X IAO HA N SU Architecture + Design Portfolio C olumbi a GSAPP M Arch II
Contents
I. Library as Garden
04
II. Updown
28
III. Iceberg
38
IV. Container Studio for Artist
48
V. Other Works:
60
Photography Models Renderings Professional Works
Library as Garden Brooklyn, NY Critic: Mimi Hoang 2017 Spring
4
I’ve been obsessed with spaces that have the quality of both interior and exterior from my precedent studies: Morgan Library Extension and the Utrecht Library. By having different degrees of enclosure, from 100% enclosed to completely open, it suggests different degrees of connection between the user, the interior and the exterior. I conceive my library as gardens. For me, garden is the intermedia between public and private space. It’s a broad term that ranges from an open air public space, a semi-enclosed greenery, an interior courtyard, to a skylight defined area, by having different degrees of enclosure. Library experience, in parallel with garden typology, can be subdividing to informal reading / social space, group reading space, small group reading / discussion space and individual reading space. The site is at the intersection of the downtown neighborhood and a residential and historical neighborhood in a large scale, within two giant triangular blocks. The two giant triangles stand out from the urban fabric in contrast with other rectangular blocks. It seems like the commercial zone is gradually gradient into a more private and cultural zone from this point. Thus, I want the library to have an urban impact that brings the civic and intellectual together by placing one entry at the Albee Square to invade the civic zone further and create a smoother transition, and by having an occupiable roof for reading as well as social interaction. Eastern gardens are about interaction between people and views. The views are organized in picturesque disorder that create a casual atmosphere for social interaction. The Chinese gardens are more outward focused, where visitors are presented with a series of scenes (pavilions, temples, buildings) which are specifically intended to be viewed when following the path; the Japanese gardens are more inward focused, especially the rock garden, where visitors circulate around the scene to observe. In order to reconcile the ambiguous relationship between interior and exterior, library and garden, the spatial organization of the community function spaces and the reading space would be inverse, like the relationship of Chinese and Japanese gardens. The community rooms are outward focused, projecting out to the occupiable roof, where visitors are presented with city views; the reading spaces are inward focused, where readers are presented with dispersed garden views within the vertical shaft that are vertically connected to the roof or other floors. The subdivided reading spaces and other programs are organized according to the degree of intimacy, in terms of location and number of partition wall(s). The partition walls are combined with book stacks, so the books are easily accessible. Every group reading space is folding towards a mezzanine level for small group discussion.
5
6
7
Precedent: Morgan Library Extention
8
Precedent: Utrecht Library
9
U
Proto Building Matrix Development
10
11
Site Analysis
12 12
Massing on Site
Proto on Site
13
LIBRARY AS GARDEN
Embrace the civic context
Have hierarchically arranged programs
MATRIX
GRADATION
Blur the bo between interior
PROTO BUILDING
U
DEGREE OF OP
PROTO ON SITE
TRAPEZOID
DISSOLVE
14
PUSH-PU
oundary r and exterior
PENESS
ULL
Outward focused Chinese garden typology in spaces of public functions
Inward focused Japanese garden typology in reading spaces
Experiential and interactive that creates microclimate at different datum
OUTWARD FOCUSED
INWARD FOCUSED
PROTO BUILDING
OUTWARD CITY VIEW
INWARD GARDEN VIEW
DISPERSED GARDENS
15
Manifesto
Library as Garden I believe library should be a universally accessible space where citizens are free to congregate and fraternize when acquiring knowledge. I believe library should embrace the civic context and start a conversation with the surrounding environment. I believe library should be experiential to create a casual and interactive reading atmosphere. I believe modern reading spaces should blur the boundary between interior and exterior in comparison with the monumentality of ancient reading rooms. I believe the arrangement of library programs should be hierarchical, from private to public, from solid to fragment. I believe garden is the perfect analogy of such “in-between� spaces for it ranges from 100% enclosed to completely open; from interior courtyard to open air public space. I believe the spaces of public functions should follow the outward focused Chinese garden typology, where visitors are presented with city views; while the reading spaces should follow the inward focused Japanese garden typology, where readers are presented with picturesquely arranged dispersed garden views. I believe the interior gardens can create microclimate at different datum that introduce exterior to interior vertically and enriches reading experience.
