Seven Days, October 20, 1999

Page 1


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the weekly read on Vermont news, views and culture

CO-PUBLISHERS/EDITORS Pamela Polston, Paula Routly CONTRIBUTING EDITOR Peter Freyne STAFF WRITER Erik Esckilsen ART DIRECTION Donald Eggert, Tara Vaughan-Hughes PRODUCTION MANAGER Lucy Howe CIRCULATION/CLASSIFIEDS/ PERSONALS Glenn Severance SALES MANAGER Rick Woods ACCOUNT EXECUTIVES David Booth, Michelle Brown, Eve Jarosinski, Colby Roberts, Diane Sullivan CALENDAR WRITER Gwenn Garland CONTRIBUTING WRITERS Marc Awodey, Nancy Stearns Bercaw, Flip Brown, Marialisa Calta, John Dillon, Peter Freyne, Paul Gibson, John Hagman, David Healy, Rudi Horowitz, Jeanne Keller, Kevin J. Kelley, Rick Kisonak, Peter Kurth, David Lines, Lola, Melanie Menagh, Ron Powers, Glenn Severance, Heather Stephenson, Molly Stevens, Pip Vaughan-Hughes, Karen Vincent, Margy Levine Young, Jordan Young PHOTOGRAPHER Matthew Thorsen ILLUSTRATORS Paul Antonson, Gary Causer, Sarah Ryan

SEVEN DAYS

is published by Da Capo

Publishing, Inc. every Wednesday. It is distributed free of charge in greater Burlington, Middlebury, Montpelier, Stowe, the Mad River Valley, Rutland, St. Albans and Plattsburgh. Circulation: 20,000. S i x - m o n t h First C l a s s s u b s c r i p t i o n s are available for $40. O n e -

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year First Class s u b s c r i p t i o n s are available for $80. S i x - m o n t h T h i r d Class s u b s c r i p t i o n s are available for $20. O n e - y e a r T h i r d Class s u b s c r i p tions are available for $40. Please call 802.864.5684 with your VISA or

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An around-the-town tour of Burlington's DJ culture

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By Jeff Fuccillo

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question page 8

Come As You Were

loss that results from the incorrect publi-

A bout with musical malaise inspires a return to the rock revolution of 1991

cation of its advertisement. If a mistake is

By Erik Esckilsen

be held liable to any advertiser for any

ours, and the advertising purpose has been rendered valueless, SEVEN DAYS may cancel the charges for the advertise-

Where to Party...

ment, or a portion thereof as deemed

like, it's 1999

reasonable by the publisher.

By Pamela Polston

SEVEN DAYS

I Like Mike

is printed at

B.D. Press in Georgia, VT. SEVEN DAYS, P.O. Box 1 1 6 4 , 2 5 5 S. Champlain St., Burlington, VT 0 5 4 0 2 - 1 1 6 4

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What the ongoing karaoke craze says, er, sings, about human nature By Pip Vaughan-Hughes

page 14

Note Worthy

For Braintree composer Gwyneth Walker, the commissions keep on coming

Tel; 8 0 2 . 8 6 4 . 5 6 8 4 Fax: 8 0 2 . 8 6 5 . 1 0 1 5 . e-mail: sevenday@together.net http://www.sevendaysvt.com

Š 1 9 9 9 Da Capo Publishing, Inc. All rights reserved. A S S O C I A T I O N

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OF

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Kids learn to measure up at the Monteverdi Music School By Anne Galloway

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troubletown

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lola, the love counselor

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the mostly unfabulous social life of ethan greene

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Light Moves

Art review: Jane Horner By Marc Awodey

page 4 1

Webwise; Just the FAQs Ma'am! By Margaret Levine Young and Jordan Young

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A father and daughter take on Top 40 By Tim and Zoe Brookes......

Listings . . . .

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film

;....... . . . . . f. . ; • october. 2 0 , 4 9 9 9

page 40 page 42

SEVEN MY-S

page:


question

If you could bring back one dead musician, who would it be and why? Frank Zappa so he could give me guitar lessons. — Merrick Hard MIDI and computer consultant, Advance Music Burlington I'd bring back Count Basie — I wanted to see which way he was headed, minimalism or the modern stuff. — Phi! Hammerslough Owner, Greatful Bread Deli Essex Junction Louis Armstrong, 'cause he's such an icon and he could teach us a lot about

ABOUT THE MUSIC? After reading Kevin Statesir s letter which appeared in your October 6 issue, I felt compelled to respond to some of his assertions. While I am nothing but sympathetic towards his plight with getting shows started on time, I take immediate issue with his claim that Higher Grounds priority is purely the music. While this sounds noble, unfortunately his ideal does not manifest itself in reality. I am a regular patron of Higher Ground shows, and have the misfortune of being under 21. From my very first show, it became readily apparent that the emphasis was on how they could sell the most alcohol, and accommodate those who were drinking it. If, as he claims, Higher Ground truly values the music, then why am I routinely forced to pay a higher ticket price than those who are 21 and over? While I realize that they do this in order to recover lost revenue from the fact that I don't buy alcohol, this seems to me to indicate that Higher Ground emphasizes alcohol over music. Is my love of live music somehow diminished by the fact that I am legally unable to consume alcoholic beverages? I should hope not. Of course, any minors who have ever attended Higher Ground will also be familiar with their policy of preventing them from breathing any air that

SHOW CONCERTS AS ADVERTISED This letter is in response to the explanations (read: excuses!) offered in "Why So Late?" [Weekly Mail, October 6]. It is not intended to single out Higher Ground as the only establishment to succumb to the practice of starting entertainment acts later than advertised, regardless of motivation! While we all realize this is not a perfect world, we all must accept responsibility for that which we have control [over]. Mr. Statesir states that "many national acts will not perform a club appearance before 11 p.m. and this is very often dictated in our legally binding contracts with them." Then why advertise and print on tickets the show starts at 9 p.m.? Is this not deceptive advertising and misrepresentation? He further replies that "a large

bar

Leadbelly. I would bring back Leadbelly because he's someone who's intrigued me since I was a young boy. Just to see him play that 12-string guitar and hear that voice... — Rick Palieri Musician Hinesburg

In closing, I would like to sincerely commend Higher Ground and all the other local establishments that strive to provide the best diversity and quality entertainment possible! I would rather pay higher ticket prices, if necessary, to offset any possible loss in alcohol sales and be

assured of receiving the advertised entertainment experience than be continually patronized by "supposed" explanations. — John Bennink Monkton ARTISTS SHOULDN'T RULE Re "If Artists Ruled Vermont" [October 13]: The social and environmental issues noted by such people as Alisa Dworsky ("we're all overweight"), Kathleen Schneider (more facilities for chronic illnesses), or Castle Freeman ("real environmental protection") are neither unaddressed by non-artists, nor peculiarly solvable by artists. Artists are not especially sensitive to these issues...in fact, most of the artists I have the privilege of knowing are unutterably ordinary people, who live transcendentally ordinary lives and survive on extraordinarily small political aspiration. It's a bad idea to defer to such people, or to propose the possibility, as you have in your article. They're likely to get ideas, and then who knows what might hit the fan? But for all this, I must admit that, after all, there are dangers, there is another side to be acknowledged, another side of the artistic personality that may exist, somewhere else, somewhere outside of Vermont, a personality not much for self-irony when it comes to political

continued on page 16

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number of acts...do not even show up until after 10 p.m., sometimes as late as midnight. We have no control over this situation." Then what is the purpose of having legally binding contracts? In response to his assertion that "...they are in the position at some shows of holding acts offstage until a majority of concertgoers are in the building." Is it not the responsibility of ticketholders to arrive at the designated time if they wish to experience the entertainment in its entirety, especially if they must submit proof of age? His explanation of shows beginning "...about an hour after the stated start time as printed on tickets" as being an industry standard certainly does not justify this blatant disregard towards conscientious patrons. While he admits that Higher Ground benefits (read: profits) from alcohol sales, "...it is not and never has been our raison d'etre." I would surmise the sale of alcohol accounts for the vast majority of the establishment's profits, not ticket sales or receipts from food and/or non-alcoholic beverages.

LAKE^Vim

Musician

It's gotta be Mozart because he died at the peak of his creative genius. He certainly would have gone on to write more incredible pieces in the second half of his life. — Eleanor Long Orchestra Manager, Vermont Symphony Orchestra Burlington

is not saturated with cigarette smoke and the rancid smell of beer swill. Yet another cross for minors to bear, I guess. If you truly value "people who have helped make us what we are today," then I suggest you revise your policies to acknowledge myself and the multitudes of other minors who regularly attend your establishment, and in the process, line your pockets. — Ira Hammerslough Burlington

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War on Drink Update Over at C o p Central they'll tell ya it's n o t easy protecting a college town come Friday night. But this year, the Burlington Police Department is demonstrating remarkable ingenuity in its indefatigable battle to keep Budweiser out of the hands of college students aged 2 0 or less. Recently, at the city police commission, Lt. T h o m a s Tremblay informed the civilian oversight panel that the cops have n o trouble predicting where t h e rowdiest Friday night parties will be — they just drop by Pearl Street Beverage (the only establishment in Burlap that sells suds by the keg), a n d inspect the keg registry. Clairvoyance is instantaneous! If they see a few kegs heading to one address, explained Tremblay, they make a note of it so they can swing by later in the evening and bust the underage imbibers and their gracious host. And though it sounds a trifle Orwellian, the coppers can rightfully walk in and d e m a n d the list. Manager Mike Blow said the state liquor control board informed him any law enforcement officer has a right to check the keg registry But Blow objects to coppers camping out in his parking lot checking customers' I D s as they leave. "It's intimidating," he said. Last week the uniforms gave a 40year-old customer a hard time because there was a minor in his vehicle. It turned out it was his daughter! "They're going overboard," Blow said. "Besides, we just picked u p six false I D s last weekend. O u r guys do a really, really good job."

Jeffords. ^ T n Jeffords' last campaign, in 1994, 10 drug company PACs cut checks to his campaign war chest. T h e largest contribution was $5000 from Glaxo Wellcome Inc. This time Jeezum Jim is a special favorite of the drug companies. H e chairs the committee that gives them cover. And with Bernie beating the war drums, the money is flowing in early. Already Jeezum's collected checks from 19 pharmaceutical PACs. Glaxo and Pfizer are in for $10,000 each. Yep, Jim Jeffords is clearly their boy. Recently, before his weekly "pork for Vermont" press conference, Jeezum joked he has "Bernie to thank" for the gushing drug money. O f course, he noted, there can be a downside. It's all in "how you handle it," he said. By the way, Business Week just broke a story of G O P "political dirty tricks" being used against OP Bernardo. A G O P operative who works for Republican Conference Chairman J.C. Watts of Oklahoma has registered Internet addresses, including "berniesanders.org" and "sandersforsenate.net."

Inside Track

Business Week reports: This is extremely slimy, yelps Sanders. Your own name is being stolen from you.

"Say what you will," insisted a Sanders staffer to Seven Days. "He does not yelp." "Bark" and "growl" is more like it. Mail Bag — Keep those e-mails and letters coming! Last week yours truly was spanked o n the bottom for upbraiding the clergy, specifically Rev. Gary Kowalski, pastor of Burlington's Unitarian Universalist Church. Fourteen members of his congregation wrote we were "unkindly" for noting Kowalski didn't return calls seeking comment on a new development in the controversial matter of City Councilor Tom Smith and the Bosnian bail jumper.

BY PETER FREYNE

If only the younger set would just smoke pot, sip M o u n t a i n Dew and practice safe sex. But no-oo-o-o-o! GOP vs. Fourth Estate — T h e wailing and gnashing of teeth from the ranks of the Vermont G O P is growing louder these days. There's talk of the Vermont press ganging u p o n them, and G O P insiders cite recent columns by Chris Graff of the Associated Press and Jack Hoffman of the Rutland Herald/Times Argus as well as a certain cartoon in Emerson Lynn's St. Albans Messenger. A-ha! A conspiracy! T h e Rs are steaming since Graff chewed u p G O P gubernatorial hopeful Ruth Dwyer last week. St. Christopher dissed the early launch of Dwyer 2000. H e decreed it a violation of Vermont's treasured, time-honored political tradition. T h e Rs also chafe over H o f f m a n putting G O P director Jimmy the Joker Dwinell through the psychic meat grinder for the satirical "Missing Years" contest the G O P runs in their newsletter. And Emerson's cartoon — by Franklin C o u n t y school teacher Al Salzman — depicted Republicans as marauding, headless Cossacks slaughtering women and children. D a m n liberal press! T h e Rs have a point. Ruthless Ruth is far from lonely on the campaign trail. Democrats Jan Backus, Ed Flanagan and Elizabeth Ready have been flying in campaign mode, too. Chainsaw Liz and her "Ready for Auditor" T-shirts have been a parade-marching fixture since May. "Apparently, it's only objectionable for Republicans to start early," scoffs G O P Chairman Patrick Garahan. H o f f m a n was taken to the woodshed by fellow journalist M. Dickey Drysdale in Sunday's Herald. Drysdale, editor of the Herald of Randolph, accused H o f f m a n of "hyperventilating" and, curse of curses, lacking a sense of humor. Nice try, Dickey! But I've seen Jack laugh.. .once. At least a bit of a chuckle, or a potential chuckle. And Al Baby's "A Different D r u m m e r " cartoons are uniformly of the "in your face, capitalist pig!" variety. You should see what he does to Gov. Howard B. Dean III. Relax, gang. N o grassy knoll here. BernieWatch 2 0 0 0 — O n e beneficiary of Congressman Bernie Sanders' war against t h e Greedy Fat C a t Pharmaceutical Industry is none other than his likely soon-to-be opponent, Sen. Jim

T h e Kowalski 14 bragged their pastor is "an advocate for animals" and an opponent of "racism" and "homophobia." Cool. We meant n o harm. Honest. But Rabbi Joshua Chasan, who had signed the Tom Smith fundraising letter with Rev. Kowalski, had an epiphany and subsequently apologized to his congregation for signing. Chasan forgot about the woman at the heart of the case. T h e woman who had been punched and beaten. See, way too many men slap, punch, kick, strangle and kill "the women they love." It's really sick. Every Monday morning down at the Palace of Justice you'll see at least a half-dozen new domestic assault dockets posted with the names of husbands and boyfriends who "stepped up to the plate" that weekend and smacked a woman right out of the park. In certain circles it's perfectly acceptable. She must have deserved it, right?

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Look, we're against racism and homophobia, too. And honest to God, yours truly loves animals awful bad. But domestic violence and the attitude that nurtures it cannot go unchallenged. In the interests of interdenominational equity, Seven Days offered the Unitarian co-signer the opportunity to c o m m e n t on Chasan's epiphany. However, when opportunity knocked at Rev. Kowalski s door, t h e clergyman bolted it shut and hid behind the congregation. W h a t d o you think? It was probably just a simple careless oversight that explains the Kowalski 14's omission of "domestic violence" from their resume of the reverend's social agenda. O r was it a case of heads in the sand? Hey, ostriches are animals, too, you know. Correction — G O P state chairman Patrick Garahan is n o t a "Rutland native," as mistakenly reported here. T h e fiesty chair of the party out-ofpower is a native New Yorker — Long Island, of all places! H e landed in the Rut in 1973 and currently resides in South Burlington. Sorry, Patsy. H o w 'bout dem Yankees? ®

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Curses, Foiled Again

Litigation Nation

T w o thieves held u p a high-

After Scottish golfer Muriel

w a y toll plaza in Atlanta, only

to guard 168 prisoners at a jail

paper reported the window,

p u t together," Trisha Taylor, co-

w h i c h is designed as an emer-

owner of the R e R u n s for W e e

in R i o de Janeiro decided t o go

gency exit, gave way, sending

O n e s store, said.

o u t t o d i n n e r a n d left two janitors t o watch t h e prisoners.

to b e t h w a r t e d w h e n they

M i l n e h i t a ball that b o u n c e d

the half-naked m a n t u m b l i n g

stuffed t h e loot, mostly coins,

off a rock a n d struck her, leav-

o n t o t h e middle lane of a busy

i n t o a plastic trash bag, w h i c h

ing h e r blind in o n e eye, she

highway a n d bringing traffic t o

b r o k e while they tried t o m a k e

filed suit against the Westhill

a standstill.

N a t i o n a l M u s e u m said it needs

quickly overpowered the jani-

their getaway. "After getting as

G o l f C l u b outside Aberdeen.

m o n e y t o fix holes in t h e roof

tors, a n d 9 3 of t h e m escaped.

m u c h as they could carry in t h e

She insisted t h e groundskeeper

Baby Driver

a n d p u t u p nets t o keep o u t

Bats Not Funny

Police chief H e i t o r Sanches reported that t h e prisoners

Cambodia's cash-strapped

Hairy Tales

bats, whose d r o p p i n g s fall o n

trash bag, m o s t o f it was

a n d course managers were to

d r o p p e d o n t h e highway,"

blame for h e r i n j u r y because t h e

Wisconsin, w h o stopped a car

the exhibits. M u s e u m director

O f f i c e r W.I. Green said, a d d i n g

course was poorly designed a n d

driving erratically, f o u n d an

K h u n S a m e n said t h e bats

leader L i n o O v i e d o asked t h e

that a n o t h e r $70 w o r t h of

maintained.

eight-year-old boy at the wheel.

could just as well live in trees.

Argentine g o v e r n m e n t to delay

change was f o u n d in t h e car t h e

• After lifelong vegetarians Siva

H e told investigators his m o t h -

"In C a m b o d i a , w e have 6 . 5

banishing h i m t o t h e r e m o t e

two a b a n d o n e d a b o u t a mile

R a m a Krishna Valluru a n d his

er, w h o h a d been drinking,

million palm trees," h e p o i n t e d

w i n d - s w e p t island o f T i e r r a del

d o w n t h e highway.

wife, Sailaja, f o u n d meat in rice

ordered h i m t o drive f r o m near-

o u t . " N o m u s e u m in t h e world

Fuego until his hair transplant

• A masked g u n m a n tried t o

they h a d eaten at a Taco Bell in

by West D u l u t h to visit a friend

keeps bats."

takes hold. Oviedo's lawyers

rob a b a n k in D r e s d e n ,

Lincoln, Nebraska, t h e H i n d u

of hers.

G e r m a n y , b u t left e m p t y - h a n d -

couple insisted t h e restaurant

" M o m told

ed after several people w o r k i n g

chain pay their way to India so

me what

in t h e b u i l d i n g told h i m t h e

they could be cleansed in a

lane to stay

Police in Superior,

Exiled Paraguayan c o u p

said their

nEWs QuiRkS

client's plastic surgeon doesn't w a n t t h e former general's

b a n k h a d m o v e d several days

purification ceremony in t h e

in a n d w h e n

earlier. " H e was completely

Ganges River. W h e n t h e c o m -

to turn," h e

amazed a n d t h e n fled," a police

p a n y refused, t h e couple filed a

said.

spokesperson said.

claim, seeking $ 2 1 0 0 each, b u t

• Six-year-

• Police in C h a r l o t t e , N o r t h

failed to convince Lancaster

old J o h n T.

Carolina, reported that g u n m a n

C o u n t y Judge Jean Lovell, w h o

C a r p e n t e r ducked o u t of his

• H u n d r e d s of bats invaded a

Lawrence E a d d y tried to steal a

dismissed t h e case.

day-care center in Fairfield,

regional police h e a d q u a r t e r s in

Florida, invented a hair p o u c h

O h i o , stole a toy truck parked

Liberec, Czech Republic. " T h e y

specifically designed to help

outside a nearby children's resale

are sleeping d u r i n g t h e day, b u t

long hair d r y while keeping it

shop a n d drove it a mile o n a

d u r i n g t h e night, y o u have t o

f r o m d r i p p i n g all over. T h e hair

busy state highway. A motorist

b e n d w h e n walking," police

is inserted into t h e terry-cloth

Mercedes driven b y Scott

Mensa Reject of the Week

Gallagher b u t was t h w a r t e d b y the car's m a n u a l transmission.

A 21-year-old Welsh tourist

H e ordered Gallagher to help

BY ROLAND SWEET

scalp exposed to s u n o r w i n d for several months.

• Pamela Esposito of D e l t o n a ,

h i m , t h e n tried f o r 10 m i n u t e s

visiting South Africa with

w h o saw t h e motorized mini-

spokesperson Vlasta

pouch t h r o u g h an elastic o p e n -

to drive away f r o m t h e grocery

friends was returning to C a p e

M o n s t e r truck driving alongside

Suchankova said, a d d i n g t h e

ing. Esposito said t h e p o u c h is

store p a r k i n g lot. D u r i n g t h e

T o w n f r o m t h e scenic w i n e land

normal vehicles alerted police,

bats' favorite spot was t h e sec-

especially h a n d y for c o m m u t e r s ,

a t t e m p t , h e h i t a s h o p p i n g cart,

t o w n of Stellenbosch b y bus

w h o believe t h e b o y h o o k e d u p

o n d - f l o o r men's toilets.

w h o can d r y their hair while

a retaining wall a n d a n o t h e r car.

w h e n h e removed his trousers

two electrical wires to start t h e

W h i l e E a d d y was preoccupied,

a n d bared his buttocks t o pass-

car. " T h i s kid is only six, a n d

Gallagher slipped o u t o f the car

ing motorists through t h e back

he h a d to have lifted u p that

a n d alerted police.

window. T h e Cape Argus news-

h o o d a n d k n e w which wires to

driving t o w o r k , then use t h e

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p o u c h to cover t h e steering wheel a n d protect it f r o m t h e sun d u r i n g t h e day. ®

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In his first novel, David Huddle tells a delicately nuanced story of relationships between men and women that is as old as human history itself. In the tradition of John Updike and John Cheever, Huddle renders these complex relationships with clarity and depth. "For grownups with brains" said Richard Bausch of David's earlier work. The same is true of The Story of a Million Years, a novel written with poetry, wisdom, and a masterly sense of humanity. David Huddle's fiction, essays and poetry have appeared in Esquire, Harper's Magazine, the New York Times Magazine, and in The Best American Short Stories. David is the recipient of two NEA fellowships; he teaches writing at UVM, and is on the faculty of the Bread Loaf School of English.

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RADIO ROULETTE: Plenty of Vermonters choose to wake up to the a.m. antics of "Corm and the Coach" on Champ 101.3 FM. After all, its one of the top-rated morning shows in the Burlington market. But over the past few weeks, a record number of listeners have been forced to come home to the fast-talking trio — whether or not they want to. The local radio act is promoting its "Rocking Roulette" cash giveaway in a prerecorded message that has been left on answering machines all over Chittenden County. Welcome to the brave new world of automated telemarketing. Instead of intimate words from family and friends, your answering machine plays back Steve Cormier, Tom Brennan and Lana Wilder at their most obnoxious. If a live voice answers the phone, the listener hears only a click. Although she won't say how much audio junk mail can be distributed in a single day, Champs General Manager Karen Marshall describes the new telemarketing technique as "cutting-edge, innovative and fast." The goal, she says, "is to let people know there is a contest going on, and that they can win $10,000 $15,000, even $25,000 dollars on Champ." She describes the high-stakes game as "Powerball on radio." The trouble here is the station may be gambling with its own good will — and an eight-year-old law that prohibits solicitation using pre-recorded voices. Alerted by several complaints to the Attorney General's Consumer Assistance Program, Assistant A.G. Jay Ashman is trying to determine whether the dialing-for-dollars strategy violates the Telephone Consumer Protection Act of 1991. "It probably turns off a lot of people and devalues the station," Ashman says. But its legality "gets down to the question of whether or not the phone call was a solicited advertisement." The law defines that as "any material advertising the commercial availability or quality of any property, goods or services which is transmitted to any person without that person's prior express invitation or permission." Champ claims the commercial is cool, because it is not selling anything — the promo simply encourages listeners to tune in to a giveaway. But ears equal money for a radio station that lives and dies by its ratings. You can bet Champ, which has changed ownership four times in the past year and a half, is not giving away big bucks out of the goodness of its heart. Nor, detractors say, is the station being entirely honest about the odds of winning. Although it appears to be local, this contest is anything but. "Anytime you hear a contest on another radio station and they want you to call a special "1-800" number, that means that all the stations they own, all over the country, are playing the same contest at the same time," a voice explains in a counter-commercial running on 95XXX, locally owned by Paul Goldman. "And if you call, you're competing with millions of people. They don't tell you you've got a better chance of getting struck by lightning," the commercial continues. Jay Williams, who owns W1ZN and The Buzz in Burlington, ran similar "educational" promos at his radio station in Worcester, Massachusetts, where a competing station was pulling a similar thing. "At best, it is deceitful," says Williams. "People want to believe, they should believe, they have a fair chance of winning. It's like saying you are the Vermont Lottery when you are the Tri-State Megabucks." Once considered a big bad out-of-state owner, Williams looks like the boy next door next to Goliath Clear Channel, which now owns 830 radio stations across the country, soon to be including Champ, KIX Country and Star 92.9, a.k.a. WEZF. "The combined power of collective contesting," as Marshall calls it, does result in bigger booty. But at what price? "Promotions should be fun, but contests should be honest," Williams says. "Not giving it away to people who listen to your radio station is the same as not giving it away at all." IN BRIEF: Nectar's doesn't take credit cards — not even from Harrison Ford. When the fun-loving star of What Lies Beneath found himself out of money at the end of a night of carousing in Burlington, he preferred the plastic. No go. Word has it one of his "body guards" coughed up the cash. No confirmation on how Harrison got home, though. Although he recently bought a place in Westport, New York, the star is back in Hollywood, along with the whole DreamWorks production. Vermont Film Commissioner Loranne Tlirgeon reports the film crew is building a replica of the home they constructed in Vermont, as well as a portion of the Champlain Bridge in sunny Cal. . . . Ever leave the theater feeling you missed something? The Burlington Free Press recommends that next time you go, "direct your attention to what happens on stage." You know, that open space with no seats on it and curtains hanging on either side? On Friday, the Gannett-owned daily moved beyond ethical instruction in "Shades of Gray" to deliver a valuable lesson in Culture 101. Covering the "behavior and lingo" for classical concerts, theater and ballet, its "stepping out" primer and accompanying culture "quiz" defined such arcane terms as tutu — the "teeny, fluffy skirt worn by the ballerina." Tragedy is "a serious play that ends unhappily." And, best of all, irony — "the difference between what might be expected and what actually happens." As in, say, having your daily newspaper insult your intelligence? . . . Beth Haggait wants your dirty laundry, and she'll hand wash it for you, too. Her new art installation, scheduled for the first six days of November in the Living/Learning Gallery at the University of Vermont, aims to turn a "common chore into art." Haggart, who has exhibited extensively in New York City and recently returned from a Peace Corps stint in Africa, hopes to have her hands full — in a bucket of soapy water. A grungy garment gets you into "Washing" and a room criss-crossed with clotheslines — and guarantees you'll be part of the show. (Z) *

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october 20, 1999

SEVEN DAYS

page 21;


Spin • n

c i n o u n d - t h e - t o u L i n

t o u n

of BunUngtons DJ cultune

B Y JEFF FUCCILLO ^

landed in Burlington this past July, a West Coast transplant burned o u t on the frontier experience. I was prepared for the pastoral picture, complete with guitar-strumming hippies, but n o t for w h a t I f o u n d : a thriving scene of turntables p i n n i n g DJs, dance clubs and supporters. Just two nights after I drove in, a stranger tipped me off to " S u m m e r Slam," a M o n d a y night contest for amateur M C s at Rasputin's on lower C h u r c h Street. I had to check it out. I was a bit faded f r o m the 3000-mile U - H a u l across the country, so walking in on this underg r o u n d scene hit m e hard. Live rappers in ensemble, d u o and solo form breaking it down phonetically for an energized crowd, m a n y of w h o m barely m a d e the age 18 requirement. T h o s e w h o truly understood showed their enthusiasm and respect with raise-the-roof h a n d p u m p s and in-the-party shouts; the uninitiated and less-hipped were nonetheless swept into the collective ass-shake. Backed by the beats of pre-recorded mixes, these artists energized and moved a packed house. A n d we're talking a Tuesday night here. M y jaw dropped. D J culture, in its m a n y manifestations, is happ e n i n g in Burlington bars a n d clubs. Groove meisters with names like Dubee, Infinite, Joey K, Rhino,

Frostee, Toxic, EK, Grasshopper, Rugger, Aqua, Justin B., T i m Diaz, Cousin Dave, Spin, Niceness, Jon Demus, Melo Grant, El V spin hip-hop, r&b, house, techno and dancehall seven nights a week. T h e spacious Higher G r o u n d hosts m o n t h l y DJ parties called "Lifted" — organized by Burlington's Capacitor Network and featuring both local and national-regional talent in the booth — as well as big-name hip-hop acts on a regular basis. D o w n t o w n hangouts like C l u b 156, Ruben James, C l u b M e t r o n o m e , 135 Pearl, C l u b Extreme and Rasputin's offer ongoing installments of turntable-generated dance music. College radio stations W R U V and W W P V each do their part, too, with 10 or so shows on the air dedicated to the genre and occasional sponsorships of live f shows. Niche record stores like Flex, specializing in all forms of "urban" music, and Max Mix — more on the techno tip — supply the vinyl. W h i l e music promoters see to it that touring acts drop by, a small core group of local M C s — actual rappers like those w h o competed in this summer's amateur contest — write original rhymes and take the stage to represent Burlington. For a place w i t h o u t a d o w n t o w n supermarket, urban music gets a surprising a m o u n t of spin. But why? "For one thing, it's a college town that attracts people from big cities like N e w York and Boston," explains Craig Mitchell, a veteran DJ with more than 10 years of Burlington nightclub experience. "So people come here f r o m the places where vinyl culture came from in the first place." But proximity to urban centers — Montreal most definitely included — is only part of the picture. Mitchell sees an overall attitude as

Dance Hall: Reggae and other roots-based genres made suitable for the dance floor. DJ mixes aim to create energetic, non-stop flows from dubbed-out rasta grooves. Hip-hop: Often used to refer to rap music and other like forms. Roots in New York City's black culture circa early 1980s. A catch-all phrase for urban culture based on rap music and all its derivatives. Beats are sampled or drum machine-generated, turntable scratching provides embellishments, and live MCs rap across it all. Breakdancing is hip-hop, clothing can be hiphop. For some, a way of walking down the street — in rhythm — is hip-hop.

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£ page 12 SEVEN DAYS

House: Basically, club music. A relentless beat whips club-goers into a sweaty frenzy. More European roots. Techno: As in technology. Dance music with a cuttingedge sound, closely affiliated with house. Trance: House plus techno plus drugs equals trance. A more meditative approach to dance music — dancing isn't always the main objective; feeling it is. Jungle: A flurry of beats, often dizzying, driven by quickly moving bass patterns. So much sound going on that only the most experienced ears can follow its complex rhythmic and melodic patterns. A close relative to the sped-up beats of "drums 'n' bass."

october 20, 1999 -


music

issue

P o p

a place without a downtown

supenmanket, unban music gets a sunpnising amount of spin. equally important. "Since dance music has its roots in non-white and gay culture, I think it must have something to do with the fact that Burlington is such an open-minded city," he suggests, adding that "these open-minded people are the people who are willing to dance." Perhaps this is why Mitchell, a positive and energetic 28-year-old known as the "Granddaddy of the Scene" by younger fans, currently hosts four nights of techno/house/trance at three different clubs each week. Urban tendencies certainly provide a fertile ground for this type of music in Burlington, and its popularity is echoed in that of Mitchell himself. Take a walk down Church Street with him and someone is always stopping to give him props. "Hey man, you doin' Extreme this Friday night? Right on, see you there," is a typical exchange. Sitting down for lunch at an outdoor cafe, Mitchell attracts the attention of numerous fans who wave and shout hello as they pass by. In this heterogeneous community of DJs, some individuals particularly radiate the flavors of the culture. Local record spinner DJ Phil Wills plays a different sort of music for an altogether different crowd. Whereas Mitchells vibe emanates pounding beats and swirling patterns of electronic psychedelia by techno artists like Danny Tenaglia and the D u b Tribe, Wills spins hip-hop and r&b hits by popular artists like Jay Z, Puff Daddy and D M X . Catering to a generally younger audience, the 23-year-old Wills says, "I play the stuff people can dig. If half the people don't know it, I won't play it. But every once in awhile, I'll throw in something more underground." It's a formula that seems to work: For five straight years Wills has attracted good-sized crowds to the club he calls home, Rasputin's. Wills moved to Burlington as a 14-year-old in 1990, when his family relocated here from Pasadena, California. Just two years later, he began mixing records for his high school dances. "I was on the student council, so when we were trying to decide on who to hire as a DJ for our dances," Wills reminisces, "I'd always just suggest myself." At the same time Wills began volunteering at WRUV. Joining already established hip-hop radio DJs like Melo Grant — whose "Cultural Bunker" show can be heard on Friday nights — Wills launched his own show, "Party Radio." After brief duty in the graveyard shift, the show went to prime time, 8 to 10 p.m. Fridays. Like other W R U V programmers, Wills brought his personal music tastes to the DJ booth to conform with the strictly enforced non-commercial format of the station. H e focused on artists who received little airplay, especially in a place like Burlington. "Even if some of the stuff I played was nationally popular, nobody [except other W R U V DJs] was playing it," he says. In 1996 Wills took a steady DJ job with Top Hat, a local entertainment company that provides live sound for school dances, weddings and nightclubs. Rasputin's was one of the company's clients, and hired Wills to play hip-*

LISTEN UP, PEOPLE DJ Phil Wills mans the booth hop every Sunday. T h e nights increasing popularity — with crowds as large as 400, notes Wills — inspired the club management to add another DJ night on Wednesdays. Wills has been working there ever since. Two of the three owners of Rasputin's also own Top Hat, so Wills' gig is as solid as they come. In addition to Rasputin's, Wills spins late into Friday nights at RJ's. T h e "Summer Slam" that came as such a surprise to me was Wills' idea. "I wanted to give some of the MCs, who'd ask me if they could get up and rhyme during my regular sets, a place to perform," he explains. "Live rappers mess up the flow of a regular night, so I thought it would be cool to support some of these guys by building a contest event around them." T h e summer-long competition took place every few weeks, and each time one act was chosen as winner. This culminated in a final competition with the summers semifinalists, from which Traum Unit took home a cool grand. Wills hopes to continue the series on a bimonthly basis beginning next month. While Mitchell and Wills can be found playing popular cuts at steady gigs across town, those who operate on a more underground level aren't quite as fortunate. O n e example is slam winners Traum Unit, a talented sevenmember crew of live M C s backed by a DJ named Dubee. This group's rare chance to let it fly at the "Summer Slam" blew my mind. Tight rhymes, articulated by intense gesticulations and an assaulting performance, marked Traum Unit's brief but moving, single-piece set. Their lyrical flow and ability to cultivate a participatory crowd set them apart from the other performers and built a m o m e n t u m that lasted into the wee hours. T h e crowd's enthusiastic response to Traum Unit — and,forthat matter, all the competing M C s — caused me to wonder why no small local venue is willing to host original performers like this on a regular basis. Since the closing of Club Toast last December, their chances to perform are few and far between. While Toast's main man

Dennis Wygmans continues to book hip-hop shows at Higher Ground, most are high-profile touring acts who can fill that relatively large room. Traum Unit's opportunity to open for the Black M o o n earlier this year was something of a rarity. Trey (like Madonna, he goes by a single name), a Traum Unit lyricist, explains it in terms familiar in the larger, national debate about hip hop. " T h e [artists] are held back by the stereotype that hip-hop breeds violence, so [the clubs] are not willing to give us a chance," he says. While it may be fundamentally true that local clubs welcome hip-hop hits but are dubious about untested original live acts, the fact that this M C performance group is an anomaly in Burlington doesn't help. If DJs and M C s in the scene banded together in a loose alliance — such as bands in the hardcore scene have — their shows might stand a chance. Meanwhile, for the burgeoning turntable and microphone talent, Wills' amateur nights are a step in the right direction. And for now, the Traum Unit can be heard in five-minute increments at Rasputin's or the rare opening slot at Higher Ground. But the group shows a solid determination for its art form. "Burlington is the last place where you think hip-hop is going to come out of," says the quaintly named M C Country, "but we're going to make it." W h e t h e r performance-based hip-hop will come out of Burlington remains to be seen, but it sure seems to flow into it. In the past three months, Jurassic 5, the Wu-Tang Clan's Genius, Rahzel of T h e Roots, T h e Beat Junkies, Kool Keith and Del the Funky Homosapien have all played to good-sized crowds at Higher G r o u n d . All these Toast Productions shows were backed by Burlington-based Flex, a record store dedicated to bringing urban music — and reggae — to town. By promoting national or regional acts, sponsoring local DJ nights and providing those slabs of vinyl, Flex is a central player in the scene. "We like to call ourselves all urban'," says Rhett Punt, the hip-hop buyer for the store. W h e n Flex began as a mail-order operation in 1994, it was the brainchild of a local young businessmen known by most as Iceman, a.k.a. Eric Heise. W h e n local customers — mostly DJs — demanded a retail outlet, the operation moved from Iceman's apartment to its current second-floor Main Street space. Still catering to the needs of DJs, the racks are filled with 12" vinyl; C D s are scarce. Burlington's DJ scene exists pretty much as it does elsewhere — a complex construct of artists, fans, clubs and shops. As a newcomer to town, I realize I've barely scratched the surface on a wealth of culture here. Turntable culture flows through the veins of many a Burlington fanatic. "There's a whole set of DJs out there who don't even care about doing the clubs," says Punt. "They're just in it for the art of it." ®

october 20, 1999

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12

SEVEN DAYS

october

20,

1999

Listen for

Smooth Favorites ... Less Talk


music

Come as

issue

You Were

bout wsth musical malaise inspires a return to the rock revolution of 1991 B Y ERIK ESCKILSEN

