Westover gallery Fine Art Collector autumn 2014 by Westover Gallery

FINE ART COLLECTOR

collector fine art

AUTUMN 2014 UK £3.00 US $5.50

WASHINGTONGREEN.CO.UK

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WASHINGTONGREEN.CO.UK

Inspiration for your home in our practical guide to what works where

FEEL THE FORCE

Childhood memories revisited in Davison's latest collection

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PIECES OF

SERIES 5 ISSUE 23 AUTUMN 2014

BEAUTIFUL NEW ART MILLAR COMES HOME MR & MRS SMITH SUPERHEROES!

JOHN MYATT AVAILABLE IN GALLERIES NOW Visit washingtongreen.co.uk

facebook.com/WashingtonGreenFineArt

46 At home - help with choosing art

62 Mr & Mrs Smith

12 The bigger picture city and landscapes

CONTEMPORARY ART 22

Avarice Egocentric from the country’s finest Keith Maiden artistic talent.

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If you’re a seasoned art collector, you will be CRAIGILL A DAVISR only too aware evoked after LOUIS of theOfeelings N SIDOL JO I HN you’ve placed a wonderful MYATT new piece in your ARTIS TS it? To us it's home. But could you Kdescribe E I T PROCT H excitement, calm reflection PAUL H OR and pure pleasure B ORTO O B LOUIS N BARKE E Whether you are R - there’s nothing quite like it. D E A LIMITE LAWRR D EDIT artworks from your eagerly awaiting new ION COULSENCE LIMITE A R T O N D EDITIartist, favourite art is unexplored Bor ON AR OBcollecting NEIL D T AWSO N DY N SIMONenjoy PAUL K territory, this stunning ENsit CLARI JOHN L Aand TON back D W GE PETER ILSON S C A H R O A RI SMIT ZTrust SHOTT LINE IA NEW Tyour ROWACHARD collection. - and commit ALENTH instincts HAMISON N GOVIN H BLAKE ART LY DER to bring an inspirational painting into your home this Autumn. We guarantee it will brighten your every day. ARY

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Fine Art Collector is published by Washington Green (F.A.P.C.) Ltd Email art@washingtongreen.co.uk Website washingtongreen.co.uk All the art featured in Fine Art Collector is available through a network of Partnership Galleries. Visit our website at washingtongreen.co.uk to find your nearest gallery. The images contained within this literature are an artistic representation of the collection. To best experience our art, we recommend you contact your local gallery to arrange a viewing. Prices illustrated throughout this magazine are recommended retail prices and may vary between Partnership Galleries depending on styles of presentation. Designed & Produced by Now Media. Contributors: Sally Rowland, Jayne Howarth, Stephanie Richman.

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C HI NA

DOLL

Subverting and challenging preconceptions about childhood and innocence are key themes in Xue Wang’s colourful and disturbing paintings, brought together in her latest collection ‘The Imaginarium of Xue Wang’. Not for the faint hearted, here is ‘lowbrow’ art in its highest form.

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Editorial Feature � Lollipop Giclée edition of 95

Image Size 111/2” x 81/4” Framed Size 261/2” x 23” Framed £325

Canvas edition of 50 Image Size 111/2” x 81/4” Framed Size 181/2” x 151/2” Framed £250

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“I don’t see being categorised as a lowbrow artist in any way demeaning. It’s current and fashionable and has its roots in a Californian movement that was hugely influential.” 6 FINe ART CoLLeCToR

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Xue Wang Forever Blowing � I'm Bubbles

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SPOTLIGHT

“I

Xue is a product of China's 'One Child' policy which was introduced to control the country's population in 1979. Parents were fined or forced to have abortions for breaking the rule. But the 'One Child' law has left an ageing population and a gender imbalance. This year, the Chinese lawmakers announced they will allow families to have two children.

Giclée edition of 95 Image Size 13” x 10” Framed Size 28” x 241/2 ” Framed £350

Canvas edition of 50 Image Size 131/2” x 101/2” Framed Size 201/2” x 171/2” Framed £295

Check Mate � Giclée edition of 95

Image Size 18” x 151/2” Framed Size 33” x 30” Framed £475

Canvas edition of 50 Image Size 231/4” x 20” Framed Size 301/2” x 27” Framed £550

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don’t mean to disturb my audience. I hope they can laugh at the images but then pause - and think,” says Xue Wang, a petite and classically pretty Chinese artist, whose work is making great waves in the ‘lowbrow’ art world. The ‘Pop Surrealism’ movement which started in the 1970s has now embraced the ‘lowbrow label’ as a badge of honour. “I don’t see being categorised as a lowbrow artist in any way demeaning. It’s current and fashionable and has its roots in a Californian movement that was hugely influential,” explains Xue. Born in industrial Northern China in 1980 (the year of the mischievous monkey as she points out!) she took a fashion degree in Shenyang and at the age of 22 moved to London to finish her MA, during which time her passion for fashion waned, and her interest in art and drawing was ignited. Having successfully forged a career as a fashion designer (working for names including Marks & Spencer) Xue became increasingly disillusioned with the industry, and its fixation with the bottom line, and she realised that painting was where her true passion lay. The new collection, like much of her previous work, displays a fascination with childhood paraphernalia and Victoriana, reflecting nostalgia for a youth long before her own. As a product of China’s ‘One Child’ policy, she says she remembers an isolated,

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Xue Wang

Stretch Fido � Giclée edition of 95

Image Size 14” x 10” Framed Size 291/2” x 321/2” Framed £475

Shell � Bomb Giclée edition of 95

Image Size 13” x 16” Framed Size 28” x 301/2” Framed £425

Canvas edition of 50 Image Size 17” x 22” Framed Size 24” x 29” Framed £495

Canvas edition of 50 Image Size 15” x 18 1/2” Framed Size 22” x 251/2” Framed £395

� A Tight Squeeze

Giclée edition of 95 Image Size 161/2” x 18” Framed Size 32” x 321/2” Framed £495 Canvas edition of 50 Image Size 23” x 25” Framed Size 30” x 32” Framed £595

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“I like to challenge, to be controversial and make people think a bit – the fact that I use childhood looks, with big eyes and soft lips disturbs some people.” but happy childhood in which her imagination became her constant companion. “I was an only child in a household where both my parents were out working, so I retreated like lots of children into an imaginary world, playing with my dolls, dressing them up and building little stage sets and that has influenced my work enormously.” The eerie sense of humour combined with an obsession with dolls, toys and fairy tales creates a captivating and unsettling mood which Xue likes to take to sometimes shocking extremes. “Superficially they may appear ‘cute’ but my intention is to unsettle, albeit it subtly – just as the creeping wasp on the fairy cake does,” she explains. The overly large eyed temptresses may appear vacuous but are by turns amusing, odd, and just a little threatening. “I like to challenge, to be controversial and make people think a

bit – the fact that I use childhood looks, with big eyes and soft lips disturbs some people,” laughs Xue, whose condom bubble-blowing Marilyn Monroe figure in ‘I’m Forever Blowing Bubbles’ has caused some collectors eyebrows to be raised. The Imaginarium of Xue Wang collection is inspired by silver screen Hollywood iconography, as well as Xue’s passion for dark Ealing horror films. She likes to employ what she calls Hitchcockian techniques in her paintings, using shadow and enclosed space to great effect. “People often ask me why I always feature blondes in my paintings – but like Hitchcock, I can see the reflection and nuances in blonde hair that you would not get on a brunette – plus blood shows up on blonde better!” Some of the images use a monochrome palette to impart a ‘period feel’ to the theme and the cinematic elements are tinged with

