Zhe Zhang Architecture Portfolio 2016-2020 by Zhe Zhang

PORTFOLIO OF ZHE ZHANG 2016-2020 Selected works

PROLOGU E

CONTENTS

I. PRIVATE AND PU B LIC

REVERSE CRACK Share House,2020 Spring Individual Work

II. HISTORY AND MODERNITY: Between contradictions I believe an architect is a person who carefully weighs all aspects through the design process, deciding what is feasible, what can be compromised, what can be abandoned, and how to do it. The building is like a bridged container: the architect manipulates the space to integrate the complex and opposing factors and bridge it into a complete building. Exploring the balanced point of opposites, this portfolio pursues the dialogue between public and private, history and modernity, order and chaos, and tagging and detagging. In my future architecture practices, I hope to explore architectural diversity characteristics further and maintain the balance between people and society through design approaches.

DÉ J À VU Community Center,2020 Fall Individual Work

III. CHAOS AND ORDER

A RANDOM WALK Modern Ref uge System,2019 Winter Individual Work

IV. TAGGING AND DE-TAGGING:

THE "BLACK BOX" Fictional City Model,2020 Summer Group Work

V. OTHER WORK: Construction Design Competition in Shandong Province Course Design of Q ingdao U niversity of Technology

I.PRIVATE AND PU B LIC

REVERSE CRACK Share House,2020 Spring Site:Tok yo, J apan Instructor:Zhao Wen Individual Work Through the analysis and interpretation of Kazuo Shinohara's four types of cracked spaces, this project's design approach was to reverse the positional relationship between the four cracked spaces and the stairs, interpreting and re-establishing the connection between the circulation and the field of vision to maintain the continuity of the space. At present, young Japanese people are forced to renting a house under the social context of late marriage, non-marriage, and poverty. Their demands for renting is to have their own independent spaces and have a space for mutual understanding and communication. Shinohara Kazuo's cracked space is initially located at the core of the house, through which the diverse relationships of view and circulation make the house integrated into a whole. In this project, I introduce stair spaces in the center of the house as the transportation core. It separates private space, semi-public space, and public space horizontally, connecting public space on each floor vertically. This approach redefines the boundaries between different spaces as well as integrating continuous spaces into a whole.

PRECEDENCE INVESTIGATION | Ka z u o Sh i n o h a r a Se c o n d St y l e The site is located at 1-chōme-26-8 Tomioka, Koto Ward, Tokyo.As we all know, housing prices in Tokyo are very expensive. Due to many factors such as life pressure and social pressure, most contemporary young Japanese choose to rent houses. This picture shows the distance and time relationship between the site and various surrounding facilities, and there are many facilities for young people around.

Shinohara Kazuo's second style of cracked space was to explore the inorganicity of the space.Opposite themes co-existed in one space.I inherited and developed the original space system by analyzing the relationship between the cracked space and the route and the field of vision to adapt to the design purpose nowadays.

Public

Private

View point

First floor circulation

Circulation 1

The uncompleted house

Garage

Store Boiler Room

Circulation 2

Living room

Study room

Second floor circulation Circulation 3

Vertical view connection Circulation 4

Bedroom Living room

Bedroom

Horizontal view connection

Circulation and vision

Circulation space and cracked space

Kitchen Bedroom

Izakaya,restaurant,entertainment Tributary of Harumi Canal Monzennakacho Station Shino house Dining room

Kitchen

Bedroom

Study room

Shower room

Cubic forest Bedroom

Bedroom

Store Shower room Kitchen

Bedroom

Repeating crevice Living room Kitchen

Dining room

Store Living room Kitchen

Bedroom Shower room Store Tatami room Bedroom Shower room Tatami room

Through the analysis of the four typical cracked spaces in the second style of Kazuo Shinohara,I found that the lineof-sight relationship guided by the circulation was a clue to the spatial continuity and the reason why the house was connected as a whole.

CONCEPT |St r a t e g i c In t e r p r e t a t i o n

AXONOMETRIC | Ci r c u l a t i o n An a l y s i s Rental needs of young Japanese

+ Re s i d e n t i a l s e t t l e m e n t

Ja p a n e s e t r a d it io n

Si m p l i f y Ab s t r a c t

F ir s t s t y le

Th e i n o r g a n i c i t y o f sp a c e

Se c o n d s t y l e

So l i d

Ph y s i c a l

Vo i d

Sp i r i t

Private bedroom/ bathroom

Fissure space Cr o s s i n g

Public living room/ kitchen...

