CHEN CHI JAN
簡介: /ABOUT ME +886-975-173-978 +Email
+Issue
gzy88988@gmail.com
2017-2022
淡江大學建築系
2020
田中央聯合建築師事務所+田中央工作群
2022-2023
田中央聯合建築師事務所+田中央工作群
2021
仲觀聯合建築師事務所
新竹龍山國小群英樓 :
1997
陳祺然
CHEN CHI JAN
新竹香山公園綠地環境改善計畫 : 新竹建功綠帶暨周邊環境改善設計 : 宜蘭員山童玩公園 :
實習
實習
建築設計師
擋風牆馬賽克設計 規劃報告書、基本設計 細部設計、發包書圖、建築執照申請 細部設計，鋼構模型建模
CONTENT
EA1
晶と煙のあいだ How House 2.0
EA2
Cat pavilion A dialogue between stability and instability Markets and classrooms to explore
EA3
Design life in the woods
EA4
Abstract Machine of Explosive Art The Volume Of Freedom
EA5
簌簌 SUSU -The Cature of Forest Perception
OTHER WORKS
Digital mosaic calculation WINDOW OF THE SEA
EA1
偶然與必然結 晶と煙のあいだ
EA1
HOW HOUSE 2.0
EA2
The cat pavilion became a sanctuary for TAMCHUI cats and residents, covered by a bamboo structural frame system and a translucent PVC roof. When the cat walks over the roof, people below can vaguely feel the movement above, and the uncertainty of the cat from static to dynamic provides more fun.
AA 剖面圖
8
BB 剖面圖
貓亭 Cat pavilion
In addition to catwalks, cat grasses are planted in some locations on the outer frame to continue the ecology of the surrounding green space, while providing lateral shelter for cats and people. Cats walk in undulating catwalks and jumping platforms. People can have more opposing cats. Highly different interactions.
EA2 The design uses concrete solid walls, steel structures, and light translucent skins to divide stable and unstable spaces, and fragments the volume, oriented in all directions to absorb the multi-faceted people around, while moving stairs, elevators, etc. vertically. The line is arranged on one side of the main facade, so that the flow of people inside can form a silhouette through the translucent skin, which echoes the busy traffic and crowds on the outside. In order to create a level transition from unstable to stable space, I plan to move from outdoors to semi-outdoors to indoors. For example, the moving line on the south side, step into the grass after passing the low wall, and then climb the spiral ladder to slowly enter the stable. Reading space. The central movement line passes through the gradually compressed Chuantang, and finally releases to the outdoor space. What you see is the framed view of the deep grassland.
安定與不安定的對話 A dialogue between stability and instability
EA2
探索的市集與教室 Markets and classrooms to explore
CONCEPTUAL MODEL
DEVELOPING MODEL
量體穿插虛實空間
DEVELOPING MODEL
半透明的皮層
3X6m 單元模矩的多個型態
方案 C
方案 C
方案 C1
方案 C1
My concept is to create a series of spatial and cultural 我的概念是創造一連串空間、文化上探索的體驗， exploration experiences,in order to attract nearby tourists to 以吸引附近遊客前往當地市集，進而活絡社區。 the local market, and then activate the community.So I decided on several methods of operation:
EA2
於是我定出幾種操作手法 :
1. Raise the height of the building to attract people into the street with a unique shape. 2. 1. The translucent cortex faintly reveals internal activities, 將樓高拉高，以獨特的造型吸引人們走入街廓。 which makes people want to enter 2. 半透明的皮層隱約出內部的活動行為，進而使人想入 Check it out inside. 。 3. The內一探究竟 interior is arranged like a maze of moving lines, allowing people to wander around the market and Between the civic 3. 內部如迷宮般的配置動線，讓人迂迴的遊走於市集與 halls, experience the local space and culture.