16
Concept Image
17
Sectional Persp
18
pective Diagram
19
Section
20
Second Floor Plan
First Floor Plan
21
22
Opposite Page - Top First Floor Lobby, Entry to the Library
Opposite Page - Bottom Third Floor Teen Reading Space, Enjoy the Top Datum Microclimate of the Tree as Well as City View
This Page - Top Model Photos: Details
This Page - Bottom Model Photos: Exterior from Different Perspective
23
24
25
26
27
Up Down 14th ST A Ave, New York, NY Critic: Adam Frampton 2016 Fall
28
This intervention is mainly about circulation and movement. The sculptural shape reflects not only the busy street corners at the intersection but also the dynamics of the city. The intervention invites people to meet and engage in this platform, serves as a catalyst of closer relationships between people within such a fast pace society. It’s a place where people interact with each other and with the intervention itself. From the corner, people can observe the intersection or the city from multiple levels. It celebrates physicality by encouraging people walk up and down. As the intervention moves from sunrise to sunset, people’s experience when climbing up and down the corner changes and the so does the view. The intervention has two sets of stairs from bottom to the top. They wrap around the vertical elevator in the center which also works as a hinge. So when the two wings form a right angle, either in the inward or the outward position, only one set of stair circulation works, and the other one is not connected. The two wings of the intervention forms 90 degree angle when sunrise or sunset, when most perspective visitors would climb up and down the intervention to enjoy the view. It moves continuously within a 24 hour cycle. The section drawing is intended to show the hierarchy of this intervention. The basic composition elements are volumes and lines (created by staircases). When cutting through different planes across the intervention, the composition of solid and void parts are very different. Also, from the elevation drawing, all lines are designed to go through the entire plane, so that the circulation stairs is continuous from one block to the other.
29
Perspective
30
Detail
31
Corner - Corner Projection
32
33
34
The plan drawing shows how the corner transform from the original spot to the opposite corner. The elevator in the middle moves along the diagonal line, and the two blocks rotate around it. Each plan is cut at every 24’.
Plans
Sections and Elevations
35
36
37
Iceberg 14th ST 1 Ave, New York, NY Critic: Adam Frampton 2016 Fall
38
The site is at the intersection of Avenue A and 14th street, at the entry of Stuyvesant Town and surrounded by a larger residential area. My first impression is that the site is within a lively neighborhood, with an endless stream of commuters passing by. The site seems crowded with narrow sidewalks, many street trees and large amount of people flow.
take the handicap people directly to the platform level, while most people get to the mezzanine level first. Connected to the stairs, it’s a combination of waiting space and performance space. The pyramid shape is suitable for these two programs, so that passengers sit on the stepped stairs and enjoy the performance of street artist in the middle. Then they get to the transit hub where there’s ticket machines and the turnstiles. It has a sloped floor going down gradually. The lost and found space is next to the transit hub. It has a tapered shape to exhibit all the lost objects. The latest lost objects are placed in the front row. As time goes by, more and more lost objects are taking away by their owners, and the old objects are moved to the back shelfs. At the end of the transit hub, there’s a glass wall, where you can see the subway. After passing the turnstiles, there’s another staircase following the same geometry as the entry stairs, and it’s also open to above ground to bring skylight. The unisex restroom is within a triangular shape, because the units are staggered and can be access by both entrance to both sex, only one door is accessible at a time. It’s a prototype aim to relieve the long waiting line outside the restrooms.