Mo d e r n i s m

Th i r d s t y l e

Ce r t a i n t y

F o u r t h s t y le

Uncertainty

Li g h t

Cubic module Li n e o f s i g h t

Vi s i b i l i t y

Ci r c u l a t i o n

Visual feast

Response

CONCEPT | Sp a t i a l Re v e r s e I

The uncompleted house

Shino house

Cubic forest

Repeating crevice

PROGRAM ANALYSIS

III

Private and public spaces are arranged around a vertical staircase. Two opposite staircases separate the spaces on the left and right, and they are connected to each other by the middle staircase.

Reverse crack

The cracked space in Shinohara Kazuo's four houses is reversed from the original order of the staircase. The staircase is located in the center of the house, and the cracked space is beside the narrow and long crack of the staircase. Explore the continuity between the cracked spaces and the coexistence of opposite personalities in one space after the change.

INTERIOR VIEW | Op e n i n g An d Vi e w An a l y s i s I

+ 9.00

+ 6.00

Rest Bath

(group)

Food

Public space

Entertainment

Private space

+ 3.00 +1.80 + 0.00 Turn over

+ 9.00

+ 6.00 +4.80 + 3.00 +1.80 + 0.00 Turn over

Translation

Turn over

+ 9.00

Entertainment (personal)

Rest

Semi-public space

Gaming Chating Viewing Reading Playing guitar Watching movie Eating Working Drinking Meditating Cooking Watching TV Showering Sunbathing Sleeping

By summarizing the functional needs of Japanese young people for renting houses, they are grouped into three types of spaces, and a basic cube model is designed to accommodate the three types of spaces. This cube model will meet the rental needs of young people and deal with the relationship between privacy and public.

Outdoor

III

+ 7.20 + 5.40 + 3.00

+ 0.00 Unit: M

Turn over

With the changes in space and opening methods, the sight of people living here also moves. The size of the space indicates the type of space people are in in the house. As the body perceives space, people's hidden emotions are constantly changing.

III 1.Living room 2.Balcony 3.Bedroom 4.Lounge

Second floor plan 0 0.5M 1M

III

Haru

mi C

Ground floor plan 1.Outdoor courtyard 2.Living-Dining room 3.Kitchen 4.Bedroom 5.Lounge 0 1M 2M

anal

Bran

ch R

iver 1.Outdoor balcony 2.Screening room 3.Bedroom 4.Lounge

N 8M

Third floor plan 0 0.5M 1M

9 .0 0 0

5 .4 0 0

2 .2 0 0

2 .4 0 0

± 0 .0 0 0

6 .0 0 0

3 .0 0 0

Gl a s s b r i c k s 1 9 0 m m * 1 9 0 m m * 8 0 m m

± 0 .0 0 0

Highest height

± 0 .0 0 0

Section III-III

Section II-II

Bedroom

Screening room

2 9 5 0

2 7 5 0

PHYSICAL PHOTOS 3 3 5 0

3 5 5 0

9 .0 0 0

Third floor plane

Co n c r e t e p r o t e c t i v e c o a t i n g Co n c r e t e Th e r m a l i n s u l a t i o n m a t e r i a l

9 0 0 0

1 0 6 0

Northwest view

Southwest view

Lounge

First floor plan

Main room

2 2 0 0

3 0 3 0

Co u r t y a r d

La y i n g p l a s t i c w a l l p a p e r Pl a s t e r b o a r d Co n c r e t e

5 8 0 0

5 2 0 0

2 4 2 0

Second floor plane

9 0 0 0

2 7 9 0

Balcony

Toilet Ce r a m i c t i l e Pl a i n p l y w o o d

Ce r a Pl a i n Pl a i n Ri g i d D a m Cr u s

m ic t ile p ly w o o d c o n c re te in s u la t io n fo a m p -p ro o f sh e e t h e d s t o n e le v e l

2 9 0 0

4 9 7 0 7 8 7 0

Section I-I

South entrance view

North entrance view

Outdoor balcony view

II.HISTORY AND MODERNITY:

DÉ J À VU Community Center,2020 Fall Site:Q ingdao,China Instructor:YiQ i Song Individual Work The site is located in the historical preservation district of Huangtai Road in Q ingdao. As historical buildings fell into disrepair, they have gradually become the dust of history. The only public space in the local area is the open-air plaza in the surrounding park. Through research and visits, local residents have also expressed their desire for diversity of activity space. I think the preserved historic buildings are alive. The protection measures for them should not simply be dusted in the city like protecting the exhibits in a museum, but to continue its life. Aldo Rossi once said that history is the raw material of architecture. Through the analysis of historical buildings, the characteristics of the original buildings can be developed in the new buildings. The new buildings are born out of history and serve the contemporary, becoming the "living" artworks in the city. Summarizing the problems existing in the neighborhood and the city, I designed a community activity center to meet the public needs of the residents in the historic district, and revive the historic buildings to give people a sense of deja vu and unexpected surprises. The building not only played its own role, but also activated the surrounding historical districts and continued to pass on the historical context of the city.