Editorial Feature � darkness utilising Hitchcock’s studio lighting effect to accentuate each figure. Xue says her favourite work in the collection is ‘Narcissess’ as it questions how appearances can deceive. “This one really nails the theme of female vanity for me. The mirror world throws back a startling reflection of things which might be. It strips off the superficial veneer of beauty to reveal a more disturbing interior parallel reality.” she explains. Xue works from her London studio on several paintings at a time, using oil on board, rather than canvas which she finds an easier medium to work on when producing meticulous attention to detail. A late riser (although she would admit this habit has changed since the arrival of her first baby just three months ago!) she likes to work at long stretches. Despite what she describes as a ‘butterfly mind’ that flits from one thing to another in every other aspect of life, she says she can concentrate on her art for prolonged periods of time and spends over one hundred hours on each canvas. Will motherhood change her outlook or ideas about content? “I still like to sit amongst my stuffed cobra, a fox skull and a box of dead bumble bees and I don’t think I will ever stop painting images that challenge on some level” she says, (although she admits to becoming drawn to landscapes recently), before adding “but the old fashioned interiors and isolated figures are part of my psyche so they will always be there.” GALLERY The new collection from Xue Wang is available now. View online at washingtongreen.co.uk

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No Gnashers � Straight Giclée edition of 95

Image Size 13” x 10” Framed Size 28” x 241/2” Framed £350

Canvas edition of 50 Image Size 13 1/2” x 101/2” Framed Size 201/2” x 171/2” Framed £295

� Narcissess Giclée edition of 95

Image Size 18” x 14 3/4” Framed Size 33” x 291/2” Framed £475

Canvas edition of 50 Image Size 181/2” x 151/4” Framed Size 251/2” x 221/2” Framed £395

In brief Who is your favourite artist and why? Frida Kahlo – female, independent and wonderful use of colour. But can I add in Victorian painter Albert Kubin and the god of pop surrealism Mark Rayden too! What is your ambition artistically? To keep painting and for my work to influence people. What do you like best about living in London? The diversity of the city and there always being something new to do or discover. I never ever get bored here. And the shopping! I love to shop! Is being a child or an adult most fun? I loved being a child. I only have happy memories and it was always ‘sunshine’ in my mind. Having no responsibilities is a wonderful thing you only appreciate when you become an adult. Are you a City or a Country girl? It has to be

the city. I was brought up in an industrial city in China and now live in London. It’s where I feel comfortable. Where did you last go on holiday? China – I always go somewhere new in China after visiting my family. China is a big country and my (British) husband wants to see more than just my hometown each time we visit! What do you miss most about China? Easy – family and food in that order! What is your favourite film? Rear Window by Alfred Hitchcock. Book or Kindle? I am embarrassed to admit it but I don’t read. I like to imagine in pictures and not text. I cannot concentrate to read. I have what I call a ‘butterfly mind.” Cat or Dog? Dogs! I have a little black doggy called Kuma.

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IN THE GALLERY

John D Wilson

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There is always a real sense of accomplishment on completing a painting, together with the excitement of beginning the next. 10 FINe ART CoLLeCToR

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Meets Banksy � Lowry 3-D edition of 150

Image Size 19” x 39” Framed Size 22” x 42” Framed £850

Scene � Street 3-D edition of 150

Image Size 19” x 28” Framed Size 22” x 31” Framed £650

Gallery � Lowry 3-D edition of 150

Image Size 19” x 28” Framed Size 22” x 31” Framed £650

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CITY + LANDSCAPES

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Tower Bridge Nightfall, - Neil Dawson

Canvas edition of 50 Image Size 131/2” x 40” Framed Size 181/2” x 45” Framed £550

FEATURED ART

THE BIGGER

PICTURE

Art lovers and collectors have long had a love affair with majestic city and landscape art. We are instinctively transported to another place by them, drawn by the colours, the techniques employed, and their ambiance. Whether they evoke strong memories or induce a reverie, there is no doubt that the enduring genre is as popular as ever.

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CITY + LANDSCAPES

hen you think of landscape

paintings, which artists first come

to mind? Is it Turner – the great painter of light, who is hailed as the father of modern art? Perhaps it is John Constable, whose landscapes of Dedham Vale offer a romantic retrospective of the English countryside? Or perhaps the grand scenes of Canaletto or the hazy lilies of Monet come to mind? There’s no doubt that landscape art has been a popular genre for centuries, but the tradition actually goes back millennia. There are examples from Minoan Greece, dating to about 1500 BCE, while the Romans captured bucolic scenes in their frescos and mosaics. A few hundred years later, during the Tang Dynasty (618-907) in China, artists were revered for their exquisite work depicting the natural world. However, in the Western world, interest in landscapes did not begin in earnest until the 16th century, when the Renaissance painters used those sweeping scenes as a backdrop to religious paintings. Slowly, the love affair with landscapes developed and in the 17th century, Italy and the Netherlands became the two main centres for the art. Later in the 18th century, it was France and Britain that dominated the genre.

Its popularity endures today and as a homage to both land and cityscape art, Washington Green has commissioned new works from some of the UK’s leading artists. The paintings by Neil Dawson, Lawrence Coulson, Paul Kenton, and Richard Rowan offer powerful and dramatic images of big skies and urban spaces that awaken our senses. Lawrence Coulson is renowned for his big scenes and is profoundly influenced by the great English landscape artists Turner and Constable. And although his newest three paintings for this collection are a departure from his usual style, they are no less dramatic for it. ‘A Winter’s Tale’ is his first winter scene in many years. It is an undoubted triumph which will delight collectors, old and new. “We all love the romance of snowfall and I was keen to do something different,” he explained. “When I came to paint the snow, I was trying to find something that looked like it was falling without it being deliberate. “I knew I had to get the consistency of the paint right because if it was too thin it would have run. Luckily I got it right first time – I flicked it onto the canvas and it looked like tiny snowflakes.”

Glimpse Of The Infinite - Richard Rowan Glass edition of 95 Image Size 191/2” x 191/2” Framed Size 33” x 33” Framed £750

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Thames � Moonlight, Barrier

LAWRENCE COULSON

Canvas edition of 95 Image Size 30" x 30" Framed Size 36” x 36” Framed £695

Dawn � New Canvas edition of 95

Image Size 30" x 30" Framed Size 36” x 36” Framed £695

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“We all love the romance of snowfall and I was keen to do something different. When I came to paint the snow, I was trying to find something that looked like it was falling without it being deliberate.”

