Component 1

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Component 1 Avleen Hunjan


Design Brief: With tourism being the 5th largest industry in the UK, the surge for a new museum has been requested to meet the increasing demand for leisure of the arts. Recently, low environmental impact structures has been demanded because of the overwhelming amount of damage on our planet, caused by our many unethical actions. Currently, it is critical that structures and buildings do not harm the environment or use up too much energy. Therefore, there is a gap in the market to create and rejuvenate the concept of art museums, by celebrating our planet and nature, as well as creating minimal impact on the environment using sustainable materials. The goal is to design a permanent art museum that embodies natural and organic influences. The museum must celebrate and showcase the natural beauty of our planet Earth as well as allowing many artists to display their work in well-lit spaces. The museum's interior and exterior will be designed using modern and contemporary styles that has a light and airy atmosphere. The museum should have a calming experience that allows people to explore both the indoor and outdoor spaces. The museum will be in a grassland where there will be the main museum building, a café, a gift shop and various communal spaces for outdoor eating spaces. The overall site should look adventurous and exciting that appeals to all ages. The outdoor spaces will have vegetation and landscaping to create a pleasant view for visitors.

Specification: • • • • • • • • • •

Main style must be modern and contemporary The main theme of the overall site must be natural and organic The Museum must have 2 floors Atmosphere must be light and airy There must be a café, gift shop and various communal spaces located on the site Parking lot on the site Accessible to everyone- including disabilities There must be outdoor and indoor seating spaces- including outdoor eating spaces Outdoor areas must be filled with vegetation for pleasant views Free Wi-Fi


Car Park

Location Review

Museum


Queen Elizabeth Olympic Park This is the location where the art museum will be located. I have decided to create and design the art museum in a place that currently has no purpose or use. I found that the shape of the location will work very well and is large enough for my space and there is enough room for communal spaces. Queen Elizabeth Olympic Park is in Stratford, East London. The park offers parklands, playgrounds and waterways for public use and was a former Olympic and Paralympic venue space. The park also has a few facilities including London Stadium, the London Aquatics Centre, the Copper Box Arena and Lee Valley VeloPark. The park is near Westfield, a shopping centre and is situated in business districts, neighbourhoods, schools and universities. Therefore, the park is visited by a lot of people and makes this location viable. I think the location is perfect for an art museum as Stratford is a developing area that is constantly improving and changing. I think an art museum will increase tourism in Stratford. It also appears that the land is not in use, and I think an art museum will increase communal spaces. The nearest train station is a few minutes away and the park is situated around many buildings and restaurants, making the location easily noticeable. A few problems about this location is the lack of parking spaces. I think I will need to design a parking lot to make the area more accessible for everyone. Since the location is opposite Lee Valley VeloPark, many cyclists often visit the park. I think it would make sense to create a cycle parking lot as well so that it fits in well with the needs of everyone. A few things that I will be considering in my designs and ideas is to create a ‘Utopian world’ that differentiates the museum from its surroundings. The atmosphere could be blissful and can stimulate senses, by creating this ‘other worldly’ design that can potentially increase tourism in Stratford. Another thing I will need to consider in my designs is the flow of the space. I want to design different paths and directions that guides people around the whole space as well as allowing freedom within the site. It appears that there is a lot of vegetation on the site, but it doesn’t look pleasant, nor does it help to enhance the views. I think I will need to find a way to add some contrast and interest to this unsatisfied location so that I can enhance the views. River Lee flows through the park so maybe I should consider adding a water feature as a focal point for the museum. Another thing that I will need to consider are the levels of the park. A few levels added to the location will make the art museum stand out and even enhance the location. In conclusion, the main issues of the site are the accessibility points, currently no use of the space and the complexity of the shape of the location.


Secondary Research


White stucco panels that reflects light

Houston Art Gallery-Schaum/Shieh

A Houston Art Gallery designed by US Studio Schaum/Shieh was part of a project to redesign and reconstruct an existing studio building. The goal was to design a multifunctional space that can accommodate exhibitions, performances and events. The art gallery is run by a private curator Transart Foundation for Art and Anthropology whose goal is to create a communal space that plays its responsibility in its art role.

Triangular cut-outs lets in natural light

Varies shape and folds into geometrical shapes

Angular and delicate form creates some contrast

The art gallery’s form is rectangular which helps to make the building blend in to the street whilst still creating a unique, interesting point. The white stucco panels and triangle windows helps to draw attention to the facades of the building as well as creating an interesting structure. The main goal of Schaum/Shieh was to make the building look delicate and almost fabric-like, to emphasise the appearance that ‘it could blow away in the wind’. Due to the hot weather in Texas, the studio building was redesigned with concrete to make sure the building wouldn’t heat up. Therefore, the energy consumption from the building is low as white reflects light. The angular cut-outs allows sunlight to come into the building, which creates a light and airy atmosphere. I really like the way this building looks as it seems delicate and fragile. Also, I think the white panels helps to reduce the environmental impact the building has so I will be considering using white. However, Stucco is not the most durable material as it cracks overtime and increases humidity.


Angular terrace creates this focal point that reflects the form of the exterior structure.