SITE ANALYSIS

MASSING PROCESS Pedestrian Detection (6 am-9 pm)

The site is located on Huangtai Road, Q ingdao City. Due to the changes of the times, it has gradually declined from prosperity. At present, it is the center of the old city and is also the historical core protection area of Q ingdao. The mapping shows the relationship between the site and various surrounding service facilities. It is closely adjacent to the daily activities of the nearby residents, and it is like the heart in the old city.

China

Q ingdao

Shibei District

Elderly density Youth intensity The location of the entry site

Main road

Extract historical buildings

Combine architecture and circulation

Filter historical buildings

Add functions, refine the circulation

Add new volume

Deepen the layout

Limit new volume

Place the city image

Secondary road Tertiary road Walking distance

Site History buildings School,Children's palace Greenery and mountains Market Theater Museum Apartments for the elderly Amusement park Pond Park square

Using "wooly urban paths" to minimize the detour of passengers.

HISTORY ANALYSIS

0 10 20

100M

PROGRAMS

Time Art movement Architectural style Structure Meterial

1897-1914 Jugendstil German classical revival, Romanticism,Eclecticism

1914-1922

1922-1938

1938-1945 1945-1949

Vienna Secession European classical revival,Eclecticism, and Japenese style

Mainly masonry structure Adobe,board with mud

1949-

Nowadays

Bauhaus Modernism,Chinese antique style, Internationalism

Modernism,Postmodernism,New modernism, Deconstruction,etc.

Brick and wood structure/ Brick structure/ Steel concrete structure/ Steel structure Wood Granite

Brick

The comprehensive community activity center, as a container in the historical protection block,not only brings a series of life experiences, but also has some buffer space to alleviate the conflicts between different functions.

Reinforced-concrete structure

FORM ANALYSIS

OVERVIEW Storage Mountain

Site Historical Buildings

3D model

Prototype

rim tP r A ol n's o re Sch d l hi

Roof

e lac Pa s ' r n re ate ild the h C

Sto

rag

nta

Openings

i gta

n ua

8th

ao 2

gd Q in

hoo

e Sc

dl Mid

Surrounding building form extraction

Opposition and unity

Simplify and abstract

Based on the historical and cultural background that the buildings on this land were constructed successively in Germany, Japan, and Q ingdao, China, the collision of cultures and styles of various countries is a very obvious feature of the local area. The local architecture strives to seek a kind of harmony under this culture of confrontation. This harmony is the unique temperament extracted from the site: opposition and unity, which is mainly reflected in the prototype of the building, the roof, and the windows.Combining the uneven distribution of architectural windows in the original site and the architectural image around the site, the form is abstracted, so that the opposite and unified style is integrated into the designed building. The architecture gives people a cordial feeling and is integrated into the daily life of local residents.

nd oa adi ersity R o v gda Uni Q in vision e Tel

ian

Dal

PLAN

1. Main entrance 2. Folklore room 3. Fitness area 4. Shop 5. Equipment room 6. Control room 7. Auditorium 8. Backstage 9. Small exhibition 10. Outdoor screening area 11. Swimming pool 12. Dressing room 13. Chess and card room

Thrid floor plan

View from the south entrance

1. Main entrance 2. Large-scale exhibition 3. Folklore Room 4. Shop 5. Coffee shop 6. Historical exhibition area 7. Toilet 8. Theater 9. Backstage 10. Small exhibition 11. Open office area 12. Toilet

1. Main entrance 2. Office 3. Folklore Room 4. Open performance area 5. Billiards, table tennis room 6. Cafe 7. Newspaper reading area 8. Meeting room 9. Storage 10. Lecture Hall 11. Electronic reading room 12. Book stack 13. Comprehensive reading area 14. Toilet

Second floor plan

1M2M 5M 10M

20M

Ground floor plan

View from the north entrance

SECTION AND ACTIVITY The site is cut into several parts, showing the relationship between landscape and architecture, and expressing the diversity of space and program. The collective memory of the local residents is awakened by the historic buildings in the activity center. The combination between the historic building and the newly built part changes from separation to integration. People inadvertently narrow the distance through the dialogue between them (opening, material, visual relationship, function), so this "container" carries A new collective memory born out of the old.