Winter's Tale � ACanvas edition of 95

Image Size 30" x 30" Framed Size 36” x 36” Framed £695

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Editorial Feature Cabs, � Yellow Times Square

Canvas edition of 50 Image Size 131/4” x 40” Framed Size 271/2” x 23” Framed £450

Yorker City Splendour II � New Canvas edition of 50 � Canvas edition of 50

Image Size 18" x 24" Framed Size 23” x 29” Framed £450

Image Size 131/2" x 40" Framed Size 181/2” x 45” Framed £525

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NEIL DAWSON

“I love to paint cities and I like to include landmarks that are associated with that city. It enables people to evoke memories of their own visits or they can aspire to go there themselves.”

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Compare Lawrence’s tranquil, impressionistic scenes of huge skies with Neil Dawson’s dramatic cityscapes of New York City and London. His four oil paintings are packed with instantly recognisable and iconic city landmarks – the Gherkin, the Shard, and Tower Bridge in London, the New Yorker Hotel, the yellow taxis and Times Square of the Big Apple. “I love to paint cities and I like to include landmarks that are associated with that city,” he says. “It enables people to evoke memories of their own visits or they can aspire to go there themselves.” Using photographs for reference, Neil spends about six weeks on each painting, starting with a black background before building layer upon layer of colour – as many as ten – to get the optimum level of vibrancy.

Although the subject matter he tackles is very different from the Impressionist painters, Neil is inspired by their techniques. “I love the way they use colour,” he says. “There is a simplicity in the way they apply the paint. It’s free, loose, and suggestive.” Paul Kenton, one of this country’s foremost cityscape artists, also cites the Impressionists as being an early influence in his art. He has produced five stunning paintings for the new collection – four of London and one Paris street scene. Striking is ‘Silver Shard’, a monochrome cityscape that mirrors the lustre of London’s newest building. “Although a new addition to the iconic London skyline, the Shard blends in beautifully, like it has always been a part of it,” he said. “I wanted to

Silver Shard Paul Kenton Boxed canvas Edition of 150 Image Size 48” x 38” £850

CITYLandscapes + LANDSCAPES

Top Five British Landscape Artists � Turner � John Constable � Richard Wilson � John Varley � David Hockney

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CITY + LANDSCAPES

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“I do hope people connect to the painting whether it’s sensing the speed and energy of the traffic, the opportunities and excitement behind the twinkling lights or the calm and serenity of a sunset by the river.” After Dark � Paris Boxed canvas

Edition of 150 Image Size 36” x 60” £950

River � Moonlight Boxed canvas

Edition of 150 Image Size 191/2” x 60” £695

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It Up � Blaze Boxed canvas

Edition of 150 Image Size 191/2” x 60” £695

Flurry � Final Boxed canvas

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Edition of 150 Image Size 36” x 60” £950

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create the silvery sheen of the Shard's outline, reflecting the image of the City's magnificence back out into its streets.” This stark black and white painting contrasts with the warm tones of Battersea Power Station, a tribute to one of his favourite London landmarks, and Blaze It Up, a fiery sunset over the Thames. “If people enjoy my work, that’s good enough for me, I don’t ask any more than that,” said Paul. “I do hope they connect to the picture whether it’s sensing the speed and energy of the traffic, the opportunities and excitement behind the twinkling lights or the calm and serenity of a sunset by the river.” The final artist in this focus on landscapes is Richard Rowan – and his work is literally out of this world. Painting on glass adds another challenge to his pieces – “it can make you want to tear your hair out,” he admits – but the result is divine. His collection of three paintings is about the visual journey taken from the ground to the Milky Way and through to the furthest reaches of space. “My message is simple; I want to give people the opportunity to forget about the world around them – even if it is just for five minutes – and for my paintings to transport them into looking at the heart of a nebular, watching the Milky Way or the clouds rolling above their heads,” he says. “As their eyes focus more on the colour in the painting, their mind should be tricked into thinking the sky is actually moving, the sun is setting and the night stars are twinkling.” His favourite piece is ‘Sunlit Night’. “This is a sunset that didn't want to go away. Some are over in seconds, but this one endured, the colour lingering in the sky, diffusing beautifully through the clouds and swathing the horizon in warmth.” It seems that this enduring genre is as much about escapism for the artist as it is the viewer – the ultimate journey for the soul. GALLERY The new artworks from these leading city and landscape artists are available in galleries nationwide or view online at washingtongreen.co.uk

� Pure Glass edition of 95

Image Size 231/2” x 39” Framed Size 36” x 52” Framed £950

Night � Sunlit Glass edition of 95

Image Size 123/4” x 28” Framed Size 241/2” x 311/2” Framed £695

Shore � The Glass edition of 95

Image Size 12 3/4” x 28” Framed Size 241/2” x 391/2” Framed £695

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How great city & landscape artists work

RICHARD ROWAN

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Many modern artists use photographs as references for their studio work alongside plein air sketches of the subject. Choose your photograph wisely and do not rely on it entirely.

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Before you take out a camera or a brush, take time to decide what your viewpoint will be – explore your surroundings and look at every angle.

Work on light. Although applicable to all genres of art, getting the light right is crucial in any landscape painting – decide on the direction of light because this will inform everything else, including shadows and contrasts. Unless you are painting an identifiable landscape, take elements from elsewhere and

include them if they fit the subject. Use your imagination!

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Choose if your subject is to have symmetrical or asymmetrical composition and then select the values – the light and dark, the half-tones. Don’t include everything – use the landscape as a reference point and concentrate on the features that interest you.

Reduce the level of detail in the background – it helps the viewer to focus on the main aspects of the painting. Build your layers over time – the brushstrokes add depth and interest.

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IN THE GALLERY

Caroline Shotton

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Herd It Through The Grapevine Boxed canvas Edition of 150 Image Size 231/2" x 48" £650

I’ve always created work that stems from personal experience, yet allows others to add their own narrative.

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May Day � Boxed canvas

Edition of 150 Image Size 30" x 45" £695

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Heaven Scent � Boxed canvas

Edition of 150 Image Size 271/2" x 44" £650

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CENTREPIECE As part of a new collection, Keith Maiden's intensely haunting depiction of modern selfcentredness and greed tells a powerful tale.

Avarice Egocentric Boxed canvas Edition of 95 Image Size 32" x 42” Framed Size 361/2” x 46” Framed £850 Unframed £595

Hand-Embellished Deluxe edition of 25 Image Size 36” x 48” Framed £1,595 Unframed £1,350

aw and expressive, 'Avarice

Egocentric' is Maiden's soulful

portrayal of the social evils that scar British society today. Telling a story of the greed and self-absorption that pervades every aspect of life, the Jesus-like figure with the flag of Great Britain in his outstretched arms suggests a tormented struggle to protect the disappearing social values that the flag represents. The controversial image was inspired by 'If I were the devil' – a speech made in 1964 by the legendary ABC radio broadcaster Paul Harvey imagining a corroded American society in the future. Chillingly, much of what he said then has become true of life today. Retaining much of his monochrome style, 'Avarice Egocentric' is cleverly infused with what Maiden sees as modern symbols of greed and individualism. Almost hidden in amongst the skilful layering of light and shade are items such as watches, credit cards, poignant words and a Twitter logo. »

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Latin inscription translates to 'centre of their own attention' - this tells its own story

Close up Keith Maiden Middle finger Contempt for society's ills...but a little pixilation to say go softly. Wrist watches One is not enough – how much is need and how much is greed?