The interior of the Houston Art Gallery is minimal and reflects the form and shape of the exterior structure. The ground floor is characterised as a 'living room'. The white walls and neutral styles are quite minimalist which is to allow artists to display their work in a neutral setting so that their work doesn’t clash with the surroundings.

The elevator connects the three floors and provides a focal point next to the balcony. I think the overall space is light and muted whereas the elevator stands out and enhances the scale and angles of the form of the gallery. The little cut outs creates this calm, natural lighting that brightens the space enough but hides the gallery from direct lighting and the scorching heat.

The Houston Art Gallery offers many facilities such as a photography studio, conference space for private meetings, an office and various nooks that can be used for temporary exhibitions and events. Whilst the whole atmosphere of the space is light, it doesn't compromise the design. I think the wooden floors and the elevator helps to build some contrast in the space as well as making the space not look so flat. The architects Schaum/Shieh wanted the gallery to feel intimate and have this sense of lightness that encompasses this cosy and comfortable environment. The second floor is primarily used for conferences and a space for quiet meditation with even a kitchen as well. I think the overall space is interesting as I like how the lightness of the space looks refreshing and calming. However, the minimalist style inside the gallery is rather underwhelming and I feel that as an art gallery there should be points of interest. Nevertheless, the interior space has inspired me on how they have positioned facilities throughout the site and I will be considering that in my future designs.


Museo Internacional del Barroco Different levels within the museum

Concrete slabs creates an organic form

Museo Internacional del Barroco is an art museum designed by Toyo Ito & Associates. The museum is connected to various parks and public spaces in the city of Peubla, Mexico. The main goal was to design an interactive and innovative experience for people and to exhibit a past era using new technology. Toyo Ito & Associates wanted to design a cultural institution where people from around the world will come together and exchange their thoughts and views.

Square entrance creates a façade to lure people in

Unique and irregular shape

The museum has a monolithic feel due to the concrete slabs that curves and creates an interesting shape. From a distance, it almost looks like paper due to the way the slabs fold. The museum offers temporary and permanent exhibitions as well as a museum gift shop, auditorium, library and even a restaurant. The museum is multi-functional with many spaces and activities for leisure and entertainment. The concrete slabs are made from recycled materials and many of the furniture and materials are locally sourced. I think the overall atmosphere the museum has is rather futuristic and has this moody ambience despite the brightness and vibrancy of the building. I think this museum has a clever way of allowing people to explore the site and has a great sense of direction despite the complexity of the shape of the museum. I really like how this museum looks and will be taking in some inspiration from this space in my ideas.


Large, spiral staircase creates a focal point in the main entrance of the museum

Museo Internacional del Barroco exhibits temporary and permanent exhibitions on the lower floor. Rooms on the upper floor are used for research and education so the lower floor is mainly used for events. The eight permanent exhibitions host subjects of art, architecture, theatre, music, literature and the influences of Baroque on everyday life.

A permanent exhibition space that reflects the style and structure of the exterior of the museum

The museum's structure has a rigid volume to make the building resistant from earthquakes. The overall interior of the building is minimal and is quite open. The thickness of the walls is contrasted with the minimal style and lightness of the atmosphere. I also like the layout of this museum as it seems to provide a sense of direction as well as allowing people to explore. I prefer the layout of having exhibitions and events on the ground floor and the upper floor being used for research and conferences. Whilst the museum is quite large, I feel that each room is utilised to its best ability and I like how well thought the layout is. I think I am more inspired from the overall space rather than architectural features as I feel that this museum allows people to explore and directs people around the museum. I will be considering this when I will be developing ideas.


Biesbosch Museum

Hexagonal prism shapes with various paths and turns creating an experience and stimulating senses

The Biesbosch Museum located in Werkendam, The Netherlands was redesigned by Studio Marco Vermeulen. The previous museum design was described to be outdated and was not able to accommodate the increasing number of visitors. One of the few major goals of the renovation of this museum was to reduce the energy and waste consumption.

State-of-the-art heatresistant glass that eliminates the use for blinds

Each ‘Island’ has either a fauna or flora look so it helps to differentiate the islands

A slope allowing people to take in the views

Angular prism shapes that reflects the form of mountains

The Biesbosch Museum is located within Biesbosch National Park and is also a water retention centre. The roof is covered in grass and herbs that adds ecological value. The grass covered roof also allows the building to blend into the surroundings of the National Park and I think it has this hidden look to it. The angular folds allows people to explore the site as well as ensuring the view is not obstructed. I really like how this museum building looks as it looks very cool and fits in well with my brief and the goals I want to achieve. I also admire the contrast between the sharp, angular forms of the museum against the grassy texture. I also like the complexity of the site as it provides a sense of direction and adventure.


The new wing has a restaurant, temporary and permanent exhibitions. The permanent exhibition showcases the history of Biesbosch's development. The temporary exhibition showcases contemporary art. I think that the way the museum is laid out, works well and I like how the roof is utilised to allow people to explore and walk about.

