The Iconoclast
DEMOCRACY beyond dissent
G o pa l k r i s h n a G a n d h i
GOPALAKRISHNA GANDHI EXPLORES THE PHENOMENON OF ICONS AND ICONOCLASTS. HE ARGUES ON GIVING ICONOCLASTS THEIR DUE - THAT IS,WITHOUT TURNING THEM INTO ICONS. Dr B R Ambedkar was right in saying as long as there are castes, there will be outcastes. One could say, in the same manner and spirit, that as long as there are icons there will be iconoclasts. The word ‘icon’, as readers of Audi Alteram Partem and of this column know, is of Greek derivation. It is taken in lexical terms to mean an image, a representation on wood with a fair amount of gold in it, of a religious figure meant for and inspiring, worship. In metaphoric terms ‘icon’ is taken, rightly, to mean a figure, a person, sometimes dead but often living, who is made of such outstanding elements of mind and temper, appearance and attitude, as to be an exemplar, a star. One is in awe of such a figure, sometimes affectionately, sometimes deferentially, at all times unconditionally. Children are in awe of the ‘big’ – the big boy, the big girl. Their sense of the big is of course also mixed up with the sense of their parents and teachers being big. They want to become that ‘big’, quickly, now, because they know that they themselves are yet not big but can and will, one day, be. The awesome ‘big’ is a goal to be reached. As one grows older, awe remains awe, the awesome remain awesome but then – unless one
is a megalomaniac – one also realises that awesomeness is not co-extensive with growing, that awesomeness is not necessarily reachable. And, curiously, as a compensation to being unawesome oneself, one begins to feel good to be smaller, littler, than the figure one is in awe of. One is almost grateful for the difference in scale between the awesome and the awed. And a sense of being in awe becomes a substitute to being awesome. ‘Tum moti mein dhaga, tum chandan mein pani…’ is strangely soothing. Worship follows awe. And worship, in turn, can become a following, a discipleship, and a bond. If the awe if a writer, a painter or a musician, it can remain a private matter. But very often, one might even say, most often, awe like company, likes the awed to be together, to bond, to become in fact, a band. The awesome become then, willy-nilly, but mostly not ‘un-willy’, leaders of the awed. They become iconic. They are called and human nature being what it is, mostly do not mind being called ‘living legends’. And this is where icons also establish or found, often unbeknownst to themselves and also, very often, pretty ‘knownst’ to themselves, awe-clubs which can become, in sport and the arts like cinema and music, fan-clubs. In social and political movements and in party politics, the 17