Jewellery, Footwear and Fashion Accessories
01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44
Phoebe Adams Joanna Aymard Charlotte Cape Hoi Kiu Kathy Chan Yue Yuki Chen Isabelle Copeland Yuqi Kiki Cui Dominik Cunningham Yin Feng Zidi Gong Katrina Gostanian Kathleen Han Carina Huang Yuiko Ikeda Anyin (Cecilia) Jiang Zoë Jolink Jikwang Jung Jiabei Li Siying Li Yuhao Li Sihan (Cindy) Liu Yun Anne Liu Andie Lee Macarthur Ruby Neal Jiho Park Shiwangi Periwal Annie Purdy Elsa Riley Miles Robinson Rebant Ruparell Pengyuan Brooklyn Tao James Tapner-Evans Maggie Wang Jing Wang Ruiyi (Rachel) Wang Xinyi Wang Yixuan (Barbara) Wei Hiu Ching (Gerri) Wong Yibo Yang Ziyi Yang Wen Yin Liyun Yu Evgenia Zembyla Dixin Zheng
Phoebe Adams Feeling the Fantasy
01
This project started as a search into perfection, a concept based upon perception and perspectives. I got caught up in the idea of life being a drag, a facade that we put on and as I delved into the art of drag I became inspired by illusion. Using distorted images, deemed to be ‘perfect’, my piece represents my perception of perfection in the body, presented on the exterior.
Charlotte Cape Wandering Mind
03
I have been interested in the shortterm detachment from our immediate surroundings we feel when our mind wanders. What triggers this partial substitute of reality? A wandering mind can be destructive in the most crucial moments and the boxes demonstrate the essential need for control and order over our attention systems. The wire is used to translate a sense of fragility by delicately holding the arrangement together.
Hoi Kiu Kathy Chan Blood
04
Composing 60% of the human body, blood is the essence of life. The body consists of flesh and blood. My hereditary high cholesterol level inspires the clotted blood pattern in the design. My condition is a presence that restricts me and my lifestyle on a daily basis. The shoe is designed to distort the shape and movement of the foot. The bridge between the heel and body of the shoe represents the journey of life and death, a constant reminder of the risks and the symptoms of this disease. Ultimately, I hope to remind the public of the risks in blood disorders and the harm of unhealthy habits.
Yue Yuki Chen Strangeness
05
Depersonalisation disorder is a physiological effect usually caused by stress that allows people to feel strangeness of their surroundings and themselves. Who am I? Where am I? Those questions will cross their mind when the disorder happens. They look like they black out, but in their own perception everything seems from another strange world.
Isabelle Copeland Survival Against All Odds
06
Human determination to live is extraordinarily strong, even in the most impossible situations. In a world of fear and destruction it is important to showcase the survival mechanisms and strengths demonstrated by victims during the Holocaust. Despite the constraints, these victims remained warriors and fought for their survival. My piece portrays this powerful message of strength, courage and optimism.
Yuqi Kiki Cui Loss of Hair
07
In this project I took the title ‘Loss of Hair’ and looked the emotional and social consequences of hair loss and the extremes an individual will pursue to correct this stigma. I made this head piece which involves wearer’s own hair, creating a space for it to interact with the manufactured extra hair. The piece is intended to demonstrate to the emphasis society places on hair as a means of selfexpression and personal identity.
Dominik Cunningham Neo Aesthetica
08
This piece is an acknowledgement of our changing times, it is the first step in creating a defining aesthetic of the now. This aesthetic is rooted in our separation from nature and our violent reconnection.
Yin Feng Teeth
09
The three wise monkeys teach us a simple and timeless lesson: ‘See no Evil, Hear No Evil, Speak No Evil’. However, it is difficult to ignore others’ opinions and views. Nowadays people get expensive orthodontic treatments to have ‘pretty’ teeth. This piece conveys how money is used to prevent judgment.
Zidi Gong Comfort Zone
10
My project conveys my attitude towards the comfort zone, which acts like a mushroom, providing temporary comfort and security to the creatures it shelters whilst trapping them. I want to create a process that breaks out of the comfort zone and ‘makes the mushroom crumble’.
Katrina Gostanian Subconscious Connection
11
My piece is inspired by mirror neurons. This is how humans are subconsciously connected. With an inbuilt neurological response, we empathise and mirror what we see others do. When we see someone yawn, we yawn; smile, we smile; cry, we cry. In my collection of gloves, the ends of these strings from the different skins attach magnetically, symbolic of the same automatic, and at times involuntary, connection we make without even thinking.
Kathleen Han Fickleness
12
London is an international metropole where people live in a diverse and fast-paced way with high competitiveness and work stress. Here, people are like balloons on the verge of being broken, collapsing on account of the fickleness which envelops the city, making us feel lost. Sometimes we can control ourselves and are actually drained by the intangible city.
