Hide the Shadow / SHIH-HSUAN LI portfolio by 黎士瑄

Hide The Shadow

黎士瑄 Shihhsuan Li 2013.09-2018.06

CONTENTS

Hide The Shadow ＿ Fifth Year Undergraduate Design Studio

2017-2018

Russian mines +X ＿ Forth Year Undergraduate Design Studio

Spring 2017

Memonic Landscape ＿ Thirth Year Undergraduate Design Studio

Spring 2016

Structural Reinforcement ＿ Thirth Year Undergraduate Design Studio The Bridge ＿ Second Year Undergraduate 3-weeks Workshop Project 1:1 ＿ Second Year Undergraduate Design Studio

Fall 2015 Spring 2015 Fall

2014

柱子立起來的瞬間：容器 Hide The Shadow

The erect moment of the column ＿ the remnants of victim torn apart are collected, deposited, brought back to life. #Decapitation Container ＿ the animal’s carcass, the god’s container, was steeped in his presence. This is why the worshipers ate parts of it: the act was not just feasting, but communion. #Kept their ghosts at bay The edge of the alter ＿ these drops represent the sacred fluids that were carefully drained into alter. #The form of Dead ＿ George L. Hersey, The Lost Meaning Of Classical Architecture,1988 山上各處藏著很多不同人的頭髮。凡有人走過的隱僻處，石頭上，都可能流過人的血。在很多隱僻處可能要藏更多的頭髮，血肉水，屍體。要怎麼把不會動的屍體運送到最隱僻的地方？

指導老師 / 謝宗昌 Adviser / Tsung Chang Hsieh 2017.09-2018.06

Mike Liao Hubert Huang Bob Lia Tingyu Sheng

ShihHsuan Li Alexis Lan Yvonne Chang

Medium

Main Body # Presious wood

The Stage # 242*121cm board # 243*5*2.6 cm # 243*7*3.6 cm

The Column & Structure #second-ues wood # 243*5*2.6 cm

#1 紅棗哥一＿頭

Jujube & Bothers _ The Head Medium / wood brass

#2 #2 紅棗哥二＿身

Jujube & Bothers _ The Body Medium / wood brass

#3 #4

#3 紅棗哥一＿盤

Jujube & Bothers _ The Lower Body Medium / wood brass

#4 紅棗哥一＿盤結

#5 Jujube & Bothers _ The Lower Body Medium / wood brass

紅棗哥一＿頸節

Jujube & Bothers _ The Neck Medium / wood brass

#6 紅棗哥一二＿腿 Jujube & Bothers _ The Leg 腳 Medium / wood brass

紅棗哥一二＿頂 Jujube & Bothers _ Top

紅棗哥一＿胸口

Medium / wood brass

Jujube & Bothers _ The Chest Medium / wood brass

#10

#9 紅棗哥二＿盤接

Jujube & Bothers _ The Leg Medium / wood brass

紅棗哥二＿結

Jujube & Bothers _ The Body Medium / wood brass

#11

#12

#11 紅棗哥二＿下身

#12

Jujube & Bothers _ The Lower Body Medium / wood brass

紅棗哥二＿下身

Jujube & Bothers _ The Lower Body Medium / wood brass

EXHIBITION 5th Year Studio - Autumn & Spring Semester 2017-2018 Professor: Tsung Chang Hsieh