Indoor pond with clean freshwater to attract more fish back

Where the angular

and sharp lines meet defines the point. It draws the eye up and emphasises the scale of the space

The museum has permanent and temporary exhibition spaces, a library, multi-purpose theatre, a gift shop as well as an organic restaurant that outlooks the vast surroundings and landscape. The Biesbosch museum has a minimal style that helps to enhance the outdoor views. It is described as an open air museum with spaces to showcase art. I think the natural and organic forms contrast with the angular interior and exteriors of the museum. The indoor pond was designed so that salmon and sturgeon fish return to the waters of Biesbosch. I am inspired by the Biesbosch museum as it not only provides a communal space and showcases art, it also takes into consideration about its environment and how the surroundings help to elevate the design of the museum. I will be considering this in my designs.


Zhengzhou Art Museum

The Zhengzhou art museum which was designed by TJAD/Zeng Qun Architecture Design Studio. The museum was designed as part of the development of Zhengzhou ’cultural centre’ group of the city. The architects had creative freedom as Zhengzhou had no surrounding context or an urban atmosphere. The scale of this building is quite large but gives the museum character and power.

The exterior is made of glass, steel and concrete and has this stark and empowering feel. The design of the architecture is meant to reflect the regional culture in an abstract way. TJAD/Zeng Qun tried to create a vague image of resemblance and un-resemblance. The design has been articulated to avoid any complex ornamentation and maintains a minimal yet impactful form. The building is made up of two pavilions that have been connected by the base of the lower floor and the concrete roof slab which forms an open urban place for public use. I think that the overall form of the building is remarkable and seems to stand out in the developing city. I personally like the urban public space in the centre of the building as it creates a point of interest and makes the building more interesting. I found that the architecture of this art museum shows that impactful designs stand out the most by designing in a minimal but carefully thought solution.


The interior of the art museum reflects the perspective of construction that is seen on the exterior of the building. The architects have tried to create a theme of ‘inside’ and ‘outside’ where they are able to use perception of space and time, to allow visitors to gain an experience. The space is multifunctional, although this prototype does not clearly show all the functions within this space.

Throughout the museum, there is a lot of empty and open spaces where people can congregate. The museum has a dark and light character where the sun affects the overall mood within the space. This is meant to create a ‘dark box’ atmosphere within the museum, which is traditionally found in many museums. The influences of both modern and traditional designs are prevalent throughout the museum, as they try to create a retrospection of Zhengzhou’s history. I think that the emptiness of the interior spaces works well as it allows for room, without people getting too crowded. I also like the flow of the space as the eye is drawn up to the structural elements like the ceiling and walls that makes a person perceive perspectives differently. The simplicity of the interior design of the space helps to match the exterior’s environment. The exterior of the museum looks cold and dark, however the inside has the same theme but is presented differently by the use of skylights and windows.


Primary Research


Natural & Organic: Leaves Since my theme is organic and natural, I focused part of my primary research on plants and how the shape of these plants can form an interesting shape. I think the way a leaf curves can create this organic form that can be manipulated to form a structure. The balance between delicate and strong structures compliments each other very well. I then looked at different leaf shapes and started to look at how they can be manipulated. The round leaves could be a great way to separate different spaces and add some interest to the plan. I then went in the opposite direction and looked at sharp, pointy leaves and wanted to see how that would look but I do not think it will work very well. I really like the first idea where I looked at the shape of the curvy leaf and turned it into a roof for a structure. This was inspired by the Biesbosch Museum as I liked the idea of using vegetation in the design of a structure.


Natural & Organic: Trees and Flowers Here I have focused part of my primary research on trees and flowers. I think the textures of trees prove quite an interesting form, which can be used in many ways in parts of my design. The delicacy of the flowers can be interpreted in my design by mimicking the form and shape of the flowers. Since my project is based on natural and organic influences and making an environmentally friendly building, I think my design should also be inspired by nature. Perhaps the grooves on the trees can be windows on a façade or the shape of a flower petal can be curved around a building to create character. I am inspired by the way flowers and trees look and I think I will be able to use them in my designs.


Westfield White City

I was drawn to the architecture of Westfield White City, which is the largest shopping centre in Europe. The unique roof which curves and twists around and above the shopping centre. The atmosphere of Westfield is rather calm, despite the fact that many visitors shop there frequently. I like how the main entrance of Westfield has a façade where the glass roof directs and guides people into the shopping centre. Whilst researching this space was a wild card, I was more drawn to the architecture than the function and purpose of the space. Whilst the rest of the building is very simple, the roof really draws the eye up and shows the boldness of the building. The various outdoor eating and seating spaces really makes this shopping centre multifunctional.


The interior of Westfield maintains a unique shopping experience that is enjoyed by visitors of the shopping centre. The curvy roof with triangle cut-outs for windows, can be seen from the inside of the mall. This provides a sky light that creates natural lighting throughout the shopping centre. Large, open spaces in the centre of Westfield, allows people to look up and see all the shops and restaurants as well as the smooth and modern design of the shopping centre. One part of Westfield that interested me the most was the luxurious side of the shopping centre, where bespoke and luxury brands were. Also, the lighting on this side is warmer and moodier, which fits the experience and mood of the space. Needless to say, I was inspired by the detailing of the ceiling which heavily impacts the space and the way a person feels when shopping there.


Hyde Park

Since I will be incorporating an outdoor space with my museum, I wanted to research Hyde Park. Hyde Park is one of London’s eight Royal Parks which is often visited by many people. The park has many recreational areas with fountains, structures and many species of plants and birds. I was drawn by many features within the park with some being the structures. I think they offer great conversation points where people can congregate. There is a large lake too where many birds reside and people can sit and bask in the sun. The greenery of the park and various seating spaces makes this park enjoyable for all ages. That will be the main goal of the outdoor space I am trying to achieve.


