

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Haymarket Media Group, Bridge House, 69 London Road, Twickenham TW1 3SP EDITORIAL 020 8267 5000 Editor-in-chief Andy Clough Editor Simon Lucas Digital editor Joe Cox Managing editor Jonathan Evans International technical editor Ketan Bharadia Multimedia editor Verity Burns Content editor Andy Madden First tests editor Kashfia Kabir News editor Ced Yuen Staff writers Andrew Murphy, Becky Roberts News writer Max Langridge Buyer’s Guide editor Kobina Monney Sub-editor Jon Crampin Art editor Simon Bowles Designer Kayleigh Pavelin Photographer Steve Waters Video editor Pete Brown THANKS THIS ISSUE Tom Parsons, Andy Puddifoot ADVERTISING 020 8267 5976 Commercial brand manager Chloe McDowell Sales manager Liz Reid Retail manager Rob Kerr Display sales executive Joshua McGonigle Retail sales executive Jessica Sarfas Global sales manager Amardeep Mangat Special projects manager Julie Hassan Advertising director Steve Nicolaou Tech business development director Mike Walsh PRODUCTION & PLANNING 020 8267 5000 Production manager Anthony Davis Production controller Katrina Renwick OVERSEAS LICENSING 020 8267 5024 Licensing and syndication Isla Friend MANAGEMENT Group publishing manager Ollie Stretton Brand director Alastair Lewis Editorial director Mark Payton Managing director David Prasher

N7 TTOHBEER 199 S A W T A H T OC 00 DENON AVR-3200 £10

Amping it up

Denon’s AV excellence Denon is rightly considered one of the giants of home cinema. It was only just getting into its stride back in 1997 though, when the five-star AVR-3200 was helping to build a firm foundation for the brand’s burgeoning reputation.

Even at £1000 this was one of the company’s more affordable amps, and still incorporated cutting-edge technology for the time. There was advanced digital processing and an RF input to accept the new-fangled Dolby Digital from Laserdisc. Despite chunky proportions the AVR-3200 had just five channels – all that was required – each rated at a heady 70W. In the review we made great play of the preamp outputs for the front three speakers (allowing biamping) and dedicated six-channel analogue input.

The AVR-X2300W tested this issue is a world apart from the old timer in terms of brainpower and digital connectivity. It’s also considerably

146 www.whathifi.com

easier to use. Accurate automated set-up helps, as does a simpler menu system. Seven channels of power amplification are the norm now too.

Add Dolby Atmos capability and a sound that combines finesse with muscle, and you have an amplifier that more than lives up to Denon’s rich heritage. Let’s not forget, the new amp costs just £500. That really is progress.

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email: help@whathifi.themagazineshop.com What Hi-Fi? Sound and Vision (incorporating VTV, Audiophile, Hi-Fi Answers, High Fidelity, Which Hi-Fi?, DVD, What CD? & What MP3?) is published by Haymarket Consumer Media Ltd, a subsidiary of Haymarket Media Group Ltd. What Hi-Fi? Sound and Vision, ISSN no. 0309333X, is published monthly (with an extra Awards issue) by Haymarket Media Group, Bridge House, 69 London Road, Twickenham TW1 3SP, UK. Airfreight, mailing in USA by Air Business Ltd, c/o Worldnet Shipping Inc., 156-15, 146th Avenue, Jamaica, NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. Subscriptions records maintained at Haymarket Media Group, Twickenham, TW1 3SP. We take every care when compiling the contents of this magazine, but assume no responsibility for effects arising therefrom. Adverts accepted in good faith as correct at time of going to press.

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Nearly 20 years on from its trailblazing predecessor, the talented AVR-X2300W maintains Denon’s lofty reputation

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