Section 15

Section 16

West entrance of the venue

Section 14

West Plaza

Section 13

Plaza in front of the building

Section 12

Exhibition hall Viewing staircase Folklore room

Section 11

Library Inner courtyard Folklore room

Library Cafe Inner courtyard

Section 10

Library Inner courtyard

Library Indoor rest stairs Shops

Section 09

Library Recreation area Shop

Section 08

Exhibition halls Leisure areas Shop

Section 07

Library Exhibition hall Shop

Section 06

Library Exhibition hall Rrest area

Section 05

Outdoor theater Library Access building ladder Theater

Section 04

Swimming pool, theater

Section 03

Swimming pool, East park Northeast stairs

Section 02

Chess and card room Basketball court

Basketball court

Section 17

Section 18

Section 19

Section 20

Section 17

Section 16

Section 15

Section 14

Section 13

Section 12

Section 11

Section 10

Section 09

Section 08

Section 07

Section 06

Section 05

Section 1-1

East side plaza

East side stairs

Entrance to the east side of the venue

Section 01

Historical space New space

CIRCU LATION AND SCENES

Through the designed space experience,continuous scenes connect different programs to form a narrative space in people's daily life. Historical buildings appear repeatedly in the scene, bringing people a visual experience and unexpected surprises. Time and space are constantly changing as people pass through this "container".

Unexpectedly, there was a small theater behind the ancient building. It’s not bad to watch a movie. A1

What is the inside of the building after this narrow entrance? A6

Such a familiar feeling, ah! Isn’t this the original Japanese house, it turned into an exhibition hall?Go in and have a look.

The sinking transitional ladder can not only serve as a traffic function, but also sit on it to rest and watch the performance.

The ancient building in the middle was transformed into an atrium, and the sights were intertwined. After entering inside, you can see some activities around the ancient buildings on each floor, such as: coffee drinkers, exercisers, and people walking up the stairs. . .

From the main entrance, people pass through the quiet reading hall, the independent activity room and the open activity ladder. Various activities add color to people's life. C5

The stairs facing the square realize the dialogue between the building and the city. Architecture gradually blends into people’s lives. D1

It’s so satisfying to have experienced so many interesting things through this building. D2

III.CHAOS AND ORDER

A RANDOM WALK Modern Ref uge System,2019 Winter Site:Craco, Italy Instructor:DuoDuo Lin Individual Work To design a dispersed system of contemporary refuges among the ruins of the ancient Craco. This system will enable visitors to live a sublime experience: living among ruins and falling asleep under the uncovered vaults of a ghost town. Among steep routes and pebbly paths, in the new refuges, visitors will have the opportunity to roam while hearing the sound of the benign ghosts of Craco. The refuges, cafes, and service centers designed in this ancient town are equivalent to street signs. People in the streets of Craco are blocked by them, guided by them, and passing by them. The intervention of architecture to the street makes this seemingly irregular street have a sense of continuity and order. After the excavation of the original site elements, the architectural form of the design continues the visual order of the street architectural space, forming the unique temperament of the Craco. Through the characteristics of zoning, it provides several unique ways of street connection for the ruins. Different views in the buildings and streets connect the past and present experience and revitalize Craco.

REGIONAL ANALYSIS Craco is a ghost town and town in Matela Province, baslikata region, southern Italy. Due to natural disasters, it was abandoned at the end of the 20th century. Abandonment makes craco a tourist attraction and a popular location for filming. Craco is about 40 kilometers away from Taranto Bay. The area around it is beautiful. You can see a series of wrinkled clay hills, which are formed by the action of rain. Due to the vast land, sparse population and special geological conditions, the distribution of cities is relatively loose. It also takes 30 minutes to drive from the nearest city to craco.Visitors enter Craco mainly from the east side of the site.

DESIGN STRATEGY

Path 1

Viewing path Sightseeing ramp

Path 2

Refuge path Coffee shop Refuge Square

Path 3 Climbing path Climbing ramp

Path 4

Original path coffee shop Service Center

SITE CONDITONS & SU RROU NDINGS

Guided linear area

Ruin linear area

Central blocky area

Guided blocky area

Highest point Best point of view Ancient square Original route Line of sight Secondary axis building Main axis building Cluster building Original square Remaining open square

Path 1

Path 2

Path 3

Path 4

“ C” AREA ANALYSIS

Highest point Best point of view

SERVICE CENTER AXONOMETRIC

Chiesa Madre San Nicola Vescovo

Ancient square Circulation This area is the central area of Craco It is the intersection of the southwest path and the southeast original path and carries people's gathering space and leisure space.