Student: Shih Hsuan Li

Special thanks to ... Li An YuHao Hung

Jay Lin Ty Natrual Et

The One-floor Structure Working In 3-weeks

Structure Height: 3.9m Total Height: 6.6m

Russian mines +X

指導老師 / 韓榮耕 Adviser / Thomas Young Kyong Han 2017.02-2017.06

SYLLABUS TOPIC: Architectural FORM as a construct of PLANES PROJECT: Analysis of, and Operations on, Ten Basic Forms 1. ANALYSIS: Identify 9 PURE forms (do not add random forms to make a new form) – each one corresponding to the number of planes in increasing number: 1-9 Each PURE form is differentiated into different CATEGORIES by the NUMBER of PLANES. Example: 1-PLANE form: Sphere, Egg, Torus , etc. 2-PLANE form: Cone, Double Cone (joined at the base), ½ Sphere, Sphere with a round hole cut through it, etc. 3-PLANE form: Cylinder, ½ Cone (cut along the vertical axis), etc 4-PLANE form: Pyramid with a Triangular Base, Cylinder with a round hole cut through its axis 5-PLANE form: Pyramid with a Square Base, etc. 6- PLANE form: Cube, Cone with a rectangular hole cut through, etc 7-PLANE form: Cylinder with a rectangular hole cut through its axis, etc 8-PLANE form: Cube with 2 round holes cut through it, etc 9-PLANE form: Cube with a triangular hole cut through it, etc. 10-PLANE form: Cube with a rectangular hole cut through it, etc Note that an “egg” and a torus (ring “donut”) are topologically the same FORM as the SPHERE. They all differ in appearance, but are the SAME FORM by virtue of being SINGLEPLANE forms.

2. Operations on Ten Basic Forms: An operation refers to a specific method by which a given form is changed. In our study, we will operate on forms in a RESTRICTED way so as to keep the SAME NUMBER of PLANES no matter how the actual form if changed.

Example 1: A SPHERE can be ELOGATED along one axis to form an OVOID (“egg”). Example 2: A CYLINDER can be operated on to become almost a CONE, by changing the size of the radius on one side only. 3. Operational Rules: All operations must be done using ONLY the following combinations… (1.) Angle: Bends and Rotations: 30, 45, 60, 90, 180, 360 (2.) Multiple of a given Unit: Expansion, Reduction, or Elongation: x1.5, x2, x3… up to x9

4. OBJECTIVE: Once you have a catalog of forms – in drawing and models - you will change the PROPORTION of each form to combine with all the other forms, so as to construct an ARCHITECTURALLY VIABLE form.

The Rules are seted up by Pro.Thomas Young Kyong Han. In this studio, we follow these rules to let our work easily pass to others and share.

Cataloge

RENDER IN DIFFERENT MATERIAL RENDER IN DIFFERENT MATERIAL

#1 perspective of the architecture in a Russian mine _north

#2 perspective of the architecture in a Russian mine _south

#3 material sample

Medium / jelly beans pool

Medium / jelly beans clean solid

Medium / jelly beans clean solid disco ball pool ink mixed with water color mixed with water matel

#4 perspective of the architecture in a Russian mine _south Medium / jelly beans clean solid

Doing these several practice,we believe every form has their characteristic,and we look in to it,find their funtion,truely. For example: so far,I see those white form I created.Itâ&#x20AC;&#x2122;s like several â&#x20AC;&#x153;Russian Mineâ&#x20AC;?.Thus,I go to think there may be possible to have an architecture in a Russian mine,in many aspect.The architecture would be like alien to the mine.These typical architectural problem comes to a very interested project.

EXHIBITION 4th Year Studio - Spring Semester 2017 Professor: Thomas Tilluca Han

Studio member

Mike Liao Hubert Huang Bob Lia Tingyu Sheng

ShihHsuan Li Alexis Lan Yvonne Chang

VISIBLE MODEL

#1 Panoramic Medium / mdf acrylic brass wood _ walnut,oak, ebony, teak.

#2 #2 Panoramic Medium / mdf acrylic brass wood _ walnut,oak, ebony,teak.

#3 North side Medium / mdf acrylic brass wood _ teak

#4 South side Medium / mdf acrylic brass wood _ ebony,teak.

#5 South side detail Medium / mdf acrylic brass wood _ ebony, teak.

#8 East side Medium / mdf acrylic brass wood _ walnut,oak, ebony,teak.

#6 Architecture in a Russian mine _north

#7 Architecture in a Russian mine _south

Medium / mdf acrylic brass wood _ ebony

Medium / mdf acrylic brass wood _ walnut

邊緣＿複合式＿ Memonic Landscape

指導老師 / 李建達 Adviser / Chein Ta Li 2015.06-2016.06

Taipei City Park between MRT Zhongshan Station and MRT Shuanglian Station

Site

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3R 4R

12R

2R 5R

17R

6R 7R

11R

10R

4R 5R 11R

2R 4R

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4R 7R

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6R 5R 2R

3R 5R 2R 4R

2R 3R

3R 2R 3R 3R

2R 2R 3R 4R

5R3R

4R 3R

5R 2R

3R 2R 3R 3R2R 2R

12R

3R 5R

1R 1R 11R

3R 4R 2R

18R 15R 15R

6R 8R 5R 1R 6R 7R 2R 4R

13R

12R

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1R2R 2R 7R 9R 2R 12R 14R

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12R

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14R 14R

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8R 9R 12R 9R

9R 11R

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9R 6R 2R

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4R 5R

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3R 5R

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12R 13R

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6R6R

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16R

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SACLE:1/3200

SECTION

SACLE:1/200

A motion to be ‘‘Unfold’’ and

Migration

to move from one place to another. Athough it changes the position or the form,but it dosen’t change its nature.

