CONTEXT
Proximities i SITE Research
Proximities ii Unwrapping Gift
Inhabitations Memorial Pub
Identities Stave Drums
Primer Floor
01
PROXIMITIES I Task One
precedent research concerning entrances to buildings.
“To consider the design of building entrance sequences and conduct some precedent research to understand this issue better. ” “As part fo ths work you should ensure that you find precedent examples of situations that are similar to the one presented to you by the site at 106 Commercial Street.” “The findings should be presented as a ‘book’ that could take the form of a ‘taxonomy of entrances’.”
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106 COMMERCIAL STREET Group project | Group study Precedent Research & Site Understanding Winter 2018
In the nineteenth century the site for this project was originally built as stables for horse drawn taxis. Located in the space behind buildings on Commercial Street, Hanbury Street, Puma Court and Wilkes Street the site is invisible to passers by but for an entrance arch on Commercial Street.
19th
1960-1980
2015
SITE PLAN 1:1250
106 COMMERCIAL STREET To the west of the street stands Spitalfields Market and beyond this the financial centre of the City of London around Liverpool Street station.Today the area is home to a mix of some of the wealthiest, poorest and most creative people in the city.
1.Spitalfields, 1800s 2.East End Slum, 1900s 3.Canon Street, Post WWII 4.East End Slum, 1949 1
The east end initially composed of small villages and hamlets around a Roman road, this was an area of green and open space. there was palaces and small port settlements at one point, but as London started to industrialized, the East End became a hub of small manufacturers, and various trades.
London, 1843
Site History
Commercial Street looking south, c.1907.
Commercial Street, 1974, David Granick
Spitalfields, 1973, David Granick
02
UNWRAPPING GIFT Proximities II Type: Individual project Time:19. 11.18 - 10.01.19
In this project I design the temporary installation of a temporary pop up Christmas Museum, called ‘My story of the story of Christmas’, in the blank entrance and coutyard spaces of the building 106 Commercial Street. Unwrapping presents as my main idea which allows people to explore their gifts at Christmas.
My story of the story of Christmas I find a 'gift' in 106 commercial street
Reception It is warm inside, and I put my coat in the cloakroom.
imformation display There are some information about Christmas. A child was climbing up and down.
retail&giftroom They said I could bring my gift to a stranger to change a different charity.
class room People are chating at class room.
santa’s grotto OH! Look! Santa's grotto!
Gift wrapping sketch
SCALE:1:200
PROCESS MODEL
03
MEMORIAL PUB Inhabitations - Public House Type: Individual project Time:21.01.19 - 07.03.19
According to different social types, I created a space with increasing openness from bottom to top consider of the site. I try to keep the pup memory from different frames and historical elements from tradition pub.
Arguably, the pub is one of the most precious and important places in British society, a place where politicians plot, generals plan, artists create, musicians play and where relationships are forged or broken. The pub is a microcosm of society, reflecting current affairs, dramas and joy, its content and the user reflect the moment in time that, sometimes blurred but always current.
Research of different social type in pub.
Recently the pub has come under threat, with many closing week on week. Depending on what you read, between 10-20 pubs close every 2 weeks, which is amazing considering they seem so popular. Surely there must be a way to retain or re-invent this tradition.
Dog and Duck
Sager + Wilde Wine Bar
The Star Tavern
The Nags Head
The French House
The George
The Lamb and Flag
Ye Olde Mitre
Collect different doors and windows from the traditional pub which full of memory for British.
Daytime Basement When I was looking at the element taken from the traditional pub, I remember the lovely time spent in the pub with my old friends.
Night Basement Go to the basement alone, and I want a drink without social.
Frist Floor Due to the space scale and circulation, people would rather than have some communication on the first floor.
① ②
⑥
③
④
BASEMENT
⑧
⑦
⑤
1:100
N
⑨
⑩
FRIST FLOOR
1:100
N
11
FRIST FLOOR
1:100
N
1.Kitchen 2.Small Bar 3.Sitting Area 4.Hall 5.Semi Privacy Area 6.Reception 7.Toilet 8.Store and Cellar
9.Standing Area 10.Big Bar 11.Event Space
04
STAVE DRUMS Identities - Shelf Life Type: Individual project Dates: 11.03.19 - 16.05.19
“Music gives a soul to the universe, wings to the mind, flight to theimagination and life to everything.� Plato Base on the song "Common people," which belongs to Pulp, I create a common drums shop for common people. Stave as my main system to link different parts of the drum set, which makes the shopping more easier.
Common people PULP From the album Different Class B-side "Underwear" Released 22 May 1995 Recorded 18–24 January 1995 Studio The Town House, London
inspiration
Trolley Buy drum from drum shop as more straightforward as shopping at the supermarket.
NARRITIV
window display
photo wall
B
is Matel Mesh
drums shelf acces
introduce happen at
A band
is Pulp
install
C
gras
blow up
VE DRUM STORE
CD ssories drumstick
C
display
cymbals
practice room
circulation is handle
sp
D
is drum set
thrash
blow up
E guide
blow up
beat wave
happen at
is gesture
Material Plate
Notebook
Photo
Item from MV
Sketch Model of Shelf
Final Model
Practice
Store&sell
System Display Window Display
I
II
III
IV
V
VI
②
ENDERING
①
⑧ ③
0
④
⑥ ⑦ ⑤
0. Common People Shelf 1. Drumstick 2. Snaredrum 3. Bassdrum 4. Toms 5. Hi-Hats&Cymbals 6. Window diasplay 7. Cash Desk
8. Display 9. Drums Market 10. Practice Area 11. Sitting Area 12. Louge
⑨
⑩
12 11
05
The Piazza originated in the 9th century as a small area in front of the original St Mark’s Basilica. At first the Square was limited to the parvis of the Basilica, because of the presence of a canal, “Rio Batario”, which divided the present Square in two parts. The part of the Square now between the Procuratie, was once the vegetable garden of S.Zaccaria monastery with S.Geminiano church in the middle. When the present basilica was built, the water from the lagoon penetrated the square through a dock, until it touched the church and the bell tower. A ri- ver divided the church from the Doge Palace which was therefore all covered by water like a castle.Till the XI century the Square was very small and reached up to the “Rio Batario”, beyond the small Church of San Geminiano. In the XII century, the dock in front of the Palazzo Ducale was buried, obtaining the current Piazzetta San Marco. The canal between Church and Palace and the “Rio Batario” in front of the Church were also buried, thus expanding the Piazza, more than doubled in length, with the inclusion of the garden donated by the nuns of San Zaccaria. The present shape of the Square was established in the XII century, for the meeting of Pope Alexander III and the Emperor Barbarossa.
A small new Square was built with the columns of S.Marco and S.Todaro, the city’s patron saints, overlooking St. Mark’s Basin. The alteration of the Square was all done over the course of one century, adapting to the growing power and wealth of Venice. The Piazza has always been seen as the centre of Venice. It was the location of all the important of- fices of the Venetian state, and has been the seat of the archbishopric since the 19th century. It was also the focus for many of Venice’s festivals and the present form reflects the works of many famous architects such as Sansovino, Longhena, Scamozzi, Rizzo and Tirali. Nowadays, David Chipperfield is about to restore the Procuratie Vecchie.