JMH Architectural Works 2011-2018 by JMH.

Jerry M Hong Projects 2011- 2018

jerry m hong

contents

table of contents

a craft in the making

a rising field

atrium as conjunction

an assemblage of light

tale of detail

re-painting

adapting charleston single house typology

shade and t-splines

framing the view

facade and form

a dining room

wall as the connector

house of aroma

displacement of water |

displacement of water ||

thickened edge

public space as catalyst

a horizontal dialogue

repurpos(e)ing

publication

29.65 N 82.32 W

a craft in the making | Gainesville | Fabrication Studio | Medium The dinosaur workshop is imaginative proposal that is appropriate for the site in Gainesville, creating a new relationship with natural history museum, the paleontology program and the fabrication laboratory at the University of Florida. The site is along a bicycle trail edge, the workshop becomes both as studio and an exhibit itself.

Stemming from archaeological process of digging, carving, plastering, these process become methods which the design actualized from. Carving and layering wax was a process to explore spatial relationship and question of privacy and public along the trail.

(1)

(1) site , connection, museum, program, fabrication

archaeological process | carving | change conditions

(2)

(2) scale,vertical vs horizontal, fossil replication process

independent project

(1)

(1) drawing processes carving and melting

archaeological process | carving | change conditions

(2)

(3)

(2) carving process to inform relationship of massing, ground, and negative spaces (3) speculative section of fossil replicas in the making with a horizontal jib system

26.07 N 119.29 E

a rising field | Fuzhou | Farm | Medium This project seeks to revive the cultural art of goldfish cultivation. The existing field is tradition farmland, a field of water container set within the ground. Injecting a sequence spatial journey, these moments of displacement bring new spatial experience to the existing landscape.

The field is bisected into two zones, breeding and selling, the central wall separated these into two fields with views into both the fields. A series of displacement, measured against the horizontal line, below, between, and above becomes different means to enjoy the site and bring new perspectives onto goldfish cultivation.

(1)

(2)

(3)

(1) images of an existing goldfish farm (2) site location (3) plan and section of exsting farm structure

measurement | displacement | sequence

(4)

(5)

(4) fields, density, tools, goldfish, and ritual of feeding (5) water level, occupying the water, selling, and ritual of selection

independent project

(1)

(1) plan and aerial plan

measurement | displacement | sequence

(2)

(2) elevation and series of sections

independent project

(1)

(2)

(1) section (2) 1:32 conceptual model and circulation sketches

measurement | displacement | sequence

Vessels of Displacement

Constructed Horizontal Experiences Constructed Views, Vista, Belvedere

Volumes of Water Implied Vertical Void

Existing Module Plurality of Scale

Layering of Masses and Voids

(3)

(3) components axonometric

independent project

(1)

(1) entering a transuclent volume

measurement | displacement | sequence

(2)

(2) engaging the goldfish from above

independent project

(1)

(1) intimacy of water

measurement | displacement | sequence

(2)

(2) at level with water and goldfish

independent project

(1)

(1) viewing the into the breeding field

measurement | displacement | sequence

(2)

(2) above the field

independent project

(1)

(1) observing the vertical and horizontal movement of goldfish in the breeding field

measurement | displacement | sequence

(2)

(2) observing the site and the landscape

41.38 N 2.18 E

atrium as conjunction | Barcelona | Hotel | Large Hotel at the services of locals, or tourists? The project considers the identity of the hotel in terms of those distinct groups. The forms are derived from two different audiences and the atriums serve as the conjunction for these two audiences. The form is further articulated for views, light, and connections.

The ground articulation functions as an anchor to the city with culture programs that cater to both the locals and tourists, a conjunction of the city and the hotel.The urban connector contains a bicycle ramp linking the city circulation into the hotel circulation.

