JEWELLERY & WATCHES
Thursday 21st November 2024
Starting at 3pm
301
ROLEX, OYSTERQUARTZ DATEJUST, REF.17013: GENTLEMAN'S GOLD AND STAINLESS STEEL BRACELET WATCH, CIRCA 1978
11 jewel quartz 5035 calibre movement, champagne dial with baton indicators and hands, fluted gold bezel, angular steel Oyster case with screw-down gold crown, integrated flat Jubilee gold and steel bracelet, signed dial, case, movement and bracelet, case 36mm diameter
£2,000 - 3,000
302
LONGINES: A GENTLEMAN'S GOLD BRACELET WATCH, SWISS, CIRCA 1966
manual wind calibre 428 movement with 17 jewels and numbered 13351285, silver square dial, square case with snap-on back inscribed to interior BAUME / 50552, fine mesh slightly tapered integral bracelet with winged trademark to clasp, with signed dial, movement, case and crown, 9 carat gold hallmarks for D. Shackman & Sons, London, 1966, case 25mm diameter
£800 - 1,200
303
AXA, 'CHRONOMETRE': A GENTLEMAN'S GOLD POCKET WATCH, SWISS, 1920s
keyless wind movement, champagne dial with black stylised Arabic numerals and subsidiary seconds dial, full hunter cased with bevel faceted rim, the cover with rayed engine-turning emanating from a vacant oval, the back cover similarly worked, with brass cuvette, Swiss 14 carat gold assay marks, 50mm diameter; on a gold short fob attachment, comprising a swivel Albert clasp, short belcher chain and a section of matt and burnished links ending in a V of foliate bright-cut two-colour gold, Hungarian 14 carat gold import marks, 13cm long
£1,000 - 1,500
304
EBEL, CLASSIC SPORT, 'WAVE', REF.183908: A LADY'S STAINLESS STEEL BRACELET WATCH, CIRCA 1990
quartz movement, champagne dial with applied gilt Roman numerals and date aperture at 3, shaped case with gold bezel, screws and crown, wave bracelet with gilt detailing and deployant clasp, signed to dial and bracelet, 26mm diameter, with Ebel / Watches of Switzerland
plastic guarantee card
£100 - 200
305
CYMA FOR J.W. BENSON LTD.: A LADY'S GOLD WRISTWATCH, SWISS, CIRCA 1954
manual wind movement signed Cyma, champagne dial with gilt Arabic numerals and subsidiary seconds dial, circular with single lug to top and bottom, signed to dial and case for the retailer, 18 carat gold hallmarks for Dennison, Birmingham, 1954, 21mm diameter, with associated leather strap
£150 - 250
306
VACHERON CONSTANTIN, REF 6273: A GENTLEMAN'S GOLD WRISTWATCH, SWISS, CIRCA 1970
mechanical wind calibre 1001 movement with 18 jewels, silver dial with gold baton indicators and subsidiary seconds, circular case, crown with Vacheron's Maltese cross symbol, signed to dial, movement and case, 750 and Swiss assay marks, 33mm diameter, with associated lizard skin strap
£2,000 - 3,000
307
ROLEX, CELLINI, REF.3600: A LADY'S WHITE GOLD BRACELET WATCH, CIRCA 1965
manual wind 19 jewel 1600 calibre movement, silver dial with white baton indicators and hands, circular case with canted bezel and back secured by two screws, integral bracelet of pairs of slightly curved and textured baton links with polished outer links, signed to dial, case, movement and bracelet, serial no.1112148, stamped '750' and Swiss assay marks, case 24mm diameter, bracelet 164mm long overall
£1,500 - 2,500
308
OMEGA: A LADY'S GOLD AND DIAMOND BRACELET WATCH, SWISS, CIRCA 1966
seventeen jewel manual wind 484 calibre movement numbered 24907424, cushion shaped textured gilt dial with applied baton indicators to quarters and black line indicators between, the cushion shaped case with singlecut diamond set bezel, the integral bracelet of textured naturalistic openwork links, signed to dial, movement, case crown and bracelet, 18 carat gold import marks, London, 1966, Swiss assay marks, stamped 750, case 17mm wide, inner circumference approximately 145mm, 38g all in excluding movement
£1,500 - 2,500
309
PATEK PHILIPPE, REF.3353/1: A LADY'S DIAMOND-SET WHITE GOLD BRACELET WATCH, CIRCA 1972
manual wind 20 jewel 13.5 calibre movement numbered 1243337, blue dial randomly etched through with gilt trails and set with white baton hour indicators and stylised XII, cushionshaped case with snap-on back numbered 2697247, bezel factory-set with forty brilliantcut diamonds, integral bracelet of textured fine mesh, signed to dial, case, movement and bracelet, crown and clasp with Patek's Calatrava cross symbol, stamped '750' and Swiss assay marks, case 23mm wide, 170cm long overall
£3,000 - 5,000
310
A LADY'S DIAMOND AND GOLD WRISTLET WATCH, SWISS, CIRCA 1914
the circular white enamel dial applied with Arabic numerals, to a scalloped millegrain bezel of old mine-cut diamonds, case numbered 73893 with British import marks for 18-carat gold, London 1914, on an expandable 9 carat gold Britannic patent gatelink bracelet by Edwin Harrop, Clerkenwell (London), circa 1914
£400 - 600
311
JUVENIA: A LADY'S GOLD BRACELET WATCH, SWISS, CIRCA 1970
manual wind 17 jewel movement, square gilt dial with baton indicators to quarters, polished square bezel, rectangular case and integral bracelet of textured geometric links, signed to dial, movement and case, crown and bracelet clasp with trademark 'J', stamped '750' and Swiss assay marks,165mm long
£1,000 - 1,500
312
LONGINES: A LADY'S GOLD BRACELET WATCH, SWISS, 1960s
manual wind movement, silver dial with gilt baton hour indicators, glass with faceted rim, circular case, the integral bracelet of fine mesh with a matt finish, signed to dial, case, movement and crown, clasp with wings trademark, stamped '750' and Swiss assay marks, 160mm long, with its plastic case
£1,000 - 1,500
313
BAUME ET MERCIER: A LADY'S GOLD BANGLE WATCH, CIRCA 1950
manual wind 17 jewel movement, silver dial with Arabic numerals to quarters, domed rectangular case flanked by sprung arms, signed to dial, case and bangle, in its velour box also signed
£400 - 600
314
PIAGET, REF.3115: A LADY'S GOLD BRACELET WATCH, SWISS, 1960s
manual wind movement with back winder, dial with baton indicators, the circular case surrounded by the integral bracelet of shaped hoop links, each large hoop formed of three corded bands, one hoop with hinged section and safety chain, signed to dial, case and movement, the bracelet stamped '750' and further trademarks, approximately 200mm long
£3,000 - 5,000
315
A LADY'S GOLD POCKET WATCH, SWISS, CIRCA 1910
10 jewel manual wind movement, stained white dial with Arabic numerals, hunter cased with enamel panels of an 18th century courting couple or a landscape within rococo scrolls against a matted ground, probably 14 carat, Hungarian gold import mark only, 31mm diameter
£200 - 300
316
A SWISS ENAMELLED GOLD LADY'S WATCH ON CHAIN, HENRY CAPT
HORLOGER, MAISON GALLOPIN
SUCCESSEUR, GENEVA, CIRCA 1900
keyless wind movement signed 'HENRY CAPT / GENÈVE', frosted champagne dial with black Arabic numerals, 'Breguet' hands and similar signature, gold cuvette also similarly signed, circular case finely decorated on an opaque black ground with basse-taille enamelled roses, case back with Henry Capt trademark, French 'owl' import marks, numbered to case, cuvette and movement '48317', 30mm diameter, its chain with curb links between lozenge and lanceolate panels enamelled to both sides to match, chain 620mm long
Although the Henry Capt business was owned by Louis Gallopin et Cie by this date, apparently watches signed Henry Capt only were destined for other retailers, rather than for sale through one of Gallopin's own outlets.