It makes sense to me to design a subway entrance with an understated canopy above ground, not interrupting the flow of the city. In the meantime, I was not satisfied with the current underground connection part to the platform, which is only about passing quickly through this space. The spatial quality is quite dull. It deserves a better design, perhaps a dramatic space with all sorts of spatial quality and programs underground in contrast with the low-key entrance, and improve the experience of the commuters. The site image, which reflects my intuitive vision, has all kinds of geometries with different programs intersecting with each other, only a tip of the entire volume is projecting above the street level. The shape is similar to an iceberg. It reminds me of a psychological metaphor of iceberg: 10% of our conscious mind is shown above surface, 90% unconscious mind is hidden. So I want the underground space to include programs that our unconscious mind would wanted, such as a performance space for street artist and a café to create an atmosphere that separate us from the conscious real world above street level. Going further from the site image, each volume is then defined by a certain program that best fits that geometry, and they are arranged in a way to integrate circulation and create interesting spatial qualities when intersect with each other.
The café space is created by intersecting the lost and found and the transit hub volume. It’s an interesting two floor space, where you can order a cup of coffee on the platform level and pick up on the mezzanine level.
The entrance from above ground includes an inclined elevator and stairs, the bottom is wider than the top so that the above ground portion can be minimum. The elevator
39
Site Collage
40
Site Plan
41
Street Level
42
Underground
43
SECTION B
SECTION A
Sections
44
Space - Geometry
45
Platform Level Plan
46
Mezzanine Level Plan
47
Container Studio for Artist Esch-sur-Alzette, Luxembourg Groupwork at urban design phase with Kelly Douglass Critic: Gerardo Brown-Manrique, Ingbert Schilz 2014 Fall
48
Luxembourg is a country whose economy is largely dependent on steel industry. This project’s site used to be an important steel mill which lies on the steel industry belt along the French border. The proposed urban design solution is a low density, mixed-use plan with partially preserved still mill museum to recall the history. The entire urban design keeps the scale of the neighboring towns with a few dispersed highrise buildings to create some hierarchy to the urban skyline. The project explores a new relationship between urban environment and architecture within the context of a typical European small town. Starting with the urban design of the brown field between Esch-sur-Alzette and Schifflange, our mission was to renovate this area where used to be an industrial center with a steel mill. The area where I decided to focus on in the later stage is the central plaza with the main commercial strip. Shipping containers are typical transportation unit for steel production manufactures. The abandoned containers on site are available to be reused for creative design. Containers as single module for artist studio are flexible and as symbols of industrialization,which also reminds people of history, development and modernization. After studying local European housing types, the artist studio design took a approach that combines vernecular with industrial, traditional with modernity.
49
50
51
Urban Design
52
53
Site Plan Public park
Library
Preserved water tower from the steel mill as a landmark
54
Central plaza
Steel mill museum
Studio for Artists:
Located at the culture center of its urban environment, the Artists' Studios are the starting pieces of the mix-use pedestrian street and "gateways" to the adjacent residential area. The Artists' Studios, together with the library, and the museum forms the facades of the plaza the center where various outdoor exhibitions and performances can take place.
Commercial strip
Office Buildings
Residential area
55
Why containers? Shipping containers are typical transportation unit for manufactures. The used containers on site are available to be reused. Containers as symbols of industrialization,which also reminds people of history, development and modernization.
Container Renovation Install insulation and piping
Reuse redundant steel sheet as furniture
Reuse frame as stair upholder
Use crane to put each container in place
56
Research of European Housing Types Type 1: Individual Houses
Type 3: Attached Houses Around Courtyard
Type 2: Attached Houses
Type 5: Row Houses with Courtyard
Type 4: Open
Type 6: Folded Row Houses
Phases Phase 1: Small scale individual studios
Phase 2: Medium scale stacked individual studios
Phase 3: Multi-scale commercial gallery
Phase 4: Studios with educational institute & Exhibition purposes
Open courtyard
Attached houses
Offices
Row houses
57
Studios for work and teaching
Top floor exhibition
Private + Work Studio
58
Exhibition +
+ Gathering
Single Work Studio
59
Circulation
NO.