City Blocks

Project Site

Water Promenade

(1)

Hotel Program Studies

Hotel Proposed Programs (2)

(1) Barcelona waterfront, site location (2) hotel program studies and proposed programs

intersection | identity | podium | atrium

anchoring

alternating

suspending

canopy

concealed

residential

atrium

hotel (3)

(3) sectional studies of atrium retlationship and proposed residential, hotel, and atrium relationship

(4)

(4) view from the water promenade

collaborative project

(1)

(1) roof garden, infinity pool, and culture center as part of the urban fabric

intersection | identity | podium | atrium envelope

programs

garden

skin structure skin

condos

lounge hotel pool

spa theatre

meeting bike + walk

community framework skin panels framework

structure

slabs

columns

steel columns

bike ramp

community (2) building systems axonometric

urban connection

(2)

00.00 N 00.00 E

an assemblage of light | Speculative | Light Diffuser | Small Light qualities are explored in drawings first and later transform into a construct. Diffuse and soft light are explored via layering varies material quality. The project continues into materials studies that would translate the concepts from the drawing into 1 to 1 physical construct.

A 1 to 1 construct brings a new set of challenges: methods of joint, scale of materials, and material qualities. Wood was selected because of its willingness to bent and fold. Using the living hinge method to create a surface curved surface. The curving of a surface would produce a much softer refracting off than a flat one. The construct is imagined as a facade that would impose light on to other surfaces.

(1)

(2)

(1) living hinge joint wood studies (2) plan, section, and front elevation

layering | translucency | depth | movement

Glass Panel GLASS PANEL

Primary PRIMARY Structure STRUCTURE

Assembly ASSEMBLY

Light Diffuser Connector LIGHT DIFFUSERHorizontal HORIZONTAL CONNECTOR

Polycarbonate POLYCARBONATE (5)

(3)

(3) construction components axonometric

independent Project

(1)

(1) 1:1 scale wood and polycarbonate model, details and front elevation (natural light)

layering | translucency | depth | movement

(2)

(2) 1:1 scale wood and polycarbonate model, details and back elevation (artificial light)

00.00 N 00.00 E

tale of detail | Speculative | Details | Small A continuum of light assemblage, the intent is to transform the object into an architectural element, an overhead condition. Exploring the role of detail as a generator for spatial joint. In his discussion on the Tell-The-Tale Detail, Marco Frascari explains the joint is the fertile detail is the place where both the construction of the construing and the architecture take place.

How light filters through an overhead condition influences the spatial qualities below as well as the surroundings. The concept of the light diffuser and the light receiver are introduced to further study the impact of light permeation through a curved surface and surface that acts as a receiver of light transmission, and enrich the light qualities experiences. The subtly layering of porusity and transculency informs a change in depths.

(1)

(2)

(1) construction details of the model (2) transforming from an object to an architectural element

materiality | joints | spatial details | layers

Glass Panels

Overhead Structure

Wood Patterned Sheet

Polycarbonate Sheet

Vertical Members

Light Receivers (3)

(2) construction components axonometric

independent project

(1)

(2)

(1) speculative section (2) speculative section

materiality | joints | spatial details | layers

(3)

(4)

(3) speculative plan (4) constructed 1 1/2” = 1’-0” fragment model

00.00 N 00.00 E

re-painting | Digital | Landscape | Independent project In response to the prompt present by Perry Kulper, Painting (not) by Numbers: establishing a deep read of a painting, developing instruments to “work” on the painting, and establishing an understanding of digital means for working. Reading the painting as analogically to an archaeological site.

The analogous thinking on the painting “The Mexican Window” ( Robert Maxwell 1974) as an abstract field that holds the markings of the previous inhabitants, through re-engineering a set of artificial instruments emerges based on the translation of pigment, color structure, texture, painting strokes, and lines. These set of equipment collect and interpret another reading of the painting, transpose the markings into the second set of this diptych. The painting itself is a collection of data that is constantly re-record and re-mark. The painting is to be understood as individually or as a diptych.