£1,000 - 1,500
317
A SWISS ENAMELLED GOLD LADY'S POCKET WATCH, HENRY CAPT
HORLOGER, MAISON GALLOPIN
SUCCESSEUR, GENEVA, CIRCA 1900
keyless wind movement signed 'L.GALLOPIN & CIE / sucs de / HENRY CAPT. / GENÈVE', white enamel dial with Roman numerals, gilt 'Breguet' hands and signed 'LS GALLOPIN ET CIE / GENÈVE, circular case finely champlevé enamelled on a cobalt blue ground with marguerites and cornflowers, gold cuvette signed for Henry Capt and stamped to reverse '750', numbered to movement, cuvette and case '46472', 30mm diameter
£700 - 900
318
FABERGE: BOWENITE
AND GOLD EASTER EGG PENDANT, MOSCOW,
1908-17
the bowenite egg surmounted to the long side in gold with an eagle with outstretched wings, lacking gemstone to base of egg, suspension loop with indistinct mark, stamped to bale KF (in Cyrillic) and 14 carat gold '56' kokoshnik marks, egg 18mm long
Provenance: The Dickinson family of St Petersburg, thence by descent to the vendor.
Six Dickinson children, including three sisters, were born in late 19th century St Petersburg to English parents. Their father, whose family had been connected with Russia for three generations, ran the Phoenix Ironworks in the Viborg quarter and until 1905 the family lived at some ease in a large house nearby. The unrest and economic crisis of the early 1900s however resulted in the complete failure of his investments, the family forced to depart for their mother's home in Lancashire. Pining for the country they considered home, by 1911 the three sisters had all returned to Russia, their aunt in St Petersburg finding them work as governesses.
Their stories are related in a diary kept from 1916-18 by one sister, Miss Daisy. This diary was edited by her daughter, the vendor's mother, and published as 'Miss Daisy's Secret Russian Diary' (edited by Muriel Delahaye, Troubador Publishing, Leicester, 2017). The diary opens at Easter 1916, recording the gift of the diary itself, money and 'four small silver easter eggs'.
Another sister, Miss Ida, worked for Aylia and Alexander Pistolkors. Aylia was a sister of Anna Verubova, Empress Alexandra's beloved Lady-in-Waiting, and Alexander Pistolkors a stepson of Grand Duke Paul, the Tsar's uncle. Whilst the third sister, Miss May, spent most of her time on her Swedish/Russian employers' estate in Finland, the other two were busy in town or at the coast, pursued by a number of suitors. Ida in particular was a frequent visitor at Tsarkoe Selo. On 11th December 1916 Ida and Daisy were taken, somewhat unwillingly, to a supper with Rasputin at his flat on Gorokhovaya Street, Daisy's diary revealing that he repeated his prophecy 'If I am killed,... the Romanov family will also die.' Following Rasputin's assassination, on 31st December the diary records that 'In spite of all the upset about Rasputin Ida still received her Christmas card from the Tsarina', the book (ibid) illustrating this postcard, still in the family's possession, showing the message: 'To Miss Ida / with Kisses / Greetings & Best Wishes for 1916 / Alexandra'. In one of her last surviving letters, written to Anna Verubova from captivity in Tobolsk, the Empress asks after both Anna's sister Aylia and the governess: 'Miss Ida is still with her I hope.'
By the start of 1918 the sisters had all managed to make their way back to Britain. Ida had been given permission to leave Russia in May 1917, after an interview with Lenin himself. Daisy and May remained, living through the danger and privations of revolutionary St Petersburg, until a meeting with Trotsky on 29th November meant they could make preparations to leave, finally getting away in mid December. Although Daisy later married, the other two remained spinsters, ending their days running a boarding house on the Lancashire coast at Cleveleys, their precious relics of their days in Imperial Russia passing eventually to the vendor's mother.
See the following lot for a Russian gold and Easter egg pendant necklace with the same provenance and also an Imperial Porcelain Manufactory Easter egg, Olympia Auctions, 21 November 2024, lot 16.
£700 - 1,000
RUSSIAN GOLD, SILVER, HARDSTONE AND GEM-SET EASTER EGG
PENDANT NECKLACE, 1900s
the fancy link necklace designed as S shaped links supporting sixteen miniature Easter egg pendants comprising: a nephrite egg pendant, French assay marks, maker's mark EM, a rose quartz egg pendant, Russian 56 mark, a white guilloché enamel egg pendant, unmarked, a lapis lazuli egg pendant, Russian 56 mark, a carnelian egg pendant, unmarked, a chrysoprase egg pendant with gold Roccoco style scroll work decoration, unmarked, a gold and diamond set hinged locket egg pendant, Russian 56 mark, a gold acorn pendant, Russian 56 mark, maker's mark AH, possibly for August Hollstrom for Fabergé, traces of lilac enamel remaining, a rock crystal and ruby egg pendant, the engraved rock crystal egg encased with a bezel of circular-cut rubies, one ruby deficient, French assay mark to split ring, a silver egg pendant, engraved with a Spiders web, Russian 84 mark, maker's mark B2M, a blue guilloché enamel egg pendant, Russian 56 mark, maker's mark S, an aventurine quartz egg pendant, unmarked metal loop, a tourmaline egg pendant, Russian 56 mark, maker's mark AK, a tigers eye egg pendant, Russian 84 mark, maker's mark indistinct, a nephrite jade egg pendant, metal loop, and a blue glass and paste egg pendant, 53cm long
Provenance: The Dickinson family of St Petersburg, thence by descent to the vendor. See previous lot for further details.