DATE
REVISION
KEY PLAN
STUDIO ZOOM 1172 AMSTERDAM AVENUE NEW YORK, NY 10027 T 212.XXX.XXXX STUDIOZOOM.COM
Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
PROJECT TITLE:
THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE:
CONCEPT DIAGRAM
SCALE: AS NOTED
PAGE: 003 OF 017
A-003
CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC
Bushwick Flex Theater 25 Franklin Street, Brooklyn, NY Partners: Michael Choi, Jiachen Xu, Wo Wu Critic: Junko Nakagawa, Clementina Ruggieri, Jason Stone 2017 Fall: Building Systems Integration
60
Locate at the Bushwick Inlet as well as the starting point of the waterfront park, the Bushwick Flex Theater takes advantage of the view towards Manhattan, the East River and the park. The gate is oriented towards the park, where majority of the circulation would come from. The main flexible theater on the ground floor is oriented towards the East River. It has an operable facade which can be opened up and extend the indoor theater to the outdoor stepped seatings, while the Manhattan skyline becames a scenic backdrop for the stage.The experienmental theater is located on the third floor, which can be opened up to the above, providing an intimate but well-lit space. The theater also creates a hierarchy of views by adopting facade materials of different transparancy level. The promenade stairs that encircles the core theater volume correspond to clear glazing on the exterior facade, whilst others are translucent glazing. The back of house has opaque facade that acts as a soft buffer between the glass box with the existing constructions on site.
NO.
DATE
REVISION
MICHAEL JONGWON CHOI SOPHIE XIAOHAN SU WO HONG WU JIACHEN XU
STUDIO ZOOM 1172 AMSTERDAM AVENUE NEW YORK, NY 10027 T 212.XXX.XXXX STUDIOZOOM.COM
Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
PROJECT TITLE:
THEATER BUSHWICK T001 COVER SHEET A001 ARCH NOTE & ADA A002 SITE PLAN A003 CONCEPT DIAGRAM
25 FRANKLIN STREET BROOKLYN, NY, 11222
A004 OVERALL BUILDING RENDERING
PROJECT NO.: 00001
A005 LOBBY SPACE RENDERING A006 STAGE CONFIGURATION DIAGRAM A007 SUSTAINABILITY DIAGRAM A008 COST ESTIMATE EXCEL SHEET A100 FIRST FLOOR PLAN A101 SECOND FLOOR PLAN A102 SECOND AND A HALF FLOOR PLAN A103 THIRD FLOOR PLAN A200 E-W ELEVATION
DRAWING TITLE:
COVERSHEET
A201 N-S ELEVATION A300 N-S SECTION A301 E-W SECTION A400 INTERIOR ELEVATION A500 EGRESS PLAN&SECTION A501 EGRESS FIRST FLOOR PLAN A502 EGRESS SECOND FLOOR PLAN A503 EGRESS SECOND AND A HALF FLOOR PLAN A504 EGRESS THIRD FLOOR PLAN A600 RCP A700 RATED WALL SECTION A710 WALL DETAIL SECTION_LOBBY A711 WALL DETAIL SECTION_BOH
SCALE: AS NOTED
PAGE:
T-001
A800 FINISH SCHEDULE S100 FIRST FLOOR STRUCTURAL PLAN S101 SECOND FLOOR STRUCTURAL PLAN S102 SECOND FLOOR AND A HALF STRUCTURAL PLAN S103 THIRD FLOOR STRUCTURAL PLAN S104 ROOF PLAN S105 EXPLODED STRUCTURAL AXON DIAGRAM S200 SECTION THROUGH TRUSS S300 STRUCTURAL DETAIL DIAGRAM M100 MEP FIRST FLOOR M101 MEP SECOND FLOOR M102 MEP THIRD FLOOR M103 MEP DISTRIBUTION / RISER DIAGRAM M104 MEP DISTRIBUTION / RISER DIAGRAM F100 MAPPED ELEVATION F110 GLAZING SCHEDULE F200 EXTERIOR GLAZING SYSTEM 1 F210 SYSTEM 1 BLOWN-UP SECTION F220 SYSTEM 1 SECTION F230 SYSTEM 1 HORIZONTAL SECTION F300 WALL SYSTEM 2 F310 SYSTEM 2 BLOWN-UP SECTION F320 SYSTEM 2 SECTION
CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC
61
OF
NO.