I

t's 1991, and somewhere in Europe, Sonic Youth guitarist T h u r s t o n Moore quips, "Nineteen-ninety-one's going to be the year p u n k breaks through to the mass consciousness of a gullible society." T h a t statement, captured on the video documentary 1991: The Year Punk Broke, rings with the predictably snot-nosed impudence one associates with the word "punk." But maybe Moore is right: After all, the U.S. economy is in recession, the armed forces are turning Iraq into a "Flintstones" rerun, and Michael Jackson is still topping the charts. T h e r e is plenty, in other words, to be angry about. A n d isn't that what p u n k rock is all about? But by a u t u m n 1991, I've got my own

problems. I'm on tour, too — albeit in Pennsylvania, not Europe. And unlike Sonic Youth, my band, Manatee, is not promoting our new Geffen Records release. O u r new release, Tons, was recorded in lead guitarist Lucio Menegon's parents' basement in Connecticut. If all goes well, we'll unload a few copies at Gettysburg College, where we're booked to play a frat party. It's spitting rain, we're running late, and I've decided to quit playing music, having faced the harsh reality that I'm sufficiently sucky at both writing and music to necessitate choosing between the two. N o w it's a u t u m n 1999, and here in Burlington I find myself pondering where popular music is headed at the turn of the millennium. T h e harder I think about the future, though, the more I return to the

iSSeiiiwl

I M i M ^ i l i i l M l ^ M i

THAT WAS THEN The author as a young punk.

past — specifically, to 1991. I blame it on Gettysburg. Manatee bassist Richard Scullin has compared that gig to the day John Lennon was shot: You remember where you were, what you were doing and w h o m you were with when you heard the news. And the news that night in Gettysburg was the Seattle trio Nirvana and an album called Nevermind. At last, a band worth getting excited about, I remember thinking as the dudes

putting us up cranked the stereo and began to demolish their h o m e furnishings. Whatever you called Nirvana — punk, grunge or the catch-all "alternative" — there was something undeniably stirring about their sound. T h e y were going to be huge. You could hear it in that cagey measure of guitar before the Nirvana rhythm section swings through, wrecking-ball-like, on "Smells Like Teen Spirit." You could see it in the eyes of those college kids as

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SEVEN DAYS

page 21;


At last, a band worth gettm, _ excited about, I remember thinking as the dudes putting us up cranked the stereo and besan to demolish their home furnishings. they renovated their pad to the gritty, chainsaw rumble of "Lithium." T h e next morning, as Manatee pulled out of town, I reviewed the highlights of my rock 'n' roll career. There were some great times, no question, but they didn't seem likely to add up to a record deal any time soon. W h e n I ticked off the rock moments 1991 had yielded other bands, however — Nirvana a m o n g them — a different picture began to emerge. T h e end of my rock 'n' roll fantasy appeared to coincide with the dawn of a new musical era. At the time, I took this to be an unequivocal good. Today, I'm less certain. But one thing is for sure: T h u r s t o n Moore was right — p u n k did break in 1991. In fact, p u n k broke down. By the time of Sonic Youth's d o c u m e n t e d European tour, the band had already parlayed their sterling underground cred into the aforementioned record deal with Geffen. Supporting them on the Punk Broke tour were, a m o n g others, Nirvana, w h o m the Youths influenced into also signing with Geffen that year. W h i l e the major-label deals brought both groups to a wider audience, the moves marked the symbolic end of alternative music. T h e word "alternative" would gain currency throughout the early and mid-'90s, but it would refer rather vaguely to a musical genre, not the musical philosophy it had once described. T h e shift in c o n n o tation is significant, for in retrospect the raw potential unleashed in 1991 appears to have been tapped by the music industry, drawn into the mainstream and cycled through the market with greater efficiency than ever before. W h i l e m u c h has been made of Nirvana f r o n t m a n Kurt Cobain's

suicide in 1994 as the death knell of alternative music, the alternative spirit that propelled Nirvana onto the scene began dying the m o m e n t the group signed on the dotted line. By the time the band's second Geffen album, In Utero, came out in '93, "grunge look" fashions were already hanging from racks at the Gap. If you think this is a knee-jerk, anticorporate rock scree, you're wrong. It's a coming-of-age story. And in 1991, the lesson began about how quickly something truly unique can be caught in the mainstream's undertow. T h a t lesson has been a hard one for some. Remember the first Lollapalooza festival toured the country that summer. T h e multi-act concert was boldly pluralistic, bringing acts spanning several popular genres together for one kick-ass roadshow. Along with headliners Jane's Addiction, the bill featured the Butthole Surfers, H e n r y Rollins Band, Siouxsie & the Banshees, Ice-T and Body C o u n t , Living Colour and Nine Inch Nails. M y own r o u g h - h e w n , indie-rock rollercoaster deposited me in the audience at the Boston-area Lollapalooza show, where I was blown away by the event's manic, carnival-like energy. T h e b a n d s looked hungry, their tattoos symbolizing to m e the c o m m i t m e n t to music I was struggling to find. Aside f r o m the fact that the N I N set was obviously taped — I m e a n , if b o t h guitarists were wrestling, w h o was playing the

— are usually the culmination of years of couch-touring, vanity records and day jobs. It is possible to say, though, that 1991 was a watershed year for turning fringe music into mainstream fare — perhaps the music marketers' finest hour. T h u s 1991 raises questions: If the cool efficiency of the biz can render obsolete the idea of alternative music, what do we have to look forward to? Are we d o o m e d to a Dante's Inferno-like ring of retro hell, where we rehash every musical movement since * Neanderthals clapped two rocks together and found it kind of catchy? Will M P 3 computer technology level the playing field, making it possible to launch a modest, Web-based music enterprise capturing a modest, self-sustaining audience? And what if this technology threatens the music industry and media members of its conglomerate family? O f all the moments of 1991 that have shaped my outlook on music's tomorrow, though, one poignant m o m e n t overshadows the year's worth of record deals and blockbuster tours: the night I saw the late Johnny Thunders perform in New York City. T h a t spring evening, the former New York Dolls guitarist and godfather of p u n k rock was a music industry exec's worst nightmare. As he teetered through his ragged set, swollen, clearly under the influence of any n u m b e r of substances, he'd have had as m u c h trouble b u m m i n g change for the subway as landing a fat recording contract. But musically he was like the proverbial candle that burns brightly b u t briefly, and I knew I was lucky to bask in the glow.

solo? — the event m a d e m e p r o u d to be chasing the American rock 'n' roll dream. Alas, Lollapalooza proved too good an idea — in commercial terms — to last. O t h e r festivals took up the multi-act mantle. T h e groove-rock revue H . O . R . D . E . debuted in 1992, featuring Burlington's own Phish, whose grassroots following had recently outgrown the band's hometown venues; 1991 saw their Elektra debut, A Picture ofNectar. Woodstock was revived in 1994, then regrettably reprised in 1999. Girl-group tour de force Lilith Fair set up camp in 1997. Competition grew so stiff for Lollapalooza that the tour had to sit out the summers of 1998 and '99. "The consumer economy loves a product that sells at a premium [and] wears out quickly," essayist-novelist Jonathan Franzen has observed. Is it any surprise, then, that alternative music, drawn into the mainstream, could be so quickly blindsided by the indomitable market forces that brought swing back into fashion?

By the time Manatee marched on Gettysburg, T h u n d e r s was dead of a heroin overdose. His life was hardly a model, but in 1991 I admired that he still had the strength of his convictions, unhealthy though they were. A n d that's probably why I remember that year so vividly. For a fleeting m o m e n t , music seemed to have the strength of its convictions. I wonder if I'll ever feel that way again. (Z)

It's impossible to say that any one year most influenced the future of popular music. Anyone who's ever taken a shot at a musical career knows the highlights of a given year — a concert tour, a record deal

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SEVEN DAYS

october 20, 1999


Where to Party... B Y PAMELA POLSTON

L

ast week Rolling Stone called it " R 2 K " — as in rockin' 2 0 0 0 — a n d we'd like to k n o w w h o told t h e m a b o u t o u r idea to p u b lish a list of who's playing w h e r e o n N e w Year's Eve a n d h o w m u c h it costs. T h e i r list, of course, i n c l u d e d Phish at t h e Big Cypress S e m i n o l e I n d i a n Reservation in Florida — a t w o - n i g h t extravaganza for $ 1 5 0 . But like RS, w e can't be very c o m p r e h e n s i v e , because it t u r n s o u t s o m e local clubs — a n d b a n d s — still d o n ' t have their plans in place for the biggest p a r t y of t h e m i l l e n n i u m . O r is it? A c o u p l e weeks ago, even so a u g u s t a source as The New York Times speculated t h a t at least s o m e o f t h e p o p u l a c e are already m a d at " m i l l e n n i u m madness" a n d ^^gtfHHHjHnk

j ^ ^ H B t e ^ g A I B ^ ^ H f ^ R I B B ^

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its a t t e n d a n t pressures to have the t i m e of their lives — literally — N e w Year's Eve. S o m e venues, naturally c h a r g i n g an a r m a n d a leg for t h e " m u s t - d o " event, are r e p o r t i n g slow ticket sales. C o u l d it be t h a t s o m e peo-

pie will w a t c h the ball d r o p at T i m e s S q u a r e f r o m the c o m f o r t of their o w n sofas? O r c h o o s e to go to their local p u b for s o m e s e c o n d - r a t e b u b b l y a n d p a p e r hats? M a y b e the m a t h e matically correct will even s t u b b o r n l y h o l d o u t u n t i l D e c e m b e r 31, 2 0 0 1 , for the real party. Whatever. All w e k n o w is, w e can give y o u some idea of what's d o i n g herea b o u t s for the Big N i g h t . W e just h o p e y o u all have a d a t e so y o u won't feel like total losers. Just k i d d i n g . ^ ^ ^

Anyone with half a brain knows you should designate a d r i v e r for the Halloween parly. WE ALL MAKE A DIFFERENCE

First of all, if you're g o i n g to First N i g h t B u r l i n g t o n , y o u can catch, for the measly cost of a b u t t o n , a c o u p l e d o z e n acts, i n c l u d ing T h e O n i o n River Jazz B a n d , Rick & t h e R a m b l e r s , T h e C h a m e l e o n s , Rachel Bissex, B a n j o D a n & t h e M i d - n i t e Plowboys, L a m b s b r e a d , Breakaway, M i x e d C o m p a n y , S p e n c e r Lewis, R a n d o m Association, Bloozotomy, D y s f u n k s h u n a n d m u c h , m u c h m o r e . For the e n t e r t a i n m e n t dollar, y o u can't beat t h a t w i t h a stick.

O t o S NON-ALCOHOL BREW

O f course, s o m e b a n d s , like Z o l a T u r n , are playing private parties, so if you weren't invited, t o o b a d . For a few small bills y o u c o u l d rock o u t w i t h Q u a d r a at Trackside Tavern in W i n o o s k i , or h e a d for the 3 r d A n n u a l N e w Year's Eve bash w i t h Seth Yacovone Blues B a n d at Burke M t . Resort. But if you t h i n k you can't have a really g o o d t i m e w i t h o u t s p e n d i n g s o m e serious money, here are a few especially tasty options: Mary's at Baldwin's C r e e k in Bristol hosts J e n n i J o h n s o n & the Jazz Junketeers, a l o n g w i t h d i n n e r , c h o c o l a t e , c h a m p a g n e a n d — here's the clincher — sleigh rides, for $ 1 7 5 per p e r s o n . N o w o r d o n w h a t h a p p e n s if we're snowless. In B u r l i n g t o n , Red Square is t r i a n g u l a t i n g itself. Soulive will play in a h e a t e d t e n t in t h e alley next to t h e bar. O n e h u n d r e d bucks gets y o u b u f f e t a n d d r i n k s all n i g h t long, a n d a free ride h o m e if y o u need it. In a car. A t C l u b M e t r o n o m e , $ 3 5 gets you the s m o o t h movers Belizbeha as well as f o o d a n d c h a m p a g n e . As if t h a t weren't e n o u g h , t h e o w n e r s of t h o s e t w o n i g h t s p o t s , Jack O ' B r i e n a n d M a r k G a u t h i e r , are r e n t i n g o u t H i g h e r G r o u n d in W i n o o s k i to t h r o w a jazzy p a r t y w i t h v i p e r H o u s e , b u f f e t a n d c h a m p a g n e for $50. A t the Radisson H o t e l , y o u can lay d o w n $ 1 2 5 each for J a m i e Lee & t h e Rattlers, a c o u n t r y cuisine b u f f e t , hats, n o i s e - m a k e r s a n d c h a m p a g n e at m i d n i g h t . A t Stowe's R u s t y Nail, expect to get f u n k i f i e d w i t h M o t h e r F u n k , t h e n c o u n t d o w n w i t h a 1 5 - f o o t screen view of T i m e s Square, a n d eat a l a t e - n i g h t breakfast, for $ 5 0 . A t S h e l b u r n e Farms, a black-tie gala — a n d a b e n e f i t for t h e Lake C h a m p l a i n M a r i t i m e M u s e u m — offers T a m m y Fletcher & t h e Disciples, fine d i n i n g , c h a m p a g n e a n d fireworks for a h e f t y $200. But if this all s o u n d s just t o o o v e r w h e l m i n g , m a y w e r e c o m m e n d the u l t i m a t e c h e a p d a t e — s h o r t o f s t a y i n g h o m e . w i t h t h e remote? J.P.'s Pub, karaoke, n o cover. ®

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SEVEN DAYS

page 21;


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october 20, 1999

N o w we stand on the brink of another millennium. And again, the weird and wonderful are emerging from the rotten woodwork of the 20th century to frighten and amaze the watchers on the walls. It's clear that noth-

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willing flesh in preparation for Judgment Day. O f course, when the big day came and went without any noticeable Rapture, some of these penitents slunk back to their forests and huts. Others went off to the East to kill foreigners and generally let off steam.

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ing really changes. A n d while nowadays we don't have the g u m p t i o n to beat ourselves bloody o n a daily basis, a perfectly acceptable substitute is available in bars and p u b s a r o u n d the world. That's where the millennial ritual of self-mortification, karaoke, acts out its nightly drama. For those w h o are still unaware of the p h e n o m e n o n , karaoke entails singing a wellk n o w n song to the accompanim e n t of a computerized recording from which the vocal track has been stripped. T h o s e w h o don't k n o w all the words can read them from a sort of teleprompter. A huge choice is available to the aspiring warbler, in song books passed a r o u n d the audience, f r o m Britney Spears to D o n n a S u m m e r to T h e Beatles to Frank Sinatra. T h e selection changes f r o m venue to venue — more torch songs in gay bars, m o r e Meatloaf in biker hangouts. It would be nice to think that karaoke pubs h a u n t e d by O x f o r d d o n s or S o r b o n n e professors supplied Richard Strauss's "Last Songs" or a little 15th-century plainsong, b u t I d o u b t it. Karaoke, which adds technology and an audience to the c o m pulsion that makes us sing in the shower, began life in Japan as a way for whisky-soaked salarymen to act o u t some harmless fantasies — this f r o m a culture where those same businessmen can b u y the shrink-wrapped, pre-worn panties of schoolgirls f r o m vending machines and trade t h e m like

baseball cards. From there karaoke spread to the West, b u t not before becoming a cultural staple in the Far East. In C h i n a , for example, men take karaoke machines with them whenever they travel on business, and it's all b u t required that they k n o w at least a couple of songs. In the West, karaoke has f o u n d a h o m e wherever drink and exhibitionism — particularly repressed exhibitionism — c o m e together. In other words, pretty m u c h everywhere. Although on the surface it's difficult to see the appeal of karaoke, on second t h o u g h t it's not, really. It's just difficult to think of anything apart from the appeasement of r a m p a n t egos and pathological exhibitionism. T h e average karaoke evening — and I've been to a few, in L o n d o n , England, a n d Chittenden County, V e r m o n t — tends to involve at least one participant w h o is pretty good. But unfailingly there will be several people w h o are very bad indeed. W h e n "Karaoke with Bonnie a n d M a t t " came to the Backstage Bar in Essex one evening not so long ago, the good-bad proportion was a little o u t of whack. N o t the most atmospheric of venues, the Backstage was wracked by o n e tortured rendition after another of various '70s and '80s classics — the most memorable being a c o m pletely tone-deaf assault on the B52s' "Love Shack." If an actual b o m b e r were assaulting an actual

shack, the effect couldn't have been more upsetting. T h e peculiar thing was, n o o n e seemed to notice. Some sort of mysterious phen o m e n o n comes into play w h e n ever karaoke occurs. Let's call it the K Factor. It affects performers and audience alike, and it's a kind of voluntary a b a n d o n m e n t of inhibition and critical function. As the night wore on at the Backstage, couples were dancing, oblivious to the sonic horrors unfolding a r o u n d them. A n d as each Charles M a n s o n of the vocal

all? Right, except,that there's s o m e t h i n g f u n n y about the K Factor. S o m e of the singing o n any given night is so appalling — and military research has proved that sound can kill — that the blandly accepting audience seems to exhibit less a collective w a r m heartedness than a sort of t e m p o rary lobotomization. O n the L o n d o n scene there's a character k n o w n as Disco J o h n , w h o follows his favorite karaoke M C s from venue to venue, seven nights a week. T h e problem is that Disco John is a dreadful

entitled to heckle, b o o a n d t h r o w beer at b a n d s they don't like. Dissatisfied patrons walk o u t of opera. T h e difference could be that on karaoke night, m a n y if n o t all of the audience are potential performers. T h e y don't w a n t to be heckled, so they don't heckle others. Shades of the G o l d e n Rule. A n d while most people must be convinced that they're a better singer than the last person, w h y take a chance? Part of karaoke's allure must also be a desire to imitate a musical hero. There's always a Saturday

Karaoke has found a home wherever drink

chords took the stage for yet another aural atrocity — once is never enough in karaoke — no one seemed to care. In fact, n o one was really paying attention at all, as if the renditions onstage were emitted from some sort of bionic jukebox. Perhaps this should be considered heartening. Karaoke nights aren't usually rowdy or mean-spirited. T h e worst get as m u c h applause as the best. Heckling doesn't happen — proof, surely, that h u m a n nature is okay after

singer, bereft of pitch, tone and r h y t h m . H e also gets u p to sing a b o u t 10 times a night, always to the same kindly applause. Some of the other regulars are extremely good — one couple in particular is chasing a record deal, a n d A & R people d o occasionally sniff a r o u n d the karaoke scene in search of new talent. But they get the same score on the applausometer. So w h a t is the K Factor? It doesn't apply to all audiences of "live" music. People feel perfectly

N i g h t Elvis or a Shania w a n n a b e w h o can try to wish h i m - or herself into a different skin for three minutes. Escapism w o u l d seem like the m o s t obvious attraction, were it n o t for the fact that most karaokists look distinctly u n c o m fortable going t h r o u g h the motions. W h i l e the A & R hopefuls are just d o i n g their well-rehearsed, c o n f i d e n t thing, people like Disco J o h n seem to be gripped by a weird compulsion, as if their 3 0 t h

continued on page 16

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SEVEN DAYS

page 21;


Weekly Mail continued from page 4 views or action. I suspect that the artistic rule by one such as these might turn out a most unpleasant oligarchy — conceptual politics, performance politics, etc., and the state would end up balkanized^a thousand warring cliques each with an attendant claque, each passionately prescriptive for the good of the public. Lucky for us the way things are here in Vermont. Despite its many drawbacks, (a "thin literary community," for example) the state is likely to be spared for a long time the rule of artists, who, for the most part, are aware of their limitations, and live as among the most placid members of our body politic. As Chris Bohjalian points out, on true dead-center, there are few artists who are both wellintentioned and capable of sitting through a select board meeting. — John Engels Burlington

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T O O LONG AS A BOUNCER? I am writing in response to Kevin Statesir's letter to you regarding starting times for shows at his establishment, Higher Ground [Weekly Mail, October 6]. I was fortunate to be able to attend a presentation there of Cubanismo in July with a friend. We had decided to meet at 6:30 p.m. for the early show so we could get ringside seats. I arrived first and was the second in line and left her ticket at the box office. At that point I remained standing at the box office lobby. Then a bouncer came out of the

club. Mr. Statesir claims "to defer to the wishes of our patrons. They are our bread and butter and we never lost sight of that." I found that statement quite amusing, since the bouncer began yelling at me to "go outside and wait," giving me a cold stare from his quite considerable height. I felt that he would have pushed me if he could, as if I were one of his rowdy college crowd. I believe this fellow has lived too long as a bouncer...I don't think I'll go to Higher Ground any time soon again. — Barbara Walling Hinesburg P.S. The Ferrisburgh Artisans Guild is indeed wonderful ["Roadside Attraction," September 29]. They are to be congratulated. RELIGIOUS AND POLITICAL CLASSES PROTECTED Having read Peter Freyne's succinct article, "Church and State," re alderman Tom Smith and the bail bond default [Inside Track, September 22], I thought, who else but the political class, even an extremely minor member of same, would try to squirm out of his stupid but legal obligations? It is not too much of a stretch to connote the professional religious class with the permanent political class. They both make their living from the inculcated and needy: Religion promises spiritual and temporal hope — salvation — in exchange for money and faith. Politics promises pecuniary benefits — power and legislation — in exchange for money and faith. Politicians, always fervent

believers in God, Church and Country (e.g. Bill Clinton), are conjoined by ministers, priests and rabbis, who,*recognizing power, provide a source — mass audience — in return for special interests. Church and state have, inevitably, since organized religion, been entwined — often in collusion but sometimes in dispute. Ethnic rivalries, hatreds and intolerance, leading to internecine warfare, spring all too easily from religious fervor with the usual horrible results. Back to the issue: What Mr. Freyne presented, for me, anyhow, was that while the political class protects itself with the ready aid and abetment of the religious, the ordinary hard-working taxpayer citizen, who errs in the pursuit of good, is not so protected. — William Kevan Randolph CORRECTION: In last week's cover story, "What If Artists Ruled Vermont?" we incorrectly identified the designer of the South Burlington pocket park as architect Michael Wisniewski. In fact it was Steve Schenker at Anderson Schenker Architects in Burlington. We apologize for the error. Letters P o l i c y : S E V E N D A Y S wants your rants and raves, in 2 5 0 w o r d s or l e s s . Letters are only a c c e p t e d that r e s p o n d to content in S E V E N D A Y S . Include your full name and a daytime phone number and s e n d to: S E V E N D A Y S , P.O. Box 1 1 6 4 , Burlington, VT 0 5 4 0 2 - 1 1 6 4 . fax:865-1015 e-mail: sevenday@together.net

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SEVEN DAYS

october 20, 1999

continued from page 15 rendering of "Eye of the Tiger" were some sort of nervous tic. Perhaps the real function of karaoke is as a socially sanctioned Tourette's syndrome — an escape valve for all the spasms and neuroses that everyday life fills us with. But one thing is obvious: Karaoke is immensely popular, and that popularity is rising, not fading away. Therefore it can't be the vicious cycle of performance anxiety that it seems. Apparently, its actually quite fun.

W

lid WSml T H A I

I Like M i k e

ednesday is karaoke night — "Karaoke Kapers," to be precise — at 135 Pearl in downtown Burlington. T h e K Factor is very much in evidence, but with an edge. While the audience is the usual appreciative kind, they seem to be paying more attention. T h e form is the same as ever: a few regulars who seem to be on stage non-stop, a couple of them pretty dreadful. But there's a palpable feeling of support even for the real song-manglers. T h e performers, too, seem to be voluntary participants who have a rapport with the crowd. Melissa, a tall, distinguished transvestite with the authority of Margaret Thatcher — though a good deal more feminine — launched into "Me and Bobby McGee" with a kind of worldweary insouciance. Melissa, a straight man who drags up to

attract women, comes from north of the border and is a recent convert to karaoke. She/he was good: funny, slightly self-conscious and determined. T h e n there are the driven exhibitionists, plainly delighted to be under any kind of spotlight. Karaoke provides something for almost everyone. For those who want to do their thing but don't have that last drop of self-confidence, the machine can provide a vocal track, too, so a weak voice or faint heart can whisper or just mime. Sometimes it's hard to tell the difference, and perhaps it's a measure of the relaxed atmosphere at Pearl's that a couple of singers

although I'm quite prepared to accept that as a failing on my part, it does seem logical that "Dutch Courage" would help fuel the K Factor. The audience never seems averse to a drop or two, of course, but most performers are pretty sober. These people are in the bar to sing, not drink. Love it or hate it — there's no room for fence-sitters here — karaoke is more than the sum of its parts. Call it weird compulsion, mass hypnosis or flagrant ego trip, this rockin' ritual is here to stay. I have to admit, when Melissa crooned about Bobby McGee, and the MC's eyes roved the floor for fresh blood, I found

[Perhaps the real uinctiorn |of karaoke is as a socially J I sanctioned Tourette's ;| ^syndrome — cin escape tyaive tor an irISlUiHjiiJH |and neuroses that everyday. ife fills us wit take this option. Actual singing isn't all-important; being there is. O n e thing that's evident anywhere I've seen karaoke is that strong drink plays less a part than you might think. The only way I'd get up and grasp that microphone (and I never have) is if I were very much the worse for wear. And

myself reaching, with trembling hands, for the song book. God help me, one of these karaoke nights I'm liable to come to my senses on some tiny stage, mike in hand, halfway through my own special version of "Unchained Melody." And I'll be a star. (7)


music

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lenty of people sing for their supper. Precious few bring h o m e the bacon by composing — especially by composing the sort of music that doesn't sell toothpaste or embellish T V car chases. While most classical American composers support their writing habit with faculty positions or spouses, 52-year-old Walker, who lives in Braintree, lets her songs, sonatas, overtures, concerti and other musical works support hpr. "Not.many people are exemplars for what she's been able to do," attests University of Vermont music professor Jane Ambrose. "She's almost unique." And almost as unique in her success. This year, Walker received the American Choral Directors Association's prestigious Raymond W. Brock Commission. This month, her "Symphony of Grace," a fulllength symphony commissioned by six orchestras across the United States, premieres in San Francisco. O n New Year's Eve, Florida music lovers will welcome the year 2000 with her "Millennium Celebration" for orchestra, chorus and school ensembles. And more works are in the works — enough to keep Walker composing for the next two years. New commissions are coming in all the time, and performers regularly play her previously published works. W h a t makes Walker's music so sought-after? "Her music is very accessible to all different levels of sophistication," says Pamela Massey, who handles performance credits for ASCAP the national company that collects royalties for musicians. "It's not so obscure and academic that regular folks can't enjoy it." Fellow composer Hilary Tann states, "Her great, great gift is in word setting. Gwyneth sees things in the words most of us wouldn't see. Her setting of 'Clementine' is just a masterpiece." Florida conductor

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Christopher Confessore compares Walker's instrumental style to that of Aaron Copland or Leonard Bernstein. But he's quick to add that it's neither imitative nor derivative. "It has a clean, open, classic American quality to it; a lot of energy and momentum." T h e same might be said for Walker herself. T h e composer is built tight and talks fast — especially when the topic is her lifelong love affair with her Muse. In one of her earliest memories, she is a two-year-old lying in her crib at home in New Canaan, Connecticut, and becoming conscious of music for the very first time. "My sister was taking piano lessons when she was in first grade," she recalls. "I was supposed to be falling asleep and I heard, directly under me, this

sound! And it was so exciting that, the next morning, when my sisters were in school, I climbed up on the piano and started making sounds every day. I got better at emulating what she had been playing, and then I started making up my own things." As soon as she was able, Walker turned her developing art into a social activity. At six, she was already committing her compositions to paper and urging friends to play her creations on toy instruments. By junior high, she was arranging rock songs to be sung in harmony. As an undergraduate at Brown University, Walker earned her spending money by writing arrangements for a singing group. Composing "has always been

continued on page 18

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SEVEN DAYS

page 21;


Noteworthy continued from page 17 s o m e t h i n g I've d o n e for o t h e r people, as well as for myself," she says. " H o w could you be w r i t i n g s o m e t h i n g that s o m e b o d y doesn't want? T h a t ' s inconceivable."

Some say it's the beauty of an autumn landscape that makes the quality

At the H a r t t School of Music, in H a r t f o r d , C o n n e c t i c u t , where Walker did her graduate work,

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er's big break c a m e in 1985, with " M a t c h Point," an orchestral w o r k inspired by Walker's love of tennis. T h e piece is designed to be c o n d u c t e d with a racquet, which m i m e s the m o t i o n s of a volley, a w i n d - u p a n d a smash. Walker's career t o o k off w h e n

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ith over 120 c o m m i s -

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takes a highly organized a p p r o a c h to her craft. Ask h o w a

page

12

SEVEN DAYS

october 20, 1999


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n e w c o m p o s i t i o n begins, she answers, "with a commission." Two years usually elapse between the delivery of the finished piece — plenty of time to let ideas

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I sit at the desk, a n d I pace the floor," Walker says. Sometimes, she carries the music in her head as she walks u p her road. "I h u m t h r o u g h the entire m o v e m e n t . People w h o see m e on m y walks sometimes t h i n k that something's wrong, because I walk in the t e m p o of the piece, so if it's slow, I'll probably look like I'm a b o u t 99."

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slurs, the tempos," Walker notes. "You have to tell the t r o m b o n i s t

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h o w to play that note: Is it accented or not? Is it loud or

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soft? Does it grow f r o m loud to

It's a win-win situation at Ivy Brooks' new store. On Saturday O c t o b e r 23rd, t h e first 1 0 c u s t o m e r s at t h e n e w store will receive a free shirt of their c h o i c e . The second 10 customers will receive a free tie of their choice. D o n ' t despair, if you don't make the first twenty, w e have a free gift for you as well! Finally, you can enter to w i n a sport coat of your choice. Plus, all suits and sport c o a t s at Ivy Brooks are o n sale at both Ivy Brooks l o c a t i o n s ! D o n ' t miss out! W e ' l l see you at University Mall on Saturday, O c t o b e r 23rd. Doors open at 9:30 A M .

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everything." In 1995, w h e n Walker was

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w o r k i n g on a concerto c o m m i s -

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sioned by Susan Pickett, a violin# Devilish

ist in Walla Walla, W a s h i n g t o n ,

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in w i t h the performer. "She

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telephone a n d c o m m e n t if I f o u n d s o m e t h i n g awkward,"

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premieres. At these perfor-

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Walker makes a p o i n t of a t t e n d i n g the final rehearsals a n d

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Last

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R a n d o l p h , Walker will decide w h e t h e r to publish the w o r k as is, or revise it further. "It's a lesson in discipline," she acknowledges. "I k n e w last C h r i s t m a s

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^ r i e w R e D 4751

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time that this was a piece that had a real market value, and that if I didn't fix it up — well, once it gets printed and everything, you're not going to go back. And if I don't like it at Christmas time," she adds, "I'll make more changes. If it's too hard to play,

slithered under the pew." Selling enough music to make a living and still respecting your artistic self in the morning might be a hard act to pull off. But Walker seems perfectly comfortable with her dual purpose. She composes every day from nine until three, then switches from the art of making music to the business of making money. "Trying to make a living at this is

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— composer Gwyneth Walke i then it's not going to get played." At another premiere, Walker was surprised by the passion of her own writing. She'd set some May Swenson love poems to music, but didn't happen to hear them performed until much later, when a group of Randolph singers included them on their program. "A couple people stopped me in the Grand Union saying, 'Oh, Gwyneth, we just loved these songs! They're so lush!'" Walker recalls. "And they kind of looked vgpf •

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Walker arrived at the concert and sat down, slipping off her winter parka. O n e piece, "Love Is a Rain of Diamonds," was supposed to sound like light fractioning off diamonds, she says. "And it did! And when those women started singing it, and they had such romantic, sensuous voices, I was a little embarrassed." She pulled her parka around her self protectively, she recalls. "I found my posture deteriorating so that I had almost

exhausting," she concedes, noting that she usually toils right up until dinner time, then plugs away into the evening. "I am busier now than when I was teaching. But the business and the creative side are very much intertwined." Knowing that someone is paying her to compose — not from a grant, but out of their own pocket — motivates her to do her best work. And making sure that lots of people hear what she has to say through her music ! keeps Walker working. "You have an obligation to say the things that you uniquely can say," the composer believes. "I am best qualified to speak about the kind of life I live here. I like straightforward, sincere, God-revering, beautiful, h u m o r ous kinds of music that can reach people from all walks of life." T h e composer expresses her philosophy in "Symphony of Grace," a piece she describes as an acknowledgment of her faith.


Her love for the natural beauty she sees out her window in Braintree infuses the first movement. It quotes the hymn, "For the Beauty of the Earth," with "waterfalls around it in the strings, and perhaps insects going by," the composer explains. In the second movement, "Companions Along the Journey," Walker uses the folk style she sang in college, and honors the friends w h o sang it with her. Her sense of h u m o r drives the upbeat "Many Creatures" movement, which starts out with a tango in a barn and ends with a predator portrayed by a slapstick — a percussion instrument that slaps like snapping jaws. T h e symphony closes with a quiet, reflective passage called "The Spirit Within" — Walker's musical expression of devotion. According to Reverend Kathy Eddy, a Braintree neighbor and fellow composer, almost all Walker's music has this same "spiritual underpinning. It comes from her life as a Quaker and attending to the inner light that is God's presence," the minister explains.

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music

Kids learn to measure up Monteverdi Music School BY ANNE

GALLOWAY

sheet music, they are oblivious to everything but "Water Music." T h e girls, students at the Monteverdi Music School, sight-read their way through Handel repeatedly until the notes begin to meld together perfectly. Their teacher, Ingrid Bock Remy, plays her cello along with the trio, then between takes methodically works her way through every aspect of the music: the notes, tempo, phrasing and historical context. She gives the students a lesson in counting 16th notes in 4 / 4 time: Together they clap through the music

I

t's the kind of October day that says "soccer" to most kids: sunny and warm, with a u t u m n leaves in full foliage. But to the three teenage girls tucked away in the turret of a rambling Victorian house in Montpelier, the glorious weather doesn't seem to matter. Even the staccato beat of hammers striking the porch roof doesn't faze the trio of budding musicians inside the practice room. Diligently peering at the foreign language of tiny dots and lines that constitute

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measure by measure. R e m y walks a r o u n d t h e r o o m , c o n stantly w a t c h i n g a n d c o r r e c t i n g w i t h disa r m i n g honesty. H e r s t u d e n t s m a k e c o m -

E l e m e n t a r y in W a r r e n a n d several

a n d grown, so has its r e p u t a t i o n .

L i n d n e r ' s j o b is t o a u g m e n t t h e leftover

M o n t p e l i e r schools. T u i t i o n paying stu-

M o n t e v e r d i o f t e n sends a l u m n i o n to the

lettuce w i t h . g r a n t s a n d

d e n t s take advantage of these classes.

V e r m o n t Youth O r c h e s t r a . T h e school

f r o m businesses a n d individuals. So far,

T h e school began as a s u m m e r music

financial

support

also draws n e w s t u d e n t s f r o m as far away

it's w o r k e d . L i n d n e r h o p e s to raise

c a m p organized by musician a n d educa-

as B u r l i n g t o n , the N o r t h e a s t K i n g d o m

e n o u g h m o n e y to eventually relocate t h e

the f r e e d o m R e m y a f f o r d s t h e m seems to

tor N o r m a Perrault. It evolved i n t o the

a n d even N e w H a m p s h i r e .

school to a larger space.

inspire their d e t e r m i n a t i o n to practice

V e r m o n t College Preparatory School of

"La Rejouissance" again a n d again, indi-

M u s i c a n d D a n c e a n d for a decade it

to its skillful m a n i p u l a t i o n of n o n p r o f i t

Rochester Philharmonic and the Vermont

vidually a n d as a g r o u p . By the e n d of

thrived u n d e r the aegis of the college. As

economics. "We're t r y i n g to pay teachers

S y m p h o n y O r c h e s t r a , teaches strings t o

the 9 0 - m i n u t e e n s e m b l e practice,

N o r w i c h University a d m i n i s t r a t i o n

better a n d we're trying to keep it a f f o r d -

m o r e t h a n 3 0 s t u d e n t s a w e e k a n d can

H a n d e l ' s fugal c o n f e c t i o n is e t c h e d i n t o

t u r n e d the V e r m o n t c a m p u s into an adult

their brains.

learning center, the music school was

"There's a s h o r t a g e o f teachers in central

asked to leave. A t that j u n c t u r e , just three

V e r m o n t , at least for strings," she says.

m e n t s , giggle a n d exchange glances, b u t

T h i s " C r e s c e n d o " string e n s e m b l e is

Part of Monteverdi's success is o w i n g

Remy, a f o r m e r m e m b e r o f t h e

h a r d l y keep u p w i t h t h e d e m a n d .

o n e of m a n y classes offered at M o n t e -

a n d a half years ago, the school b e c a m e

" W h e n I first m o v e d here t h e teachers

verdi. Serving m o r e t h a n 4 0 0 s t u d e n t s

i n c o r p o r a t e d a n d the n a m e was c h a n g e d

w o u l d all say, ' I ' m so tired.' N o w I'm o n e

each year, the school provides individual

to M o n t e v e r d i — after C l a u d i o , the

i n s t r u c t i o n in 19 d i f f e r e n t i n s t r u m e n t s ,

1 7 t h - c e n t u r y c o m p o s e r — a n d it c a m e

a n d e n s e m b l e classes for e v e r y t h i n g f r o m

d o w n f r o m the hill to the m a u v e - a n d -

Irish fiddle to rock 'n' roll a n d t h e o r y

beige h o u s e on Barre Street.

a n d c o m p o s i t i o n . S t u d e n t s c o m e f r o m all

at the foreign

over the area, a n d they range in age f r o m

regular school lets o u t , s t u d e n t s stream

18 m o n t h s to 7 8 years old.

i n t o the building, lugging i n s t r u m e n t s .

dots and lines hat constitute sheet music, the re ouiivious to vervthins but ater Music."