Apple tattoo Two bites of the apple - a twist on Apple's logo suggesting corporate greed

Credit cards Symbolising greedy bankers, they are all in the name of Mr Owen Monie, adding a gentle touch of humour. A cable and plug hold the credit card crown in place in a subtle dig at the might of power companies. On cheek Mine, mine, mine - facing selfishness every day. Earbuds Self-absorbed and closed off to the world - a hallmark of modern society

EU logo A large and powerful body – another imposition on society

Me, me, me Egocentricity rules. In a nod to the Jesuslike figure, 'me' is painted 33 times - the age that Jesus is thought to have died

Twitter ACCOUNT CLOSED: 0 followers... he asks you to interpret this as you will

Camera Greed Cameras – a clever dig at speed cameras and the money they bring in

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Close up Keith Maiden �

"The painting started out as a male version of my female figures", said Maiden "and I never intended it to have religious connotations. When the biblical feel evolved over time, I decided to offset it with iconic modern objects and words that to me represent the frightening decline in present day values". 'Chloe' and 'Isabella', which make up a trio of new pieces, are a continuation of Maiden's previous figurative work. Capturing the essence of the feminine form, they radiate sensitivity and depth both above and beyond the surface. GALLERY 'Avarice Egocentric' is available as a signed boxed canvas limited edition of 95. 'Chloe' and 'Isabella' are available as signed limited Giclée editions of 95 each. View online at washingtongreen.co.uk

� Isabella Giclée edition of 95

Image Size 18" x 13” Framed Size 29” x 231/2” Framed £250

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� Chloe Giclée edition of 95

Image Size 18" x 13” Framed Size 29” x 231/2” Framed £250

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IN THE GALLERY

Joanne Panayi � �

I'm very lucky that I take most of my inspiration from people, as we're surrounded by them. �

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Le Salon De Chic Resin Sculpture Edition of 150 Height 11” £450

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Pretty In Punk Resin Sculpture Edition of 150 Height 131/2” £395

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Lady Starlight Resin Sculpture Edition of 150 Height 12” £450

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Holiday Love Resin Sculpture Edition of 150 Height 141/2” £395

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IN THE GALLERY

Paul Corfield

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The Dorset landscape is an area of great beauty and an obvious source of inspiration. 26 FINe ART CoLLeCToR

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The � Watching Waves Roll In

Canvas edition of 95 Image Size 20” x 40” Framed Size 27” x 47” Framed £750

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A New Day Canvas edition of 95 Image Size 13” x 26” Framed Size 20” x 33" Framed £395

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The House By The Sea Canvas edition of 195 Image Size 8" x 8" Framed Size 15” x 15” Framed £195

Place Like Home Lavender Lane � No Canvas edition of 195 � Canvas edition of 95

Image Size 8" x 8" Framed Size 15” x 15” Framed £195

Image Size 24” x 12” Framed Size 31” x 19” Framed £375

Dreams � Sweet Canvas edition of 95

Image Size 24” x 12” Framed Size 31” x 19” Framed £375

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NIC JOLY

NEVER FORGOTTEN Artist Nic Joly’s poignant commemorative piece is on track to raise £150,000 for war veterans past and present.

Forgotten � Never 3-D Wall Sculpture

Limited Edition of 1566 Image Size 17” x 17” Framed £695

Love � Making 3-D Wall Sculpture

“IN MY OWN SMALL WAY, I WANT THIS PIECE TO REMIND US THAT ALL THOSE WHO HAVE GIVEN THEIR LIVES IN CONFLICTS FROM WORLD WAR I UNTIL THE PRESENT DAY, WILL BE NEVER FORGOTTEN.”

WWI CENTENARY

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Edition of 90 Image Size 17” x 17” Framed £695

World Of Our Own � In3-DAWall Sculpture

Edition of 90 Image Size 17” x 17” Framed £695

Drugs � Recreational 3-D Wall Sculpture

Edition of 90 Image Size 17” x 17” Framed £695

emembrance Day in November, with its message of reflection on the sacrifices made by brave servicemen and women, is captured none better than by Nic Joly’s poignant miniature 3D sculpture, ‘Never Forgotten’. Using the poppy, the ultimate symbol of remembrance, Joly created the piece to mark the 100th anniversary of the outbreak of World War I. His inspiration came from a moving meeting with a ninety-six year old war veteran who spoke to Joly about his experiences in World War II and those of his father in World War I. With humbling reticence, the veteran uttered words that will forever resonate with courage and fortitude: “We were just doing our job.” For Joly, past and present combined at that moment and history transformed from impersonal words in a book into something very real and tangible. The deeply touching ‘Never Forgotten’ is Joly’s own inimitable way of recognising that war veterans don’t want sympathy – they simply want their fallen comrades to be remembered. “In my own small way, I want this piece to remind us that all those who have given their lives in conflicts from World War I until the present day, will be Never Forgotten.” Joly creates his tiny and delicate masterpieces from intricately painted paper and cotton-wrapped wire. The former furniture maker began crafting them after his first son was born, when he left small doors, people and windows around the house for him to find and be intrigued by. Realising that these creations were like small pieces of theatre echoing the world around us, he started to frame them behind glass. Washington Green has raised thousands through galleries by donating £100 from the sale of every piece to The Royal British Legion, to help Joly reach his goal of raising £150,000 to help support war veterans past and present.

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Also in the Nic Joly Collection

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GALLERY The new collection from Nic Joly is available now. View online at washingtongreen.co.uk

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IN THE GALLERY

Jeff Rowland �

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I am always inspired to experience what I am about to paint.

Moon � Blue Canvas edition of 95

Image Size 24" x 30" Framed Size 31” x 371/2” Framed £695

Must Be The � ItMoonlight

Canvas edition of 95 Image Size 24" x 19" Framed Size 311/2” x261/2” Framed £495

Between The � Dance Raindrops

Canvas edition of 95 Image Size 24" x 19" Framed Size 311/2” x 261/2” Framed £495

& Glowing � Warm Canvas edition of 95

Image Size 24" x 30" Framed Size 31” x37” Framed £695

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Editorial Feature

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The Moon � Over Canvas edition of 95

e n o L

Image Size 24” x 24” Framed Size 30” x 30” Framed £595

r e d Ry

Occasionally, an individual emerges that blurs the artistic lines, breathing narrative into visual art and leaving interpretation and appreciation in the hands of the onlooker. Ryder is one such artist.

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A series of interesting and alluring images which are designed to make you smile.