£1,500 - 2,500
320
A PAIR OF LAPIS LAZULI AND DIAMOND PENDENT EARRINGS
each supporting a pear-shaped lapis lazuli drop, to a lapis lazuli and brilliant-cut diamond set line, French import marks, 6.2cm long
£1,000 - 1,500
321
SAPPHIRE, DIAMOND AND GOLD BRACELET, 1890s
designed as a series of five graduated oval links each centring on a circular-cut diamond or sapphire, to an annular link bracelet, fitted case stamped Skinner & Co, Orchard Street, London W, gilt stamped to the exterior with initials and dated 29. NOV. 1898. 18.5cm long
£600 - 800
322
SAPPHIRE AND DIAMOND RING
the oval scalloped cluster, centring on an oval-shaped sapphire, framed by circular-cut diamonds, ring size M
£300 - 500 323
SAPPHIRE AND DIAMOND BAR BROOCH, 1900s
centring on a navette-shaped cluster set with an oval-shaped sapphire framed by singlecut diamonds, to a tapering bar with scroll engraved shoulders, stamped 18c, 6.7cm long
£300 - 500
324
GOLD, TURQUOISE AND SEED PEARL BAR BROOCH, 1900s
centring on a pair of entwined hearts set with turquoise cabochons framed by seed pearls, applied to a curb link bar, 3cm long
£120 - 180
325
GOLD ALBERTINE AND NECKLACE, 1890s
the Albertine designed as three strands of rope and faceted linking to foliate engraved terminals with central barrel motif, 22cm long, and a rope work chain with spiral decorated barrel clasp, 34.5cm long
£300 - 500
326
CULTURED PEARL BRACELET
the curb link bracelet accented with seven cultured pearls, 21cm long
£70 - 90
327
GOLD CHAIN
curb linking, Italian assay marks and British import marks for 9 carat gold, London 1984, 44cm long
£80 - 120
328
GOLD AND DIAMOND SLAVE BANGLE, MID 20TH CENTURY
designed as a coiled serpent with articulated engraved scale link body, the head and tail accented with brilliant-cut diamonds, French import marks, 97.5g
£6,000 - 8,000
329
GOLD AND GREEN PASTE NECKLACE, 1900s
set with graduated circular-cut and pear-shaped mixed-cut green paste to a curb link back chain, 39 cm long, fitted case stamped Jones of London, 229 Brompton Road, SW3
£200 - 300
330
TWO GEM-SET BROOCHES,
1960s
one of open work oval design centring on an oval cabochon amethyst, surrounded by a frame of seed pearls accented with circular-cut amethysts, British hallmarks for 9 carat gold, London 1969, and a brooch of circular cluster design set with circular-cut garnets and seed pearls, stamped 9ct
£200 - 300
331
GOLD PENDANT CROSS, 1890s
designed as a series of gold filigree spheres, 6 x 4 cm
£200 - 300
332 (illustrated online)
COLLECTION OF GOLD AND GEM-SET JEWELLERY
comprising: two 9 carat gold bracelets, both with British import marks for 9 carat gold, both 18cm long, a 9 carat gold pendent set with a circular-cut sapphire to a trace link chain, British import marks for 9 carat gold, and a ruby and diamond cluster ring, centring on a circularcut ruby framed by single-cut diamonds, British hallmarks for 18 carat gold, London 1963, ring size M (4)
£400 - 600
333
VICTORIAN MOONSTONE AND DIAMOND BROOCH, 1900s
designed as two interlocking hearts each set with a heart shaped moonstone cabochon within a border of rose-cut diamonds, to a ribbon tied bow surmount, 2.3cm
£1,000 - 1,500
334
GOLD CURB LINK BRACELET, 1890s
the curb link bracelet supporting a heart-shaped padlock clasp, inscribed with the date Oct 1891,16cm long
£200 - 300 335
GROUP OF SEVEN GEM-SET RINGS
comprising: a Georgian gold, cabochon garnet and seed pearl cluster ring, 1820s, ring size N, a gold, ruby and diamond cluster ring, 1880s, ring size L 1/2, a gold, ruby and seed pearl panel ring, 1920s, ring size N 1/2, a gold and bloodstone signet ring, 1900, ring size P 1/2, an 18 carat gold wedding band, British hallmarks, ring size U, an opal ring and green stone set ring
£450 - 550
336
GARNET AND DIAMOND RING, 1920s
designed as a pair of entwined hearts set with buff-top garnets, framed by single-cut diamonds, ring size N
£200 - 300 337
TWO PAIRS OF GOLD CUFFLINKS
comprising a pair of foliate engraved oval links with curb link connecting chains, hallmarks for 9 carat gold, Birmingham 1896; and a pair of plain square links with curb link connecting chains, maker's marks for Deakin & Francis, stamped 9ct, 9.5g
£150 - 200
338 (illustrated online) GOLD CHAIN
designed as curb and fetter links, import marks for 18 carat gold, London, 1988, 46cm long, 18.9g
£400 - 600
339
GOLD, ENAMEL, GARNET AND HALF-PEARL BROOCH, 1870s
the navette-shaped brooch centring on an oval cabochon garnet with half-pearl star centre, framed by a white enamel and gold beaded border, with glazed locket to the reverse, supporting a detachable drop-shaped pendant, set with a cabochon garnet and half-pearl with white and blue enamel and gold bead detail, 4.6 x 7.4cm
£300 - 500
340
TWO BROOCHES AND A PADLOCK
comprising: a foil backed pink sapphire witch's heart brooch, 1820s, a gold and opal cherry blossom brooch, 1900s, and a gold and cabochon garnet heart-shaped padlock, 1860s
£300 - 500
341
A COLLECTION JEWELLERY, 18TH CENTURY AND LATER
comprising: a coque de perle and marcasite brooch, 1770s, later fitted case stamped Harvey & Gore, 1 Vigo St, Regent St, W, gilt stamped to the exterior 5 Dec, 1901, possibly adapted from a single earring; a Georgian flat-cut garnet mourning brooch, 1800s, central locket deficient; a Georgian flat-cut garnet cluster brooch, 1800s; a gold filigree, amethyst, garnet and seed pearl brooch, indistinct British hallmarks for 9 carat gold, 1972; an amethyst and seed pearl brooch, 1890s; a citrine brooch; a seed pearl necklace composed of three rows of seed pearls to a gold barrel clasp, 38cm long; a seed pearl cluster brooch, 1850s; and a silver mounted paste set pendent cross, 1880s, French assay marks (9)