公民會館之間，體驗當地空間與文化。
錯綜的動線
方案 A
6
方案 B
7
8
FINAL MODEL
STRUCTURAL MODEL
方案 C2
FINAL MODEL
方案 C2
In the development process, I used 3x6m as the shop unit, It is also the basic unit of the building, through the fragmenta在發展過程中我用 X 6m creatingThe 的模矩作為店鋪單元， tion and disengagement of the3unit, penetrability of the building volume, and peopleʼs viewing between the 也是建築的基本單元，透過單元的碎化與脫開，創造 many outdoor platformsThe possibility of online communication 出建築量體的穿透性，以及人們在眾多戶外平台間視 and the modulus are also conducive to the flexible placement of market stalls an dMerger between classrooms. 線交流的可能性，模矩亦有利市集攤位的彈性擺放及
教室間的合併。
The interior of the building takes a large virtual space as the protagonist, connecting variousSpace of different nature and PROGRAM. Gradually from the ground level 建築內部以一個大的虛空間作為主角，串連起各個 Convergence, making each space visible to each other, 不同性質、PROGRAM 的空間。量體從地面層逐漸 attracting people to explore upwards.
收斂，使各個空間互相可視，吸引人們向上探索。
方案 C1
9
24
22
The building is turned 45°, facing the surrounding streets with the four façades, strong To optimize the accessibility of visitors from the street into the building. Southwest is a citizen The main entrance of the hall, convenient for residents to quickly go to the high-floor civic hall space. On the first floor of the building, there are several shop units surrounding the central bazaar. Virtual space, while the market also stretches to 2 and 3 in a scattered manner The semi-outdoor platform of the builing. The purpose is to use activities to blur the market and the public The original clear boundary of the Minhui Hall creates more opportunities for tourists and local residents to chat BB 剖面圖
17
EA3
Design life in the woods Letʼs stay up all night to do the design.Everydayʼs students, as soon as they look upIs a touch of sunshine and greenery,Students sitting on the floor in the shadeAfter listening to classes, activities, and even sendingTable works, exchanges and comments.Occasionally leaves fallfrom the front, Maybe it's a flash of light.When I saw the leaves gradually turn red.I can't help but sigh. Ah! ~ timeHow can the time pass so fast?It's autumn. This is the life of the designer!
Sketch classroom
Atrium presentation space
Sky corridor
Lobby social space
Office Space
Roof terrace
Design classroom
Atrium presentation space
Living laboratory
Sky corridor Design classroom
Living laboratory
Atrium presentation space Lecture room Design classroom
Lobby social space Exhibition space
Sinking plaza
Lecture room
equipment room
park
wind sunshine
Lecture room
C-C’SECTION
Spatial organization sunshine
Office Space
5F
Independent studio
4F
Sketch classroom
Sky corridor
Lecture room
3F Design classroom
Lecture room
Atrium presentation space
2F Design classroom
Lobby social space library
1F Exhibition space Sinking plaza
Woodwork Lecture hall
B1
Material shop
EA4 I know that insisting on using gunpowder as a material actualy comes from a basic motivtion. I want to explore the relationship between the power of deconstruction and the power of creation. The artist is not Predictability, contingency, ucntrollabilityZhi always cheishes infatuation and awe. Sometimes these concepts can be social or conceptual, but sometimes It is also material, physiologcal and emotioal.damage
Cai Guo Qiang
Reconstructed independent bookstore
PROGRAM: The process of democratic resistance is a bit like an explosion. After the fuse is detonated, the original system begins to collapse. Pavilion of circulation
Tossing Tower
Fragile bridge
I chose the four bases on Zhongshan South Road and Zhongxiao East Road. You can often see parades and protesting teams. Their purpose is nothing more than to let the public see them, and even appeal to arguments and touch the government. Therefore, the purpose of the building is to break the original interface and make these protest appeals magnify to the facade for public attention. It also provides a platform as a viewing stage for democratic education, and the retractable scaffold provides shelter for the people who have been fighting for a long time.
EA4
THE VOLUME OF FREEDOM
+
= architecture?
AIM The goal of this design is to explore how origami technology can be combined with inflatable structures to form a form of architectural scale, thereby changing the spatial pattern we generally recognize. In recent years, origami technology has been widely used in the fields of engineering, space, and robotics. Its easy storage and ability to deform with the environment has great potential to be used in environmental interactive devices. Combining with the inflatable structure can solve the problem of kinetic energy, and at the same time, the inflatable structure can be controlled to a certain extent after the original deflation, and even stress. Therefore, we ask (what will happen if multiple origami patterns are applied to architectural spaces? How does the resulting space change people's lifestyles?)