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y work was inspired by the need to escape from the sometimes harsh realities of this world”, is the only public utterance that the elusive Ryder has released to the media since his colourful work attracted interest from Washington Green. A reclusive artist without a fixed identity who does not seek publicity, Ryder is as enigmatic as the now infamous Banksy, and may be set to become just as prolific! The collection is an energetic and exuberant celebration of life. Rich blue hues mingle with a vivid technicolour palette, in a series of paintings that celebrate the natural world. Painted on canvas with an almost childlike simplicity, and with the backdrop of an ethereal and beautiful landscape, they form a series of interesting and alluring images which are designed to make you smile. Ryder’s view is that art should speak for itself, without any back story or knowledge of the artist or ulterior meaning. Taking the literary critic and 34 FINe ART CoLLeCToR

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philosopher Roland Barthes as Ryder’s notional reference, the idea is that empowerment gives us back control; no dictatorial biography, instead a metaphorical blank canvas for us, the audience, to take charge and form our own opinions. Barthes famous view was that as an audience we have subjectivity imposed upon us – that our knowledge of an author, painter or poet ultimately colours our opinion of, and attitude towards, the piece itself and in his work “Death of the Author” he urges us to look beyond the constraints of the simple answer, the easy route, and to judge each creation on its own merit. No artist biography to influence your impressions, no collection overview to police your critique, just the art laid bare. As Barthes stated, “it is language which speaks, not the author” and so Ryder has taken the lead and offers the voice, but leaves the art to do the talking. We like what Ryder says! GALLERY The Ryder collection is available now. View online at washingtongreen.co.uk

“ it is language �

� �

Romeo � Juliet’s Boxed canvas

which speaks, not the author” —Roland Barthes, literary critic and philosopher

Edition of 95 Image Size 30” x 30” Framed Size 311/2” x 311/2” Framed £695 Unframed £550

Juliet � Romeo’s Boxed canvas

Edition of 95 Image Size 30” x 30” Framed Size 311/2” x 311/2” Framed £695 Unframed £550

Liaisons � Dangerous Canvas edition of 95

Image Size 34” x 33” Framed Size 30” x 38” Framed £695

Exhibitionist � The Canvas edition of 95

Image Size 24” x 24” Framed Size 30” x 30” Framed £595

Chase � The Canvas edition of 95

Image Size 28” x 28” Framed Size 34” x 34” Framed £695

Greatest � The Show On Earth

Canvas edition of 95 Image Size 24” x 24” Framed Size 30” x 30” Framed £595

the Night Garden � InCanvas edition of 95

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Image Size 24” x 24” Framed Size 30” x 30” Framed £595

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IN THE GALLERY

Bob Barker

of Dreams � Field Canvas edition of 195

Image Size 191/2" x 60" Framed Size 27" x 671/2" Framed £995

Deluxe canvas Edition of 10 Image Size 231/2" x 72" Framed £1,950

Hearts � Moonlight Canvas edition of 195

Image Size 123/4" x 40" Framed Size 20" x 471/2" Framed £595

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The echoes of my past become my future paintings.

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IN THE GALLERY

Hamish Blakeley

Room At The Top Canvas edition of 95 Image Size 28" x 28" Framed Size 351/2" x 351/2" Framed £695

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Craig Davison's new Star Wars themed collection captures a time when imagination was a Force to be reckoned with.

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Craig Davison � BMX-Wings Canvas edition of 195

Image Size 32" x 40" Framed Size 381/2" x 46" Framed £795

Force � Full Canvas edition of 195

Images Size 34" x 221/2" Framed Size 40" x 29" Framed £550

Deeds � Dirty Done Dirt Cheap

Canvas edition of 195 Image Size 28" x 211/2" Framed Size 341/2" x 28" Framed £450

tar Wars has always been an immense source of inspiration for Craig Davison. With so many different characters, the scope to feature his endearingly scruffy, high-energy kids playing at being them has always been huge. His captivating new collection puts Star Wars very firmly centre stage. "I've created several pieces in the past linked to these movies", he said "and I was asked by so many people to do more that I decided to create a collection that is entirely dedicated to the Star Wars theme. The films also have a special place in my heart. I was a kid when the first one was released in 1977, and after watching it in the cinema I promptly bought loads of Star Wars comics. They were one of the first things that got me hooked on drawing."

ANYTHING GOES "These paintings are all about what children would do after seeing Star Wars, which is look around for objects that they can use to make them look and feel like their favourite characters. For young kids it's all about uninhibited play using their imagination and free-spirited resourcefulness, like using pegs for ears in 'Yoda Am I' exactly the kind of things my friends and I did when we were young." The collection comprises eight oil paintings, with Davison perfectly capturing the way children use anything and everything – and even anyone – to take their imaginative leap. In 'I Need Your Help R2', a bowl, a baby walker and a baby make a great R2 D2, and in 'Full Force', headphones do a perfect job of creating Princess Leia's iconic hairstyle. A cardboard box makes a fantastic helmet in 'Dirty Deeds Done Dirt Cheap' and walking sticks and umbrellas are just the thing for lightsabers in '5 Vaders!... Right We're Having 5 Lukes!'.

BRINGING THE MAGIC TO LIFE

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Craig Davison �

Vaders!...Right We’re � 5Having 5 Lukes!

Canvas edition of 195 Image Size 26" x 40" Framed Size 321/2" x 461/2" Framed £695

� KEEEE-OOOOH! Canvas edition of 195

Image Size 28" x 211/2" Framed Size 341/2" x 28" Framed £450

Need Your Help R2... � ICanvas edition of 195

Image Size 28" x 211/2" Framed Size 341/2" x 28" Framed £450

Troopers � Super Canvas edition of 195

Image Size 34" x 26" Framed Size 401/2" x 321/2" Framed £650

Am I � Yoda Canvas edition of 195

The captivating new collection comprises 8 oil paintings CHILDHOOD MEMORIES

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on to painting as soon as he has a rough doodle of his ideas. He begins with a colour wash over the surface to get rid of the white of the canvas then paints into the wash in acrylics. Blocks of shapes and shadows follow, then colour and definition. Next are glazes of colour over the whole canvas, then Davison paints over the figures again to give them a looser look. He also uses a brown glaze over the entire painting, which cleverly knits the foreground and background images together.

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The paintings reflect a time when childhood was all about make-believe, with children relying on their imagination and whatever is to hand – from dustbin lids to cricket bats - to recreate their super heroes. "Kids today have a great time and just as much fun but usually in a very different way", said Davidson. "Back then, when children wanted to play-act a character they simply pretended; now they usually have costumes and video games." "I've never forgotten what it feels like to be child. Pretty much all of my works stems from my own memories and imagination, and I rarely turn to things like photos for inspiration", Davison added. "A lot of people talk about finding their inner child but I think that for me it's more about finding my inner adult." "Many people tell me that my paintings take them right back and evoke lots of happy childhood memories. It's a great feeling for me that I can do that and a real honour." GALLERY The new Star Wars-themed collection is available in galleries nationwide, or view online at washingtongreen.co.uk

Image Size 28" x 211/2" Framed Size 341/2" x 28" Framed £450

“These paintings are all about what children would do after seeing Star Wars, which is look around for objects that they can use to make them look and feel like their favourite characters.”

�

In brief What would you be if you weren't an artist? Actually I'm hopeless at anything else. Though when I was a kid I wanted to be a taxidermist. What's your favourite holiday spot? I used to live in Penllyn in North Wales and I still love going there and getting away from it all. How do you relax? Walking my two dogs. Drawing and painting is my life and I'm happy just doing that. Do you prefer town or countryside? Definitely countryside. I live in the countryside in Shropshire and I love the fresh air, open space and being in natural environments.

