HEROES OF THE FOURTH TURNING BY WILL ARBERY DIRECTED BY SIVAN BATTAT
PEOPLE, PLACES THINGS
&
Emma is an actress. She also has an addiction, and it’s trying to kill her. In rehab, but not ready for recovery, Emma just wants to escape—through drugs, through performing, through anything that lets her make her own reality. David Muse directs his first production in the new Victor Shargai Theatre with a stunning production that evokes the vivid and disorienting world of intoxication and lies as Emma decides whether to fight for her recovery and the people, places, and things she’ll face there.
PEOPLE, PLACE & THINGS BY DUNCAN MACMILLAN DIRECTED BY DAVID MUSE NOV 09 – DEC 11, 2022 UP NEXT ONTICKETSSALENOW
Yours,
FRIENDS,
HEROES OF THE FOURTH TURNING 2
Validating or condemning a worldview isn’t this play’s project. Arbery sets out to represent his character’s positions without prejudice, and develops their emotional lives as fully as their intellectual viewpoints. At its core, this is a play about troubled people, about loneliness and feeling lost, which is recognizable regardless of which side you’re on. I think that’s one of the reasons why this play has been so buzzed about in theatre circles, because theatre goers, generally a progressive lot, aren’t used to processing feelings of identification with characters whose beliefs are so different from theirs.
Director Sivan Battat began her professional career at Studio, spending the 2015-2016 season as our Directing Apprentice. She served as Assistant Director for that year’s plays and generally immersed herself in the goings-on of our artistic department. Sivan has spent the intervening years continuing to distinguish herself professionally, and it gives me particular pleasure to welcome her back.
DAVID MUSE ARTISTIC DIRECTOR
It is also extraordinary in its content. The play does something very rare in the theatre: fill the stage with conservatives and have them talk about politics and religious philosophy. Having grown up in a particular part of conservative America, Arbery felt compelled to provide audiences with access to it—to present these people, in all their humanity and complexity.
Heroes of the Fourth Turning is an extraordinary play. It is extraordinary in its craft: playwright Will Arbery composes terrific dialogue, skillfully intermingles the personal with the philosophical, and orchestrates the play’s five voices with the sensitivity of a musician. (The play is deliberately written like a fugue; you can listen for the five distinct voices—bass, tenor, alto, mezzo-soprano, soprano.)
This year’s season of six major productions is our fullest in three years, as we continue to recover from the meteor strike that was COVID. We count ourselves lucky to be able to rebuild alongside our audiences, whose support has been palpable during these challenging times. I’m so glad that you’re here as we kick the season off, and look forward to sharing the rest of it with you.
3 STUDIO THEATRE sponsors Studio Theatre’s 2022–2023 season is made possible through the generosity of our Season Sponsors. This dynamic group of individuals understands the value of producing powerful contemporary work in intimate spaces and invests in Studio’s innovative projects and initiatives. We are grateful for their generosity and investment in Studio. 2022-2023 SEASON SPONSORS Susan and Dixon Butler Dr. Mark Epstein and Amoretta Hoeber Sari KatyHornsteinKunzerRosenzweig and Paul Rosenzweig Albert G. Lauber and Craig Hoffman Joan and David Maxwell Teresa and Dan Schwartz Steve and Linda Skalet Bobbi and Ralph Terkowitz Mark Tushnet and Elizabeth Alexander Amy Weinberg and Norbert Hornstein 3 STUDIO THEATRE
HEROES OF THE FOURTH TURNING 4 BY WILL ARBERY DIRECTED BY SIVAN BATTAT SET DESIGNER YU SHIBAGAKI COSTUME DESIGNER DEBRA KIM SIVIGNY LIGHTING DESIGNER AMITH CHANDRASHAKER SOUND DESIGNER/COMPOSER SINAN REFIK ZAFAR PROPS DESIGNER DEB THOMAS DIALECT COACH JERI JEANNINE MARSHALL FIGHT DIRECTOR ROBB HUNTER DRAMATURG ADRIEN-ALICE HANSEL PRODUCTION STAGE MANAGER ALISON MCLEOD CASTING BY TAYLOR WILLIAMS, CSA DIRECTOR OF PRODUCTION JEFFERY MARTIN Underwritten by TERESA AND DAN SCHWARTZ DAVID MUSE ARTISTIC DIRECTOR STUDIO THEATRE REBECCA LICHTENBERGENDE EXECUTIVE DIRECTOR PRESENTS HEROES OF THE FOURTH TURNING Heroes of the Fourth Turning is presented by arrangement with Concord Theatricals on behalf of Samuel French, YorkPlaywrightswww.concordtheatricals.comInc.Horizons,Inc.,NewCity,producedtheWorldPremiereof Heroes of the Fourth Turning in 2019 Nothin’ Written by Townes Van Zandt ©1970, JTVZ Music (ASCAP), Katie Bell Music (ASCAP), Will Van Zandt Publishing (ASCAP) Heroes of the Fourth Turning was developed by The Cape Cod Theatre Project, Hal Brooks, Artistic Director HEROES OF THE FOURTH TURNING
5 STUDIO THEATRE JUSTINCAST GREGORY CONNORS* EMILY SOPHIA LILLIS* KEVIN LOUIS REYES MCWILLIAMS* TERESA LAURA C. HARRIS* GINA NAOMI JACOBSON* JUSTINUNDERSTUDIES OLEV ALEKSANDER EMILY SARAH BOESS KEVIN ETHAN WILLIAMS TERESA REBECCA BALLINGER GINA LIZ WEBER SETTING A town of 7,000 in western Wyoming August 19, 2017 Two days before the solar eclipse One week after the Charlottesville riot *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The Director and/or Choreographer is a member of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. This production will be presented without an intermission.
live: in the realities of post-college life; in relationship to the secular world; and in the United States in mid-August 2017, a week after the Charlottesville riots.
