P O R T F O L I O
HSIU-CHUN LIN
Ethereal
IDEA CONTENTS IMAGE WORKS
I D Wandering
E A
above the space in my dream Deep and Unpredictable I leaped down found myself choked and shivering
CONSTRUCT ABYSS TO FALL
I M
A G E
W
O
R
K
S
Wandering above the space in my dream Deep and Unpredictable I leaped down found myself choked and shivering
"EXTERNAL" Architecture Creation Concept
Women dancing with their primitiveness
The
silhouette
dancing skirts and
to
flying
hair…No of
denial
against
solitary.
in
eyes,
symbol
represent
is
their
their the
based
two
women
enjoy
full
with
their
air.
Only
their
noses
mouths,
or
the no
state
the
on
hearts’
of
world
female
mind with
ears…It’s which
declares
turmoil…It
designer’s
the also
preference
of
"INTERNAL"
The pond / Orchid Island
/
The
traditional canoes . Constructing the pure aboriginality by sculpturing hundreds female with
of
bodies
cement,
iron, wood, or pottery clay.
T
H
E
PROPOSAL D E S I G N F
O
R
VICTORIA H
O
T
E
L
DOOR MAN
19th Century
CONTENTS
MET THE PEOPLE WEARING HIDE'S AT SAN JUAN HARBOR
IMAGE IDEA SKETCH PAINTING WORKS
DESIGNER /
lin ,xiu-jun
photographer / chris gao
IMAGE
SKETCH
W
O
R
K
S
March,1520. Magellan found not only a large number of seabirds, fish and fresh water, but also local aboriginals at San Juan. They are tall, covered by hide and fur. They put moist hide on their feet up to their knees. They add pairs of leather boots on rainy or snowy days. Magellan deceived six men in hide. They are
locked in the
ship’s hold with their limbs cuffed, being presented to the Spanish king as a gift.
N
O 囚
PRISONERS
The collection is designed with the inspiration of The Jewish Museum Berlin.The architecture is as oppressive as a maze…Irregular segmented form…cramped interior design…Integrated form with strong cutting and draping of the clothes are conducted to make the audience feel the oppression from the structure. One would not find the exit of them easily, which is a metaphor of the museum that makes the visitors feel the way as the oppressed Jewish victims did
IMAGE
Aiming at the issue of Jews being persecuted by racial discriminations, I conducted some researches historically, analyzing different literature works and movies concerning the issue. My ideal is to condemn the moral values at that time and to highlight the heart of liberty while confined physically through my collection. Flames of war may destroy everything, but a strong, courageous, free spirit will never be wrecked.
This
is
a
garment
inspired
by
the
Holocaust Tower that covers the body with a large-area dart on the cloth. The zipper on the high-necked collar can be pulled up and down in whatever way the person who wears it likes. This design is a metaphor of the skylight that opens only at the exact time in the Holocaust Tower.
This is designed in a Integrated form with strong cutting and draping. It expressed the idea of “emptiness� of the building. I also use the belt to penetrate through the whole outfit, which represents the building with only one entrance and one exit and the history of the Jews in Germany.
The outfit is inspired by The Garden of Exile. The Garden's growing oleaster out of reach symbolizes the Jews’ hope for a lease of life outside Germany. Therefore, I choose the fabric with the texture similar to the feather to construct this outfit—different from others in my collection. There are layers of pleats on the hem to convey a sense of instability of The Garden of Exile, which slopes at a 12° angle.
The outfit is conducted in several techniques of misplacement, cut, and penetration. One sleeve was overlapped by another. The body was exposed while the side of it is opened up and was attached by the bands without sewed. This is also designed to be a integrated form providing many ways of wearing it. Spaces are intentionally remained at almost everywhere. A person can be dressed by the Velcro at the back of the outfit.
This outfit is designed to show heaviness. The front of this outfit is designed asymmetrically without superfluous decorations. The S-shaped wave represents the museum taken in an aerial view. At the back of it are two layers of big box pleats being made by draping with wool lining inside, which made the side of it look solid and steep. It’s a symbol of the stair
This is also designed to be a integrated form by draping. By cutting and twisting as much as possible, one wears this outfit from one side to another-- just like their history, cut into pieces by all the chaos.
The waistline is also designed to be penetrated by the belt. There are a lot of folds on the sleeves which try to express an atmosphere of restraint and the emotion of Jews when they were imprisoned and tied up by chains. The back is designed to be nude, which symbolizes the time of them being tortured with no clothes on. The skirt is conducted by simple draping.
Graphic design
Ga niqan knuudus bitaq pshengak ni, bitaq niqan Bwi hur ka Sediq u , kiya ka ini knhemut qqita dha sediq ka Se diq da. Bitaq mgaalu ni mddayaw kana ka dhiya.yasa nasi naqah ka ndaan ta, ida niqan nanaq ka sniyuk Utux Tmni nun uri . Pusu Musya Jikeng ni u , ini sparu mita knuudus ni Bwihu r tninun Utux Tmninun ka pusu na balay .Kiya ka wada sliqan ha kana ka knudus Tanah Tunux ,Sediq Tkdaya , Sediq Toda , Sediq Truku , Bunun ni Qnhaqun ! Pnrtudan Utux Tmninun kana ka knudu ni Bwihur sediq . Kana ni u , to niqan prtutan Utux Tmninun kana ka knu dus ni Bwihur dha . “ Uxay balay uuda ‘sediq’ ka saw nii ! ” Ida mpkndadax ha kana ka Uka snparu na miita knuudus ni Bwihur sediq ; Uxay 「sediq 」ka「banjing」; Uxay「 se-diq se-diq」ka「Yuen-Chu-Min 」
人因為有生命才能有氣息; 因為有靈,所以傳統賽德克族就會尊重 每一個人.因而 會相互的敬愛與彼此的扶持.如果我們行惡事,編織的神靈也會有所回報的.霧社事 件的主因就是不尊重編織神靈所編織的生命與靈的結果,因而遭致當時日本人 ,賽 德克德奇達雅人.賽德克道達人,賽德克太魯閣人,布農人和泰雅族的生命全被糟蹋 毀壞了!我們每一個人的生命和靈都和編織神靈有契合連結.這種是『非「人 」的 境遇』!從這種境遇裏出發,必定蔑視人的生命與靈;從這種境遇出發「 番人」就不 是「人」;「原住民」就不是「人 」.