DATE
REVISION
KEY
STUDIO ZOO
1172 AMSTERDAM A NEW YORK, N T 212.XX STUDIOZOO
Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Civil / Site:
THRUST STAGE
ARENA STAGE
STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
END STAGE
STAGE DIMENSION: 30x90ft
STAGE DIMENSION: 30x30ft
STAGE DIMENSION: 30x90ft
Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
PROJECT TITLE:
THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE: NO.
8
10
9
29'-6"
29'-6"
11
7'-6"
DATE
STAGE CONFIGURATION DIAGRAM
12
12'-6"
SCALE: AS NOTED Roof 49' - 0"
PAGE: 018 O
A-006
OPEN THEATER / STUDIO SPACE
LEVEL 3 34' - 0"
CAFE
T-SHAPE STAGE
FLAT STAGE
DUO-ARENA STAGE
STAGE DIMENSION: 30x90ft 60x30ft
STAGE DIMENSION: 90x90ft
STAGE DIMENSION: 30x30ft 30x30ft
LEVEL 2.5 24' - 6"
LEVEL 2 19' - 0"
CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC
STUD
MAIN THEATER LOBBY
Stage Transformation
LEVEL 1 4' - 0" LEVEL 0 0' - 0"
Owner:
STUDIO ZOOM - REA 1172 AMSTERDAM AV NEW YORK, NY, 212.
Construction Mana
STUDIO ZOOM - AWE 1172 AMSTERDAM AV NEW YORK, NY, 212.
Civil / Site:
1
STUDIO ZOOM - CIVI 1172 AMSTERDAM AV NEW YORK, NY, 212.
E-W SECTION 1
Structural:
STUDIO ZOOM - STR 1172 AMSTERDAM AV NEW YORK, NY, 212.
SCALE: 1/8"=1'-0
MEP:
8
9
10
29'-6"
29'-6"
11
7'-6"
STUDIO ZOOM - MEC 1172 AMSTERDAM AV NEW YORK, NY, 212.
12
Landscape:
12'-6"
STUDIO ZOOM - LAN 1172 AMSTERDAM AV NEW YORK, NY, 212.
Roof 49' - 0"
STORAGE
BATHROOM
CAFE
LEVEL 3 34' - 0"
PROJECT TITLE:
THEA BUS
25 FRANKLIN STR BROOKLYN, NY, 1
PROJECT NO.: 00 DRAWING TITLE:
STORAGE
BATHROOM
LEVEL 2.5 24' - 6"
E-W SEC
LEVEL 2 19' - 0"
SCALE: AS NOTE STORAGE
BATHROOM
A
LOBBY
LEVEL 1 4' - 0" LEVEL 0 0' - 0"
2 E-W SECTION 2 SCALE: 1/8"=1'-0
E-W Section 62
© 2017 All Rights Rese
NO.
DATE
REVISION
KEY
STUDIO ZOO
1172 AMSTERDAM AV NEW YORK, NY T 212.XXX STUDIOZOO
STRUCTURAL ROOF TRUSS
Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Construction Manager: RAMPING STAIRCASE
STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
SPIDER CABLE NET CONNECTION
MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX
OUTDOOR SEATINGS
15” GLASS FIN SUPPORT
PROJECT TITLE: CABLE NET FACADE SYSTEM
THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE:
MAPPED ELEVATION EW - 302
EW - 202
GLASS FIN SUPPORTED OPAQUE INSULATED ALUMINUM PANAL GLAZING TYPE 2
GLASS FIN SUPPORTED TRANSPARENT INSULATED GLASS PANAL GLAZING TYPE 1
GL2
GL1
EW - 301
EW - 201
EW - 401
CABLE NET SUPPORTED TRANSPARENT INSULATED GLASS PANAL GLAZING TYPE 1
GLASS FIN SUPPORTED EXTERIOR DOOR SYSTEM GLAZING TYPE 3
CABLE NET SUPPORTED OPAQUE INSULATED ALUMINUM PANAL GLAZING TYPE 2
GL1
GL3
GL2
SCALE: AS NOTED
PAGE: 018 OF
F-100
MAPPED SOUTH ELEVATION SCALE: 1/8" = 1'-0
CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC
Glazing Mapped Elevation
NO.