(1)

(2)

(1) Robert Maxwell The Mexican Window, 1974 (2) Re-record, read and collect

field | markings | palimpsest | ruins

(3)

(4)

(3) Robert Maxwell, The Blue Door, 1973 (4) Re-paint, re-read and mark

32.72 N 79.93 W

adapting charleston single house typology | Charleston | Performance | Medium Charleston, South Carolina is a city deep in culture and history. The site is on Ebay st, which is filled with local shops and theaters. The theater is a main attraction of Charleston, hence the program of the project is to design dual performance spaces while reflecting the locale.

This is achieved by adopting the typical Charleston single house typology while exploring the spatial relationship of the programs, public, and the urban fabric. The public space could function as a outdoor performance or a theater. The old is renew and fits appropriately to the urban fabric.

Charleston Single House

Proposed Spatial Relationship

(1)

(2)

(1) photos of single house taken during site visiting in Charleston (2) spatial relationship of single house and proposed adapt relationship

Indoor Performance Space

Outdoor Performance Space

(3)

(3) section perspective showing indoor and outdoor performance space

spatial relationship | locale | duality

(4)

(5)

(4) ground floor plan (5) second floor plan

independent project

(1)

(1) rotating wood panels axonometric, the panels functions as projection screen and advertising panels

spatial relationship | locale | duality

(2)

(3)

(2) rotating wood panels function as advertising panels (3) outdoor theater is an open air theater use wood panels as projection screen

29.13 N 83.03 W

shade and t-splines | Cedar Key | Pavilion | Small | independet project Situated along the edge of a marsh, the chapel sits within a box, creating a transitional threshold of bringing landscape into the sanctuary. T-Splines is using as means of creating curvature forms that respond to the context. A curve wall with undulation responding to the approach and a view framing the quiet sea marsh along the bay

(1)

A chapel is held within the undulating form. The curved is constructed of concrete held over a structural mesh that also functions to create a pattern of light and shadows surrounding the chapel.

(2)

(3)

(1) plan (2) side elevation (3) view from the water

transition | shade | interstitial

(4)

(5)

(4) structural system axonometric (5) section

00.00 N 00.00 E

framing the view | Speculative | Exhibit | Medium The intent was of this project was to investigate how to construct exhibits to engage the animal not view the animal as an object but constant changes in how we perceive the animal and their environment. Currently, the dilemma of exhibits and zoos are to provide a more natural environment to the animalâ&#x20AC;&#x2122;s natural habitats and to engage the viewer and the animal more while maintaining questions of safety.

Elements of viewing and framing views were the focus of this project. Animals exhibit typologies are explored and categorized, two new views were discovered in the process. Panda is the animal of this design exhibit.

Education Center Exhibit

Overlapped

Raised

Plan View

Sectional View (1)

(2)

(1) conceptual idea of spatial relationship between exhibit and education center (2) open exhibit , typology C II

framing | views | inside outside

0’ < X < 2’ 2’ < Y < 4’ 4’ < Z < 10’ 10’ < V < 20’

Aviary Exhibit

ll Open Exhibit

lll

Enclosed Exhibit

Water Exhibit

Safari Exhibit

(3) exhibit typology categorized

(3)

independent project

Aerial Plan

titled the glass at an angle enable adults and kids to view the exhibit simultaneously

where the animals are playing the viewer role and the people are playing the view role (2)

Ground Floor

Second Floor (1)

(1) aerial plan, ground floor plan, second floor plan (2) two new exhibit typologies

framing | views | inside outside

(4)

(5)

(4) section (5) where animal is the viewer overlooking the people

29.65 N 82.32 E

facade and form | Gainesville | Shops | Small The project explores the servant vs served spatial concept. The design is to maximize function through formal articulation. The servant spaces are the circulation spaces and the served are the functional spaces.

A single long stairway designed to minimized impact on the main multiple function space. Structural elements were also designed into the faรงade as a method to increase the flexibility of the main space. The structural system is composed of concreted modular in hexagon form and tapered into a column-like frame on the ground floor.

