XiaohanSu portfolio 18sp issuu

X IAO HA N SU Architecture + Design Portfolio C olumbi a GSAPP M Arch II

Contents

I. Library as Garden

04

II. Updown

28

III. Iceberg

38

IV. Container Studio for Artist

48

V. Other Works:

60

Photography Models Renderings Professional Works

Library as Garden Brooklyn, NY Critic: Mimi Hoang 2017 Spring

4

I’ve been obsessed with spaces that have the quality of both interior and exterior from my precedent studies: Morgan Library Extension and the Utrecht Library. By having different degrees of enclosure, from 100% enclosed to completely open, it suggests different degrees of connection between the user, the interior and the exterior.

I conceive my library as gardens. For me, garden is the intermedia between public and private space. It’s a broad term that ranges from an open air public space, a semi-enclosed greenery, an interior courtyard, to a skylight defined area, by having different degrees of enclosure. Library experience, in parallel with garden typology, can be subdividing to informal reading / social space, group reading space, small group reading / discussion space and individual reading space.

The site is at the intersection of the downtown neighborhood and a residential and historical neighborhood in a large scale, within two giant triangular blocks. The two giant triangles stand out from the urban fabric in contrast with other rectangular blocks. It seems like the commercial zone is gradually gradient into a more private and cultural zone from this point. Thus, I want the library to have an urban impact that brings the civic and intellectual together by placing one entry at the Albee Square to invade the civic zone further and create a smoother transition, and by having an occupiable roof for reading as well as social interaction.

Eastern gardens are about interaction between people and views. The views are organized in picturesque disorder that create a casual atmosphere for social interaction. The Chinese gardens are more outward focused, where visitors are presented with a series of scenes (pavilions, temples, buildings) which are specifically intended to be viewed when following the path; the Japanese gardens are more inward focused, especially the rock garden, where visitors circulate around the scene to observe.

In order to reconcile the ambiguous relationship between interior and exterior, library and garden, the spatial organization of the community function spaces and the reading space would be inverse, like the relationship of Chinese and Japanese gardens. The community rooms are outward focused, projecting out to the occupiable roof, where visitors are presented with city views; the reading spaces are inward focused, where readers are presented with dispersed garden views within the vertical shaft that are vertically connected to the roof or other floors.

The subdivided reading spaces and other programs are organized according to the degree of intimacy, in terms of location and number of partition wall(s).

The partition walls are combined with book stacks, so the books are easily accessible. Every group reading space is folding towards a mezzanine level for small group discussion.

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6

7

Precedent: Morgan Library Extention

8

Precedent: Utrecht Library

9

U

Proto Building Matrix Development

10

11

Site Analysis

12 12

Massing on Site

Proto on Site

13

LIBRARY AS GARDEN

Embrace the civic context

Have hierarchically arranged programs

MATRIX

GRADATION

Blur the bo between interior

PROTO BUILDING

U

DEGREE OF OP

PROTO ON SITE

TRAPEZOID

DISSOLVE

14

PUSH-PU

oundary r and exterior

PENESS

ULL

Outward focused Chinese garden typology in spaces of public functions

Inward focused Japanese garden typology in reading spaces

Experiential and interactive that creates microclimate at different datum

OUTWARD FOCUSED

INWARD FOCUSED

PROTO BUILDING

OUTWARD CITY VIEW

INWARD GARDEN VIEW

DISPERSED GARDENS

15

Manifesto

Library as Garden I believe library should be a universally accessible space where citizens are free to congregate and fraternize when acquiring knowledge.

I believe library should embrace the civic context and start a conversation with the surrounding environment.

I believe library should be experiential to create a casual and interactive reading atmosphere.

I believe modern reading spaces should blur the boundary between interior and exterior in comparison with the monumentality of ancient reading rooms.

I believe the arrangement of library programs should be hierarchical, from private to public, from solid to fragment.

I believe garden is the perfect analogy of such “in-between� spaces for it ranges from 100% enclosed to completely open; from interior courtyard to open air public space.

I believe the spaces of public functions should follow the outward focused Chinese garden typology, where visitors are presented with city views; while the reading spaces should follow the inward focused Japanese garden typology, where readers are presented with picturesquely arranged dispersed garden views.

