TIAN
LUO
Studying in UCLA MSAUD (M.arch 2) Program SELECTED
WORKS
2015-2021
Contact: luotian97@126.com(E-mail) +(86)18306212908 (Telephone)
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CONTENTS 01
[MINORITY FASHION HUB] Individual Work Studio: Fashion Hub for Yangpu Waterfront
02
[A SPIRAL ROUTE] Individual Work Studio: Collective Housing
03
[AFTER FIRE: WATER BASINS] Group Work Studio: Fire Prevention
04
[PRESCRIBED BURN RESEARCH PROJECT] Group Work Studio: Fire Prevention
05
PROLOGUE I believe genuine architecture should be a sensitive envelope that has a corresponding special physical relationship with life, forming a emotional container. There is a scene that always echoes in my mind. It was the rainy season in my hometown, raindrops fell down along the wall, leaving traces on the old mottled red bricks, the water penetration over the years gradually imprinted a dynamic pattern on the facade, which inspires me of how organic and vigorous a building could be. As the notes can be played to convey feelings, architecture should be a whole integrating all the tectonic symbols and elements that can vibrate with the life going around it. As Peter Zumthor wrote: there are many symbols and information in the world, but the real essence is hidden. Architectural forms act like dull and sluggish containers with a lack of musical beauty, which from my point of view causes the disharmony and fragmentation of the current architecture. Instead of being presented as broken rhythms, discrete parts should be composed together with a concern with emotion and site personalities. In my projects, I try to define my buildings as emotional containers. They are designed considering publicity, politics, social factors, urban context, cultural factors and technology. Emotions are expressed in the architectural space , making people to resonate, communicate and experience, composing a lyrical and dynamic story.
[IN-BETWEEN] Individual Work Studio: Community Center Design
06
What is Emotional Container?
[SIHE COURTYARD KINDERGARTEN] Individual Work
MINORITY FASHION HUB
Studio: Playground Design for Children A SPIRAL ROUTE
07
[OTHER WORKS] 1. Professional Practice
IN-BETWEEN
Resonate Communicate Experience
Workplace: Atelier GOM 2. Individual Work Studio: Future World Imagination
SIHE COURTYARD KINDERGARTEN
Memory
Politics Social Factor Urban Cultural Factor
3. Group Work Zuloark workshop: Pavilion Construction
Publicity
RECYCLABLE PAVILION
Activities Technology
the ability of a substance to allow gases or liquids to go through it. In this show space, it means that the views and sounds are interrelated.
t h e fa c t o f m a ny d i ffe re n t types of things or people being included in something; a range of different things or people.
the situation when everyone is treated fairly and equally.
01 [Minority Fashion Hub] FASHION HUB DESIGN 2018-2019 Academic Year Individual Academic Work Individually reworked in 2019 Instructor: José Ángel Hidalgo Arellano & Juan Carlos Dall' asta Mailing Address: Jose.Hidalgo@xjtlu.edu.cn|Juancarlos.Dallasta@xjtlu.edu.cn District: Shanghai, China
Increasing awareness of heritage (particularly architectural heritage), an open debate about production and creativity, and a necessary vital urban regeneration are three of the most important and recurrent topics that frame current architectural and urban reflection in China. In the perspective of fashion, fashion had been a principal means for identifying oneself. However, the current fashion has a fake diversity and universality. A group of minority people are excluded by fashion due to physical disabilities, losing the right to express oneself. This project aims to link previous questions, designing a fashion hub for the public at a industrial heritage site, arounsing the attention of the society to the minority people and realizing urban regeneration.
INTRODUCTION: FASHION FOR MINORITY PEOPLE Sociologist Louis Wirth defined a minority group as "a group of people who, becaused of their physical or cultural characteristics, are singled out from the others in the society in which they live for differential and unequal treatment." Fashion, as a carrier of self-expression, should be diversified and universal. However, the current fashion has a fake diversity and universality. Due to the limited conditions, a large group of minority people are excluded by fashion, thus losing the possibilities of self-expression as well as social contact.
