Portfolio.2o14

Jacklin Lee Pamphlet Architecture (2014-15 works)

.16 .15

Certificate

.Toiec / 865 (2014)

.14 Activities .United Land-ing Modules Projct Workshop .Undefined City / TKU freshman’s Workshop

.11

Education

.Tamkang University 2011-2014 .California State Polytenic University (Pomona)Exange student 2014-2015

.13 Working Experience .Ekuo Architects (Summer Intern)

Selected Works Fall

Composite and Collage of Raffia Dress, Alexander Mcqueen

Winter

1-22

Aquantic Winery

23-32

Preservation Program Music Academic

Spring

33-48

Urban Scale Project ; Spectacle of Nakedness

Journal

49-54

Composite and Collage of The Raffia Dress.

Alexander Mcqueen ARC499 - Draw : Anatomies, Geograph & Trajectory

Paris/ French (Design) Italy (Made) 2000

By deconstructing the dress’s traditional silhouette Alexander McQueen challenges tradition. Here Mcqueen employs a sculpture shape that while exquisitely constructed, emphasises a disconcerting asymmetry.

Thus in McQueen’s hands the dress has moved well beyond a conventional interpretation of wardrobe staple.

After thoroughly understand the traits of McQueen’s design which also reflected on the Raffia dress. I developeda sequence of motion graphics of how human body and the clothe interact. The idea of composite drawing shown by experimenting graphic technics, such as using grasshoper to grow density which caused by the wripple of the clothes.

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Composite and Collage of The Voyager, Burt Rutan ARC499 - Draw : Anatomies, Geograph & Trajectory

Mojave California (Made) 1981

Designed by Burt Rutan, flight by Dick Rutan / Jeana Yeager. Unique design extremely light with vast fuel compacity.

There are two different engines provided power to the front and rear propellers.

Holder of the major first time two pilots traveled around our entire planet without pausing or refueling. In just 9 Days in December 14 - 23th 1986, It flew around the world nonstop and unrefuel.

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Temecula

Arch 401 fall.14

Aquatic Winery

6

AQUATIC Winery After getting a comprehensive knowledge from advanced wineries tours with the studio. The project was developed diversely from few phases.

First, it was intrigued by the tensions and regularities of the pattern from wine leaves. Second, based on the refreshing education of wine tasting, we were asked to design unique wine labels and wine bottles for the clients.

Through observing the grid system from the vineyards pattern, i categorized the nodes and marked it with numbers by the quantites of branches it has connected. String the relatively same nodes, and it would naturally gather into clustes.

After inspiring from the regularities of the vineyards pattern, I started to study the possibilities it would appear as an architectural form.

3 2 1

Model illustrate the linear connection between the nodes.

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8

Studying models of the prototypes for original topography and wineries programs.

Showing original typology of Temecula vineyards.

Floor levels provide efficiency for the winery.

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Combination of both

0 12

....

7

8

0

fig.1 Diagrams above expressed the developements from the vineyards patterns. While the patterns started to transform into 3-dimensional architectural space, it has to consider adaquate usage for the winery and pools as well. fig.2 ,3 After flipping all the linear connection on the surface, spacing it in 3 dimension space. fig.4 ,5 Respectively line drawings for prototypes, section and plan.

fig.6 The roof not only served as a canopy for the indoor pools, it is also the extension of the vast vineyards.

The underwater view of the main pool pool shows the water flood both inside and outside connecting via the water.

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[The route for swimming pools users.]

[The process for winemakers.]

Crushing /Fermenting Tanks

Sending the grapes down to the tanks by gravity.

Main pool/ Children pool

Fermenting Vats /Mechenic Room White wine fermenting on different time and different temperature.

Changing Room

Barrel Storage

Putting barrel storage space under the swimming pool. The swimming pool can not only block the sun, control the underneath temperature and moisture.

Tasting pool

Wine Lab

The most high level place of the winery process, enable workers have a good veiw, and more easy to see all the wine process.

Private pool

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Tasting Pool

Main Pool

Tanks Room Barrel Room

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fig.1 Section view from the primary wine-making building, where mainly wine process occured. After harvest, grape picking, winery workers poured the grapes into the tanks for fermenting and crushing from the ground floor to lower floor.