I believe the interior gardens can create microclimate at different datum that introduce exterior to interior vertically and enriches reading experience.

16

Concept Image

17

Sectional Persp

18

pective Diagram

19

Section

20

Second Floor Plan

First Floor Plan

21

22

Opposite Page - Top First Floor Lobby, Entry to the Library

Opposite Page - Bottom Third Floor Teen Reading Space, Enjoy the Top Datum Microclimate of the Tree as Well as City View

This Page - Top Model Photos: Details

This Page - Bottom Model Photos: Exterior from Different Perspective

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24

25

26

27

Up Down 14th ST A Ave, New York, NY Critic: Adam Frampton 2016 Fall

28

This intervention is mainly about circulation and movement. The sculptural shape reflects not only the busy street corners at the intersection but also the dynamics of the city. The intervention invites people to meet and engage in this platform, serves as a catalyst of closer relationships between people within such a fast pace society. It’s a place where people interact with each other and with the intervention itself. From the corner, people can observe the intersection or the city from multiple levels. It celebrates physicality by encouraging people walk up and down. As the intervention moves from sunrise to sunset, people’s experience when climbing up and down the corner changes and the so does the view.

The intervention has two sets of stairs from bottom to the top. They wrap around the vertical elevator in the center which also works as a hinge. So when the two wings form a right angle, either in the inward or the outward position, only one set of stair circulation works, and the other one is not connected. The two wings of the intervention forms 90 degree angle when sunrise or sunset, when most perspective visitors would climb up and down the intervention to enjoy the view. It moves continuously within a 24 hour cycle.

The section drawing is intended to show the hierarchy of this intervention.

The basic composition elements are volumes and lines (created by staircases). When cutting through different planes across the intervention, the composition of solid and void parts are very different.

Also, from the elevation drawing, all lines are designed to go through the entire plane, so that the circulation stairs is continuous from one block to the other.

29

Perspective

30

Detail

31

Corner - Corner Projection

32

33

34

The plan drawing shows how the corner transform from the original spot to the opposite corner. The elevator in the middle moves along the diagonal line, and the two blocks rotate around it. Each plan is cut at every 24’.

Plans

Sections and Elevations

35

36

37

Iceberg 14th ST 1 Ave, New York, NY Critic: Adam Frampton 2016 Fall

38

The site is at the intersection of Avenue A and 14th street, at the entry of Stuyvesant Town and surrounded by a larger residential area.

My first impression is that the site is within a lively neighborhood, with an endless stream of commuters passing by. The site seems crowded with narrow sidewalks, many street trees and large amount of people flow.

take the handicap people directly to the platform level, while most people get to the mezzanine level first. Connected to the stairs, it’s a combination of waiting space and performance space. The pyramid shape is suitable for these two programs, so that passengers sit on the stepped stairs and enjoy the performance of street artist in the middle.

Then they get to the transit hub where there’s ticket machines and the turnstiles. It has a sloped floor going down gradually. The lost and found space is next to the transit hub.

It has a tapered shape to exhibit all the lost objects. The latest lost objects are placed in the front row. As time goes by, more and more lost objects are taking away by their owners, and the old objects are moved to the back shelfs. At the end of the transit hub, there’s a glass wall, where you can see the subway. After passing the turnstiles, there’s another staircase following the same geometry as the entry stairs, and it’s also open to above ground to bring skylight. The unisex restroom is within a triangular shape, because the units are staggered and can be access by both entrance to both sex, only one door is accessible at a time. It’s a prototype aim to relieve the long waiting line outside the restrooms.

It makes sense to me to design a subway entrance with an understated canopy above ground, not interrupting the flow of the city.

In the meantime, I was not satisfied with the current underground connection part to the platform, which is only about passing quickly through this space. The spatial quality is quite dull. It deserves a better design, perhaps a dramatic space with all sorts of spatial quality and programs underground in contrast with the low-key entrance, and improve the experience of the commuters. The site image, which reflects my intuitive vision, has all kinds of geometries with different programs intersecting with each other, only a tip of the entire volume is projecting above the street level. The shape is similar to an iceberg. It reminds me of a psychological metaphor of iceberg: 10% of our conscious mind is shown above surface, 90% unconscious mind is hidden. So I want the underground space to include programs that our unconscious mind would wanted, such as a performance space for street artist and a café to create an atmosphere that separate us from the conscious real world above street level. Going further from the site image, each volume is then defined by a certain program that best fits that geometry, and they are arranged in a way to integrate circulation and create interesting spatial qualities when intersect with each other.