CONCEPTUAL MODELS Fashion
Original Definition
Contemporary "Business" Definition
Social/ Emotional values
Business Values
Common Visual Culture/ Comsumer's Identity
Upper Class/ Fashion sensitive groups' activities
The project aims to establish a fashion centre for minorities, to explore the possibilities of their self-expression. Concept model 1: Arrived and Unarrived
Concept model 1: Arrived and Unarrived
Concept model 2: Tip of the Iceberg
HISTORY TIMELINE: FAKE DIVERSITY & UNIVERSALITY
begin
DESIGN STRATEGY: THREE THEMES DIVERSITY UNIFORMITY
1
1
2
1
3
1
4
1
6
1
5
1
7
PERMEABILITY
STANDARD
AUDIENCE-CENTERED
CENTRALIZATION
DIVERSITY
MODEL-CENTERED
ACCESSIBILITY
Audience Stage View
Audience Stage View
Audience Stage View Circulation
11 ELECTRICITY MACHINE
generate electricity
12 CHIMNEY
13 STEEL FRAME
14 TRANSFERRING BELT
15 CRANE
16 FACTORY HOUSE
release gases
release gases
transport goods
move and deliver goods
storage
[SCENARIOS]
[SECTION DRAWING]
1
[NEW FASHION RUNWAY] [ORIGINAL FASHION RUNWAY]
SITE ANALYSIS: FACTORY HERITAGE
17 FASHION CENTER
18 SOIL TANK
consumption and publicity
abandoned
The site is located in a Power Plant Station. The reason why the project address is chosen here is that firstly, Shanghai is becoming a fashion reference center with a high fashion crowd.
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Secondly, the site is in an abandoned factory, which is in the state of being forgotten and unused. The project hopes to put the heritage into reuse by appealing for the attention of minority groups. The reuse of industrial sites also symbolizes the return of minorities to society. SITE MAP
[CONCEPT COLLAGE]
Audience Model
Audience Model
Audience Model
AXONOMETRIC DRAWING
Description In the first silo, different show rooms have different shapes, materials and openings. Minority groups can find their way of self-expression in these diversified spaces. In the second silo, the audience sits on the circular platform in the center, surrounded by 360 ° circular showing space, so that the audience can pay attention to each model‘s performance. In the third silo, in order to cancel the space relationship in which the model was centrally focused in the traditional show-way, which led to the emphasis on the standard body figure, the identity of the performer and the audience was deliberately blurred. Windows of different sizes frame people passing by to form a temporary performance space. The continuous penetration of vision in it weakens the social relationship of the pursuit of standardization.
4
AXONOMETRIC PLAN (1:700) DRAWING
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PROGRAM 1 Reception Area 2 Exhibition Area 3 Workshop/Dining Area 4 Toilet 5 Lecture Room 6 Fashion Show Room (Silo 1) 7 Fashion Show Room (Silo 2) 8 Fashion Show Room (Silo 3) 9 Dressing Room (Silo 3) 10 Make Up Area 11 Waiting Area 12 Lecture Room 2 13 Landscape corridor 14 Waterfront Building 15 Tower Crane Observation Area
SECTION (1:200)
02 [A SPIRAL ROUTE] COLLECTIVE HOUSING 2018-2019 Academic Year Individual Academic Work Instructor: José Ángel Hidalgo Arellano Mailing Address: Jose.Hidalgo@xjtlu.edu.cn
District: Shanghai, China
With the rapid development of Shanghai, more and more high-density modern buildings are constructed, encroaching on the city's public space constantly. At the same time, there is a certain gap between the old traditional architectural forms and new buildings. The project is located in Jiangning District of Shanghai. The block where the project is located is between the Shikumen Block and the modern architecture. How to coordinate and balance the contrast between the new and old buildings while creating a rich and enlarged public space is the focus of the project. This project attempts to realize the interaction of different activities, sounds and sight through a spiraling public space path. Meanwhile, in the process of moving, views constantly shift between new and old buildings, which brings a communication between past and present.
SITE CONDITION: OLD AND NEW OLD
DIALOGUE
CONCEPT: SPIRAL CONTINUITY
NEW
The public space is so limited.
Yeah, we want a place to social and communicate. At this spiral route, we can have outdoor rest, sunbath, outdoor barbecue activities.
RESIDENCE
We want to achieve different kinds of activities
We could play ma-jiong here!
