DEPT. OF ARCHITECTURE TKU 2018 - 2022 SELECTED WORKS
– About me –
薛瑋儒 Hsueh,Wei-Ru ( 1998.12.03 射手座 )
EDUCATION BACKGROUND 2014-2016 國立羅東高級中學 2017 台北儒林 2018 淡江大學建築系
PERSONAL EXPERIENCE 2019 羅志鑑建築師事務所 ( 暑期實習 ) 2020-2022 林嘉慧建築師事務所 ( 暑期實習、長期工讀 ) 2022 馬太商學院剪輯師 ( 短期工讀 )
ACADEMIC EXPERIENCE EA2 建築週 - 建鬼區長 EA3 建築週 - 賓果主持人 EA4 建築系迎新宿營 - 副召
ACADEMIC HONOURS 2019 王紀鯤建築設計獎 ( EA1 ) 2019 遠東新人獎 入選 ( Scape in-between 之間 )
SOFTWARES SKILLS Autocad．Sketchup．Rhinoceros．Photoshop．Illustrator． Indesign．Lumion．Twinmotion．Premiere．Word．PowerPoint
CONTACT INFORMATION Email: weiruhsueh@gmail.com Tel: +886 985 935 022 IG: weiruhsueh
+Issuu
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– Contents –
EA4 Studio HIDDEN EXISTENCE
- About Life Experience
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5:59 A.M.- About Untraceability of Time
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NOWHERE OR NOW HERE- About Place Connectivity
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此時此刻，我在這裡 - Theory of Architecture interface
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EA3 Studio
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隱之城 - 創設大稻埕 共享。自主 Co-Housing
- 屬於台北人的生活方式
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重置台北城 - Creative Working Space
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諾亞方舟
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- 宗教信仰空間與社區中心設計
EA2 Studio CO-LIVING VILLAGE
- 開放式系統住宅
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隨波逐流 - 腳踏車主題輕食咖啡站
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數位新創孵化巢 - 育成中心
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木柵動物園 KIOSK
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-亭
EA1 Studio - Question of Space
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材料語法 - 折空間 / 任憑版 / 偶然與必然 / 材料語法
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SCAPE IN-BETWEEN 之間
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HIDDEN EXISTENCE 〝About Life Experience”
/ Description This image is a photo taken from the screen window of my room. Maybe others are not be able to what the photo is, but I really existed at the moment that the photo was taken, I can specifically describe the life experience I felt at that time. Sense of smell : There are many food shops on the ground floor and I can smell a lot of food in every meal time. Sense of sight and touch : Observing the changes of shadows, it can infer the direction of the sun. The temperature of the room also increases with the intensity of the light. Sense of sight : Observing the position of the water pipes and iron windows, it can inferr that the face of my room is the back of the building. Through the above explanation, I believe that obser ving the things around life can infer the life experience, that is, there are many small but interesting meanings that is〝hidden〞 behind some existence, which will make us live more consciously.
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This notation space is composed of three spaces: pass by, encounterer, and stop in. I responded to the axis of the site, from Taipei Main Station to Zhongshan Station, and let people pass through these three spaces from fast to slow. In this project, space is defined by people's behavior. Therefore, when people move slowly from the exhibition space and book store to a small park full of vendors makes people stop gradually, and finally enter the living space where they can rest for a while. In the process of gradually stay, people can smell coffee, plant fragrance, hear laughter, music or meet other interesting people. I hope that the underground street is not just a transitional space, this place can filter out most of the urban noise, and those beautiful elements in life are selected and preserved. I hope that people can find a city corner of their own through this design. breath and feel life.
/ Semester 7
Notation and Space Lab
/ Supervisor
Hideki Hirahara 老師
/ Program
Between Hiking and Living
/ Key words
#Life Experience #Hidden #Existence #Five Senses
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5:59 A.M. 〝About Untraceability of Time〞
/ Description There is only one chance to meet 5:59a. m. in a day, and this time symbolizes t h e p a s t a n d c o m i n g o f a d a y. Therefore, I use this time to express the Untraceability of time, just like, I have no chance to take this photo at the airport in Okinawa at 5:59a.m. on 2019.09.02. However, some elements of the image like the pink and blue sky, the street lights still on and the passing taxi seem to strongly imply 5: 59a.m. this time. For people nowadays, they often lose themselves in their life day after day. The reason is that life has not changed and lacks freshness. Therefore, if they can grasp every one-time experience and feel every moment well. So, in this project, I try to figure out the signals related to time and use these external information to affect the subject's perception. Even though time continues to pass, that's fine. :）
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This notaion is depicting the daily life scene of commuting students passing by the bus stop, I try to figure out the signals related to time and use these external information to affect the subject's perception. For example, the continuous wall affects people's view of the external environment, or the undulating path affects people's behavior when waiting, changing from a row to a group queue, etc. These chahges can strengthen the external information and at the same time strengthen the subject's perception experience. The informations of the time: there is a bus every 4-6 minutes during peak hours, and a bus comes every 8-12 minutes during off-peak hours. 8:0010:00a.m. is the class time and 6:307:30p.m. is the time after class, the last bus will leave at 12 o'clock. These are noted in our daily life, and I think it is necessary to slowly realize the beautiful one-time experience at regular daily time, which will make us resonate with our life.