Carina Huang Peeping
13
Some people like to film their daily life, and some like to watch. In this project, I want to have a discussion about daily vlogs. When we are watching vlogs, we get a chance to see something that is intimate. Is it good to experience the world by immersing ourselves in someone else’s life? Contemporary society has bred voyeurs and stalkers. As viewers, do we all have the instinct to peep?
Yuiko Ikeda Imperfection
14
In my work I focused on beauty caused by imperfection. Young people in particular are sometimes paralysed by feelings that they cannot control. Acceptance leads us to an open contemplation in hard situations. My work offers consolation and healing when people are weary of themselves.
Anyin (Cecilia) Jiang The Secret of Vision
15
In society and life, there will always be countless eyes attracting attention. Whether people are being monitored in the street or through virtual social contact, eyes are the window of the soul. Through eyes we can exchange emotions.
ZoĂŤ AĂŻcha Jolink Daily Dosage
16
Daily Dosage are brooches that combine modern medicine and ancient healing methods to highlight the stark contrast between these two ways of dealing with health. Pill strips are a wasteful and overlooked product. Inspired by aromatherapy I wanted to turn the strips into more profound, sacred objects, that heal in a different way than synthetic medicine would or ever could.
Jikwang Jung My Weight in Gold
17
Through this work, I want to talk about effort and talent. One is symbolised by rusty, blackened iron and the other by ‘brightly lit gold from birth’.
Jiabei Li Keepsake
18
This project is about our relationship with keepsakes. We keep, treasure and protect these objects as tokens of memory. But when love is broken, how does a couple respond to these objects? Should they keep them? When they see these keepsakes, what is the emotional change in perception of the object? I want to use jewellery to explore the meaning and symbolism that people attach to objects and the emotional content of a keepsake.
Siying Li Concrete Jungle
19
One invisible violence in the city today, twisted mass orgy in the name of justice. Every word they type is a thorn that hurts others, and in the end they will hurt themselves.
Yuhao Li Disobedience
20
For this project I want to reveal the closed society and cultural atmospheres in China. One phenomenon is that we cannot visit foreign websites. The cultural transmission is limited strictly by the government. Sometimes I would even imagine that I am living inside a huge cocoon, wrapped so tightly that I cannot see the outside world. According to this, I used plastic and wires to make the final model.
Yun Anne Liu Obesity
22
My project is based on the problems relating to eating disorders, such as mental problems and obesity. The final outcome shows the structure of the adipose cells. It also shows that under pressure, people might develop binge eating disorders and suffer from obesity.
Andie Lee Macarthur The ‘Me’ Perplexity
23
The transition from childhood to adulthood is a vulnerable and delicate stage in life. I am fascinated by the awkwardness of youth, the contradictions and confusion that come with growing up. Elements of traditional office wear are combined with inspiration taken from Harlequinade theatre costume. I want to express a youthful sense of freedom mixed with lingering childhood dreams and a new sense of reality and responsibility.
Ruby Neal Disguise and Disengagement
24
My work is based on space, finding a place of solitude. A moment of personal release. Invisibility in an over stimulated environment, a with drawl, a way of hiding in plain sight, a means of camouflage. I have created an enclosed space for people to escape and to make their own.
Jiho Park Parasitic Coexistence
25
Coexistence is the survival of two parasites. One cannot exist without the other. There is a parasite living off the wearer. This piece represents the symbiotic relationship between the wearer and the piece. The two are enhanced by the power of the interaction.
Shiwangi Periwal Malleable
26
I aim to place traditional culture in a modern context. One half represents the traditional Indian jewellery made of gold, the other a more graffiti youth style. The separation between the two pieces signifies the distinction between the modern and traditional. However, when they are united, they form a complete circle sharing the same motif. This shows that though culture changes constantly it still retains elements of the traditional.
Annie Purdy Hate Thy Neighbour
27
This project is about reclaiming the derogative words thrown to the LGBTQ+ individuals and how to gain power by taking these words back into your own control. I looked into the history of violence against gays and lesbians and how they have risen back from it. My work is inspired by the graphic signs of hate speech from the Westboro Baptist church. I am interested in the social culture of accepting the LGBTQ+ community within areas such as Football, as well as in iconic drag queens and the history of the ‘rise’ of drag culture.
Elsa Riley Memento Mori
28
Memento Mori is the medieval Christian notion: ‘remember (that) you will die’, reminding people to reflect on and prepare for the inevitable. The fact of death will always be with you and, like a stone in your shoe, will be difficult to adjust to - hence the lack of wearability of the toe ‘cups’. These fragile porcelain and copper ringed pieces bridge the gap between life and death, familiarising the two contrasting states of being, forcing the wearer to adapt around the jewellery.
Miles Robinson Man vs. Machine
29
This brooch was inspired by the relationship between technology and traditional crafts in modern society. While hand crafts and machinery now coexist and are often used to benefit one another, the industrialisation of these skills also results in mass produced pieces that lack a personal connection. The hand embroidered eyes, held inside a machine-like frame, provide this connection between the maker and the brooch.
