Meteor by Lu Liu

Global Institute for Natural Advancement

Meteor: The space inbetween our mutual movement Global Institute for Natural Advancement PennDesign Arch 704 Advanced Design Research Studio Global Institute for Natural Advancement Spring 2016 University of Pennsylvania Dept of Architecture instructors: Cecil Balmond Ezio Blasetti teaching assistant: Shengkan Zhang design team: Jayong Shim Lu Liu

The project is based on gravitation equation. Each vectors have their own weight and speed. Depending on each vectors’ weight, the vectors attract each other and it makes trails. With local coordinate system, it also make different trails which are defined by a static point. In very few case, the trails can make symmetrical forms which are the project’s purpose. We applied multiple weights to each vectors. And each vector’s points are connected and make each vector’s surfaces. We put several vectors on a circle and try to make various forms for architectural space. Our site is arecibo observatory. With the system, there are trails around the telescope. When people come to the site, they can experience different quality of space and view depending on the trails.

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course syllabus G.I.N.A. project principle site research logic_gravitation attractor_original trace local/world coordinate system

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formation multiple weights_principle multiple weights_test multiple weights_surface local coordinate with moving static point

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architecture project site plan plan section elevation perspectives

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Global Institute for Natural Advancement αγεωμετρητος μηδεις εισιτω PennDesign Arch 704 Advanced Design Research Studio Global Institute for Natural Advancement Spring 2016 University of Pennsylvania Dept of Architecture instructors: Cecil Balmond Ezio Blasetti teaching assistant: Shengkan Zhang design team: Jayong Shim Lu Liu

Introduction: This research studio will investigate non-linear algorithmic procedures at both a methodological and tectonic level. The exploration will take the form of design research, which will be tested through a rigorous and concrete architectural proposal. Design research is not defined here as a linear scientific optimization process with objective outcomes, but rather as the iterative, non-linear and speculative process with the ability to reassess and shift our disciplinary discourse.

Project: The ‘Global Institute for Natural Advancement’ is a contemporary model for the Academy. G.i.n.a. is an interdisciplinary institute of advanced studies with global scientific outreach. The Institute is an independent, postdoctoral research center for theoretical research and intellectual inquiry ‘to the utmost degree that the facilities of the institution and the ability and faculty of the students will permit’. It is a place for highly specialized and speculative thinking that seeks to flourish the exchange across multiple disciplinary boundaries. Its fields of study include all branches of science and philosophy. The goal is to produce advances in knowledge that will change the way we understand the world. The scope of the institute is augmentation in an expanded field of ‘natural philosophy’. The term predates the development of modern science and describes the exploration of the cosmos by any means necessary. The institute aspires to endow preeminent scholars of the 21st century with the best academic resources and atmosphere. Knowledge is not a linear closed system, but rather an endeavor into the mind. Essential educational centers of the human history shared this openness of spirit from the different ancient civilizations to the institutes of modern science.

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Sites: The Institute operates through a network of locations around the globe. Several new sites have been acquired for its expansion, each with a respective area of focus: • One of the sites is located in close proximity to the archaeological site of the Platonic Academy in the center of Athens. In collaboration with the modern Academy of Athens, the new center will pursuit the Advancement of Formal Studies (Logic, Mathematics, Systems Theory). In addition, the center will host an annual interdisciplinary symposium, which will celebrate advancements in the different scientific fields. • On October 21st of 1993, the Congress of the United States of America canceled one of the most ambitious scientific projects of the time, namely the Superconducting Super Collider (SSC) after $2 billion had been spent. The remaining infrastructure of the project (also nicknamed Desertron) and its future expansion will serve as the center for the Advancement of Natural Studies (Physics, Chemistry, Geology etc). • The center for Advancement of Space and Life Sciences will be located in the expansion of the building complex adjacent to the Arecibo Observatory in Puerto Rico. The Observatory houses the largest and most sensitive radio telescope, which was built more than half a century ago. It is still operational and sponsored by the National Science Foundation. • The Hashima Island commonly called Gunkanjima is an abandoned island in Nagasaki Prefecture in southern Japan. The island was known for its undersea coal-mines and it operated as an industrial site from 1887 to 1974. It was formally approved as a UNESCO World Heritage site in July 2015. The site will be re-appropriated as the center for the Advancement of Applied Sciences. • The Institute has an extensive on-line archive destined for the collaboration and exchange of its resident scholars and faculty. The Archive provides open source access to all of its entries as well as a medium for meta-data extraction and processing. The data is physically stored in collaboration with corporate and governmental data centers in various locations around the world. The primary design challenge in the manifestation of the archive is its organization and virtual interface access.