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The project aims to elaborate the water and winery elements. Nevertheless, it overthrows traditional impression of the darkness wine cellar. While the bottom level gets slightly natural light source through the swimming pools, the swimmers also have a unique experince observing the process underneath them.

Even if the winery was divided into two programs, it shows its uniqueness from the design when people undergo both simultaneously. fig.2 There are specific advatages for the wineries to built underneath the pools. Through the water above, the heat would be cool down to adequate temperature for the cellar. In addition, it adapted and provided the humidity.

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Perspective view from the wine tasting pool. Allowing people to enjoy the boundless vineyardsfield, and the overview of the winery from above.

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Section sliced from the short elevation, upper for mainly for entertainment usage; on the other hand, bottom floor has spatial space for wineries.

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+0

UP

1F PLAN

Plan view showing the typology of Temecula and the sliced through the bottom floor of the winery.

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(+4’)

Plan drawings expressing the relative spots between upper pools and the bottom winery cellar. Taking advantages of the slope, the machines for wine-making were mostly built underneath the ground.

Temecula originally reknown for its wide fields of vineyards, thus the winery should be naturally fit into the scenery. The shape of the building not only enable people easily interact and view to the vineyards, but it also allows the plants grows on top of it while its rooftop extended from the ground.

DN

+20

+12 DN

+8

+6

+17

DN

2F PLAN +0’

+4’

19

+8’

+12’

(+16’)

+24

+20

+21 DN

3F PLAN +0’

+4’

+8’

+12’

20

(+28’)

LAB

ELS D

SIGN

Cheers WINERY

RoussanneNot usually found as a single varital this crisp green apple forward wine pairs well with poultry and light summer fare. Estate Grown on one acre, this grape from France’s Rhone Valley has produced a subtle, lightly perfumed, dry white WINERY wine with just a hint of Viognier-like fruit.

Cheers

Cheers SYRAH

VINTED AND BOTTELED

BY CHEERS ESTATE, TEMECULA , CA

Roussanne

cHEERS

SYRAH

cHEERS

Winery

VINTED AND BOTTELED

BY CHEERS ESTATE, TEMECULA , CA

ALC 15.0% BY VOL 750ml

Winery

Grenache

VINTED AND BOTTELED

BY CHEERS ESTATE, TEMECULA , CA

GRENACHE

cHEERS

ALC 14.2 % BY VOL 750ml

FRONT

BACK

BACK

Inks.

The idea of the bottles and labels design for the beer guys inspiring from the overflowing foam on top of the beers.

Since each wine has its own colour owing to different types of grapes. The legnth of the dripping ink was designed to differentiate from relative depth of ink color.

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WINERY

Produced from classically head-pruned vines in the rolling hilltop Palmador Vineyard, this medium-bodied dry red wine exhibits typical Grenache fruit-forwardness, with nice touches of American oak, and a soft low-tannin finish.

Winery

BACK

FRONT

FRONT

Cheers

WINERY

Grown in the granitic soils with the abundant sunshine and caressing cool ocean breezes of the region, Syrah displays rich fruit, great depth and color, and a long, lingering finish.

ALC 13.7% BY VOL 750ml

Model for the overall view of Temecula.

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Preservation Program Music Academic

Bullocks Downtown

Arch 402 winter.14

Collage of the prosperous LA downtown with Bullocks building.

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The bullock’s company operated few well-known full-line department stores all across Los Angeles, it was also one of the remarkable historical building during the old times. Nowadays, it has the goal to renew the building and bring back the prosperous downtown view.

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fig 1. Searching for the past elements left from the hotel. The numerous billboards placed along S. Broadway street stands for another symbolic icon and image for Downtown. fig 2,3,4. Original light sources in bullocks building.

NW

SE

Relative location with the neighbors

+ Front Edge

+ Back Edge

S. Broadway street

+ Front Sight

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S. Vicent Street

+ Back Sight

+ Side Edge

SouthEast

The project aims to preserve the original activities which already existed in the area, Accordingly, the strategy was using the datum line from the neighbor buildings, and project it onto the Bulllock. fig1. Imagine there has several cutting surfaces sliced through, all line refer to the nearby buildings.

Also, the diagram showed the reference from four directions. fig2. Closer perspective view from futher away looking toward Bullock.