1 710
I
G
H
10'-0"
E
F
14'-6"
14'-6"
25'-0"
DAT
Roof 59'
D
10'-0"
Roof 55' - 3/4"
Roof 49' - 0"
OPEN THEATER / STUDIO SPACE
CAFE
OFFICE
LEVEL 3 34' - 0"
CAFE LOUNGE
OFFICE LEVEL 2.5 24' - 6"
LEVEL 2 19' - 0"
ST
MAIN THEATER LOUNGE
CHANGING ROOM
LEVEL 1 4' - 0" LEVEL 0 0' - 0"
Owner:
STUDIO Z 1172 AMS NEW YOR
Construc
STUDIO Z 1172 AMS NEW YOR
Civil / Sit
STUDIO Z 1172 AMS NEW YOR
Structura
1 N-S SECTION 1
STUDIO Z 1172 AMS NEW YOR
N-S Section
SCALE: 1/8"=1'-0
E
D
10'-0"
1 711
F
14'-6"
MEP:
STUDIO Z 1172 AMS NEW YOR
H
G
25'-0"
14'-6"
10'-0"
63 STORAGE OFFICE
OPEN THEATER / STUDIO SPACE
Landscap
I
STUDIO Z 1172 AMS NEW YOR
PROJEC Roof 49' - 0"
STORAGE
TH BU
NO.
11 2
1
10
3
4
2 0 A-30
5
6
DATE
7
1 A-202
9
EW-1
EW-2
A
8
D EW-1
LOADING DOCK 1200SF
MECH ROOM 1500SF
E EW-2
CHANGING ROOM 860SF
W-3 W-2
W-1
STORAGE 100SF
B
STU
F
EW-2
EW-1 W-6 W-3
BOX OFFICE 160SF
Owner:
LOUNGE 860SF
STUDIO ZO 1172 AMST NEW YORK
STORAGE 170SF
Constructio
M W.C 200SF
STUDIO ZO 1172 AMST NEW YORK
W-6 W-1
W-7
G
ELEC. CLOSET 80SF
Civil / Site:
STORAGE 120SF
W-5
STUDIO ZO 1172 AMST NEW YORK
0
3
A-40
Structural:
W-4 UP
STUDIO ZO 1172 AMST NEW YORK
LOBBY 5100SF
H
MEP:
STUDIO ZO 1172 AMST NEW YORK
UP
W-7
Landscape
W-8
I
1 A-201
2 A-201
TH BU
W-3
UP
UP MAIN THEATER 3200SF
STUDIO ZO 1172 AMST NEW YORK
PROJECT
W-5 STORAGE 120SF
25 FRANK BROOKLY
OUTDOOR THEATER 4300SF
PROJECT
F W.C 280SF
W-5
DRAWING
4
GL-1
0
3
A-40
1
FIRS
STORAGE 250SF
4
W-8
1 1 A-30
W-7
SCALE: AS
GL-1
BAR 330SF
W-7 UP
W-7
5
LOBBY 5100SF
0
A-40
C 2 1 A-30
GL-2
2 A-202
1 0 A-30
© 2017 All R
First Floor Plan
64
NO.