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Are you a music lover? I always have music on when I'm working in my studio. I'm a fan of pretty much everything from Jack White and Dean Martin to punk era music. Do you read a lot? I love reading but I don't read as much as I'd like to. I prefer non-fiction and recently read In the Heart of the Sea by Nathaniel Philbrick. It's the true story of how a large sperm whale attacked and sank the whaleship 'Essex' in the 19th century and it's the inspiration for Herman Melville's Moby Dick. E-books or paper? Definitely paper. I much prefer the feel and tangibility of physical books – and physical CDs plus I also like collecting things.

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IN THE GALLERY

Emma Grzonkowski �

Goddess Flower � Canvas edition of 95

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Image Size 24" x 30" Framed Size 321/2" x 38" Framed £695

My Soul � Awake Canvas edition of 95

Image Size 30" x 24" Framed Size 38" x 32" Framed £695

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My work is an evolving journey with each painting representing feelings and states of being.

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Picture PERFECT Choosing art for the home is a true skill, but with a little knowledge it can be easily learnt with these top tips.

LOCATION - Art must

be ‘place appropriate.’ In a bedroom, art should be calming, or even seductive, but in a dining room you can afford to be bolder and more dramatic. If you intend to relax in your living room, don't choose art that's too loud, or anything that feels as though it takes over the room. The purpose of the room where you intend to display your art should influence the tone of the artwork itself.

SIZE - Art that is too large

will overwhelm, and art that is too small will be lost and look out of proportion. The bolder the art, the more room it needs. Measure the space where you want to hang the art and leave enough "white space" so that the painting can breathe. White walls and plenty of light are the ideal. If a room has wallpaper, look out for too much interference that may distract from appreciating the art.

STYLE - Simple, plain and neutral colour schemes are best for showing off your art and are the easiest for the novice hanger - but what should you do if you bring home a painting you love and it clashes with its environment? First, hang the painting in various places in your home, trying it out on different walls. It may look great in a place you hadn't planned on hanging it. If you can't find a place where the art looks 46 FINe ART CoLLeCToR

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its best, you may need to make some changes in the room, such as moving furniture or taking down patterned wallpaper and replacing with a white or neutral paint. The changes will be worth making in order to enjoy the art you love.

LIGHTING - Lighting is the

key to showing art at its very best and can greatly enhance its effect on a room. You may find that placing a picture light above a painting or directing task lighting on it is all the art needs to exhibit its brilliance. If you place a work of art in direct sunlight, however, it may well fade. Fine pigments such as watercolour, pencil and pastel are especially prone to fading, whereas acrylics are not, so check!

FRAMING - Some artwork can be hung with no frame, especially contemporary art, and can be a good solution for interior walls that can't carry a great deal of weight. If you do decide on a frame, select one that ties in to the location where the artwork is to be hung, and complements the artwork itself. The frame should be a continuation of the picture rather than a direct contrast, and in the best sense can serve as a ‘bridge’ between the artwork and the room, picking up on colour and materials such as wood tones or silver or gold.

Dining areas Kitchens and dining areas are generally neutral or plain so they invite a blast of colour. Plain white walls offer the very best backdrop for any painting (as every museum curator knows!) and as places that create an area for conversation and entertainment choose a painting that is both eye catching and busy. This colourful painting by Paul Horton, aptly titled ‘Hustle & Bustle’ perfectly fits within the neutral walls of the dining area, allowing it to become a focal point amongst the tonal colours of silver, white and brown wood.

Life&style Choosing Art

Hustle & Bustle Paul Horton Giclée edition of 195 Image Size 14” x 30” Framed Size 26” x 42” Framed £475

Measure the space where you want to hang the art and leave enough "white space" so the painting can breathe

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Life&style Choosing Art Hallways and walk through areas It’s a good idea to greet people with warm tones as they enter a home. A hallway is the place to create a dramatic impact, and even a small space can allow for a more adventurous approach. Contemporary art can be wonderful in a traditional setting too, and don’t be afraid of colour. In this hallway, the bold ‘Superman Forever’ print by the pre- eminent comic book artist Alex Ross, works brilliantly, injecting an energising vivid pop of colour. By keeping the wallpaper neutral or vertically designed it allows the painting to make a real statement without being overshadowed.

Children’s bedrooms Children’s rooms allow for lots of creativity and can be a place to break the rules! Keep the art fun and simple, such as one of Peter Smith's 'Impossimal' paintings which are both humourous and endearing. When hanging pictures in a children’s room remember their eye level and don’t hang at an adult height or it will literally go over the child’s head. Or be really enterprising for little ones and hang a favourite painting on the ceiling so they can look at it on waking and before falling asleep!

Superman Forever Alex Ross Giclée edition of 295 Image Size 231/2” x 17” Framed £695

MAKE IT WORK...

Keep an open mind with your piece of art. Hang the painting in various places in your home, trying it out on different walls and in different rooms. It may look great in a place you hadn't planned on hanging it. 48 FINe ART CoLLeCToR

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99 Problems Peter Smith Canvas edition of 150 Image 26” x 141/2” Framed Size 33” x 211/2” Framed £395

Master bedroom Bedrooms by their very nature are places that in an ideal world should be spaces of peace and tranquillity. Make the painting the centre of attraction by playing down the other design elements such as curtains, carpets and patterned wallpapers. Keep it simple! A room crowded with too much colour and texture will take the spotlight away from the art (and a good night’s sleep!) This oil painting by Hamish Blakely ‘Room At The Top’ has a cinematic quality that is both sensual and romantic.

When choosing art for a bedroom, opt for something calming, or even seductive

Room At The Top Hamish Blakely Canvas edition of 95 Image 28" x 28" Framed Size 351/2” x 351/2” Framed £695

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Life&style Choosing Art

Apply colour tones used in upholstery to your choice of painting, so it complements not clashes

Over The Moon - Ryder Canvas edition of 95 Image Size 24” x 24” Framed Size 30” x 30” Framed £595

Living rooms Living rooms are places for relaxation and it is rare that a room is solely designed around the art. Choose soothing tones for walls and upholstery and then apply the colour tone when choosing the art. You need it to complement and not fight against the colour. This colourful and uplifting oil painting by the elusive artist Ryder breathes a witty narrative into the room. ‘Over The Moon’ perfectly fits within this traditional living room by creating a talking point, and the painting is beautifully 'book ended' by traditional lamps and cushions to create a calm sense of symmetry.

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Alex Echo

AN INFINITE

BALLET OF

QUANTUM MIRACLES

Alex Echo's hypnotic new collection pushes the boundaries of his exceptional creativity nspired by recollections of many years of living by the beach and a deep-seated love of oceans, lakes and rivers, Alex Echo's glorious new collection of four images breaks new ground for the artist. "My work over the past four years has been super detailed, but these are hyper detailed", he said. "They are about pushing my boundaries and my technique, and taking seascapes, riverscapes and lakescapes to the next level." With his unique perspective and palette of colour, he uses intricate brush strokes to create a complex and extraordinary melange of light, movement and emotion. Born in America and now living in the UK, Echo sees the new collection as a natural trajectory. "I can look back 20 years, even to my figurative work", he reflected "and see my natural organic progression." Âť

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Alex Echo

"Water is our primary life force & these painting are all about water"

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As an artist, David Hockney, Monet and Matisse are always influences for him and he is a big fan of acclaimed German artist Gerhard Richter. "I greatly admire his later abstraction work and there are elements of his inspiration in my new pieces."