Servant Space Serve Space

(1)

(2)

(1) servant and serve spatial relationship (2) viewing the building from the across the street

form | facade | adaptable space

(3)

(4)

(3) transverse section (4) longitudinal section

independent project

1. Storage 2. Lobby 3. Main Hall 4. Studio 5. Cinema

Basement

Ground Floor

4 3

1st Floor

2nd Floor (1)

(1) basement plant, ground floor plan, first floor plan, and second floor plan

form | facade | adaptable space

(2)

(3)

(2) builidng system axonometric (3) main space function as gallery

29.13 N 83.03 W

A Dining Room | Cedar Key | Pavilion | Small A collaboration project led by professor Hailey (University of Florida) and visiting professors Philip Tidwell from Finland and Sami Rintala from Norway with the City of Cedar Key to create a gathering spot in Cemetery Point Park. A dining room was used to broaden the idea of community space, notions of gathering, eating, preparing food and resting. The process was an iteratively between sketching, modeling, and mock-ups. .

A large portion of the design was pre-fabricated at the school and reassembled on site. This was a seven days project, six days for designing and fabricating and one day for assembling on site.

(1)

(2)

(1) approach to the site and site location (2) initial sketches (drawing by team)

communication | public | flexible

(3)

(4)

(3) photo of the finished installation (4) site plan

collaborative project

(1)

(1) mock-ups in construction (photo by team)

communication | public | flexible

(2)

(3)

(2) construction on site (3) a dining in progress (photos by team)

34.34 N 108.93 E

wall as the connector | Xi’an | Cultural Center | Large Xi’an the of the oldest city in China, with more than 3,100 years of history. The former capital of many dynasties through Chinese history. Xi’an has emerged in the modern time as a main cultural and technology center. There are a lot of historical remnants that existed in the city included the Small Wild Goose Pagoda. Small Wild Goose Pagoda is under national culture protection unit. It’s currently under application for UNESCO status. The proposed design enhances the pagoda visiting experiences by providing interesting view points of the pagoda and interactions with tang culture related programs. Xi’an flourished during the Tang dynasty, therefore by proposing programs that house tang relics, it anchors the site to the history of Xi’an. A culture center would help establish the pagoda as a world heritage site.

Site C: reactivate the south gate The proposal for site C is to reactivate the south entrance and bring back the north-south orientation. Carving into the urban village of the east side and replacing it with a green park, would provide a better linkage to the community. On the west side, a calligraphy museum is proposed as the first part of the experience of tang culture. Propose wall concept. The wall connects site A, B and C and frames the entrance square. 1st Wall - Physical wall, the existing structure 2nd Wall - Public green space 3rd Wall - Cultural programs

(1)

central axis

culture landscape history landscape culture

(2)

(3)

(1) images of Small Wild Goose Pagoda (2) layers of conceputal walls (3) existing structures in the pagoda complex

historic preservation | connection | circulation | axis

Existing Conditions

Site Boundary

Site Circulation

Site Demonlition

Propose Conditions

Site Boundary

Site Circulation

Site Demonlition

(4)

(4) exsting conditions and proposed design conditions

collaborative project

(1)

(2)

(3)

(4)

(1) site c (2) aerial plan of site c (3) ground floor plan of site c (4) second floor plan

historic preservation | connection | circulation | axis

(5)

(6)

(5) sections through site c (6) calligraphy museum (7) skywalk viewing into the pagoda complex

(7)

collaborative project

(1)

(2)

(1) new construction within the pagoda complex, orange is the connect wall (2) entrance square

historic preservation | connection | circulation | axis

(3)

(3) pagoda complex masterplan (drawing by team)

00.00 N 00.00 E

house as aromatic vessel | Speculative | Dwelling | Small | Independent Project Emanating from Douglas Dardenâ&#x20AC;&#x2122;s Condemned Buildings, a simple architectural canon is imagined. A House is a Vessel of Aroma. A series of allegorical symbols compose a suggestive section in which to respond to the prompt. The prompt seeks to introduce the role of smell and aroma through the ritual of bathing and translate the intangible into the tangible.