‘‘Colonize’’ as more as possible.

沙永遠在反覆起伏。每個起伏裡，還有起伏，而這小起伏，又被分成好幾個更小的起伏。

打從天花板上落下的砂，使週遭朦朧了。

Migration type of motion

砂的表面，由於比熱高，所以恆常都是乾燥的，但是如果挖掘下去，下面必定是濕潤的。無可置疑，那是表層的蒸發，造成了往上吸水的幫浦作用。

on Taipei City slices

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R11

ǌǖ ɣ ǖಕ R10

R10

SCALE:1/1600

in City

Hostel

4F 平面圖 s:1/100 4F Plan 平面圖 s:1/100 4F s: 1/200

Ｎ

Office

2F 平面圖 s:1/100 2F2F平Plan 面圖 s:s:11/200 /100

Counter&café

Ｎ

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Ｎ

5F Plan s: 1/200

Park

5F 平面圖

s 5F 平面圖 s:1/100

Ｎ

3F Plan s: 1/200

Park

3F 平面圖

s 3F 平面圖 s:1/100

剖面圖 s:1/100 Section s: 1/200

Diagram:Pull up the ground

The slices of the solid

Structural Reinforcement

Site / No. 1, Section 4, Roosevelt Rd, Da’an District, Taipei City, 10617 Department of Forestry and Resource Conservation, National Taiwan University

指導老師 / 林聖峰 Adviser / Sheng Feng Lin 2015.09-2016.01

系學會

s : 1:400

National Taiwan University was founded before the country. Most of the building was built around 1945-70’s. Those old building became a serious problem after the 1999 Jiji earthquake. Most building were made diagnosis. The result shows each need to have structural reinforcement operation. In this studio, we were supposed to design the structure, the interior, the whole building, one of Department of Forestry and Resource Conservation buildings. To make sure our design work,we assembled expert,cooperated with NTU Department of Civil Engineering students. Considering cold room(large refrigerator), the structure we came out to have a shear wall at the middle,also were the staircass,contenctions to upstaires, to the building back and the two side were boxes(cold room).In other words,we go for those boxes to lead our design further.

The Reinforement Structure : Shear Wall

The shear wall space include the staircass

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෭ᡣ㻔培養皿㻕 ◊✲ᐊ㻦⶧᫂ဴ㻔㻞ே㻕

◊✲ᐊ㻦⋤வ⏨

ᮌᮦຍᕤ൤ჾ

s : 1:400

研究桌

實驗桌

大型儀器x3 桌上型儀器x4

儲藏室

冷房冰箱

觀察台

關秉宗

王亞男溫室

梁偉立

張惠婷林法勤張豐成

24小時獨立冷房

邱祈榮

余家賓

盧道杰

蔡明哲

林法勤王松勇

*Volume of function *Contentions 2F

余家賓邱祈榮盧道杰木材加工儀器

林法勤王松勇

與林產館的通道蔡明哲

張惠婷林法勤張豐成

與林產館的通道

梁偉立樓梯 Staircass

廁所 W.C 王亞男

溫室→製料→冷房→觀察台、培養皿

*Greenhouses for two Professors

North side facade

s : 1:200

2F Plan

s : 1:200

1F Plan

s : 1:200

The Bridge Workshop Cooperate with NTU Department of Civil Engineering, design and build a 1:1 bridge in 3-weeks

2015.03-04

Project 1:1

site /Chifeng St, Datong District

Taipei City, 103

Project 1:1

site /Chifeng St, Datong District

Taipei City, 103

指導老師 / 方尹萍 Adviser / Adamas Fang 2014.09-2014.11

Single-Oriented

Concept

Study joint

Double-Oriented

The street is so narrow that most of the sunlight is shaded by the building. Therefore, the light appears to be conspicuous. Constructing an 1:1 object that enables people who stand on the ground to interact with the light and skyline on the housetop.