FROMNOTE DRAMATURGTHE
“What do we do with our love for someone we think might be making the world worse?” asks Arbery. He stands apart from the Christian conservatism he calls “a secret and shrewd force in our country.” He isn’t asking for empathy from audiences who might disagree with his characters’ stances on abortion, rights for LGBTQ people, or their unwillingness to engage with their own whiteness. He’s asking instead for the gift of taking these characters’ spiritual pain seriously, hoping to create a spark of understanding between people who feel deep recognition of this world and people who reject it.
“My mother says it’s a play about fissures—the spaces between people, and I think that’s right,” Arbery says. But beyond the distance between people of radically different belief systems, he wonders if there could be something resembling growth: “Are we addicted to this pain we are in? Are we villainizing each other because it sustains us? Or do we really want to heal?”
Will Arbery was the second youngest of eight children in a household of conserva tive Catholic academics—his parents work at a small school in Wyoming similar to the one in Heroes. He remembers staying up past his bedtime listening to his parents’ students and colleagues debating history and poetry and political theory, ancient texts and current political events. Their conservatism, he says, “was poetic, passionate, and nuanced.” His parents were friends with a gay couple in the neighbor hood. They also hosted a rally for Pat Buchanan in 1996, whose “America first” rhetoric and not-quite dog-whistle defense of “non-Jewish whites” has been credited with paving the way for the hard-right’s takeover of the Republican party.
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For more on Arbery’s skepticism about empathy or for context on the cultural and intellectual background of the play, please visit the Studio Theatre website.
By 2016, Arbery was settled in New York City, a year and a half out of graduate school at Northwestern, with burgeoning recognition for his plays. After Trump won the election, the airwaves were full of talk of Red America, Blue America, and the echo chambers separating them, and Arbery thought back to the range of voices and opinions from the conservative intellectuals of his childhood. Heroes of the Fourth Turning is, he says, “an attempt to capture the feelings of drunken nights under the big sky, talking about God.”
HEROES OF THE FOURTH TURNING
Arbery locates this conversation among four young people, a few years on the other side of their undergraduate experience at the Catholic college on the edge of the Wyoming wilderness. Each of them is wrestling with how they’ve been called to
ADRIEN-ALICE HANSEL DRAMATURG
• We invite you to laugh, cry, cheer… and do it all out loud. Our actors feed on your energy, so feel free to respond, so long as it doesn’t disrupt the production.
Studio Theatre produces work that examines what it feels like to be alive right now. Some of the plays we produce will reflect your personal experiences. Others will offer insight into experiences beyond your own. Studio’s work celebrates both our differences and our shared experiences.
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Studio is working to become a more inclusive institution that actively implements anti-racism practices and where all feel welcome. To learn more about our values and our work in this area, visit studiotheatre.org/values
SIVAN BATTAT (she/they) is a theatre artist and community organizer who began their career at Studio as an Artistic Apprentice. Recent credits include the upcoming world premiere of Layalina by Yosep al Zebari at the Goodman Theatre; the New York premiere of Girlfriend by Todd Almond with music by Matthew Sweet for the Drama League’s DirectorFest; Assistant Directing Trouble in Mind by Alice Childress on Broadway; and Baba Karam by Sanaz Toossi and McArabia by Sevan K. Greene for Atlantic Theatre Company’s Middle Eastern MixFest. Sivan is the Associate Artistic Director of Noor Theatre, an Obie-winning company dedicated to supporting, developing, and producing the work of theatre artists of Middle Eastern descent. In the 2021–2022 season, Sivan was the Directing Fellow at Roundabout Theatre Company, the Leo Shull Musical Directing Fellow with the Drama League, and a member of Theatre Communications Group’s Rising Leaders of Color cohort. Sivanbattat.com.
will
WILL ARBERY is a playwright from Texas + Wyoming + seven sisters. His play Evanston Salt Cost Climbing will have its New York premiere at The New Group in Fall 2022, and his play Corsicana premiered at Playwrights Horizons in Summer 2022, directed by Sam Gold. His play Heroes of the Fourth Turning premiered at Playwrights Horizons in Fall 2019 and was a finalist for the 2020 Pulitzer Prize for Drama and winner of numerous awards, including the 2020 Obie Award for Playwriting, the Lucille Lortel Award for Outstanding Play, the New York Drama Critics’ Circle Award for Best Play and the Outer Critics Circle John Gassner Playwriting Award. His other plays include Plano at Clubbed Thumb, You Hateful Things at New York Theatre Workshop’s Dartmouth Residency, and Wheelchair published by 3 Hole Press. He’s currently under commission from Playwrights Horizons, Manhattan Theatre Club, and Audible.
playwright director arbery
HEROES OF THE FOURTH TURNING 8
sivan battat
PEOPLE, PLACES & THINGS
23, 2022 DIRECTED
On the edge of the Wyoming wilderness, the last guests linger late into the night at a celebration for the new President of their conservative Catholic college. Reunited after seven years, the friends toss back whiskey and name-check Thomas Aquinas, Hannah Arendt, Steve Bannon, even Bojack Horseman, tracking their distance from each other and the people they thought they’d be by now. Will Arbery’s portrait of conservatives trying to make sense of where they—and their country—stand is an incisive yet personal look at the intelligence and despair of the Catholic right.
BY WILL ARBERY OCTOBER BY SIVAN
BATTAT
BY SANAZ TOOSSI JANUARY 11 – FEBRUARY 12, 2023 DIRECTED BY KNUD ADAMS
HEROES OF THE FOURTH TURNING
SEPTEMBER 21 –
ENGLISH
“English Only.” It’s 2008 in Karaj, Iran and four adult students are studying for the Test of English as a Foreign Language, the key to their green card, medical school, family reunification. Playing out in awkward lessons of word games and mistranslation, English is both a comedy of miscommunication and a look at the ways speaking a new language can expand your world and change your voice. A hit in its 2021 New York premiere, Studio presents playwright Sanaz Toossi in her Washington, DC debut.