/ Semester 7
Notation and Space Lab
/ Supervisor
Hideki Hirahara 老師
/ Program
Bus Station
/ Key words
#Time #Untraceability #Daily Routine #Perception
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I observe the behavior of users and split the little space , allowing people to experience the passage of time in the repetitive architectural elements. Besides, when the last bus is at 12p.m. When it leave, the bus stop loses its function. So, I put a music bar to redefine these places through the spread of music at night.
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NOWHERE OR NOW HERE 〝About Place Connectivity〞
/ Description Wa n d e r i n g a ro u n d Ta i p e i , t h e re are always many buildings under construction that cover the familiar old street houses. And this image was taken from my way home, does it represent my memories are getting disappear with the place when the new building is built ?
In the final project, I tried to look at the city from a neutral point of view. No matter is new things or old things, as long as we feel every moment, the people we meet in life, 101 in memory, statues in the park , rainy roads... these memories are enough to form a connection with the place.
Then, I define these two words. Nowhere: in the time of constant change, the state of changing the appearance of the city. Now Here: some memory elements that are connected with the place, allowing people to perceive the state of where i am.
Therefore, in this notation, I try to note people's path when passing through the boundary of the park. These calm lines are the experience of〝nowhere〞, and some framed small spaces are the experience of〝now here〞including the entrance to the park , the high platform for viewing 101, the seat area for people to stay and the luminous high tower.
When I look at this image, I can find that new structures are covered on the facade that I am familiar with. I really like the variability of this temporary city’s appearance, and this will become a place where new memories are stacked, which makes it interesting experience of place connectivity.
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I hope to create a peaceful boundary space like the city landscape, let people flow and feel freedom.
/ Semester 7
Notation and Space Lab
/ Supervisor
Hideki Hirahara 老師
/ Program
The Boundary of 228 Park
/ Key words
#Place #Connectivity #Boundary #City Landscape
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此時此刻，我在這裡 〝Theory of Architecture interface〞
/ Description A seemingly independent and quiet island, located in the center of the city but hidden on the border of the city. With the light and shadow infiltrated in the shade of the trees, people find their way, slowly get away from the hustle and bustle of the city, and look for the city lighthouse that we need to look up to catch a glimpse of when we are down the mountain. Extending the theory of architectural form through sculpture and art theory, and picking up the astronomical watchtower belonging to 2022, as a rethinking of educational places in today's society, it explores the balance b e t w e e n a rc h i t e c t u r a l f o r m a n d function. "Interface" will redefine the relationship between architecture and the external environment, and emphasize the importance of "path". The relationship between the exterior and interior of the building is handled through a fluid path, which carries activities, time and feelings, and guides people how to see everything in the world.