(1)

(1) allegorical symbols, doctor Schnabel von Rom, oscillating bath tube, steam distillation apparatus, perfume bottles, industrial distillation

aroma | inside outside | time

(2)

(3)

(2) details (3) house is a vessel of aroma

67.93 N 13.08 E

displacement of water l | Norway | Belvedere | Medium An investigation on displacing water as a method for exploring human relationship with water. Reine Island located in the northern part of Norway, a part of a collection of islands known for fermented kippfish. The process of preparing kippfish, or dry cod, is transforming ritual that embodies the cultural essence of these fishermen. The process dehydrates the fresh cod for later reconstitution, ensuring a stable food source. The site is perched on the ridge of the mountain. At this particular point, one can view the entire village and the mountain peaks surrounded by water.

The location has a sense of fantasy. The architecture charges the project by incorporating a ritual that is unique to this region. Imagine hikers ascending the trail to encounter a wall that rises from the ridge, a wall that carries the aroma of dry cod. Here, the hiker leaves a kippfish before entering the long, narrow space that is a construct of steel; a material that is raw and cold. They reach the end to find a view of the sea and a shelter where they would enjoy a dish of reconstituted cod. The act of removing ourselves from the water by hiking upwards is later reconciled with the consumption cod, coming from the water.

(1)

(2)

(1) process of kippfish drying (2) images of kippfish drying rack and site

water | displacement | narrative

(3)

(3) geographic location and typography (4) the trek to the pavilion

independent project

(1)

(2)

(1) longitudinal section (2) aerial plan

water | displacement | narrative

(3)

(4)

(3) longitudinal section detail (4) transvese sections through viewing platform and through upward ascension

independent project

titles

(1)

(1) paper and foam conceptual model

water | displacement | narrative

(2)

(3) perspective moments along the entrance, the vista, and the belvedere

1.35 N 103.81 E

displacement of water ll | Singapore | Pavilion | Small The second exploration of our relationship with water. Jurong lake in Singapore, where creating reclaimed land is a cultural norm. The notion of creating new environment is reinforced with displacing water to allow for new relationships between people and water. the Island is an extension of the lake promenade into the water accessible only through kayaking. The pavilion providing a unique spatial sequence to view the lakeâ&#x20AC;&#x2122;s aquatic life.

Aquascape, the art of creating miniature landscapes underwater, is a popular pastime in Singapore. this process became a method of creating views and aperture to filter light through. During the monsoon season, the water level will rise to create a new environment, one where the participates could kayak through space as if it was a cave.

(1)

(2)

(1) process of aquascape (2) images of Jurong Lake

water | displacement | culture

(3)

(3) geographic location and typography (4) paper conceptual model

independent project

(1)

(1) transverse section

water | displacement | culture

(2)

(3)

(2) longitudinal section (3) plan

independent project

(1)

(2)

(1) approaching the pavilion during monsoon season (wet) (2) approaching the pavilion during dry season

water | displacement | culture

(3)

(3) section perspective of displacement of water and spatial relationship to water

40.71 N 74.00 W

thickened edge | New York City | Farm | Medium A transition between rural conditions and urban conditions, the thickened edge exploration the transitional threshold between a relativity constricted vertical conditions to a relativity horizontal conditions. The thickened edge holds vertical farming negotiating between the notion of farming as horizontal conditions in the city.

Moveable panels are designed facing the street to remove the visible connection to the city and focus on the greenery that is Union Square Park and the vertical garden above. The vertical farmings become a display of seasonality and connect food production, farmer markets, and the city.

(1)

(2)

(1) image of Union Square Park and existing farmer market (3) site conditions, sun paths, farmer market, tree canopy, seasons

threshold | public space | transition | time

(3)

(4)

(2)

(5)

(2) initial vertical stacking system (4) facade displays the changes in seasons (5) thyme and strawberry cultivating requirements, measurements, annual process, height

independent project

(1)

(2)

(1) longitudinal section (2) aerial plan

threshold | public space | transition | time

(3)

(3) axonometric

independent project

(1)

(2)

(1) approaching from the city block (2) viewing it from across the street

threshold | public space | transition | time

(3)

(3) passing through to Union Square Park

41.90 N 12.50 E

public space as catalyst | Rome | Mixed-Use | X-Large Located on the east bank of the Tiber River, this block intervention seeks to reinvent a corner of the ancient city of Rome by inserting contemporary programs within a strong historical context that anchor a public piazza - the Roman staple of public space. Housing is the fabric of the intervention, with public buildings at the communityâ&#x20AC;&#x2122;s service.