S o o n there is no place to sit in the wait-

4 0 professional musicians a n d m u s i c e d u -

ing area. M u s i c — f r o m piano, oboe, fid-

cators, m a n y of w h o m are m e m b e r s of

dle accordion a n d d r u m s — seeps

the V e r m o n t P h i l h a r m o n i c , the V e r m o n t

t h r o u g h the thin walls of the practice

Symphony Orchestra and the Vermont

r o o m s . It mixes in the lobby in a great

C h a m b e r O r c h e s t r a . M o s t teachers m e e t

c a c o p h o n o u s swell, like an orchestra

w i t h t w o d o z e n s t u d e n t s a week.

w a r m i n g u p before a p e r f o r m a n c e . I n t o

'

the evening h o u r s the old clapboard

" B u t it's n o t just p i a n o a n d violin lessons," says D a n L i n d n e r , t h e executive

h o u s e practically bursts at the seams w i t h

director of the school. "We're d o i n g fid-

music.

dle, jazz, rock 'n' roll. We're b r o a d e n i n g

T h e b u i l d i n g is o f t e n so j a m - p a c k e d

the c u r r i c u l u m all the t i m e . "

W h y t h e s u d d e n influx of m u s i c stu-

THif'-ilfcliftJflBni^

N o w every weekday a f t e r n o o n , w h e n

T h e M o n t e v e r d i faculty is m a d e u p of

of t h e m . "

i

*

t h a t M o n t e v e r d i teachers offer classes in

T h i s fall M o n t e v e r d i a d d e d an inter-

d e n t s in a small city like M o n t p e l i e r ? Like o t h e r teachers at M o n t e v e r d i , R e m y believes p a r e n t s are b e g i n n i n g to grasp the popularized connection between m u s i c a n d a c a d e m i c a c h i e v e m e n t . She n o t e s a child's ability to c o n c e n t r a t e i m p r o v e s w e e k by week, a n d as t h e y master an i n s t r u m e n t their self-esteem "shoots really h i g h . " W h i l e recent studies s h o w a correlat i o n b e t w e e n intellectual d e v e l o p m e n t a n d early e x p o s u r e t o music, L i n d n e r doesn't get t o o u p t i g h t a b o u t t h e science b e h i n d w h y m u s i c w o r k s for s t u d e n t s of all ages. Instead of c i t i n g statistics, h e just says, " M u s i c is g o o d for y o u . It's sort o f like granola."

local c h u r c h e s a n d schools. "I have to

S a n d r a C a t h e y is even m o r e a d a m a n t .

nationally recognized early c h i l d h o o d

give u p the office s o m e t i m e s , " L i n d n e r

able for s t u d e n t s , " L i n d n e r says. "It's

She says t h e K i n d e r m u s i k p r o g r a m she

e d u c a t i o n p r o g r a m called K i n d e r m u s i k

says. "We're outside the b o u n d a r i e s of

always a balancing act. T h e r e ' s a little left

teaches is based o n a holistic a p p r o a c h t o

for c h i l d r e n 18 m o n t h s to three years old.

this b u i l d i n g , that's for sure."

over, b u t n o t really e n o u g h to s u p p o r t

m u s i c . She insists t h a t m u s i c e d u c a t i o n is

the school."

a b o u t m u c h m o r e t h a n l e a r n i n g an

T h e s e tiny musicians clap their h a n d s ,

T h e evidence of the school's g r o w t h

play w i t h sticks, d a n c e a r o u n d a n d sing.

isn't merely anecdotal. O v e r t h e past six

M o n t e v e r d i also offers individual lessons

years the n u m b e r of s t u d e n t s w h o take

classes costs $ 2 5 6 , or $ 1 6 per class. T h i s

child's physical, e m o t i o n a l , cognitive, language, social a n d musical d e v e l o p m e n t .

A semester's t u i t i o n for 16 h a l f - h o u r

i n s t r u m e n t . She says it is essential for a

in area p u b l i c schools. P i a n o , guitar a n d

classes has d o u b l e d f r o m 2 0 0 to 4 0 0 a

generates e n o u g h i n c o m e to attract g o o d

violin instructors f r o m t h e m u s i c school

year, according to board m e m b e r Carl

teachers, m o s t o f w h o m m a i n t a i n day

" W i t h o u t m u s i c , " she insists, "you're n o t

teach at U - 3 2 , T h a t c h e r B r o o k

Severance. A n d as the school has c h a n g e d

jobs, while still b e i n g affordable.

really h u m a n . " ®

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page 23


AdviCe CHANT DOWN BABYLON It sure doesn't hurt, if you want to be a reggae star, to have the surname Marley. Funny thing is, though, Ky-mani Marley doesn't even use it. The son of Bob and a former Jamaican table-tennis champ, Ky-mani (an East African name meaning "adventurous traveler") scarcely needs to prove his lineage: He possesses the good looks and the raspy, soulful voice, even some physical mannerisms, of his beloved father. The uncanny resemblance — and his own gift for r&b-flavored roots reggae — assures Bob flashbacks at Ky-mani's performance this Monday at Higher Ground. Lavaska opens.

BUD SYSTEM A tree grows in Brooklyn, but in Boston it rocks. Thef four-piece Tree are the

WEDNESDAY

THURSDAY

THE MAIN STREET JAZZ QUARTET, Leunig's, 7:30 p.m. N C . KARAOKE KAPERS (hosts Bob Bolyard & Eric Brenner), 135 Pearl, 9:30 p.m. NC. MIGHTY LOONS (rock), Nectar's, 9:30 p.m. NC. COCO CHANTEUSE (open mike), Red Square, 9:30 p.m. NC. JAZZ MANDOLIN PROJECT (jazzgrass), Club Metronome, 9:30 p.m. $10. HIP-HOP NIGHT (DJs), Rasputin's, 9:30 p.m. NC. OPEN MIKE, Manhattan Pub, 9:30 p.m. NC. HERBAN LEGENDZ (hip-hop; DJ Frostee & Melissa), Club Extreme, 9 p.m. $2/NC. 5TH ANNUAL ADVANCE MUSIC ACOUSTIC GUITAR SEARCH, Sweetwaters, 7 p.m. NC. KARAOKE, J.P's Pub, 9 p.m. NC. DJ BUTCH, Club 156, 9:30 p.m. NC.

NORTH COUNTRY FAIR (folk), Dockside, 7 p.m. N C . ELLEN POWELL & TJ THOMPSON (jazz), Leunig's, 7:30 p.m. NC. THE DETONATORS (blues/r&b), Nectar's, 9:30 p.m. NC. CONSTRUCTION JOE, JENNIFER TEFFT (alt-country, alt-rock), Club Metronome, 9:30 p.m. $5. SCHMEDLEY (ant music), Red Square, 9:30 p.m. NC. LIQUID (house music w/Craig Mitchell), Club Extreme, 9 p.m. NC/$2. REGGAE DJ, J.P's Pub, 10 p.m. NC. OPEN MIKE W/D. DAVIS, Cactus Cafe, 9 p.m. NC. DJ JOEY K (hip-hop), Last Chance Saloon, 10:30 p.m. NC. DJ DAPP, Club 156, 9:30 p.m. NC. DAVE ABAIR BAND (rock) Trackside Tavern, 9 p.m. NC. ZEN TRICKSTERS, WINGNUT (groove/improv/rock), Higher Ground, 9:30 p.m. $6/8. KARAOKE W/MATT & BONNIE DRAKE, Edgewater Pub, 9 p.m. NC. LINE DANCING (instruction with Dancin' Dean), Cobbweb, 7 p.m. Newcomers, 8 p.m. open dance, $5/6. GUY C0LASACC0 (singer-songwriter), Jake's, 6:30 p.m. NC. KARAOKE, Swany's, 9 p.m. N C . TNT KARAOKE, Thirsty Turtle, 9:30 p.m. N C . RICHARD SHINDELL (singersongwriter), Live Art, T W Wood

MR. VEGAS & SEAN PAUL (dancehall reggae), Higher Ground, 9:30 p.m. $10/12. LAWN JOCKEYS (acoustic duo), Good Times Cafe, 7:30 p.m. $2. OPEN MIKE, Charlie O's, 9 p.m. NC. OPEN MIKE (acoustic), Cambridge Coffee House, Smuggler's Notch Inn, 7 p.m. Donations. OPEN MIKE, Toadstool Harry's, 9 p.m. N C .

loudest and most aggressive environmentalists you'll ever hear, proving that punk politics are still in full bloom. Check out the newest release, Our Day Will Come, and branch out your musical tastes this Friday at 242 Main, when Tree headline an all-ages show that also includes All Out War, Dycast and Torsion.

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Gallery, 7:30 p.m. $14 DJ CHEWBACCA, Toadstool Harry's, 9 p.m. NC.

SUNAPA (disco), Vermont Pub & Brewery, 9:30 p.m. NC. SHOTGUN WEDDING (rock), Alley Cats, 9:30 p.m. NC. COMEDY ZONE (stand-up), Radisson Hotel, 8 & 10 p.m.

Matterhorn, 9 p.m. NC. REBECCA PADULA (folk), Three Mountain Lodge, 6 p.m. NC. THE DETONATORS (blues/r&b), Nightspot Outback, 9 p.m. NC. ELBOW (groove rock), Toadstool Harry's, 9 p.m. $3.

$8.

FRIDAY CLYDE STATS TRIO (jazz), Windjammer, 5:30 p.m. NC. RODNEY & FRIENDS (acoustic), Ri Ra, 6 p.m. NC. RIK PALIERI (orig. folk), Dockside, 7 p.m. NC. TREE, ALL OUT WAR, DYCAST, TORSION (hardcore), 242 Main, 7 p.m. $5. BOOTLESS & UNHORSED (Irish), Last Chance Saloon, 7:30 p.m. NC. MERRICK HARD & THE AVANT GUARDSMEN (theremin demo & experimental music), Waterfron Video, Burlington, 7:30 p.m. NC. AARON FLINN(pop-rock), Borders, 8 p.m. NC. ANN I CLARK (singer-songwriter), Burlington Coffeehouse at Rhombus, 8 p.m. $6. RODNEY & FRIENDS (acoustic), Sweetwaters, 9 p.m. NC. SANDRA WRIGHT (blues diva), Red Square, 9:30 p.m. NC. ROB HANDEL (piano) 135 Pearl, 6 p.m. NC, followed by DJ FROSTY, 9 p.m. $4/5, followed by DJ CRAIG MITCHELL, 11 p.m. $4/5. TOP HAT DJ, Ruben James, 11 p.m. NC. JIVE TALKIN' ROBOTS, FAT MAMA (funk/jazz/groove), Club Metronome, 9:30 p.m. $5. MIDLIFE CHRYSLER (vintage rock), Nectar's, 9:30 p.m. NC. ORGY (retro remix/r&b/hiphop; DJs Frostee & Robbie J.), Club Extreme, 9 p.m. $3/5. DJ BUTCH & DAPP (hip-hop), Club 156, 9 p.m. NC.

weekly

RUN FOR COVER (rock), Henry's Pub, Holiday Inn, 9 p.m. NC. DR. COREY, TOMMY BRENNAN (rock), Higher Ground, 7:30 p.m. $17.50, followed by BORN INVINCIBLE (hiphop/ dancehall DJs), 10 p.m. $5/7. QUADRA (rock), Trackside Tavern, 9 p.m. $3. BUDDHA & FRIENDS (rock), Champion's, 9 p.m. NC. KARAOKE W/MATT & BONNIE DRAKE, Backstage Pub, 9 p.m. NC. BLUE VOODOO (rock), Edgewater Pub, 9 p.m. NC. JOHN CASSEL (jazz piano), Tavern at the Inn at Essex, 7 p.m. NC. LIVE JAZZ, Diamond Jim's Grille, 7:30 p.m. NC. RANDOM LOGIC (rock), Franny O's, 9 p.m. NC. JENNI JOHNSON (blues/jazz), Jake's, 7 p.m. NC. JUKEBOX HEROES (rock), City Limits, 9 p.m. $2. TANTRUM (rock), Swany's, 9 p.m. NC. SAND BLIZZARD (rock), Thirsty Turtle, 9 p.m. $3. AUGUSTA BROWN (rock), Mad Mountain Tavern, 9:30 p.m. $4. PICTURE THIS (jazz), J.P. Morgan's, 7:30 p.m. NC. WILLIE EDWARDS (blues), Charlie O's, 9 p.m. NC. PENNY TOWERS & COLIN MCCAFFREY (jazz/swing), Villa Tragara, 6:30 p.m. $5 with dinner. BLUE FOX & R0CKIN' DADDYS (blues-rock), Mountain Roadhouse, 9 p.m. NC. REGGAE NIGHT (DJ),

listings

on

23

SATURDAY LIVE MUSIC, Dockside, 7 p.m. NC. SCOTT B. ADAMS (acoustic), Barnes & Noble, 7:30 p.m. NC. CHAINSAWS & CHILDREN, MINIMUS, HUMANS BEING, TRUTH BY TRAGEDY (industrial/hardcore), 242 Main, 7 p.m. $5. BOOTLESS & UNHORSED (Irish), Last Chance Saloon, 7:30 p.m. NC. GREG DOUGLASS, KATHERINE QUINN (singer-songwriters), Burlington Coffeehouse at Rhombus, 8 p.m. $6. CRAIG HUR0WITZ (acoustic), Sweetwaters, 9 p.m. NC. DJ LITTLE MARTIN, 135 Pearl, 10 p.m. $4/5. MIDLIFE CHRYSLER (vintage rock), Nectar's, 9:30 p.m. NC. RETR0N0ME (DJ), Club Metronome, 9 p.m. $2. WIDE WAIL (alt-rock), Red Square, 9:30 p.m. NC. KARAOKE, J.P.'s Pub, 9 p.m. NC. PERRY NUNN (acoustic), Ruben James, 5 p.m. NC, followed by DJS TIM DIAZ & RUGGER (hip-hop/r&b), 10 p.m. NC. FLASHBACK ('80s DJ), Rasputin's, 10 p.m. NC. HIP-HOP PARTY (DJs Spin & Irie), Club Extreme, 9 p.m. $3/5. DJ JOEY K (hip-hop), Last Chance Saloon, 9 p.m. NC.

DJS DAPP (hip-hop/house), Club 156, 9:30 p.m. NC. CURRENTLY NAMELESS (groove rock), Vermont Pub & Brewery, 9:30 p.m. NC. COMEDY ZONE (stand-up), Radisson Hotel, 8 & 10 p.m. $8. GUY C0LASACC0 (singersongwriter), Jake's, 6:30 p.m. NC. RUN FOR COVER (rock), Henry's Pub, Holiday Inn, 9 p.m. NC. HIGHLAND WEAVERS (Irish), Tuckaway's, Sheraton Hotel, 9 p.m. NC. BLOOZOTOMY, JAMIE N0TARTH0MAS (jump blues), Higher Ground, 9:30 p.m. $5. QUADRA (rock), Trackside** Tavern, 9 p.m. $3. RUSS & CO. (rock), Backstage Pub, 9 p.m. NC. BLUE VOODOO (rock), Edgewater Pub, 9 p.m. NC. BRAHMA (country; line dancing), Cobbweb, 8:30 p.m. $7/12.

in

A l l e y - C a t s , 4 1 K i n g St., B u r l . , 6 6 0 - 4 3 0 4 . B a c k s t a g e Pub, 6 0 P e a r l St., Essex Jet., 8 7 8 - 5 4 9 4 . B a r n e s & N o b l e B o o k s e l l e r s , 1 0 0 Dorset St., S. B u r l i n g t o n , 8 6 4 - 8 0 0 1 . B o o n y ' s , Rt. 2 3 6 , F r a n k l i n , 9 3 3 - 4 5 6 9 . B o r d e r s B o o k s & M u s i c , 2 9 C h u r c h St., B u r l i n g t o n , 8 6 5 - 2 7 1 1. B u r l i n g t o n C o f f e e h o u s e at R h o m b u s , 1 8 6 C o l l e g e St., B u r l i n g t o n , 8 6 4 - 5 8 8 8 . Cactus Cafe, 1 L a w s o n Ln., B u r l . , 8 6 2 - 6 9 0 0 . C a m b r i d g e Coffee H o u s e , S m u g g l e r ' s N o t c h I n n , J e f f e r s o n v i l l e , 6 4 4 - 2 2 3 3 . C a p i t o l G r o u n d s , 4 5 State St., M o n t p e l i e r , 2 2 3 - 7 8 0 0 . C h a m p i o n ' s , 3 2 M a i n St., W i n o o s k i , 6 5 5 - 4 7 0 5 . C h a r l i e O's, 7 0 M a i n St., M o n t p e l i e r , 2 2 3 - 6 8 2 0 . C h o w ! B e l l a , 2 8 N. M a i n St., St. A l b a n s , 5 2 4 - 1 4 0 5 . City L i m i t s , 1 4 Greene St. V e r g e n n e s , 8 7 7 - 6 9 1 9 . Club E x t r e m e , 1 6 5 C h u r c h St., B u r l i n g t o n , 6 6 0 - 2 0 8 8 . Club M e t r o n o m e , 1 8 8 M a i n St., B u r l i n g t o n , 8 6 5 - 4 5 6 3 , Club 1 5 6 , 1 5 6 St. Paul St., B u r l i n g t o n , 6 5 8 - 3 9 9 4 . C o b b w e b , S a n d y b i r c h Rd., G e o r g i a , 5 2 7 - 7 0 0 0 . D i a m o n d Jim's G r i l l e , H i g h g a t e C o m m . S h p g . Ctr., St. A l b a n s , 5 2 4 - 9 2 8 0 . D o c k s i d e Cafe, 2 0 9 B a t t e r y , B u r l i n g t o n , 8 6 4 - 5 2 6 6 . E d g e w a t e r P u b , 3 4 0 M a l l e t t s Bay A v e . , C o l c h e s t e r , 8 6 5 - 4 2 1 4 . F i n n i g a n ' s Pub, 2 0 5 C o l l e g e St., B u r l i n g t o n , 8 6 4 - 8 2 0 9 . Franny O's 7 3 3 Queen City Pk. Rd., B u r l i n g t o n , 8 6 3 - 2 9 0 9 . Good T i m e s Cafe, H i n e s b u r g V i l l a g e , Rt. 1 1 6 , 4 8 2 - 4 4 4 4 . H e n r y ' s , H o l i d a y I n n , 1 0 6 8 W i l l i s t o n Rd., S. B u r l i n g t o n , 8 6 3 - 6 3 6 1 . H i g h e r G r o u n d , 1 M a i n St., W i n o o s k i , 6 5 4 - 8 8 8 8 . H o r n of the M o o n Cafe, 8 L a n g d o n St., M o n t p e l i e r , 2 2 3 - 2 8 9 5 . J a k e ' s , 1 2 3 3 S h e l b u r n e Rd., S. B u r l i n g t o n , 6 5 8 - 2 2 5 1 . J.P. M o r g a n ' s at C a p i t o l P l a z a , 1 0 0 M a i n St., M o n t p e l i e r , 2 2 3 - 5 2 5 2 . J.P.'s P u b , 1 3 9 M a i n St., B u r l i n g t o n , 6 5 8 - 6 3 8 9 . L a B r i o c h e , 8 9 M a i n St., M o n t p e l i e r , 2 2 9 - 0 4 4 3 . Last C h a n c e S a l o o n , 1 4 7 M a i n , B u r l i n g t o n , 8 6 2 - 5 1 5 9 . L e u n i g ' s , 1 1 5 C h u r c h St., B u r l i n g t o n , 8 6 3 - 3 7 5 9 . Live Art at t h e B a r r e Opera H o u s e (or W o o d Art G a l l e r y , M o n t p e l i e r ) , 4 7 6 -

8188. M a d M o u n t a i n T a v e r n , Rt. 1 0 0 , W a i t s f i e i d , 4 9 6 - 2 5 6 2 .

KARAOKE W/FRANK, Franny O's, 9 p.m. NC. WATER'S EDGE REVIVAL

M a d River U n p l u g g e d at V a l l e y P l a y e r s T h e a t e r , Rt. 1 0 0 , W a i t s f i e i d , 4 9 6 8910. M a i n St. Bar & G r i l l , 1 1 8 M a i n St., M o n t p e l i e r , 2 2 3 - 3 1 8 8 . M a n h a t t a n P u b , 1 6 7 M a i n St., B u r l i n g t o n , 6 5 8 - 6 7 7 6 .

(folk/blues/bluegrass), Starksboro Community Coffee House, Village Meeting House, 7:30 p.m. $5-10. JUKEBOX HEROES (rock), City Limits, 9 p.m. $2. TANTRUM (rock), Swany's, 9 p.m. NC.

M a t t e r h o r n , 4 9 6 9 M o u n t a i n Rd., S t o w e , 2 5 3 - 8 1 9 8 . T h e M o u n t a i n R o a d h o u s e , 1 6 7 7 M o u n t a i n Rd., S t o w e , 2 5 3 - 2 8 0 0 . N e c t a r ' s , 1 8 8 M a i n St., B u r l i n g t o n , 6 5 8 - 4 7 7 1 . The N i g h t s p o t O u t b a c k , K i l l i n g t o n Rd., K i l l i n g t o n , 4 2 2 - 9 8 8 5 1 3 5 P e a r l St., B u r l i n g t o n , 8 6 3 - 2 3 4 3 . R a d i s s o n H o t e l , 6 0 B a t t e r y St., B u r l i n g t o n , 6 5 8 - 6 5 0 0 . R a s p u t i n ' s , 1 6 3 C h u r c h St., B u r l i n g t o n , 8 6 4 - 9 3 2 4 . Red S q u a r e , 1 3 6 C h u r c h St., B u r l i n g t o n , 8 5 9 - 8 9 0 9 . R h o m b u s , 1 8 6 C o l l e g e St., B u r l i n g t o n , 8 6 5 - 3 1 4 4 . R i p t o n C o m m u n i t y Coffee H o u s e , Rt. 1 2 5 , 3 8 8 - 9 7 8 2 .

SAND BLIZZARD (rock), Thirsty Turtle, 9 p.m. $3. DAVE KELLER BLUES BAND, Mountain Roadhouse, 9 p.m. NC. ABAIR BROS, (rock; singles night), Rusty Nail, 9 p.m. $4. DJ BETTY, Charlie O's, 9 p.m. NC. -" ' MARK LAV0IE (blues harmonica), The Boonys, 7 p.m. NC. LAURIE MOLINELLI & HER EXCELLENT BAND (acoustic

Ri Ra, 1 2 3 C h u r c h St., B u r l i n g t o n , 8 6 0 - 9 4 0 1 . Ruben J a m e s , 1 5 9 M a i n St., B u r l i n g t o n , 8 6 4 - 0 7 4 4 . Rusty N a i l , M o u n t a i n Rd., S t o w e , 2 5 3 - 6 2 4 5 . S t a r k s b o r o C o m m u n i t y C o f f e e H o u s e , V i l l a g e M e e t i n g H o u s e , Rt. 1 1 6 , Starksboro, 4 3 4 - 4 2 5 4 . S w a n y ' s , 2 1 5 M a i n St., V e r g e n n e s , 8 7 7 - 3 6 6 7 . S w e e t w a t e r s , 1 1 8 C h u r c h St., B u r l i n g t o n , 8 6 4 - 9 8 0 0 . T h e T a v e r n at t h e Inn at Essex, Essex Jet., 8 7 8 - 1 1 0 0 . T h i r s t y T u r t l e , 1 S. M a i n St., W a t e r b u r y , 2 4 4 - 5 2 2 3 . T h r e e M o u n t a i n L o d g e , Rt. 1 0 8 , J e f f e r s o n v i l l e , 6 4 4 - 5 7 3 6 . T o a d s t o o l H a r r y ' s , Rt. 4 , K i l l i n g t o n , 4 2 2 - 5 0 1 9 . T r a c k s i d e T a v e r n , 18 M a l l e t t s Bay A v e . , W i n o o s k i , 6 5 5 - 9 5 4 2 . T u c k a w a y ' s , S h e r a t o n , 8 7 0 W i l l i s t o n Rd., S. B u r l i n g t o n , 8 6 5 - 6 6 0 0 . V e r m o n t Pub & B r e w e r y , 1 4 4 C o l l e g e , B u r l i n g t o n , 8 6 5 - 0 5 0 0 . V i l l a T r a g a r a , Rt. 1 0 0 , W a t e r b u r y Ctr., 2 4 4 - 5 2 8 8 . W i n d j a m m e r , 1 0 7 6 W i l l i s t o n Rd., S. B u r l i n g t o n , 8 6 2 - 6 5 8 5 .

continued on page 2 7

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R A P P I N G THE PENTAGON F a i t h f u l

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NEDESKI MARTIN & WOOD PROJECT L O G I C

readers of this column may remember my report a couple months back that ice cream magnate Ben Cohen was recording a rap song that proposes the Pentagon share its wealth. Call it an offense on the defense. I now have the single CD in hand and...well, let's just say BllSta Rhymes has nothing to fear. Recorded at 2much Media in Burlington, "Move the Money" was p r o d u c e d b y Bill Kinzie — a

Colorado fellow penned the lyrics. Kinzie also performed the minimalist, drum-track accompaniment, and the back-up singer who sounds like an entire black girl group is none other than young, multi-octave Vermont singer-songwriter Greg Douglass. Of course, Cohen doesn't expect to win any Grammies; he's using the song to promote the agenda of his nonprofit Business Leaders for Sensible Priorities. That agenda is, specifically, to reallocate some $40 billion of the defense budget to education and health care — the amount Lawrence Kolb, Assistant

Secretary of Defense under Ronald Reagan, said could be trimmed while still maintaining military superiority. For instance, according to BLSP's media kit, canceling the

339 F-22 fighter jets designed to deter the Soviets would save $ 11 billion per year for five years, which could instead pay for health insurance for the 11 million American children who are uninsured. Reducing our nuclear arsenal to a modest 1OOO weapons would save $17 billion per year — an amount that could employ 425,000 new school teachers. While the idea may sound piein-the-sky, BSLP is seriously focused on slicing the pie. A "Move the Money" tour bus has already been prowling Iowa, site of the first caucuses of the 2000 campaign, and will move next week to New Hampshire, which hosts the first-inthe-nation presidential primaries. Along the way, Cohen is occasionally performing his rap song live, as he did in front of the National Press Club last summer — a sight not quite as faux-fly as Warren Beatty's hip-hop turn in Bulworth, but at least Cohen's was on C-SPAN. Meanwhile, the disc is being distributed to radio stations, in hopes of "raising consciousness on these more substantive issues," says BLSP's PR guy Rob Michalak. "We're trying to get this debate in front of people." As of this writing, Congress and the

Prez are wrangling over budget issues, and chances are "Move the Money" will not be played during the debates. Too bad. But maybe a nation of millions will hear the tune if Chuck D picks up Cohen's rhyth-

heard. The recording captures the band's two-night stand at the Hampton Coliseum last November . . . If you were hoping to jam yourself into Higher Ground for the

mic slack. The former Public Enemy

week, forget it — both shows are sold out! . . . Check out instead the

rapper, says Michalak, has received the song and expressed interest in "taking this thing further." At least the hard-hitting "Rebel Without a Pause" could bring the noise. GUITARS THAT GENTLY W E E P . . . If

you're the kind who sighs with longing at open mikes and coffeehouses, you oughta muster up your nerve and enter the 5th Annual Advance Music Acoustic Guitar Search. A measly 10-buck entry fee gets you a T-shirt, a set of strings and the opportunity to compete for first prize — a beauteous Ovation guitar, worth $1200. By the way, Van Halen wannabes need not apply — this competition is an encounter of the unplugged kind, and will be judged, says Advance Music's Mike Trombley, "on singing and songwriting ability as opposed to guitar-playing prowess." The first round is this Wednesday at Sweetwaters, and since it's such short notice, walk-ins will be accepted. For next Wednesday's round at Ruben James, however, you gotta preregister (call 863-8652). Three semifinalists from each night will then compete at Nectar's on November 2 for the Ovation — and standing O's as well. SINGLE TRACKS Two foil, uncut concerts appear on the six-CD boxed set Phish will release next month — making tracks of many songs only live-concert fans have

M e d e s k i Martin & W o o d s h o w this

r e t u r n of Jazz M a n d o l i n Project, f e a t u r i n g Jamie M a s e f i e l d , Doug Perkins a n d Jim Whitney o n t h e

"String Set Tour" at Metronome this Wednesday . . . Burlington's industrial-core outfit Chainsaws and Children are making noise in cyberspace — they were at #6 on the "Industrial Rock" charts on mp3.com last week, beating out 500 other acts . . . Another score for music in the boonies: Starksboro is launching a coffeehouse in its historic Village Meeting House on Rt. 116. The premiere performance is c o u r t e s y o f Water's Edge Revival,

featuring violinist Peter Miller with Peter a n d Anne C a s s e l s - B r o w n

and John Dickason. Expect cider and homebaked goodies with the tunes, and a regular schedule of events coming up . . . Congrats to Bloozotomy for adding new bassist Tom Buckley, a former denizen of Chicago with blues greats Jimmy Reed, Pinetop P e r k i n s a n d Howlin'

Wolf on his resume. Blooz breaks out the jumping blues this Saturday at Higher Ground . . . Got a musical tip for Rhythm & News? Send it to Pamela Polston at Seven Days, POB 1164, Burlington, VT 05402, e-mail to sevenday@together.net, fax 865-1015 or call 864-5684.

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CRACKWHORE, SOMEBODY LOVES YOU (Sweet Filth Records, CD) — Since nothings shocking anymore, a lot of "heavy music" has a nearly comic element to it — intentional or not. O n their debut disc, Somebody Loves You, Johnson punkers Crackwhore managed to crack me up more than scare me. Hopefully they meant to, 'cause when bassist/co-lead singer Erich Fletschinger snarls out, "This is a love song, it's called 'fuck you!"' it's tough to take him too seriously. Recorded at Dibden Auditorium by Brian Steele, Somebody Loves You sounds refreshingly lo-fi in this era of the cheap big sound. Main vocalist/guitarist Danielle Duby sings something like the woman from L7, with some Kim Gordon/ Courtney Love scale-sliding thrown in. O n drums, Nate Meunier provides a solid, propulsive framework with help from Fletschinger, while Duby and guitarist Kate Blanchard color inside and outside the lines. These songs are short and fairly varied, with a frequently charging intensity being the common denomi-

nator. Stand-out tracks include the opener, "Violent Temp," "You Took It" and the noisy, experimental "Preacher Man." Sounds to me like Crackwhore have done their punk-school homework — a (Clash) Mick Jones-esque guitar riff here, a Joy Division bass line there. "Formation" reminded me of a song by Wire. While they're not exactly blazing new trails here, Crackwhore do have a sound. It didn't quite make me want to go out and fuck shit up, like the best punk rock does, but I quite enjoyed this endearingly sloppy slab of bile-style. These youths show more promise than accomplishment at this point, but a couple more hits like this and I could easily become a Crackwhore addict. — Paul Gibson

Family Values

CHARLIE MESSING, BIT (self-released, C D ) — T h e cleverly ambiguous title of veteran Burlington singer-songwriter Charlie Messing's new solo C D , Bit, is indicative of the often slippery songs it contains. With some time off from his temporarily sidelined band Be That Way, Messing has assembled 16+ smart pop songs cleanly recorded at Eclipse Studio with Joe Egan and Aaron Flinn. T h e record sounds just right, with Messing's warm, versatile, sorta quavery Richard Thompson-esque voice perched on a bed of ringing acoustic guitar, and some minimal percussion from Pops Cooper. T h e killer opener, "Humdinger," celebrates an unspecified windfall that's "better than a free T V set," and features a hook big enough for a crane. Two of my other faves are the town-proud "Location, Location, Location" and the melancholy "Why Should Today." Messing definitely knows how to write a memorable melody, but he has a nice touch with the lyrics as well. He's able to present what seems personal in a general enough way to simultaneously ring true and be accessible to others. O n the Elvisy "Call Me," the rockin' feel and rhymes — like "see ya" and "pizzeria" — belie a somewhat desperate undertone. This kind of tension is also found elsewhere .on Bit, in the contrast between Messing's more cynical and celebratory songs. He covers a fair amount of ground on this record, expressing takes on subjects as diverse as the music biz ("Success") and post-breakup resentment ("You're Happy, I Hate That"), and he does it with honesty and craft. So, take a bite of Bit. There's plenty to chew on, both bitter and sweet. — Paul Gibson

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FINE FOLK Jam Music Magazine dubbed Anni Clark the "Best Folk Artist in 1998," and she still wears the title well. The Maine singer-songwriter chaped the socks off her Burlington audience a year ago with the music she calls "equal parts folk, pop, blues and witty musings." Touring practically non-stop since, Clark has proven that practice indeed makes more perfect. She returns to the Burlington Coffeehouse this Friday. Bring extra socks. rock), Nightspot Outback, 9 p.m. NC. JIVE TALKIN' ROBOTS (funk/jazz/groove), Toadstool Harry's, 9 p.m. $3.

24

SUNDAY DAYVE HUCKETT (jazz guitar), Sweetwaters, 11:30 a.m. NC. KARI NEWHOUSE (pop-rock), Borders, 4 p.m. NC. SUNDAY SESSIONS W/ELLERY KLEIN (trad. Irish), Ri Ra, 5 p.m. NC. PIANO BAR W/ROB HANDEL, 135 Pearl, 6 p.m. NC. DISCOUNT, THE TONE, THE IMPLANTS (punk), 242 Main, 7 p.m. $5. OPEN MIKE W/ERIC BRENNER, Club 156, 8 p.m. N C BL00Z0T0MY (jump blues), Nectar's, 9:30 p.m. NC. TONY TRISCHKA & GLENN SCHWEITZER W/JON SHAIN (acoustic roots; blues singer-songwriter), Club Metronome, 8 p.m. $10, followed by SUNDAY NIGHT MASS (hip-hop DJ), 11 p.m. NC. HIP-HOP NIGHT W/TOP HAT (DJ), Rasputin's, 9:30 p.m. NC. TALL TALES (acoustic folk), La Brioche, 11 a.m. NC. JAIRO SEQUEIRA W/JOHN LAROUCHE (acoustic), Capitol Grounds, 11 a.m. NC. RICK REDINGTON (acoustic rock), Nightspot Outback, 9 p.m. NC.

MONDAY PH0NYX (rock),-Club

Metronome, 9 p.m. $2. ALLEY CATS JAM W/NERBAK BROS, (rock), Alley Cats, 9:30 p.m. NC. BL00Z0T0MY (jump blues), Nectars, 9:30 p.m. NC. DAVE GRIPP0 (funky jazz), Red Square, 9:30 p.m. NC. OPEN MIKE, Rasputin's, 9 p.m. NC. KY-MANI, LAVASKA (son of Bob Marley; reggae), Higher Ground, 9:30 p.m. $10/12. JERRY LAVENE (jazz guitar), Chow! Bella, 6 p.m. NC.

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WEDNESDAY, OCT. 27 • 8 PM ^ BARRE OPERA HOUSE • BARRE, VT

Tickets available at the Barre Opera House Box Office. To charge by phone call 802-476-8188. STEVEN WRIGHT 10/26 • 8 PM • LEBANON OPERA H0USI LEBANON, NH. FOR TICKETS CALL 603-448-0400.

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TUESDAY DAYVE HUCKETT (jazz guitar), Leunig's, 7:30 p.m. NC. OPEN MIKE (acoustic), Burlington Coffeehouse at Rhombus, 8 p.m. Donations. DRAG BINGO W/LADY ZEN0, 135 Pearl, 8 p.m. NC, followed by DJ DANCE, 10 p.m. NC/$5. MARTIN & MITCHELL (DJs), Club Metronome, 9 p.m. $2. JAMES HARVEY (jazz), Red Square, 9:30 p.m. NC. DAVE KELLER BLUES BAND, Nectar's, 9:30 p.m. NC. '80S NIGHT (DJ Frostee), Club Extreme, 9 p.m. $2/NC. BASHMENT (reggae/dancehall DJs), Ruben James, 10 p.m. NC. RUSS & CO. (rock), J.P.'s Pub, 9:30 p.m. NC. DJ MEL0 GRANT {soiree alternatives), Club 156, 9:30 p.m. NC. MEDESKI MARTIN & WOOD, PROJECT LOGIC (groove-funk; turntablist), Higher Ground, 9:30 p.m. Sold out. NORTH COUNTRY FAIR (folk), Tavern at the Inn at Essex, 6 p.m. NC. ®

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ADVISORY EXPLICIT EOHUHT i ^ J k ^ A

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Two-Night Stay at Basin Harbor Club • Umax Astra Scanners • Tubbs Snowshoes • United Airlines Discounts • Round-trip Bus Tickets to Boston on VT Transit • Antique Radio Replica • Many Other Beautiful I n n Stays • Dinners at Many Area Restaurants • Coffee Table from Vermont Outdoor Furniture • Grandfather Clock Kit • Hand Crafted Works • Australian Boomerang • Original Artwork • Theatre Tickets • Museum Passes • Mozart Festival Tickets • Pet Supplies, Boarding & Vet Services • Gift Certificates • Wonderful Books • Massages • Gift Baskets • Collectibles • A n d Much Much More!!

souls of Wit:

Time flies when you're having fun. Maybe that's how the Reduced Shakespeare Company gets away with condensing 1000 7 years into 100 minutes. Their "Millennium Musical: Abridged to the 21st Century" takes on history from Beowulf to "Baywatch" with characteristic irreverence. "Impressionist" Van Gogh does his take on Jimmy Stewart; Joan of Arc hosts a taik show with the voices in her head. It's the best survey course

Preview & Silent Auction begin at 9A.M. Open Bidding Begins at 10A.M. FOR MORE INFO, CALL 4 7 6 - 3 8 1 1

"Wearing a black frock coat and a haunted gaze, John Astin emerges from the shadows of the stage looking as spectral as a raven...Steven King can't even come close to making horror as silky and seductive." - Tampa Tribune

in town, Thursday, October 21. Flynn Theatre, Burlington, 7:30 p. m.

J O H N ASTIN is

$20-27. Info,

863-5966.

SdZgouh. Proudly Presented by Crossroads Arts Council Thursday, October 28,7:30 PM ~ Mill River Union High School For tickets and information, call Crossroads 24-Hour Box Office at 7 7 5 - 5 4 1 3

1

DRAGON DANCE THEATRE presents

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Seven Days recommends you confirm all calendar events, as times and dates may change after the paper is printed.

we dnesday music

• Also, see listings in "Sound Advice." OPEN MIKE NIGHT: Bring your own talent to a performance potluck at the Cambridge Coffeehouse, Smuggler's Notch Inn, Jefifersonville, 7-9 p.m. Free. Info, 644-2233-

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HALLOWEEN 9 9 Saturday, O c t o b e r 30 • 7 PM $5 contribution at the gate N o r t h Bear Swamp Loop at the f o o t of Hunger Mtn. The entire performance will be out of doors — dress warm!