OLD
OLD
Route PUBLIC RESIDENCE
MODERN BUILDING
The building is composed of two parts: residence and public space. A spiral route of public space runs through the whole building. Lightings, sounds, and activities could be integrated within the route, achieving the communication between old and new.
DESIGN PROCESS: PLAN & AXONOMETRIC DRAWING
CONTEMPORARY BUILDINGS
PUBLIC SQUARE
GROUND FLOOR PUBLIC LIBRARY
LEVEL 1 PUBLIC SPACE
LEVEL2 PUBLIC SPACE
LEVEL3 PUBLIC SPACE
LEVEL4 PUBLIC SPACE
LEVEL5 PUBLIC SPACE
SHI KU GATE
CONTEMPORARY BUILDINGS GROUP PROJECT 1&2
PUBLILC MARKET
LEGEND Inner public space Outer public space Transportation & facade TRANSPORTATION SYSTEM
Low utilization ground
Public space
Site
Modern buildings
BAMBOO FACADE
Ground floor public library
FLOOR PLANS (1:300)
GROUND FLOOR PLAN (1:250)
UNIT A N
7
6
6
6
8
UNIT C 9
3
7
9
5
10
2
4
1
14
2 3
14
5
7
8
9
6
4
1
FIRST FLOOR PLAN
SECOND FLOOR PLAN
7 17
18
13 14
14 7
9
15
16
LEGEND 1 Entrance 2 Cafe 3 Toilet 4 Cafe kitchen 5 Reception area 6 Leasing office 7 Open studying area 8 Closed studying area 9 Flexible area
11 12
6
UNIT B
TYPOLOGY ANALYSIS THIRD FLOOR PLAN
FOURTH FLOOR PLAN
LEGEND 14 19
2
[1] Unit A
100 Sqm
Target User: Young Families Household member: 3 or 4
[2] Unit B
140 Sqm
Target User: Working People Household member: 6
13 Outdoor cafe area
2 Auditorium
14 Elevator
3 Outdoor bench
15 Shared kitchen
4 Exhibition area
16 Shared laundry
5 Gymnasium
17 Dining area
6 Entrance garden
18 Outdoor barbecue area
7 Public bicycles parking area
19 Reception area
8 Public washing area
20 Exhibition area
9 Sunbath area
[3] Unit C
10 Outdoor chatting area
80Sqm
Target User: Young Families Household member: 4
1 Cafe
11 Ping-pong area 12 Viewing area
20 FIFTH FLOOR PLAN
PERSPECTIVE SECTION: STRUCTURAL STRATEGY
Interior unit & Old and new buildings
AXONOMTERIC DRAWING
Interior unit & Public neighborhood space
Ground floor public library & Courtyard
03 After Fire: Water Basins Fire Prevention Strategy Urban Planning
2020-2021 Academic Year in the University of California, Los Angeles Cooperative Academic Work with Deshun Liu Role in Team: Research (50%), Technical Drawing (90%) Instructor: Jeffery Inaba & David Jiménez Iniesta Mailing Address: inaba@ucla.edu & david.jimenez@aud.ucla.edu District: Los Angeles,the United States
By studying the relationship between fire and debris flow, this project developed a new fire prevention system - water basins in San Gabriel Mountain. Through the research, it is found that soil and vegetations are the two factors affecting fire and landslide. Fire can lead to poor soil and plant characteristics, such as low soil moisture, weak ecosystem and less heterogenity, which in turn can lead to fire and debris flow. The existence of the reservoirs and irrigation systems could increase the soil moisture. Also, through the new vegetation system, it can increase the heterogenity and bio-diversity of plants to reduce the fire and debris flow. This project is going to develop a new water basin system: reservoirs, irrigation systems, and new plant distributions to improve soil and plant characteristic.