£450 - 550
342
FANCY LINK NECKLACE
of cylindrical linking to a lobster clasp, 60cm long
£1,200 - 1,800
343 GOLD BRACELET, 1994
of curb linking with an annular link and T bar clasp, 24 cm long, British import marks for 18 carat gold, London 1994
£1,000 - 1,500
344
MAPPIN & WEBB: A PAIR OF GOLD EAR STUDS, 1999
each of knot design, maker's marks, stamped 750 and British hallmarks for 18 carat gold, London 1999
£300 - 500
345
TIFFANY & CO: PAIR OF GOLD EAR STUDS, 2004
each of interlaced knot design, signed Tiffany & Co, stamped 2002, 750 with British hallmarks for 18 carat gold, London 2004, with Tiffany & Co pouch
£200 - 400
346
CULTURED PEARL AND DIAMOND NECKLACE
designed as a single uniform row of cultured pearls each measuring approximately 7mm, to a diamond set clasp of star design set with circular-, single- and rose-cut diamonds, mounted in silver and gold, with an additional strand of 11 cultured pearls, 18.5cm long
£300 - 500
347
MOONSTONE, RUBY AND GOLD RING,
1900s
centring with an oval moonstone cabochon within a bright-cut bezel, the shoulders accented with single-cut rubies, ring size L, case stamped Goldsmiths & Silversmiths. Company Ltd, 112 Regent Street, London, W1
£100 - 200
348
DIAMOND BAR BROOCH, 1890s
designed as a diamond cluster set with old mine-cut diamonds, applied to a knife-edge bar, case stamped T&J Perry, 124 Regent Street, London W1
£300 - 500
349
FOUR CARVED SHELL CAMEO BROOCHES, 1870s
comprising: an oval shell cameo brooch depicting the profiles of Dionysus and Ariadne, to a gilt metal scroll frame; an oval shell cameo brooch depicting the profile of Zeus, to a silvered metal scroll frame; an oval shell cameo depicting Aurora to a gilt metal scroll frame and an oval shell cameo depicting the profile of a maiden to a gilt metal frame
£300 - 500
350 ⦿
GROUP OF TORTOISESHELL PIQUE WORK AND MOTHEROF-PEARL JEWELLERY
comprising two tortoiseshell gold and silver floral piqué work brooches and a single pendent earring, 1860s and a carved motherof-pearl cameo brooch and pair of matching pendent earrings, depicting the profile of a maiden (6)
£200 - 300
351 (illustrated online)
GOLD BRACELET AND A WATCH CHAIN
the bracelet designed as a series of cushion-shaped links, 19cm long, British hallmarks for 9 carat gold, London, the watch chain of snake link design, stamped Chaincraft, 9ct, 33.7g all in
£400 - 600
349 part
350 part
352
GOLD, PEARL AND TURQUOISE DOUBLE STICK PIN, 1880s
each stick pin with a G monogram surmount decorated with halfpearls and turquoise respectively, with a curb link connecting chain accented with seed pearls, fitted case stamped Skinner & Co, Orchard Street, London, W
£200 - 300 353
GOLD AND HALF-PEARL NECKLACE, 1890s
set to the front with three graduated floral motifs set with half-pearls, to a half-pearl set back chain, 41cm long
£600 - 800 354
HALF-PEARL BROOCH, 1890s
designed as a bee with half-pearl set body and wings
£150 - 200
355
GROUP OF FIVE BROOCHES AND A SCARF CLIP
comprising; a gold scarf clip set with a circular-cut diamond, 1890s, a gold cannetille and amethyst brooch set with an oval-shaped amethyst, 1820s, a gold, turquoise and seed pearl floral spray brooch, hallmarks for 9 carat gold, London 1965, and three 9 carat gold bar brooches, one set with a pair of garnet twin hearts
£300 - 500
356 (illustrated online)
TWO DOUBLE ROW CULTURED PEARL NECKLACES
comprising: a double graduated row of cultured pearls to a gold circular-cut sapphire and cultured pearl cluster clasp, 60cm long; and a double graduated row of cultured pearls to a silver and single pearl clasp, 43cm long
£180 - 220
357
DIAMOND, RUBY AND EMERALD BROOCH, 1890s
designed as a butterfly of open work design, set with old mine- and rose-cut diamonds, accented with mixed-cut rubies and a single square emerald, mounted in gold
£1,200 - 1,800
358
DIAMOND BROOCH, 1880s
designed as a foliate spray with three flowers 'en tremblant' (one with broken spring), set throughout with old mine-, circular- and rosecut diamonds, detachable into two sections, with detachable brooch pin, mounted in silver and gold, French import marks, approximately 14cm long
£6,000 - 8,000
359
DIAMOND RING
claw set with an asscher-cut diamond weighing 1.05 carats, the shoulders each accented with three brilliant-cut diamonds, British hallmarks for platinum 2004, ring size I
Copy of GIA report number 13275190, dated March 16th 2004, stating that the diamond weighing 1.05 carats is D colour, VS2 clarity
£3,000 - 5,000
360
DIAMOND HALF-HOOP GOLD RING, 1890s
set with five graduated old mine-cut diamonds accented with rosecut diamond points to a pierced scroll mount, inscribed December 15 1898, case stamped Mrs Newman, 10 Saville Row, ring size M
£3,000 - 5,000
361
DIAMOND RING, 1920s
claw set with a circular-cut diamond, the shoulders accented with graduated circular-cut diamonds, ring size J
£2,500 - 3,500
362
BELLE EPOQUE DIAMOND AND DEMANTOID GARNET BROOCH, 1910s
designed as a butterfly, the wings decorated with rose-cut diamonds, accented with circular-cut demantoid garnets, the head and body similarly set with oval and circular-cut demantoid garnets, width 3.5cm
£800 - 1,200
363
DIAMOND, ONYX AND RUBY BROOCH, 1920s
designed as a butterfly, the hinged sprung wings decorated with single-cut diamonds, accented with calibre-cut onyx and highlighted with mixed-cut ruby detail, later fitted case stamped Sandra Cronan, 18 Burlington Arcade
£400 - 600
364
AUDEMARS PIGUET & CO: ONYX AND DIAMOND LAPEL WATCH, 1920s
the rectangular dial applied with Arabic numerals, to a foliate engraved case millegrain set with circular- and single-cut diamonds accented with French-cut onyx, supported from a similarly set geometric brooch, movement signed Audemars Piguet & Co and numbered, fitted case, 7.5cm long