NorthWest

NorthEast

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NW

SE

Model expressing the datum lines project on the modulated building.

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Private . Dorm . Practice

[Programming] Public . Cafeteria . Library

Performancing Auditorium

[Circulation Core] Semi Outdoor Space

Exploded axonometric diagram showing the process of composite program for the music academic.

Since the project was to preserve most of the original elements, to do so we were asked to retain the ciculation and the facade.

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Rehearsal Space Space Allocation

Personal Rehearsal / Dorm / Recording Room

Space (sf.)

144 (12’x12’) / 256 (16’x16’) / 400 (20’x20’) / 100 (dorm mixed rehearsal)

Amount Total

Performance Space

Library

Small Group

Large Group / Chorus / Orchestra /String

144 (12’x12’) / 400 (20’x20’)

2740 (52’x52’)

5000 (80’x60’)

1000 (16’x60’)

4

1 5, 000

1 1, 000

5

15

2, 880 / 40, 000 / 2,000

6, 000

8, 100

Main section drawing showing how the new design fits into the original modular space.

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Parking

350

100 35, 000

Main Circulation Dormitory

Backstage

Semi-Outdoor Performance Space

Music Hall

Classrooms

Library

Platform

Commercial space

Office

Cafeteria

Market

8F(104’) 7F(92’)

6F(77’) 5F(63’) 4F(49’)

3F(34’) 2F(20’)

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Commercial Area

Private Area

Public Area

Zoning express from the model.

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Photos of physical models.

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Urban Scale Project ; Spectacle of Nakedness In collaboration with Kyat Chin, Andrew Lytle, Saba Salekfard

West Hollywood

Arch 403 spring.14

Spectacle (spek-tuh-kuh) a visually striking performance or display Synonyms comedy, demonstration, display, drama, event, extravaganza, movie, pageant, parade, performance, phenomenon, scene, sight, representation, marvel, play, prodection, Naked (nek-kid) being without clothing or covering; nude Synonyms bald, bare, defenseless, exposed, helpless, nude, bare-skinned, natural, peeled, unclad, unprotected, unveiled, vulnerable, stark-naked,open

The bathhouse is central to the history of West Hollywood.

Unfortunately these bathhouses have been replaced by high-end retail and luxury apartments.

This is a real loss to the culture of West Hollywood. This project is an opportunity to bring the bathhouse back. To do so we studied Roman therms, Turkish baths, and Ottoman hammans for inspiration.

The project aims to create a layered performance space: a place of spectacle and “frisson�.

The design of this project allows hotel guests, office workers, and shoppers to be captivated by the bodies of bathers.

The site is located adjacent to West Hollywood Park between Robertson Ln. and La Peer Dr. intersect by Santa Monica Blvd.

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Open spaces

Nutritionists

Vitamin shops

1/2 mi

Gyms Spas

The City of West Hollywood has its own unique cultural attitude towards the body and to self-expression.

The buff, male body is an object of desire-one that is often on display.

Health retailers, vitamin shops, gyms, and spas are common and part of the populations’ interest in maintaining a fit and healthy body.

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The project is organized in three layers, First Level being retail, Second level being offices, and Third level being hotel. Each layer's design intent is different from one another but is connected with the geometries of recurring spas and bathhouses.

Process diagrams expressing the specific spaces bathers would been through after accessing the bathhouses.

Exploded axonometric drawing exposing of the stacking programs for three floors.

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Hotel Floor 3 Stories 300 sqft / room 150 rooms

Office Floor 65, 000 sqft

Retail Floor 60, 000 sqft

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Section drawing As a generator for “frisson� and friction, the bathhouse occurs in all layers of the project. Spherical geometries continue across floors, accenting baths and landscapes.

The interruptions of the pools allows for various sights to be connected. They exist in all contexts, providing visual connections between the different levels.

Users could be working at desks and see hotel residents bathing above them.

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View from Parking Lot.

View from the Santa Monica Blvd.

Bathhouse adjacency to the public space.

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UP UP

UP

UP

Parking Lot Plan. The layers are connected with large, structural, circulation cores featuring stairs and elevators. (similar to the Toyo Ito’s Mediatheque project).

Secondary cores act as light wells, and will provide an additional layer of structure.

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Retail Floor Plan.