There are also chapels and historical structures within the park which creates points of interest. I was drawn by the form of these structures where people sat inside and enjoyed the view. These were found near the entrance of the park which invites people to come inside. I also think it fits with the Royal theme as the structures show off England’s history. Whilst the site of Queen Elizabeth Park is historical in terms of its Olympic role, I will not be designing the space as such. I think what the space needs is a good interior and outside space that caters to the needs of people visiting the park or the museum.


Serpentine Gallery: 2021 Pavilion

I decided to look at Serpentine Gallery’s pavilion as Serpentine is an art gallery so it is related to my brief. South African studio Counterspace led by architect Sumayya Vally has designed this structure which represents informal meeting spaces in areas of London that have large migrant populations. This the 20th temporary structure that is built in Kensington Gardens. I felt that the abstract form of the pavilion adds interest and the different levels of the structure creates a unique structure that looks different from many angles. I could take inspiration from this pavilion and maybe design a structure in the outdoor space I am going to design. I also admire the fact that this pavilion is carbon-negative which fits in well with my ideas of a building with low impact on the environment.


This is the interior of the Serpentine Gallery where they hold temporary exhibitions. I felt that I needed to experience what an art museum or art gallery is like on the inside and what are the typical moods and features that are in these spaces. I have found that most museums are either bright and well lit spaces like the Serpentine, or they are dark and moody. I have noticed in my secondary and primary research that most museums and galleries have large open spaces and they have flow. The Serpentine gallery itself is not of any architecture or interior design interest but I feel that I was able to gather what art galleries and museums typically look like.


Research into Interior Spaces


Cloud Art Museum

The Cloud Art Museum designed by Challenge Design represents a pure white cloud that floats near the Laoma River. It is in Qingzhen Wetland Park. The museum has various facilities like a bar, media room, activity room, exhibition room and even a playground. The multi-purpose museum facilitates for all ages and is quite versatile. The view of the surroundings vary around the museum.


The interior of the cloud art museum can be described as spatial and airy. This is due to the design being inspired by Chinese culture as the cloud symbolism used throughout this space is auspicious. The themes of this museum combines nature with art and a theme of delicacy. The simplicity which is emphasised by the materials used in this building helps to create a sense of fineness and minimalism. The museum has a café, a bar, media room, an exhibition room, a playground and even an activity room, which caters to all ages. The museum is very spacious and has this ‘dreamy atmosphere’ due to the inspiration of a cloud-like form. Whilst this museum is quite small, I am inspired by the fact that there are facilities for all ages, which is something I can look into. The design is very impactful and fits that utopian aesthetic I am looking to achieve.

1st floor- entrance

Media room

Café

Lobby

Activity room

Playground

Ground floor- exhibition space

Exhibition room


Lindt Home of Chocolate Lindt Home of Chocolate in Kilchberg, Switzerland was designed by Christ and Gantenbein. This is the HQ of Lindt and Sprungli which has a factory, warehouses, an office building as well as a museum. A new spatial design was being achieved with this structure, where entertainment and interaction are seen throughout the building. The building has industrial influences and is an urban structure that stands out against its surroundings. The façade of glazed white bricks welcomes the public inside. The museum is described to be intelligently engineered. Whilst I personally find the museum quite simple, I do like the idea of a façade that welcomes the public in.

The façade folds to create a point of interest. Makes this structure stand out against the traditional Swiss surroundings.


The interactive multimedia exhibition has been designed to be user friendly. A vast atrium is connected to various walkways and a spiral staircase that makes the interior look whimsical. It almost has a utopian feel with the complex structure of the walkways. The flow of the space makes the museum interactive and has a sense of experience and atmosphere that makes the museum memorable. The concrete forms within the interior of the museum contrasts with the exterior of the museum as it is not industrial. The interior could be described as luxurious, which fits the brand image of Lindt Chocolates. Overall, this space is well designed to fit the luxurious atmosphere that this chocolate factory without over complicating the space.


Model Making


Solution 1: I took inspiration from this bead and I like the design of what looks like curly vines. I think that this model fits that whimsical character that most art museums have. However, I do think that the form could be developed further and that the model could be made more interesting. I think if I vary the sizes of the paper, it will create a better and refined solution.


Developed Solution 1: Here is a development of my first model. I liked the organic form of the first model but I decided to develop it to form something more delicate. The drawings on the bottom are more developed and I think that it still emulates the form of the original object. I like how the curves of this structure looks different from all angles. However, I feel that I still need to develop it further as I want something that looks more delicate and lighter, like the Museo Internacional del Barroco. I think that fits in well with my theme and what I am trying to achieve.


Solution 2: For this model, I have used wire and created this triangular form. This was inspired by the bead where I have grabbed an aspect of that form. After drawing up the model I have come up with this interesting structure that is similar to the Opera House in Australia. I like how irregular each triangular part is which creates a unique design. I also find that this form looks similar to a beetle so maybe research into a beetle's form and developing that further will produce an even better solution.