£3,000 - 5,000
365
MOONSTONE NECKLACE
spectacle set with a series of oval cabochon moonstones, 59cm long
£500 - 700
366
MULTI-COLOURED GEM-SET NECKLACE
spectacle set with a series of rose-cut multi-coloured gemstones, 43cm long
£300 - 400
367
GROUP OF GOLD AND PERIDOT JEWELLERY
comprising a circular open work pendant of floral design set with circular peridots, to a fine curb link chain, 1900s, and two pairs of gold and peridot pendent earrings, one pair accented with seed pearls (5)
£200 - 300
368
TWO DIAMOND RINGS
each with a navette-shaped bezel accented with circular- and rose-cut diamonds, ring size M & N 1/2
£250 - 350
369
RUBY AND DIAMOND RING
cluster design set with an oval mixed-cut ruby framed by single-cut diamonds, ring size M 1/2
£200 - 300
370
TWO RUBY AND DIAMOND RINGS
both of half-hoop design set with circular-cut rubies and brilliant and single-cut diamonds respectively, ring size M 1/2 and N 1/2
£150 - 200
371 (illustrated online)
TWO GEM-SET RINGS
one set with circular-cut sapphires and rose-cut diamonds, mounted in gold, ring size M, one set with a circular-cut ruby and diamond, ring size I 1/2
£120 - 180
372
CARTIER: 'TRINITY', GOLD RING, 1978
composed of three textured interlocking gold rings, signed Cartier, maker's marks and British hallmarks for London 1978, ring size K 1/2.
£300 - 500
373
CARTIER: TWO DIAMOND SET PENDANTS / CHARMS
comprising; a rotating four leaf clover pendant/charm accented to the centre with a brilliant-cut diamond to the obverse and reverse, signed and numbered CK9506, Swiss assay and European convention marks, Cartier certificate and a diamond set star pendant/charm, the six pointed star accented with a brilliant-cut diamond, signed and numbered BR4513, Swiss assay marks, engraved 154 Champs Elysees, 212/300, with cord necklace, with two Cartier certificates, one confirming that the Cartier charm number 212 of 300 was a limited edition created to celebrate the opening of the Champs Elysees boutique in October 2003
£800 - 1,200
374
TIFFANY & CO.: TWO DIAMOND RINGS
each centring on a single brilliant-cut diamond, signed Tiffany & Co, ring size K 1/2, with two Tiffany & Co. pouches
£400 - 600
375
CARTIER: DIAMOND CHARM BRACELET
the curb link bracelet supporting four detachable Cartier charms comprising: a double entwined rotating diamond and polished heart charm, a diamond set double C charm, a circular Pasha charm and a rotating four leaf diamond set clover charm, bracelet numbered FK 3481, Swiss assay and European convention marks for 18 carat gold, charms signed and numbered OA5375, NY2270, EG1722, NY7226, respectively, bracelet 18cm long, with Cartier pouch
£4,000 - 6,000
376
GARRARD & CO.: DIAMOND NECKLACE, 1983
designed as a series of trefoil motifs each accented with brilliant-cut diamonds, signed Garrard, French assay and British import marks for 18 carat gold, London 1983, 40cm long
£3,000 - 5,000
377
GOLD AND DIAMOND BRACELET, 1974
designed as an articulated line of foliate motifs set with brilliant-cut and marquise diamonds, 18cm long, one diamond deficient, British hallmarks for 18 carat white gold, London 1974
£5,000 - 6,000
378
BOUCHERON: GOLD AND DIAMOND BROOCH, 1950s
circular form, composed of a cluster of brilliant-cut diamonds, framed by a radiating spiral of leaves, signed Boucheron Paris, French assay and maker's marks, diameter 3.7cm
£4,000 - 6,000
379
BULGARI: 'B-ZERO 1', NECKLACE
the circular pendant encasing a white ceramic cylinder, to a curb link chain, signed Bulgari, stamped 750, fitted case stamped Bulgari, with papers and bag
£800 - 1,200
380
BUCCELLATI: 'BLOSSOMS', PAIR OF SILVER EARRINGS
each designed as a single daisy flower with gilded centre, signed Buccellati, Italian assay marks
£150 - 200
381
BEAD AND DIAMOND BRACELET
designed as a series of textured beads with central faceted diamond bead, hook fitting, 16.5cm long
£250 - 350
382
GOLD 'RUSSIAN' WEDDING BAND AND A DIAMOND RING
the three colour gold band ring, with British hallmarks for 9 carat gold, London 1978, ring size M and a single stone diamond ring collet set with a brilliant-cut diamond, rings size F
£100 - 200
383
DIAMOND RING
claw set with a brilliant-cut diamond, ring size M
AIG report dated 3rd August 2022, number J3230507424: their statement that the diamond weighs 1.02 carats and is natural fancy orangey brown colour, SI1 clarity
£1,800 - 2,200
384 (illustrated online)
GOLD LONG CHAIN, 1900s
the curb link chain to a dog clip clasp, 154cm long
£300 - 500
385
GOLD NECKLACE AND BRACELET, 1998
composed of triple rope work rectangular links connected by annular links, necklace 44cm long, bracelet 19cm long, British import marks for 9 carat gold, London 1998, 52.5g
£1,000 - 1,500
386
GOLD NECKLACE
designed as a series of curb and tubular links, 48cm long, European convention marks, 24.7g
£400 - 600
387
RUBY AND DIAMOND RING
inset with an oval mixed-cut ruby and two brilliant-cut diamonds, Italian assay marks, ring size M
£500 - 700
388
GRIMA: GOLD, OPAL AND DIAMOND RING, 1971
centring on an oval black opal, accented with single-cut diamonds to a textured gold mount, signed Grima, British hallmarks for 18 carat gold, London 1971, ring size M, case stamped Grima, London
£3,000 - 5,000
389
GRIMA: GOLD, TOURMALINE AND DIAMOND BROOCH, 1966
centring on a watermelon tourmaline crystal within an undulating textured mount accented with three brilliant-cut diamonds, British hallmarks for 18 carat gold, London 1966, maker's mark HJCo, 5 x 4cm
Accompanied by a facsimile of a valuation report from Grima dated 9th March 1976.