The city of Rome is understood as a series of courtyards and piazzas with varying levels of intensity. level 2 might be a small, hidden neighborhood space, while level 3 would be piazza Palazzo Farnese, level 7 Campo di Fiori, and level 10 would be the Spanish Steps. This intervention seeks to establish a level 6 intensity.

Campo di Fiori

Piazza Farnese

Piazza de River

(1)

(2)

(1) plan and sectional comparison of the design piazza and surrounding existing piazzas (2) view into the piazza

piazza | edges | urban fabric 1. Library 2. Institution 3. Piazza 4. Commerical 5. Business Incubator 6. Residential

(3)

(3) section perspective of the piazza, resdential and commerical buildings (3) view as a city block

collaborative project

Total 560,000sq

Public 872,00sq

100%

12%

Shared 268,000sq

48%

Privated 234,000sq

Street 20%

Shops 40%

Amenities 25%

Piazza 80%

Civil 60%

Resident 75%

40%

(1)

Housing

School

Shops

Offices

Library Commerical

(2)

(1) program distribution (2) program axonometric

piazza | edges | urban fabric

(3)

4 4

1. Library 2. Institution 3. Piazza 4. Commerical 5. Residential (4)

(3) sections framing the piazza (4) aerial plan

collaborative project

Outer Shell

Primary Frame

Panel Support

Framework

Inner Courtyard

Circulation Panel Frame

Semi-Opaque

Semi-Opaque Panels

Translucent

Opaque

Outer Shell Courtyard Incision

Housing Configuration (1)

Courtyard Incision

(2)

(1) housing modules (2) housing building system axonometric

piazza | edges | urban fabric

(3)

(3) view from the bridge

47.60 N 122.33 W

a horizontal dialogue | Seattle | School and Housing | Large A school of 7 crafts including wood, stone, glass, color, clay, metal and textiles and student housing was the brief. The workshops are arranged with two additional programs. library and gallery to inform a central courtyard. The courtyard is an extension of the workshops. Workshops are aligned with a band of horizontal glass, a constant connection to the other workshops.

The doors of the individual craft spaces rotate up creating a continuous roof connecting to the courtyard, a continues dialogue emerge from one workshop to another workshop. The library anchor the school east edge and the gallery act as a mediator between the school and Gas Work Park. The housing is extending into the water, the school act as a separation, inform a sense of layering and privacy.

Material Qualities

Disciplines

Operation

Wood

Stone

Glass

Color

carving soaking molding drying shaving

carving quarrying dressing

melting tinting annealing

mixing dyeing

Layering

Subtraction

Transcluency

Addition

permeability | inside and outside | extension

Clay

Metal

Textiles

molding firing glazing

melting welding extracting

weaving dyeing stitching

Renewal

Conditioning

Overlapping

(1)

(1) understanding crafts through process and spatial implications

a horizontal dialogue | Seattle | School and Housing | Large 1.library 2.gallery 3.student housing 4.faculty housing 5.central yardcourt 6.wood workshop 7.stone workshop 8. clay workshop 9. textile workshop 10. glass workshop 11.metal workshop

(1)

(2)

(1) plan (2) sketching of courtyards and workshops spatial relationship

permeability | inside and outside | extension

(4)

(3)

(3) rotating door detail

a horizontal dialogue | Seattle | School and Housing | Large

(1)

(2)

(1) section (3) details

permeability | inside and outside | extension

housing

library

textiles wood

glass stone

metal

gallery clay

(3)

(3) exploded axonometric

29.65 N 82.32 E

repurpose(e)ing | Gainesville | Enclosure | Small Repurpose Project, a material and recycling thrift store located in Gainesville. The proposal is a series of phases carried out by the design-build studio from the University of Florida. The phase we focused was the south east corner. The client intent for this area was a drop-off and wood storage area.