Process
UNIT
ADVANTAGE
MOVABLE
RETRACTABLE
TRANSFORMABLE
RECONFIGURABLE
TYPE 1
TYPE 8
WALL
WALL
Inflated uninflated
Inflated uninflated
TRANSFORM
TRANSFORM
TYPE 2
TYPE 5
WALL
ROOF
Inflated
Inflated uninflated
uninflated
spatial arrangement TRANSFORM
TRANSFORM
TYPE 3 SPACE DESIGN
TYPE 6
SPACE DESIGN
wall
WALL
WALL
Inflated uninflated
top
perspective
top
wall
Inflated uninflated
perspective
TRANSFORM
TRANSFORM
TYPE 4
TYPE 7
SPACE DESIGN
SPACE DESIGN
WALL
Inflated
WALL
uninflated
top
perspective
top
perspective
Connect the three inflatable units face to face, and the upper and lower units will influence each other when they are inhaled, so they will form eight types of heightVaryingfrom 142.5~285.0cm, corresponding to the height of different behavioral scales, which may form walls, eaves and columns
TRANSFORM
Inflated uninflated
TRANSFORM
The combination of the inflatable unit and the folded plate makes it possible to harvest the polygonal side length, 19cm, regardless of the cross-section of the unit, the side length of the polygon, 19cm, uses this feature to arrange in space to form a device that can interact with the environment. But the line of sight penetrates and sometimes forms a path.
EA5
簌簌
SU SU 山林感知的捕捉器
The Capture of Forest Perception
1
2
3
4
自然現象分析
自然現象構築設計
竹編逆向工法研究
1:1構築實驗
Natural phenomenon analysis
Natural phenomenon construction design
Research on Reverse Construction Method of Bamboo Weaving
1:1 construction experiment
KEY WORD:
綿密的箭 竹林高過 人頭︐撥竹 找路宛如 游泳︒
森林線以上，氣候寒冷、風勢強勁，除了 低矮灌木，就是各種身形矮小、花季時大放 異彩的高山植物，也是臺灣物種特有比例 最高的區域，如玉山杜鵑、玉山薄雪草、高 山白腹鼠和雪山草蜥等皆生活於此。
穿越針葉 林︐樹木高 聳入雲︐人 們顯得好 渺小啊︒
海拔處以冷杉為主。海拔較低處則以台 灣鐵杉及台灣雲杉為主。喬木層下的地被 植物則以箭竹、蕨類及蘚苔植物等。動物種 類不多，包括帝雉、台灣朱雀、金翼白眉、岩 鷚、雪山草蜥和台灣蜓蜥等。
走進一片 霧︐看不見 前方︐也看 不見後方︒
終年潮溼，因為雲霧終年繚繞，又稱為「 盛行雲霧帶」或「霧林帶」。生態系中的優勢 樹種由針葉樹和闊葉樹所組成；針葉樹種 包括紅檜、臺灣扁柏、臺灣杉和臺灣肖楠； 闊葉樹種主要由樟科（如臺灣肉桂和豬腳 楠）和殼斗科（如長尾柯和森氏櫟）所組成。 生態系中的攀爬植物豐富，並有地衣和蘚 苔植物附生樹幹和地表。
Above the forest line, the climate is cold and the wind is strong. In addition to low shrubs, there are all kinds of alpine plants with short stature and brilliant blooming season. It is also the region with the highest proportion of endemic species in Taiwan, such as Yushan Rhododendron, Yushan Snowgrass, Alpine White The belly mouse and the snow mountain grass lizard all live here.
The elevation is dominated by firs. The lower altitudes are dominated by Taiwan hemlock and Taiwan spruce. The ground cover plants under the tree layer are arrowbamboo, ferns and mosses. There are not many species of animals, including Emperor Pheasant, Taiwan Suzaku, Gold en-winged White Eyebrow, Rock Pipit, Snow Mountain Grass Lizard and Taiwan Flying Lizard, etc.