Emma is an actress. She also has an addiction, and it’s trying to kill her. In rehab, but not ready for recovery, Emma just wants to escape—through drugs, through performing, through anything that lets her make her own reality. David Muse directs his first production in the new Victor Shargai Theatre, a theatrical tourde-force that evokes the vivid and disorienting world of intoxication and lies as Emma decides whether to fight for her recovery and the people, places, and things she’ll face there.
BY DUNCAN MACMILLAN
NOVEMBER 9 –DECEMBER 11, 2022 DIRECTED BY DAVID MUSE
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Alison is 9, begging her father to play with her. She is 19, overcome by the aching and joyous pain of first love. She is 43, an out lesbian hunting for the truth of her brilliant, volatile, and closeted father’s life and death. She is all three at once, trying to untangle the central mystery of her childhood: How did she survive their shared hometown, when her father could not? With a score that ranges from exuberant 70s pop to aching melodies and dissonant harmonies of characters longing to be known, Fun Home is the Tony Award-winning story of a daughter and father, of coming out and coming to terms with a life shaped by a family’s secrets. at just $180 202.332.3300
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Aisha’s moved back to the block, but the neighborhood’s changed. She’s an urban planner, returning to her hometown, renovating a townhouse that’s seen better days.
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BY LYN BY JAMES IJAMES DIRECTED BY PSALMAYENE MAY 10 – JUNE 11, 2023
KRON BASED ON THE GRAPHIC NOVEL BY ALISON BECHDEL DIRECTED BY DAVID JUNE 28 – JULY 30, 2023MUSE
GOODCLYDE’SBONES MUSIC
No one would accuse Clyde of having a soft heart: Sure she hires former convicts for the greasy kitchen of her truck-stop sandwich joint, but she knows what they owe her and holds that power tight. Her line cooks might be stuck, but their hopes haven’t flickered out yet, fed by tentative connections and a fierce competition to create the perfect sandwich. PulitzerPrize winner Lynn Nottage’s sweet and savory comedy trades in wonder, Wonder Bread, and the healing powers of food.
DIRECTED BY
Aisha tries to convince her husband to spring for crown molding and endures the noise that blares from the street all night. But when their contractor is caught up in an act of violence a block away, Aisha’s homecoming becomes more complex than she expected. A Studio-commissioned play by 2022 Pulitzer Prize winner James Ijames, Good Bones explores gentrification and belonging, displacement and upward mobility, and being haunted by a legacy you’re only just beginning to understand. BY JEANINE TESORI BOOK AND LYRICS BY LISA
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LOUIS REYES MCWILLIAMS (Kevin; he/him) is an actor, writer, and teaching artist. He has appeared Off Broadway in Coriolanus at The Public Theater’s Shakespeare in the Park, Anna Karenina: a riff at The Flea, and The War Boys at Columbia Stages. His regional credits include Teenage Dick at Huntington Theatre Company, Woolly Mammoth Theatre Company, and Pasadena Playhouse; Little Women at Dallas Theater Center and The Old Globe; No Cure at Playwrights’ Center; A Christmas Carol and An Iliad at Trinity Rep; Unknown Soldier at Williamstown Theatre Festival; Macbeth at Berkeley Repertory Theatre; and A Tale of Two Cities and Jane Eyre with the Bread Loaf Acting Ensemble. His writing has been workshopped and produced at the Williamstown Theatre Festival, Brown University/Trinity Rep, and Stanford University. He received his BA from Stanford University and his MFA from Brown University, where he was the 2019 Richard Kavanaugh Fellow. louismcwilliams.com.
GREGORY CONNORS (Justin) is an actor and mechanical engineer based in New York. He has performed Off Broadway in Coriolanus at The Public Theater’s Shakespeare in the Park and can be seen on television in The Good Fight (Paramount+), FBI: Most Wanted (CBS), and The Blacklist (NBC). He received his MFA from NYU’s Tisch School of the Arts and BS in Mechanical Engineering from The University of Akron.
HEROES OF THE FOURTH TURNING 12
SOPHIA LILLIS (Emily) had her breakout moment playing Beverly Marsh in It (2017) and reprised the role for the film’s sequel It Chapter Two (2019). Other roles include the younger version of Amy Adams’ Camille Preaker in Sharp Objects (HBO) and the title character in Nancy Drew and the Hidden Staircase. Sophia played the title role of Gretel in Orion Pictures’ Gretel & Hansel, directed by Osgood Perkins, and was the lead in the Netflix original series I Am Not Okay with This, created by Jonathan Entwistle. Most recently she wrapped production on Wes Anderson’s next feature Asteroid City starring alongside Tom Hanks, Margot Robbie, and Scarlett Johansson; and the independent feature The Adults opposite Michael Cera. Sophia will star in the upcoming Paramount film Dungeon’s & Dragons: Honor Among Thieves opposite Chris Pine and Hugh Grant, which will be released in March 2023.
LAURA C. HARRIS (Teresa; she/her) returns to Studio Theatre after appearing as Lauren in Kings, Edward/Victoria in Cloud 9, Mandy in Time Stands Still, Gena in Bachelorette, and Lydia in Red Speedo. Other DC credits include The Heiress at Arena Stage; Silent Sky at Ford’s Theatre; Fairview at Woolly Mammoth Theatre Company; The Curious Incident of the Dog in the Night-Time, NSFW, Seminar, Amadeus, Young Robin Hood, and 26 Miles at Round House Theatre; The Flick and Tender Napalm at Signature Theatre; Cry It Out at Everyman Theatre; Vicuña & The American Epilogue at Mosaic Theater Company; Awake and Sing! at Olney Theatre Center; Love and Information, Passion Play, and World Builders at Forum Theatre; Our Class at Theater J; and The Winter’s Tale and The School for Scandal at Folger Theatre. Laura is a member of the acting company of the nonprofit Only Make Believe, and a graduate of Middlebury College. lauracharris.com.