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This project will place the human body at the center both figuratively and literally. Thus, it will give people an opportunity to admire the body of others or to be admired themselves.

The retail floor features the latest brands and stores of health and wellness. The bathhouses are placed in the center of space, unifying the retail programs. Circular geometries allow visitors to weave through all the various retail stores.

When people reach the first floor, they’ll notices they are in the center of various events. People peer through the circular vitrines of a retail shop to admire the latest Lululemon athletic wear. Visitors in robes walked past by, onto their next sequence of the bathing rooms. their attention wanders when they see a dozen uncovered bathers lounging next to the cold bath and sauna.

Bathhouse adjacency to retail on the ground level.

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Office Floor Plan.

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Curious, People heads to the second floor offices. They enters an open plan office environment. In between workers in suits toiling in cubicles are uncovered bathers relaxing in pools. Piles of clothes line walls of the cubicles as workers undress in anticipation of joining the bathers.

There are skylights giving him glimpses to the floors above. They notice more baths and people in bathrobes, propelling them to explore further.

Cubicles embody the circular geometries existent within the other floors. The urban landscape continues onto the office floor, allowing a direct connection to the boulevard. In between cubicles are small gatherings, where users can go to relax and take breaks from their work.

Bathhouse adjacency to office spaces on the 2nd floor.

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Hotel Floor Plan. Pools present themselves as spherical additions and subtractions from the more normative project prism. The result of the spaces created allows visitors to wander above, between, and below the geometries to see and be seen.

Circle Geometry Diagrams for Three of the Hotel Units.

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The landscapes behave differently from the surrounding geometries of the architecture and serve to interrupt and filter views.

These interruptions are needed in order to both reveal and hide portions of the project. This project will place the human body at the center both figuratively and literally. Our project will give people an opportunity to admire the body of others or to be admired themselves.

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4th Year fall. 14 - spring. 15

Journal

Accumulating the sketches during the journey.

50 Manhattan, Brooklyn

08.26 - 09.19

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1

PWP Landscape Architecture /2011 2 of “1� acre voids/SCALE > 911 Mermorial Park

4 1

Locations of the spot

The apartment where I stayed in New York is situated right next to the Mermorial Park.Whenever I went back home I saw crowds of policeman and a lot of people strolling in the park, contemplating in front of the waterfall. There were many designing details in this project that trigger my emotion.

- The two voids, originally the Twin Tower, resulting from the damage of 911 was kept with the previous scale in order to remind everyone of the happening of 911.

- The victim names were pierced on the bronze parapets of the voids, with golden light shining through the the names to strengthen the sacred feeling.

- The waterfall also has light from behind, beautified and enhanced the visibility of it.

- The sound of the waterfall can covered the voices of people as one get closer; contrasting with the silence that one normally gets from other memorials, the wave of water sound washes through and surges one’s feeling.

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2

Diller Scofidio + Renfro Piet Oudolf (planting designer) /2014 SCALE/1.45 mile-long

> The High Line

West 30th Str. - High Line at the rail yards 26th Str. - Viewing spur 23th Str. - Lawn 17th Str. - 10th Avenue square 16th Str. - Northern spur preserve / Chelsea market passage

15th Str. - sundeck and water feature 14th Str. - 14 street passage Gansevoort Str. - starting point The High line was the place I went there once a week. It expended the fuction of park in another form and scale, which is the urban people need the most.

Sketches’ Plan

Sketches’ Section

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Roosevelt are not always the place on the top list for tourists to visit.

But among all the spot I went, it was the one which amazed me the most.

> Roosevelt Memorial Park

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Skeches’ of the perspective

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Loius Kahn > The Roosevelt Island /2012

> The Brooklyn Bridge /May24,1883

The Roosevelt Memorial Park showcased Loius Kahn’s amazing ability of creating large atmosphere with limited space.

We took the tram to get to the small island between NYC and Brooklyn district. The “red tram” which spiderman rescued in the film.

It takes about 1 hour to walk from brooklyn to Manhattan through brooklyn bridge. It’s freezing in NY already in Sep. I’ve wore scarf and coat everday, But it’s all worth it after seeing night view of amazing NYC.

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fall. 14 - spring. 15

Journal

Accumulating the sketches during the journey.