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一座看似獨立安靜的小島，位於都市中 央卻隱身於城市的邊界。人們隨著樹蔭 中滲透出的光影尋找方位，緩緩地脫離 城市的喧囂，尋找那座我們在山下時需 要抬頭仰望才能瞥見的城市燈塔。 透過雕塑品與藝術理論延伸出建築形態 理論，並重新拾起屬於 2022 年的天文 瞭望塔，作為現今社會中教育性場所的 再思考， 探討建築型態與機能之間的平 衡。 人們不斷地嘗試理解我們是誰、歷史的 痕跡和我們自身的存在。然而，在這個 過程中，搜索出現了扭曲，失去了焦點… 當我們真正離開世界時，我們還剩下什 麼？人類在宇宙觀中變成了煙霧，從這 種反思中得出人與宇宙之間的關係。 〝而建築是一種生活中的介質〞，「介面」 將重新定義建築與外部環境的關係，並 強調了〝路徑〞的重要性。 透過流動性 的路徑處理建築外部與內部之間的關係， 乘載了活動、時間與感受，引導人們如 何觀看物間萬物。
/ Semester 8
EN Lab
/ Supervisor
游瑛樟 老師
/ Program
Planetarium mix Watching Tower
/ Key words
#Interface #Time #Transparency #Diversity #Continuity
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– Detail Model –
為了達到設計理論的透明性量體邊界，將主要的結構體—兩向度的鋼柱纏繞而成的直紋曲面，向內靠攏，再由上頭的環型 結構透過纜繩的拉力系統將圓環走道吊起，並透過埋在地層的重捶將纜繩鎖緊，達到結構的平衡。 使用以上工法也能同時因應天文塔的教育性展覽模式，兩種構造系統的配合下，樓板的挑空彈性提高，吊掛型天文展覽品 或是反重力的太空體驗都能在展覽空間內部實現，以及環繞至上的流動型平台，讓參觀者能透過不同的視角體驗空間。除 此之外，將同樣的工法加入不同的參數，便能創造出相似單元卻符合多樣性的建築量體需求，回應了整個邊界理論的發展 與結論。 In order to achieve the design theory, the main structure, the ruled surface formed by winding two-dimensional steel columns, is drawn inward, and then the ring-shaped structure on the top is connected to the circle through the tension system of the cable. The ring walkway is suspended, and the cables are locked by heavy hammers buried in the ground to achieve the balance of the structure. The above construction method can be used for the educational exhibition mode of the astronomical tower. With the cooperation of the two structural systems, the elasticity of the floor slab is improved, and the hanging astronomical exhibits or the anti-gravity space experience can be realized in the exhibition space. A wrap-around flowing platform that allows visitors to experience the space from different perspectives. In addition, adding the same construction method with different parameters can create similar units but meet the diverse needs of building volume, which responds to the development and conclusion of this theory.
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隱之城 〝創設大稻埕〞
/ Description Cities are diverse because they are a meticulous collection of every person who lives in them, those complex emotions and histories, memories or desires. But how should these invisible urban memories be presented? The meaning of "Hidden City" is to turn out the memory of the invisible city. Dig out the declining theater industry in Dadaocheng, as well as the unique ordinar y life of Dadaocheng, and understand the relationship between special architectural elements such as long street houses, patios and sloping roofs and the region. Therefore,through the passage of the wall, the workers of the film industry can flow on the external streets, interact with foreign tourists, and practice the more flexible working mode today.Participants, workers, and residents of the external neighborhood enter the creation center through different entrances. During the process of flow and interaction, they experience "seeing" and "being seen", as well as the perception of life in it, and feel the so-called invisible city memory.
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城市之所以多樣，因為它們細密收藏了 每個居於其中的人、那些複雜的情感與 歷史，記憶或慾望。不過這些看不見的 城市記憶，該如何呈現？ 過去的記憶影響著人們對於未來的想 像…大稻埕，被視為都市之瘤的老舊城 市，該用何種姿態存在於未來 ? 我認為 不該再將心力投入過多的觀光產業，我 們應將眼光看向隱藏在磚瓦背後的生活 記憶，以及躲在歷史洪流之中的文化產 業。 「隱之城」意旨在於：翻轉出看不見城 市記憶。挖掘出大稻埕沒落的戲院產業， 以及大稻埕獨特的常民生活，理解長型 街屋、天井與斜屋頂等特殊建築元素與 地域之間的關係。 因此，透過牆面的推移打破內部與外部 的邊界，使電影產業的工作者能夠流動 於外部的街道，與外來的遊客產生互動， 也能藉此實踐現今更彈性的工作模式。 參與者、工作者，以及外部鄰里的居民 分別透過不同的入口進入創設中心，流 動與互動的過程中，體會〝看〞與〝被 看〞、以及居於其中的生活感知，感受 所謂—看不見的城市記憶。
/ Semester 6
EA3 Studio
/ Supervisor
賴怡成 老師
/ Program
創客中心
/ Key words
#Hidden City #Ordinary Life #Culture #Memory
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共享。自主 Co-Housing 〝屬於台北人的生活方式〞
/ Description With the development of society and the gradual change of work patterns, the nine-to-five life pattern is gradually broken. Slashies can work anytime, anywhere. Coupled with the impact of the epidemic, life and work have become inseparable... Therefore, I want to find It belongs to the way of life of Taipei people. "Houses are not fixed." Through the above analysis, it is understood that Taipei people's changes in living habits have gradually changed from longterm residence to shor t-term use, from family to individual, from buying a house to renting...etc. In addition, the line between work and life is gradually blurring. "Multiple uses in one room" has become a trend, and the emergence of symbiosis houses is in response to today's living patterns. Therefore, this design will tr y to combine working space and living space, connecting Taipei commuter office workers and entrepreneurial slashies, so that people can establish a good balance between work and life.