Andrew Peter Grima (1921-2007) started designing jewellery in the workshop of his father-in-law's Haller Jewellery Company (hence the HJco maker's mark) in 1948. By the 1960s, his flamboyant yet organic creations were regularly worn by members of the British royal family, as well as by Jacqueline Onassis, Ursula Andress and others in fashionable society. He opened his famous premises in Jermyn Street in 1966, the same year Prince Philip purchased a brooch of rubies for the Queen. Designing state gifts for Royal visits, he held the Royal Warrant from 1970 until 1986. The Queen was wearing Grima's ruby brooch during her 2007 Christmas message, broadcast the day before he died.
£4,000 - 6,000
390
GRIMA: GOLD, DIAMOND AND BERYL BRACELET, 1973
centring on a cushion-shaped, mixed-cut pale lime green beryl, framed with triangular-cut collet set diamonds to a tapering articulated openwork bracelet of frosted triangular motifs asymmetrically arranged, British hallmarks for 18 carat gold, London, maker's mark AG Ltd., signed Grima, 17cm long
£15,000 - 20,000
391
GRIMA: DIAMOND RING
of tiered textured design centring on a pear-shaped diamond framed by brilliant-cut diamonds, stamped '750', signed Grima, ring size M, case stamped Grima, London
£3,000 - 5,000
392
GRIMA:
PAIR OF DIAMOND EAR CLIPS
each designed as a textured flame shaped panel, accented to the centre with brilliant-cut diamonds, stamped '750', signed Grima, additional hoop fittings, case stamped Grima, London
£3,000 - 5,000
393
BEAD NECKLACE
altered from a full bead Grima necklace, now with two loose textured beads and another forming the clasp to a curb link chain, stamped '750', signed Grima, French import marks, 41cm long
£2,000 - 3,000
394
PAIR OF GOLD CUFFLINKS, 1968
each designed as a rectangular textured plaque with hinged back links and baton connecting bars, British hallmarks for 18 carat gold, London 1968, 23g
£800 - 1,200
395 PEBBLE RING
designed as a polished pebble, ring size N 1/2
£800 - 1,200
396
PAIR OF GOLD AND DIAMOND CUFFLINKS, 1977
each designed as a rectangular link decorated with lines of brilliantcut diamonds, to a hinged back link with fixed bar connection, British hallmarks for 18 carat gold, London 1977
£1,000 - 1,500
397 TOPAZ RING
centring on an oval cabochon brown topaz, to a tapering tubular band, ring size M 1/2
£400 - 600
398
DIAMOND BROOCH, 1800s AND LATER
centring on an oval cluster of foil backed old mine-cut diamonds, within an open work surround of similarly set stones, mounted in silver and gold, one small diamond deficient, 5 x 2cm, case stamped Hancocks
£3,000 - 4,000
399
TWO DIAMOND PENDANTS
one of cluster design set with brilliant-cut diamonds of brown and colourless tints, British 18 carat hallmarks, to a trace link chain, 40cm long, Italian assay marks, the other set with an oval-shaped pink tourmaline with circular-cut diamond accents to the cardinal points, supporting a pear-shaped pink tourmaline drop, unmarked, with fine link chain, 46cm long, 9 carat European convention marks
£400 - 500
400
BELLE EPOQUE DIAMOND AND PEARL PENDANT, 1900s
circular open work foliate design, accented with circular- and rose-cut diamonds, supporting a seed pearl drop, to a trace link chain, 42cm long, 2.5cm diameter
£700 - 900
401 ⦿
A COLLECTION OF JEWELLERY
comprising: a ruby and diamond set nautical flag brooch, set with single-cut diamonds and calibre-cut rubies, a gold, coral and half-pearl bar brooch, 1890s, a gold and half-pearl bar brooch, 1890s, of bow design, a gold and half-pearl pendant heart, 1890s, a gold, enamel and half-pearl stick pin, 1890s, cased, and a cloisonne enamel silver pendant egg (6)
£500 - 700
FOUR GEM-SET BAR BROOCHES. 1900s comprising: one set with a circular-cut diamond to a plain polished bar, 1900s, one set with an old mine-cut diamond to an oval claw set mount applied to a flat polished bar, 1890s, and one set with a circular-cut garnet and one with a seed pearl, respectively £400 - 600
RUBY AND DIAMOND NECKLACE
supporting and open work shield shaped pendant set with oval and circular rubies and single-cut and baguette diamonds, to a three-row freshwater cultured pearl necklace, accented with four rectangular ruby and diamond set open work panels, 35cm long
£800 - 1,200
404
DIAMOND LINE BRACELET
designed as a uniform line of claw set brilliant-cut diamonds, 18cm long
£700 - 1,000
405
DIAMOND LINE BRACELET
designed as a uniform line of brilliant-cut and baguette diamonds,16cm long
£3,000 - 5,000
406
DIAMOND RING
set with brilliant-cut and baguette diamonds, ring size M 1/2
£500 - 700
407
GEM-SET AND DIAMOND GIARDINETTO BROOCH/ PENDANT
the basket accented with single-cut diamonds containing three flowers with navette-shaped emerald, ruby and sapphire petals, respectively, hinged bail to reverse, one diamond deficient
£200 - 300
408 (illustrated online)
GROUP OF JEWELLERY
comprising: three pendants and chains, one channel set with a line of multi-coloured gems, a single 18 carat gold chain, British hallmarks, two pairs of pendent earrings, a hummingbird brooch and an opal doublet ring (10)
£300 - 500
TIFFANY & CO: DIAMOND PARURE
comprising a necklace and matching bracelet, designed as a series of knife edge bars joined by brilliant-cut diamond collets, both signed Tiffany & Co, necklace 39cm long, bracelet 17cm long, with Tiffany & Co pouch and box
£5,000 - 7,000
410
designed as a uniform line of thirty-eight brilliant-cut diamonds, signed Cartier, numbered 114074, 17cm long
£8,000 - 12,000
CARTIER: DIAMOND LINE BRACELET, 1960s
411
PAIR OF DIAMOND PENDENT EARRINGS, 1930s
each designed as an articulate tapering drop set with circular-, single-cut and baguette diamonds, supporting a circular-cut collet set diamond drop, 4.5cm long, fitted case stamped N. Bloom & Son Ltd.