It is humid all year round, because the clouds and mists linger all the year round, also known as the "fog forest belt". The dominant tree species in the ecosystem are composed of conifers and broad-leaved trees; coniferous tree species include red juniper, Taiwan cypress,Taiwan fir and Taiwan Xiaonan; broad-leaved tree species are mainly composed of Lauraceae and Fagaceae. Climbing plants are abundant in the ecosystem, and there are lichens and mosses epiphytic trunks and ground surfaces.
FLOWING 3000M
高山草原
2500M
針葉林
1800M
針闊葉混生林
UPWARD
FOG
BAMBOO 層層疊疊︐ 樹冠與光 線包覆著 我的知覺︐ 一層又一 層︒
闊葉林與針葉林相較，在對雨水的截 叉、樹形傘狀，葉片寬闊濃密，叢生；和 附生植物、藤本植物的繁複，當大雨傾盆 而降時，經過樹葉、樹枝等層層截留，幾 乎沒有一滴雨水能由天上直接滴到泥土上 ，它們是會慢慢的匯流到樹幹之後，再匯 流到土壤中。
Compared with coniferous forest, broad-leaved forest is in the interception of rainwater.Forked, tree-like umbrella-like, with broad, bushy, tufted leaves; andThe multiplication of epiphytes and vines, when the rain pours When falling, it is intercepted by layers of leaves, branches,etc.Hardly a drop of rain can drop directly from the sky to the soil, they will slowly converge to the trunk, and then covergeflow into the soil.
OVERLAPPING
500M
闊葉林
NATURE
闊葉林 Broadleaf forest
霧氣粒子 樹冠層
闊葉林樹冠層層疊疊的狀 態被轉換為4層不同編織 密度的框架，形成包覆感 的空間，光線經過框架過 濾，在內部投射出不規則 的光斑。
The layered state of the canopy of the broad-leaved forest is transformed into a frame with different weaving density, forming a space with a sense of wrapping. The light filters through the frame and casts irregular light spots inside.
弧形的屋頂捕捉掉落的落 葉， 漸漸形成新的屋面。
The curved roof catches fallen leaves and gradually forms a new roof.
+
Light received100%
FOG
喬木層
Light received10~50%
+
針闊葉混生林 Coniferous and broad-leaved mixed forest
灌木層
Light received5~10%
地表層
Light received1~5%
+
Penetrability
Density gradient
Type change
向上 UPWARD
10M
針闊葉混生林長年霧氣壟 罩。我將4層編織網格疊加 ，藉此在透視上隨著身體 移動而產生視覺上的變化 ，就像霧氣模糊不清，沒有 明確的邊界。
Coniferous and broad-leaved mixed forest perennial fog ridge cover. I superimposed 4 layers of woven mesh to create a visual change in perspective as the body moves, like a fog that's blurry with no clear boundaries.
裝置攔截迎面而來的山嵐 ，形成小水滴附著。
The device intercepts the oncoming mountains and forms small water droplets attached.
boundry
Particle
Density gradient
Curve
Construct
針葉林 Coniferous forest
water change states
流動 針葉林樹高11~13m，樹 木挺拔垂直向上，行走其 中， 彷彿在柱列中遊走。 我試著將地面與垂直向上 的語彙縫合，形成一個從 地面彎曲向上的編織構架 ，旅人可以或坐躺，而視線 被引道到上面的天空。
The height of the coniferous forest trees is 11~13m, and the trees are tall and straight up vertically. Walking among them is like walking among the columns.
FLOWING 依舊
OVERLAPPING
青山
重疊
Unit area
I tried to stitch the ground with the vertical upward vocabulary to form a woven structure that bends upwards from the ground, the traveler can sit or lie down, while the eyes are directed to the sky above.
gas
Construct
高山草原 FLOWING
Plural unit
Construct
roll
Permutations
高山草原風勢強勁，旅人 們常常被吹得走路都搖搖 晃晃的。
The wind in the alpine grassland is strong, and travelers are often swayed when they walk.