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NAOMI JACOBSON (Gina) is an affiliated artist with Shakespeare Theatre Company and a Woolly Mammoth Theatre Company member of 25 years. Selected credits include The Children and The Remains at Studio Theatre, The Guardsman at The Kennedy Center, Born Yesterday at Ford’s Theatre, Mary T. & Lizzy K. at Arena Stage (world premiere), Richard III at Folger Theatre, Becoming Dr. Ruth at Theater J, Cabaret at Signature Theatre, The Critic / The Real Inspector Hound at Guthrie Theater, Pericles at Goodman Theatre, Goodnight Desdemona (Good Morning Juliet) at Milwaukee Rep, Shakespeare in Love at Baltimore Center Stage, Bad Dog at Olney Theatre Center, and Ten Chim neys at Arizona Theatre Company (world premiere). Naomi’s received three Helen Hayes Awards and 12 nominations, the Lunt-Fontanne Fellowship, the Ander son-Hopkins Award for Excellence in Theater Arts, and a DC Arts Commission Individual Artist Grant. Voiceover work includes NPR, PBS, Discovery Channel, and the Smithsonian naomijjacobson.com.Institution.Onsocial media at @naomijactive (Instagram).
DEB THOMAS (Props Designer) is a props and set designer for theatre, television, and film. From 2009 to 2019, she was Studio’s Props Director. Studio credits include properties design for John Proctor is the Villain, Pass Over, Love! Valor! Compassion!, Sylvia, and SubUrbia, set design for Terminus, and assistant set design for Bloody Bloody Andrew Jackson. Additional credits include properties design for The Till Trilogy, Marys Seacole, Eureka Day, and Milk Like Sugar at Mosaic Theater Company and The Tale of the Allergist’s Wife and Freud’s Last Session at Theater J. She was a sculptor and sculpture consultant for TLC’s DC Cupcakes (2010-2013) and a Washington Bureau set designer for TV Tokyo, as well as doing the original set design for Discovery Channel’s Puppy Bowl. Work includes production design for Dolley Madison and art direction
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YU SHIBAGAKI (Set Designer) is a New York-based set designer originally from Nagoya, Japan. Her recent credits include Sense and Sensibility at American Players Theatre; The Royale at Kansas City Reperto ry Theatre; School Girls; or, the African Mean Girls Play at Goodman Theatre; I, Banquo and I, Cinna (the poet) at Chicago Shake speare Theater; Dishwasher Dreams at Hartford Stage and Writers Theatre; Her Honor Jane Byrne at Lookingglass Theatre Company; and more. She is a USA 829 member. Yushibagaki.com.
DEBRA KIM SIVIGNY (Costume Designer; she/her) is a multi-disciplinary artist and designer based in Washington, DC. She was the costume designer for TempOdyssey at Studio Theatre. Her recent designs include scenic design for Sense and Sensibility at Everyman Theatre; Head Over Heels at Lyric Theatre of Oklahoma; and Tuesdays with Morrie at Theater J; costume and scenic design for The Royale at Olney Theatre Center and 1st Stage Theater; and costume design for Waiting for Godot at Barrington Stage Company and Natasha, Pierre & the Great Comet of 1812 at Hangar Theatre. With The Welders, she wrote and designed the set for Hello, My Name Is... an immersive event about Korean adoptees which was exhibited at the Prague Quadrennial in 2019. She is the recipient of a Helen Hayes Award for Outstanding Set Design and a five-time nominee. Debra is an Assistant Professor of Scenic and Costume Design at George Mason University. debsivigny.com.
AMITH CHANDRASHAKER (Lighting Designer) has worked with The Public Theater, Second Stage, Theatre for a New Audience, Playwrights Horizons, Signature Theatre Company, Williamstown Theatre Festival, Ars Nova, Soho Rep, Berkeley Repertory Theater, Atlantic Theater
Company, Houston Grand Opera, Opera Omaha, Opera Colorado, and The Atlanta Opera. Amith has worked on dance pieces by Alexander Ekman, Liz Gerring, Cedar Lake Contemporary Ballet, and Rennie Harris. He is the recipient of a Drama Desk Award and a Henry Hewes Design Award. Amith is an Assistant Professor of Lighting at the University of Maryland.
SINAN REFIK ZAFAR (Sound Designer; he/ him) was the sound designer for the Broadway and national touring production of What the Constitution Means to Me. Off Broadway, he has worked with MCC Theater, Second Stage, The Public Theater, New York Theatre Workshop, Atlantic Theater Company, Brooklyn Academy of Music, Clubbed Thumb, Rattlestick Theater, and The Movement Theatre Company. Regional theatre credits include The Kennedy Center, Guthrie Theater, Mark Taper Forum, Berkeley Repertory Theatre, Williamstown Theatre Festival, and more. sinanzafar.com.
production
ROBB HUNTER (Fight Director) has directed movement and violence for many Studio productions including Pass Over, Vietgone, The Effect, Hand to God, Bad Jews, The Motherfucker with the Hat, Reasons to Be Pretty, Invisible Man, Superior Donuts, Red Speedo (Helen Hayes nomination) and The Walworth Farce (Helen Hayes nomination). He has also directed movement/violence for Shakespeare Theatre Company, Arena Stage, Woolly Mammoth Theatre Company (Helen Hayes Award for HIR and nomination for An Octoroon), Signature Theatre, Olney Theatre Center, Washington National Opera, Ford’s Theatre and many others. He is a member of SDC, AEA, SAG/AFTRA, and is recognized as one of only 20 Fight Masters by the Society of American Fight Directors. He is on faculty at Shakespeare Theatre Company’s Academy for Classical Acting, is the Choreographer in Residence at American University and is a teaching artist for the Studio Acting Conservatory. His prop company, Preferred Arms, supplies prop weapons to theatres nationwide. preferredarms.com.