11 1
2
10
3
4
2 0 A-30
5
6
DATE
7
1 A-202
9
EW-1
EW-2
A
8
D EW-1
LOADING DOCK 1200SF
MECH ROOM 1500SF
W-1
E EW-2
KITCHEN 860SF
W-2
STORAGE 100SF
B
STU
F
EW-2
EW-1 W-6 W-3
Owner:
CAFE 1000SF
STUDIO ZOOM 1172 AMSTER NEW YORK, N STORAGE 170SF
Construction
M W.C 200SF
STUDIO ZOOM 1172 AMSTER NEW YORK, N
W-6 ELEC. CLOSET 80SF
W-7
Civil / Site:
G
W-5
0
3
A-40
STUDIO ZOOM 1172 AMSTER NEW YORK, N
OPEN TO BELOW
Structural:
STUDIO ZOOM 1172 AMSTER NEW YORK, N
W-4
H
MEP:
STUDIO ZOOM 1172 AMSTER NEW YORK, N
W-7 W-8
Landscape:
2 A-201
1 A-201
STUDIO ZOOM 1172 AMSTER NEW YORK, N OPEN THEATRE / STUDIO SPACE 3200SF
PROJECT TI
THE BU
W-3
4
0
3
A-40
1
4
25 FRANKLI BROOKLYN,
PROJECT N W-5
DRAWING T
F W.C 192SF
GL-1
THIRD
STORAGE 250SF
W-8
1 1 A-30
W-7
SCALE: AS N
GL-1
A
W-7 W-7
5
OPEN TO BELOW
OPEN TO BELOW 0
A-40
C 2 1 A-30
GL-2
2 A-202
1 0 A-30
© 2017 All Righ
3rd Floor Plan
65
PV PANEL PV PANEL
LATTICE FOR SUPPORTING PV PANELS
TTICE FOR SUPPORTING PV PANELS
PV PANEL 6" RIGID INSULATION
PV PANEL
6" RIGID INSULATION
LATTICE FOR SUPPORTING PV PANELS
LATTICE FOR SUPPORTING PV PANELS
6" RIGID INSULATION 6" RIGID INSULATION
5' DEEP ROOF TRUSS 5' DEEP ROOF TRUSS 3 / 8" FULLY TEMPERED GLASS
ULLY TEMPERED GLASS
LAMINATED TEMPERED GLASS METAL DECK
ATED TEMPERED GLASS METAL DECK SPIDER FITTING CONNECTION
R FITTING CONNECTION 5' DEEP ROOF TRUSS 5' DEEP ROOF TRUSS 3 / 4" DIAMETER CABLE ROD
" DIAMETER CABLE ROD 2' RIGID INSULATION 2' RIGID INSULATION ALUMINUM METAL PANEL ALUMINUM METAL PANEL
CONNECTION PIECE TO TRUSS
ECTION PIECE TO TRUSS 3' DEEP TRUSS 3' DEEP TRUSS
3 / 8" FULLY TEMPERED GLASS 3 / 8" FULLY TEMPERED GLASS
LAMINATED TEMPERED GLASS
LAMINATED TEMPERED GLASS
2 DETAILED SECTION AT ROOF SCALE: 1"=1'-0
2 DETAILED SECTION AT ROOF SCALE: 1"=1'-0
3 / 8" FULLY TEMPERED GLASS 3 / 8" FULLY TEMPERED GLASS
LAMINATED TEMPERED GLASS
LAMINATED TEMPERED GLASS SPIDER FITTING CONNECTION SPIDER FITTING CONNECTION OPERABLE WINDOW OPERABLE WINDOW
1 / 2" DIAMETER HORIZONTAL CABLE ROD
DIAMETER HORIZONTAL CABLE ROD
FIRE STOPPER FIRE STOPPER
6" CONCRETE SLAB 6" CONCRETE SLAB
NEW INFILL NEW INFILL
OPERABLE WINDOW OPERABLE WINDOW
6" CONCRETE SLAB 6" CONCRETE SLAB
FIRE STOPPER FIRE STOPPER
6" CONCRETE SLAB 6" CONCRETE SLAB NEW INFILL NEW INFILL
3 DETAILED SECTION AT BASE
1 WALL SECTION AT LOBBY
SCALE: 1"=1'-0
SCALE: 1/2"=1'-0
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3 DETAILED SECTION AT BASE SCALE: 1"=1'-0
PARAPET CAPPING
PARAPET CAPPING
PARAPET CAPPING
PARAPET CAPPING
4" PRECAST CONCRETE PANEL
4" PRECAST CONCRETE PANEL
6" STEEL STUD WITH BATT INSULATION
6" STEEL STUD WITH BATT INSULATION
4" PRECAST CONCRETE PANEL
4" PRECAST CONCRETE PANEL
ROOF MEMBRANE
ROOF MEMBRANE
6" STEEL STUD WITH BATT INSULATION
6" STEEL STUD WITH BATT INSULATION
ROOF MEMBRANE
ROOF MEMBRANE
VAPOR BARRIER
VAPOR BARRIER
6" RIGID INSULATION
6" RIGID INSULATION
FIRESAFING AND SMOKE SEAL