223-5124 page 2 8 r'

SEVEN DAYS

october 2 0 , 1 9 9 9

film 'THE THIRD MAN': Orson Welles stars as a devious drug dealer in the film noir classic. Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 6:45 & 9:15 p.m. $6. Info, 603-646-2422.

art • Also, see exhibit openings in the art listings.

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FIGURE DRAWING: The human Figure motivates aspiring and accomplished artists in a weekly drawing session at the Firehouse Gallery, Burlington, 6:30-9:30 p.m. $3-6. Info, 865-7165. OPEN PAINTING: Bring your paintbrush and palette to this creative expression session. Art Gallery of Barre, 1-4 p.m. Free. Info, 476-1030.

words SHORT FICTION READING: Local authors Caroline Crawford and Michael Nedell read their original works at Rhombus Gallery, 186 College St., Burlington, 8 p.m. $3-6. Info, 865-0569. SHERLOCK HOLMES EVENING: A member of the local Holmes club looks into the sophisticated sleuth. Bygone Books, Burlington, 7 p.m. Free. Info, 862-4397. MYSTERY BOOK GROUP: Marian Mosher heads up an investigation of Death in Bloodhound Red, by Virginia Lanier. Barnes & Noble, S. Burlington, 7 p.m. Free. Info, 864-8001.

SONG AND STORYTIME: Threes are company at this singing read-along Fletcher Free Library, Burlington, 1010:30 a.m. Free. Info, 865-7216. STORYTIME: Young readers ages three to five learn from lighthearted lit erature, songs and activities at the S. Burlington Community Library, 11 a.m. Free. Register, 652-7080.

sport SENIOR WALKS: Stroll for fitness inj health-conscious company. Weekly walks start at Leddy Park Arena, Burlington, 10 a.m. Free. Info, 864-0123

etc SMALL BUSINESS FINANCES: A panel of experts shares investment an< money management advice with the entrepreneurially inclined. Fletcher Free Library, Burlington, 7 p.m. Free. Info, 865-7211. HURRICANE MITCH LECTURE A leader of the Civic Council of Indigenous and Popular Organizatioi



Next

Time

< S C H E D U L E OF F I L M S > THURSDAY, OCTOBER 2 1 Opening Showcase UVM Billlings — 5:30-8:00 — $4/$3 for students and seniors Fishbelly White Michael Burke (Rutland, VT) The Kindness of Strangers Maro Chermayeff & jamie Redford (USA)

Opening Night Feature Hoyt's Nickelodeon — 7:00-8:30 — $10 Radiant Flux David Ehrlich (Randolph, VT) Postmen in the Mountains Huo jianqi (China)

FRIDAY, OCTOBER 2 2 Vermont Filmmakers Showcase Champlain College-Hauke Alumni Auditorium — i2:oo-5:oopm $4/$3 for students and seniors Eight Minutes in March james Fox & john Bollenbacher (Peru) What am I? Chris Chicoski-Kelly (Charlotte) Gates of Hell Robin LLoyd (Burlington) Made in Thailand Claak's Fa am Serguei Bassine (Sharon) 9 Brandon Cabot Orton (Weston) & Keith Speigel (Burlington) Champlain College-Hauke Alumni Auditorium — 5:30-6:30 Messages Brian Levinson (Burlington) With Bill Schubart from Resolution Radiant Flux David Ehrlich (Randolph) Kingsbury Beach Walter lingerer (Montpelier) The Whitehouse john Douglas (Charlotte) Peril teaser & trailer David Giancola (Rutland) The Last Monster Michael Fisher (Montpelier) Hoyt's Nickelodeon — 7:00-9:00 Clean Rob Koier (South Burlington) $8/$6 for students and seniors Waiting for the Time Being Peter Miller (Burlington) Darkness, Light, Darkness Jan Svankmajer (Czech Republic) Ralph Nj Bartrum (East Montpelier) Little Dieter Needs to Fly Werner Herzog (Germany/Czech Rep.) Les Lames Invincibles Kyle Fiske, Jon Nuquistm, Aux Monts Verts Carl Quensal & Adam Walker (Burlington)

Filmmakers Forum

Friday Night Movie


SATURDAY, OCTOBER 23 Call-For-Entry Competition: War & Peace Crucible of Empire: The Spanish-American

War

Daniel A. Miller (USA)

$4/$3

io:oo-i2:oopm

Firehouse Gallery

Hou Hsiao-Hsien (Taiwan)

FREE

i0:30-i2:00pm

108 Lafayette

Asian Cinema: Taiwan Dust in the Wind

Asian Cinema: Vietnam Where War Has Passed Deadly Debris

Vu Le My (Vietnam) FREE Luang Due & Vu Le My (Vietnam)

12:00-1:00

UVM 108 Lafayette

Marianna Yarouskaya (Russia) Marco Amenta (Italy/France) Rebecca Posner (USA) judy Jackson (Canada)

$4/$3

12:30-3:30

Firehouse Gallery

Yasujiro Ozu (Japan)

FREE

1:00-3:45

UVM 108 Lafayette

$4/$3

1:00-2:30

Higher Ground

Call-For-Entry: Justice and Human Rights Undesirables One Girl Against the Mafia Hidden Heroes It Takes a Child

Asian Cinema: Japan Tokyo Story

Contemporary American Animation Casablanca Powers of Ten Cockaboody Living Forever Survivors A Rabbit Story Kangaroo's Birthday Champagne Menaseh's Dream WHEN ANIMALS ATTACK A Spring Day Tommy's Coat Marsh People Vespers Plum Snyder/Parton

Survivors

Undesirables

Short Animation/Experimental Showcase Ground Zero/Sacred Ground Seagull Special Blend Saint Louise

Karen Aqua (USA) Matt Walters (Australia) Thad Povey (USA)

FREE

3:00-3:10

Higher Ground

$4/$3

3:15-5:00

Higher Ground

$4/$3

3:00-7:00

UVM Billings Theater

$4/$3

4:00-6:00

Firehouse Gallery

La Familia Indigena $4/$3 Chiapas 1998: The Bad Harvest The Sugar Cane Collective New Years Eve 1999 Recovery of the Autonomous Presidency of San Andres Sacamch'en The National Consultation

5:30-7:30

Champlain College

Delta Blues Films Son House Ronald Citro (USA) Can't You Hear the Wind Howl? Peter Meyer (USA) The Life & Times of Robert Johnson

Cuban Films Showcase Filminutos Animation Mario Rivas (Cuba) Want to Get Away From it All? (Pre-Revolutionary Travelogue) (USA) Fidel Estela Bravo (Cuba) Death of a Bureaucrat Tomas Gutierrez Alea (Cuba)

Call-For-Entry Environment Ecopolis Now Time & Place Possum's Rest Varmints

Sam Stegeman (Australia/USA) Ron Van Alkemade (USA) Nick Hilligoss (Australia) Doug Hawe-Davis<USA)

Chiapas Media Project

Call-For-Entry Justice & Human Rights/Holocaust Tak for Alt: Surival of the Human Spirit

Laura Bialis (USA)

$4/$3

6:30-7:30

Firehouse Gallery

Gianni Amelio (Italy)

$8/$6

7:00-9:00

Nickelodeon

Wong Kar-Wai (Hong Kong)

$4/$3

.7:30-9:15

UVM 108 Lafayette UVM

Mary Flattery (Ireland)

$4/$3

8:00-9:00

Firehouse Gallery

Contemporary Classic European Feature Lamerica

Asian Cinema: Hong Kong Happy Together

Invitational Documentary States of Fear

VIFF Party At JDK 47 Maple Street


ticket packages GOLD PASS

$5D

Entitles holder entrance into all Festival venues

SILVER PASS

$30

Entitles holder entrance into all Festival venues excluding the opening and closing night films

Fate of the

Kidnappers

SUNDAY, OCTOBER 2 4 Call-For-Entry: Justice & Human Rights Next Time Made in Thailand Old Man River

Alan Fraser (USA) $4/$3 Eve Laure-Moros & Linzy Emery (USA/Thailand) Allan Holzman & Cynthia Gates Fujikawa (USA)

10:30-2:00

Firehouse Gallery

Bae-Yong Kyun (South Korea)

$4/$3

12:00-2:00

UVM 207 Lafayette

$4/$3

12:00-2:30

Contois Auditorium

2:30-3:00

Contois Auditorium

Akira Kuroswawa (Japan)

1:00-3:00

UVM 207 Lafayette

Xie Fei (China)

2:00-4:00

UVM 108 Lafayette

$4/$3

2:30-5:00

Firehouse Gallery

Euthana Mukdasanit (Thailand) FREE

3:00-5:45

UVM 108 Lafayette

Adrian Cowell (UK) Sharon Hainsfurther (USA) David Springbett (Canada)

$4/$3

5:30-7:30

Firehouse Gallery

Heddy Honigmann (Netherlands) $8/$6

5:00-7:00

Nickelodeon

Francisco Manso (Cape Verde)

7:00-9:00

Nickelodeon

Asian Cinema: Korea Why Has Bodhi Dharma Left for the East?

Children's Wildlife Matinee and puppet making * Serval Secrets Stones of the 7th Fire Natural Trax: Primates Kids by the Bay

International Children's Animation Asian Cinema: Japan No Regrets for Our Youth

Asian Cinema: China Mongolian Tale

Call-For-Entry: War & Peace Barbara Sonneborn (USA) Eran Riklis (Israel)

Regret to Inform Borders

Asian Cinema: Thailand Sunset at Chaopraya

Call-For-Entry: The Environment Fate of the Kidnappers The Akha Way Goodwood

Feature Documentary The Underground

Orchestra

Closing Night Feature Testamento (Napumoceno's

Will)

Vermont VFILM

FREEDOM

C O M M I S S I O N

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• Why go tg Larry Johnsons lecture? Because it's Johnson was part of the expedition that found the body of English climber George Mallory — 75 years after his disappearance on Mount Everest. The Gore-tex clad climbers who discovered Mallory only 200 feet from the summit, dressed in proper English tweed and cotton, disagree over whether he was on his way down from the top or still on an upward trek. Johnsons account answers some of the questions that have been up in the air since 1924. Wednesday, October 20. Campus Center Theater, Billings Student Center, UVM, Burlington, 7:30 p.m. $5. Info, 800-282-3963.

breed all about it

• Eugenics has been a dirty word since the rise and fall of the Third Reich. But back in post-Darwin days, a rush of evolutionist and Industrial Age thought popularized the notion of speeding up the laws of natural selection. The belief was so prevalent that 27 states, including Vermont, enacted sterilization laws. In her book Breeding Better Vermonters, Nancy Gallagher uncovers the story behind the states 1931 act prohibiting "flawed" individuals from reproducing. The law was repealed, but not before tarnishing Vermont's ideal of "freedom and unity."

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Thursday, October 21. Book Rack, Champlain Mill, Winooski, 7p.m. Free. Info, 655-0231.

jack attack:

Here's a great reason to get into your gourd: The Great Pumpkin Lighting on the green in downtown St. Albans. The annual illumination features at least 200 points of light in an artful assembly of blazing jack-o'lanterns. Carving creativity will assure your glowing orange orb stands out in the crowd, but the point is to participate. Pumpkin-toting people take a stab at door prizes, as well as hayrides, music and treats. A buck buys you a photo with the Hj Grim Reaper, but no more time. . . Saturday, October 23. Taylor Park, St. Albans, 4-7p. m. Free. Info,

M s FARM VILLAGE Ctr, Plaza

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Exit #12 off'ST (takerightat Taft Comers)

524-2444.

great dane • Finnish composer Jean Sibelius called the late Carl Nielsen

V

"Denmark's great son." In life, Nielsen must have had mixed feelings about the friend who paid him such glowing tribute. Both Scandinavians were born in 1865, and both were best known for their symphonies. Comparisons were inevitable, usually to Nielsen's detriment — until after World War II, that is. Once largely neglected, Nielsen is now hailed as Denmark's finest. His music reaches an even wider audience when the orchestra named for him, the Carl Nielsen Philharmonic, visits Vermont. Along with works by Tchaikovsky and Prokofiev, Nielsen's Symphony No. 4 takes its rightful place in the repertoire. Wednesday, October 27. Flynn Theatre, Burlington, 7:30p. m. $26-36. Info, 863-5966.

go with the poe:

b

The Raven knows Edgar Allan Poe was a raging alcoholic who married his, 13-year-old cousin. But not too many high school English teachers covered that very scary bit. Who better to resurrect the tortured life of the American gothic writer than John Astin — best known for his television portrayal of the lovable, slightly crazy Gomez Addams? In Once Upon a Midnight, Astin offers a portait of the artist, and his demons. Move over, Morticia. Wednesday, October 27. Lebanon Opera House, Lebanon, N.H., 7:30p.m. $20. Info, 603-448-0400. Friday, October 29. Alumni Auditorium, Lyndon Institute, 8 p.m. $20. Info, 748-2600.

aids in understanding the devastating storm's aftermath. Burlington College, 7 p.m. Free. Info, 862-9616. 'INTRODUCTION TO WORKER COOPERATIVES': The director of the New Leaf Cooperative Enterprise Program reports on the past — and future — of worker-owned businesses. Peace & Justice Center, Burlington, 79 p.m. Free. Info, 660-0640. EXTRATERRESTRIAL LECTURE: Dr. Jill Tarter, whose career inspired the movie Contact, talks about the science behind the search for alien life. Campus Center Theater, Billings Student Center, UVM, Burlington, 4:15 p.m. Free. Info, 656-2644. GHOSTS OF EVEREST': Climber Larry Johnson, coordinator for the expedition that found the body of George Mallory, tells illustrated tales from the punishing peak. See "to do" list, this issue. Campus Center Theater, Billings Student Center, UVM, Burlington, 7:30 p.m. $5. Info, 800282-3 9 63. WILLARD STERNE RANDALL: The presidential biographer speaks about Thomas Chittenden, a.k.a. "One-Eyed Tom," the Revolutionary War hero who became governor of Vermont. Alumni Auditorium, Champlain College, Burlington, 7:30 p.m. Free. Info, 860-2700 ext. 2545. TRAVEL LECTURE: Learn about "cultural cruising" trips that combine

travel and education. Borders, Church Street Marketplace, Burlington, 7:30 p.m. Free. Info, 865-2711. VERMONT WORLD TRADE DAY: Gov. Howard Dean kicks off this allday event designed to help local companies understand international economics, the potential of "e-commerce" and other opportunities for expansion. Radisson Hotel, Burlington, 8:45 a.m. - 7:30 p.m. $12-30. Register, 863-3489. CHAMPLAIN ARC MEETING: Advocates and families of the developmentally disabled convene for workshops, lectures and a silent auction. International Commons Building, St. Michael's College, Colchester, 2:307:30 p.m. Free. Register, 658-2221. FLU SHOT CLINIC: Senior citizens can get immunized against influenza today — and stick the state for the bill. The Pines, 7 Aspen Dr., S. Burlington, 10 a.m. - noon. 83 Barlow St., Winooski, 1-2 p.m. EDUCATOR NIGHT: After a reception, teachers and home schooling families with proper credentials get a lesson in discounts and door prizes. Barnes & Noble, S. Burlington, 7 p.m. Free. Info, 864-8001. ALTERNATIVE EDUCATION LECTURE: Richard Prystowsky, editor of Paths of Learning magazine, leads an exploration of home schooling and other educational alternatives. Bellwether School, Williston, 7 p.m. Free.

Info, 863-4839. LAMOILLE COUNTY RIVER ASSESSMENT: Residents of riverside dwellings share concerns and hear preliminary findings of a public report. Cambridge United Church, 6:30-9 p.m. Free. Register, 888-9218. DIGITAL TV PREVIEW: Vermont Public Television reps shed a "bit" of light on the dawn of TV's new highdefinition era. Helen Day Art Center, Stowe, 7:30 p.m. Free. Register, 253-8358.

Reduced Shakespeare C o m p a n y "The Complete Millennium Musical (abridged) Thursday, October 21 at 7:30 pm H a v i n g tickled f u n n y b o n e s at t h e F l y n n w i t h

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hilarious s e n d - u p s of the Bible a n d A m e r i c a n

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t h e last 1 , 0 0 0 y e a r s w i t h m a d c a p m u s i c a l m a y h e m . C o v e r i n g e v e r y t h i n g f r o m J o a n of A r c t o the Y 2 K b u g , the w a c k y c o m i c s " c o m b i n e s m a r t y - p a n t s irreverence with physical buffoon-

ery and street-wise smarts" (Pittsburgh Post-Gazette). Sponsored by

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'53 Main St., Burlington,

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Investigate the opportunities!

HAUNTED FOREST: Enjoy a dramatic Halloween at this fright-filled fundraiser featuring stories, plays and other scary fare. Green Mountain Audubon Society Nature Center, Huntington, 7-10 p.m. $9.50. Info, 863-5966.

NORTHERN N E W ENGLAND BOARDING SCHOOL FAIR

ursriay

MONDAY, OCTOBER 2 5 •

music

• Also, see listings in "Sound Advice." THEREMIN DEMONSTRATION: Merrick Hard and the Avant-gardesmen show off the instrument responsible for spooky sci-fi soudtracks of the '50s. Waterfront Video, Burlington, 6-9 p.m. Free. Info, 660-5545. RICHARD SHINDELL: The singer-

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6 - 8 PM

R A D I S S O N H O T E L • 6 0 BATTERY S T . , BURLINGTON, V T

BUXTON SCHOOL • D U B L I N SCHOOL HEBRON ACADEMY • HIGH M O W I N G SCHOOL • NEW HAMPTON SCHOOL

FOR MORE INFORMATION, PLEASE CONTACT DUBLIN SCHOOL 603-563-8584

PUTNEY SCHOOL • ST. JOHNSBURY A C A D E M Y • S T A N S T E A D COLLEGE •

october 20, 1999

TILTON

SCHOOL • V E R M O N T ACADEMY W H I T E MOUNTAIN SCHOOL

SEVEN DAYS

page37**


songwriter described as a "musical blend of Kafka, Kierkegaard and Camus," performs original folk favorites at the T. W. Wood Art Gallery, Vermont College, Montpelier, 7:30 p.m. $14. Info, 883-9307.

Guardian Angels. Borders, Church St. Marketplace, Burlington, 7 p.m. Free. Info, 865-2711. SCI-FI FANTASY READING GROUP: Fans of out-of-this-world literature touch down to discuss their favorite books. Barnes &C Noble, S. Burlington, 7 p.m. Free. Info, 864-8001. 'BREEDING BETTER VERMONTERS': Author Nancy Gallagher discusses her new book — a history of the eugenics movement in Vermont. See "to do" list, this issue. Book Rack, Champlain Mill, Winooski, 7 p.m. Free. Info, 655-0231. 'AN EVENING WITH CHRIS BOHJALIAN': The best-selling Vermont author of Midwives reads and signs his work over dessert and coffee in a benefit for the Brownell Library. The Inn at Essex, 7:30 p.m. $15. Info, 655-0231. 'THE STORY OF A MILLION YEARS': Local author David Huddle reads and signs his new novel about a Lolita-like affair. Bear Pond Books, Montpelier, 7 p.m. Free. Info, 229-0774.

drama THE REDUCED SHAKESPEARE CO.: The "bad boys of abridgment" condense the millennium, from Leif Ericsson to the Y2K bug, into a single show. See "to do" list, this issue. Flynn Theatre, Burlington, 7:30 p.m. $20-27. Info, 863-5966. 'TO KILL A MOCKINGBIRD': Adapted from Harper Lee's classic novel, this play examines prejudice and justice in the 1930s South. Northern Stage performs in the Briggs Opera House, White River Junction, 8 p.m. $10. Info, 296-7000.

film VERMONT INTERNATIONAL FILM FESTIVAL: Cinema with a social conscience is the focus of this E

four-day festival. Look for films from around the world — and Vermont — concerning politics, culture and indigenous issues. See center spread, this issue. Venues around Burlington. Info, 863-5966. 'MABOROSI': A young urban widow with a son remarries and reexamines her life in a remote seaside village in contemporary Japan. 113 St. Edmund's Hall, St. Michael's College, Colchester, 7-9 p.m. Free. Info, 656-4477. 'RICHARD III': Laurence Olivier gives a definitive performance as the murderous monarch in this 1955 film adaptation of Shakespeare's tragedy. Loew Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 p.m. $6. Info, 603-646-2422.

kids STORY & CRAFT TIME: Kids three and up engage in artful educational activities. Fletcher Free Library, Burlington, 10-10:45 a.m. Free. Info, 865-7216. NEW BOOK STORY TIME: Little listeners get a Halloween treat in the tale of a vampire rabbit — James Howe's Bunnicula Strikes Again. Barnes & Noble, S. Burlington, 3 p.m. Free. Info, 864-8001. STORY HOUR: Young readers learn from lighthearted literature in a country setting. Flying Pig Children's Books, Charlotte, 10:30 a.m.!<Free. Info, 425-2600.

etc HAUNTED FOREST: See October 20. USED BOOK SALE: Browse the stacks for a battered classic to benefit the Fletcher Free Library,

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film VERMONT INTERNATIONAL FILM FESTIVAL: See October 21. 'IN JEST': Vermont filmmaker Jay Craven discusses and screens this "vegetarian comedy" acted, written and produced by teens from the Northeast Kingdom. Vergennes Opera House, 8 p.m. $5. Info, 877-6737.

art • Also, see exhibit openings in the art listings. TIBETAN THANGKA SLIDE SHOW: Artist Wendy Harding provides an introduction to the scroll-painting Buddhist tradition. Burlington Shambhala Center, 187 South Winooski Ave. 7 p.m. Free. Register, 985-3961.

words 'GREAT BOOKS OF THE CENTURY' GROUP: "The contribution of cookbooks" throughout the century are on the menu tonight, along with best-selling books from the last decade, such as Joy Luck Club. Barnes & Noble, S. Burlington, 7 p.m. Free. Info, 864-8001.

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drama ' T O KILL A MOCKINGBIRD': See October 21, $20. 'THE HUMMINGBIRD': Middlebury playwright David Moats directs his play about a teenage girl who stands up to her father's sexual abuse. A.R.T. Studio Theater, Hannaford Career Center, Middlebury, 8 p.m. $10. Info, 388-4961. 'THE LOGGER': Actor Rusty Dewees swings onto the scene with his one-man "Vermont play in two ax." Hanover High School, N.H. 8 p.m. $10. Info, 888-7140.

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music • Also, see listings in "Sound Advice." VERMONT SYMPHONY ORCHESTRA: The classical ensemble kicks off a new symphony season with Canadian piano soloist Stewart Goodyear and works by Brahms, Ravel and Sibelius. Flynn Theatre, Burlington, 8 p.m. $9-35. Info, 863-5966. AARON FLINN: The singer-songwriter plays his distinctive "folk and roll" at Borders, Church St. Marketplace, Burlington, 8 p.m. Free. Info, 865-2711. DEEP FREYED: "Blues doctor" Bill Frey doles out a dose of r&b, with Matthew Dickerson and Daniel Scharstein. Deerleap Books, Bristol, 7-9 p.m. Free. Info, 453-5684. 'ROSE ROOM REVUE': Vocalist Penny Towers and guitarist Colin McCaffrey take a swing at jazz originals and favorites at Villa Tragara, Waterbury Center, 6:15 p.m. $5. Info, 244-5288. MUSIC OF WORLD WAR II: The St. Johnsbury Town Band and the North Country Chorus perform memorable tunes from the '40s. Fairbanks Museum, St. Johnsbury, 7:30 p.m. $5. Info, 748-2372. KINGDOM COFFEEHOUSE: An open stage follows the blues performance of Kate Butler and Chuck Meese — a duo called "the North-

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Adnan Z. Amin. Chase Community Center, Vermont Law School, S. Royalton, 1-5 p.m. $10. Register, 763-2517. GLBTQ SUPPORT GROUP: Gay, lesbian, bisexual, transgendered and questioning youth make new friends and get support. Outright Central Vermont, Montpelier, 7 p.m. Free. Info, 800-452-2428.

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Burlington, 9 a.m. Free. Info, 865-7222. KAMIKAZE COMEDY: The high-energy improv group gets the audience into the act at the Rhombus Gallery, 186 College St., Burlington, 8 p.m. $6. Info, 863-0091. 'VISIONS AS CULTURE': Anthropology prof Robert Gordon and art prof Daniel Higgins mix disciplines in a joint lecture on photography and anthropology. Fleming Museum, UVM, Burlington, 5 p.m. Free. Info, 6560750. 'RESEARCHING FROM HOME': An Internet research specialist downloads her knowledge of online historical research. Bailey/Howe Library, UVM, Burlington, 7:30 p.m. Free. Info, 862-8219. FURLOUGHED PRISONER HEARING: Corrections officials and folks on the outside discuss the controversial furlough and community notification law. Burlington City Hall Auditorium, 6 p.m. Free. Info;'865-7155. HOMEOWNERSHIP ORIENTATION: Potential buyers learn how to shop — and pay — for a home with the help of services at the Burlington Community Land Trust, 6 p.m. Free. Register, 660-0642. CONSULTANT MEETING: What's the difference between a corporation and a partnership? The Vermont Consultants Network gets briefed on different forms of business. Network Performance, 85 Green Mountain Dr., S. Burlington, 7:30-9 a.m. $15. Register, 655-3031. KOREAN STORYTELLING: Shin Kim tells traditional tales, performs a dance and teaches a song in Korean. Johnson State College Library, 4-5 p.m. Free. Info, 635-1386. ENVIRONMENTAL LAW CONFERENCE: A symposium on international issues features United Nations environmental officer

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m E n[•FT 'MUSIC W I T H ROBERT AND GIGI': Kids sing songs with Robert Resnik and his fiddle-playing friend Gigi Weisman. Fletcher Free Library, Burlington, 11-11:30 a.m. Free. Register, 865-7216. 'PAJAMARAMA': Parents and kids read bedtime stories together at this pro-pajama event. Barnes & Noble, S. Burlington, 7-8 p.m. Free. Info, 864-8001. REBECCA RUPP: The author reads the sequel to The Dragon of Lonely Island. Carpenter Carse Library, Hinesburg, 6:15-8:30 p.m. Free. Info, 445-2600. ENCHANTED FOREST: Visit nocturnal creatures by lamplight on a nighttime trail walk. Montshire Museum of Science, Norwich, 5:30, 5:50, 6:10, 6:30 7, 7:20, & 7:40 p.m. $5.50. Info, 649-2200.

etc USED BOOK SALE: See October 21. HAUNTED FOREST: See October 20. ENVIRONMENTAL LAW CONFERENCE: See October 21, 8:30 a.m. - 4:30 p.m. UNITED NATIONS FESTIVAL: Don international garb at a celebration of many nations researched by far-reaching local kids and their parents. International Children's School, S. Burlington, 9 a.m. noon. Free. Register, 865-3347. FALL CRAFT AND FINE ART SHOW: Four hundred juried artisans help you get a head start on holiday shopping at one of the biggest craft festivals around. Champlain Valley Exposition, Essex Junction, noon - 8 p.m. $5. Info, 878-4786. MORAL DEVELOPMENT LECTURE: Dartmouth education prof Andrew Garrod compares moral reasoning in adolescents from India and the U.S. Farrell Room, St. Edmund's Hall, St. Michael's College, Colchester, noon. Free. Info, 654-2535. GHOST STORIES FORUM:

Spooky stories give new meaning to local haunts, with chilling tales that take place in local cider mills, schools and covered bridges. Rutland Intermediate School, 7 p.m. $5. Info, 775-6887. GLBTQ SUPPORT GROUP: Gay, lesbian, bisexual, transgendered and questioning youth make new friends and get support. Outright Vermont, Burlington, 6:30-9 p.m. Free. Info, 800-452-2428.

Saturday music

•Also, see listings in "Sound Advice." VERMONT SYMPHONY ORCHESTRA: See October 22. SCOTT B. ADAMS: The New Yorker serenades shoppers with acoustic guitar originals. Barnes & Noble, S. Burlington, 7:30 p.m. Free. Info, 864-8001. CHAMBER ORCHESTRA CONCERT: The Montpelier Chamber Orchestra Society plays tribute to the "best of the millennium" in a program of works by Bach, Beethoven and Mozart. Montpelier City Hall Arts Center, 8 p.m. $10. Info, 244-8354. RICK DANKO: The Band member who helped electrify Bob Dylan goes acoustic at a concert of classics like "The Shape I'm In." See for yourself at Alexander Twilight Theatre, Lyndon State College, Lyndonville, 8 p.m. $12. Info, 748-2600.

dance SOCK HOP: Take a free jitterbug lesson, then swing the night away at this retro romp. Trivia buffs and costumed clothes hounds compete for prizes at the YMCA, Burlington, 7 p.m. $12. Info, 862-9622. CONTRA DANCING: The Otter

Creek Contras host this northernstyle hoedown with Rachel Nevitt calling for Malcolm Sanders, Peter Johannsen and Brian Perkins. Holley Hall, Bristol, 8 p.m. $6. Info, 388-4548.

drama 'TO KILL A MOCKINGBIRD': See October 21, $20. 'THE HUMMINGBIRD': See October 22, 2 & 8 p.m. 'MASTER CLASS': See October 21, Mill River Union High School, N. Clarendon, 8 p.m. $25. Info, 775-5413. 'THE LOGGER': See October 22.

film VERMONT INTERNATIONAL FILM FESTIVAL: See October 21. 'NIGHTS OF CABIRIA': Federico Fellini directed this Academy Award-winning film about a dreamy Roman streetwalker played by Giulietta Masina. Dana Auditorium, Middlebury College, 3 & 8 p.m. Free. Info, 443-6433. 'XIU XIU: T H E SENT-DOWN GIRL': A city-bred teen resorts to desperate measures after she is abandoned in the countryside by Chinese officials. Loew Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 & 9:15 p.m. $6. Info, 603-646-2422.

art • Also, see exhibit openings in the art listings. ART AUCTION: Fine artworks go on the block to benefit the Wood Art Gallery, after a buffet and cocktails at National Life of Vermont, Montpelier, 6 p.m. for $35 dinner. Auction starts at 8 p.m. Free. Info, 828-8743.

words BOOK SIGNING: Williston Road reverts to memory lane at a talk and signing by Mary Ann Dispiritc). and David Robinson — authors.qf Burlington, Volume II. Borders, Church St. Marketplace, Burling-

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ton, 2 p.m. Free. Info, 865-2711. BRIAN MCLACHLAN: The author signs copies of his spy-guy thriller Shadows and Deceptions. Waldenbooks, Diamond Run Mall, Rutland, 2-4 p.m. Free. Info, 7868095. Waldenbooks, University Mall, S. Burlington, 6-8 p.m. Free. Info, 858-6053.

kids 'THE THREE LITTLE PIGS': The porcine trio makes a live appearance in a staged version of the story at Barnes & Noble, S. Burlington, 3 p.m. Free. Info, 864-8001. JACK-O'-LANTERN CONTEST: Kids earn prizes for the best decorated pumpkin picture. Borders, Church St., Burlington, 2 p.m. Free. Info, 865-2711. STORYTIME: Young readers delve into classic and new tales at a laidback, literary happening. Borders, Church St. Marketplace, Burlington, 11 a.m. Free. Info, 865-2711. 'THE DRUMS OF N O T O HANTO': The Burlington Taiko Group accompanies this reading by author Alison James. Book Rack, Champlain Mill, Winooski, 2 p.m. Free. Info, 655-0231.

sport WORK HIKE: Bring tools along with water and warm clothes on a trail-tending walk on the Long Trail at Smuggler's Notch. Meet at Montpelier High School, 8 a.m. Free. Register, 223-1406. M O U N T ELLEN HIKE: Hike along the Jerusalem Trail to Glen Ellen Lodge and continue on to the third highest summit in the state. Register, 658-0912.

etc USED BOOK SALE: See October 21. HAUNTED FOREST: See October 20. . FALL CRAFT AND FINE ART SHOW: See October 22, 9 a.m. - 6 p.m. DEWEY CONFERENCE: The

legacy of progressive educator — and Burlington native — John Dewey is the focus of a conference connecting religion, spirituality and education. Old Mill, UVM, Burlington, 8:30 a.m. - 3 p.m. Info, 656-1355. LITERACY WORKSHOP: Parents and teachers discover ways to encourage reading in preschoolers. Barnes & Noble, S. Burlington, 2 p.m. Free. Info, 864-8001. CHICKEN PIE SUPPER: Enjoy a hot meal on a cool autumn evening at the Williston Federated Church, 5, 6 & 7 p.m. $8. Info, 862-7400. PUMPKIN LIGHTING: Prizes, hayrides, music and treats greet tricksters who bring their jack-o'-lanterns to light and display. See "to do" list, this issue. Taylor Park, St. Albans, 47 p.m. Free. Info, 524-2444. TIRE AND APPLIANCE DROPOFF: Rid yourself of rimless tires and doorless refrigerators at dropoff sites throughout Chittenden County, 8 a.m. - 3:30 p.m. Free. Info, 872-8111. PATH PRUNERS: Volunteers bring tools to beat back the bush on the paths at Spirit in Nature, Ripton, 9 a.m. - noon. Free. Info, 388-7244. CRAFT FAIR: Browse a bounty of homegrown and handmade items at Westford Elementary School, 9 a.m. - 4 p.m. Free. Info, 878-5606. HUMANE SOCIETY AUCTION: Place silent and live bids on artwork, hotel stays, snowshoes, plane tickets, jewelry and pet items to benefit the Central Vermont Humane Society. Montpelier Elks Club, Rt. 2, 9 a.m. Live auction, 10 a.m. Info, 244-1588. TERMINAL ILLNESS SUPPORT GROUP: Caregivers of people who are terminally ill and others coping with death convene at the Vermont Respite House, 25 Prim Rd., Colchester, 9-10:30 a.m. Free. Info, 434-4159.

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• Also, see listings in "Sound Advice." CHAMBER ORCHESTRA CONCERT: See October 23, Stowe Community Church, 4 p.m. KARI NEWHOUSE: The Ann Arbor-based artist and her band play for book browsers at Borders, Church St. Marketplace, Burlington, 4 p.m. Free. Info, 865-2711. PIANO CONCERT: Vermont pianists Diane Huling, Michael Arnowitt, Sylvia Parker and Richard Shadroui perform dexterously demanding pieces by Bach, Beethoven, Chopin and others. Barre Opera House, 3 p.m. $12. Info, 476-8188. CHAMBER MUSIC TRIO: Flutist Karen Kevra, cellist Linda Galvan and pianist Paul Orgel play works by von Weber, Haydn, Shostakovich and Montpelier resident Louis Moyse. Chandler Music Hall, Randolph, 3 p.m. $12. Info, 229-9408.

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VERMONT INTERNATIONAL FILM FESTIVAL: See October 21. CLASSICS DOUBLE FEATURE: An elderly professor reflects on his life in Ingmar Bergman's Wild Strawberries. A deviant uncle tries tocorrupt his novitiate niece in Luis Bunuel's Viridiana. Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover, N.H., 7 p.m. $6. Info, 603-646-2422.

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etc HAUNTED FOREST: See October 20, 1 & 2:30 p.m. PUMPKIN SHOW: Cider, doughnuts and creative carving build community in a display of handiwork by Old North End residents. Old North End Variety, 142 N. Winooski Ave., Burlington, 7-9 p.m. Free. Info, 863-1764. FALL FESTIVAL: Celebrate the season with pumpkin decorating, farm tours and more courtesy of the UVM Dairy Club. Spear St. Farm, UVM, Burlington, 11 a.m. - 3 p.m. $2. Info, 862-2191. SEX A N D LOVE ADDICTS ANONYMOUS: Can't get enough? This free 12-step program meets weekly at 7:30 p.m. Info, write to RO. Box 5843, Burlington, VT 05402-5843.

'TO KILL A MOCKINGBIRD': See October 21, 5 p.m. $20. 'THE LOGGER': See October 22, 2 p.m.

• Connie Dover and Roger Landes

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Sunday, November 7 id and Monday November 8

art listings. 'PALETTE TO PALATE': Stimulate all your senses with hors d'oeuvres and fine wine accompanied by music and a silent auction of artworks. Joslyn Round Barn, Waitsfield, 3-6:30 p.m. $19. Info, 496-2276.

• Also, see listings in "Sound Advice." CHAMPLAIN ECHOES: Harmonious women compare notes at a weekly rehearsal of the all-female barbershop chorus. The Pines, Dorset St., S. Burlington, 79:30 p.m. Free. Info, 862-9500.

drama 'BYE BYE LOVE': Hits from the '50s make for a melodious "class reunion" meal tinged with — gasp — murder. Villa Tragara,

art • Also, see exhibit openings in the

Waterbury Center, 6:15 p.m. $38. Info, 244-5288.

film 'CENTRAL STATION': Fernanda Montenegro earned an Oscar nomination for her portrayal of a cynical, retired teacher who helps an orphaned boy find a home in present-day Brazil. St. Albans Free Library, 7 p.m. Free. Info, 324-1507.

words FAMILY VALUES BOOK GROUP: Readers reflect on Marilyn Nelson Waniek's National Book Award-winner, The Homeplace. Dorothy Ailing Memorial Library, Williston, 7 p.m. Free. Register, 878-4918. SEX HISTORY BOOK SERIES: Explore the spicy social history of sex in a roundtable discussion of George Chauncey's Gay New York. Kellogg-Hubbard Library, Montpelier, 7:30 p.m. Free. Register, 223-3338. VERMONT AUTHORS NIGHT: Local wordsmiths share their craft at the Horn of the Moon Cafe, Montpelier, 7 p.m. Free. Info, 223-0317.

etc FALL CRAFT A N D FINE ART SHOW: See October 22, 10 a.m. - 5 p.m. LAMOILLE COUNTY RIVER ASSESSMENT: See October 25, Hyde Park Town Hall. MILLENNIUM LECTURE: James Reston, author of The Last Apocalypse: Europe in the Year 1000 A.D., plumbs the deeper meanings of the millennium. Mann Hall Auditorium, Trinity College, Burlington, 8 p.m. Free. Register, 846-7110. CENTRAL AMERICA LEC. TURE: Mayan activist Luis Yat speaks about post-war Guatemala and its "internal colonialism" at Burlington College, 7 p.m. Free.