ADRIEN-ALICE HANSEL (Dramaturg; she/ her) is the Literary Director at Studio, where she has dramaturged the world premieres of John Proctor is the Villain, I Hate it Here, Queen of Basel, No Sisters, I Wanna Fucking Tear You Apart, Red Speedo, Dirt, Lungs, and The History of Kisses, among others, as well as productions of The Hot Wing King, White Noise, Tender Age, Flow, Until the Flood, 2.5 Minute Ride, Cry It Out, Translations, Curve of Departure, Wig Out!, Straight White Men, Hedda Gabler, Jumpers for Goalposts, Bad Jews (twice), The Apple Family Plays, Invisible Man, Sucker Punch, The Golden Dragon, and The New Electric Ballroom, among others. Prior to joining Studio, she spent eight seasons at the Actors Theatre of Louisville, where she headed the literary department and coordinated project scouting, selection, and development for the Humana Festival of New American Plays. She is the co-editor of eight anthologies of plays from Actors Theatre and editor of 11 editions of plays through Studio. Adrien-Alice holds an MFA from the Yale School of Drama.
ALISON MCLEOD (Production Stage Manager; she/her) is a stage manager and activist whose credits include the National Music Theater Conference (Eugene O’Neill Theater Center); Bakkhai (Baltimore Center Stage); How to Defend Yourself (Victory Gardens Theater); Hamlet (Gloucester Stage Company); Djembe! The Show (Apollo Theater, Chicago); Assassins (Flint Repertory Theatre); Julius Caesar (Montana Shake speare in the Schools); New Stages Festival (2016, 2017) and Twist Your Dickens (Goodman Theatre); and 1984, The Compass, Between Riverside and Crazy, Straight White Men, and BLKS (Steppenwolf Theatre Company).”
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for Alexander Hamilton (PBS American Experience), and set and props design for Jamestown: Against All Odds (Discovery Channel’s Moments in Time).
production
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TAYLOR WILLIAMS (Casting Director) is an Artios Award-winning Casting Director who has cast various productions across the country. Broadway credits include POTUS: Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive; Slave Play (remount and original, Center Theatre Group, New York Theatre Workshop); Is This A Room and Dana H; and What the Constitu tion Means to Me (New York Theatre Workshop, Barrow Street, National Tour). Benefit credits include The Great Work Begins featuring scenes from Tony Kushner’s Angels in America for amfAR and Ratatouille: the TikTok Musical for the Actors Fund. Taylor is the resident casting director at Page 73 Productions. Notable productions include On Sugarland, Sanctuary City, and Othello with Daniel Craig at New York Theatre Workshop; Whitney White’s The Amen Corner at Shakespeare Theatre Company; Daniel Fish’s Oklahoma! for Fisher Center at Bard and its current national tour; and Aleshea Harris’ Is God Is at Soho Rep.
GUITAR COACH IBACACH
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COVID SAFETY MANAGER MADSEN
LINDSEY
CHRISTINA
This Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Associations, the Union of Professional Actors and Stage Managers in the United States.
STAFF
DEVIN
TECHNICAL DIRECTOR
PHOEBE
CHRISTOPHER MCDONNELL
SOUND BOARD OPERATOR ZIELKE
The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law. For more information, please visit: https://concordtheatricals.com/resources/protecting-artists
JOHN CUDDEBACK
ASSISTANT DIRECTOR ABRAMS
CULTURAL CONSULTANT AMY DISALVO
THEAIERELLEMAYAANDEMBODIEDJENISLAWSKIPSYCHOTHERAPYSARAMINDELLAWRENCEANDJACOBATALLIANCETHEATRE
ASSOCIATE LIGHTING DESIGNER KOUNI SMITH
CASTING TAYLOR WILLIAMS, CSA CASTING ASSOCIATE NIA SMITH
GAELYN
COVID SAFETY ADMINISTRATOR SMITH
JON
EMILY
LEDGEMENTSACKNOW-
LIGHT BOARD OPERATOR MOORE
PRODUCTIONTHEATRE
TECHNICAL DIRECTOR MAHONEY
RAVEN
JAIME
ASSISTANT STAGE MANAGER SWEATMAN
ERIC
DAVID MUSE in his thirteenth season as Artistic Director of Studio Theatre, where he has directed Cock (the in-person and digital productions), The Children, The Remains, The Effect, The Father, Constellations, Chimerica, Murder Ballad, Belleville, Tribes, The Real Thing, An Iliad, Dirt, Bachelorette, The Habit of Art, Venus in Fur, Circle Mirror Transformation, reasons to be pretty, Blackbird, Frozen, and The Intelligent Design of Jenny Chow. As Studio’s Artistic Director, he has produced 105 productions; established Studio R&D, its new work incubator; significantly increased artist compensation; created The Cabinet, an artist advisory board; and overseen Open Studio, a $20M expansion and upgrade of Studio’s four-theatre complex. Previously, he was Associate Artistic Director of the Shakespeare Theatre Company, where he has directed nine productions, including Richard III, Henry V, Coriolanus, and King Charles III (a co-production with American Conservatory Theater and Seattle Rep). Other directing projects include Frankie and Johnny in the Clair de Lune at Arena Stage, The Bluest Eye at Theatre Alliance, and Patrick Page’s Swansong at the New York Summer Play Festival. He has helped to develop new work at numerous theatres, including New York Theatre Workshop, Geva Theatre Center, Arena Stage, New Dramatists, and The Kennedy Center. David has taught acting and directing at Georgetown, Yale, and the Shakespeare Theatre Company’s Academy of Classical Acting. A nine-time Helen Hayes Award nominee for Outstanding Direction, he is a recipient of the DC Mayor’s Arts Award for Outstanding Emerging Artist and the National Theatre Conference Emerging Artist Award. David is a graduate of Yale University and the Yale School of Drama.