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Global Institute for Natural Advancement αγεωμετρητος μηδεις εισιτω Conceptual Framework: ‘Each and every number has a secret number. Buried beneath the surface, hidden within the construction is another mark, a secret code that defines the original number. Like elements in chemistry, like the alphabet in language, it is a primary classification from which everything else flows. It is an imprint.’ Cecil Balmond, Number Nine ‘How can a being manifest being’s anteriority to manifestation? What is it that permits mathematical discourse to bring to light experiments whose material informs us about a world anterior to experience?’ In this short passage, speculative realist philosopher Quentin Meillassoux claims the primacy of mathematics over perception, in the access of qualities of things. Expanding on this notion beyond the ability of description of the world, this research studio will investigate the underlying idea that formal systems and algorithmic processes have the capacity for expansive translatability between mediums. Architecture is a singularity in the confluence of matter with time. The studio is in search of a new fundamental logos at once analytical and generative, immersed within and emerging from an environment through interference. Our speculative condition is that computation is not solely digital but omnipresent. As such, beyond the correlation of simulation, this studio positions different mediums onto a flat ontology and mines the collateral effects of the synchronicities and divergences between them. The primary territory of feedback between abstraction, matter and narration is pattern. We seek novel patterns of organization, structure and articulation as architectural expressions within the emergent properties of feedback loops and rule based systems. In our contemporary condition, material is becoming indiscernible from media. Our current scientific advancements predict a not so distant future when a plethora of different scales of time, from the genetic to the geological, come in direct contact with our technical apparatuses. In this context, our hybrid languages increase their potency of affection of the ‘real’. Utterances become illocutionary acts, which are not declarations, but performative acts in themselves as they get compiled, parsed and executed. What is at stake then, beyond notions of mimicry and optimization of matter is the search for a new type of poetry: a ‘logos’ inseparable from ‘becoming real’.

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Methodology: â&#x20AC;&#x2DC;In this model, a building looks back to its philosophy of making, revealed as the poetic essence of an appropriate technology. Both in formulation and material, from art object the architectural project moves towards improvisation and process. Being an experiment, structure frames in episodes, and architecture stitches together as layers of evolving stabilities. With computer form making and advances in technology the building becomes more a laboratory of ideas. Science is not denied in this lab, nor humanism. What binds both is the obligation to negotiate with pattern, small scale for the human, deep scale for the abstract.â&#x20AC;&#x2122; Cecil Balmond, Crossover Central to the studio agenda is the exploration of complex systems and their application to design. This will involve extracting the processes that operate within the physical world as well as developing new models of self-organization. Students are encouraged to engage closely with computational processes in order to develop an aesthetic and intuition of complexity that resides in a balance between design intent and emergent character. Embedded within the abstract diagram and code are certain fabrication constraints that allow for a final materialization facilitated by computer aided manufacturing tools. The studio will function as an open source research group of computational design. It will combine the larger resource of algorithmic and parametric modules developed for a series of programming languages, the hardware and software protocols of interactivity with the positive constrains of machinic fabrication and material behavior. Our point of departure will be the research, which was developed during the seminar on Form and Algorithm in the fall semester. Students will revise their non-linear algorithmic design methodologies based on their previous success as well as their ability to engage the studio project. Further algorithmic workshops will be conducted in the first half of the semester to help in rapidly developing sophisticated scripted techniques.