FIRESAFING AND SMOKE SEAL
3 1 /2" CONCRETE SLAB
3 1 /2" CONCRETE SLAB
VAPOR BARRIER
VAPOR BARRIER
6" RIGID INSULATION
6" RIGID INSULATION
SPRAY INSULATION INFILL
SPRAY INSULATION INFILL
FIRESAFING AND SMOKE SEAL
FIRESAFING AND SMOKE SEAL
3 1 /2" CONCRETE SLAB
3 1 /2" CONCRETE SLAB
15" DEEP GIRDER
15" DEEP GIRDER
EXHAUST LOUVER
EXHAUST LOUVER
DUCTWORK
DUCTWORK
2" RIGID INSULATION
2" RIGID INSULATION
VAPOR BARRIER
VAPOR BARRIER
5 / 8 " GYP. BOARD
5 / 8 " GYP. BOARD
15" DEEP GIRDER
15" DEEP GIRDER
2 HOUR FIRE PROOFING SPRAY
2 HOUR FIRE PROOFING SPRAY
EXHAUST LOUVER
EXHAUST LOUVER
DUCTWORK
DUCTWORK
2" RIGID INSULATION
2" RIGID INSULATION
5 / 8 " GYP. BOARD
5 / 8 " GYP. BOARD
4 DETAILED SECTION AT ROOF 4 DETAILED SECTION AT ROOF 2 HOUR FIRE PROOFING SPRAY PAINT
1" TERRAZZO FLOORING
1" TERRAZZO FLOORING
4" CONCRETE FLOOR SLAB
4" CONCRETE FLOOR SLAB
CAST IN PLACE ANCHOR
CAST IN PLACE ANCHOR
3
SCALE: 1"=1'-0
SCALE: 1"=1'-0
2" RIGID INSULATION
2" RIGID INSULATION
5 / 8 " GYP. BOARD
5 / 8 " GYP. BOARD
2 HOUR FIRE PROOFING SPRAY PAINT
GRAVEL
GRAVEL
INFILL SOIL
INFILL SOIL
SLOPED SITE
SLOPED SITE
PILE CAP
PILE CAP
1" TERRAZZO FLOORING
1" TERRAZZO FLOORING
4" CONCRETE FLOOR SLAB
4" CONCRETE FLOOR SLAB
CAST IN PLACE ANCHOR
CAST IN PLACE ANCHOR
GRAVEL
GRAVEL
INFILL SOIL
INFILL SOIL
SLOPED SITE
SLOPED SITE
PILE CAP
PILE CAP
5 DETAILED SECTION AT BASE 5 DETAILED SECTION AT BASE
ECTION AT BACK OF WALL HOUSE SECTION AT BACK OF HOUSE SCALE: 1/2"=1'-0
SCALE: 1"=1'-0
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SCALE: 1"=1'-0
Other Works 2012-2017
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Waterlilies 2015 Fall Photography
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Top
Walnut
Sides
Cherry
Back
Black Plastic Frosted Acrylic
iCUBE 2015 Fall Earbuds Cleat / Phone Holder
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Floating Pier 2016 Fall Moments Renderings
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Splash Pavilion 2014 Spring 2014 AIA Ohio Schools of Architecture Competition Honorary Mention
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Clifton Library 2014 Spring Sectional Perspective
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Transitional Geometry 2017 Spring 2D and 3D iterations. 3D print prototypes, Rubber molds, Rockite tiles.
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Mech Ray 2016 Fall Basswood model. The device tries to imitate ray's body proportions and moving kinetics.
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Guayaquil Urban Design 2017 Summer From Perkins Eastman Internship. Analysis and comparison of urban main streets.
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Fairleigh Dickinson University Campus Renderings 2017 Summer Renderings done for Perkins Eastman Internship, with Andrew Cardinale.
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