The café space is created by intersecting the lost and found and the transit hub volume. It’s an interesting two floor space, where you can order a cup of coffee on the platform level and pick up on the mezzanine level.

The entrance from above ground includes an inclined elevator and stairs, the bottom is wider than the top so that the above ground portion can be minimum. The elevator

39

Site Collage

40

Site Plan

41

Street Level

42

Underground

43

SECTION B

SECTION A

Sections

44

Space - Geometry

45

Platform Level Plan

46

Mezzanine Level Plan

47

Container Studio for Artist Esch-sur-Alzette, Luxembourg Groupwork at urban design phase with Kelly Douglass Critic: Gerardo Brown-Manrique, Ingbert Schilz 2014 Fall

48

Luxembourg is a country whose economy is largely dependent on steel industry. This project’s site used to be an important steel mill which lies on the steel industry belt along the French border.

The proposed urban design solution is a low density, mixed-use plan with partially preserved still mill museum to recall the history. The entire urban design keeps the scale of the neighboring towns with a few dispersed highrise buildings to create some hierarchy to the urban skyline.

The project explores a new relationship between urban environment and architecture within the context of a typical European small town. Starting with the urban design of the brown field between Esch-sur-Alzette and Schifflange, our mission was to renovate this area where used to be an industrial center with a steel mill. The area where I decided to focus on in the later stage is the central plaza with the main commercial strip.

Shipping containers are typical transportation unit for steel production manufactures. The abandoned containers on site are available to be reused for creative design. Containers as single module for artist studio are flexible and as symbols of industrialization,which also reminds people of history, development and modernization.

After studying local European housing types, the artist studio design took a approach that combines vernecular with industrial, traditional with modernity.

49

50

51

Urban Design

52

53

Site Plan Public park

Library

Preserved water tower from the steel mill as a landmark

54

Central plaza

Steel mill museum

Studio for Artists:

Located at the culture center of its urban environment, the Artists' Studios are the starting pieces of the mix-use pedestrian street and "gateways" to the adjacent residential area. The Artists' Studios, together with the library, and the museum forms the facades of the plaza the center where various outdoor exhibitions and performances can take place.

Commercial strip

Office Buildings

Residential area

55

Why containers?

Shipping containers are typical transportation unit for manufactures. The used containers on site are available to be reused. Containers as symbols of industrialization,which also reminds people of history, development and modernization.

Container Renovation Install insulation and piping

Reuse redundant steel sheet as furniture

Reuse frame as stair upholder

Use crane to put each container in place

56

Research of European Housing Types Type 1: Individual Houses

Type 3: Attached Houses Around Courtyard

Type 2: Attached Houses

Type 5: Row Houses with Courtyard

Type 4: Open

Type 6: Folded Row Houses

Phases Phase 1: Small scale individual studios

Phase 2: Medium scale stacked individual studios

Phase 3: Multi-scale commercial gallery

Phase 4: Studios with educational institute & Exhibition purposes

Open courtyard

Attached houses

Offices

Row houses

57

Studios for work and teaching

Top floor exhibition

Private + Work Studio

58

Exhibition +

+ Gathering

Single Work Studio

59

Circulation

NO.

DATE

REVISION

KEY PLAN

STUDIO ZOOM 1172 AMSTERDAM AVENUE NEW YORK, NY 10027 T 212.XXX.XXXX STUDIOZOOM.COM

Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

PROJECT TITLE:

THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE:

CONCEPT DIAGRAM

SCALE: AS NOTED

PAGE: 003 OF 017

A-003

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Bushwick Flex Theater 25 Franklin Street, Brooklyn, NY Partners: Michael Choi, Jiachen Xu, Wo Wu Critic: Junko Nakagawa, Clementina Ruggieri, Jason Stone 2017 Fall: Building Systems Integration

60

Locate at the Bushwick Inlet as well as the starting point of the waterfront park, the Bushwick Flex Theater takes advantage of the view towards Manhattan, the East River and the park.