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Global Institute for Natural Advancement αγεωμετρητος μηδεις εισιτω Hyper - Dimensions: In various scientific fields, the use of multi-dimensional models has been a common place for a long time, even before the use of computational methods. In physics, most contemporary theories are based on hyper-dimensional equations and representations. In statistics, econometrics and related fields, the use of multiple dimensions is fundamental in analysis, classification and prediction methods. In different moments in the history of science, the addition of an extra dimension, although counter-intuitive, has allowed a completely new framework for analysis and understanding. Furthermore today, the way we theorize and conduct scientific experiments and theories is shifting because of our enhanced abilities to store, retrieve and search ‘big data’. Reductionism, simplification and compressibility, powerful tools of modern science, are becoming inessential as our computational time speeds are increasing. Multi-dimensional correlation is gaining favor over linear causation. Logos (Reasoning) is transient and in-flux. Within our own discipline, the advent of computation has redefined the way we conceive and produce space. Techniques that were based in animation introduced a new generative dimension to the conception of form. The ubiquity of our digital tools and fabrication methods has made architectural design and the manipulation of information inseparable. The compositional canons of architectural design have been augmented and expanded. Space in contemporary formalisms is defined through a plethora of parameters and matter is refined in relation to computational time. The collapse of all these extra dimensions of spatial potential is becoming increasingly unnecessary. The introduction of higher geometric dimensions in architectural methodology produces different notions of abstraction and perspective. The study of higher dimensional orders is always a process of negotiation: data and its manifestation withdraws relative to different perspectives. Notions of projection, intersection, mapping and embedding are lenses of perception of abstract figures, whose structure always escapes a complete representation. All different dimensions enter a flat ontology, with no preconceived hierarchical relationships between them. The generative potentiality is encapsulated in a non-representational and almost antifigurative nexus of qualities. It is the introduction of a perspective and of a point of view that collapses this potential onto a singular form of lower dimensions. Much like quantum superpositions, space is entangled and awaits manifestation and contextualization as symmetry breaks due to the introduction of the subject.

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â&#x20AC;&#x2DC;Physics, economics, biology, earth science, psychology and other disciplines have accepted emergent orders. Architecture is mainly absent from the discourse: from its concreteness, static forms and classical notions of symmetry and grid, architectural practice fixes to the past. And with massive legacies of reference â&#x20AC;&#x201C; no one dares. The dare, when it arrives, is in distortion, collage or fracture. By definition these methods assume the notion of universal object stable and fixed, before the forces of disruption begin to dislodge the norm. But distortion is a weak concept, and a world of flux that self-organizes is different, showing order being built, breathing life into the old mechanics of preconceived form. As data injects qualities, the concept of material now moves towards a definition of information. In this domain, point / line / plane are shadow reductions of a larger contour / zoning / network. As the work evolves over time, a forth dimension is added.â&#x20AC;&#x2122; Cecil Balmond, Crossover

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Global Institute for Natural Advancement αγεωμετρητος μηδεις εισιτω Bibliography:

Films:

A Brief History of Time by Stephen Hawking A New Kind of Science by Stephen Wolfram A Topological Picturebook by George K. Francis After Finitude: An Essay on the Necessity of Contingency by Quentin Meillassoux Animate Form by Greg Lynn Archaeology of Knowledge by Foucault Architecture In Formation by Pablo Rorenzo-Eiroa and Aaron Sprecher Calculus-Based Form: An Interview with Greg Lynn Cellular Automata and Patterns of Flow by Manuel Delanda Complexity: A Guided Tour by Melanie Mitchell Contagious Architecture: Computation, Aesthetics, and Space by Luciana Parisi Crossover by Cecil Balmond Elements by Euclid Foucault’s Art of Seeing by Rajchman Geometry, Relativity and the Fourth Dimension by Rudolf v.B. Rucker Godel, Escher, Bach: An Eternal Golden Braid by Douglas Hofstadter Informal by Cecil Balmond Landscapes of Change by Sanford Kwinter Matter and Memory by Henri Bergson Matter and Motion by James Clerk Maxwell Metaphysics of Genetic Architecture and Computation by Karl Chu Monadology by Gottfried Leibnitz Morphogenesis by Alan Turing Music and Architecture by Iannis Xenakis & Sharon Kanach Non-Euclidian Geometry, and the Nature of Space by Janos Bolyai Non-Organic Life by Manuel Delanda Number Nine: The Search for the Sigma Code by Cecil Balmond Of Other Spaces: Heterotopias by Foucault On Formally Undecidable Propositions of Principia Mathematica by Kurt Gödel On Growth and Form by D’Arcy Wentworth Thompson Plato’s Republic: A Dialogue in 16 Chapters by Alain Badiou Regular Polytopes by H. S. M. Coxeter Shadows of Reality by Tony Robbin Shapes, Space, and Symmetry by Alan Holden Shapes: Nature’s Patterns: A Tapestry in Three Parts by Philip Ball Structural Stability And Morphogenesis by Rene Thom The Beauty of Geometry: Twelve Essays by H. S. M. Coxeter The Elegant Universe by Brian Greene The Fractal Geometry of Nature by Benoît Mandelbrot The Graphic Work of M. C. Escher The Number & the Siren: Mallarme’s Coup De Des by Quentin Meillassoux The Life of the Cosmos by Lee Smolin The Postmodern Archive by Kobialka The Quadruple Object by Graham Harman The Smooth and the Striated by Gilles Deleuze and Felix Guattari The Speculative Turn by Levi Bryant, Nick Srnicek and Graham Harman The Storm in the Computer by Manuel Delanda The Turing Dimension by Karl Chu Thermodynamics and Language by Michel Serres