The linear streets of these strip-shaped building complexes are connected to a large open space north to east. The only preserved building faces this open space.

1.Watchtower 2.Terrace 3.Restaurant 4.Front desk 5.Operation room 6.Storage room 7.Infirmary This is the only way for tourists to come to craco. They walk into the original streets of craco through the extension of the road and get a glimpse of the scenery of craco.

8.Convenience store 9.Exhibition room 10.Library 11.Bathroom 12.Cafe 13.Private room 14.Outdoor stage

Main route Secondary route Original building outlineroute

“ B” AREA ANALYSIS

REFU GE AXONOMETRIC

1 5

vii

Ruin linear area B is the most damaged area of Craco, and the buildings are mostly ruins. After analysis, it was found that although the buildings in this area were badly damaged, the prototypes of the streets remained roughly, forming a linear street distribution.The best viewing spot is on the mountain wallAnd the linear street formed by the building complex on the mountain is isolated, and no other streets are connected to it.

INFLU ENCE OF ARCHITECTU RE ON PATH

i viii vi

The original path

Privacy and openness(Street)

Privacy and openness(Ruin)

Circulation

The new path

Privacy and openness(Street)

Privacy and openness(Ruin)

Circulation

iii ii v

viii Refuge Cafe Vision Secondary route Main route

iii

vii

viii

REFU GE PLAN A Guided linear area

B Refuge linear area

C Center service area II

iii

1 3

III

D Guided linear area

III Ground floor plan

2nd floor plan

1.Watchtower 2.Service Center 3.Cafe 4.Refuge area

0 10 20 40m General layout

vii

viii

3 4

Ground floor plan

1.Watchtower 2.Toilet 3.Exhibition room 4.Restaurant

2 2nd floor plan

Section view I-I

1.Cafe 2.Refuge

Section view II-II

3 1.Exhibition room 2.Convenience store 3.Cafe

Section view III-III 0 2 5 10

i Refuge View Point

iii Refuge Aisle

20M

IV.TAGGING AND DE-TAGGING:

THE "BLACK BOX" Fictional City Model,2020 Summer Instructor:Yu Yan Team:Zhe Zhang,Zihan Huang,Zeheng Wu Contribution:Concept,Model,Drawing The black box is an invisible black box. You know his results but don't know, his operating principles. In our world view, the core area of the algorithm is equivalent to the black box of the fictional printing world, which processes all kinds of information in this world. Google once tagged photos of black people as "gorillas," which is taken as the starting point of our project. We have conceived a world of printed architecture with algorithms as the core, hoping to provide housing through algorithms to meet various people's needs and ultimately achieve the goal of harmonious coexistence.But when an error occurred in the algorithm for a certain period of time, the printer printed a wrong house, which was accidentally assigned to a black individual by the algorithm. After the butterfly effect, this black man was gradually labeled as a low-end crowd. At the same time, because he is an individual black, more blacks are labeled with this kind of label, which will stigmatize the black race. Over time, blacks are considered to be low-end people. The juxtaposition of a utopian ideal and a stigmatization label resulted in a dystopian world. This project uses architecture as a clue to build an imaginary world with algorithms as the core. And through the process of labeling and tearing labels to satirize on the problem of algorithm discrimination in real society.

ALGORITHMIC DISCRIMINATION | INVISIBLE INJUSTICE Algorithmic systems are a "black box", people do not know its writing rules,which raise new stigma problems. This stigma often extends from an individual to a group as it passes through the stack. For example, does the algorithm incorporate racist stereotypes inherent in society?

WORLDVIEW | ALGORITHMS PRINT CITIES

In the next 2050, the government will be replaced by algorithms. All buildings in the world will be printed out in 3D through algorithms. Through the personalized processing of algorithms, everyone can have the house they want. The better the house’s integrity, the higher the materials used, the higher the house’s valuation, and the higher the bank’s creditworthiness. After the bank defines or appraises the printed houses, they are transported to the area coded by the algorithm for use by people. Originally, because of the customized processing of big data, blacks would have their own buildings and live the lives they want. However, due to a program error in the algorithmic printer in the city center, the printed house has a low valuation, so that it is in the bank. The credibility is low, and the algorithm is judged to be given to the low-end black group. As a result, there are more and more things like this. The algorithm produces a misjudgment through data classification and processing. This misjudgment is iterated to label the black area. On the contrary, it exacerbated the division of classes. Later, in order to protect the housing rights of blacks, the system printed guarantee houses for black groups, but there were still many cases of destruction.