The gate is oriented towards the park, where majority of the circulation would come from. The main flexible theater on the ground floor is oriented towards the East River. It has an operable facade which can be opened up and extend the indoor theater to the outdoor stepped seatings, while the Manhattan skyline becames a scenic backdrop for the stage.The experienmental theater is located on the third floor, which can be opened up to the above, providing an intimate but well-lit space.

The theater also creates a hierarchy of views by adopting facade materials of different transparancy level. The promenade stairs that encircles the core theater volume correspond to clear glazing on the exterior facade, whilst others are translucent glazing. The back of house has opaque facade that acts as a soft buffer between the glass box with the existing constructions on site.

NO.

DATE

REVISION

MICHAEL JONGWON CHOI SOPHIE XIAOHAN SU WO HONG WU JIACHEN XU

STUDIO ZOOM 1172 AMSTERDAM AVENUE NEW YORK, NY 10027 T 212.XXX.XXXX STUDIOZOOM.COM

Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

PROJECT TITLE:

THEATER BUSHWICK T001 COVER SHEET A001 ARCH NOTE & ADA A002 SITE PLAN A003 CONCEPT DIAGRAM

25 FRANKLIN STREET BROOKLYN, NY, 11222

A004 OVERALL BUILDING RENDERING

PROJECT NO.: 00001

A005 LOBBY SPACE RENDERING A006 STAGE CONFIGURATION DIAGRAM A007 SUSTAINABILITY DIAGRAM A008 COST ESTIMATE EXCEL SHEET A100 FIRST FLOOR PLAN A101 SECOND FLOOR PLAN A102 SECOND AND A HALF FLOOR PLAN A103 THIRD FLOOR PLAN A200 E-W ELEVATION

DRAWING TITLE:

COVERSHEET

A201 N-S ELEVATION A300 N-S SECTION A301 E-W SECTION A400 INTERIOR ELEVATION A500 EGRESS PLAN&SECTION A501 EGRESS FIRST FLOOR PLAN A502 EGRESS SECOND FLOOR PLAN A503 EGRESS SECOND AND A HALF FLOOR PLAN A504 EGRESS THIRD FLOOR PLAN A600 RCP A700 RATED WALL SECTION A710 WALL DETAIL SECTION_LOBBY A711 WALL DETAIL SECTION_BOH

SCALE: AS NOTED

PAGE:

T-001

A800 FINISH SCHEDULE S100 FIRST FLOOR STRUCTURAL PLAN S101 SECOND FLOOR STRUCTURAL PLAN S102 SECOND FLOOR AND A HALF STRUCTURAL PLAN S103 THIRD FLOOR STRUCTURAL PLAN S104 ROOF PLAN S105 EXPLODED STRUCTURAL AXON DIAGRAM S200 SECTION THROUGH TRUSS S300 STRUCTURAL DETAIL DIAGRAM M100 MEP FIRST FLOOR M101 MEP SECOND FLOOR M102 MEP THIRD FLOOR M103 MEP DISTRIBUTION / RISER DIAGRAM M104 MEP DISTRIBUTION / RISER DIAGRAM F100 MAPPED ELEVATION F110 GLAZING SCHEDULE F200 EXTERIOR GLAZING SYSTEM 1 F210 SYSTEM 1 BLOWN-UP SECTION F220 SYSTEM 1 SECTION F230 SYSTEM 1 HORIZONTAL SECTION F300 WALL SYSTEM 2 F310 SYSTEM 2 BLOWN-UP SECTION F320 SYSTEM 2 SECTION

CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC

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OF

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REVISION

KEY

STUDIO ZOO

1172 AMSTERDAM A NEW YORK, N T 212.XX STUDIOZOO

Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Construction Manager: STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Civil / Site:

THRUST STAGE

ARENA STAGE

STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

END STAGE

STAGE DIMENSION: 30x90ft

STAGE DIMENSION: 30x30ft

STAGE DIMENSION: 30x90ft

Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

PROJECT TITLE:

THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE: NO.