Continued on page 38

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A C T I N G F O R T H E STAGE: Wednesdays and Thursdays, October 27 through December 9, 6:30-8:30 p.m. Burlington. $225/both, $125/class. Info, 8653312. Middle and high schoolers work on professional preparation for stage performance, from script study to voice and body warm-ups. A C T I N G INTENSIVES: Two Saturdays and Sundays, November 13, 14, 20 and 21, 10 a.m. - 3 p.m. Info, 864-0119. Grace Kiley and the Vermont Actors Workshop aid actors of all levels in exploring performance techniques, improvisation and scene studies.

aikido AIKIDO OF CHAMPLAIN VALLEY: Adults, Monday through Friday, 5:45-6:45 p.m. and 7-8:15 p.m., Saturdays, 91 1:45 a.m. Children, Tuesdays & Thursdays, 4-5 p.m. Aikido of Champlain Valley, 17 E. Allen St., Winooski. $55/month, $120/three months, intro specials. Info, 654-6999. Study this graceful, flowing martial art to develop flexibility, confidence and self defense skills. AiKIDO OF VERMONT: Ongoing classes Monday through Friday, 6-7 p.m. and 7-8 p.m., Saturday, 9-10:30 a.m., Sunday, 10-11:30 a.m. Above Onion River Co-op, 274 N. Winooski Ave., Burlington. Info, 862-9785. Practice the art of Aikido in a safe and supportive environment.

aromatherapy W I N T E R USES O F ESSENTIAL OILS': Saturday, October 23, 10 a.m. - 1 p.m. Aroma Massage, S. Burlington. $45. Info, 658-5873. Aroma Massage, S. Burlington. $45. Info, 6585873. Warm up your winter with aromatic essences. SPA N I G H T : Two Thursdays, October 28 and November 18, 6:30-8:30 p.m. Star Root, Battery St., Burlington. Free. Register, 862-4421. Get some pampering — seated massage, foot reflexology and facials will be available. 'STRESS A N D SELF CARE': Saturday, November 13, 10 a.m. - 1 p.m. Aroma Massage, S. Burlington. $45. Info, 658-5873. Explore the causes of your stress, its effects and how aromatherapy and self-massage can help.

art TIBETAN T H A N G K A PAINTI N G : Friday, October 22, 7 p.m., Saturday and Sunday, October 23 and 24, 9 a.m. - 6 p.m. Burlington Shambhala Center, 187 S. Winooski Ave. $125. Register, 985-3961. Learn the fundamentals of this centuries-old art form in a meditative environment. OIL PAINTING FUNDAMENTALS': Three Thursdays, October 28, November 4 and 11, 10 a.m. - noon. Firehouse Center for the Visual Arts, 135 Church St., Burlington. $75. Register, 865-7166. Tad Spurgeon teaches adults to interpret simple still lifes in oil. ARTFUL I N N O V A T I O N S ' :

Five Thursdays, November 4, 11,18, December 2 and 9, 7-8:30 p.m. Firehouse Center for the Visual Arts, 135 Church St., Burlington. $35. Register, 8657166. See and hear how social and historical thinking has been mirrored in art through the ages. ' I N T I M A T E PORTRAITS': Two Saturdays, November 6, 10 a.m. - 3 p.m. and November 20, 10 a.m. - noon. Firehouse Center for the Visual Arts, 135 Church St., Burlington. $40. Register, 865-7166. Explore ways to capture emotionally intimate photographs. ' D R A W I N G O N T H E IMAGIN A T I O N ' : Six-week session beginning in November. $150. Info, 862-0527. Artists and nonartists use meditation, journal work, drawing and painting to travel through the world of their imaginations.

Terry Bouricius teaches this rejuvenated dance from the Big Band era.

health BACK S T R E N G T H A N D FLEXIBILITY': Tuesday, October 26, 7 p.m. Pathways to Well Being, 168 Battery St., Burlington. Info, 862-0836. A chiropractor discusses how to maintain back strength and flexibility.

herbs 'HEALTHY SKIN F R O M T H E I N S I D E O U T ' : Tuesday, October 26, 6:30-8:30 p.m. Purple Shutter Herbs, Main St., Burlington. $20. Info, 865HERB. Discuss pimples, psoriasis and eczema, their connection to liver health, and how to use natural remedies to treat these problems.

This Sufi-style meditation incorporates breath, sound and movement. M E D I T A T I O N : First & third Sundays, 10 a.m. - noon. Burlington Shambhala Center, 187 S. Winooski Ave. Free. Info, 658-6795. Instructors teach nonsectarian and Tibetan Buddhist meditations. M E D I T A T I O N : Thursdays, 78:30 p.m. Green Mountain Learning Center, 13 Dorset Lane, Suite 203, Williston. Free. Info, 872-3797. Don't just do something, sit there! GUIDED MEDITATION: Sundays, 10:30 a.m. T h e Shelburne Athletic Club, Shelburne Commons. Free. Info, 985-2229. Practice guided meditation for relaxation and focus.

photography

FIGURE DRAWING: Ongoing Mondays, beginning November 1, 6-8:30 p.m. Fresco Studio, Union Station, 1 Main St., Burlington. $4-6. Info, 8624893. Artists of all abilities are welcome at this weekly drawing session.

H Y P N O S I S CERTIFICATION: Saturday and Sunday, October 23 and 24. Burlington. $444. Register, 800-898-4042. Train to become a certified hypnotherapist with a weekend intensive followed by home study.

P H O T O G R A P H Y : Private or group. Ongoing eight- and sixweek classes and day and weekend workshops. Grand Isle, Burlington, Stowe and Vergennes. Info, 372-3104. Learn creative and technical camera and darkroom skills in black and white and color.

beads

kendo

reiki

'WIRE WRAPPINGS': Wednesday, October 27, 6:30-8 p.m. Spirit Dancer Books, 125 S. Winooski Ave., Burlington. $8. Info, 660-8060. Wrap favorite stones and crystals to make center pieces for necklaces and dream catchers.

K E N D O : Ongoing Wednesdays and Fridays, 6:45-8:30 p.m. Warren Town Hall. Donations. Info, 496-4669. Develop focus, control and power through this Japanese samurai sword-fencing martial art.

REIKI CLINIC: Ongoing Wednesdays through December, 7-9 p.m. Fletcher Free Library, College St., Burlington. Free. Info, 877-8374. Get an introduction to an ancient healing method used to restore health and balance to body, mind and spirit.

business/career ' G E T T I N G SERIOUS': Four Thursdays, October 21, 28, November 4 and 11. Women's Small Business Program,Trinity College, Burlington. $115. Grants available. Info, 846-7160. The Women's Small Business Program helps you explore the possibilities and realities of business ownership by developing an entrepreneurial idea. 'START UP': Beginning February 4. Women's Small Business Program, Trinity College, Burlington. $1250, grants available. Info, 846-7160. Learn valuable skills as you write a business plan.

craft P O T T E R Y / S C U L P T U R E : All ages and abilities, group classes, private lessons. Day, evening and weekend offerings. Vermont Clay Studio, 2802 Rt. 100, Waterbury Center. Register, 224-1126 ext. 41. Enjoy the pleasures and challenges of working with clay, whether you've had a lot, a little or no experience. P A I N T I N G CERAMICS: Ongoing Wednesdays, 2-3:30 p.m. and 5:30-7 p.m. Blue Plate Ceramic Cafe, 119 College St., Burlington. Free. Info, 652-0102. Learn the fundamentals of painting ceramics.

dance B E G I N N E R S ' S W I N G : Four Thursdays, October 28, November 4, 11 and 18, 8-9 p.m. Champlain Club, Burlington. $32. Register, 864-8382.

hypnotherapy

language JAPANESE: Eight classes beginning October 27, 7-8:30 p.m. Japan-America Society of Vermont, 29 Ethan Allen Ave., Colchester. $35. Register, 4435777. Yukari Muramoto teaches ~ beginning Japanese. G E R M A N : Group and individual lessons for adults and children. Williston. Info, 872-8538. Learn the German language, which has for centuries played a major role in politics, philosophy and literature. SPANISH: Ongoing individual and small group lessons, all levels. S. Burlington. Info, 864-6870. Join in on the fun of learning a new language. ITALIAN: Group and individual instruction, beginner through advanced, all ages. Middlebury area. Info, 545-2676. Immerse yourself in Italian to get ready for a trip abroad, or to better enjoy the country's music, art and cuisine. ITALIAN: Ongoing individual and group classes, beginner to advanced, adults and children. Burlington. Info, 865-4795. Learn to speak this beautiful language from a native speaker and experienced teacher. ESL: Ongoing small group classes, beginners and intermediates. Vermont Adult Learning, Sloan Hall, Fort Ethan Allen, Colchester. Free. Info, 654-8677. Improve your listening, speaking, reading and writing skills in English as a second language.

meditation ' T H E WAY O F T H E SUFI': Tuesdays, 7:30-9 p.m. S. Burlington. Free. Info, 658-2447.

rolfing® R O L F I N G : Ongoing Thursdays, October 21 and 28, 11 a.m. - 2 p.m. Healthy Living, Market St., S. Burlington. Free. Info, 8654770. Get a feel for this stressreducing deep massage method.

self-defense BRAZILIAN JIU-JITSU: Ongoing classes for men, women and children, Monday through Saturday. Vermont Brazilian JiuJitsu Academy, 4 Howard St., Burlington. Info, 660-4072 or 253-9730. Escape fear with an integrated self-defense system based on technique, not size, strength or

spirit 'SPIRITUAL Q U A N T U M LEAP': Sunday, October 24, 2-4 p.m. Spirit Dancer Books, 125 S. Winooski Ave., Burlington. $25. Info, 660-8060. Undo patterns which no longer serve you and reset your "internal controls" for the future instead of the past.

support groups VT. RESOLVE INFERTILITY SUPPORT GROUP: Wednesday, November 3, 6-8 p.m. New England Federal Credit Union, Taft Corner, Williston. Info, 657-2542. Talk with others about infertility issues. A L C O H O L I C S ANONYM O U S : Daily meetings in various locations. Free. Info, 6584221. Want to overcome a drinking problem? Take the first step — of 12 — and join a group in your area. NARCOTICS ANONYMOUS.

Ongoing daily groups. Various locations in Burlington, S. Burlington and Plattsburgh. Free. Info, 862-4516. If you're ready to stop using drugs, this group of recovering addicts can offer inspiration.

women SELF DEFENSE/RAPE AWARENESS: Mondays, October 25 through November 22, 6:00-7:30 p.m. So. Burlington High School, Dorset St. Free. Info, 864-0555- Explore your self-defense options.

writing 'FIRST T H O U G H T S W R I T I N G ' : One-day workshop. Saturday, October 23, 10 a.m. - 4 p.m. Hinesburg. $45. Weekend intensive. November 5, 6 and 7. Sugartree Inn, Warren. $150. Register, 878-6675. Learn how silencing your internal critic can help you find an authentic voice within yourself 'SUCCESS SECRETS O F $60,000 W R I T E R S ' : Sunday, November 7, 10 a.m. - 5 p.m., $69. The Book Rack, Champlain Mill, Winooski. Register, 6550231. It's possible to make a living as a writer; learn the strategies of some who do.

yoga ASTANGA YOGA: Wednesdays beginning October 20, 5:30-7 p.m. Duxbury Hill Studio, Rt. 100. $10/class, $80/10 classes. Info, 244-1137. Berne Broudy teaches classes in Astanga yoga. 'YOGA F O R EVERY B O D Y / M I N D ' : Classes begin October 11. Mondays, 5:30-7 p.m. Corner of Howard and Pine Sts. Info, 658-3013. Practice yoga for body and mind. B E E C H E R H I L L YOGA: Monday through Saturday, daytime & evening classes for all levels. Info, 482-3191. Get private or group instruction in integrative yoga therapy, vigorous yoga or yoga for pregnancy. U N I O N STREET STUDIO: Ongoing classes for all levels. Mondays, 5:30-7 p.m., Tuesdays and Thursdays, 7:15-8:15 a.m. and 8:30-10 a.m., Wednesdays, 6-7:30 p.m. Saturdays, 8:30-10 a.m. Burlington. Info, 860-3991. Practice Hatha yoga with Lisa Limoge. YMCA YOGA: Ongoing classes. YMCA, College St., Burlington. Info, 862-9622. Take classes in various yoga styles. YOGA: Tuesdays, 6:15 p.m. Green Mt. Learning Center, 13 Dorset Lane, Williston. $8. Info, 872-3797. Practice yoga with Deborah Binder. YOGA: Mondays, 5:15-6:30 p.m., Tuesdays, 11 a.m. - 12:15 p.m., Thursdays, 8:30-9:55 a.m. T h e Sanctuary for Yoga and Wellbeing, Shelburne. Info, 9854961. Use your body and breath as tools for promoting deep relaxation. Y O G A V E R M O N T : Daily classes, 12 p.m., 5:30 p.m. and 7:30 p.m. Saturday and Sunday, 9:30 a.m. Chace Mill, Burlington. Info, 660-9718. Astanga style "power" yoga classes offer sweaty fun for all levels of experience.

october 20, 1999

SEVEN DAYS

page 37

* *


P5

L Y R I C T H E A T R E COMPANY P R E S E N T S Continued from page 32

"[Gypsy] is an extraordinary blend of music, movement, rowdy comedy, powerful drama and all the arts of the theater..." Mort Goode

November 11—14 • Lyric at the Flynn For tickets, call the Flynn Regional Box Office at 86FLYNN or UVM Campus Ticket Store at 656-3085. Prices $19 & $14. $5 discount for seniors & students at selected performances. With generous support from the IDX Foundation

Co-sponsored by

Egg

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1

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Brochures Advertising Websites

Info, 862-9616. 'BEYOND BOSSING, BEGG I N G A N D BRIBING': Learn the ways and means of getting your children to do what you tell them. St. Mark's Educational Center, Burlington, 6:30-8:30 p.m. Free. Info, 864-7467. BOARDING S C H O O L FAIR: Find a campus close to home at this expo of Northern New England schools. Radisson Hotel, Burlington, 6-8 p.m. Free. Info, 603-563-8584. PUBLIC MEDITATION PERIO D : Take a step on the path to enlightenment and share your thoughts, but not words, with others. A lecture and discussion follows. Ratna Shri Tibetan Meditation Center, 12 Hillside Ave., Montpelier. 6:30 p.m. Free. Info, 223-5435. BATTERED W O M E N ' S SUPP O R T GROUPS: Women Helping Battered Women facilitates a group in Burlington, 6:30-8 p.m. Free. Info, 658-1996. Also, the Shelter Committee facilitates a meeting in Montpelier, 5:30-7 p.m. Free. Info, 223-0855.

AmHrftfm

Call now t o reserve a date! W e also sell gifts & cards!

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PAINTING, FIBER, PAPERMAKING, AND STAINED GLASS .

-"',

words ' T H E STORY O F A MILLION YEARS': See October 21, Borders, Church St. Marketplace, Burlington, 7 p.m. Free. Info, 865-2711. F I C T I O N READING: New Hampshire short story author W.D. Wetherell shares his fiction — and his fly-fishing stories — in Aiken Hall, Champlain College, Burlington, 7 p.m. Free. Info, 860-2700. B U R L I N G T O N WRITERS G R O U P : Bring pencil, paper and the will to be inspired to this writerly gathering at the Daily Planet, Burlington, 7-9 p.m. Free. Info, 862-9647.

kids STORYTIME: See October 20, 10 a.m. & 1 p.m. ' M U S I C W I T H ROBERT A N D GIGI': See October 22. ' W E GODDESSES': Budding mythology buffs hear Doris Orgel read her tale of Athena, Aphrodite and Hera vying for a golden apple. Flying Pig Children's Books, Charlotte, 4-6 p.m. Free. Info, 425-2600.

etc

uesday

music

It's not too early t o schedule your holiday p a r t y w i t h us!

from all over the world bring pacifist people together. Noble Hall, Vermont College, Montpelier, 7:30-9 p.m. $5. Info, 658-2447.

• Also, see listings in "Sound Advice." AMATEUR MUSICIANS ORCHESTRA: Vermont Symphony violinist David Gusakov oversees this weekly harmonic convergence of amateur musicians. Music Room, S. Burlington High School, 7:309:30 p.m. $5. Info, 985-9750.

dance 'DANCES O F UNIVERSAL PEACE': Circle dances and chants

S U Z A N N E FALTER-BARNS: The author of How Much Joy Can You Stand? gives tips on pursuing dreams. McAuley Hall, Trinity College, Burlington, 7-8 p.m. $5. Info, 846-7160. ' G O D VS. SCIENCE': Rabbi and former NASA researcher Velvl Greene explores the cosmic convergence of scientific knowledge and Judaism. John Dewey Lounge, Old Mill, UVM, Burlington, 7 p.m. Free. Info, 862-6968. C O M M U N I T Y MEDICAL S C H O O L : David Warshaw, UVM biophysics chair, gets to the heart

of the molecular motors that drive the pump. Austin Auditorium, Fletcher Allen Medical Center, Burlington, 6 p.m. Free. Info, 656-2886. 'EMPOWERING YOUTH': What troubles teens? Leaders of local youth organizations lay it out at the H.O. Wheeler School, Walnut St., Burlington, 6-9 p.m. Free. Info, 658-2704 ext. 338. FINANCIAL AID WORKS H O P : College-bound students and parents get valuable advice on making the financial aid grade. Rice Memorial High School, S. Burlington, 7 p.m. Free. Info, 800-642-3177. MASSAGE THERAPY TALK: Learn about different massage techniques, as well as licensing procedures and insurance coverage issues. Dewey Commons Lounge, Johnson State College, 7 p.m. Free. Info, 635-1386. Y2K C O N T I N G E N C Y PLAN W O R K S H O P : Small-business owners get a crash course on millennial preparedness via interactive television. Venues throughout Vermont, 12:30-3:30 p.m. Free. Register, 888-925-7658. SALEM W I T C H HISTORY: Hinesburg native Lori Lee Wilson, author of The Salem Witch Trials: How History is Invented dis-spells the myths surrounding the "American Inquisition." MacLure Library, Pittsford, 7 p.m. Free. Info, 483-2988. FRENCH CONVERSATION GROUP: Freshen up your French, with a Quebecois accent, in this informal social cercle at Borders, Church Street Marketplace, Burlington, 5:30 p.m. Free. Info, 865-2711. CAREGIVERS FOR T H E MENTALLY ILL: Friends, family and anyone involved with the mentally ill get support at this monthly "share and care." Howard Center for Human Services, 300 Flynn Ave., Burlington, 7-8:30 p.m. Free. Info, 862-6683.

jSs?'"

Register now and meet our new administration!

ANNIVERSARY CELEBRATION!

985-3648

Saturday October 23 • 2pm

Mary Ann Dispirito & David Robinson talks about & sign

FRIDAY, SATURDAY &

SUNDAY OCTOBER 22, 23,

a locally owned kitchen & gift market

Images of America: COOKING DEMONSTRATIONS FRIDAY: 5 : 0 0 — 8 : 0 0 PM

Burlington Volume 2 In Burlington Volume 2, Mary Ann DiSpirito and David Robinson continue their detailed look at our very own Queen City. The authors have carefully selected over 200 images, most of which are previously unpublished, that illustrate the many changes Burlington has endured since the 1860's. Included in this new volume are images of the city that date back to when our ancestors depended on sketches and engravings to preserve memories. The combination of fascinating photos and informative captions, will make Burlington Volume 2 a treasured addition to the personal libraries of residents and visitors alike, for years to come.

Saturday October 23 • 2pm

BORDERS* BOOKS,

MUSIC,

VIDEO,

AND

A

CAFE.

29 Church Street • 865-2711 page

12

SEVEN DAYS

october 20, 1999

Cutlery demonstration with NECI SATURDAY. 1 2 : 0 0 — 5 : 0 0 PM

Calphalon Cooking Demonstration with NECI SUNDAY: 10:00 — 5 : 0 0 PM

KitchenAid Standmixer Attachment Demo with Caterer Meika Laszlo DOORPRIZES

Kiss the Cook Mugs and Aprons GIVEAWAYS ALL WEEKEND!

Kiss the Cook Magnets, Pop-up Sponges & Balloons- V.^JJ1! • Misto Oil Sprayer $12.99 reg. $15 * J.A. Henkels 31' parer $mS9 reg. $42 REGISTER

• KitchenAid Standmixer $199.99 reg. $250 • Calphalon Specials $29.99-$99.99 reg. $45-$168 FOR

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• Apple Peeler, corer, slicer $19.99 reg. $28 • Dishtowels Buy two Get One Free DRAWING!

Dinner for two at NECI Commons with an overnight stay and brunch at The Inn at Essex 72 C h u r c h S t r e e t B u r l i n g t o n , 8 6 3 - 4 2 2 6 Monday-Thursday 9am-9pm • Friday & Saturday 9am-9:30pm • Sunday 10am-6pm Wedding

Registry

& Free

Gift

Wrapping

2 4


OVEREATERS A N O N Y M O U S : Compulsive eaters weigh in on body image issues at the First Congregational Church, Essex Junction, 7 p.m. Free. Info, 644-8936. BATTERED W O M E N ' S SUPP O R T G R O U P : Meet in Barre, 10:30 a.m. - noon. Free. Info, 223-0855.

N.H., 6:45 & 9:15 p.m. $6. Info, 603-646-2422.

College, 7 p.m. Free. Info,

art

PRESERVATION BURLINGT O N : A brief tour of the building brings you back to awards, the annual meeting and a talk by Vermont State Historical Preservation Officer Emily Wadhams. Park Place Building, Burlington, 7 . p.m. Free. Info, 660-8241. COLLEGE EXPO: Collegebound students of all ages bone up on Vermont state schools. Essex High School, 6:30-8 p.m. Free. Info, 800-872-2205. ' W O M E N IN TRANSITION': Divorce attorney Debra Schoenberg and financial consultant Maureen Forenza help women facing divorce understand financial issues, from property division to custody laws. Mona's on the Waterfront, Burlington, 6:30-8:30 p.m. Free. Register, 864-3120. NATIVE AMERICAN HISTORY TALK: Ethnohistorian John Moody explores the lasting legacy of Native American culture in Vermont. Johnson State College Library, 10 a.m. Free. Info, 479-0594. ®

• Also, see exhibit openings in the art listings. FIGURE DRAWING: See October 20. O P E N PAINTING: See October 20.

words

27.

Wednesday music

• Also, see listings in "Sound Advice." CARL NIELSEN PHILHARM O N I C : Russia meets Denmark in this program featuring works byProkofiev, Tchaikovsky and Carl Nielsen. Pianist Lilya Zilberstein is the featured soloist. See "to do" list, this issue. Flynn Theatre, Burlington, 7:30 p.m. $26-36. Info, 863-5966.

drama 'ONCE UPON A MIDNIGHT': Ex-Gomez Addams actor John Astin portrays "The Raven" writer in a one-man Poe show. See "to do" list, this issue. Lebanon Opera House, N.H., 7:30 p.m. $20. Info, 603-448-0400.

film ' T H E T A N G O LESSON': Relationships of power are explored in a movie by directorwriter Sally Potter, who also plays the lead — er, the follower — in a story about a filmmaker who learns to tango. Rutland Plaza Movieplex, 7 p.m. $7. Info, 77^5413. . ; 'BLOW UP': Michaelangelo Antonioni directed the visually brilliant film about a fashion photographer who thinks he may have inadvertently captured evidence of a murder on film. Spaulding Auditorium, Hopkins Center, Dartmouth College, Hanover,

STEVEN W R I G H T : The deadpan comic known for his offbeat one-liners and his recurring role on Mad About You delivers the quirky goods at the Barre Opera House, 8 p.m. $24.50-37.50. Info, 476-8188. POETRY READING: David Cavanagh and Sharon Webster give give voice to their verse at Rhombus Gallery, 186 College St., Burlington, 8 p.m. $3-6. Info, 865-0569.

kids STORYTIME: See October 20. S O N G A N D STORYTIME: See October 20. PARENT-CHILD B O O K G R O U P : Middle-school kids and their parents consider the characters in E. Winthrop's The Castle in the Attic. S. Burlington Community Library, 7 p.m. Free. Register, 652-7080.

862-9616.

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SELF-DISCOVERY, HEALING, T R A N S F O R M A T I O N • Intense & Experiential • Join Caring Men • Deep Understanding • All Vegetarian Meals • Integration & Change • Certified Facilitators Join us Friday PM-Sunday AM, Thanksgiving Weekend. Cost including meals: $145. A weekend of self-exploration and healing snuggled in the beautiful Taconic Mountains of Vermont Q U E S T I O N S & BROCHURE: Call today!

Calendar is written by Gwenn

Brian Bauer (617) 623-5817

Garland. Classes are compiled by

email babauerima.ultranet.com

N O V E M B E R 2 6 - 2 8 • PAWLET, V T

sport

Lucy Howe. All submissions are

SENIOR WALKS: See October 20.

due in writing on the Thursday

FINANCIAL PROBLEMS?

before publication. SEVEN DAYS

We can help you, or someone you know, clear up old debt and start a new financial life!

etc FLU S H O T CLINIC: See October 20, Colchester Senior Center, Bayside Park, 9:30-11:30 a.m. H O M E O W N E R S H I P ORIENTATION: See October 21, noon. LATIN AMERICA LECTURE: Gerard Colby and Charlotte Dennett, authors of Thy Will Be Done: The Conquest of the Amazon, talk about capitalist colonialism in Latin America. Burlington

D

edits for space and style. Send to: S E V E N DAYS,

P.O.

Box

1164,

E

B

Call us today at 657-3328 or e-mail us at solvedebt@aol.com

Burlington, VT 05402-1164. Or fax

VERMONT

8 0 2 - 8 6 5 - 1 0 1 5.

STATE

CRAFT C E N T E R S

Email:

sevenday@together.net

VERMONT

TECHNICAL,

COLLEGE

SATURDAY, OCTOBER 2 3 , 1 9 9 9 BEGINNING AT 9 : 0 0 A.M.

Program starts at 1:30 p.m. for all prospective students

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Exhibiting t h e w o r k of over 2 5 0 of V e r m o n t ' s finest artisans. This u n i q u e c o l l e c t i o n includes c o n t e m p o r a r y a n d t r a d i t i o n a l V e r m o n t craft.

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SEVEN DAYS

october 20, 1999

ELEMENTAL, WATSON Sculptor

Kno,

Cummin may be better known for his large outdoor sculptures, but in his current exhibit at UVM's Living/Learning Gallery, he cuts his elements down to size. "Homebodies & Traveling Fools: Investigations at Home and on the Move"—

an appropriate title, per-

haps, for someone who splits his time between Huntington, Vermont, and Philadelphia, Pennsylvania — Cummin shapes metal and wood into portable works of art.

c a l l to artists

Artists with a culinary bent are invited to submit a gingerbread house for competition at the Vermont Folklife Center in Middlebury, to be shown during the holiday season. Top prize is a two-night stay at the Sheraton Hotel in Montreal. Register by November 20. Info and forms, call 388-4964.

openings QUIET DESPERATION, an MFA Thesis exhibit by Shane Musser. Julian Scott Memorial Gallery, Johnson State College, 635-1310. Artists talk October 21, 3-4 p.m., followed by reception. A GARDEN PARTY, new paintings by Elizabeth Bunsen and her four-yearold son Boone Wilson. Alley Cats Arts, Burlington, 865-5079. Reception October 23, 4-6 p.m. FINE ART FLEA MART, featuring artists in the alley next to Firehouse Center for the Visual Arts, Burlington, 865-7165. Every Saturday, 1-5 p.m. Through October. J0YRIDE, oil paintings by Jake Geer. Also, pots by Jan Cannon and Hoyt Barringer. Ferrisburgh Artisans Guild, 877-3668. Reception October 23, 5:30-7:30 p.m.

ongoing BURLINGTON AREA POLLY THOMPSON, new paintings. Furchgott Sourdiffe Gallery, Shelburne, 985-3848. October 21 November 30. ANN LABERGE, artworks including photos taken in Jamaica. Cathedral Church of St. Paul, Burlington, 8640471. Through November 15. THEATER OF THE IMAGINATION: Masquerade of the Soul, a group show from Caravan Arts. Rose Street Gallery, Burlington, 660-8460. October 22 - November 14. NATURE PHOTOGRAPHS by Ken Provan. New World Tortilla, Burlington, 863-5307. Through October. THE MATING HABITS OF LINES: Sketchbooks and Notebooks of Ree Morton, featuring drawings and journals detailing the artistic process, from an early pioneer in installation art who died in 1977. Fleming Museum, Burlington, 656-0750. Through January 23. HOMEBODIES & TRAVELING FOOLS:

Investigations at Home and on the Move, sculptural works by Knox Cummin. Living/Learning Gallery, University of Vermont, Burlington, 656-4200. Through October 28. MARY ELLEN MAN0CK, watercolor paintings. Bread & Beyond, Williston, 863-6627. Through October. PRIDE'S MAILBOX, an international collection of gay, lesbian, bisexual and transgender themed postmarks commissioned by the U.S. and foreign postal offices. Billings North Lounge, UVM, Burlington, 656-2005. Through October. THE TOGETHERNESS EDITION, a show of monoprints by children and seniors in an intergenerational bookmaking workshop sponsored by Very Special Arts Vermont. Daily Planet, Burlington, 860-6220. Through October. FOUR H0NDURAN ARTISTS, featuring the work of Mario Castillo, Virgilio Guardiola, Rolando Lopez Trochez and Xenia Meji'a. Fleming Museum, Burlington, 656-0750. Through February 13. ANN BEMIS, new acrylic paintings. Rhombus Gallery, Burlington, 8653144. Through October. NATURE & MYTH, featuring paintings by Matthew Kolodzief and sculptures by Nancy Sansom Reynolds. DollAnstadt Gallery, Burlington, 8643661. Through October. THE FIRST ANNUAL VERMONT METALSMITHS SHOW, a selection of works of jeweler/metalsmiths statewide; and NEW MEXICO COLORS, paintings by Will Hurd. Grannis Gallery, Burlington, 660-2032. Through October. PURSUING THE LIGHT: Visual Impressions of the Natural World, featuring fine art color photography by Christopher C. Leeper. Working Design Gallery at the Mens Room, Burlington, 864-2088. Through November. JANE HORNER, solo installation, in which something different will happen every day of the month. Union Station, Burlington, 660-4335. Through October.

COVERED BRIDGES AND OTHER THINGS, black-and-white and color photography by Jan Tyler. Isabel's on the Waterfront, Burlington, 865-2522. Through November 14. DAVID GOODRICH, pen and ink drawings of Vermont views. Uncommon Grounds, Burlington, and The Book Rack, Winooski, 654-4650. Through November 6 and December, respectively. RICK SUTTA, representational oil paintings. Rick Sutta Gallery, Burlington, 860-7506. Ongoing. MICHAEL M0NTANAR0, paintings, photographs, etchings and drawings of Costa Rica, Italy and Vermont. McCarthy Arts Center, St. Michael's College, Colchester, 654-2000. Through October. THE CLOWN SHOW, works in mixed media by local artists, including Mr. Masterpiece, Lance Richbourg, Catherine Hall, Jennifer Koch, Greg Blasdel, Tony Sini and others. Red Square, Burlington, 862-3779. Through October. STRONG HEARTS: Native American Visions and Voices, featuring color and black-and-white photographs by 29 Native American photographers. Fleming Museum, Burlington, 6560750. Through December 19. VISUAL TEXT: Art and the Written Word, a national exhibit in mixed media of artists who use text in their work. Frog Hollow Vermont State Craft Center, Burlington, 863-6458. Through October 24. SARAH-LEE TERRAT, photographs of her murals and painted objects. FreStyle, Burlington, 651-8820. Through October. LEAH BENEDICT, new murals. Also, PERS0NAE: An Exhibit of Costumes by Christine Demarais. Fletcher Free Library, Burlington, 865-7211. Through October. EXPAND WITHOUT MOVING, psychedelic and mosaic posters and prints inspired by music, by David Peroff. Three Needs, Burlington, 238-1070. Through October. AUTUMN AT THE OLD MILL, a show


and sale in mixed media by members of the Northern Vermont Artist Association. Red Mill Craft Shop, Jericho, 899-1106. Through October. GERRIT GOLLNER, abstract paintings and prints. Farrell Rm., St. Michael's College, Colchester, 654-2487. Through December.

C H A M P L A I N VALLEY 38TH ANNUAL MEMBERS' EXHIBITION, featuring juried works in mixed media. Chaffee Center for the Visual Arts, Rutland, 775-0356. Through November 14. BOB HARDY, an exhibit of framed photographs, the sale of which will benefit the Vergennes Opera House. Chittenden Bank, Vergennes, 4752440. Through October. USE IT UP, WEAR IT OUT, MAKE IT DO OR DO WITHOUT: Our Lives in the 1930s and '40s, featuring oral histories, photographs, artifacts and music exploring Addison County life in those decades. Sheldon Museum, Middlebury, 388-2117. Through March 10. WE ARE INSTRUMENT OF LOVE #11, mixed media by Lynn Sandage, and FROM FLOWERS TO FALL, watercolors by Joan Wilson. Ferrisburgh Artisans Guild, 877-3668. Through October 21. HANNAH SESSIONS, Vermont landscapes. Bulwagga Books & Gallery, Whiting, 623-6242. Through October 24. NO TWO ALIKE: African-American Improvisational Patchwork, featuring the works of 20 quilters with Southern roots. Vermont Folklife Center, Middlebury, 388-4964. Through November 20. TREASURES OF DECEIT: Archaeology and the Forger's Craft, featuring 20 genuine, reworked and forged antiquities. Middlebury College Museum of Art, 443-5007. Through October. G0URDGE0US GOURDS!, featuring gourd art by American artists. Frog ,Hollow Vermont State Craft Gallery, Middlebury, 388-3177. Through November 8. HORATIO GREEN0UGH: An American Sculptor's Drawings, a retrospective on the life of the early American artist (1805-1852), featuring 15 sculptures, 48 drawings and related materials, from the private collection of George R. Rinhart. Middlebury College Museum of Art, 443-5007. Through December 12. JEAN KERR-LEWIS & SHARYN LAYFIELD, new pastel paintings. Woody's Restaurant, Middlebury, 453-5603. Through October.

CENTRAL

mmmi

TWO PATHS, paintings by Maureen R. Russell and Randy Allen. Also, RECENT WORK, oil paintings and digitally altered photographs by Charles T. Kellman and John Solaperto. T.W. Wood Gallery, Montpelier, 828-8743. Through November 28. WATERCOLORS by Nancy Cleveland, and works by other member artists. The Art Gallery of Barre, 476-1030. Through October. BEGINNINGS ARE DELIGHTFUL, paintings and etchings by Alice Eckles. Phoenix Rising, Montpelier, 2290522. Through October 26. NEW WORKS EXHIBIT, featuring a collaboration between glassblowers Harry and Wendy Bessett and painter Ken Leslie. Artisans' Hand, Montpelier, 223-4948. Through October. ORIENTAL BRUSH PAINTING, sumi-e on rice paper by Jo Steinhurst. A Single Pebble, Berlin, 476-9700. Through October. ART IN THE SUPREME COURT, featuring acrylic monotype landscapes by Margaret Lampe Kannenstine. Supreme Court Building, Montpelier, 828-3278. Through October 22. JILL WAXMAN, new and old bargello weavings. Vermont Arts Council, Montpelier, 828-3778. Through

October 29. LISA F0RSTER, landscape watercolors. Mist Grill Gallery, Waterbury, 2442233. Through November 1. CHRIST CHURCH COMMUNITY ARTS, a group show of pastel landscapes, still lifes, jewelry and spiritually inspired art by parishioners and friends. Sacred Space Gallery, Christ Church Episcopal, Montpelier, 223-3631. Through October. RELIGION, MYTH AND FANCY, a selection from the permanent collection. T.W. Wood Gallery, Montpelier, 8288743. Through December 24. YURI GORBACHEV, and other local or international artists in a group show of mixed media. Kristal Gallery, Warren, 496-6767. Through October. ALICE ECKLES, a permanent changing exhibit of selected paintings and prints. The Old School House Common, Marshfield, 456-8993. Ongoing. SCRAP-BASED ARTS & CRAFTS, featuring re-constructed objects of all kinds by area artists. The Restore, Montpelier, 229-1930. Ongoing.

NORTHERN NOMADIC CONNECTIONS, contemporary paintings by Val B. Hird, paired with 19th- and 20th-century textiles of Asian and Middle Eastern cultures. Also, in the Hands-On Gallery Space, a Central Asian yurt by Rachel Lehr. Helen Day Art Center, Stowe, 2538358. Through November 20. CLAY VESSELS: Interpretations of a Vessel Aesthetic, featuring the works of potters Bob Green, Terri Gregory and Nicholas Seidner. Helen Day Art Center, Stowe, 253-8358. Through November 20. THE EXTRAORDINARY LIFE'S WORK OF ROY KENNEDY, a retrospective featuring paintings, sculptures, woodcuts, handmade furniture and artifacts of the Saint Michael's College professor emeritus. Mary Bryan Memorial Gallery, Jeffersonville, 644-5100. Through October 24. LAND & LIGHT, featuring the works of more than 50 landscape painters. Mary Bryan Memorial Gallery, Jeffersonville, 644-5100. Through October 26. BREAD & PUPPET masks, puppets and other artifacts from four decades. Bread & Puppet Museum, Glover, 525-6972. Through October. 19TH AND 20TH CENTURY AMERICAN ARTISTS, including landscape paintings by Vermont artists Kathleen Kolb, Thomas Curtin, Cynthia Price and more. Clarke Galleries, Stowe, 253-7116. Ongoing.

Light T B Y MARC AWODEY ane Horner is an artist

J

whose primary medium is light. In her current solo

exhibit at Union Station in Burlington, she captures the ever-shifting rhythms of natural light as it filters into an interior

space. From hour to hour the intensely pure colors o f her wallmounted installations, diaphanous hanging objects and subtle pastel paintings evolve as the palpable presence of light interacts with her simple forms. But Union Station has

i

gradually being wrapped in nylon; one is yellow, one is becoming black. Unlike the process pieces that have occurred this year in the installation room of Burlington's Firehouse Center for the Visual Arts, Horner's event is a collection of separate works in transition. While mutually supportive and often site-specific, the pieces maintain separate conceptual identities.