REBECCA ENDE LICHTENBERG is the Executive Director at Studio Theatre, where she has led the institution for four seasons. She served as the Managing Director of Theater J for eight seasons, during which time she led the theatre through an Artistic Director transition and was instrumental in growing income by 29 percent. Prior to that, she worked in arts marketing at Sitar Arts Center, Theater J, and Ford’s Theatre. She previously served as the President of the Board of Forum Theatre, the Chair of the Adjudication Committee for theatreWashington, and a Helen Hayes Judge. She holds an MA in Arts Administration from Columbia University, a Certificate in Budgeting and Finance from Georgetown University, and is a graduate of Harvard Business School’s Strategic Perspectives in Non-Profit Management program.
HEROES OF THE FOURTH TURNING 18 leadership
Director of Production
Electrics Apprentice
SHANE OLIVER
KATHRYN HUEY
General Manager
SERVICESAUDIENCE
BRITTANY K. ALLEN
HILARY JUDIS
SARAH VELKOVICH
GABBY WOLFE
Directing Apprentice
Digital Marketing Associate
MIRANDA TAYLOR
KATIE FLEET Membership Coordinator
ARTISTIC
EMILY ABRAMS
Box Office Associates
Arts Administration Apprentice
FRANCESCA SABEL
Assistant Box Office Manager
ARYSSA DAMRON
CORY
DEVELOPMENT
JEFFERY MARTIN
CLARISSA SHIRLEY
JEFF RACHELNITSANMAYAMARTHAKLEINHAHNBROWNSCHRAFJONES
Executive Director
KIERAN KELLY
Producing and Community Engagement
Senior Facilities Manager
LINDSEY MADSEN Company Manager
MADISON BAHR
SARAH COOKE
Stage Management Apprentice
ADRIEN-ALICE HANSEL
BOB
Sound & Projection Apprentice
Literary Director
DAVID MUSE
Production & Events Apprentice
Institutional Giving Manager
SARAHMARTIKIMBERLYKATEJAMESJAMESDESPENZAERIKAHARRISDICKERSON-FRITZIJAMESMULVANEYBELFLOWERLYONSDELAPPE
PRODUCTION
Costume Shop Manager
Artistic Director
Stage Management Apprentice
REBECCA LICHTENBERGENDE
Technical Direction Apprentice
Audience Services Director
COVID Safety Administrator
PHOEBE SWEATMAN
AMANDA ACKER
SHANNONLAYLAKECHEBRINDENREEGBANKSARRINGTONNABAVITHOMPSON
CHRISTION JONES Interim Electrics Supervisor
BRANDEE MATHIES
GAELYN SMITH
Business Director
DELANEY DUNSTER
Director of Development
PARKER NOLAN
CARMEN PIERCE Management Associate
CLARICE BERARDINELLI
INDIGO GARCIA
LEADERSHIP
KT TREVORAYLESWORTHCOMEAU
Lead House Managers
Marketing Communicationsand Apprentice
Assistant Production & Rentals Manager
MCKENNA CANTY Development Apprentice
MANAGEMENTGENERAL
DOM OCAMPO
AVI LITTKY
House Managers
19 STUDIO THEATRE staff
Lead Box Office Associates
Interim Creative Producer
CommissionedApprenticeArtists
TOBIAS FRANZÉN OperationsDevelopmentManager
DAVE
BIANCA BECKHAM
Director of Marketing and Communications
MARKKAIYAGAELYNDANIELMCCONVILLEBINDERSMITHLYONSBERRY
MARKETING COMMUNICATIONSAND
HEROES OF THE FOURTH TURNING 20 Amy Weinberg CHAIR Rob Batarla VICE CHAIR Navroz Gandhi SECRETARY Belinda Elvan Nixon TREASURER Marc SusanJeremíasAlbertAlvarezL.ButlerCHAIR EMERITUS Karen Doyne Dr. Mark Epstein Mark W. Foster Susan L. Gordon Martin Klepper Albert G. Lauber Ronald Mason, Jr. Renee Matalon Larry Naake CHAIR EMERITUS Jamie C. Pate Katy Kunzer Rosenzweig Teresa Schwartz Luz Blancas Sevak Steven A. Skalet Bobbi Terkowitz CHAIR EMERITUS Terry RobertTheologidesTracy EX-OFFICIO David RebeccaMuseEnde Lichtenberg TRUSTEESOFBOARD trustees
Judge
value
Sari
Prof.
Trudy
Maxwell Teresa
The
producing powerful
The
individuals who support
Foundation Jinny
circles.
David
Dr.