8

10

9

29'-6"

29'-6"

11

7'-6"

DATE

STAGE CONFIGURATION DIAGRAM

12

12'-6"

SCALE: AS NOTED Roof 49' - 0"

PAGE: 018 O

A-006

OPEN THEATER / STUDIO SPACE

LEVEL 3 34' - 0"

CAFE

T-SHAPE STAGE

FLAT STAGE

DUO-ARENA STAGE

STAGE DIMENSION: 30x90ft 60x30ft

STAGE DIMENSION: 90x90ft

STAGE DIMENSION: 30x30ft 30x30ft

LEVEL 2.5 24' - 6"

LEVEL 2 19' - 0"

CHECKED BY: © 2017 All Rights Reserved. StudioZoom, PC

STUD

MAIN THEATER LOBBY

Stage Transformation

LEVEL 1 4' - 0" LEVEL 0 0' - 0"

Owner:

STUDIO ZOOM - REA 1172 AMSTERDAM AV NEW YORK, NY, 212.

Construction Mana

STUDIO ZOOM - AWE 1172 AMSTERDAM AV NEW YORK, NY, 212.

Civil / Site:

1

STUDIO ZOOM - CIVI 1172 AMSTERDAM AV NEW YORK, NY, 212.

E-W SECTION 1

Structural:

STUDIO ZOOM - STR 1172 AMSTERDAM AV NEW YORK, NY, 212.

SCALE: 1/8"=1'-0

MEP:

8

9

10

29'-6"

29'-6"

11

7'-6"

STUDIO ZOOM - MEC 1172 AMSTERDAM AV NEW YORK, NY, 212.

12

Landscape:

12'-6"

STUDIO ZOOM - LAN 1172 AMSTERDAM AV NEW YORK, NY, 212.

Roof 49' - 0"

STORAGE

BATHROOM

CAFE

LEVEL 3 34' - 0"

PROJECT TITLE:

THEA BUS

25 FRANKLIN STR BROOKLYN, NY, 1

PROJECT NO.: 00 DRAWING TITLE:

STORAGE

BATHROOM

LEVEL 2.5 24' - 6"

E-W SEC

LEVEL 2 19' - 0"

SCALE: AS NOTE STORAGE

BATHROOM

A

LOBBY

LEVEL 1 4' - 0" LEVEL 0 0' - 0"

2 E-W SECTION 2 SCALE: 1/8"=1'-0

E-W Section 62

© 2017 All Rights Rese

NO.

DATE

REVISION

KEY

STUDIO ZOO

1172 AMSTERDAM AV NEW YORK, NY T 212.XXX STUDIOZOO

STRUCTURAL ROOF TRUSS

Owner: STUDIO ZOOM - REAL ESTATE DEVELOPER 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Construction Manager: RAMPING STAIRCASE

STUDIO ZOOM - AWESOME CONSTRUCTION TEAM 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Civil / Site: STUDIO ZOOM - CIVIL ENGINEERING 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Structural: STUDIO ZOOM - STRUCTURAL DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

SPIDER CABLE NET CONNECTION

MEP: STUDIO ZOOM - MECHANICS 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

Landscape: STUDIO ZOOM - LANDSCAPE DESIGN 1172 AMSTERDAM AVENUE NEW YORK, NY, 212.XXX.XXXX

OUTDOOR SEATINGS

15” GLASS FIN SUPPORT

PROJECT TITLE: CABLE NET FACADE SYSTEM

THEATER BUSHWICK 25 FRANKLIN STREET BROOKLYN, NY, 11222 PROJECT NO.: 00001 DRAWING TITLE:

MAPPED ELEVATION EW - 302

EW - 202

GLASS FIN SUPPORTED OPAQUE INSULATED ALUMINUM PANAL GLAZING TYPE 2

GLASS FIN SUPPORTED TRANSPARENT INSULATED GLASS PANAL GLAZING TYPE 1

GL2

GL1

EW - 301

EW - 201

EW - 401

CABLE NET SUPPORTED TRANSPARENT INSULATED GLASS PANAL GLAZING TYPE 1

GLASS FIN SUPPORTED EXTERIOR DOOR SYSTEM GLAZING TYPE 3

CABLE NET SUPPORTED OPAQUE INSULATED ALUMINUM PANAL GLAZING TYPE 2

GL1

GL3

GL2

SCALE: AS NOTED

PAGE: 018 OF

F-100

MAPPED SOUTH ELEVATION SCALE: 1/8" = 1'-0

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Glazing Mapped Elevation

NO.