"Laughing Sticks" and the vibrant nylon shreds crumpled and entrapped in a transparent 7' x 9' grid o f C D cases, titled "Matrix," highlight the spiritual, uniquely human impulse to create beauty simply for its own sake. Nothing else needs to be represented in these works. Horner created " T h e Secret Life o f Lines" with a few strands o f colored, insulated wire. T h e rows of crinkled wire hang in space like three-dimensional Persian calligraphy. With four unpainted curves o f foamcore Horner grouped a piece titled "Jasmine Fragrance." It has no color except for that imparted by shadows. These are the kinds o f finely nuanced statements that appear in every corner of "Solo Show." In the course o f the month new epiphanies are likely to surface

"Laughing Sticks" is a playful group o f long, thin rectangular sticks wrapped in brightly colored tape and suspended by

become more than just an exhibit space for Horner; it has also become her studio. By changing elements within the show on a daily basis throughout October, Horner is continually respond-

The seemingly chaotic

heaps of color are slyly

IRlHIfcliUUfcl

ing to new conditions at the site. "Flying Color" is a large, four-sided piece of magenta nylon suspended by three corners and perpetually stirred by a nearby fan. The effect o f movement upon penetrating daylight alters the shades and values of this uniformly hued drape of translucent color. It is as much aesthetic experiment as finished piece and, like the entire show, .C is in constant flux. For Horner, the creative

fishing line from a high square of Plexiglass. T h e glossy colors include blaze orange, greens, indigos, yellows, pink.an< As with most of HornerVworks",

-everyday ?

there is no traditional notion of content or metaphor; rather they reflect a spontaneous creation o f delightful objects out of otherwise mundane materials. Hers is a more discreet testament to the creative process. Inventions such as

not be completely installed until the very end o f October — the last day o f the show. So while Horner's primary medium may be light, her primary artistic impulse might be called a celebration o f transience and transformation. ®

process is a verb during this exhibit. "I Fly" is a wide collection of foamcore cut-outs — slim crescents, stretched triangles and other graceful shapes — all movable across a long

TRANSIENCE: Chinese Experimental Art at the End of the 20th Century, featuring works in mixed media by the country's younger generation of artists. Hood Museum of Art, Dartmouth College, Hanover, N.H., 603-6462426. Through December 19. FOR SALE, a public art installation created by the Swiss art alliance relax. Dartmouth College Green, Hanover, N.H., 603-646-2808. Through January 3. STRUCTURE AND SURFACE, contemporary textiles by 29 Japanese artists, designers and manufacturers. Montreal Museum of Decorative Arts, JeanNoel Desmarais Pavilion, 514-2851600. Through November 14. HOLLY KING, landscapes of the imagination in black-and-white and color photography. Montreal Museum of Fine Arts, Jean-Noel Desmarais Pavilion, 514-285-1600. Through December 5. ® PLEASE NOTE: Seven Days is unable to accommodate all of the displays in our readership area, thus these listings must be restricted to exhibits in tridy public viewing places. Art in business offices, lobbies and private- residences or studios, with occasional exceptions, will not be accepted.

wall. T h e shapes are painted in a few bright colors and regularly rearranged by both artist and public. There are also nearby piles of nylon fabric and foamcore cut-outs lying on the floor to be touched, reorganized and played with. T h e bright nylon scraps are from a hot-air balloon factory, and the cut-outs are painted on one side but have words on the opposite side. T h e seemingly chaotic heaps of color are slyly interactive, allowing for a creative dialogue between audience and artist. But Horner's "Solo Show" is not totally a process-oriented installation. While some areas are interactive, other pieces are traditionally matted and framed; others are unframed. A collection of large-scale figure drawings appeared on the walls one day, added simply because Horner felt a need for "the presence o f the human form" in the show. Two tall step-ladders are

Jane Horner amid the installation of her "Solo Show"

Jane Horner, solo installation. Union Station, Burlington. Through October. october 20, 1999

SEVEN DAYS

page 21;


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powerless against the pacifying drug of consumerism." This far into the film I could well believe big things were on the way. Brad Pitt plays a dual role here, and I can only tell you about one of them. As with most of Fincher's films, this one comes with a surprise ending, and I wouldn't want to spoil the fun for you. Even if Fincher himself already hadn't. More on that in a minute. Pitt's this punky Greek-god anarchist who befriends Norton, teaches him the error of his girlieman ways and, along with him, starts a series of underground clubs. They're not really clubs, though, just dank borrowed basements where numbed-out males emasculated by their PITT BULL Fincher's boxing movie is no match role in post-modern America can meet to beat for his previous, more coherent work. feeling back into each other. I was even with the movie this far. I appreciTHE FIGHT CLUB*** ated the parallel Fincher suggested between our comI've been reviewing films for 15 years now. That pulsions to preserve our property and protect our own means I have written about something like 1200 selves from surface damage. For Pitt and Norton, movies and spent approximately 105,300 minutes in chipped teeth, bruises and bloodstains are as much a the darkness of theaters on business. I mention all this badge of transcendence as the rat-infested dump they to put into perspective the following fact: I doubt that share as squatters. Like the old Kris Kristofferson song in all that time I've come across a motion picture says, "Freedom's just another word for nothing left to which began as well but ended quite as badly as The lose." Fight Club. But here's where the filmmaker loses it. Suddenly The latest from David Fincher, the director of this isn't a movie about hollow consumerism or what it Seven and The Game, the film doesn't so much begin means to be male at the end of the century. Suddenly as detonate onto the screen, its opening sequences a this is a movie about a psycho who amasses a terrorist succession of visionary aftershocks. Edward Norton army and starts leaving bombs in vans in the underprovides the frame of reference for an apocalyptic para- ground garages of large corporate buildings. Worse, it's ble. When we first meet, he's an insomniac insurance a movie with an unexpected twist that's intended to adjuster with an expensive IKEA habit. His job doesn't blow your mind but, at the very most, merely blows. appear significantly more meaningless than most peoThe final act is a hopelessly muddled hallucination, ples', and his apartment is way nicer. In a wonderfully a trainwreck of derailed ideas and structural failure. written voice-over, he takes the audience on a guided Not only is the last part of the picture not as inteitsttour of his pad. Descriptive blurbs and sale prices are ing as the first, it also makes less sense. Unlike the jawsuperimposed Over the scene, morphing his home into dropping last-minute twists of films like The Sixth a three-dimensional catelogue. It's a brilliant moment Sense, eXistenZ and Fincher's own The Game, the big that seems to promise so much more. More than surprise at the end of The Fight Club doesn't pass the Fincher ever delivers. rewind test. Rather, it smacks of desperation and Before things go wrong, though, there's one more panic, as though the director had built the worlds memorable section. Norton begins attending meetings wildest, wackiest hot-fudge sundae and then just of various support groups. The key to his sleep probcouldn't figure out what to put in place of a tired old lem is found here. A "tourist" among the cancer, abuse cherry on top. and addiction survivors, he takes in the spectacle of The thing about movies with hunky visionaries shared emotions the way a visitor to a foreign country who want to change the world: If they're going to might take in the natural beauty or national landmarks work, their makers have to come up with an idea that's of the place. Comprehending their pain and shedding believably better than, and plausibly preferable to, the tears along with them, he is able finally to go home status quo. In The Fight Club Fincher leads with a and sleep like a baby. I'm not sure exactly what this stunning jab at the present but falls flat on his face says about a desensitized, Springer-dependent society, when it comes time to redefine the future. My advice: but it sure is cool. He should worry less about surprise endings and build on logical, intelligent, promising beginnings. I could see what excitable Rolling Stone critic Peter Travers had gone so ga-ga over. In his review he called And as for RSs Peter Travers: He might think The Fight Club "revolutionary" and "an uncompromisabout switching to decaf. (Z) ing American classic" about "being young, male and

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4:45, 7, 9:30. 13th Warrior 1, 3, 5, 7:30, 9:45. Eve shows daily, early

College Street, Burlington, 863-9515. Bringing Out The Dead* 1:30, 4, 6:50, 9:30. Crazy In Alabama* 1:20, 3:50, 7:15, 9:40. Music of the Heart* 6:30 (Sat. only). American Beauty 1:10, 3:40, 6:40, 9:20. Double Jeopardy 12:40, 2:50, 7 (Mon.-Thur.),10. The Story of Us 1, 3:15, 7:30, 9:50. Random Hearts 12:50, 3:30, 6:20 (not Sat.), 9:10. All shows Sat-Sun., first matinee not Mon.-Fri.

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Williston Road, S. Burlington, 863-4494. Three To Tango* 1, 3:35, 7:05,

48 Main St. • Middlebury • 1 . 8 0 2 . 3 8 8 . 2 5 8 0 • 1 . 8 0 0 . 4 9 8 . 2 5 8 0

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SEVEN DAYS

october 20, 1999

9:35. Bats* 1:10, 3:50, 6:50, 9:30. Three Kings 3:30, 9:25. Drive Me Crazy 1:30, 7:10. Superstar 1:20, 3:20, 7, 9:40. Sixth Sense 12:50, 3:40, 6:40, 9:20. Eve shows daily, matinees Sat-Sun.

weekly

listings

THE SAVOY Main Street, Montpelier, 2 2 9 - 0 5 0 9 . The Dinner Game 6 : 3 0 The Red Violin 8 : 1 5 C A P I T O L T H E A T R E 93 State Street, Montpelier, 229-0343. P A R A M O U N T T H E A T R E 2 4 1 North Main Street, Barre, 479-9621.

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BIJOU CINEPLEX 1 - 2 - 3 - 4 Rt. 100, Morrisville, 888-3293. Bats* 1:50, 4:10, 7:10, 9:10. Drive Me Crazy 1:40, 7. Three Kings 4, 7, 8 : 4 5 . Double Jeopardy 1:30, 3 : 4 0 , 6 : 5 0 , 9. Random Hearts 1:20, 3:50, 6:40, 9:05. Eve shows daily, matinees Sat-Sun, last show Fri.-Sat. only.

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S T O W E C I N E M A Baggy Knees Shopping Center, Stowe, 253-4678. M A D R I V E R F L I C K Route 100, Waitsfield, 496-4200. MARQUIS THEATER

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WELDEN THEATER 527-7888.

104 No. Main Street, St. Albans,

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previews THREE TO TANGO Dylan McDermott and Matthew Perry vie for the affections of Neve Campbell in this comedy about mistaken sexual identies. (PC-13) BRINGING OUT THE DEAD Based on Joe Connelly's critically acclaimed debut novel, the latest from Martin Scorsese features a script by Paul Schrader and a little teamwork from husband and wife Nicolas Cage and Patricia Arquette as a burned-out Hell's Kitchen ambulance medic and a young woman he meets on the job. John Goodman and Tom Sizemore co-star. (R) CRAZY IN ALABAMA Zorro takes a stab at directing. Yup, Antonio Banderas steps behind the camera to helm this civil rights-era saga about a Southern housewife (Mrs. Banderas herself, Melanie Griffith) who murders her husband and then heads for Hollywood in search of movie stardom. (PG-13) THE BEST MAN Writer/director/you know who's cousin Malcolm Lee

brings us this Big CA/7/-reminiscent story about a group of old friends who reunite on the occasion of a wedding and find they have old issues to resolve. Taye Diggs, Nia Long and Morris Chestnut star. (R) BATS Movie small towns have been the victim of killer birds, frogs, rabbits, cats and snakes. Now — just in time for Halloween — Lou Diamond Phillips and Dina Meyer take on killer bats. (R) MUSIC OF THE HEART It's not unusual for director Wes Craven to have a new movie released around Halloween. It is, however, nothing short of shocking for it to tell the story of little kids learning the violin in East Harlem and star Meryl Streep. (PG)

n e w on v i d e o TTHE BLAIR WITCH PROJECT**172 Two Gen-X directors (Eduardo Sanchez and Daniel Myrick) take a whack at pre-Scream generation horror with this Sundance-pleaser about a team of filmmakers which ventures into the Maryland hills to make a

documentary and never returns. With Heather Donahue and Michael Williams. (R) EXISTENZ*** 1/2 Vtdeodrome meets The Matrix in David Cronenberg's new movie, the saga of a hot-shot computer-game designer who has to outrun virtual reality baddies in an alternate world she created. Jennifer Jason Leigh and Jude Law star. (R) ELECTION*** From Alexander Payne, director of Citizen Ruth, comes this comedy about a high school teacher (Matthew Broderick) whose life is taken over by a studentcouncil race. With Reese Witherspoon. (R) LIFE* 1/2 Two cons grow old behind bars and share a few laughs along the way in what looks like it could be Eddie Murphy's funniest FX-free film in years. Martin Lawrence costars. Tem Demme directs. (R) A WALK ON THE MOON*** Actor Tony Goldwyn makes his debut behind the camera with this '60s-set comedy about a square couple who get sucked into the counterculture. Liev Schreiber, Diane Lane and Viggo Mortensen star. (R)

shorts rating

scale:

*

T H E D I N N E R G A M E * * * * From legendary French director Frances {La Cage aux Folles) Veber comes this c o m e d y of errors about a = snobbish publisher who, along with a circle of mean-spirited friends, takes part in a mean-spirited ritual: Each invites the stupidest person he can find to a "dinner of idiots" and subtly mocks the unwitting guest. O n e unusual night, the snob gets his just desserts. Thierry Lhermitte stars. (NR) T H E R E D V I O L I N * * * From the creators of Thirty-Two Short Films About Glenn Gould comes the story of one unusual violin. Director Francois Girard traces the history of a magical musical intrument and its journey from 17th-century Italy to Maoist China. W i t h an international cast that includes Samuel L. Jackson and Greta Scacchi. (R) T H E S T O R Y OF U S * * * Bruce Willis and Michelle Pfeiffer are paired for this romantic comedy about a couple which attempts a trial separation after 15 years of marriage. Rob Reiner directs. Rita Wilson and Paul Reiser co-star. (R)

THREE

K I N G S * * * * 1 ' 2 T h e buzz is big for this off-beat black dramedy-action from Flirting With Disaster director David O . Russell. George Clooney, Mark Wahlberg and Ice C u b e star as American soldiers w h o do some personal treasure h u n t i n g during the Gulf War. (R)

R A N D O M H E A R T S * * 1 / 2 Harrison Fords a cop. Kristin Scott Thomas is a congresswoman. After their spouses perish in a horrible plane crash, they discover the two had been having an affair. Which, of course, means they have so much in c o m m o n k s just

*****

face lifts Once again, we've selected scenes from four well-known movies and, through the magic of Film Quiz technology, zapped the famous faces of their stars right out of the picture. Your job, as always, is to identify the four films, anyway, minus their stars and with only a single, clue-ridden scene apiece to go on...

NR = not reviewed

a matter of time until they're making whoopie, too. Sydney Pollack directs. (R) S U P E R S T A R * * 1 / 2 T h e latest "Saturday Night Live" sketch to make it to the big screen has Molly Shannon stretching her Catholic schoolgirl spaz bit into a 90-minute saga about an underdogs triumph over geekiness. With Will Ferrell and Mark McKinney. (PG-13) A M E R I C A N B E A U T Y * * * * Kevin Spacey and Annette Bening play the heads of a nuclear family in the process of meltdown in the feature debut from from whitehot Broadway director Sam (The Blue Room) Mendes. (R) D R I V E M E C R A Z Y * * 1 / 2 Sensing it might be difficult to sell the public on yet another Gen-X Pygmalion update in which a dowdy teen is transformed into a prom queen, the makers of this innovative tour de force transform a dowdy d u d e instead. Starring T V s Sabrina herself, Melissa Joan Hart. (PG-13)

ELMO IN GROUCHLAND*** The fuzzy red one makes his big-screen debut alongside the more experienced M a n d y Patinkin, w h o costars as a mean junkyard owner who tosses a beloved blankie into Oscar the Grouch's trash can. (G) D O U B L E J E O P A R D Y * * 1 / 2 Ashley Judd and T o m m y Lee Jones are teamed for the saga of a woman who's wrongly imprisoned for murdering her husband, and rightly miffed when she learns he's actually alive and living with another woman. W h e n she gets out, she figures that, as long as she can't be tried for the same crime twice, she might as well commit it once. So she packs some heat and pays him a visit. (R) T H E S I X T H S E N S E * * * * Bruce

Willis is teamed yet again with a small boy, this time as a psychologist trying to help a child who .f believes he can see the dead walking among the living. (PG-13)

THE THOMAS CROWN A F F A I R * * * If Entrapment\ch you wanting more (now there's a comical thought), here's another romantic saga about a debonair art thief with a sultry insurance agent on his trail. Pierce Brosnan and Rene Russo star in John McTiernans remake of the 1968 Steve M c Q u e e n favorite. (R)

INSPECTOR GADGET**!' 2 Matthew Broderick stars in Disney's live-action adaptation of the popular cartoon series.

STAR WARS EPISODE 1: THE P H A N T O M M E N A C E * * Forget the Force — may the No-Doz be with you if you decide to sit through George Lucas' overhyped and under-written saga about Jedi knights (Liam Neeson and Ewan McGregor) trying to save a planet from invasion. T h e dialogue is stunningly banal. Ditto the new characters and most of the derivative action sequences. Short on warmth and humor, and long on computer imaging, the director succeeds less as a fleshed-out story than as an ad for his special effects business, and an opportunity to make millions in merchandising tie-ins. (PG)

For more film fun don't forget to watch "Art Patrol" every Thursday, Friday and Sunday on Ntws Channel 5!

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THE BLAIR WITCH PROJECT** 1 / 2 Two Gen-X directors (Eduardo Sanchez and Daniel Myrick) take a whack at pre-Scream generation horror with this Sundance-pleaser about a team of filmmakers which ventures into the Maryland hills to make a documentary and never returns. With Heather Donahue and Michael Williams. (R)

'©1999

" october 20, 1999

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kull-With-Lightning-Bolts." "Lips and Tongue." "Some V i kinda thing that looks like a gender symbol with some extra curlicue things." "Letters in the shape of a fish." What do all of these things have in common? They're symbols for musical acts. The power of a visual symbol should never be underestimated, and in my capacity as an attorney representing musi-, cians, I strongly urge bands to develop a distinctive symbol as soon as possible. T h e objective

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yourself, you are in pretty good

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because it helps sell merchan-

you sell it on s o m e t h i n g yourself

ing: "dilution" a n d "abandon-

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dise. An attractive symbol that

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m e n t . " Dilution happens w h e n

your record c o m p a n y — permis-

T h e other reason it's i m p o r -

ing your symbol(s).

looks good o n record covers, T-

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T h e n you proceed to register the

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trademark with the Patent a n d

goods. A b a n d o n m e n t happens

a publisher wants to d o a calen-

stuff. T h e property interests at

dar with your n a m e and symbol,

stake are two-fold: First, the

you have" to grant them the right

actual artwork is a copyrightable

to do so by a written d o c u m e n t

piece of art; second, w h e n used to identify your musical perfor-

A symbol is a way for

specifying payment (royalty) terms, quality standards a n d an

mances a n d related merchandise,

enforcement mechanism. If you

it becomes a trademark.

don't, you risk dilution, not to mention n o n - p a y m e n t .

If you a p p r o a c h a g r a p h i c artist to design y o u r s y m b o l , y o u m u s t acquire the copyrighted a r t w o r k f r o m the artist with a written d o c u m e n t . T h e a g r e e m e n t m u s t g r a n t all rights

with others in your community of fans.

O t h e r similar opportunities may present themselves along the way, and it is best to have a few of the basics covered: M a k e sure you acquire the artwork

in the piece to the musician,

that is your symbol, register it as

w i t h n o n e reserved whatsoever.

a copyright, use it as a trademark, register it is a trademark,

You s h o u l d pay the artist s o m e -

then take adequate steps to pro-

t h i n g w h e n you d o it, b u t

Trademark Office. T h i s is more

w h e n you fail to enforce your

you'll p r o b a b l y still have to

expensive than registering a

rights. Both may result in a

tect your symbol as well as to

give h i m or her backstage pass-

copyright, b u t it is still well

reduction or complete loss of

effectively commercialize it. In

es for life.

w o r t h it. Registration conclu-

trademark rights. Therefore, you

any case, let people k n o w w h o

have to take some steps to pre-

^ou are and w h a t your act is all

vent bootlegging, even if it

a b o u t in one picture, such as,

sively establishes ownership.

You should then register

T h e cool t h i n g here is that,

ownership of this copyright as visual art in the n a m e of the

unlike copyrights, which have a

n't really bother you that some

say, "A little stick-figure guy

musical artist's business entity.

limited duration, a trademark

tour rats are m a k i n g a couple

with arms outstretched, scream-

For $30, this is a pretty good

belongs to you as long as you

bucks to stay on the road by

ing at the sky." ®

deal, because if you don't d o it,

c o n t i n u e to use it. For instance,

printing some T-shirts. You still

w i t h i n three m o n t h s of the first

the character Mickey M o u s e

have to identify and go after the

time you show it publicly, you

started o u t as a copyrighted car-

T-shirt syndicate.

lose the right to e n h a n c e d statu-

toon, b u t n o w he has become a

O n c e you get big enough,

tory damages and to collect

trademark symbol for the entire

you really shouldn't bother mak-

inadequately

attorney's fees. N o w you're ready to start printing the symbol on stuff. If

is an attor-

who loves all

THE PET ISSUE

the bands whose symbols he so described in this

Disney empire whose mortality

ing merchandise yourself any-

article: The Grateful Dead,

is tied to the life of his corporate

more, unless you go whole-hog

Rolling Stones,

master.

with in-house merchandising.

Formerly-Known-As-A-Guy-

In general, it's i m p o r t a n t to

Even if you do, and there are lots

A Iready-Had-A

take adequate measures to pro-

of good reasons to, there are sub-

Phish and Pearl Jam.

you contract directly with your merchandise suppliers a n d sell it

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may

first time I heard T L C ' s " N o

Today's T o p 4 0 is at least far bet-

Scrub" a n d its lines, I nearly ran

ter p r o d u c e d , has infinitely better

im's story: W h e n it came to

into a n o t h e r car: "I don't w a n t

i n s t r u m e n t a t i o n , a n d won't stand

leading m y children

n o scrub./A scrub is a g u y w h o

for songs f r o m The Sound

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popular culture, I always h o p e d

m e , / H a n g i n g o u t the passenger s i d e / O f his best f r i e n d s

in M y T u m m y . " A n d instead of

approach.

ride/Tryin' to holler at m e . "

being a " p u p p e t o n a string" like

North America's 3rd highest peak th

Guided Expedition, Dec 9-19 , 1999

;:

^

S a n d y Shaw, w o m e n — especial-

Zoe. "I can see exactly the scene

ly black w o m e n , plus Shania

w h o once a m o n t h p u t on the

she's talking a b o u t . "

Twain — are preaching an

leather a n d chains, spiked his hair with black b o o t polish a n d played in a p u n k b a n d at the college dance. H e and the boys arrived with their gear in his dad's small delivery van. A short, Roger's dad helped them unload

Pico de Orizaba, MEXICO

"That's great writing," I told

in England, a quiet 16-year-old

cheerful, uneducated bloke,

Climb to 18,406 ft.

of

t o a d o p t the "Rogers D a d " Roger was a s t u d e n t of m i n e

BRING-A-BUDDY SPECIAL some

B Y TIM AND Z O E BROOKES

and set up, then said, "See you at 10, then, Roger. All right?" and then vanished to let the boy d o his thing. In short, he was a par-

Zoe dismissed without A uestion the possibility that Britney was actually asking for abuse. So

ent in the same magnificent mold as George Harrison's M u m , w i t h o u t w h o m we would all still be wearing bow ties a n d whistling G e n e Pitney songs.

influenced by music.

So w h e n m y 12-year-old daughter Z o e started asking to " • • . .. •

V _ • • -ft",. • .

school the m o r n i n g s she was

w o b b l e , in w h i c h she first sings

Being involved in a child's

with me, I k n e w that it was bet-

every o t h e r n o t e in t h e vicinity

encounters with popular culture also creates all kinds of teachable

. tfreletons -

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ter to be with her a n d suffer than

before settling o n the o n e she's a i m i n g for. Together w e imag-

m o m e n t s . Z o e a n d I had a grave

started listening together and

ined her m o u t h m a k i n g shapes

discussion about what Britney

talking a b o u t w h a t we heard.

f o u n d o n l y in high-speed p h o t o s

Spears really meant by " H i t me,

of Jell-O.

baby, one more time" — a single I

www.otloose.com 12

SEVEN DAYS

october 20, 1999

came to like a lot for its c h u n k c h u n k - c h u n k r h y t h m a n d its little

pretty mindless songs, I have to

critical tease of "Another 12 in a

a d m i t the p o p music of m y own

growling guitar fills. Z o e dismissed

row c o m i n g up in 60 seconds."

teenage years was n o Better. T o p

w i t h o u t question the possibility

4 0 music in the '60s reached an

that Britney was actually asking

saying 'Here's another 6 0 seconds

apogee of vacuousness a n d trivi-

for abuse. So m u c h for teenagers

of commercials,'" she protested,

ality in w h i c h songwriters Burt

being influenced by music.

and I almost cheered. But I was learning, too. T h e

page

A n d t h o u g h there are a lot of

m o r e i m p o r t a n t l y — the hypo-

"That's just another way of f e b 12-20* 2000 & Fefc 19-27*, 2000

b e y o n d rhetoric.

to be distant a n d criticize. So we

use of the wah-wah pedal and —

Any questions orfix a free cdcr brochure;

assertiveness t h a t has gone

Whitney Houston's trademark

She learned to spot judicious expeditions

W e learned to i d e n t i f y

listen to 9 5 X X X on the drive to

Bacharach a n d H a l D a v i d looked like K a n t a n d W i t t g e n s t e i n .

In fact, being horrified at the lyrics makes n o m o r e sense than


my parents being horrified at T h e Rolling Stones: It simply doesn't occur to m a n y teenagers to even try to understand them. N o t that it makes them stupid: I still can't figure out half the lyrics to "Sympathy for the Devil," and I've been working on them for nearly 30 years. W h e n The New Yorker ran a brief essay on "sickies" — songs from the late '50s and early '60s in which young love died in car crashes — I passed it on to Zoe, who was deep into Pearl Jam's version of "Last Kiss." She ate it up. I like to think this added a third dimension to her music, sprouting out of the shiny but shallow patina of the song, but of course it didn't. I d o u b t she remembers m u c h from the article at all — except, perhaps, that another dimension does exist, that there may be a history to some of these songs, and real people behind them. At the same time, I have been learning more from popular culture than I ever expected to. "Sixpence N o n e the Richer?" I asked of Zoe. "Its like Sarah McLachlan's 'In the arms of the angel' — it sounds as if it means something, but I haven't a clue what." So I checked out the band's Web site (virtually every band has either a fan W e b site or their own publicity-history-mecliandise site). To my astonishment the name Sixpence N o n e the Richer comes from a passage by the Christian author C.S. Lewis, of Chronicles of Narnia fame. "Who's singing this?" I once asked of "Waiting for Tonight." "That's Jennifer Lopez," Zoe said. "She was in the movie Anaconda." "Can she act?" "Yes," Zoe replied indignantly. "She was better than the snake, anyway." By now, actually, I've come to quite like the music on Triple X, but hate the station, which rotates the top 10 like a chicken on a spit, while slathering the whole thing with commercials infinitely more childish and d u m b than the music. I've even begun to feel deeply sorry for Brigitte the Sexologist, w h o tries to offer sensible advice while deejays Mike and Chantal fall about cracking puerile jokes at her expense. Yet its a tricky business, this idea of sharing your "tweenager's" interests. She needs places and things that are her own so she can practice ownership, and she needs areas where she is the

expert so she can practice doling out expertise. Just in the last couple of weeks Zoe has been giving me signs that she can do without a know-it-all father taking over her radio station, just as she'd be happier if I resign my job as unofficial assistant coach to her soccer team because I give tips and advice to her friends. W h i c h is maybe why Roger's dad never stuck around once he'd helped Roger and the band unload the gear — not because he couldn't stand their raw proto-music, but because he knew better than I when to step in, and when to wait in the van, listening from a distance as the power-chords shook the school windows.

MOONSTONE J

mountain .qvipn>nt

Eureka! SFGrTr/Fi/STA

Z

oe's story: W h a t would you expect your father to say about the music you like? "Shut off that poor excuse for music!?" Or, "In my day we had songs that were about love and happiness. N o t sex, violence or broken hearts." O r would he just switch stations and listen to weird oldies from the '50s and '60s? M y father is a little different from all that. Okay, imagine that you're in an old, beat-up Volvo on an interstate in the middle of nowhere, and you feel like the modern world was past that last gas station 100 miles back. W h a t do you do? Easy. Turn on the radio to your favorite station, sit back and relax. T h e n all of a sudden, your father asks you what the name of the band is. You think for a little while until you remember it and say that it was Sixpence N o n e the Richer. Big mistake to tell my dad, w h o happens to be from England, the English name of this band. H e hasn't stopped talking about it since. By now he has called his family in England and questioned them about the group's name. He has also been kind enough to point out every last reason why he thinks they are an English band. In the end, he looked them up on the Internet and found that they are from Texas. Sigh. M a n y similar things have happened with Britney Spears, ' N Sync, Backstreet Boys and 98 Degrees. So now we listen to the radio together, pointing out the names, ages and other seemingly useless information about the bands. To be honest, I'm getting pretty used to it and don't mind as much anymore. ®

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page

12

SEVEN

DAYS

october 20, 1 9 9 9


sifieds EMPLOYMENT

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EMPLOYMENT

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N o r t h e a s t e r n Family Institute and S p e c t r u m , t w o innovative non-profit agencies s e r v i n g y o u t h a n d families, are seeking d y n a m i c and flexible i n d i v i d u a l s to live w i t h a b r i g h t a n d energetic y o u n g m a n w h o n e e d s s u p p o r t transitioning into a c o m m u n i t y in C h i t t e n d e n County. Join a creative a n d s u p p o r t i n g t e a m of professionals. R e q u i r e m e n t s include an ability to e n g a g e w i t h adolescents, experience w i t h challenging behaviors, good team w o r k skills, a n d a sense of h u m o r .

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WEB SITE DESIGNER At busy advertising agency in Burlington. Requires eye for design, solid technical skills, attention to detail with industry-standard tools and experience creating commercial-grade sites. Salary and benefits package. E-mail webmaster@postscriptinc.com or fax 863-4179 with resume and on-line portfolio. 4 4 4 SOUTH UNION STREET

BURLINGTON VT 0 5 4 0 1

N

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1 9 9 9

Lamoille Union High School

For m o r e i n f o r m a t i o n please call S u z a n n e H i n s d a l e at 864-7423, x206 or s e n d r e s u m e to S p e c t r u m S H / T I L , 35 Elm w o o d Ave., Burlington, VT 05401.

1 0 AM - 3

PM

Employers from Lamoille and Chittenden Counties will be showcasing their businesses and interviewing The Media Group Attention: Unman Resources (>()() B l a i r P a r k R o a d , S u i t e 2 8 0 W i l l i s t o n , VT 05495 ( 8 0 2 ) 8 7 9 - 2 7 0 2 FAX ebrvee t onlaet-tni<j.eom

prospective employees. Businesses include Smugglers Notch, Stowe Resort, Hearthstone, Department of Corrections and many others. Job-seekers of all ages are welcome to attend. There is no fee. This j o b fair is sponsored by the Morrisville Rotary Club, the Division of Vocational Rehabilitation, the Department of

T h e St. A l b a n s M e s s e n g e r is l o o k i n g f o r s o m e o n e

Employment and Training, the Department of Social

with diverse skills a n d the right attitude to b e c o m e

Welfare and the Community Colleges of Vermont. If

a n e s s e n t i a l p a r t of o u r c l a s s i f i e d s d e p a r t m e n t .

you are interested in having a booth at the j o b fair,

T h e p e r s o n selected will n e e d s u p e r b typing skills (70 w p m ) a n d a n e y e for detail. T h e p e r s o n a l s o n e e d s to be familiar w i t h c o m p u t e r s

-

QuarkXPress a n d PhotoShop skills helpful, but not necessary. S o m e o n e w h o surfs the w e b

Haiti-

please contact Lori Yarrow at 241-2201 or email at

-faceted

-dimensional

-tasking

-ferious

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MARKETING

would be nice.

p e r s o n a l i t y of a s a l e s p e r s o n a n d t h e d i l i g e n c e of a n a c c o u n t a n t . And, of c o u r s e , w e n e e d s o m e o n e w h o a p p r e c i a t e s t h e v a l u e of a n e w s p a p e r to its c o m m u n i t y . Interested? A d d r e s s i n q u i r i e s to E m e r s o n Lynn, P u b l i s h e r 1250

Do you live to work or work to live? You can do both at TMG, where hard work and fun go hand in hand. W e seek energetic, creative and open minded individuals to join our ever-growing team. Here at TMG w e develop world-class multimedia training courseware and material for clients in the U.S. and Europe. Graphic Designer: Imagine p u t t i n g y o u r creative and technical skills t o w o r k designing m a r k e t i n g material f o r o u r g r o w i n g c o m p a n y in t h e e x p l o d i n g m u l t i m e d i a industry. V y e a r s e x p e r i e n c e in p r i n t design and related d e g r e e , ' i n t e g r a t e d web-design a plus. Ad agency e x p e r i e n c e nighly desirable.

St. A l b a n s , V T 0 5 4 7 8 Fax

M

DIRECTOR

We're looking for s o m e o n e w h o h a s the

2 8 1 N o r t h M a i n St., B o x

loria>dad.state.vt.us.

802-5276-1948 O t h e r c a r e e r o p p o r t u n i t i e s listed @ \ v \ \ \ v. c x ) n t a c t - 1 m

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Vermont Youth Orchestra Association has a part-time opening (20/hr week) for highly motivated individual to handle all aspects of marketing, from press releases to t-shirts. Responsible for all printed publications, including brochures, program books, and quarterly newsletter. Also maintain our web site. Prior experience a must. Pay commensurate with experience. Mail cover letter & resume to VYOA, Marketing Director Search, P0 Box 905, or fax to (802) 658-4810. Deadline November 1.

Myer s Bagel ; Has Reopened!

P T o r FT. M u s t b e available mornings. Competitive wage. Will t r a i n t h e r i g h t

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person. I M M E D I A T E O P E N I N G S AT PINE R I D G E S C H O O L Join us in our mission to help teens with learning disabilites define and achieve success. Two openings for Residential Instructors in the girls' dormitory are open immediately. Applicants should have experience working with adolescents and a strong desire to learn. Room, board and benefits included. Experience in outdoor, experiential and/or special education a plus.

RESTAURANT

i^m |

Send resume and cover letter to Ann O'Shaughnessy, 1075 Williston Rd., Williston, VT 05495 or FAX at 802-434-5512 or email at aoshaughnessy@pineridgeschool.com

Pine idge School

* -iiiiltf ;i

1075 Williston Road • Williston, VT 05495 (802)434-2161 • Fax (802) 434-5512

WINDJAMMER

HOSPITALITY G R O U P

E d I in In

HOSPITALITY JOBS W e ' r e o p e n i n g a b r a n d new Friendly's in Colchester. W a i t s t a f f : FT, d a y & e v e shifts D i s h w a s h e r s / s t e w a r d s & P r e p C o o k s : FT & PT, d a y & e v e shifts. M a i n t e n a n c e Tech: FT, g e n e r a l

Currently, w e have FULL & PART-TIME positions for: Wait Staff - a v e r a g e $ 1 0 / h r . In addition to great pay, excellent advancement opportunities,

maintenance experience needed, days & some

and flexible scheduling, o u r generous benefits include

w e e k e n d hours.

medical/dental coverage for everyone!!

Apply to: Best Western Hotel 1076 Williston Rd. So. Burlington, VT 05403

NOW accepting applications at Friendly's, 6 0 0 Mountain View Dr., Colchester ( f o r m e r l y Shoney's Restaurant a c r o s s from the Hampton Inn).

Warehouse Night Owls Join our hardworking, fun-loving team of Pick/Packers in the Winooski warehouse. Shifts are M-F evenings (3:30-midnight) starting Nov. 1. Full time seasonal positions for industrial athletes. Fun, fast-paced environment and terrific product discount. Require strong work ethic, stamina and team players. Come in and fill out an application. Join our Materials Handling department for the Holiday Season on M-F nights (10 pm6:30 am). Looking for a team player with strong work ethic and good attention to detail. Stamina and the ability to lift 75 pounds is essential. C a s h

for

the

Holidays Gardener's Supply Company is America's leading mail order gardening catalog specializing in innovative products and gifts for the yard, garden and home. We offer a fun work environment, various shifts, competitive salary and terrific discounts on our products. If interested in either of these positions, please complete an application at:

Or call our job hotline

You bet she's a peach! 1 met I 'through S E V E N DAYS personal^

at 1 - 8 0 0 - 8 7 8 - 1 7 5 5 to arrange a personal interview. An equal opportunity employer committed to diversity.

G A R D E N E R S V l l P H I

C I N PANT

133 Elm Street Winooski, VT 0 5 4 0 4 Attn. Kit Job Hotline 6 6 0 - 3 5 1 3

october 20, 1 9 9 9

Apply in p e r s o n to: M y e r s

Bagel

377 P i n e Burlington

St. , V T

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Cash for

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Holidays Gardener's Supply Company is America's leading mail order gardening catalog specializing in innovative products and gifts for the yard, garden and home. We offer .1 fun work environment, various shifts, competitive salary and terrific discounts on our products.

Telephone Sales

Our lively call center is the heart of our mail order business. As the holidays near we find we still need a few more telephone sales reps. If you enjoy speaking with and helping people, and you want to earn some extra money for the holidays, then this is the job for you. Seasonal full-time and part-time positions available through mid-December. Some weekends required.