NATURAL REVERENCE

Echo creates his distinctive, highly original work with immense environmental care, ensuring that he makes as little impact on the planet as he can. "I try to be as green as possible", he said. "I use water-based paint and the resin that I apply on top to give the painting its liquidity is the least toxic I can find." "I love nature, I love the earth, and I love watching the stars with my child. I can meditate on the movement of a river, or the breeze on an English pond or lake for hours. These new limited editions are some of my best examples of this love affair and its attendant madness; my attempts at capturing the tiniest snapshot of the infinite ballet of quantum 52 FINe ART CoLLeCToR

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miracles that lie before our eyes every single second of our lives." In what Echo calls his "small attempt at giving a little something back to this beautiful earth, its oceans, rivers and lakes", he is donating all of his royalties from sales of the prints to WaterAid UK. "Millions of people in the world are dying because of lack of water", he said "and the problem has now reached critical mass. Water is our primary life force and these painting are all about water so it made total sense to me to do this." Alex Echo's new collection is being exhibited at galleries across the country until the end of 2014, with the artist making personal appearances at selected locations. GALLERY Reflections & Ripples Study No.4; Reflections & Ripples Study No.1; Elemental Source Study No.1; and Elemental Source Study No.2 are each available as a signed boxed canvas in a limited edition of 95. View online at washingtongreen.co.uk

ďż˝

Source � Elemental Study No. 2

Boxed canvas Edition of 95 Image Size 20” x 60” Framed Size 241/2” x 64” Framed £795 Unframed £550

& Ripples � Reflections Study No.1

Boxed canvas Edition of 95 Image Size 40” x 30” Framed Size 44” x 34” Framed £795 Unframed £550

& Ripples � Reflections Study No.4

Boxed canvas Edition of 95 Image Size 40” x 30” Framed Size 44” x 34” Framed £795 Unframed £550

Source � Elemental Study No.4

Boxed canvas Edition of 95 Image Size 20” x 60” Framed Size 241/2” x 64” Framed £795 Unframed £550

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WaterAid UK 748 million people in the world are without access to safe water, 2.5 billion without adequate sanitation and over 500,000 children die every year from diarrhoea caused by unsafe water and poor sanitation. WaterAid UK is part of a global organisation working with local partners in 26 countries to improve access to safe water, improve hygiene and sanitation in the world’s poorest

communities. WaterAid also works to influence governments and other service providers to do more to provide these vital services.

www.wateraid.org/uk

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IN THE GALLERY

Paul Horton Painted Sky � The Canvas edition of 95

Image Size 20” x 14” Framed Size 27” x 211/2” Framed £395 Giclée edition of 195 Image Size 16” x 11” Framed Size 281/2” x 23” Framed £295

& Bustle � Hustle Canvas edition of 95

Image Size 151/2” x 34” Framed Size 221/2” x 41” Framed £595

Giclée edition of 195 Image Size 14” x 30” Framed Size 26” x 42” Framed £475

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Open Road � The Canvas edition of 95

Image Size 241/2” x 28” Framed Size 31” x 351/2” Framed £650 Giclée edition of 195 Image Size 201/2” x 24” Framed Size 331/2” x 36” Framed £495

Art is my life, a passion within me. AUTUMN 2014 FINe ART CoLLeCToR

Homecoming Making the ordinary details of life extraordinary, with an exquisite use of light and brushstrokes, Scottish artist Alexander Millar brings alive those 'auld men' of a bygone era, in a special â&#x20AC;&#x2DC;Homecomingâ&#x20AC;&#x2122; exhibition at the Scotland Street School Museum in Glasgow this autumn.

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Alexander Millar

he Springside born artist with a worldwide reputation amongst collectors is making an emotional return to his Scottish roots this year. His contribution to ‘Homecoming Scotland 2014’ is a four month exhibition opening at the Scotland Street School Museum, housed in one of Charles Rennie Mackintosh’s iconic buildings, is a project to which he has dedicated the last year in preparation. “I could not consider exhibiting anything less than my best work in Glasgow. I take great pride in my Scottish heritage, and view my Homecoming collection as a rite of passage in my career,” says a proud Millar. A celebration of the working men and women of industrial Glasgow and the North, the exhibition features more than thirty unseen original oil paintings and charcoal drawings. All the paintings are informed by Millar’s experiences of growing up in a working class family, surrounded by the archetypal ‘working man’ - those men who went out to the mines and the shipyards early (as seen in ‘The Dawn Chorus’) and returned tired and exhausted at ‘Exodus’ time with hunched shoulders, identical cloth caps and a roll up. “My earliest memories were of my time spent in the company of old men dressed in dark suits, smoking woodbines and large missile-shaped women decked out in big overcoats, pinnies, tartan headscarves and zipped booties” says Millar. Fascinated by the close observation of working people’s daily routines, he says that as a child it was like a ‘choreographed street ballet’ performed daily on his street by people going about their lives in an industrial, but sometimes strangely beautiful and evocative landscape, and he freely admits those childhood memories have

The Exodus Canvas edition of 95 Image Size 18" x 24" Framed Size 251/2" x 311/2" Framed £595

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Alexander Millar �

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Of The Castle � King Canvas edition of 50

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Biography

Alexander Miller was born in 1960 in Springside, a mining community outside Kilmarnock on the West Coast of Scotland. He left school in 1976 and journeyed south, finally settling in Newcastle where, after a string of jobs he became a full time artist in 1988. Referring to the 'gadgies' (a wonderful Geordie and Scottish slang word for the working man) these characters on the street became the visual inspiration for much of his work. Entirely self-taught, Millar’s work has been acclaimed both in the UK and internationally with a string of sell out exhibitions. A previous winner of 'Not the Turner Prize', he is now one of the UK’s most popular contemporary artists.