我設計一個隱藏於山坡中 的避風所，編織紋理仿照 周遭被風吹拂的箭竹與圓 柏，讓旅人能暫時休憩，靜 下來聽聽風的聲音。
I designed a shelter hidden in the hillside, the weaving texture imitates the surrounding arrow bamboo and juniper blown by the wind, so that travelers can take a break and listen to the sound of the wind.
Field
Wind field
Type change
Thin shell
Flowing fecade
Construct
Flowing fecade
liquid
Descriptions of Design: Sù Sù _To capture the feeling of forest is the design intent for exploring perception. This motivation comes from personal experience while resting in the shade The warm daylight filters down from the gaps between the leaves and the shadows as inter weaving with the sunshine together. When tree shadow covers people, the boundaries between internal and external spaces begin to ambiguous. So I imagine about representing a scenario under the shadow of a tree, taking light and shadow to disintegrate the boundaries between craft and nature. Started from my mountaineer experience, the transformation of continuously forest physiognomy are integrated into 4 conceptual installations, such as capturing fallen leaves, fog and wind, and enhancing the perception of the external environment. I use the natural material, bamboo to make this mock up. In order to reduce the framing difficulty in the forests, a simplified fabrication process for weaving cur ved bamboo is developed parametrically. The light weight frame could be cur ved and erected by ver y limited manpower. In the end, the fecade is to simulate the texture of nature. It is woven with bamboo strips and branches. By using the bamboo fabrication weaving, it creates an atmosphere covered by several different layers under the shadow of a trees. It represents the primitive sensation of resting in the mountain.
簌簌的型態仿照連 結 大 地 的 苔 癬 ，像 一個大地間隙中的 小小庇護所。
void
living
dining
entrance
void
void
countryard
cell
Space units can be expanded by combining to form spaces that support different activities. For example, take a break, have a picnic, get together to chat, etc. The combination of 3 units creates a centripetal space opening; the combination of 4 units forms a small virtual space and brings in greenery; and the combination of 6 units produces a covered garden.
The space plane presents the geometric form of 3 hexagonal combinations, but with the combination of space units, when people walk around, there are endless changes in sight. The arrangement of thin bamboo strips produces changes in permeability.
簌簌 SU SU
山林感知 Forest perception
簌簌的型態仿照連結大地 的苔癬，像一個大地間隙中 的小小庇護所。
Su su is imitated by moss that connects the earth, like a small shelter in the gap between the earth.
空間能藉由單元的組合擴 張，形成大大小小的虛空間 ，包覆著人與植物，使人與 自然在同一個空間共存。
The space can be expanded by the combination of units, forming large and small virtual spaces, covering people and plants, so that people and nature coexist in the same space.
boundry
pull up
deformation
form
weave
Construct
空間能藉由單元的 組 合 擴 張 ，形 成 大 大小小的虛空間， 包覆著人與植物， 使人與自然在同一 個空間共存 Su su is imitated by moss that connects the earth, like a small shelter in the gap between the earth. The space can be expanded by the combination of units, forming large and small virtual spaces, covering people and plants, so that people and nature coexist in the same space.
1. 構造與工法
2. 數位輔助生成骨架 Digitally Assisted Generation Framework
Structure and construction
3. 標點定位 Punctuation
4. 點位編碼對應 Point code correspondence
control point, fixed point
point coding
竹條
create form plan
create form dirgram
create force dirgram
Curve flattening
vetical equilibrium
bamboo strips 利用 rhino 計算出最優化的結 構型態，之後將六角網格投影 其上， 形成空間 結構骨架。
START (RIGHT)
245.3
A1 A1
A3
A2
A4
48.3
36.8
28.9
21.3
24.1
19.7
18.9
278.7
A2
42.7
37.3
31.5
26.3
22.9
20.8
19.5
18.9
18.6
A5 269.7
A3 A6
A7
33.2
Use rhino to calculate the optimal structural form, and then project the hexagonal grid onto it to form the space Framework.