RESEARCH TOWARDS FIRE AND LANDSLIDE Relationship between slope and fire spread
SITE ANALYSIS
Radiation
Radia tion
Indraft
Radiation
Fast Velocity Fire Spread
Indraft
Indraft
Relationship between slope and landslide
Low Velocity Fire Spread
Medium Velocity Fire Spread Relationship between precipitation and landslide
1 Lateral Spread
2 Translational Slides
5:1
3 Mud Slide/Debris Flow
5:1
4 Complex Slide
5 Topple and Rock Falls
6 Rotational Slide
2:1
1:1
1:1
3:1
Less Common
Uncommon
Common
Uncommon
Most Common
1
200
RESEARCH TOWARDS SOIL MOISTURE AND FIRE High Soil Moisture Small Intensity Fire
100
LANDSLIDE RISK
FIRE RISK
0
Oct
Jan
Apr
Medium Soil Moisture Medium Intensity Fire
Jul
Fire Count
0.00
Unsaturated Zone
-0.25 -0.50
Acres Burned
1920s
4.0
-0.10
3.5
1920s
3.0
2.0
1.0 0.5
1920s
0.0
4.0
1920s
3.5 3.0
1920s
2.5
1920s
2.0 1.5
1920s
1.0 0.5 5000
10000
15000
0.0
20000
Wildfire Damage Fire Risk
Landslide Risk
Apr
Jul
Soil Moisture
Confining Layer Deep Aquifer
JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC
Los Angeles Precipitation
1920s
Jan
It is found that landscape heterogeneity is related to the spread of fire.
1.5
1920s
Oct
RESEARCH TOWARDS LANDSCAPE HETEROGENITY
2.5
1920s
500000 400000 300000 200000 100000
Aquifer
-0.75
Structures Destroyed
Low Soil Moisture - High Intensity Fire
JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC
Los Angeles Landslide Frequency Landslide Liquefaction Zone Debris Basins
Patchy plants distribution and high landscape heterogeneity will lead to high bio diversity and effectively prevent the spread of fire. Continuous plants distribution and low landscape heterogeneity leads to low bio diversity and less fire prevention.
High Landscape Heterogenity
Low Landscape Heterogenity
CONCEPTUAL THINKING
PROPOSED AREA WATER BASINS
Refine the Terrain
Refine the Terrain
Ca u
f Af
ec
f Af
ec t
Ca u
FIRE se
se
+
+
Increase Heterogenity
Low Soil Moisture Moisture
Increase Soil Moisture
+ ++
Less
+ Heterogenity
t
+
+
Af
LANDSLIDE
C a
Refine the Terrain
ct
+
Increase bio-diversity
+
Enhance Soil Conditions
Lack Lack Soil Soil Cohesion
fe Af
+
VEGETATION VEGETATION Vegetation
SOIL Soil
ct
SOIL
Dry Ravel
fe
Slope
e us
Irrigation System
WATER WATER BASINS BASINS
Vulnerable species
Slope
New Vegetation System
Slope
Landslide Risk
Landscape Heterogenity
Precipitation Amount
Weak Weak Ecosystem +
Refine the Terrain
Soil and vegetations are the two factors affecting fire and landslide. Also, slope is another factor affecting the fire and landslide. The strategy is going to develop a new water basin system which contains irrigation system and new vegetation system to improve soil and vegetation as well as refining the terrain slope.
DESIGN STRATEGY: CUT
Water Basin Systems
Storage in ice and snow Precipitation
Vegetations
Snow Melt Runoff
Condensation
Unsaturated Zone
Urban
Aquifer
Basins
Urban Wetlands Confining Layer
Basins Ocean
Deep Aquifer
DESIGN STRATEGY: FILL Cut
MASTER PLAN STRATEGY
Piled Mound
Low Density
Water Fill Landscape
Agriculture
Factory Management
Steep High Risk
Material Management
Piled Mound
High Density Water Basins
Performance
Housing
Public Infrustructure
Medium Density Medium Density Water Basins
Gentle Low Risk
High Density Least Density Water Basins
Gentle Flat Low Risk
In order to carry out the fire prevention strategy better, the master plan would consider landscape heterogenity, slope level, landslide risk to determine the distribution density of new water basins system. Areas with low density, steep slope and high landslide risk would have high density water basins distribution.