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Just How I Remember It Canvas edition of 50 Image Size 221/2" x 30" Framed Size 291/2" x 371/2" Framed £695

Forever � Together Stainless Steel

Sculpture Edition of 95 Height 181/2” £2,950

Walkies for Me � No Stainless Steel

Sculpture Edition of 95 Height 141/2” £2,950

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Image Size 221/2" x 30" Framed Size 291/2" x 371/2" Framed £695

Till Dawn � Dusk Canvas edition of 95

Image Size 18" x 24" Framed Size 251/2" x 311/2" Framed £595

become the most powerful artistic inspiration of his career. Millar has referenced black and white photographs to compose this collection and instils into the canvas a distinctive flavour “with painting you can create stage lighting,” he explains, and his experience of working in what he refers to as ‘the very subtle light’ of the North and Scotland. The early morning dawn and winter sunsets offer a perfect foil in colour and tone to the dark, industrial content of the paintings, as if out of ugliness there is always some aesthetic of beauty and humanity to celebrate, most acutely observed in ‘The Power And The Glory,’ with the juxtaposition of a bleak metal bridge elevated to a place of beauty, bathed in the pink glow of a northern sunset. The Homecoming collection takes Millar right back to his roots, which has evoked an emotional response from both collectors and critics alike. “What is admirable about Alexander Millar’s paintings is that they are the product of reference and invention, as the best art should be, but they broadcast a real and touching sentiment.” says David Lee, editor of Jackdaw, the art magazine. “I

Power And The Glory � The Canvas edition of 95

Image Size 18" x 24" Framed Size 251/2" x 311/2 Framed £595

recognise immediately their intimate truths of a Britain materially poorer but spiritually prouder,” adds Lee. Millar says his work has ‘become as much of a ‘vacation’ as well as a vocation” for him and he has used the exhibition as a springboard for much of his educational work, encouraging local school children in Glasgow to engage and learn about art. “Every painting I do is almost reliving some fond memory from my childhood. My paintings give myself and the viewer a moment to allow ourselves to be wrapped up in that warm blanket of love, reflection and nostalgia.” GALLERY Come and view the limited editions of Alexander Millar's Homecoming museum collection in galleries now. washingtongreen.co.uk

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Dawn Chorus � The Canvas edition of 95

Image Size 18" x 24" Framed Size 251/2" x 311/2" Framed £595

“I take great pride in my Scottish heritage, and view my Homecoming collection as a rite of passage in my career.” AUTUMN 2014 FINe ART CoLLeCToR

IN THE GALLERY

Richard Blunt �

�

A Warm Summer Evening Canvas edition of 95 Image Size 26” x 35” Image Size 181/2” x 28” Framed £475 And Soul � Body Canvas edition of 95

Image Size 24” x 19” Framed Size 31” x 26” Framed £425

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I only really paint the things that I love and the things that inspire me.

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Editorial Feature

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Mr & Mrs Smith

� Problems � 99 Canvas edition of 150

Image Size 26” x 14 1/2” Framed Size 33” x 211/2” Framed £395

Giclée edition of 250 Image Size 18” x 10” Framed Size 291/2” x 211/2” Framed £325

Resin Sculpture Edition of 150 Height 12” £295

� Monarch Jayne Smith

Original Art Image Size 271/2” x 271/2”

ention the name Peter Smith in art circles and the word ‘Impossimals’ and ‘Zeppos’ will be flying round the room in no time. A selftaught artist, Smith made a huge impact on the contemporary art world over ten years ago, when he first unleashed his colourful and striking paintings of rotund and enigmatic hippopotamus-like creatures with witty and perverse titles. This autumn he goes into creative partnership with his wife Jayne, with the aim of attracting an even wider audience to their imaginative work. “Our aim has always been to make people AUTUMN 2014 FINe ART CoLLeCToR

�

Mr & Mrs Smith �

�

Scooper � Super Canvas edition of 150

Image Size 26” x 111/4” Framed Size 33” x 18” Framed £350

Giclée edition of 250 Image Size 18” x 8” Framed Size 30” x 191/2” Framed £295

A Boss � Like Boxed canvas

Edition of 150 Image Size 36” x 36” Framed Size 401/2” x 401/2” Framed £695 Unframed £450

Resin Sculpture Edition of 150 Height 14” £295

Of The Dance � Lord Jayne Smith

Original Art Image Size 271/2” x 271/2”

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“Our aim has always been to make people happy. We simply take a gentle childhood, combine it with what makes us smile and paint it. If a smile is returned or a memory stirred then we have done our job.” � 64 FINe ART CoLLeCToR

AUTUMN 2014

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happy” says Peter. “We simply take a gentle childhood, combine it with what makes us smile and paint it. If a smile is returned or a memory stirred then we have done our job.” Launching two collections side by side is a natural progression for the couple who have collaborated creatively for years. Peter’s new collection, which will please his many fans, includes the largest launch of Impossimals for over four years, and follows on from the edgier and darker 2013 Bloodlines collection. “I am very passionate about my work” says Peter, who maintains that behind the simplistic style hides complex meaning and thought processes which adds another layer of interest and intrigue for his legion of collectors both in the UK and abroad. Working together in a purposebuilt country studio, Peter and Jayne write, illustrate, sculpt, paint and create together to bring not only the Impossimals to life, but all their other creations too. Jayne has always been a driving force behind the Impossimals over the last decade, often working with Peter on his collections in terms of design, back stories and conjuring up the humorous titles, but recently she has in her own words “started to really unfurl my own creative wings in the studio.” Jayne’s own work includes a stunning range of art and ceramics now available through Washington Green galleries. A skilled ceramicist, as well as a seamstress with pattern creation, painting, sewing, felting, woodworking, and metal work experience all under her belt, Jayne’s work is a perfect accompaniment to Peter’s wackier style. All of her pieces are based around her love of wildlife, and created individually with only one or two main components sharing a series of artwork. “From gold leaf to clay, from paint to fabric, every piece of art I create has found its place from everything I love” explains Jayne. “The final creation is vividly tactile pieces of original art that looks quite simply beautiful.” Here is a Mr & Mrs Smith who will not be going anywhere quietly! GALLERY The new collection from Peter & Jayne Smith is available now. View online at washingtongreen.co.uk

Free � Running Jayne Smith

Original Art Image Size 191/2” x 311/2”

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Tub � Rub-A-Dub Canvas edition of 150

Image Size 21” x 28” Framed Size 28” x 35” Framed £495

Giclée edition of 250 Image Size 14” x 181/2” Framed Size 26” x 30” Framed £375 Resin Sculpture Edition of 150 Height 51/2” £295

� Chocolanche Canvas edition of 150

Framed Size 301/2” x 301/2” Framed £495

Giclée edition of 250 Framed Size 271/2” x 271/2” Framed £375

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in a Bed � Four Canvas edition of 150

Image Size 24” x 24” Framed Size 31” x 31” Framed £495

Giclée edition of 250 Image Size 16” x 16” Framed Size 271/2” x 271/2” Framed £375

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� Memories Boxed canvas

Edition of 150 Image Size 24” x 48” Framed Size 28” x 521/2” Framed £695 Unframed £450

AUTUMN 2014 FINe ART CoLLeCToR

IN THE GALLERY

Alex Ross �

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Up in � Look! the Sky!

Boxed canvas Edition of 195 Image Size 23” x 40” Framed £995 Unframed £750

Giclée edition of 295 Image Size 14” x 24” Framed £695

� Superman: Man Of Tomorrow

Boxed canvas Edition of 195 Image Size 44” x 241/2” Framed £1,050 Unframed £795

Giclée edition of 295 Image Size 28” x 153/4” Framed £750

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Dark Knight � Batman: Detective

Boxed canvas Edition of 195 Image Size 44” x 241/2” Framed £1,050 Unframed £795

Giclée edition of 295 Image Size 28” x 153/4” Framed £750

66 FINe ART CoLLeCToR

Ross takes a medium traditionally equipped with two dimensions and gives it the illusion of a third. AUTUMN 2014

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