£5,000 - 6,000
412
TIFFANY &
CO:
'LUCIDA', DIAMOND ETERNITY RING
channel set with square-shaped diamonds, signed T & Co, Lucida, numbered 597044, ring size O 1/2, case and Tiffany & Co pouch
£2,000 - 3,000
413
PAIR OF DIAMOND EARRINGS
each designed as a bee, set with a baguette diamond body and singlecut diamond wings and head, one diamond deficient, clip and post fittings
£400 - 600 414
DIAMOND ETERNITY RING
channel set with baguette diamonds, ring size I
£200 - 300 415
FOUR GEM-SET RINGS
comprising: one of half-hoop design set with three step-cut emeralds and two circular-cut diamonds, ring size I 1/2, a sapphire and diamond half-hoop ring, set with four circular-cut sapphires interspersed with three single-cut diamonds, ring size L, a sapphire and diamond ring, of cross over design, ring size L 1/2, and a sapphire and diamond ring, claw set with an oval mixed-cut sapphire, the shoulders accented with rose-cut diamonds, ring size L 1/2
£400 - 600 416
PAIR OF DIAMOND EARRINGS
each designed as a fleur-de-lys motif set with brilliant-cut diamonds
£300 - 500
417
BLUE ZIRCON LONG CHAIN, 1920s
spectacle set with circular-cut blue zircons, 110cm long, four zircons loose (in an included packet)
£500 - 800
418
DIAMOND LONG CHAIN
spectacle set with brilliant-cut diamonds to curb link connecting chains with a diamond set lobster clasp, 109 cm long
£2,500 - 3,500
419
AQUAMARINE AND DIAMOND BROOCH, 1900s
centring on a heart-shaped aquamarine within a millegrain border of old mine-cut diamonds
£1,000 - 1,500
420
ATTRIBUTED TO MRS N. CHARLOTTE NEWMAN: SAPPHIRE, DIAMOND AND ENAMEL PENDANT, 1890s
centring on a circular mixed-cut sapphire within an open work foliate surround decorated with white and black enamel detail, accented with a rose-cut diamond, supporting a pearl drop, to a trace link back chain, fitted case stamped Mrs Newman, 68 Duke Street, Grosvenor Sq. W1. gilt stamped to the exterior with initials and dated 1930 Mrs N. Charlotte Newman 1836-1920 was a highly accomplished goldsmith at a time when the profession was male dominated, studying at the government art school in South Kensington, she produced jewels in a variety of revival styles adapting to the current taste of Victorian fashions. She started her career working with John Brogden exhibiting with him in Paris in 1867 & 1878. After Brogden's death in 1884 she established her own shop in Saville Row retaining many of Brogden's craftsmen. Seldom producing two jewels alike, some of her jewels display a close similarity to the revivalists’ jewels favoured by Brogden. Even at the summit of her career and feted as one of the first artist jewellers, she still went by her husband's name and stamped her jewels Mrs N. Today her jewels are highly collectable as the first known female goldsmith to work at a time of strict social convention working within a predominately male-only profession.
£1,500 - 2,500
421
ATTRIBUTED TO JOHN BROGDEN & MRS N. CHARLOTTE NEWMAN: GOLD, DIAMOND AND PEARL BROOCH & PENDANT, 1870s
the pendant of circular design in the Etruscan revivalist style, applied with a foliate motif accented with old-mine and rose-cut diamonds, seed pearls and blue enamel, with diamond set suspension loop, the brooch of similar design applied to a plain polished bar, possibly later adapted from a pendant, 2.1cm diameter, unmarked
£700 - 1,000
422
GOLD AND GEM-SET BAR BROOCH, 1900s
decorated with multi-coloured gemstones, including opal, turquoise and tourmalines, interspersed with half-pearls, case stamped Connell, 83 Cheapside, London, 5.5cm long
£200 - 300
423
GOLD, LAPIS LAZULI AND SEED PEARL LONG CHAIN, 1900s
the fine curb link chain accented with lapis lazuli beads and seed pearls, 150cm long
£300 - 500
424
GOLD AND GEM-SET LONG CHAIN, 1900s
the curb link chain variously set with multi-coloured gemstones, including, opal, amethyst, moonstone, garnet, turquoise, sapphire and diamond, 104cm long
£600 - 800
425
TIFFANY & CO.: TWO SILVER RINGS
one designed by Elsa Peretti, 'Sevillana', maker's marks and British hallmarks for sterling silver, London 2004, the other supporting a gold key, signed Tiffany & Co., maker's marks and British import marks for sterling silver, London 1996, Tiffany & Co. pouch
£150 - 250
426
TIFFANY & CO: ELSA PERETTI, 'SEVILLANA', SILVER AND BLACK JADE BANGLE, 2011
the hinged coiled silver bangle centring on a polished black jade oval motif, signed Tiffany & Co, Elsa Peretti, British hallmarks for sterling silver London 2011, Tiffany & Co, box and pouch
£300 - 500
427 (illustrated online)
SILVER AND AMBER PENDANT AND CHAIN
the pendant of floral design centring on a green amber cabochon supporting an orange amber drop, to a foliate engraved silver chain, 37cm long
£80 - 120
w428
DIAMOND RING
collet set with a single brilliant-cut diamond, ring size K 1/2
£1,000 - 1,500
429
CARTIER: DIAMOND AND GOLD RING, 1990s
the tapering tubular band centring on a brilliant-cut diamond, signed Cartier, numbered 38EQ, Swiss assay and maker's marks, European convention marks for 18 carat white gold, ring size K, Cartier certificate and pouch
£700 - 900
430
CARTIER: DIAMOND AND GOLD RING, 1990s
the white gold band inset with brilliant-cut diamonds, signed Cartier, numbered 51 C78214, Swiss assay and European convention marks for 18 carat white gold, ring size K 1/2
£400 - 600
431
DIAMOND DOUBLE CLIP BROOCH, 1920s
designed as a pair of open work palmette motifs of geometric design set with circularand single-cut diamonds, detachable brooch frame, 4.5 x 1.8cm
£800 - 1,200
432
JADE AND DIAMOND BROOCH, 1920s