DESIGN PHASE (i): MASTER PLAN
DESIGN PHASE (ii): SITE PLAN
04 [Prescribed Burn Research Project] Academic Research Project 2020-2021 Academic Year Cooperative Academic Work with Deshun Liu Role in Team: Research (50%), Technical Drawing (90%) Instructor: David Jiménez Iniesta Mailing Address: david.jimenez@aud.ucla.edu District: Los Angeles,the United States
This project uses the method of controversy mapping to study the complexity of fire and propose new fire prevention strategy. This project has studied prescribed burn as a fire prevention strategy. Using public opinions to evaluate different ways of prescribed burns, and through collecting voices from different medias, we analyzed the controversy in these debates. In addition, studying the advantages and disadvantages of prescribed burn, as well as the plant characteristics of a certain area of Santa Monica mountain, we have developed our new proposal: to enhance forest fire protection ability by regularly burning the boundary of oak and shrub.
SANTA MONICA MOUNTAIN DETECTION
PLANTING SPECIES DISTRIBUTION
Fire Mortality Rate
Valley Oak Ceanothus Chaparral Coast Live Oak California Sycamore Red Shank Rock Outcrop Sage
DESIGN PROPOSAL Traditional Burn Method
DESIGN PROPOSAL - PLANTING SPECIES REPLACEMENT
We need...
Air Pollution
Reduced Buring area
Potential Threat to Residential Livings
Less Fire Threat to Residential Livings
Damage to Habitat due to large areas of fire ...
Fire Reproduction Rate
Healthy Forest
1
...
Traditional Prescribed Burn Challenges
PRECRIBED CEANOTHUS BURN CHAPARRAL
FUELS EASY TO BURN
PROVIDING SPACE
2
Fire Mortality Rate
High Intensity Fire Valley Oak Ceanothus Chaparral
PROVIDING NUTRIENTS
Coast Live Oak California Sycamore Red Shank Rock Outcrop Sage
WILDFIRE REDUCED
HIGH FIRE RESISTANCE FOREST
OAK EXTENDED
OAK
New Prescribed Burn Methods
3 New Prescribed Burn Methods
Fire Reproduction Rate
Areas to burn Chaparrals to replace with Oaks
We could sit down here to enjoy Shantang River!
05 [IN-BETWEEN] COMMUNITY CENTER 2017-2018 Academic Year Individual Academic Work Instructor: Dong Chen Mailing Address: chendong.sz@hotmail.com District: Suzhou, China
The flexible glass rotation blurs our vision but exciting!
Suzhou is a famous water town in the south of the Yangtze River in China. The project is located in Shantang street, a traditional street in Suzhou. In the middle of two streets is Shantang river. The streets on both sides of the river bank are connected by stone bridges.
This open gap space creates a traditional garden experience !
I could see through several layers of space!
The first site context considered in the project is the pitched roof. In the original site, the surrounding buildings are mostly pitched roofs, and the plan configuration on the site is fragmented and incomplete. The project attempts to extract the prototype of the sloping roof, and create a continuous and unified public space through the continuous sloping roof. The functions on both sides of the river bank are tourist center and community cultural center of local residents. They are unified by continuous forms of roof on both sides of the river bank. The second context considered in this project is the traditional Suzhou Garden. The traditional Suzhou garden has a space relationship of changing scenaries step by step. Viewsights either penetrate or being blocked, forming an ambiguous spatial relationship. The project borrows the concept of traditional Suzhou garden, trying to create a in-between space relationship and vertical partition in the linear space to achieve abundant sight penetration relationship.
SITE ANALYSIS: ROOF & RIVER
DESIGN STRATEGY (i): ROOF CONTINUITY
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TE
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N CE
& FE
CA
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A AL
& MA
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RA
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BIT
HI
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OP
H &S
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HO
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TY
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MU
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R PO
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site
Continuous roof Continuous roof Traditional Slope roof
Functional space
Shantang river Traditional slope roof
The main functions on two sides of the river are tourist center and local activity center. The community center design is mainly realized through linear plan and continuous large roof.
DESIGN STRATEGY(ii): CHANGING VIEWS
TRADITIONAL COMMUNITY CENTER
PURPOSED COMMUNITY CENTER
Traditional community centers usually have a single The new community center borrows the concept of corridor and linear-orientated rooms. Views and traditioanl Suzhou garden. When the location changes, activities are limited. views are constantly changed and see different activities.