2001: A Space Odyssey (1968) by Stanley Kubrick A Brief History of Time (1992) by Errol Morris & Stephen Hawking Alphaville (1965) by Jean-Luc Godard Bladerunner (1982) by Ridley Scott Cave of Forgotten Dreams (2010) by Werner Herzog Citizenfour (2014) by Laura Poitras Coherence (2013) by James Ward Byrkit Contact (1997) by Robert Zemeckis Examined Life (2008) by Astra Taylor Experimenter (2015) by Michael Almereyda Golden Eye (1995) by Martin Cambell Inception (2010) by Christopher Nolan Interstellar (2014) by Christopher Nolan (tesseract) La Jetee (1962) by Chris Marker Memento (2000) by Christopher Nolan Mr. Nobody (2009) by Jaco Van Dormael Nostalgia for the Light (2010) by Patricio Guzman Particle Fever (2013) by Mark Levinson Pi (1998) by Darren Aronofsky Run Lola Run (1998) by Tom Tykwer Russian Ark (2002) by Aleksandr Sokurov Skyfall (2012) by Sam Mendes Solaris (1972) by Andrei Tarkovsky The Elegant Universe (2003) - Documentary Series The Fountain (2006) by Darren Aronofsky The Hitchhiker’s Guide to the Galaxy (2005) by Garth Jennings & Douglas Adams The Holy Mountain (1973) by Alejandro Jodorowsky The Imitation Game (2014) by Morten Tyldum The Matrix (1999) by The Wachowski Brothers The Mirror (1975) by Andrei Tarkovsky The Prestige (2006) by Christopher Nolan The Theory of Everything (2014) by James Marsh The Wild Blue Yonder (2005) by Werner Herzog

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Fiction: And He Built a Crooked House by Robert A. Heinlein Alice’s Adventures in Wonderland by Lewis Carroll Cryptonomicon by Neal Stephenson Dune by Frank Herbert Fantasia Mathematica (anthology) by Clifton Fadiman Flatland by Edwin A. Abbott Flatterland by Ian Stewart The Chronic Argonauts by H. G. Wells The Invention of Morel by Bioy Casares The Last Question by Isaac Asimov The Library of Babel by Borges

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0.0. 0.1. 0.2. 0.3.

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computational drawing photograph of model cellular automaton pattern wave diagram

Heterodyne SITE RESEARCH

ARECIBO OBSERVATORY The Arecibo Observatory

Location: AreciboObservatory Observatoryis isa radio a radio telescope inmunicipality the municipality of Arecibo, Location: The The Arecibo telescope in the of Arecibo, Puerto Puerto Rico. Rico. Function: This observatory is operated by SRI International, USRA and UMET, under cooperative agreement with the National Science Foundation (NSF). The observatoryâ&#x20AC;&#x2122;s 1000 foot (305 meter) radio telescope is the worldâ&#x20AC;&#x2122;s largest single-aperture telescope. Function: The Arecibo Observatory is part of the National Astronomy and Ionosphere Center (NAIC), a national research center operated by SRI International, USRA and UMET, under a cooperative agreement with the National Science Foundation (NSF). ItThe is used in threeoperates major areas of research: radio astronomy, atmospheric science, and radar Scientiststravel who and wantlogistic to usesupport the observatory that are evaluated by an are independent scientific board. Observatory on a continuous basis, 24 hours a day every day, providing observing time, astronomy. electronics, computer, to scientistssubmit from allproposals over the world. All results of research published in the scientific literature which is publicly available.

Feature: As the site of the world's largest single-dish radio telescope, the Observatory is recognized as one of the most important national centers for research in radio astronomy, planetary radar and terrestrial aeronomy.