Solution 3: For this model I interpreted the form of screws. I came up with this hexagonal prism which looks very similar to a honeycomb. I think I can develop this model further and come up with a better solution as this form links to my theme. I really like the idea of overlapping the hexagons on top of one another and maybe I can develop that to form different levels. I am overall pleased with the outcome as I think I can experiment with this the most to come up with the best solution.


Solution 4: For this model I took inspiration from this thin rope. I interpreted the object and made this branch form that is related to my theme of natural and organic forms. My drawings are further developments that are fluid and smooth, contrasting to its original form. However, I think that this model is very simple and won't work well. I find that the form is not as interesting as my other models so I will most likely not develop it.


Scrunched Paper Concept


I scrunched up some paper and I drew this solution. I like how irregular the form looks and I think it looks very interesting. However, my theme which is outlined in my brief shows that I must use organic and natural forms. I might need to develop this solution into something softer and more delicate as it looks very industrial, which is the opposite of what I was going for. I think by simplifying this solution, I will come to a finer and refined version of this paper model, which may be more suitable. Overall, I am very pleased with the outcome of this model and I think I can form a better solution that matches my vision for Queen Elizabeth Olympic Park.


Developing Solutions


Solution 1- Spiral form:

Model 1

Side elevations are very simple so perhaps making the structure look more complex from a person’s perspective, will really elevate the design.

Here I have developed the first model. The oval forms are connected to one another and forms this opening in the centre that could be an entrance into the building. I then developed it slightly by varying the sizes and scale of each cylinder which looks more interesting as the perspective shifts.

The elevation drawings of this model shows the simplicity of the design which is why I need to develop this further. The plan view holds some interest as the spiral glass ceiling can be viewed from the internal space of this structure. I will need to form a more interesting structure that has a spiral form that can be seen from all sides and perspectives. I think this will be the next best step in the development of this solution as the structure currently looks very boring, in my opinion, which is not suitable for an art museum.


Model of solution 1:

Organic form is reflected in the spiral

Developing the form to be more irregular. Maybe I will reconstruct the spiral form to be more visible.

My next development of this spiral form is to make the design more visible. I have flipped the structures on its side so that the previous plan view can be the new front elevation. I like this idea more but I think that this form is far too regular and that I need to experiment with the structure. My next step is to create a physical model that can further expand and develop this solution into something that fits the concept of an art museum better.


Tensile model of spiral form: I wanted the spiral model to be developed into something more creative and imaginative than a basic structure. The spiral structure is visible through the fabric where you can see how the wire forms a spiral shape that creates curves. I think that this form fits that strong theme that I have researched, where these art museums look visually captivating which sparks interest and conversations. I decided to add some foam pieces to create levels which could be utilised as an outdoor space. I think I am getting closer to what I want to achieve in my solution for the art museum. I will continue with the same method of creating tensile structures and spiral forms.


Visual responses of tensile structure:

The form has developed into something rounder and more organic than the tensile structure. The curves mimic the nature of a spiral form and I think in order to develop this further, I will need to change the way the spiral form looks. I think the drawings I have done are very similar to the Zaha Hadid’s Heydar Aliyev Centre. I will also need to visualise this solution in 3D so I will make this model in SketchUp and physically. Therefore I will research her style and try and adapt that into my solution to develop it further. I like where this design is heading and I feel that it will stand out pretty well.


Development of tensile solution in SketchUp:

Here I have developed the tensile structure in SketchUp by creating this organic curvy form as the roof of a structure. I like how fluid this form is and I think I am coming closer to a refined solution for the tensile solution. Although I have moved away from the spiral form that I originally wanted as the base of the design, I think this works better as looks more interesting. I will develop this further and experiment by making a physical model and also by researching into existing architecture to further support this ideation. Overall I am very pleased with this outcome.


Model of solution 2:

I developed the second form by adding weight to each triangular structure and joined them together to form this. The idea behind this was to carry and guide people around the museum which can be seen by the ‘layers’ of this building. The sections could be split into different sections, like exhibition halls, communal spaces, café and gift shop. I like the concept of this developed solution but I don’t like the overall form as it does not look natural or organic. It does look modern but I think the modern form looks boring.


Solution 2- Angular form:

To develop the angular form further, I decided to merge the slabs together and overlap them. It formed these steps which did not look like a structure at first but then I rotated each step and formed this fan-like structure which sparked some interest. I like how this form looks and I think if I develop this, I will come closer to a refined solution for this angular form. My next step is to create a physical model and from there I will be able to visualise what this form looks like.


Model 2 development: Here I have developed the second model from my SketchUp solution. I liked the layer effect so I decided to create this structure that has these panels which fan out. The idea is that this form could be a roof that covers the museum. I think if I develop this I will need to add some glass to show a full building. I do like this idea but I don’t think it has natural and organic influences, especially because it is so regular and structured. Perhaps adjusting the form to seem more irregular and unique will help it achieve that organic aesthetic.

I put the model into SketchUp and I like how it looks but I feel that the purpose of this solution does not match well with my brief nor the concept of an art museum. I think that this structure is suitable as a pavilion as it seems to provide shade. Maybe I can use this for the outdoor space on my site to create a distinct seating and eating space. I will try and develop this model further so it matches with what I want to achieve as well as meeting the requirements of the brief.