GROUND FLOOR PLAN (1:500)
PERSPECTIVE VIEWS: OPEN AT DAY
N
5000mm
3956mm 16
10948mm
15340mm
17
10
1
7 18
13
6000mm
5250mm
A
19
A'
11 3
8
3
2
Glass plan diagram
5000mm
13750mm
2
PERSPECTIVE VIEWS: CLOSED AT NIGHT
10700mm
8400mm
20 4
9 12
8700mm
21 4 6
15
LEGEND 1 Exhibition space 2 Library 3 Computer labortary 4 Exhibition 5 Cafe 6 Outdoor resting area 7 Auditorium 8 Lobby 9 Exhibition room 10 Canteen 11 Canteen 12 Mobile shops 13 Chess and card rooms
4100mm 7441mm
5300mm
5
14
13 Chess and card rooms 14 Office 15 Newspaper Reading room 16 Administration office 17 Toilet 18 Chatting area 19 Resting area 20 Sports area 21 Residents exhibition room
Glass plan diagram
AXONOMETRIC DRAWING
AXONOMTERIC DRAWING
LEGEND
RECEPTION
EXHIBITION
BUFFET RESTAURANT
PROJECTION ROOM
RETAIL SHOP
CARD ROOM
READING ROOM
OFFICE
TABLE TENNIS ROOM
PERSPECTIVE SECTION AA' (1:250)
7400mm
1800mm
Communication with surrounding
7205mm
2500mm
7810mm
Enter through gap space
2940mm
1800mm
8000mm
Gap space view
6000mm
7150mm
Waterfront platform activities
1900mm
7000mm
Look at other side's roof
DETAILED DRAWING (1:50)
MODEL PHOTOGRAPHS
Alum. Plate Roof 25-30 Mil Spray Silicon SBS Modified Bitumen Alum. Plate Roof Structural Plywood
Interior view
Rigid Insulation 4x8 Purlin Acoustic Insulation Slotted Wooud Ceiling
Gap space
People could gain diverse experience through waterfront activities, poetic in-between space, views through layers of space. Inner space is continuous and unified through the continuous sloping roof, which is also a respect towards local environment.
Stones Steel Bar
Solid roof
Bonded Gravel Surface 2'' Binder
Double Glazing Anemostat Bar Grille Bar Grille Support Clups Concrete Topping Slab Concrete Slab Waterproofing Mmebrane Thermal Insulation
Concrete Patch Water Proofing Membranes Silicone Seal
Rigid Insulation Drainage Layer Rigid Insulation Concrete Foundation
Gap space
Hollow Roof
Gap space
Shantang River
Waterfront Platforms
06 [Sihe Courtyard Kindergarten] KINDERGARTEN DESIGN 2016-2017 Academic Year Individual Academic Work Instructor: Bert Hugo Raf De Muynck Mailing Address: Bert.deMuynck@xjtlu.edu.cn District: Beijing, China
There used to be an old saying in Beijing that "roof has a magic to attract children to climb up and uncover tiles". With the modern and convenient life, children's activities are more related to high technology, losing many opportunities to grow in a cultural context. The renovation project is located in a traditional Sihe courtyard in Beijing. The strategy is to add a new organic roof platform to the original Sihe courtyard. The undulating roof platform creates a free space for the children to run and play. At the same time, the rolling hillside, net bed and cave provide children with various activities. Below the large roof, the courtyard is the centeral part, around which children have classes, performances and playing activities. On the scale of the city, the extended wooden structure of the roof platform encloses a covered resting area for the surrounding residents, adding new vitality into the surrounding living environment.
BEIJING SI'HE COURTYARD
AXONOMETRIC DRAWING
[SITE PLAN]
[TRADITIONAL ROOF ACTIVITIES]
The project is located in an old Sihe Courtyard block in Beijing. As the saying that "roof has a magic to attract children to climb up and and uncover tiles", the concept is to date back to traditional entertaining activities and bring new lives to this old community block.