Circle receive exclusive opportunities to experience our work unlike any other
our
work in intimate spaces and invest in
Grier John
Hope
Goldstein Susan
Irene Simpkins Steve
21 STUDIO ARTISTICTHEATREDIRECTOR’S
Susan
and Elizabeth Alexander Amy Weinberg and Norbert Hornstein thank you
Rick ArleneKastenandRobert Kogod Katy
Sheryl
Bobbi and Ralph Terkowitz Mark
innovative projects and initiatives while receiving unparalleled access to the art. Members
Members understand
Schwartz Daniel
Hoffman Joan
CIRCLE and Dixon Butler H. Clark and Rick Donaldson Mark Epstein and Amoretta Hoeber and Mark Foster Galena-Yorktown and Michael L. Gordon and Jean Heilman and Meg Hauge Hornstein Kunzer Rosenzweig and Paul Rosenzweig Albert Lauber and Craig and David and Dan and and Linda Skalet Tushnet Teagle F. Bougere in Invisible Man Photo credit: Astrid Riecken. Artistic Director’s Circle is a dynamic group of the artistic vision of Studio Theatre. the of contemporary Studio’s of the Artistic Director’s of giving
Irene Roth and Vicken Poochikian
Gift AmyChrisCharlesTrudyFundFleisherFlotoGattusoC.Gilbert and Steven Newpol
Rick and Gary Copeland
John LynneHormanandJoseph Horning
Brian and Judy Madden
HEROES OF THE FOURTH TURNING 22
Dean Amel and Terry Savela
Lifland-Radmer Fund
John Driscoll
Aimee Smart and Shefa Gordon
R. Joseph Barton
Dr. Stewart Aledort and Dr. Sheila JeremiasRogovin Alvarez
Spoor Family Fund
Bristol
Richard and Pamela Hinds
Sally W. and Stephen W. Gresham
This list represents contributions of $500 or more.
The Lafer Family Foundation
Stanley and Rosemary Marcuss
Larry and Joan Naake
OPEN CIRCLE
Judy and Leo Zickler
Helen and David Kenney
Shawn C. Helm and J. Thomas
Marc Albert and Stephen Tschida
Krista Linn
Martha Washington Straus-Harry H. Straus Foundation
Nike
Arlene and Martin Klepper
Jonathan Hurz and Steven Hill
JohnAuclair-JonesKeatorand Virginia Sullivan
Scott Douglas Bellard
Dottie
Jessica NancyDr.VincentCaseCastellanoMorrisJ.ChalickChasenandDon
Leo S. Fisher and Susan J. Duncan
The Nussdorf Family Foundation
David Cooper and Stephen Nash
Katherine Howell Jason JoanneCaryThomasJohnstonJosephKadlecekKlestenand
Ed Starr and Marilyn Marcosson
James A. Feldman and Natalie TheWexlerG.A. Files Foundation
Dr. April Rubin and Mr. Bruce Ray Amit Sevak and Luz Blancas
DanMarchittoandSusan Mareck
Judy and Peter Blum Kovler
B. Thomas Mansbach
Chad Lash and Caryn Wagner
Patricia and John Koskinen
Gail JackGulliksenHairston Jr.
Garner
Rob JeffreyBatarlaBauman and Linda CoryNanFienbergBeckleyandRachel Capps
Mark and Carol Hyman Fund
LindaSevak and Stanley Sher
Lola C. Reinsch
George Wasserman Family GariFoundationListerand Matt Gobush
Sherry Marts and Larry Haller
Andy and Ed Smith
Terry Theologides and Deb RobertRodriguezTracy and Martha Gross
PatJamieOpadiranPateLarkandLutz Prager
Janet TheodoreLewisC.M. Li and Courtney Mr.PastorfieldandMrs. Frank Lieberman
Alan and Irene Wurtzel
Will and Carol Cooke
Alan Asay and Mary Sturtevant
Anne and Marc Feinberg
Marcia and Larry Arem
John Chester and Betty Shepard
Stuart Kogod and Denise Garone
Karen WendyGerardGeorgeDoyneM.FerrisFialaandWilliam
Stephen A. Saltzburg and Susan Lee
Dr. and Mrs. William Kramer
Leon and Miriam Ellsworth
Leslie ArleneKogodandBob Kogod
Joshua Stiefel
Yolanda and Francis Bruno Family SusanFund
Laurie Davis and Joseph Sellers
James MargaretHeegemanFreeston Hennessey
TheFoundationKristina And William Catto
Jim Weinberg
Morrissette Family Foundation
Spero
Dr. Richard F. Little
Michael CarolJonathanJohannaCrosswellCummingsCuneoandJosephDanks
Paula and Edward Hughes
Ken and Margaret Muse
Without the generosity of our dedicated supporters, Studio Theatre could not continue to bring the best of contemporary theatre to our nation’s capital.
Frona DonaldHallE.Hesse and Jerrilyn LindaAndrewsLurie Hirsch
LaFleur
Bonnie Hammerschlag
Marion Ein Lewin
CIRCLEOVATION
Ed Liebow and Erin Younger
Paul Martin
Emily Rosen and Michael Gibbs
Robert L. Kimmins
Hal Jones and Anne-Lise
VincaBarryFoundationKropfandDavid
Paula Seigle Goldman
John and Gail Howell
Christine and Gene Kilby
Renee R. Matalon and Stephen H. DanMarcusandKaren Mayers
The Morningstar Foundation
Ruth A. Dupree
Carolyn L. Wheeler
Jason and Nichole Bassingthwaite
JeffreyJoeRobinJessicaBennettBermanBerringtonandSueBredekampRothsteinandLynn
MichaelBuffoneBurke and Carl Smith
The Lewis and Butler Foundation
John G. Guffey
Lola Reinsch
Bobbi and Ralph Terkowitz
Susan StevenJulieLammert-ReevesRogerAneStanLindaNancyMarthaNashNewmanS.OlsonandPeterParshallPeabodyPowersReevesandRuthRiosM.Rosenbergand
Carl and Undine Nash Gregory and Belinda Nixon
Alan F. Rothschild Jr.