1 710

I

G

H

10'-0"

E

F

14'-6"

14'-6"

25'-0"

DAT

Roof 59'

D

10'-0"

Roof 55' - 3/4"

Roof 49' - 0"

OPEN THEATER / STUDIO SPACE

CAFE

OFFICE

LEVEL 3 34' - 0"

CAFE LOUNGE

OFFICE LEVEL 2.5 24' - 6"

LEVEL 2 19' - 0"

ST

MAIN THEATER LOUNGE

CHANGING ROOM

LEVEL 1 4' - 0" LEVEL 0 0' - 0"

Owner:

STUDIO Z 1172 AMS NEW YOR

Construc

STUDIO Z 1172 AMS NEW YOR

Civil / Sit

STUDIO Z 1172 AMS NEW YOR

Structura

1 N-S SECTION 1

STUDIO Z 1172 AMS NEW YOR

N-S Section

SCALE: 1/8"=1'-0

E

D

10'-0"

1 711

F

14'-6"

MEP:

STUDIO Z 1172 AMS NEW YOR

H

G

25'-0"

14'-6"

10'-0"

63 STORAGE OFFICE

OPEN THEATER / STUDIO SPACE

Landscap

I

STUDIO Z 1172 AMS NEW YOR

PROJEC Roof 49' - 0"

STORAGE

TH BU

NO.

11 2

1

10

3

4

2 0 A-30

5

6

DATE

7

1 A-202

9

EW-1

EW-2

A

8

D EW-1

LOADING DOCK 1200SF

MECH ROOM 1500SF

E EW-2

CHANGING ROOM 860SF

W-3 W-2

W-1

STORAGE 100SF

B

STU

F

EW-2

EW-1 W-6 W-3

BOX OFFICE 160SF

Owner:

LOUNGE 860SF

STUDIO ZO 1172 AMST NEW YORK

STORAGE 170SF

Constructio

M W.C 200SF

STUDIO ZO 1172 AMST NEW YORK

W-6 W-1

W-7

G

ELEC. CLOSET 80SF

Civil / Site:

STORAGE 120SF

W-5

STUDIO ZO 1172 AMST NEW YORK

0

3

A-40

Structural:

W-4 UP

STUDIO ZO 1172 AMST NEW YORK

LOBBY 5100SF

H

MEP:

STUDIO ZO 1172 AMST NEW YORK

UP

W-7

Landscape

W-8

I

1 A-201

2 A-201

TH BU

W-3

UP

UP MAIN THEATER 3200SF

STUDIO ZO 1172 AMST NEW YORK

PROJECT

W-5 STORAGE 120SF

25 FRANK BROOKLY

OUTDOOR THEATER 4300SF

PROJECT

F W.C 280SF

W-5

DRAWING

4

GL-1

0

3

A-40

1

FIRS

STORAGE 250SF

4

W-8

1 1 A-30

W-7

SCALE: AS

GL-1

BAR 330SF

W-7 UP

W-7

5

LOBBY 5100SF

0

A-40

C 2 1 A-30

GL-2

2 A-202

1 0 A-30

© 2017 All R

First Floor Plan

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NO.

11 1

2

10

3

4

2 0 A-30

5

6

DATE

7

1 A-202

9

EW-1

EW-2

A

8

D EW-1

LOADING DOCK 1200SF

MECH ROOM 1500SF

W-1

E EW-2

KITCHEN 860SF

W-2

STORAGE 100SF

B

STU

F

EW-2

EW-1 W-6 W-3

Owner:

CAFE 1000SF

STUDIO ZOOM 1172 AMSTER NEW YORK, N STORAGE 170SF

Construction

M W.C 200SF

STUDIO ZOOM 1172 AMSTER NEW YORK, N

W-6 ELEC. CLOSET 80SF

W-7

Civil / Site:

G

W-5

0

3

A-40

STUDIO ZOOM 1172 AMSTER NEW YORK, N

OPEN TO BELOW

Structural:

STUDIO ZOOM 1172 AMSTER NEW YORK, N

W-4

H

MEP:

STUDIO ZOOM 1172 AMSTER NEW YORK, N

W-7 W-8

Landscape:

2 A-201

1 A-201

STUDIO ZOOM 1172 AMSTER NEW YORK, N OPEN THEATRE / STUDIO SPACE 3200SF

PROJECT TI

THE BU

W-3

4

0

3

A-40

1

4

25 FRANKLI BROOKLYN,

PROJECT N W-5

DRAWING T

F W.C 192SF

GL-1

THIRD

STORAGE 250SF

W-8

1 1 A-30

W-7

SCALE: AS N

GL-1

A

W-7 W-7

5

OPEN TO BELOW

OPEN TO BELOW 0

A-40

C 2 1 A-30

GL-2

2 A-202

1 0 A-30

© 2017 All Righ

3rd Floor Plan

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PV PANEL PV PANEL

LATTICE FOR SUPPORTING PV PANELS

TTICE FOR SUPPORTING PV PANELS

PV PANEL 6" RIGID INSULATION

PV PANEL

6" RIGID INSULATION

LATTICE FOR SUPPORTING PV PANELS

LATTICE FOR SUPPORTING PV PANELS

6" RIGID INSULATION 6" RIGID INSULATION

5' DEEP ROOF TRUSS 5' DEEP ROOF TRUSS 3 / 8" FULLY TEMPERED GLASS

ULLY TEMPERED GLASS

LAMINATED TEMPERED GLASS METAL DECK

ATED TEMPERED GLASS METAL DECK SPIDER FITTING CONNECTION

R FITTING CONNECTION 5' DEEP ROOF TRUSS 5' DEEP ROOF TRUSS 3 / 4" DIAMETER CABLE ROD

" DIAMETER CABLE ROD 2' RIGID INSULATION 2' RIGID INSULATION ALUMINUM METAL PANEL ALUMINUM METAL PANEL

CONNECTION PIECE TO TRUSS

ECTION PIECE TO TRUSS 3' DEEP TRUSS 3' DEEP TRUSS

3 / 8" FULLY TEMPERED GLASS 3 / 8" FULLY TEMPERED GLASS

LAMINATED TEMPERED GLASS

LAMINATED TEMPERED GLASS

2 DETAILED SECTION AT ROOF SCALE: 1"=1'-0

2 DETAILED SECTION AT ROOF SCALE: 1"=1'-0

3 / 8" FULLY TEMPERED GLASS 3 / 8" FULLY TEMPERED GLASS

LAMINATED TEMPERED GLASS

LAMINATED TEMPERED GLASS SPIDER FITTING CONNECTION SPIDER FITTING CONNECTION OPERABLE WINDOW OPERABLE WINDOW

1 / 2" DIAMETER HORIZONTAL CABLE ROD

DIAMETER HORIZONTAL CABLE ROD

FIRE STOPPER FIRE STOPPER

6" CONCRETE SLAB 6" CONCRETE SLAB

NEW INFILL NEW INFILL

OPERABLE WINDOW OPERABLE WINDOW

6" CONCRETE SLAB 6" CONCRETE SLAB

FIRE STOPPER FIRE STOPPER

6" CONCRETE SLAB 6" CONCRETE SLAB NEW INFILL NEW INFILL

3 DETAILED SECTION AT BASE

1 WALL SECTION AT LOBBY

SCALE: 1"=1'-0

SCALE: 1/2"=1'-0

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3 DETAILED SECTION AT BASE SCALE: 1"=1'-0