Developing solution 2:

Here I added some context to my model solution and came up with this design. I added some glass and utilised the form as a roof. I like how this design looks but I am not sure if it is suitable for the concept of an art museum. I think if I further develop this idea, I will come closer to a solution that will work better. I do like how the roof creates a shade and how it looks very modern. However, this does not look very organic so I need to find a way to make this structure look more natural and organic. Perhaps I could take inspiration from the Biesbosch Museum and make the roof have a grass texture that will not compromise my original design.


Visual responses of solution 2 in SketchUp:

Here I have reconfigured the structure of the angular building by changing the way that these two ‘fans’ interact. I find that at some perspectives, it looks like an infinity shape which could be something I use to develop this solution further. I really like how this form is developing and I think it will work very well with my concept and location.


Visual responses of angular solution:

I added glass to this structure and I like how there’s an opening in the back where the two fan shapes meet. The fan shape looks different at the various perspectives which I think helps to elevate the design. I really like the outcome of this solution and I think with a few further developments, I will be able to come up with a refined solution that works very well with the site as well as the concept of an art museum.


Solution 3- Honeycomb form:

From my solution, I put the design into SketchUp and I came up with this development. Whilst I admire complex solutions I feel that this is too overwhelming and I don’t think that this will be suitable. I think I need to simplify the design and find one particular element to focus on and create a sense of balance in the design.


Visual responses of solution 3:

Plan view

Here I have developed the multiple hexagonal structure into a single hexagonal structure. The smaller hexagons jut out and those could be a balcony for the upper floor. I think the overall form of this solution is very regular and that I should adapt the honeycomb structure further into something that is unique and distinctive. I like the frame around the structure as well as the idea of having full glass walls which brings in a lot of natural light.


SketchUp model of solution 3:

Here I have experimented with the hexagonal form in SketchUp and I came up with this design. The hexagonal shapes interlock with one another and create levels. I think the holes could be filled with glass and maybe I could adjust the sizing of each shape. I do like how this looks but I will need to experiment further to develop this idea.


Development of solution 3: Here I have made the SketchUp model physically using card. I like the various elements that interlock with one another and I think it has also created a façade which could be the entrance to this structure. I also like how the structure looks different at every angle as well as the different sizes of the card pieces. Part of the model has created this outdoor space which works well with my brief and specification. Overall, I am pleased with the outcome of this model and I will be developing this further in SketchUp and through drawings to come to a refined solution.


Developed SketchUp model of solution 3:

Here I have transferred my physical model into SketchUp and simplified the elements. I liked the interlocking shapes and kept that constant in this design but I made sure each shape’s size was different. I like how this looks so far but I feel that I may need to develop this further and make adjustments to bring more context to this structure.


Visual responses of honeycomb solution:

Here I have adjusted the way the SketchUp model looks. I think I will need to do some research to develop this solution as I need to find a way to add context to this structure as it has no purpose and so developing it through research will help me expand my idea and refine my solution. I do like how the overall form looks but I think if I look at buildings that have this hexagonal shape, it will help me with this solution as my developments all look similar. One thing I like about this design are the levels and how there’s one distinct hexagonal shape that catches your eye first.


Developing Solution 1


Secondary research: Heydar Aliyev Centre In order to develop my tensile solution, I have researched into the Heydar Aliyev Centre, which was designed by Zaha Hadid Architects. The centre was built as part of an investment of the modernisation of Azerbaijan, after its independence in 1991. The purpose of this centre is to be the primary building for the nation’s cultural programmes to break from the prevalent Soviet architecture. The design of this building considers its surrounding plaza and the building’s interior. The form curves and folds which welcomes and embraces visitors inside. The fluidity in the architecture was accepted as historical Islamic architecture was also very fluid. Zaha Hadid Architects’ intention was to relate this building to the historical understanding of architecture, but not necessarily mimic the exact form and style. The ‘skin’ of the building was a challenge and was made to achieve a look that seemed continuous and homogenous.


Secondary research: Interior of Heydar Aliyev Centre The centre has two collaborating systems; a concrete structure with a space frame system. The goal was to achieve large, open spaces to allow visitors to experience the fluid interiors. The museum almost looks futuristic inside and has a clean and smooth appearance. The unique interiors allows visitors to experience and explore the spaces freely. The centre consists of exhibition spaces, a library, a museum and concert venues which is located in a public plaza. The interiors reflect the exterior if the centre, which is made of reinforced concrete panels. These panels conceal the vertical supports within the walls which breaks away from the traditional interior and architecture design.

Inspired by fluidity and historical Islamic architecture. This creates a user friendly and interactive space for visitors.


Developing tensile form: Here I have used my research from the Heydar Aliyev Centre and created this tensile model. The form of the wire has been manipulated to create this organic form and it is a development from my first tensile model that I have made for the spiral form. I like the nature of this model more as it seems to look more interesting and has openings that can be the façade of the building. The research on Zaha Hadid’s style has helped me form ideas for this model and I tried my best to take inspiration and not copy the form completely. I am pleased with the outcome of this model and I will continue to develop this.