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隨 著 社 會 的 發 展 工 作 型 態 逐 漸 轉 變， 朝 九 晚 五 的 生 活 模 式 漸 漸 被 打 破， 斜 槓 青 年 隨 時 隨 地 都 能 工 作， 加 上 疫 情 的影響，生活與工作變得密不可分…因 此，我想尋找屬於台北人的生活方式。 我將台北人分化為兩種工作模式：Living to wok( 為工作而活 )，以及 Working to live( 為生活而工作 )。分析兩種不同的生 活型態與住宅的關係，歸納出朝九晚五 的上班族，生活被制約於上下班時間， 求快速求方便的生活狀態缺乏生活感知； 為了追求自我的協槓青年，不被上下班 時間制約，透過不斷的體驗生活、尋找 工作靈感而串聯成豐富的生活感知。 〝 住 宅 並 非 固 定 不 動 的 〞， 透 過 以 上分析理解到台北人對於居住習慣 的 改 變， 漸 漸 地 從 長 期 定 所 轉 變 為 短 暫 使 用、 從 家 庭 轉 變 為 個 人、 從 買 房 轉 變 為 租 房 … 等 變 化， 除 此 之 外， 工 作 與 生 活 的 界 線 也 逐 漸 模 糊。「 一 房 多 用 」 成 為 了 趨 勢， 共 生 宅 的 出 現 便 是 為 了 因 應 現 今 的 生 活 模 式。 因此，此設計將嘗試結合工作空間與生 活空間，串連台北通勤上班族以及創業 的斜槓青年，使人們在工作與生活之間 建立良好的平衡關係。
/ Semester 6
EA3 Studio
/ Supervisor
黃瑞茂 老師
/ Program
共享住宅
/ Key words
#Taipei City #Share House #Co-Living #Working to Live
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重置台北城 〝Creative Working Space〞
/ Description Through the continuous development of science and technology and the accumulation of history, Taipei City has been created with the old and the new. Following the development track left by Taipei City, the relationship between the new and the old has been reset. In addition, by analyzing the development of Taipei's streets, urban planning use zoning, and ver tical s e c t i o n s of u r ba n d e v e l o p m e n t , the new and the old on the site are clarified. Amazon is a multinational e-commerce company headquartered in Seattle, USA. Its business started as an online bookstore, and soon its products became diversified. It is currently one of the world's largest online retailers on the Internet. The Amazon office building starts from the site, connects with the gradually declining stores outside, sells products through the Internet, and the physical store serves as the storage space of the office building to achieve mutual benefits.
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經過科技不斷的發展以及歷史的堆 疊， 造 就 了 如 今 新 舊 堆 疊 的 台 北 城， 依 循 著 台 北 城 遺 留 下 來 的 發 展 軌 跡， 重 置 新 與 舊 之 間 的 關 係。 1884 年台北城牆完工到 1901 年日本政府 拆除城牆，不過才 17 年的時間，然而由 城牆所畫設出的城內範圍，並未因為城 牆的消失而有所改變。台北城與七星山 相連成為台北市發展軸線，並向東擴增 許多重要據點，影響都市紋理與發展。 除此之外，藉由分析台北街道的發展、 都 市 計 畫 使 用 分 區， 以 及 城 市 發 展 的 垂 直 剖 面， 釐 清 基 地 上 的 新 與 舊。 而亞馬遜公司 (Amazon) 是一家總部位 於美國西雅圖的跨國電子商務企業，業 務起始於線上書店，不久之後商品走向 多元化。目前是全球最大的網際網路線 上零售商之一。Amazon 辦公大樓以基 地為中心出發，與外部逐漸沒落的商店 做連結，透過網路推銷商品，而實體商 店作為辦公大樓之倉儲空間，達到互益 效果。
/ Semester 5
EA3 Studio
/ Supervisor
陳明揮 老師
/ Program
Amazon 辦公大樓
/ Key words
#Office Building #New and Old #Development Axis
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諾亞方舟 〝宗教信仰空間與社區中心設計〞
/ Description Tamsui Old Street, located at the junction of the river and the sea, has a good natural environment and cultural history, which brings a tourism industry. However, how can a peaceful religious belief space coexist with the noisy old street? Through the analysis of the site. It is found that the local living places of residents are gradually replaced by the consumption space of tourists. The tourism industry gradually dominates the Tamsui area, bringing a diverse flow of people, but at the same time, it compresses the space for residents communicating area. The distance between them is getting farther and farther. Therefore, this design will create a "Noah's Ark" belonging to Tamsui Old Street. Through fables, the sacred place will be transformed into the main space type. The fluid floor changes can accommodate all kinds of ethnic groups. The space is publicized, and a highly inclusive church can be presented, which can bring people together and unite people's hearts.