PARAPET CAPPING

PARAPET CAPPING

PARAPET CAPPING

PARAPET CAPPING

4" PRECAST CONCRETE PANEL

4" PRECAST CONCRETE PANEL

6" STEEL STUD WITH BATT INSULATION

6" STEEL STUD WITH BATT INSULATION

4" PRECAST CONCRETE PANEL

4" PRECAST CONCRETE PANEL

ROOF MEMBRANE

ROOF MEMBRANE

6" STEEL STUD WITH BATT INSULATION

6" STEEL STUD WITH BATT INSULATION

ROOF MEMBRANE

ROOF MEMBRANE

VAPOR BARRIER

VAPOR BARRIER

6" RIGID INSULATION

6" RIGID INSULATION

FIRESAFING AND SMOKE SEAL

FIRESAFING AND SMOKE SEAL

3 1 /2" CONCRETE SLAB

3 1 /2" CONCRETE SLAB

VAPOR BARRIER

VAPOR BARRIER

6" RIGID INSULATION

6" RIGID INSULATION

SPRAY INSULATION INFILL

SPRAY INSULATION INFILL

FIRESAFING AND SMOKE SEAL

FIRESAFING AND SMOKE SEAL

3 1 /2" CONCRETE SLAB

3 1 /2" CONCRETE SLAB

15" DEEP GIRDER

15" DEEP GIRDER

EXHAUST LOUVER

EXHAUST LOUVER

DUCTWORK

DUCTWORK

2" RIGID INSULATION

2" RIGID INSULATION

VAPOR BARRIER

VAPOR BARRIER

5 / 8 " GYP. BOARD

5 / 8 " GYP. BOARD

15" DEEP GIRDER

15" DEEP GIRDER

2 HOUR FIRE PROOFING SPRAY

2 HOUR FIRE PROOFING SPRAY

EXHAUST LOUVER

EXHAUST LOUVER

DUCTWORK

DUCTWORK

2" RIGID INSULATION

2" RIGID INSULATION

5 / 8 " GYP. BOARD

5 / 8 " GYP. BOARD

4 DETAILED SECTION AT ROOF 4 DETAILED SECTION AT ROOF 2 HOUR FIRE PROOFING SPRAY PAINT

1" TERRAZZO FLOORING

1" TERRAZZO FLOORING

4" CONCRETE FLOOR SLAB

4" CONCRETE FLOOR SLAB

CAST IN PLACE ANCHOR

CAST IN PLACE ANCHOR

3

SCALE: 1"=1'-0

SCALE: 1"=1'-0

2" RIGID INSULATION

2" RIGID INSULATION

5 / 8 " GYP. BOARD

5 / 8 " GYP. BOARD

2 HOUR FIRE PROOFING SPRAY PAINT

GRAVEL

GRAVEL

INFILL SOIL

INFILL SOIL

SLOPED SITE

SLOPED SITE

PILE CAP

PILE CAP

1" TERRAZZO FLOORING

1" TERRAZZO FLOORING

4" CONCRETE FLOOR SLAB

4" CONCRETE FLOOR SLAB

CAST IN PLACE ANCHOR

CAST IN PLACE ANCHOR

GRAVEL

GRAVEL

INFILL SOIL

INFILL SOIL

SLOPED SITE

SLOPED SITE

PILE CAP

PILE CAP

5 DETAILED SECTION AT BASE 5 DETAILED SECTION AT BASE

ECTION AT BACK OF WALL HOUSE SECTION AT BACK OF HOUSE SCALE: 1/2"=1'-0

SCALE: 1"=1'-0

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SCALE: 1"=1'-0

Other Works 2012-2017

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Waterlilies 2015 Fall Photography

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Top

Walnut

Sides

Cherry

Back

Black Plastic Frosted Acrylic

iCUBE 2015 Fall Earbuds Cleat / Phone Holder

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Floating Pier 2016 Fall Moments Renderings

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Splash Pavilion 2014 Spring 2014 AIA Ohio Schools of Architecture Competition Honorary Mention

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Clifton Library 2014 Spring Sectional Perspective

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Transitional Geometry 2017 Spring 2D and 3D iterations. 3D print prototypes, Rubber molds, Rockite tiles.

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Mech Ray 2016 Fall Basswood model. The device tries to imitate ray's body proportions and moving kinetics.

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Guayaquil Urban Design 2017 Summer From Perkins Eastman Internship. Analysis and comparison of urban main streets.

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Fairleigh Dickinson University Campus Renderings 2017 Summer Renderings done for Perkins Eastman Internship, with Andrew Cardinale.

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