Developing form in SketchUp:

Left side view

Right side view

Front view Plan Using my model and research from the Heydar Aliyev Centre, I have designed this form in SketchUp. By using the soap skin extension, I was able to achieve this tensile form. This is a development from my first tensile model in SketchUp where I used my model to help develop it further. I tried to achieve the curves and the original form of my model to the best of my ability and I prefer the outcome of this development as it seems to work well. Developing a tensile form that closely resembles my model is difficult in SketchUp but I think this SketchUp model seems to work better.


Experimenting with a square base has allowed me to understand how a tensile structure responds to its form. I find that the triangular form looks more interesting as it had curves and folds whereas this square base is quite flat in the centre of the roof. I kept the same style where I had a wavy ‘m’ shape to the sides of the base but I think the triangular form works better. I am happy with the experimentation of the base of the structure as I was able to understand how the shape of the base affects the form of tensile structure. I will continue to develop the form with the triangular base,

The square form does not seem to have the same impact and effect as the triangular form. I think the tensile structure responded better to the triangular form as it had more curves and dips. I think with a square base, it forces the design to be repetitive which is not what I want.


SketchUp development of tensile solution:

This is the glass structure that I have designed by using the tensile roof. The idea is that the roof overlaps in some parts of this glass structure which creates a ‘hood’. Each side of this triangular structure is different and unique but the large semi circle could be a focal point of this museum, which I can then turn into an entrance. I think the glass should have some framework as vertical and sharp lines will help to build contrast against the free-flowing, organic roof.

I wanted to see what the form looked like if I stretched it out vertically. I think it makes the form look more dramatic and sharper which is completely opposite of what I am trying to achieve. I prefer the softer and organic form as it looks more inviting.


Developed visual responses: Here I have drawn from my developments and came up with this solution and design. I like how the sharp lines of the framework on the glass helps to elevate the form of the tensile roof. I think I have nailed down the form of the structure and how it should look so now I need to focus on the details of the building. I could further develop this by experimenting with different textures to see what works best to elevate the design of the roof. The tensile roof is my main focal point of this structure so I will need to find ways to elevate that without compromising the style. Overall I am very pleased with the outcome and I will design this in SketchUp to show what this looks like in 3D.

Left Elevation

Right Elevation

Front Elevation


Outcome of tensile solution: Here is the outcome of my tensile solution. I am very pleased with the development of this solution as my research and experimentation has helped to refine this ideation. At the start of this solution, I was experimenting with spiral forms but I have taken a different direction where this tensile form seems more sophisticated than the original solution. I think this form and structure works well with my location and I feel that it meets the requirements of the brief. I think I will be developing this solution into my final outcome for the art museum as I am very pleased with the outcome. Needless to say, I will continue to make adjustments to this solution as it progresses.

Front View

Right View

Left View


Developing Solution 2


Grass roof increases ecological value of the structure

For this solution, I decided to reconfigure the way the two ‘fan’ pieces interact. I decided to increase the gaps between each stick so that natural light could seep in through the openings. The overlapping fans create this shade on the left side of the model. I like how this model looks but I feel I need to research to further expand this ideation as well as allowing myself to experiment with this form since this model is very similar in nature to my previous models.


Secondary research: Riverside Museum The Riverside Museum was designed by Zaha Hadid Architects, which is located in Glasgow. I chose this museum to help develop my ideas for solution 2 as the form of the zig zag cladded roof will inspire me to develop the solution further. The museum overlooks the River Clyde and was designed to support the historical development of the Clyde and the city of Glasgow. The museum symbolises a dynamic relationship between the river and the city. The purpose is to “enthuse and inspire all visitors”Zaha Hadid.

Zig zag formation can be seen from the plan and elevation views. The museum has an exhibition hall, a café, a retail and education spaces.


Secondary Research: Interior of Riverside Museum The museum has over 3000 exhibits with collections of vehicles and interactive displays. The museum also has a restaurant, café and a shop. The zig zag form of the roof can be seen in the interior of the museum, as the lights follow the form. The interior is modern just like the exteriors and this helps to work with the context and purpose of the museum which is to exhibit historical vehicles and displays. I like the idea that the roof can be seen form the interior which looks really interesting.

The cladding and the folds can be seen internally which creates a dynamic atmosphere.

Ground floor plan Shows how visitors are guided through the museum with the help of the bendy layout.


SketchUp experimentation:

I started off with a square which I split in the middle and lifted the shape upwards. This creates an apex structure which I have used as the base of my design.

I added these lines to the apex structure which I then moved up and down to create this cladding. This cladding was inspired by the Riverside Museum’s form which I really liked. I think this form works better than the overlapping slabs as it looks far more interesting.


SketchUp development of cladding structure:

Here I have added glass to the existing structure so that I could get a better understanding of the space inside. I feel that this form is very promising and works very well to create an interesting structure. Whilst the form is not organic, I feel that I have some natural influences as from the side, the apexes look like terrains. The terrains hold no context to the location but I think it looks very interesting and geometric. The model also looks like it has origami influences which I could use as further developments.


Experimenting with the form:

I decided to create some paper models where I used origami and folding methods to create this form. The zig zag which is formed in the centre fold was created by manipulating a series of valley and peak folds which helped to form the structure of this fold. I think this looks like the two sides are interlocking with one another which is very interesting. I chose this in particular because it is similar to my ideation and I think this will help to push the design further. I think this simple folding technique can be manipulated in SketchUp to create something unique rather than a straight peak where the two sides meet.