(1)

All materials were sourced and re-purposed from the site. A series of spatial fences that protect and enclosed this storage wood yard. Along the fences, moments of rest emerges engage the foliage along the outer edge of the site and along the art zone on the opposite side.

(2)

(3)

(1) 1/16â&#x20AC;? basswood model (model by team and author) (2) materials and tools (3) exsiting site conditions with some of the posts (photos by team)

materiality | repurpose | system

(4)

(4) existing plan, red is the constructing area (drawing by team and author)

collaborative project

(1)

(2)

(1) as-built axonometric (2) as-built plan (drawing by team)

materiality | repurpose | system

(3)

(4)

(3) fence along the east wall (4) work and denailing stations (photos by team)

collaborative project

(1)

(1) posts and vertical and horizontal members as-built exploded axonometric

materiality | repurpose | system

(2)

(2)Pause-along-the-Windows as-built exploded axonometric

collaborative project

(1)

(1) deck as-built exploded axonometric

materiality | repurpose | system

(2)

(2) Pause-by-Tree as-built exploded axonometric

collaborative project

(1)

(1) Pause-by-the-Red as-built exploded axonometric

materiality | repurpose | system

(1) Pause-along-the-Windows (2) deck (3) Pause-by-the-Tree (4) Pause-by-the-Red (photos by team)

(2)

(3)

(4)

(5)

publication VORKURS VOLUME 02 role_Participant “Vorkurs is the publication for the University of Florida’s Graduate School of Architecture. Founded in August 2015, it developed as an ode to the Bauhaus foundation course of the same name and aims to question outside parties, both academics and professionals, in order to instill the ideas of the school’s graduate students and faculty into the larger discourse of architecture. It does this through three lenses: pedagogy, the transition form academia to practice, and the future of the profession. “ (Vorkurs)

Writings

Reflections

Arco Charlie Hailey

Ripton Meadow with Robert Frost’s Cabin Dolores Hayden

Topographic Memory and Oxidized Spaces Daniel Martinez

Football Fields Paul Shepheard

Mapping Uncertainty Andrea Ponsi

Spatial Speculations Robert McCarter

Iridescent Spatial Trance Perry Kulper

100

Donald Judd Architecture Donna Cohen

128

Cultivating Craft Giovanni Traverso

138

Evolving Ideologies Elizabeth Cronin

Collaborators / Contributors Curriculum Collection Acknowledgements

My role as participant included material and image collecting and organizing and attending bi-weekly meetings.

jerry m hong DESIGN IN REPURPOSE(D) Volume 02 role_Editor Design In Repurpose(D) is the second of the series documented the work completed by the Design-Built Studio led by Professor Charlie Hailey at the University of Florida.

My role as editor included template design, book design, material and image collecting and organizing, assisting in drawings and writings.

â&#x20AC;&#x153;The semester emerged as a dialogue between site, drawing, material, and ourselves, proding about the site and in our minds, building a connection between ideas and reality. This book tells the story of palimpsestuous processes of thinking-making-switching (people and task)-(re)thinking-(re)making.â&#x20AC;? (Editor Erum Ahmed)

contents

fence : the beginning site

measure

map

analogous drawing painting not-by-numbers

fence : collecting moments pause-by-the-tree

bench

window

drawing repurpose representing repurpose

fence : collecting moments workstation

gate

deck

muirâ&#x20AC;&#x2122;s rest fence : finding closure

100

The dinosaur workshop is imaginative proposal that is appropriate for the site in Gainesville, creating a new relationship with natural history museum, the paleontology program and the fabrication laboratory at the University of Florida. The site is along a bicycle trail edge, the workshop becomes both as studio and an exhibit itself. Stemming from archaeological process of digging, carving, plastering, these process become methods which the design actualized from. Carving and layering wax was a process to explore spatial relationship and question of privacy and public along the trail.

Jerry M Hong