Elizabeth B. White
Amit Sevak and Luz Blancas
Jeremias Alvarez
Henry Otto and Judy Whalley
Sandy and Jon Willen
Craig BobJamiePascalPateandNina Randolph
Dallas Morse Coors Foundation for the Performing Arts DC Commission on the Arts and WeissbergTheSharePaulTheNationalCommissionAffairsNationalFoundationTheRaymondMiltonFoundationTheH.MarthaAssociationLoganFoundationTheProgramFannieTheDimickHumanitiesFoundationEmbassyofAustraliaMae’sGiftMatchingJacobandCharlotteLehrmanCircleCommunityWashingtonStraus-HarryStrausFoundationMaxandVictoriaDreyfusandDorothySarnoffFoundationMorrisandGwendolynCafritzCapitalArtsandCulturalProgramandtheUSofFineArtsEndowmentfortheArtsNoraRobertsFoundationM.AngellFamilyFoundationFundShubertFoundationFoundation
Susan and Dixon Butler
Jinny and Michael Goldstein Susan L. Gordon
Marc Albert and Stephen Tschida
Teresa and Dan Schwartz
Cecile
The Mufson Family Foundation
ThomasJeanneSrodesStovroffStrikwerda and Donna CandyStienstraand Lawrence Sullivan
Theo Adamstein - TTR Sotheby’s International Realty
James EricKazukoTurnerUchimuraR.andLauraM. Wagner
Dee and Ron Sagall
Kathleen Kunzer Rosenzweig and Paul ReneeRosenzweigR.Matalon and Stephen H. LarryMarcusand Joan Naake
Lou VirginiaMazaweyA.McArthur and E.C.
This list represents contributions made to special events, special initiatives, and the annual fund received August 30, 2022. Every effort has been made to ensure the accuracy of this listing. For more information, please contact the Development Office at 202.919.3712.
C. Low III
Michael Higgins
Jack and Sue Whitelaw
Gail and John Harmon
Grant P. and Sharon R. Thompson
Wallis McClain
Frank Sammartino and Ellen ChristinaStarbird Samson
Stewart
Steve and Ilene Rosenthal
Linda B. Schakel
Randy and Steven Toll Henry and Jessica Townsend
Terry Theologides and Deb RobertRodriguezTracy and Martha Gross
Timbrel Fund
*Hornstein
In Memoriam
Carl and Undine Nash
The Honorable Carol Schwartz Tucker Scully and Lee Kimball Lauren Kogod and David Smiley
SteveSevak and Linda Skalet
Dr. Mark Epstein and Amoretta NavrozHoeber and Perinaaz Gandhi
Eddie Adkins and Jeff Mendell
Winton E. Matthews
Jane Molloy
Saks Fifth Avenue Checy Chase
23 STUDIO THEATRE
SUPPORTBENEFIT
Arlene and Martin Klepper
Lynn Rothberg
Natalie Winston
Robert I. Wise Ann EleanoreYahnerZartman MENTANDFOUNDATION,CORPORATE,GOVERN-SUPPORT
KayAuclair-JonesKendalland Jack Davies
Sandra and Albert Schlachtmeyer
Mark Tushnet and Elizabeth AmyAlexanderWeinberg and Norbert
Bernard Myers Fund for the Performing Arts
Carole and Barry Rubin
Hal Jones and Anne-Lise
Cindy and Mark Aron
Ronald Mason
Liz and Tim Cullen
Trudy H. Clark
Calrk-Winchcole Foundation
Did you know that Studio Theatre accepts gifts through bequests and IRAs?
With your lifetime gift of assets or charitable bequest, you will support our artistic mission while providing tax and financial to and your loved ones.
If you have included Studio Theatre in your estate or long-term financial planning, please let us know. Studio Infinitum recognizes patrons and friends who have designated Studio Theatre as the beneficiary of a planned Theatre in your long-range gift planning is one way of making a generous contribution to Studio and the initiatives that matter most to you.
Includinggift.Studio
STUDIOINTRODUCINGINFINITUM
benefits
FOR INFORMATIONMORE ABOUT PLANNED GIFTS, CONTACT BIANCA BECKHAM DIRECTOR OF DEVELOPMENT bbeckham@studiotheatre.org202.919.3717www.studiotheatre.org/support/planned-giving Cast in Admissions. Photo credit: Astrid Riecken. HEROES OF THE FOURTH TURNING 24
you
Rooted in our mission to foster a more thoughtful, empathetic, and connected community, Studio strives to welcome a wide and diverse audience. Our community engagement efforts include access and affordability initiatives, a growing community partner program, free student matinees, and a commitment to opening up our building as a hub for our neighborhood and city. In all that we do, Studio endeavors to make an essential contribution to the vitality of our nation’s capital.
Over 42 years and more than 350 productions, Studio has grown from a company that produced in a single rented theatre to one that owns a multi-venue complex stretching half a city block, but we have stayed committed to our core distinguishing characteristics: deliberately intimate spaces; excellence in acting and design; and seasons that feature many of the most significant playwrights of our time. Each season, we present a diverse roster of thought-provoking contemporary plays, featuring local, national, and international artists. We also invest in the incubation
STUDIOABOUT
HEROES OF THE FOURTH TURNING 26
and development of new work and nurture the next generation of arts leaders. Studio is a values-focused organization that pursues artistry and inclusion, and brings character istic thoughtfulness and daring to our efforts, onstage and off. We are committed to anti-racism and make a concerted effort to proactively dismantle barriers that have excluded people from joyful participation in our art form.
Studio Theatre is a longstanding Washington cultural institution dedicated to the production of contemporary theatre. We are a community of artists and audience members who believe in the power of theatre to help us understand the world, engage with some of the most important ideas and issues of the day, and affirm our common humanity.
27 STUDIO THEATRE I S A P R O U D S P O N S O R O F S T U D I O THEATRE Studio Theatre_Full 2020.indd 1 2/7/20 1:31 PM Follow Us! JBGSMITHProp er ties JBGSMITH JBGSMITH j b g s m i th.c o m