centring on a circular jade plaque carved to the obverse and reverse with birds amongst floral sprays, inset to a rectangular open work panel of wave motifs accented with millegrain-set single-cut diamonds, two diamonds deficient, 5.5 x 2.7cm
£800 - 1,200
433
DIAMOND AND ONYX COCKTAIL WATCH, 1920s
the square dial applied with Arabic numerals, within a rectangular case millegrain set with circular-cut diamonds, the shoulders set with two rectangular onyx panels each highlighted with a single diamond, foliate engraved gallery with later black silk strap, case 4cm x 2cm
£1,000 - 1,500
434
DIAMOND COCKTAIL WATCH, 1920s
the rectangular dial applied with Arabic numerals within a millegrain bezel accented with single-cut diamonds, to a double cord strap, 3 x 1.5cm
£200 - 300
435
BLUE PASTE GIRANDOLE PENDANT/BROOCH, 1770s AND A PASTE NECKLACE, 1900s
the girandole pendant/brooch set throughout with foil backed blue paste, mounted in silver, later brooch pin to the reverse, two paste deficient, the necklace of foliate garland design set with colourless paste, mounted in gilt metal, 40cm long
£100 - 150
436
AMETHYST AND CHRYSOLITE BROOCH, PORTUGUESE 1770s
cluster design, centring on an oval mixed-cut foiled amethyst within a foliate surround of foil backed chrysolites, mounted in silver, later brooch pin to reverse, one chrysolite deficient
£200 - 300
437
GOLD AND AMETHYST RING
centring on an oval mixed-cut amethyst to a foliate engraved bezel, British hallmarks for 9 carat gold, London 1969, ring size O 1/2
£80 - 120
438
AMETHYST AND GOLD BRACELET, EARLY 19TH CENTURY
designed as a series of eleven oval mixed-cut foil backed amethysts mounted in gold cut-down collets, 19cm long, one amethyst deficient
£400 - 600
439
GOLD BRACELET, 1870s
designed as five gold repousse work hinged panels, each depicting an Indian deity within a foliate scroll frame, screw thread baton clasp, 18.5cm long, 63g, associated gilt tooled leather case stamped Arthur Pitson, 179 New Bond Street, London, W
£1,500 - 2,000
440
FANCY LINK NECKLACE
composed of rope work batons and circular rope work embellished links, 39cm long
£400 - 600
441
TURQUOISE, FRESHWATER AND CULTURED PEARL NECKLACE AND PAIR OF PENDENT EARRINGS
the necklace of fringe design formed as a series of palmette motifs each centring on a cabochon turquoise, framed by two lines of freshwater cultured pearls, supporting a fringe of freshwater cultured pearl grape motifs, 33cm long, and a pair of earrings of matching design each supporting a single cultured pearl drop, clip fittings
£400 - 600
442
CULTURED PEARL RING
of conical cluster design set with cultured pearl accents, ring size S
£150 - 250
443 ⦿
A GROUP OF GEM-SET JEWELLERY
comprising: a turquoise bead necklace with gold mounted coral cabochon clasp, 51cm long, British hallmarks for 18 carat gold, two pairs of 9 carat gold ear studs, set with garnets and of knot design respectively, British hallmarks for 9 carat gold, a pair of cabochon turquoise ear studs, a 9 carat gold stick pin, 1900s, a gold pendent cross, and miniature Yale key (10)
£200 - 300
444
OPAL, DIAMOND AND GOLD HALF-HOOP RING, 1890s
set with three graduated oval opal cabochons, interspersed with pairs of old mine-cut diamonds, ring size M, case stamped Wm Pearsall, Birmingham
£200 - 300
445
DIAMOND RING, 1890s
the navette-shaped bezel set with old mine- and circular-cut diamonds, numbered 9924, stamped 18ct, ring size N
£600 - 800
446
OPAL AND DIAMOND BAR BROOCH, 1900s
centring on an oval cabochon opal, framed by millegrain set circularcut diamonds, applied to a polished bar, mounted in platinum backed in gold, 5cm long
£400 - 600
447 ⦿
CARNELIAN BEAD NECKLACE AND CORAL NECKLACE, 1900s
the carnelian bead necklace composed of forty-two oval shaped carnelian beads, 98cm long, the coral necklace composed of two rows of graduated coral beads, 40cm long
£150 - 200
448 TIGERS EYE BEAD NECKLACE, 1970s
composed of twenty-four tigers eye beads, interspersed with textured conical shaped beads, hook fittings, 108cm long
£800 - 1,200
449 ⦿
A COLLECTION OF GEM-SET NECKLACES, EARLY 20TH CENTURY AND LATER
comprising: a three row branch coral necklace, 38cm long, two coral bead necklace, 45 & 43cm long, a turquoise matrix bead necklace, 44cm long, a faceted quartz bead necklace, 50cm long, an amber bead necklace, 45cm long, a green hardstone bead necklace, 45cm long, a blue and green glass pendant with cord chain and a nephrite panel link bracelet, 19cm long
£150 - 250
450 (illustrated online)
SYNTHETIC BLUE SPINEL PENDANT, 1960s
set with a pear-shaped synthetic blue spinel, inset to a wire-work frames, 5cm long
£200 - 300
451
HARDSTONE AND AMETHYST PENDANT, 1960s
centring on an oval hardstone Qajar plaque, the plaque probably 19th century, with engraved Arabic script, framed by a border of pearshaped amethysts interspersed with fleur-de-lis motifs, dimensions approximately 6 x 5cm
£300 - 500
452
AQUAMARINE AND MOONSTONE PENDANT
designed as an open work butterfly, the wings set with oval mixed-cut aquamarines and pink moonstones
£600 - 800
453
GOLD BRACELET, 1963
designed as a textured gold strap with central buckle motif, British hallmarks for 9 carat gold Birmingham 1963, 17.6cm long, 50.4 grams, case stamped Asprey & Co Ltd, New Bond Street, London
£1,000 - 1,500
454 (illustrated online)
GOLD SIGNET RING, BAND RING AND PLATINUM BAND RING
the signet ring with engraved Stag crest British hallmarks for 9 carat gold, London, 1996, ring size E 1/2, the band ring with British hallmarks for 18 carat gold, London 1974, ring size P, and a platinum band ring, British hallmarks for platinum, Birmingham 2005, ring size I
£200 - 300
End of Session
Next Jewellery & Watches sale May 2025
Closing for entries by end of March