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位於河海交界處的淡水老街，擁有良好 的自然環境，以及豐富的人文歷史，帶 來了良好的觀光產業，然而，寧靜的宗 教信仰空間該如何與喧囂的老街共存呢 ? 透過基地分析發現居民在地的生活場 所， 逐 漸 被 觀 光 客 的 消 費 空 間 所 取 代， 觀 光 產 業 逐 漸 主 宰 了 淡 水 區， 帶 來 了 多 元 的 人 流， 卻 同 時 把 居 民 聯絡情感的交流空間壓縮至狹縫地 帶， 使 人 們 之 間 的 距 離 越 來 越 遠。 因此，此設計將打造一個屬於淡水老街 的〝諾亞方舟〞，透過寓言故事將神聖 性場所轉化為主要的空間型態，流動性 的樓板變化可以容納各式各樣的族群， 將宗教性的空間公共化，呈現包容性高 的教堂，能將人們匯聚於此，凝聚人心。 此設計主要的空間組構：透明且開放的 一樓為社區中心的入口意象，當人們緩 緩地向上流動時，透過樓板的幾何、挑空、 階梯的轉向等手法，使空間架構逐漸由 公共性轉換為私密性，最終，神聖性的 教堂空間被轉化為諾亞方舟的型式，被 獨立於最上層，上翹的屋頂與天空對話， 回應信仰。
/ Semester 5
EA3 Studio
/ Supervisor
顏亮平 老師
/ Program
宗教信仰空間結合社區中心
/ Key words
#Noah's Ark #Church #Community Center #Old Street
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Co-Living Village
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/ Semester 4
EA2 Studio
/ Supervisor
林嘉慧 老師
/ Program
開放式系統住宅
隨波逐流 / Semester 3
EA2 Studio
/ Supervisor
王文安 老師
/ Program
腳踏車主題輕食咖啡站
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數位新創孵化巢
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/ Semester 4
EA2 Studio
/ Supervisor
劉綺文 老師
/ Program
育成中心
木柵動物園 Kiosk / Semester 3
EA2 Studio
/ Supervisor
游雅婷 老師
/ Program
Kiosk
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Scape in-between 之間
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/ Semester 2
EA1 Studio
/ Supervisor
吳順卿 老師
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材料語法 / Semester 1
EA1 Studio
/ Supervisor
柯純融 老師
分別透過四個題目：折空間 ( 折紙 )/ 任憑版 ( 木頭 )/ 偶然與必然 ( 水泥 )/ 材料語法 ( 金屬、木頭、彈性布 ) 來訓練設計轉化手法以及空間感知。 1. 透過平面的畫作思考流動性的故事軸線，並將線條的變化性轉化為折空間。 2. 思考木頭的材料性，將人雙手抱膝身體彎曲時心裡產生的包覆與防衛性的抽象元素呈現在載具外觀上。 3. 將鳳梨作為觀察對象，分析其生長變化、外型與孔洞變化，發展出具有連續性的孔洞單元，當水泥單元堆疊後將呈現孔洞的轉向效果。 4. 藉由分析案例的細部構成，嘗試轉換為不同材料之間的細部接合，並設計可動裝置使彈性布的張力特性最大化。 Through four topics: Folding space (origami)/ (wood)/Accidental and inevitable (Cement)/Material grammar (metal, wood, elastic cloth) to train design transformation techniques and spatial perception. 1. Think about the fluidity of the story axis through the flat paintings, and transform the variability of lines into folded spaces. 2. Think about the materiality of wood, and present the abstract elements of wrapping and defensiveness in the heart when people bend their arms and knees, and present them on the appearance of the vehicle. 3. Take the pineapple as the observation object, analyze its growth change, appearance and hole change, and develop a continuous hole unit. When the cement units are stacked, the hole turning effect will appear. 4. By analyzing the detail structure of the case, try to convert it into the detail joint between different materials, and design the movable device to maximize the tension characteristics of the elastic cloth.
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