The main collecting dish is 305 m (1,000 ft) in diameter, constructed inside the depression leftThe by Angel a karstRamos sinkhole.[9] It contains theVisitor largestCenter curved focusing on Earth, giving Foundation Science and of the Arecibodish Observatory Arecibo the largest electromagnetic-wave-gathering capacity.[10] The dish surface is made of 38,778 perforated aluminum panels, each about 3 by 6 feet (1 by 2 m), supported Marchof1 1997, eight of fund-raising, andand construction, Observatory by On a mesh steel after cables. Theyears ground beneath isplanning accessible supportsthe shade-tolerant inaugurated its "Angel Ramos Foundation" Visitor Center. Over 100,000 visitors come per year to vegetation. the new facility, about 30% of them school children. Here, through a variety of interactive exhibits, audiovisual displays, and informative panels, visitors are introduced to basic astronomy, atmospheric science, and to the operation of the radio telescope and its related research areas.

PennDesign Arch 704 Advanced Design Research Studio Spring 2016, instructors: Cecil Blamond, Ezio Blasetti

design team:

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Heterodyne SITE RESEARCH

The main collecting dish is 305 m (1,000 ft) in diameter, constructed inside the depression left by a karst sinkhole.[9] It contains the largest curved focusing dish on Earth, giving Arecibo the largest electromagnetic-waveteam: Jayong Shim, Lueach Liu about 3 by 6 feet (1 by 2 m), supported by a mesh of steel cables. The ground beneath is accessible and supports shade-tolerant gathering capacity.[10] The dish surface is made of 38,778 perforateddesign aluminum panels, vegetation.

PennDesign Arch 704 Advanced Design Research Studio Spring 2016 instructors: Cecil Blamond, Ezio Blasetti

The origins of the observatory trace to late 1950s efforts to develop anti-ballistic missile (ABM) defences as part of the newly formed ARPAâ&#x20AC;&#x2122;s ABM umbrella-effort, Project Defender. Even at this early stage it was clear that the use of radar decoys would be a serious problem at the long ranges needed to successfully attack a warhead, ranges on the order of 1,000 miles (1,600 km).

Site Research Global Institute for Natural Advancement

Radio Telescope

Heterodyne RADIO TELESCOPE

1.Operations Bldg. 2.Cable Car Bldg 3.Office Bldg

PennDesign Arch 704 Advanced Design Research Studio Spring 2016, instructors: Cecil Blamond, Ezio Blasetti

A Service Cables B Main Cables D Pretensioned Cables E Feed Arm F Catwalk and Cables G Feed Platform

design team:

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Ruleset

Radio Telescope: Decoding the signal from Universeeset

Observable Universeset Virgo Superclusterset

Solar system: 0.001 light-years widet Attractors and Trailet

Universal Gravitationset

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Orbit formed by Gravitation

M2 r

Gravitation Between 2 points Logic_Gravitation 20

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Gravitation Between 2 points 3points Gravitation Between

F13+F12+F14

F21+F23+F24

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STATIC POINT: C

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STATIC POINT: C

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STATIC POINT: C

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STATIC POINT: D

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STATIC POINT: D

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STATIC POINT: D

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STATIC POINT: E

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STATIC POINT: E

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STATIC POINT: E

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MOVING TAIRL

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MOVING STATIC POINT: A

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MOVING STATIC POINT: B

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MOVING STATIC POINT: B

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MOVING STATIC POINT: B

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MOVING STATIC POINT: C

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MOVING STATIC POINT: C

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MOVING STATIC POINT: C

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MOVING STATIC POINT: D

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MOVING STATIC POINT: D

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MOVING STATIC POINT: D

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MOVING STATIC POINT: E

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MOVING STATIC POINT: E

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MOVING STATIC POINT: E

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MOVING STATIC POINT: E

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MOVING TRAIL

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MOVING STATIC POINT: A

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MOVING STATIC POINT: B

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MOVING STATIC POINT: B

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MOVING STATIC POINT: C

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MOVINV STATIC POINT: C

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MOVING STATIC POINT: D

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MOVING STATIC POINT: E

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Original Trails 3 vectors on the circle: Center weight: 0.0 to 1.0 3 vectors weights: 0.001 Top

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Local Coordinate Trails 3 vectors on the circle: Center weight: 0.0 to 1.0 3 vectors weights: 0.001 Top

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Original Trails 3 vectors on the circle: Center weight: 1.0 to 2.0 3 vectors weights: 0.001