Here I have made the model in SketchUp and I was able to achieve that zig zag fold which looked very interesting. The overall form forces it to be asymmetrical which makes it look unconventionally perfect. I will focus more on the asymmetry in my developments to further expand this ideation.


SketchUp developments:

This form looks very dramatic and bold which could help to draw more attention to this structure.

Diamond in plan, this form is far more dynamic than the rectangular one, which looked like a roof. This folds and points out sharply at different viewpoints which looks unique.

The peaks go up and down at the same height but extend horizontally in different lengths. The similar heights composes the design.


Outcome of origami solution: Here I have added a grass texture to the roof. This is inspired by the Biesbosch Museum where they had a grass roof to increase the ecological value of the museum as well as making the structure respond well to its natural surroundings. Since the museum is situated in Queen Elizabeth Olympic Park, I could make the museum look like it is emerging from the grass. I felt that this will look very unique as well as fitting perfectly in its site. This has also allowed the structure to meet the requirements of my brief which is natural and organic influences. Overall, I am very pleased with the outcome of this solution.

The glass sits at a slight angle and the structure is covered by the grass roof.

A chevron form on the bottom


Developing Solution 3


Secondary research: Datong Art Museum Datong Art Museum, which was designed by Foster + Partners is a new cultural destination in China. The form of the museum is similar to a landscaped terrain where the pyramids emerge from the ground. The purpose of this museum is to have a variety of spaces for education. The museum has a children’s gallery, media library, archive and art storage facilities. The museum provides a social hub for the public where local artists and people are brought together for art. The museum also has large exhibition spaces for large scale events. I chose this museum in particular as I felt that the form of a natural terrain will help me further develop my solution which can help make the design work well with my brief. This museum shows how natural forms can be interpreted in contemporary styles.


Secondary research: Interior of Datong Art Museum The interior of the museum has been carefully designed to create an exceptional interactive and visitor friendly experience. Exhibition spaces are climate controlled and are positioned around the perimeter of the museum which allows ease of access. The museum has a lot of natural light that streams in through the roof’s windows. The pyramid form also allows to create a structural span of the building which leaves vast, flexible spaces in the centre of the volume, which leaves smaller gallery spaces towards the edges. This layout works well as I feel that having a central space can create good structure as well as flow between the smaller gallery spaces. The idea of maximising the volume of the space through the form of a pyramid creates a distinct composition for the museum.

The exhibition spaces are very minimal in style which allows the architecture of the museum to be dominant.

Large open spaces are central in the museum and smaller exhibition spaces run along the perimeter of the museum. This guides visitors through the perimeter of the museum to where they congregate in the centre at the end.


Angular Model: Here I have developed this model by using my research from the Datong Art Museum. I was inspired by the angular form and interlocking shapes that the museum’s structure had. I did not want to mimic the pyramid form of the museum, instead I was inspired by the nature of the museum and how the individual pyramids interlocked with one another. I think this model is an improvement from the original honeycomb form as I did not like how the hexagon shape looked compared to this form.


SketchUp development of angular form:

This physical model is a simplified version of my physical model where I wanted to see how I could arrange the different blocks. I think this is very simplified and that I should use my research from the Datong Art Museum to create multiple elements that join together. This model is made up of components that are next to one another and I need to achieve one model that has multiple components that join together.


Experimentation with terrain form:

Here I have taken inspiration from the Datong Art Museum where I have created several geometrical faces that stick out. This has formed triangular shapes and prisms which creates a lot of movement. I like how this looks but I need to develop this further to make this form more composed. I think the direction I am heading in links well to my theme of natural and organic influences as it resembles a terrain.


Visual responses: After trying to simplify the SketchUp model, I found that this model is far too complex for a site like Queen Elizabeth Park. I like the idea of having geometry emerge from the ground and how it has achieved this ‘messy’ look. I think the design is good but I need to consider the context of the space so having a structure that is so overwhelming will not work well for the site.


SketchUp developments:

I reduced the number of lines on the rectangle face which helped to simplify the form. I like this more as it seems to focus more on the form and does not seem so overwhelming. The plan is rectangular but from side views it is quite complex. The previous SketchUp model had far too many components so this seems more suitable for an art museum.


Outcome of terrain solution: Here is the outcome of my terrain solution. I like how it has developed from cubic forms to this as the terrain form has more interest. I feel that this is very different to what I started with but my research and experimentation helped to refine this ideation. I do feel that this solution is rather safe when it is compared with the tensile solution and the origami solution so if I were to choose this solution, I would develop this further to be more imaginative and unique. Overall, I am pleased with the outcome of this solution. The vertical framework on the glass extends the architecture. The space inside is quite vast so it is suitable for multiple facilities and exhibition halls.


Outcome of Art Museum: Here is the outcome of my Art Museum. I chose this because I felt that this model works very well and that it fits in with my theme of natural and organic influences. It’s fluid structure is organic and works well in the site as there is a river nearby. After extensive research and developments, I was able to come up with something unique. I now need to work on the interior of the museum and also develop the outdoor spaces which I have specified in the brief. Furthermore, I need to understand how this structure will fit in well in the site without overpowering the park.


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