G a r d e n e r s v

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128 Intervale Road Burlington, VT 0 5 4 0 4 Attn. Nancy Job Hotline 6 6 0 - 3 5 1 3

SEVEN DAYS

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EMPLOYMENT ADMINISTRATIVE ASSISTANT: SmartWood, a nonprofit forestry certification program, seeks energetic, flexible, organized person for office support, phones, filing. Excellent computer & multi-tasking skills req. Parttime. Resume & cover letter to SmartWood, 6 1 Millet St., Richmond, VT 0 5 4 7 7 .

from the secret files of

backflip f r o m the balcony

Milkman Dan.Jwant to see you in my office right now.

Ma* cannon

Don't "what's up" me, mister! I've got a stack of complaints here. Let's see...you've run over two cats, one dog, and a child's bicycle with your delivery vehicle this week.

ARCHITECTURAL CAD draftsperson for design-oriented architectural firm. Call Lee at Edgcomb Design Group, 4 9 6 - 5 2 4 0 . BAKER NEEDED: full-time. Creative, self-motivated, committed. Apply in person at Stone Soup, 2 1 1 College St., Burl. See Avery or Tim. BREAKFAST COOK: Willard St. Inn, Sun. & Mon., 6 a.m. to 2 p.m. Fun atmosphere! Part-time housekeeper also needed for Sat. & Sun., 10 a.m. to 2 p.m. Call 6 5 1 8 7 1 0 or stop by. CARPENTER: Experienced carpenter to work with architecture firm on design-build projects. Call Lee at Edgcomb Design Group, 469-5240. ENTREPRENEUR: Do you fit this job description? Independent, creative woman who knows how to make it all work. Perhaps you ought to consider working for yourself. Call the Women's Small Business Program, celebrating 10 yrs. of entrepreneurial success, 8 4 6 - 7 1 6 0 . FARMHOUSE CHEESE MAKER: Organization with environmental mission seeks full-time individuals until year's end. Make, cut, wax, wrap & ship. Apply to Ross or Steve, Shelburne Farms, Shelburne VT 0 5 4 8 2 . FREELANCE ILLUSTRATOR: Primarily interested in woodcut, scratchboard, pen & ink, and line style. Professional work only. Send at least three samples to: SZCI, 5 2 1 St. Paul St., Burlington, VT 0 5 4 0 1 . No calls, please. FULL- & PART-TIME COOK: skilled at soups & salads, committed, creative, etc. Apply in person to Stone Soup, 2 1 1 College St., Burlington. See Tim or Avery.

EMPLOYMENT $ 8 0 0 WEEKLY POTENTIAL processing government refunds at home! No experience necessary. 1 - 8 0 0 - 6 9 6 4 7 7 9 ext. 1394.

BUSINESS OPP. ENTREPRENEURS! Start your own business. High-tech product that everyone needs. No competition, low start-up costs. Will train, Crisp Air, 802-244-8344.

ANNOUNCEMENTS GREEN MT. INSTITUTE OF Oriental Medicine now accepting applications for Spring semester starting Jan. 2 0 0 0 . Programs include acupuncture and Oriental medicine, Oriental bodywork therapy, Chinese massage & auricular therapy. For more info, call 2 9 5 - 6 6 2 9 . PUBLIC INPUT MEETING on landscaping Burlington's Intervale, Oct. 27, 6 p.m., at Intervale Compost. Further info: 6 6 0 - 4 9 4 9 .

ANNOUNCEMENTS TAG SALE AT DESIGN STUDIO: cool stuff, music, cider. Sat., 10/23, 9-3 p.m. 47 Maple St. Donation will be made to Firehouse Gallery.

AUTOMOTIVE NISSAN 4x4 XL PICK-UP, '94: with cap, 40K mi., a/c, am/fm cassette, 5-spd. Completely tuned-up. $7,800. Call 802-5243 0 1 4 , leave message. BUY CARS! FROM $500. Upcoming seizure/surplus sales. Sport, luxury & economy cars. For current listings call 8 0 0 - 3 1 1 - 5 0 4 8 x l 7 3 8 .

R E A L ESTATE ADIRONDACKS: 1.5 hrs. from Burl., 55 acres beautiful wilderness valley, trout stream, Log Home—ownerbuilt, 3-bdrm., Ig. fieldstone fireplace, plus 2 A-frame guest houses—ideal for extended family; rental units, retreat, subsistence farm. $ 1 8 9 , 0 0 0 , (Opt.: 2 barns + 35 addt'l. acres) 8 6 3 - 5 4 8 5 .

^-fogy M i n u t e © ^TESTItJO" '^ISk PAJP RAPT ATTENTION 13

REAL ESTATE NO. FERRISBURGH: Gorgeous chalet, 2-bdrm., bath, walk to Lake Champlain. $ 1 4 7 , 9 0 0 . Qualified buyers, please call owner, 4 2 5 - 4 1 2 8 . Open house Sunday, 1-5 p.m.

HAVE YOU TAKEN THE PLUNGE INTO

HOMES FROM $ 5 , 0 0 0 . Foreclosed and repossessed. No or low down payment. Credit trouble OK. For current listings call 1-800-3115 0 4 8 ext. 3 4 7 8 .

c e l i / M M f BUT NOW HAVING MIXED EMOTIONS?

APT./H0USE FOR R E N T MIDDLEBURY: Spacious, sunny, studio apt. w/ Ig. kitchen, garage & deck, quiet neighborhood. Avail. 11/1 or sooner. Dog OK. $575/mo. 2 8 8 - 8 0 8 1 . SHELBURNE: 1-bdrm. apt., bright, sunny, country living, W/D. $675/mo., incl. utils. 985-2052. WINOOSKI: Lg., 3-bdrm. duplex, gas heat. $850/mo. + utils. Refs. + credit check. No dogs. Avail. 12/1. 8 6 2 8 2 1 9 , leave message.

ONE B/ONE THE/ WERE. BEING QUESTIONED...

PERSON <TO> PERSON 1 -900-370-7127 $1.99 min. Must be 18

WHAT WERE Twey SAttNG THAT WAS So WRoNG?

..ANP ELIMINATE!?.

/N LIMB AHEAP OF HER

GREEN MT. SHALOM PREschool, 188 No. Prospect St., Burlington, seeks parttime teaching assistant. Caring individuals encouraged to apply. 8 6 4 - 0 2 1 8 , leave message for Judy. HEAD CUSTODIAN: Shelburne Museum requests applications for Buildings & Grounds Custodian. This is a full-time position with benefits. Duties include vacuuming, cleaning and stocking rest rooms, ordering supplies, scheduling staff and assuring quality control. Weekend work is required. A job description and application are available from Shelburne Museum, PO Box 10, 5 5 5 5 Shelburne Rd., Shelburne, VT 0 5 4 8 2 . Or call 9 8 5 - 3 3 4 8 x 3 5 6 2 .

S U R E , THE QUESTIONS WERE DIFFICULT...

MODELS FOR LIFE &/0R portrait class. Tuesday mornings, 9 : 1 5 — 1 2 : 1 5 , $11/hr. Wake Robin Retirement Community. Call Adair Lobdell, 9 8 5 - 5 4 7 5 .

...BUT THE PENALTy FoR A WRONG ANSWER WAS BARBARIC.

SHE CONTROLLED HER ANXiETy (PERHAPS THERE WAS A PATTERN ENOUGH To PAy ATTENTION To • THAT MIGHT HELP WHEN IT THE TEST QUESTIONS. | CAME To HER OWN.

SHE HAP To CotAPlEVB THE OBSTACLE COURSE IN LESS THAN A MINUTE.

PART-TIME POSITIONS available with daytime, evening & weekend shifts. Must have strong customer service skills and good attention to detail. Cash register experience helpful. Please apply in person to Video World Superstore, Porters Point Rd., Colchester or 1177 North Ave., Burlington.

AMP THERE WERE A HELL oF A LoT oF OBSTACLES.

-m XMfflTTffimrlJi October 20, 1 1999^

>7 £


HOUSEMATES WANTED

HOUSEMATES WANTED

HOUSEMATES WANTED

HOUSEMATES WANTED

U N I Q U E LIVING SITUATIONS

BURLINGTON: downtown. Creative, laid-back, friendly housemate wanted for beautiful, spacious, funky artists' pad. Large room avail. 11/1. $ 3 8 5 / m o . + utils. Great location. 8 6 5 - 6 8 8 9 .

BURLINGTON: Sunny, 2bdrm. apt. $ 2 2 9 / m o . + 1/2 utils. + dep. No pets (have cat & dog). Avail.11/1. No homophobes. 6 5 8 - 3 0 2 8 .

HINESBURG: Housemate for home on dirt road & hill. Prefer woman. Rent reasonable. Must like living in the woods. Call, 4 3 4 - 4 3 1 2 .

BURLINGTON: Lg. room avail., female preferred, hdwd. firs., 1 block from UVM. No pets. $ 4 7 5 / m o . incl. utils. 8 6 3 - 7 9 4 9 .

NEW HAVEN: Housemate for newly renovated 3-bdrm. house, quiet, 5 0 mins. to Burlington. Must be neat & responsible. Sorry, no pets or smoking. $ 4 0 0 / m o . 4 5 3 5 5 2 2 ( d ) or 4 5 3 - 5 5 7 0 ( e ) .

WILLISTON: Seeking female prof./grad student to share great home in country setting. If you're neat, responsible, good-humored and like animals (but don't have one), check this out! $ 4 5 0 / m o . , incl. heat, but not utils. 8 7 8 - 0 5 7 3 or 8 6 5 - 1 3 7 3 .

FREE ROOM IN EXCHANGE for work around a country house in So. Burlington. Prefer older male, college graduate-age student. Should like to chop wood, work around garden, be familiar with small machinery. Further info: 8 6 4 - 7 5 3 7 ( d ) or 862-8796(e).

BURLINGTON: Roommate wanted to share 2-bdrm. apt., near downtown, $ 2 7 5 / m o . + 1/2 utils. No pets/cigarettes. 8 6 5 - 0 1 5 2 , leave message.

BURLINGTON: Grad/prof. female to share South End duples w/ wood stove, yard, hdwd. firs. Dog possible. $ 3 6 0 / m o . + 1/2 utils. 862-8189.

BURLINGTON: 3-bdrm. apt., sunny & spacious, big backyard, off-street parking, close to downtown. $ 2 3 5 / m o . Avail, now. 6 5 8 - 8 8 4 5 .

CHARLOTTE: Female wanted for village apt. No pets, but pet-friendly smoker OK. W/D. Avail, now. $ 2 7 5 / m o . + 1/2 utils. + dep. 4 2 5 - 4 1 6 8 , leave message.

BURLINGTON: 4-bdrm. on Spear St. Musician-friendly. Great view. Woodstove. $ 3 0 0 / m o . + 1/4 utils. 864-0873.

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WANT TO GET NASTY WITH YOU

1-888-420-BABE 1-800-250-6556 1-900-484-9388 i8+

1-800-458-6444 1-800-435-4405

XXX! SECRET DESIRES 1-800-723-7422 V/MC/AMEX

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™in. 18+

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Answers

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• • H Q BBQD E MP 1 e x b r; e B D B C i a • • M id • BBBBOBl D D D G I D D D D B D D ^ H i P I S 111 E • • • • 111 \E • B n Q HBE1BE D S D • • D D I • D O B D Q D B B B P D CJBI1 M B H EQO S B B B B B B B B J9DBB B B • • • D B Q B B I0C1BDB B B D Q B B B D D B B B B B B B B D B B B B • • • • • C3BB W H Y D O T H E Y B U Y B U M

OCTOBER SPECIALS FROM

ALMARTIN VOLVO 15% OFF All Genuine VOLVO Block Heaters (Parts & Labor included)

15% OFF All Thule Ski Racks, Cargo Boxes and Snowboard Carriers Genuine VOLVO Winter Wiper Blades 16" $7.99 ea. 20" $8.99 ea.

P_l E | R I

.C|L | U B D B B B B B O B B D B e n d C I L I E I A I N I B B S T~| A | T I s IB • B B B B B B B B B O B D D B B B B B B D B B B B D B B B Q • • • • EUDD B Q D B B B D B B B D B B B B B

Dear Tom and Ray, Would it be crazy to put a rebuilt engine in a 12-year-old car? I use my old Mazda wagon as a dogmobile for my dog-walking business. I've been looking at new cars, but I don't think I could stand it if the dogs scratched up the inside of my new car like they've done to this old one. Will a rebuilt engine give my Mazda a new lease on life? —Sally RAY: Absolutely. You're the perfect candidate for a rebuilt engine, Sally. In fact, the American Association of Engine Rebuilders will probably want you to star in their next T V corn-

mercial. T O M : Here's your situation, Sally: You have a car which — aside from a worn-out engine — serves you perfectly well. So why spend a ton of money on a new, or newer, car that you don't even really want? Just throw an engine in it. RAY: The one thing that you absolutely have to do, though, is have the rest of the old Mazda thoroughly checked out before you put the engine in. Have a mechanic you trust go over the old beast from headlight to tailpipe — as if you were going to buy it as a used car. Find out everything that's wrong with it and factor that into your calculations. T O M : So, for instance, if it needs new shocks, that's no big deal. You put in an engine and shocks, and you're happily toting the doggies around again. .

CHARLOTTE to MONTPELIER: I'm hoping to share dri| ving with someone ! to help cut down i on travel costs. My hours are 8-4:30, M-F. (3208) BURLINGTON to RANDOLPH: I'm temporarily seeking a ride while my car is being repaired. My hours are 8:155, MWF. (3211) WILLISTON to CAMBRIDGE: Do you work 2nd shift at IBM? I'm looking to ride with someone who works until 11 p.m. (3213) MILTON to COLCHESTER: I would like to take a job working evenings and am hoping someone can help me out with a ride. My hours are 6 p.m. to 10:30 a.m., M-F. (3209) BRISTOL to ESSEX JCT.: My car is very unreliable, so I'm hoping to start riding with someone else who works in Essex Jet. My hours are M-F, 8-5. (3131)

ALMARTIN V O L V O

RAY: But if you find out that you also need a new tansmission and your frame is rusted, then you might want to reconsider. T O M : I've got it. If it's not worth putting an engine in it, she could rig up a harness and let the dogs pull her. How many Pekingese does it take to pull a Mazda? RAY: I'll have to look it up. But if the car checks out reasonably well, then by all means, toss in a new engine and keep driving, Sally. Dear Tom and Ray, I have a 1987 Olds Cutlass Ciera in very good condition with 67,000 miles. The brakes stop the car promptly, smoothly and without pulsation. The pads have been replaced once, and the rotors have never been machined. When I took it to a brake and muffler shop, they showed me that one side of my rotors was rusting. To me, it looked like little sand holes. I suggested machining that side, but the mechanic told me both sides would have to be machined, and that would make the rotors too thin to use. He wouldn't replace the pads

BURLINGTON to WILLISTON/ BLAIR PARK: I'm looking for a ride one way to work. I work at 10 a.m., M-F. (3205) CHAMPLAIN COLLEGE to SHELBURNE RD.: I'm looking for a ride during winter months. I work 8-2, T&TH. Please call even if you can only take me one way. (3200) VERGENNES to BARRE: I am looking to share driving on my commute. Willing to meet anywhere along the way—Williston, Monkton, etc. Hours are 4 p.m. to 1 a.m., M-F. (3172) WILLISTON to VERGENNES: I am looking to share a ride 2 days a week. I work M, 9-4 and W, 9-7. (3194) BURLINGTON to SHELBURNE: I am looking to share driving to and from Shelburne. I need to be in Shelburne by 8:30 a.m. and would like to return around 3 p.m., but the afternoon is flexible. (3193)

MILTON to BURLINGTON: I'm looking for a ride to the Williston Rd. area. Work schedule is a bit irregular— M 9-5, W 16, F 1-5 & Sa 114. Please respond even if 1 or 2 days would work with your schedule. (3192) SO. BURLINGTON to WINOOSKI: I'm looking for a ride to the Champlain Mill My hrs. are 8-2:30, M-F. (3171) ESSEX JCT. to SO. BURL.: Looking for a ride either way. I work 10 a.m. to 1 p.m., M-F. (3168) MORRISVILLE to BURLINGTON: I am looking to share driving on my daily' commute. I work M-F, 8:30 a.m. to 5 p.m. (3162) BURLINGTON to IBM: I work 11 p.m. to 8 a.m., Tue.-Sat., and am looking for a ride. I can get home in the morning, but I realy need a ride to work in the evening. (3159)

Vermont-

85 Executive Drive, Shelburne, VT 802-985-1030 1 -800-639-5088

Car MAZDA PERFECT CANDIDATE FOR REBUILT ENGINE

2 CATS NEED LOVING HOME: Male—3 yrs., f e m a l e — 2 yrs. Short-haired, neutered, beautiful, affectionate, currently indoor tiger cats. Adopted separately from Humane Society; need new family. Man of my dreams finally arrived, but, sadly, deathly allergic. Rex and Addy must stay together. Have many years of purrs to give new, caring human(s). Cat lovers only. 8 6 4 - 6 5 7 2 .

STOWE: 1-bdrm. avail, in 3 bdrm. house w/ guest room. $ 4 0 0 / m o . + utils. Live w/ 2 young profs. & 1 dog. Jason, 8 6 4 - 7 1 2 3 x l O ( d ) or 2 5 3 0 0 1 8 after 7 p.m.

NAUGHTY LOCAL GIRLS

fiQ0 UVPER MN I

PETS

VANPOOL RIDERS WANTED Route from: Burlington & Richmond Commuter Lot To: Montpelier Monthly Fare: $85 Work Hours: 7:30 to 4:25 p.m. Contact: Carl Bohlen Phone:828-5215

unless I replaced the rotors. Can't I just have just one side machined? —Abe T O M : That's a good question, Abe, but the answer is no, you really can't machine just one side. RAY: Theoretically you could. But in reality, the lathes are set up so that the rotors get pressed by blades from both sides simultaneously. if you apply pressure to only one side, the rotor will "give" whenever there's a bump or defect, and you won't really smooth out the surface, which is the whole point of machining. In other words, you'll get a lousy job. T O M : How does he know? He's done lots of lousy jobs on rotors! RAY: At 67,000 miles, I suspect your mechanic is right. The rotors probably are worn down to the point where machining them correctly would take them below specification (make them too thin). T O M : Moreover, if only one side of the rotor is rusted, I'd be concerned that a caliper slide is stuck. Because when a caliper is

october 2 0 , 1 9 9 9

Pideshare I TMWOKT«TTM

working properly, the pads should be applying pressure to, and scraping rust off of, both sides simultaneously. RAY: So this is not the time or place to be a cheapskate, Abe. You really want the calipers working properly and the pads and rotors in perfect, point-to-point contact so yo get optimal braking. After all, those doughnut shops can come up on you awfully fast! The annual cost of owning a good used car is about half as much as owning a new car! How do you find a good used car? Order Tom and Ray's pamphlet "How to Buy a Great Used Car: Things That Detroit and Tokyo Don't Want You to Know. " Send $3 and a stamped (55 cents), self-addressed, No. 10 envelope to Used Car, PO Box 6420, Riverton, NJ 08077-6420. Got a question about cars? Write to Click and Clack in care of this newspaper, or email them by visiting the Car Talk section of cars.com on the World Wide Web.

SEVEN DAYS

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!PUP

CLEANING SERVICES

BUY THIS STUFF

MUSIC INSTRUCTION

ONCE AGAIN, YOU RETURN home & close the door on the outside world. A shiver runs through you... of delight? Or is it 10,000 dust mites running up your leg? Call Diane H., housekeeper to the stars. 6587458. "Thanks to her cool, a complete meltdown was avoided."—Frosty The Snowman.

DINING ROOM SET: Cherry wood, 12 pc., 9 2 " double pedestal table, 8 Chippendale chairs, lighted hutch & buffet, sideboard/ server. Never opened, still in box. Cost $11,000. Sacrifice for $3,800. Keith, 658-4955.

GUITAR: All styles/levels. Emphasis on developing strong technique, thorough musicianship, personal style. Paul Asbell (Unknown Blues Revue, Kilimanjaro, SklarGrippo, etc.). 862-7696.

DATING SERVICES N.E. SINGLES CONNECTION: Dating and friendship network for relationshipminded single adults. Professional, intelligent, personal. Lifetime membership, newsletter. Call for free info, (800) 775-3090. COMPATIBLES: Singles meet by being in the same place as other singles. We've made this the best time to connect you. Details, 863-4308. www.compatibles.com.

PAINTING SERVICES *

CJ PAINTS, PROFESSIONAL painting. Insured. Interior & exterior. References. Call Chris Jones, 8 7 7 - 2 2 7 9 for free estimate.

PEOPLE FINDER FIND LONG-LOST FRIENDS, lovers, relatives & acquaintances you wanted to know better. Explore the wonders & mysteries of your past, maybe discover more about yourself. Call now for free phone consultation. Re-Connections, 800445-4165.

PERSONAL CHEF CHRISTOPHER SLOANE, Personal Chef, available for private, elegant dinner parties. Classically trained, 20yrs. exp., extensive portfolio. Specializing in Contemporary American and Traditional New England cuisine. Private instruction also available. 859-9040.

TUTORING SERVICES MATH, ENGLISH, WRITING, Science, Humanities, Proofreading from elementary to graduate level. Test Prep for GRE, LSAT, GMAT, SAT I & SAT II, ACT, GED, TOEFL... Michael Kraemer, 8 6 2 - 6 5 9 9 . TUTORING IN SAT & ALL SUBJECT AREAS: Expert and friendly folks will guide you to your highest learning potential and best score. Call Jeff, 660-8026.

HOMEBREW MAKE GREAT BEER AT HOME for only 500/bottle. Brew what you want when you want! Start-up kits & prize-winning recipes. Gift certifs. are a great gift. VT Homebrew Supply, Rt. 15, Winooski. 655-2070.

B U Y THIS STUFF WOLFF TANNING BEDS TAN AT HOME BUY DIRECT & SAVE! COMMERCIAL/HOME UNITS FROM $199 LOW MONTHLY PAYMENTS FREE COLOR CATALOG CALL TODAY 1-800-711-0158

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SEVEN DAYS

Bernice K e l m a n PSYCHIC COUNSELING CHANNELING

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APTOINTMENT

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Dear Cecil, Did the Russians ever play Russian roulette? Somewhere I acquired the explanation that czarist Russian officers played the game to prove their bravery. Could you get to the bottom of this barrel for me? — Perry Starkey, San Antonio, Texas It tells you s o m e t h i n g a b o u t Russia, or at least Western perceptions thereof, t h a t this isn't o n e of those questions w e dismiss o u t of h a n d . A n d it's n o t just w e laypeople w h o t h i n k like that. N o n e of the Russian history experts w e c o n t a c t e d k n e w for certain t h a t the Russians played Russian roulette. B u t they didn't rule it out.

If you and a former main squeeze currently share custody of a pet, Seven Days would like t o hear from you. Call us at 864-5684, or e-mail us at sevenday@together.net — we'll set up a time t o get your side of the parttime pet parenthood story.

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N o w a d a y s Russian roulette is generally u n d e r s t o o d to m e a n a particularly grim g a m e of chicken in which you load a revolver with a single bullet, spin the cylinder, p u t the g u n to your head, a n d pull the trigger. A n y b o d y w h o goes t h r o u g h with it is either dead or crazy (remember C h r i s t o p h e r Walken in The Deer Hunter*), so clearly this is the sport of desperate souls. In the original telling, however, the g a m e was a little different. T h e earliest k n o w n use of the term is f r o m "Russian Roulette," a short story by Georges Surdez in the January 30, 1937, issue of Collier's magazine. A Russian sergeant in the French foreign legion asks the narrator, " ' F e l d h e i m . . . d i d you ever hear of Russian Roulette?' W h e n I said I had not, he told me all a b o u t it. W h e n he was with the Russian a r m y in R u m a n i a , a r o u n d 1917, a n d things were cracking up, so that their officers felt that they were not only losing prestige, money, family a n d country, b u t were being also dishonored before their colleagues of the Allied armies, s o m e officer w o u l d suddenly pull o u t his revolver, anywhere, at the table, in a cafe, at a gathering of friends, remove a cartridge f r o m the cylinder, spin the cylinder, snap it back in place, p u t it to his head, a n d pull the trigger. T h e r e were five chances to o n e that the h a m m e r w o u l d set off a live cartridge a n d blow his brains all over the place. Sometimes it h a p p e n e d , sometimes n o t . " Call it a fine point, b u t to m e five bullets is a m u c h different proposition f r o m one bullet. T h e f o r m e r is basically suicide, with the e m p t y c h a m b e r offering fate a little wiggle r o o m . T h e latter is a game, albeit a sick one. Both versions are played in Surdez's story, b u t it's n o surprise the g a m e variant stuck in the public m i n d . D i d Russian officers play either version in 1 9 1 7 or at any o t h e r time? Czarist officers were n o t o r i o u s for their violent, dissolute behavior. Bored officers routinely d r a n k themselves into a stupor, f o u g h t duels, gambled,

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stole, mistreated their m e n a n d shirked their duties. Prime candidates for a little g a m e of chance. But there's n o t m u c h evidence they played. In writing a b o u t the czarist officer corps, J o h n Bushnell, a Russian history specialist at N o r t h w e s t e r n University, cited two b o o k s by Russian a r m y veterans, The Duel (1905), by Aleksandr K u p r i n , a n d From Double Eagle to Red Flag (1921), by Petr Krasnov. B o t h tell of d r u n k e n officers m a k i n g spectacles of themselves, neglecting their jobs, etc. — K u p r i n w i t h revulsion, Krasnov affectionately. But n o Russian roulette. Just for laughs — it's been 6 2 years — I looked u p "Georges Surdez" in an I n t e r n e t p h o n e directory. N o dice. Bushnell vaguely recalled a g a m e called "cuckoo" in w h i c h officers t u r n e d off the lights, h i d b e h i n d couches a n d chairs, a n d t o o k p o t s h o t s at o n e a n o t h e r w h e n s o m e o n e yelled "cuckoo." H e didn't r e m e m b e r where he'd seen this, t h o u g h . In fact, t h e only reference to a n y t h i n g like Russian roulette I could find in Russian literature was in the b o o k A Hero of Our Time, by Mikhail L e r m o n t o v ( 1 8 4 0 , translated by V l a d i m i r N a b o k o v in 1958). A f t e r a n evening of cards, several bored officers debate w h e t h e r fate is p r e o r d a i n e d . A g a m b l i n g - a d d i c t e d Serbian l i e u t e n a n t bets t h a t it is. H e takes a single-shot pistol off the wall, p o i n t s it at his head a n d pulls the trigger. Click. T h e l i e u t e n a n t t h e n points the g u n o u t of harm's w a y a n d pulls t h e trigger again. Blammo! H e pockets his w i n n i n g s while the o t h ers stare. Later t h a t evening he's h a c k e d to d e a t h by a d r u n k e n cossack. A year after p u b l i c a t i o n of the b o o k , L e r m o n t o v was slain in a d u e l b y a fellow czarist officer. M a y b e these guys didn't play Russian roulette, b u t y o u can't fault a n y o n e for t h i n k i n g they d i d . (7)

— CECIL ADAMS

Is there something you need to get straight? Cecil Adams can deliver the Straight Dope on any topic. Write Cecil Adams at the Chicago Reader, 11 E. Illinois, Chicago, IL 60611, or e-mail him at cecil@chireader.com.

october 20, 1999

SEVEN DAYS

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ARIES (Mar. 21-Apr. 19): "Sticky" is a business term used to describe Web sites which are good at bringing readers back again and again. To have this quality means you've got a knack for creating images and text which people feel an irrational longing to bond with. Am I sticky? You can be the judge of that if you check out www.realastrology.com. And what about you? Do you possess that je ne sais quoi adhesiveness? Whether or not you have your own Web site, the stars are telling me that in every area of your life, this is the stickiest you've been in many moons.

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of your fascinated devotion, provoke that sublime state with large doses of chocolate."

CANCER (June 21-July 22):

TAURUS

(Apr. 20-May 20): There are bad habits and good habits, and then there are neutral habits, which are neither bad nor good but which eat up psychic energy that could be used to cultivate good habits. A few examples: A bad habit is imbibing caffeine or watching a garish TV show in the hours before going to bed, thereby disturbing your sleep; a good habit is being disciplined about eating healthy food; a neutral habit might be doing crossword puzzles or masturbating. My challenge to you this week, Taurus, is to trade in two bad habits and one neutral habit, and in return get three new good habits.

GEMINI

(May 21-June 20): To conjure your oracle, I've devoured 15 Reese's Peanut Butter Cups, five Musketeers and a bag of M & M s . This has teleported me to the eleventh dimension, where chocolate is an elemental force akin to thunder, wind and rain. I now present to you a message, channeled just for you, from Duwentia, a priestess of the Chocolate Spirit in the eleventh dimension, (To channel the awesomely potent Chocolate Spirit Herself would be too risky.) "Your first duty to yourself, Gemini, is to be madly in love. The next chapter in your life story requires you to feel lyrically obsessed and ablaze with the innocent sensuality you felt as a child. If there is no beautiful human worthy

Thanks to my benevolent brainwashing — not to mention your great heart — you have now climbed up out of the primordial ooze in the seventh level of hell for the very last time. You will of course have other dark nights of the soul in the future, but I predict that they will never again make you feel like you're a geriatric, demonically possessed sea urchin breathing muddy seawater. What's behind this amazing break-out? You could say that you've finally learned all you possibly can from despair. But I have a more poetic explanation. In the dream I had of you last night, Peter Pan and Robin Hood forevermore pledged to work hand in hand in your imagination to steal from death and give to life. L E O (July 23-Aug. 22): I want my eight-year-old daughter Zoe to commune with the origins of the things she uses every day. That's why I've had her visit farms where she can see food being grown and harvested. She's also observed a skilled shoemaker ply his craft, and gone to a car manufacturing plant to watch workers assemble the machines that allow her so much freedom and adventure. I'd love for you to have similar experiences in the coming weeks, Leo, especially now that it's become so crucial for you to return to the source of everything that nurtures you.

VIRGO (Aug. 23-Sept. 22): Make this week as low-fat as you can. Hype-free, too. Cut the crap, strip away the glossy excess, expose the empty promises. Skip a few

BYROBBREZSNY |

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steps if possible. Jump to conclusions if they're warranted. Get to the heart of everything as quickly as possible, and don't put up with waffling or stalling. On the other hand, leave larger-than-usual tips. Dole out more praise when it's deserved and more love even if it's not quite deserved. Let your illusionless efficiency free you up, in other words, to be as generous as a peaceful warrior with nothing to lose.

LIBRA

(Sept. 23-Oct. 22): Your secret name is Squeeze. The colors of your soul are diamondhatched and marbled blue. The garage sale item you most resemble is an old but beautiful and sonorous accordion with a broken key. The celebrity with whom you temporarily have an odd resonance is Thomas Jefferson's slave and mistress Sally Hemmings. Your holiest pain these days comes from your ability to sense other people's cracked notions about you. Your special time of day is the moment just before the mist evaporates. The shape of your life is oval with soft dark sparks. And the flavor which identifies you most is grapefruit smeared with honey.

SCORPIO

(Oct. 23-Nov. 21): The choice is yours, Scorpio. Would you prefer life to be like a ping-pong match or a yo-yo marathon in the coming week? Personally, I'd prefer the back-andforth action to the up-and-down stuff. But then I have a lot of Libra in my own chart, whereas you Scorpions typically get off on being turned on again and off again in wild swings between peaks and valleys that would numb the normal soul. I should point out, though, that it's easier to build bridges on

interpreted his original French, sept mois, not as "seven months" (July), but I I I I j I f as an abbreviated form of I J f the French word for fSeptember."- But now their cuses have run out. September of 1999 was free of kings of terror, too. This should flat, horizontal surfaces than on be a great inspiration to us all. It's sheer, vertical ones. stirring proof that our fate is not predetermined; the future is not set in stone. Now get out there, 22-Dec. 21): My allies on the other Aquarius, and refute a long-held side — you know, my good friends expectation or prediction about made of angel flesh — advised me your own personal life. to tell you that a metaphorical lightning storm is coming your way. But don't worry, they say. (Feb.. 19-Mar. 20): You'll be unharmed as long as you Who would have thought that it don't stand out drunk in the middle would take so many years for your of a wasteland and shout vile curses umbilical cord to fall off? I mean in the direction of heaven. What's the psychic correlate of the actual the safest situation to be in? My original, of course. All this time, divine pals insist that your security you've harbored a profound unconwill be absolutely assured if you sit scious yearning to stay connected to yourself down in the middle of the the body and soul of your mother. most beautiful sanctuary you know Memories of the oceanic luxury of and write a lovingly bitchy letter to the womb have called to you withGod. out regardforhow they might be hurting your resolve to follow your destiny's challenging path. But now, Jan. 19): Why don't you have a few at last, you're free. In the months to friends strap you into a leather come, you will be able to summon straitjacket, wrap you up with 50 a surprising degree of independfeet of heavy chain (including padence. Never again will you fantasize lock), and hang you upside-down that falling asleep feels better than from a crane? Those friends will waking up. ® certainly be shocked when they see You can call Rob Brexsny, day how fast you wriggle out of the whole mess. I won't be surprised in or night for your the least, though, since I know expanded (because your planetary aspects have shown me) that you're the weekly ultimate escape artist these days. To be thorough, though, Capricorn, I horoscope should let you know that there are less dramatic, more practical ways 1-900-903-2500 for you to make use of this talent.

SAGITTARIUS (Nov.

PISCES

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AQUARIUS (Jan. 20-Feb. 18): "In the year 1999 and seven months," Nostradamus wrote 500 years ago, "a great King of Terror will come from the sky." Thousands of modern doom-andgloomers, anxious to find a loop hole for the famous prophet when no king of terror arrived last July,

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alastrology, Tuesday

last week's answers M ACROSS 1 Conclude a deal 6 Drinks like a Dalmatian 10 Current unit 13 Bagel or bialy 17 State 18 Build 20 He'll give you a squeeze 21 Singer Adams 22 Egyptian manipulator? 24 German rock group? 26 Thames town 27 blond 28 Quick comeback 30 Furtiveness 33 Encounter 34 Luke's book 37 Baseball stat 38 Feudal tenant 40 "Lohengrinrole 42 "Pshaw!" 45 Wind instrument? 48 Galley feature 50 Asta's father 51 Pie _ mode 52 Indian restaurant?

57 Church bench 58 Mississippi mound 60 Help 61 Actress Rivera 62 Got up 64 Tragic monarch 65 Bar supply 66 Noggin 67 Fine 69 A bit of Bach 71 Bandleader Shaw 72 Sitarist Shankar 73 Prep school 76 Sheepish sounds 77 Seville shout 79 "Beowulf," e.g. 82 More naive 83" of robins.." 85 Bartok or Peron 86 Islamic deity 87 Speedometer abbr. 88 Senegalese sitcom? 92 Khan opener? 93 Mayberry town drunk

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SEVEN DAYS

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95 "The Lady 5 Energy Tramp' 6 Rover's ('37 song) restraint 96 Maintenance 7 Roguish workers 8 Hound or 97 Hither's mate hamster 98 Contemptible 9 A great 100 Good luck many charm 10 "Waterloo" 104 de plume group 106 Film site? 11 Yorkshire feature 107 Worn-out 108 TVs 12 Gasp Shade" 13 Tosses 112 Seminole aside 14 "Deep shoe 116 Whitney or Space Mintz Nine" role 117 On one's 15 Actress Ullmann (alert) 119 Italian actor? 16 Wahine's 122 Sensible wreath Czech?. 17 Master 126 Duel tool 19 Banyan and 127 Season baobab firewood 23 Scoundrel 128 Dieter's dish 25 Close 129 Fideles" 29 School grp. 130 Ward (off) 31 Residence 131 Evergreen 32 Brindisi tree bread 132 Sup in style 33 Artist Franz 133 Soprano 35 Libyan Fleming baseball maneuver? DOWN 36 Most 1 Blind parts confident 2 "Untouch38 Nullify able" Ness 39 Like some sheep 3 Klemperer of "Hogan's 40 ProspecHeroes" tor's prize 4 Actor 41 Loser to Tognazzi Truman

42 Cinderella's soiree 43 Nautical adverb 44 Cuban game-show figure? 46 Jai _ 47 Lean 49 PDQ, politely 53 Overlay material 54 Massenet opera 55 Aachen article 56 Darling dog 59 Carve a canyon 63 "Bolero" composer 65 Jewel 66 Impetuous 68 Prior to, to Prior 70 Semester 71 Encourage a culprit 73 Iron clothes 74 Paris, to Helen 75 Tropical tubers 77 Ellipse 78 Chad or George 80 Othello's inducer 81 Detective Charlie 84 Linguist Chomsky

october 20, 1999

85 Redact 86 Torch's crime 8 9 and yang 90 Hair part 91 Composef Thomas 94 Prepared cherries 99 Moriocks' prey 101 Donkey 102 Tanker and trawler 103 "Lord Jim" author 105 Kitten gear? 108 Manage to miss 109 Compete 110 Din 111 "Beau " ('39 film) 113 Potter's need 114 Circus sight 115 Once again 116 Richard of "Love Me Tender' 118 Sault Marie, Ml 119 Ring counter 120 Do Little work 121 Kyoto coin 123 Actress MacGraw 124 Deface 125 Citrus cooler

pageM

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OFFBEAT, FUNNY, HANDSOME, FIT, JEANS & T-shirts. Love travel, Sunday Times, books, outdoors. SWPM, 36, successfully selfemployed, ISO bright, relaxed, confident woman who holds strong opinions, likes strong company. 1077

22-YO, HARD-WORKING NURSE LOOKING FOR M, 24-30, with education and secure job, who is athletic and likes to have fun. 3817

QUIET BEAUTY, DEEP INTELLIGENCE, generous heart, slim PF, NS, 34-44, sought by fulltime single, NS dad, 46, who is healthy, happy and humorous. 1078

THREE BLIND DATES. SEE HOW THEY RUN. There were no sparks, they didn't last the night. You can have these three, I want a new sexy guy. SWF, plus size! 3818 BEAUTIFUL, FULL-FIGURED SWF, 22, ENJOYS burning calories by means of strenuous activity, such as: laughing, kissing, dancing & just having fun. Seeks outgoing SWM, 2430, attractive, affectionate, fun lover. 3813

u

5

s

INTEGRITY AND HUMOR ARE AT THE CORE OF this athletic, 49 YO professional. Looking for attractive, fit and humorous SWF, 35-50, to share in the good life I have. 1083 SWM, 40s, 6', 175 LBS., SEEKS OLDER woman, 58+ (Martha Stewart?), for friendship, erotic encounters, maybe LTR. 1084

J . r . . ,

*ign,

c y »

[THERE'S A BETTER W A Y TO MEET SOMEONE] Tired of the same old line? Try a new approach to meeting people and respond to an ad in the personals today. You'll find lots of terrific people!