DESIGN STRATEGY : ROOF FORMATION
Traditional housing
Roof Platform
[STEP 1]
[STEP 2]
sloped roof platform Green slope land Entertainment facilities Hammock area
Resting&eating&toilet area Classroom
[STEP 3]
[STEP 4]
PERSPECTIVE VIEWS
4
A' LEGEND 1 Playing area 2 Classroom 3 Art Workshop 4 Courtyard 5 Playing area 6 Stage 7 Sleeping area 8 Canteen 9 Toilet 10 Parent Waiting area 11 Entertainment area
11
7
1
2
A
10
8
3
5
9
6
11
GROUND FLOOR PLAN (1:300)
Interior classroom playing & Courtyard views
3
6
A'
4
LEGEND
4
2
A
5
1
4
2
2
ROOF PLAN (1:300)
1 Playing area 2 Green slope land 3 Game zone 4 Hammock area 5 Gymnastics area 6 Courtyard Roof platform view
PERSPECTIVE SECTION AA' (1:100)
Convex and concave tile 100mm tabia Water barrier Wood sheathing Purline wood
Floor Paint 5mm mortar Electric heating floor Water barrier 30mm fine aggregrate concrete 100mm concrete
Other Works (i): Professional Practice
01 OFFICE BUILDING Conceptual Design Location: Shanghai, China Involvement: Design Proposal/Visualization Duration: 1 week Team: Team of 1 supervisor Role in team: Conceptual Design/Modeling/ Rendering Visualiztion
The project creates a vertical forest system and shortens the distance between human and nature in high-density cities. Balcony as a nursery for planting trees, so that each floor can have a private garden. It can not only make the office atmosphere more comfortable, effectively improve the office environment, but also reduce the area occupied by green plants in the city. The program of this project includes indoor cafe, exhibition hall, office space and other functions. It is committed to creating a multifunctional office space integrating leisure, exhibition, office and performing arts.
Other Works (i): Professional Practice
02 TIMBER BOAT MUSEUM Under Construction Location: Shanghai, China Involvement: Design Proposal Duration: 2 weeks Team: Team of 2 supervisors Role in team: Roof Design/Modeling
The project functions as a wooden boat museum. The focus of the project is on the curved walkable roof. The conceptual design of the project transforms the curved form of a wooden boat into a curved roof flow, while creating a light roof form with wooden elements and allowing visitors walking underneath to experience the structural aesthetics of the wooden elements. The Timber Boat Museum is located near the water, and the main functions of the project include exhibition, rest and other auxiliary spaces. The surrounding environment is dominated by greenery.
Other Works (i): Professional Practice
03 PUNAN NO.36 BRIDGE Under Construction Location: Shanghai, China Involvement: Design Proposal/Visualization Duration: 2 weeks Team: Team of 2 supervisors Role in team: Design Development/Modeling/Rendering
The Punan No. 36 bridge is a curved arch overpass with a steel-composite structure. With a deck elevation of 10.8m, it is adjacent to the old bridge on the site, and the old and new bridges echo each other.
Other Works (ii): Future World Imagination
[Hollywood 2049: Living with Water]
[Hollywood 2049: Living with Water]
Other Works (iii): Zuloark Workshop at XJTLU Group Work: Recyclable Pavilion Construction Project title: Xi'an Jiaotong Liverpool University Zuloark Workshop Location: Suzhou, Jiangsu Provience, China Duty: Team Leader of Design and Construction (1/8)
1 1 DESIGN T h e f i rs t p a r t o f t h e p a v i l i o n construction is to design chairs of different heights according to the sitting scale of adults and children.
1 2 FOUNDATION After completing the basic seat, in order to strengthen the chair, the design team used the multi empty steel plate and painted it, and added it around the chair as the chair back.
1 3 COLUMN After completing the basic chair design, each group has designed a column support to support the bamboo ceiling on the top. The construction process is made by welding the reinforcement column and painting with black and yellow.
Description: During the workshop, team members designed and constructed a resting area for the students and tutors. Following the goal to reduce footprint, we explored new design approaches by using new and re-used materials. In this project, the team used different craftsman techniques, materials, and joints to analyze the structure and construct. The pavilion is composed of eight parts, which are combined together to provide teachers and students in the design building with space for rest, class, chat and party.
1 4 BEAM & CONNECTION After the column is installed, wooden beams are built on the top and connected with the column below through 3D printing nodes
1 5 ROOF PANEL The last part of the construction is to weave bamboo strips with wire to form pieces of panel and cover it on the beam.
Construction photos
Detailed photos