24.7
27.0
21.7
23.3
20.2
19.3
18.8
18.6
18.5
243.4
A4
18.9
A5
18.5
19.7
20.0
20.1
20.1
19.9
19.4
19.0
18.7
18.5
18.5
18.5
238.9 18.5
18.5
18.5
18.5
18.7
18.8
18.8
18.7
18.6
18.5
18.5
224.1
A6 A8
29.7
37.6
19.2
19.4
19.2
18.7
18.5
18.7
18.9
18.9
18.8
195.2
A7
22.1
20.2
23.9
23.6
21.0
19.0
18.7
19.5
19.9
135.7
A8
44.6
26.1
18.9
18.6
19.8
139.3
B1
18.9
18.8
18.6
18.5
18.6
18.8
18.9
185.6
B2
19.5
19.2
18.9
18.6
18.5
18.6
18.9
19.2
19.5
237.4
B3
22.1
20.9
20.0
19.3
18.7
18.5
18.7
19.3
20.0
22.1
20.9
326.9
B4
30.6
26.7
23.7
21.5
20.2
19.0
18.5
19.0
20.2
21.5
23.7
26.7
30.6
439.3
B5
41.5
35.0
29.9
21.4
24.8
19.3
18.5
21.4
19.3
24.8
29.9
35.0
41.5
414.1
B6
48.8
37.9
28.4
22.5
19.5
18.6
19.5
22.5
28.4
37.9
48.8
225.3
B7
36.3
26.5
21.5
19.2
18.5
19.2
21.5
26.5
36.3
55.8
B8
18.7
18.5
18.7
將3D模型拆成3個相同的單元 施作，之後把骨架依序攤平，從 而計算每個竹條的交點與所需 材料的尺寸。
通過數位軟體輔助編碼，將竹 條的每個交點加上編號，並生 成對應的編號組裝圖。
The 3D model is divided into 3 identical units, and then the skeleton is flattened in order to calculate the intersection of each bamboo strip and the size of the required material.
Through digital software-assisted coding, each intersection point of the bamboo strips is numbered, and the corresponding numbered assembly drawing is generated.
竹框架 245.3
A1
bamboo frame
48.3
36.8
28.9
21.3
24.1
19.7
18.9
Digital coding to generate comparison chart, staking chart
278.7
A2
42.7
37.3
31.5
26.3
22.9
20.8
19.5
18.9
18.6
269.7
A3
33.2
29.7
24.7
27.0
21.7
23.3
20.2
19.3
18.8
18.6
18.5
243.4
A4
18.9
19.7
A5
18.5
18.5
20.0
20.1
20.1
19.9
19.4
19.0
18.7
18.5
18.5
18.5
rhinovault 238.9 18.5
18.5
18.7
18.8
18.8
18.7
18.6
18.5
18.5
224.1
A6 A7
18.5
37.6
19.2
19.4
19.2
18.7
18.5
18.7
18.9
18.9
18.8
MERTIRALS 26 Bamboo Strips 125 Bolts
195.2 22.1
20.2
23.9
23.6
21.0
19.0
18.7
19.5
19.9
TOTAL LENGTH OF A : 1831.03 M
A8
135.7 44.6
26.1
18.9
18.6
TOTAL LENGTH OF B : 1743.50 M
19.8
TOTAL LENGTH OF C : 112.14 M
曲面薄殼設計
shell structure design
9. 骨架製作工序 Framework production process 減少技術門檻與勞力需求
Reduce manpower and technical difficulty
數位輔助設計型態
DIGITAL AIDED DESIGN
數位輔助設計型態數位編碼生成對照圖
DIGITAL CODING TO GENERATE COMPARISON CHART
數位編碼生成放樣圖
DIGITAL CODING TO GENERATE STAKEOUT DIAGRAM
標記鑽孔位置與編號
MARK THE DRILL LOCATION AND NUMBER
在竹材上預先鑽孔
PRE-DRILLED HOLES IN BAMBOO
對照編號組裝
ASSEMBLE AGAINST NUMBERS
可用熱度軟化纖維
FIBERS CAN BE SOFTENED WITH HEAT
組裝完成
ASSEMBLY IS COMPLETE
5. 材料曲度測試 Material curvature test
6. 框架與基礎細部 Frame and basis details The main frame is composed of bamboo strips with a width of 2.5 cm and a thickness of 0.5 cm, which are connected with pull studs.