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Local Coordinate Trails 3 vectors on the circle: Center weight: 1.0 to 2.0 3 vectors weights: 0.001

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Original Trails 4 vectors on the circle: Center weight: 0.0 to 1.0 4 vectors weights: 0.001 Top

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Local Coordinate Trails 4 vectors on the circle: Center weight: 0.0 to 1.0 4 vectors weights: 0.001 Top

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Original Trails 6 vectors on the circle: Center weight: 1.0 to 2.0 6 vectors weights: 0.001

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Local Coordinate Trails 6 vectors on the circle: Center weight: 1.0 to 2.0 6 vectors weights: 0.001

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Multiple Weight_Test 01: Original Trails

Center weight: 0.5 to 2.0 6 vectors weights: 0.001

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Formation_ Multiple weights_Test 6 vectors on the circle with Center vector

Formation_ Multiple weights_Test

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Multiple Weight_Test 01: Local Coordinate Trails

Center weight: 0.5 to 2.0 6 vectors weights: 0.001

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Multiple Weight_Test 02: Original Trails

Center weight: 1.5 to 3.0 6 vectors weights: 0.001

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Multiple Weight_Test 02: Local Coordinate Trails

Center weight: 1.5 to 3.0 6 vectors weights: 0.001

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Multiple Weight_Test 03: Original Trails

Center weight: 0.5 to 2.0 1 vector: 0.5 to 1.0 5 vectors: 0.001

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Multiple Weight_Test 03: Local Coordinate Trails

Center weight: 0.5 to 2.0 1 vector: 0.5 to 1.0 5 vectors: 0.001

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Multiple Weight_Test 04: Original Trails

Center weight: 0.001 1 vector: 0.5 to 2.0 5 vectors: 0.001

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Multiple Weight_Test 04: Local Coordinate Trails

Center weight: 0.001 1 vector: 0.5 to 2.0 5 vectors: 0.001

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Multiple Weight_Test 05: Original Trails

Center weight: 0.001 1 vector: 0.5 to 2.0 5 vectors: 0.001

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Multiple Weight_Test 05: Local Coordinate Trails

Center weight: 0.001 1 vector: 0.5 to 2.0 5 vectors: 0.001

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8 vectors on the circle with Center vector

Center weight: 0.5 to 4.0 8 vectors: 0.001 Step: 200

Top

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Formation_Multiple weights_Surfaces Vectors on the circle with Center vector

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4 vectors on the circle with Center vector

Center weight: 0.5 to 4.0 4 vectors: 0.001 Step: 200

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4 vectors on the circle with Center vector

Center weight: 0.5 to 4.0 4 vectors: 0.001 Step: 600

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4 vectors on the circle with Center vector

Center weight: 0.5 to 4.0 4 vectors: 0.001 Step: 2000

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19 vectors with 30 degree angle(Z-axis) on the circle

19 vectors: 0.5 to 4.0 Step: 600

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9 vectors with 30 degree angle(Z-axis) on the circle

9 vectors: 0.5 to 4.0 Step: 600

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6 vectors with 30 degree angle(Z-axis) on the circle

6 vectors: 0.5 to 2.0 Step: 300

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6 vectors with 30 degree angle(Z-axis) on the circle

6 vectors: 0.5 to 2.0 Step: 600

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4 vectors with 30 degree angle(Z-axis) on the circle

4 vectors: 0.5 to 2.0 Step: 300

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4 vectors with 30 degree angle(Z-axis) on the circle

4 vectors: 0.5 to 2.0 Step: 600

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3 vectors with 30 degree angle(Z-axis) on the circle

3 vectors weight: 0.5 to 2.0 Step: 300

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Local Coordinate with Moving Static point

3 vectors weight: 0.5 to 2.0 Step: 300

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Formation_Multiple weights_Surfaces Local Coordinate with Moving Static point

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Formation_Multiple weights_Surfaces

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SITE PLAN 250

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PLAN Global Institute for Natural Advancement

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SECTION A 252

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ELEVATION Global Institute for Natural Advancement

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ELEVATION 254

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PERSPECTIVE VIEW 01 Global Institute for Natural Advancement

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PERSPECTIVE VIEW 02 256

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PERSPECTIVE VIEW 03 Global Institute for Natural Advancement

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PERSPECTIVE VIEW 04 258

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PERSPECTIVE VIEW 05 Global Institute for Natural Advancement

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