SWINGIN' SKIER. 46 VO, s'9" WPF, NS, blond/blue-eyed swing-dancing skier seeks tall PWM, NS, for indoor/outdoor, friendly fun. 3822

Now you can use your credit card to listen and respond to ads toll free

DJF SEEKING RUGGED INDIVIDUALIST MENSCH, 35-45, Should be fluent in all the classics:Alaft Sherman, Mel Brooks, Woody Allen. No Three Stooges fans, please.. 3837 WYSIWYG: STRAIGHT FORWARD, HONEST DWF, 38, NS/ND/NA, loves kids, cats, computers, sci-fi, NE Patriots, movies. ISO LTR w. emotionally & financially secure, humor-lovjng man w/ similar interests. 3791

1-800-710-8727 or call

1-900-370-7127 $1.99/min. Must b e 18+

LUGGAGE RACK FILLED. SWPF, BUSINESS owner, recreational athlete, mom with a twist, ISO similar. Sense of humor imperative. Carry-on baggage only. 3814 DWPF, 50, GOOD-LOOKING & FUN, SEEKS ' DWPM for apple picking, biking, hiking, autumn activities, which may include firesides. Please be easy-going & warm, as well as imaginative & fun. 3752

YOU 811: 50ISH, HAPPY, UPBEAT, NS, INshape people ISO sharing, caring, fun relationship w/ lots of laughter, hugs, cuddling, more. Cook together, massages, hikes, dancing, sharing dreams, thoughts, feelings. 3794 FOUND THE COOL JOB & GREAT DIGS. Artistic, world-curious SWPF, 35, now seeks a great guy for hiking, movies, good food and wine, a belly laugh or two. 3803

DWCF, 63, LOOKING TO MEET DWCM, 63-70, who enjoys music, dancing, dining out and travel for companionship. 3768

IMPROPER BOSTONIAN: 38, ISO REALLY nice guy, 36-48, w/ a huge heart, sharp ^ i n d , strong body, tremendous sense of humor, likes animals, loves dogs, and sleeps in just his socks to keep him warm. NS/ND. 3804,^

ME: 19, 5'3", SWPF, ADVENTURESOME, career-oriented, athletic. ISO M, 20-24, for LTR, who already has life of his own, but would like to make it a little brighter, by making me a part of it. 3770

PLAYGIRL: MID-30S, ATTRACTIVE. WANTED: playboy; good-looking, young, straight. Beautiful nights & days. Good love, real friendship. Discretion assured. 3753

IS THIS YOU? SWF, 30-43, READY TO BE pampered and respected in LTR w/ NS/ND SWM, 42, 5'5". Lookng for the special woman to share the wonders of life. No games. 3846 ARTIST SEEKING PATRONESS-YOU PAY THE bills, I'll do the rest. Interesting, creative scenarios welcomed. Muses need not apply. Inspiration isn't the problem, money is. 3849 26 YO GEEK SEEKS FAIRY PRINCESS WITH whom to share various nerdy pursuits. Must be NS and enjoy film, art, music and life in general. 3853 COMMUNICATION IS KEY. DWCM, Italian/ American. 50s, NS/NA, looking for social, extroverted, active Christian lady—shapely, 4oish, over 5*3", proportional weight, with interests in church, dining, dancing, social interactions. 3854 TWO AS ONE. DWM, young 37, smoker, decent looks & build, seeks slender woman, 34-40, who enjoys classic rock, dancing, passion 8t intimacy between two hearts that make them beat as one. 1019 WHEREVER YOU ARE. DWM, 40s, 5*9", 155 lbs., engaging, open-minded, appealing, proportionate, youthful. Love outdoor activities, Burlington nightlife, laughing, movies, sunsets, travel, photography, bad weather. Seeking interesting, fun, loving companion. 1020 SWPM, SUBMISSIVE, 33, MUSCULAR, attractive, 5'8", 180 lbs., seeks F for fun times. Gives great foot massage, kinky & eager to please. Fantasies fulfilled; you're in charge. Safe, sane, friendly, discreet. 1021 SWM, 31, ND/NS. US ON ANY LEVEL: victimless, awake, emotionally available, freedon, tenderness, courageous friends, seriously passionate, understanding love, tough, thriving, have chemistry, and willing to work on ourselves. 1024 DO YOU LIKE THE OUTDOORS & EXERCISE? Mid-4os M looking for partner for hiking, bicycling, x-country skiing on weekends. Burlington/Middlebury area. 3820 TALL, FRIENDLY, FUNNY, FIT, 22, LOOKING for fun, attractive F to have a great time with. Like talking, movies, music, laughing 81 just hanging out. Sick of party scene. LTR? Maybe. 3821

•62 CHATEAU COURGETTE. This dry, wit.ty-( wine is a handsome complement to a beautiful vegetarian entree. Sophisticated yet earthy, self-assured but not ofenoxk^s, hardbodied but yielding. A great¥»hiri t 6 a wilderness hike, or a sensual start to an evening of rhythm & dance. 3836 CREATIVE, PASSIONATE, "YEAR OF THE DRAGON" SWM, 47, seeks celestial mate to complement his sensual and intellectual spirit. Sagittarian w/ artistic and musical interests a plus! 3838

SWPF, 52, 5'8", SLENDER, CULTURED 81 sophisticated, but loves to be silly, too. Likes to ski, read, movies, ISO SM, NS, 4555, honest, fun-loving and sensitive. 3855

ATTRACTIVE, INTELLIGENT, PASSIONATE DPF. Cultured, spiritual, loving, socially conscious, intuitive. Enjoy nature, meditation, yoga, the arts, engaging conversation. ISO spontaneous, educated, centered, sensual, communicative partner, 45+, lover of earth/living. 3824

DWM, 40ISH, FIT, PROFESSIONAL, BUDDHIST, enjoys the arts, staying active, baseball and acting silly. Seeking similar qualities in an emotionally secure, intelligent woman with a sense of humor. 1041

YOU WANT TO MAKE TRIP WITHOUT TRAVELING? You want to experience foreign adventure? Young, athletic European, 6'3", 185 v lbs., wants to prove to you that Euros are the better lovers. 3833

ye$

I'M BILL, 42, MY HOBBIES ARE MOVIES, camping, dancing, long walks, romantic dinners for two and quiet evenings. Looking for a F, 40-54, with similar interests. Possible LTR. 1140 READY TO TRY AGAIN. SWM WHO'S FIT, FUN, active, seeks SWF, 5'6" or less, 30-46, who enjoys dancing, dining, outdoor activities, and is fun, fit, attractive. Kids OK. 1028 "VAN DOWN BY THE RIVER." SWM, 24, seeks F, 21-60, who likes truck pulls, wrestling 81 firearms. Waeking down Strohs and mechanical bulls required. Heavy drinking capabilities a must. 1038 JACK SEEKS JILL (25-33, ATTRACTIVE, intelligent) to run back up that hill. We all h a v f fallen, but I know that proverbial pail of water is worth it. 1040

••• •

SWM, NS, YOUNG AT HEART, SEEKS NS, attractive, passionate, mature, compassionate S/D/WiF, 45+, whose feet crave extra TLC. Please leave name, phone, best times to

3839 NEAR EQUINOX. Life is balanced, but not shared. A tropical storm, I strengthen over open waters; energetically creating an eye. Gentle, not flesh-eating. Like my mare, saddled and cantering. Or a harnessed team; anything is possible. Hopeful, my soul glimmers in the Northern Lights, feeling your wings glance by. 3802 DECENT PROPOSAL: SWM, 30-something, 5'3", 160 lbs., professional, well versed in home-cooked meals, candlelight and good music. PS—I believe in Karma & long, soft, wet kisses. 3807 TALL, STRONG, HANDSOME, STRAW.-BLOND, outdoor-loving muffin-man desires to meet attractive, soft & sweet, mild-to-wild, med.to-petite, fun F—outgoing, humorous, honest. All that good stuff. 28-40, kids OK. 3810 DOES YOUR SPIRIT LONG FOR THE OUTdoors, enjoy nature, adventure, dancing and athletic activity? SWP, educated, independent, athletic, father, fun, seeks positive, respectful LTR w/ F in her 40s. 3750 LONG-HAIRED, TATTOOED, PIERCED, HARLEYridin', 5'io", country boy likes ocean to mtns., fairs to tattoo expos, quiet times to good night out. ISO SF, NS, w/ similar interests for companionship. 3751 THOUGH THESE WORDS BE FLEETING, THEY have only to arrest your heart and sould retreating. You're late thirties, thin, modest. And once upon our greeting; our hopes and whims expressed. 3759

Dear Lola, My boyfriend's

a per-

fectly nice guy and we get along great, but hit nervous energy

drives

me nuts. He jiggles his leg, drums his fingers on the table and jingles

the

change in his pocket. I could live with all these little habits, if they n't have a literal

didimpact

on me. We'll be sitting at a concert and I'll feel this pat, pat, pat on my shoulder

in time to the

music, tven

worse,

though, is when

we're

making love with

music

on and he goes into this rhythmic caressing

that

has more to do with the beat of the music with how I'm Am I being

than

responding. unreason-

able? Beat in

Burlington

Dear Beat, you're right. No one should be anyone drum. Tell your sive paramour

else's percus-

exactly

how you feel. If he has trouble giving up his rhythm method, try holding his hand during

con-

certs, and turn off the tunes when you

make

love. Love,

^M?

m

J j D l a

Or respond the old-fashioned way: CALL THE 9 0 0 NUMBER.

Call 1-900-870-7127 $1.99/mfn. m u s t

be 18+

october 20, 1999

DAYS

page 57


doirt want a charge on your phone bill? call 1-800-710-8727 • • • • • • • • • m m • • • • • • • • • • • • • • • • • • • • • • • • • and use your credit card. 24 hours a day! $1.99 a minute, must be 18+. r/ii'Ji MfJunq fTTTfi

HANDSOME WIDOWER, 50, WITH EXCELLENT seats to Flynn on 9/10, seeks blond arm candy. Greying, mature sweeties most welcome. 3702

womon,

M&kbiq

CONSCIOUS, AWAKE, SPIRITUAL, GREEN businessman, risk taker, 46. You: deeply spiritual, very awake, not ruled by your past, fears or hurts. Victimless. Courageous. Emotionally available. Attractive. Alive & thriving. 3704

FRIENDSHIP FIRST. DWPM ENJOYS HIKING, biking, long swims, dancing, gourmet cooking, fine w i n e and great conversation. ISO active, fit, NS F, 30s, t o share swim. 3 7 6 0 SWM, EARLY-40S, WELL BUILT, GENEROUS, handsome, ISO well-built WF, 25-50, for meeting o f mutual physical pleasure. Discretion assured & expected. 3769

WHEN YOU CAN FEEL THAT INCREDIBLE, special connection, time stops and the world disappears in these other eyes... SWPM, in shape and good-looking, seeks pretty woman, 27-37, for everything that's so important. 3708

YOUNG, CLEAN CUT, BUT ECCENTRIC AMERIcan boy w i t h expensive taste." Sweet and sincere at all times. Loves Hemingway. You must be unique, romantic, educated and sometimes shy. Call or write. 3771

SWM, 5*8", EDUCATED, FIT, 40ISH, SEEKS shorter, friendly gal for monogamous relationship. I'm liberal yet traditional, humorous and growing. Hoping t o communicate on many levels. Online p h o t o avail. Chittenden Co- 3 7 8 4

QUIET, SENSITIVE $ M , 35, PHYSICIAN, seeks younger SF w i t h similar interests/qualifies for hiking/camping buddy. Friendship first, maybe more. 3737

SWM, 36, VERY FIT, TAN, TALL & WAY CUTE. Was monk, punk, trucker, mailman. Paradoxical, insightful, shy. Never married, no kids. Adventurous, patient, athletic, thinker, willing to share the remote. 3697 SKI TIME. SWM, 38, 6', 190 LBS., SELFemployed prof., seeks healthy, trim SWF, 2735, w i t h education, sense o f humor, posotive attitude and energy for skiing, boating, hiking, pondering & general whackiness. 3699 M, 21, LOOKING FOR FUNNY, WITTY F, 18-30. I'm a musician & love to have fun. People say humor is my best quality. If you're look ing to find your smile & put the romance back in your life, I'm your man! 3701

tmn

used • doseout • new 191 Bank St, Burlington 860-0190

ISO A SHORT, CHUBBY GM FOR MUTUAL pleasure and friendship. No committments. Must be discreet. I also w o u l d like to meet other Chubby Chasers. 3787 SGM, 20, SEEKS SPGM, 18-25. Fun, cute "rule meister" looking for similar. Surprise me w/ wit, charm, spontaneity, a great love affair. Wet blankets need not apply. 3741

175 lbs., trimmed gray/blond beard. Interests: art, music, outdoors, travel. ISO M for outings, dinners, hikes, laughs, weekends away, sleep overs, etc. 1082 ^

day! 3743

EDDIE VEDDER SEEKS COURTNEY'S LOVE. Let's break some records, baby, yeah! 3749

Mxkmq

• THc Outdoor Gear Excharge

OPEN AUDITIONS: GWPM, 38, SEEKS G/BiM, 18-40, interested in auditioning for the part o f long-term companion. All types o f music, sports, outdoors and gardening. Lively, NS, ocassional drinker OK. 3781

BiWM, 28, 5'9", 155 LBS., BROWN HAIR &

THREE CHEERS FOR THE DAILY PRACTICE OF dating! Great guy looking for the chance to know someone. Share in the light o f a new

40- 3747

1078

eyes, straight-acting and masculine, in great physical shape. Seeking another masculine BiWM, 20-30, for discreet adult fun. 1071 MID-60S, MASCULINE, TRIM , ATHLETIC, 5'9",

SEEKING OLDER WOMAN. Attractive WM, 40, 6', 185 lbs., enjoys reading, conversation, fun times. ISO special someone w h o w o u l d like the passion restored to her life. 3726 OURDOORS IS MY PLAYGROUND. DWPM, 37, 6 ' 5 " . I enjoy nature, music, going out and staying in. Seeking attractive companion for life's journeys. Do you want to come out and play? 3734

IS YOUR MAN Y2K COMPLIANT? Don't miss an opportunity to upgrade now t o a warm, caring, central VT man for the new millenniurn and beyond. SWM, 38, seeks SWF, 25-

generous heart, slim PF, NS, 34-44, sought by full-time single, NS dad, 46, who is healthy, happy and humorous.

(BhowAinq:

ADVENTURES AWAIT. SWM, 34, 6 \ 175 lbs., enjoys camping, mtn. biking, hiking, sunsets, full moons & most sports. Spontaneous, honest & sensitive. ISO SWF, 20-38, athletic, intelligent, attractive & fun-loving. 3727

Hiker's Guide to VTfrom

BOARD GAMES, NOT HEAD GAMES. I'm funny and versatile, earnest and dichotomous. Sober as a judge, nutty as a fruitcake. You're 25-52, NS/ND, passionate about something besides your cat. 3757

SWM, 37, TEACHER WHO ENJOYS NATURE, art, psychology, snowshoeing, hiking, movies, reading and good coffee. Seeking intense, but fun connection w i t h an attractive, unusual and quirky F, 25-40. 3717

ANY DUMB BLONDES OUT THERE? SWM, 48, 6', 170 lbs., seeking space cadets, nothing upstairs, over 21, blond women. Must be thin, sensual, and be my friend for life. 3785

ALERT!! BIF, 26, BLOND, GREEN EYES, VERY cute, ISO BiFs for fun, conversation & ??. No preconceived notions, just go with it. No Hootchies! Please take this alert seriously & call. 1043

GWF, MID-30S, HARD-WORKING, HARDplaying, outdoor type, athletic, independent, honest, secure. Likes hiking, watersports. ISO GF, 25-40, w/ sense of humor for friendship, possible LTR. 3755

DWM, YOUNG-LOOKING 45, BR./BR., SHORT, sweet, sentimental, romantic, very goodlooking, smoker, ND, excellent physical shape. Seeks F for companionship, dining out, dancing. Slender to average build. 3715

Personal of the Week receives a gift certificate for a FREE Day

QUIET BEAUTY, DEEP INTELLIGENCE,

COME ON OVER, PLEASE. WE'LL HAVE LOTS of fun. SWF, 19, seeks sexy goddess to entertain. If you're pleasantly plump, all the ' better. 18-24 VP preferred. 3819

DWPM, 38, DAD, PHYSICALLY FIT, INTO hiking, skiing, looking at the stars, and getting to know a sexy, intelligent, somewhat conservative w o m a n who has some of the same interests, 30-40. 3713

PASSION, COMMITTMENT & PERSONAL growth can co-exist. DM, 43, spiritual, outdoorsy, professional, attractive and romantic, ISO active, centered, happy, healthy F. 3780

TENDER-HEARTED, WELL-TRAVELLED, professional city slicker at heart, 31, ISO selfreliant, funny, grounded SGF, 30s, w i t h her #$@* together. Let's go steady in drama-free zone. 1027 WF, Bi-CURIOUS, SEEKING BIF, 19-32. I live in Rutland area. Never have had any F relationships, but w o u l d like to try something new. Give me a ring. 1032

ROMEO SEEKS JULIET. DWM, 40S, 5'9", 155 lbs., engaging, open-minded, appealing, proportionate, youthful, athletic. Great kisser and lover. Into having fun indoors and out. Call for more information. 3712

SWM, 30S, SEEKS PETITE ASIAN F. I'm 6', 180 lbs., handsome, nice, witty, athletic, professional. I'd take y o u t o dinner, movies, concerts, hiking, dancing and plays. Please call for fun. 3776

wDirwn

read the personals and place your own at

COGITO ERGO SUM. GM, 28, 6', 150 lbs., well-educated, mature, sincere, ISO romance w/ intelligent, masculine man in his 30s. Facial & body hair a big plus. 1070

www.se ve n d ays vt. co m

MaBiWM LOOKING FOR OTHER BiWM W/ black or red hair, slender build, 19-29. Must be straight acting. For LTR w/ a lot of adult

LIFE-LOVING, SLENDER GM, 51, MOSTLY bottom, requests company of fit, mostly top GM, 40-55, for date. Life=gardening, the arts, travel, more. 3745

play. 3847

'

FRIENDLY CUP OF COFFEE? 38 YO WIDOWER/ father, former Peace Corps volunteer, teacher, NS. Sensitive, recreational, attractive, adventuresome. Are you the attractive, like-minded woman, 29-42, who might join me at Borders? 3718 HAVE YOU RUN NAKED THROUGH FILEDS, taken dips in mountain streams, enjoyed eras for its own sake? Two naturists need answers from Fs or BiFs. 3719 28 YO VERMONTER FOLLOWING HIS BLISS. Hard-working philosopher/writer/musician w h o knows his trees seeks a beautiful "earth w o m a n " w h o is comfortable with herself and the world around her. 3720

SGF, 25. FASHIONABLE, FUN, INTELLIGENT femme girl seeks femme or "soft butch," 2335, fun, intelligent & active. No bar flies. Are you out there? 3742 GWF, 42 SMOKER ENJOYS COMPUTERS, reading, walking, ISO friend, hopefully LTR w/ S'WF,"35-50. 3738. SEEKING AN EXTROVERTED, 30-SOMETHING, beautiful dyke who projects a strong countenance, yet has undeniable allure. Moi? Attractive preppie, enjoys being the mildly provocative accomplice! Prefer independent prof, who "passes," but socially leads lifestyle more out than in. 3724

SUBMISSIVE M, 37, SEEKING DIRTY OLDER M for daytime fun. 1023

DWPM, 40, 6', W/ MEDIUM BUILD, LOOKING for attractive F acquaintance/partner for clean, sensual fun. Explore harmless fantasies from flirting to massages to meeting CUs. 1075

I'M 70, 5'8", GOOD SHAPE, GRAY HAIR, gray trimmed beard. Have lots of pleasures. ISO friend for fun. So what do you think and what are you going to do? GM only. 3841

STRANDED & ALONE THIS WINTER IN VT! MaWPM, secure, fit, fun, sensitive, brainy, youthful, adaptable, ISO adventurous, affectionate, available F, 25-50+, for active, passionate affair we'll never forget. 1080

Bi-CURIOUS M SEEKING iST-TIME experience w/ Bi/GM, 25-40. Try something different, or show me the way. Discretion a must. 3790 SWGM, LATE-50S, 5'9"> 190 LBS., SEEKS other Ms for personal encounters. Age/race unimportant, but cleanliness & discretion is a must. You'll love it!! 3793

BORED WITH THE SAME ROUTINE. SWM, 28, 6', 185 lbs., seeks Ma/attached Fs for fun times and conversation. SF & CUs welcome. Discretion a must. Boredom be gone. No mail, please. 1072

WATCH BASEBALL 8l DRINK BEER W/ SWPM, 32, NS, NS, inexperienced. ISO 21-35 YO for friendship, movies, spectator sports and getting me in shape. 3815

SWM, 32, LOOKS YOUNGER, ISO SF WHO wants fun, is honest, likes to be treated mice and will give same in return. Someone older or mature enough for helathy companionship. 3723

IN THE MIDDLE! One is 22, 5 ' 7 " , 145 lbs., brn./brn. The other is 42, 5 ' 8 " , 145 lbs., brn./blue. Both good looking and in excellent physical shape. Looking for man/men for fun times. 1081

GWPM, 30S, 5'6", 120 LBS., MASCULINE, shy, fit, clean, scared of the scene, seeks younger, smooth-skinned soulmate to share love, laughter and life together. Wouldn't hurt to call, w o u l d it? 3816

WM, 38, CLEAN, ND, DISEASE-FREE, LOOKING for those ladies who desire more: coffee, drink, talk, or more intimate. I'm goodlooking, well-built, discreet & respectful. Age/race unimportant. 1033

WAY CUTE 29 YO QUASI-PROFESSIONAL looking for husband w h o knows how to cook. Presentation is just as important as taste. NECI students a big plus. 3766

The Mostly Unfabulous Social Life Of Ethan Green

MODERN CONVENIENCES liPwtrt/

f/te

ETHANGREEN COLLECTION

STYLIST-IN-A-SACK This little teensy-weensy hairdresser comes with his very own carrying case. Never worry about hat-head again!

By Eric arts/ 'if/M'sti*//

tweoclta/

IfOlt/lf&tf/t/

V&Mf

Orner

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PEDICURIST-IN-A POUCH Comes in three colorful styles!

ONtfGoD0AbY V/HAT HfcPpENfP T0Y0V PGEtYovr HE&P

cwj&HTUN-

<»er * LAWN Mower?, THEY'U 6lVe Me\ THFNOBEIpriZ? '

I F I C A N fAftfcE THAT

MvPSS P>-eSeNTAblA

BRUNCHABLES For when there's just no time at all for gossiping with your friends over cinnamon challa french toast.

october-2(M899

TALKING VASE Your best friends give you an absolutely hideous vase for your birthday. Attach the "talking Vase microchip" and hide the ugly thing under the sink. It will remind you when to display!

PET ACCIDENT AREA ELECTRIFIED PERIMETER Does kitty favor your super expensive Louis XIV settee to do her business? Not any more she don't.


to respond to a personal ad call 1-900-370-7127 • • • • lOUrS a aay! $1.99 a minute, must be 18 or older. wer(

GROCERY SHOPPING, ANYONE? WE'VE GOT the "goods" if you're the consumer! Two "fresh" beauties seeking men seeking men who seek women who also seek women who are partial to cucumbers! 1034 WM, 50ISH, LOOKING FOR F/CU/OTHERS FOR discreet adult fun. Enjoy watching and more. Open to any ideas. Looks/age unimportant. Mature, open mind is. I love exhibitionism fun. 3844 TALL, GOOD-LOOKING WPMaM SEEKS mistress—attractive, fun, young woman who knows what she wants and willing to be or act kinky and caring at occasional rendezvous. Calls only. 1026

: I I l « t

LETS FULFILL EACH OTHER'S FANTASY. Young BSPM, clean, discreet, educated & curious, seeks older lady, 45-70, race unimportant, for an adventure in pleasure. Let's experiment & have fun. Discretion assured & expected. 3826

* CREATIVE & EROTIC ROLE PLAY. * Sophisticated & imaginative. Safe, sane & * discreet. 3835 J J I I

WCU, ATTRACTIVE 81 SEXY, BOTH MID-30S, ISO sexy F for ultimate pleasure. Exp. not necessary, but a desire for something new & exciting is. Help fulfill our fantasy. 3805

I « I t I

21 YO STUD ISO HOT, OLDER WOMAN FOR some wild & kinky, erotic fun! ISO a woman who likes to be spanked, and wants pure pleasure! Here to please. Come & get it while it's hot! 3765

f MATURITY IS VERY ATTRACTIVE TO ME. SWM, * 38, clean, discreet, sensual. I love the comMaWM, 40, LOOKING FOR F, 35-50, TO HAVE * pany of older, bolder Fs. Are you retired, but daytime fun with. If you're not satisfied, then I not tired of it? Then call me. 3774 let's play! I'm a safe, considerate soul w h o I CUTE CU LOOKING FOR BIF FOR THREESOME. desires you. Looks unimportant. 3856 * Tried it once and I loved it. Please fulfill my I fantasy one more time. Both early-2os, lookAMATEUR M STRIPPER, BLOND, TAN, FIT & clean, ISO fun, erotic parties. Personal audi- l ing for 23-30 YO. Help. 3779 tions & all-M party performances free. 3857 WBiM, 44, HANDSOME, HEALTHY & PASSIONate, emotionally/financially secure, ISO WBiCU, attractive, healthy, for friendship, fun, fantasy, adventure. Separated from soulmates by job 8. mileage. Please respond, this one's real. 1022

: WPCU SEEKS ATTRACTIVE, VALUPTUOUS F, « 28-45, for erotic, good times. ND/NS. Must * be clean, discreet, sincere & honest. 3783 : DPM, 30S, Bi-CURIOUS, SEEKS CU, 35-50, TO * fulfill my fantasy. Must be clean, safe, and * willing to be gentle. Please help this first* timer. 3739

To respond to Letters Only ads: Seal your response in an envelope, write box # on the outside and place in another envelope with $5 for each response. Address to: PERSON TO PERSON c/o SEVEN DAYS, P.O. Box 1164, Burlington, VT 05402

women A&olunq msin THOUGHTFUL, FIT, WELL-EDUCATED DPF, 49, seeking companion to share hikes, runs, laughter, music, books, ideas. My nest is emptying and it's time to move on. Box 629 ATTRACTIVE, UPBEAT WIDOW SEEKS gentleman, 55 +, who shares love of the arts and nature, for true friendship. Box 619 ARTIST/ACADEMIC SEEKS M, 4 0 +, W/ fondness for humor, oceans, books, gentle music, conversation, travel, country club activities, gifted children, philanthropy, attractive brunettes. Box 620 ACTIVE, ARTICULATE, ARTISAN, GARDENER, adult woman w/ varied indoor and outdoor interests, seeking mature M w/ sense of & lively prose style. Box 621 FULL-FIGURED SWF, 18, 5'io", ENJOYS hanging out, movies and having fun, ISO SWM, 18-22, w/ similar interests, who is honest w/ good sense of humor, for friendship/LTR. Box 624 FULL-FIGURED SWF, 19, 5*2-, 210 LBS., enjoys movies, dining out, walks at night, hanging out and cuddling, ISO friendly, honest, humorous SWM, NS, 18-24, w / similar interests, for friendship/LTR. Box 625

BEYOND THEREBOUND: PWDF, TALL, 44, ISO tall, thoughtful, happy, smart, engaging, cycling & XC skiing enthusiast for great companionship while moving forward. 40s, bearded, rugged, Lamoille Co. a +. Box 618 VICES, VIRTUES, TALENTS AND GIFTS, perfect am I for all that exists. Scoured I both sea and land; still hoping to find one good man. Box 611 ELEGANT MUSE, MYSTERIOUS AND WRY. SWF, 46, seeks gentle man caller to spoil. Be a sincere, creative SWPM, 45+, who enjoys foreign film and the esoteric. NW VT. Box 606 STOWE AREA, WANTED: A ONE-WOMAN MAN, tall, well-built, hard-working, good dancer. Man born June or July, i96sish. No baggage. Box 600 LETS IGNITE A FRIENDSHIP, HOPE FOR more. SWF, NS, 53, dark, slim, optimistic, centered, fit, full of fire, has indoor/outdoor interests, adores music, animals, country living. ISO kindred spirit, 4os-5qs. Box 590 SWCF, 29, EASTERN EUROPEAN, FIT, attractive, educated, loves animals, being outdoors, reading and cooking, seeks SWCM, 28-40, wit similar interests for LTR. Box 591 ATTRACTIVE BPF, 42, s'9". SPIRITUAL, romantic, NS, with children, looking for a gorgeous American M, educated & honest, for friendship, possible LTR. Box 592

SWF, 27, LOOKING FOR OTHERS WHO SHARE similar interests. Enjoy music, theater, movies, TV, reading and much more. These activities are much more fun w/ others! Friendship only. 3767 RECENTLY UNEMPLOYED, EASY-GOING, Burlington-area professional seeks 3-4 others similarly situated to congrerate weekly, paying homage to ourselves, as we linger back toward the world of wage slavery.Let's share what, and how, we're doing while learning from experiences of our journeys. 1073 TAKE FRIENDSHIP, ADD WATER & STIR. Where the So. Burlington mall buildings are blue, I will meet you. Think music. M, 50s, ISO SF, NS, for friendship. Let's visit. 1035 SF SEEKING NATIVE SPANISH SPEAKER WHO is interested in teaching me in exchange for help w/ English skills. I'm a certified teacher w / a BFA in English. 3852 FRIENDSHIP SOUGHT W/ INSIGHTFUL, contemporary, responsible individuals over 40. Appreciate visual arts, global culture, mystery. Occupation irrevelant. Urban exile transplants encouraged, charlatans are not. Value quality, the beautiful, rare & unusual. M & F equally welcomed, non-parents pref. 3754 DAD SAID NEVER CHASE INSIDE STRAIGHTS. SWP, just shy of 40, street/book smart Ivy grad/Playboy alum seeks 5-6 gentlemen for friendly, straight poker. Nothing wild, no high/low; no ringers, rounders or collusion. Cocktails, smoking, colorful language OK. Sportsmanship etiquette essential. Please invite me to your game. I play nice. 3773

mm

ABsddnq wom&n

ROMANTIC SWM COLLEGE PROFESSOR interested in travel, photography, astronomy, theater, museums, Trivial Pursuit, more! I'm 51, 5 ' i o " , 245 lbs. Seeking F, 21-50, NS, interested in sharing life's joys. Box 628 WELL-EDUCATED, INTELLECTUALLY ACTIVE, entrepreneur, 50s, funny, assumes that most things simultaneously are and are not what they seem. Seeking robust, outspoken but kind partner who can tolerate paradox. Any age. All answered. Photo appreciated. Box 626 SWM, 33, FIT; FRANK, DEEP THINKER, sometimes dreamer, who's employable; educated through academics & non-academics; enjoys intelligent dialogue, learning, reading, simplicity, mature, self-sufficient/sustainable living, non-partisan politics; ISO LTR. Box 617 FEEL LIKE SHARING THE GOOD ALONG W/ the bad? I do, perhaps with you. Allegedly handsome, 40, brown/brown, 5*9", 170 lbs. Very laid-back fan of all life has to offer. Box 613 ARE YOU ACTIVE, MODERATELY ATHLETIC, non-politically correct, w/ a glaring sense o f humor? This secure DPWM, 53, wants to meet you to share seasonal activities & life in general. Box 605 EARLY RETIRED ACADEMIC Peaceful alternative lifestyle in the hills—gardens, hiking, canoeing, eclectic music, books. Super fit, 165 lbs., 5 ' i o " , health-oriented. ISO similarly inclined, educated, fit, slender, soish, outdoorsy woman. Box 599

You've got

male...

THREE NEEDS BREWER BOY: How cute is he? Eight ball on the break, SportsCenter, The Clash. How cute is he? Export As, schwarzbier, Braves. How cute he is. Happy 28th!

and

1Q74 I SPY YOU AT NIGHT, IN MY DREAMS. I spy you in the day, in my heart. Always my endless, sacred friend. I miss you under the stars. 1079

female.

UVM ACTIVIST CONFERENCE, 10/2. You: blue vest, short btond hair. Me: shorty w/ burgundy hair. Your smile inspired me. Leaving, you said, "See you later." I smiled, wondering when? 1037 9/23, NECTAR'S, UNDER AN ALMOST FULL moon: We shared its mystical beauty for a brief moment. You have pony tail 81 great eyes. I know your name, could you know mine? 3842

SEVEN DAYS personals on-line. New listings every Wednesday.

JC PENNY, UNIV. MALL, 9/25, AFTERNOON. You: attractive gal, w / brown hair, paying for large bag of stuff. Me: 6 \ brown hair, blue fleece jacket, shorts, buying curtains. Smiles exchanged! Meet again. 3850

www.sevendaysvt.com

GWM, 5'io", 1 7 0 LE someone to share life with. Likes outdoors, music, biking and life. Have great sense o f humor. ISo sensitive GM. Box 610

SWM, CANADIAN-EUROPEAN ACADEMIC, fondness for books, music, travel, nature, art; easy-going and open. Seeks woman, 35+, with similarities and sense of humor. Spiritual 81 communicative. Box 595

wom&n Mskinq

SLENDER, HEALTHY GWM, 55, SMOKER, bott o m w i t h endless libido, seeks top w/ same for monogamous, lasting LTR. Write. Tell me about yourself and I'll respond. Box 612

woman

MATURE, ATTRACTIVE GUY, 42, BR./BR., 6'4", 193 lbs., masculine, very intelligent and sincere, seeks another straight-acting guy who might easily turn heads at the gym or Nectars. Be humble. Box 607

BI-CURIOUS WF, 23, LOOKING FOR SOME fun and frolic. ISo BiF, 20-30, who is intelligent, attractive and discreet. Herb friendly. Come play with me. Box 627 GPF CU, 35 & 37, SEEKING GF CU FOR friendship. We dine out, play pool/cards, hike, fish, or just sit and chat. Interested? Montpelier area. Box 623

ALL WORK & NO PLAY MAKES ME A DULL boy! GWM, 31, 5*10", 190 lbs., NS, shy, romantic, masculine, likes music, movies, art, nature, traveling, working out. Where do guys meet? Box 604

GWP—CAN YOU APPRECIATE A WARM, QUIET evening of good food, good talk, honesty & acceptance with an openness to what "could be?" Then write me and see what could develop. Box 616

SHY GUY, 48, STRONG, SILENT, STEEL exterior, warm center, masc., in shape, kind, compassionate, introv. ISO mono LTR. Patience needed—30 yr. solitary social existence, few updates since '68. Worthwhile. Box 601

GPPS, 39 & 46, LOOKING FOR OTHER CU'S for friendship. Interests include spiritual beliefs, nature, cooking, crafts, shopping, canoeing. Not into political causes. Homebodies encouraged. 40-55 YO. Box 598

otfm SWF, 38, PETITE, VERY ATTRACTIVE & FIT, with insatiable appetite. Anything goes. ISO young, attractive M to satisfy my sexual desires. No commitments or games. Box 622

m& GMCU LOOKING TO MEET NEW FRIENDS FOR dinners, going out, playing cards and other fun things to do. Both of us in our 30s. Please write us. Box 615

KINKY SWM, 22, ATTRACTIVE, WITTY & h o m y ; into bondage, forced feminization, cross dressing and strap-ons. ISO horny F, Bi/straight, to be love slave to. Be clean. Will answer all. Box 608

4 digit box numbers can be contacted either through voice mail or by letter. 3 digit box numbers can only be contacted by letter. Send letter along w/ $5 to PO Box 1164, Burlington, VT 05402 LOVE IN CYBERSPACE. POINT YOUR WEB BROWSER TO HTTP://WWW.SEVENDAYSVT.COM TO SUBMIT YOUR MESSAGE ON-LINE. How to place your hKht personal ad with Person to Person • F I L L O U T T H I S F O R M A N D MAIL IT T O : P E R S O N A L S , P . O . B o x 1 1 6 4 , B U R L I N G T O N , V T 0 5 4 0 2 OR FAX T O 8 0 2 . 8 6 5 . 1 0 1 5 . P L E A S E C I R C L E A P P R O P R I A T E CATEGORY. YOU W I L L R E C E I V E Y O U R BOX # & P A S S C O D E BY M A I L . • F I R S T 30 W O R D S ARE F R E E W I T H P E R S O N T O P E R S O N , A D D I T I O N A L W O R D S A R E $2 EACH EXTRA W O R D . • F R E E R E T R I E V A L 2 4 H O U R S A DAY T H R O U G H T H E P R I V A T E 8 0 0 # . ( D E T A I L S W I L L B E M A I L E D T O YOU W H E N YOU P L A C E Y O U R A D . ) I T ' S S A F E , C O N F I D E N T I A L A N D F U N !

How to respond to a personal ad: • C H O O S E Y O U R F A V O R I T E A D S A N D N O T E T H E I R BOX N U M B E R S . • C A L L 1 - 9 0 0 - 3 7 0 - 7 1 2 7 FROM A TOUCH-TONE P H O N E . 1 - 9 0 0 # BLOCK? C A L L 1 - 8 0 0 - 7 1 0 - 8 7 2 7 . • F O L L O W I N G T H E V O I C E P R O M P T S , P U N C H IN T H E 4 - D I G I T BOX # O F T H E AD YOU W I S H T O — ^ R E S P O N D TO, OR YOU MAY B R O W S E A S P E C I F I C C A T E G O R Y .

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