Verify that the curve curvature complies with material constraints
Find the radius of the tangent circle The smaller the radius, the greater the curvature
竹條:寬1.7cm
彎曲半徑( cm)
竹蔑:寬1.0cm
外部的皮層仿照自然間的紋理，以竹條及竹枝用手 感的方式編織而成，透過竹材編織的織理性，創造 出如樹影下被層層包覆， 原始感知的氛圍。 the fecade is to simulate the texture of nature. It is woven with bamboo strips and branches. By using the bamboo fabrication weaving, it creates an atmosphere covered by several different layers under the shadow of a trees.
In the part of the main structure, 3 layers of bamboo strips are tied with hemp rope to increase the structural strength. The last part of the foundation is closed with a bamboo tube, and the bottom is sharpened and inserted into the soil
Adjust surfaces or meshes
竹條:寬2.5cm
8. 1 : 1 實作 1 : 1 experiment
7. 皮層 Fecade
I designed a measuring table with concentric circles to measure the bendability of different bamboo materials. From the results, I know that the thicker and wider the bamboo, the harder it is to bend. Among different bamboo materials, osmanthus is the best to bend. Therefore, I finally chose a 2.5 cm wide and 0.5 cm thick osmanthus bamboo to surround my skeleton material.
竹條
bamboo strips
Disturbing
interweaving
60
50 麻繩
hemp rope
Flowing
40
30
竹筒
bamboo tube
拉釘 土壤
20
rivret
earth
0.2
0.3
0.4
0.5
竹條厚度( cm)
LAYER 1 Bamboo branches
LAYER 2 Bamboo strips
LAYER 3 Hexagon
10. 整體製作工序 Production process
空間由骨架及皮層組成，骨架透過數位輔助計 算達到讓素人也能輕鬆的組構並維持型態的 精準度。 而皮層則是以手工，較感性的方式以細竹條及 竹枝編織，透共身體的勞動力與空間對話，與 自然對話。 The space is composed of a skeleton and a cortex. The skeleton is digitally assisted to achieve the accuracy that even amateurs can easily organize and maintain the shape.
3個骨架單元組合
3 skeleton unit combinations
骨架完成
Skeleton complete
竹條編織第一層皮層
Weave the first layer of skin
加入第二層骨架
Add the second skeleton
竹枝編織第二層皮層
Bamboo branches weave the second layer of skin
組裝完成
Assembly is complete
The skin layer is woven with thin bamboo strips and branches in a hand-made, more sensual way, so as to communicate with the body's labor force and space, and with nature.
OTHER WORKS
DIGITAL MOSAIC CALCULATION
數位馬賽克牆運用grasshopper 軟體將樹背景圖片轉化 為馬賽克，並優化為80種4個顏 色不同比例的6*5馬賽克片 將馬賽克圖片跳脫客製化方式， 轉換為種材料模矩的組合 迷彩的樹影，將建築和諧的融入 環境。 The digital mosaic wall uses Grasshopper software to transform the tree background image into a mosaic, and optimizes it into 80 types of 6*5 mosaic pieces with different proportions of 4 colors. The mosaic image breaks away from the customized method and transforms into a combination of material modules. The camouflage of the tree shadow harmoniously integrates the building into the environment.
OTHER WORKS
“WINDOW OF THE SEA” is an idea brought out by the General Education Center of Chihlee University of Technology. To execute the USR program by Ministry of Education, “Queen’s Call—Yehliu International Tourism Experimental Base” collaborated withNeo-Space International Co., Ltd and Tamkang University through practicing the course Building Structure and Molding, as exhibited the students work at Yehliu Geopark.
Planning team： Chihlee Univer sity of Technology USR program group Designing team： Yang Cheng Tal, Chen Chi Jan, Chung Chia Hao, Liao Yu Hsun I n s t r u c t o r ： Tz e n - Y i n g Ling Par ticipants： All students from the cour se Building Structure and Molding (2020) by Tamkang Univer sity Depar tment of Architecture
WINDOW OF THE SEA
CHEN CHI JAN