Top view of giant structure printer

HISTORY LINE

ALGORITHM PRINCIPLE | ELITE ARTWORK OR COMMONER'S SHACKS? [ Data Input ]

[ System I:Aldo Rossi ]

Generative rules

3D printing input

Aldo Rossi

“Memory”

Generative rules

John Hejduk

“Poetry”

3D printing algorithm

Peter Eisenman

“Calculate”

Linguistics

Jacques Lacan (1901.4.13-1981.9.9)

Equality

Modernism John He’jduk (1929.7.19-2000.7.3)

(1931.5.3-1997.9.4)

Pop culture

Prototype

Architecture

tio

ela

in ag

cio

Memory

Meaning

Family

Poetry

Geometric

tio

ela

False output

Renaissance

Aldo Rossi

in ag

True output

[ System II:John Hejduk ]

Freedom

Architecture

3D printing output

BUG!!!

Inspired by linguistics, the generative rules of 3D printing machine algorithms can be compared to the generative grammar of architectural forms. This grammar comes from the study of the three famous architects of postmodernism, who stand on their own positions and interpret architectural typology and meaning expression differently, thus producing different architectural forms.

cio

us Meaning

Painting

Hejduk’s inequality,aka the architectural poetry theore.The minimum poetic architectural configuration is greater than and irreducible to its architectural memories.

Rossi’s inequality,aka thearchitectural memory theore.The minimum meaningful architectural configuration is greater than and irreducible to its geometric constituents.

[ System III:Peter Eisenman ] ROTATE

ARRAY Peter Eisenman (1932.8.11-)

OFFSET Prototype

Architecture

ina

n tio

STRETCH

cio

us Meaning

Calculate

Eisenman’s Hypothesis aka the architectural calculus theore. Minimum geometric,mnemonic and poetic configurations are special cases of a generalized calculus of form.

FOLD

WRONG TYPE? DUPLICATE

An inverted house What a shrek model!

ISM

DERN

MOR A jumble of volumes

A very small corridor

Understand Forever!

A wall cut through

SLIPPAGE

SM TIVI

TRU

ONS

DEC

SLICING

Icon source:K.MichaelHays.Architecture's Desire: Reading the Late Avant- Garde,2010

Assessment room 1

Assessment room 2 22

The whole scene of the riot is because people can't stand this unequal distribution. People will always live in bad houses. There is no way.People who have no power can only destroy this seemingly harmonious social structure. The crawler extended by the printer stops the transmission of the buildings on the crawler. Starting from Martin Luther King's most famous saying, "l have a dream,I hope everyone can live in a good house." People began to rebel against the printer, and they kept marching toward the printer to find out.

People gradually approached the printer through struggle

3D PRINTER DIAGRAM Symbol

Function

Segment

Space

Plane relation

VII 3D printer control area

Level 6

Maze Black box

50F

Level 5

VI Cooling material area

SPA area Swimming area

44F

V Component printing area Advanced valuation area

Bar KTV room Stage performance Skateboard entertainment

30F

Level 4

IV Middle mezzanine Low-level valuation area

Level 3

Office Storage room Printing drone machine room

26F

III Middle assembly area Office Print area Monitoring room Delivery material area

16F

Level 2

II Raw material furnace area Office Furnace heating area Material inspection area

Level 1

I Material preparation areaarea Office Storeroom Waste treatment area Material Classification Room

3D printing machine section 24

A large-scale printer in a region is printed by a higher-level printer. Behind the control of printing, is it a person or an algorithm?

V.OTHER WORK: Focused on Concept, Practice, Extension

Through my undergraduate architectural study, l have been trying to explore the boundary of architecture. l am glad that l have opportunity to attend in real practice project and interesting workshop to response to my concern.

The Workshop of Milan: New Models of Dwelling

Construction Design Competition in Shandong Province

Analysis of internal circulation, facade proportion, space generation and material application of modern affordable housing in Milan Urban architecture survey by freehand sketching

"Mobile Urban and Rural Cells—Microcommunity Space" The works focus on the barrier-free use of the elderly, the exploration of space by children, and enhance the vitality of community public spaces.