Rebant Ruparell Anxiety
30
Anxiety affects everyone in some shape or form over the course of life. It is often experienced alongside other mental disorders such as depression and substance abuse that tend to have a larger impact on your life. Anxiety, if not treated carefully, can onset other mental disorders, which can spiral out of hand. The repetitive actions of counting and clicking are designed to help you meditate in anxious times.
Pengyuan Brooklyn Tao
31
As technology plays a more vital role in our daily lives, tedious work is made easier, and our lives more convenient. But we face the danger of losing a sense of humanity, emotional connection and investment in culture. The purpose of my piece is to draw attention to the seemingly insignificant details that make up human nature. To celebrate imagination, colour and texture in a raw way opposed to the sophistication of fine jewellery.
James Tapner-Evans Queer and Proud
32
My collection explores what it is to be a young, sexually active homosexual. Exposing links between age, sexuality and promiscuity, whilst subtly suggesting aspects of submission, control or subservience through the beaded marionette suspended from the necklace. The playful nature of age and promiscuity is suggested through the positioning on the body, with focus being where a man would ejaculate, in both the hand and around the neck as a figurative ‘pearl necklace’.
Maggie Wang Belle Dreams
33
Can you control your nightmares? I wish I could. Growing up with dream anxiety disorder has led me to create this piece with the purpose of trapping the fear, yet releasing oneself from that unique dimension. Twitching movements between the upper body and the moon-arc shaped structure rings the bell, triggering the awakening of oneself from the nightmares caught between the mobile spheres. Now, have a beautiful dream.
Jing Wang Sea Creature
34
This project is about the creatures under the sea. The scales, fin and the fish bone are interesting in that they can adapt to extreme environments. Sometimes human beings put up with much pressure and many challenges, feeling suffocated as a result. If we act like sea creatures, we will be able to adapt to a variety of difficult environments.
Ruiyi (Rachel) Wang Sans Souci
35
In society nowadays, we are so busy that having a little fun becomes a luxury. I hope people can enjoy themselves as they did in childhood. To encourage playfulness, there are no limitations on how to wear these papier-mâchÊ structures or the number of people involved. I look forward to seeing how people interact with my work. The marbles are a nostalgic reference to play and the need to cooperate in games. And just to enjoy making a lot of noise.
Xinyi Wang Sfaireaphobia: Fear of Spheres
36
Enormous objects like the celestial body slowly closing in on me, from a tiny shape like a needle, to a huge sphere covering the sky above my head - it makes me have the sense of going down without a fight.
Yixuan (Barbara) Wei Will You Marry Me?
37
My design represents the union between two individuals and the preciousness of marriage. It shows the benefits of getting married with the right person: we become as one by both being willing to sacrifice part of ourselves to make the bond stronger and better. Through the mirror, we could see ourselves connected to each other, in order to create a sense of ‘I see him/her in you’.
Yibo Yang Birdy
39
I would like to encourage people to break the struggles that life brings even when the reality crushed the ideal down. The finger wings mean to ‘fly’, to face and overcome the harsh reality. The way how you wear this piece is to locate it right on the place where your heart is, and the finger wings are flying out of it.
Ziyi Yang Chinese Myth
40
The focus of my project is the Chinese Myth of ‘The Nine Coloured Deer’. The myth eulogises about the beauty of personality, and that people who are jealous and hateful should receive punishment. The two parts of my outcome represent the two sides of this story. There will always be a conflict between purity & honesty and envy & selfishness. The piece shows that you can’t destroy a thing of beauty.
Wen Yin Affluenza
41
Affluenza is a term used by critics of consumerism. I am trying to express people’s struggle for chasing wealth by interaction between the wearer and the hand accessory, which can also be worn as a pin on cloth.
Liyun Yu Pets
42
There are many people who abandon their pets because they didn’t know that having pets is not easy - it takes money, time, space and patience. Through my work I am trying to show that we are constrained by the responsibility of having pets. The cage is not closed, because we can easily escape from this responsibility, staying or not, it depends on you.
Evgenia Zembyla Athanasia
43
Directly translated from Greek this means ‘deathlessness’. This project is inspired by my interest in cryogenics. The fluidity conveyed by the morphology of the pieces, captures the frantic, fast-paced attempt of science to defeat mortality. The green stone Jade symbolises immortality and stands for the people who are currently preserved.
Dixin Zheng Body Dysmorphic Disorder
44
Everyone wants to be beautiful. Our appearance is an obsession People can feel uncomfortable and embarrassed to their appearance, even eager to have endless plastic surgery to change themselves, it is obsessive-compulsive behaviour, ‘Body Dysmorphic Disorder’. After wearing my piece, I want people to question ‘What is beauty?’.