MAY 2023 CONTENTS
News Round-Up
Exhibition on the Centre for Horsham Energy Recovery (CHER) and tribute acts revealed for The Big Gig.
Theatre
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27
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43
To mark the centenary of the Women’s Hall, Billingshurst Dramatic Society perform a play about the Beck sisters.
My Story
Dr Susan Michaelis is shining a light on lobular cancer with the help of her film-maker husband, Tristan Loraine.
Business
Having made his name with superhero parties, Steve Goodwin has diversified by creating a remarkable Brick Bus.
Technology
Red River Software in Horsham has designed innovative digital platforms to help clients reach new heights.
COVER STORY
The May 2023 cover features Steve Goodwin on his Brick Bus in Horsham’s Carfax. The photo was taken at the end of a LEGO building workshop on the bus, meaning poor Alan (AAH photographer) had to wait 75 minutes before a group of very excitable children had left the bus before taking this shot. As AAH went to press, we have been unable to verify whether Steve is regular sized and holding a giant LEGO storage head, or is very, very small and holding a regular sized LEGO head. Other cover contenders included Ted Gooda (Director of Beck & Calling at Billingshurst Dramatic Society), Dr Susan Michaelis (Lobular Moon Shot Project) and Frank of the Horsham Ukulele Society.
48
52
53
60
66
Community
The Horsham Community Fridge prevents food waste going to landfill while also helping those in need.
Photography
Alan Wright (who takes pictures for AAH) offers a chance for readers to win a family photography shoot.
Music
Horsham Ukulele Society welcomes all, with a songbook as varied as the musical tastes of its members.
Leisure
The Bicycle Exchange has a vast range of used bikes for sale, from children’s MTBs to road racing bikes.
Final Word
Sally Pavey, Chair of CAGNE, argues against an expansion of night flights from Gatwick Airport.
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NOTES
If anyone has an idea for the Final Word column on P66 (perhaps you represent a local campaign or organisation and would like to raise a specific issue) then please do get in touch with the editor.
AAH is printed with FSC® certified paper. This means it has been sourced from sustainably managed forests and other controlled sources, and its site of origin is proven and traceable under FSC certification.
APP-Y DAYS
Notes from the Editor: Hail the Simplicity of the Parking App
We’re heading to London to watch Harlequins host Bath at Twickenham. We were offered free tickets, and although I’m not a rugby fan, my wife seemed eager to watch 30 muscular men grabbling in the mud.
We’re parking at Three Bridges, as it feels like a much shorter journey to London by train, which is important when there’s a good chance you won’t get a seat. If we’re to catch the train we want, we can’t hang about. We’ll have to park at the station and collect our pre-ordered tickets promptly. I remember that Three Bridges, like Horsham, has one of those parking Apps that has made our lives so much easier. I’m joking, of course. On my previous visit, I’d come close to a breakdown while trying to buy a ticket. My wife had to take over when I started shouting at a metal sign of parking instructions. So, this time, I thought it would be a good idea to pay for parking before we arrived. We had plenty of time, as we were only at Buck Barn.
‘Honey, can you grab my phone out of my coat. It’s in the back.’
‘Why?’
‘You can pay for parking. Just thinking about last time...’
She lets out a sigh, as if still haunted by my behaviour that day.
‘I downloaded the App, right?’ I continue, as she scans over the icons on my phone. I don’t have many, so it shouldn’t be hard to find.
‘JustPark?’ she asks.
‘No. That’s West Wittering.’
‘When did you go to West Wittering?’
‘We didn’t, remember?’
Another heavy sigh. As mentioned in a previous column, we paid in advance to visit the beach, but after two hours in traffic, turned around before we’d seen the sea.
‘Which one is it then?’ she asks.
‘I don’t know! Google “Three Bridges Station car park” and see what it says.’ She does.
‘APCOA,’ she shrugs, before finding the App on my phone. ‘How are you supposed to know that’s for parking? Ridiculous!’
I couldn’t confirm it at the time, as I was driving, but she’s right. The App’s icon has nothing to suggest it’s related to car parks (it looks more like a logo for a hearing aid company) and its corporate acronym could mean anything, couldn’t it?
‘It wants a password,’ says my wife, now at the login stage.
‘What did you use last time?’
‘Just the strong password it suggested.’’ Hasn’t it saved?’
‘No!’
I shake my head, as if that’s something I would
never do. My wife patiently attempts to reset the password, which triggers an email from the APCOA App.
‘Where’s your Hotmail?’
‘I don’t have Hotmail on my phone. Why did you use my Hotmail? I haven’t used that for 20 years!’
‘What do I do then?’
‘You’ll have to change the account details in the App to my Gmail one instead!’ Another sigh as we approach the Robin Hood roundabout, followed by finger tapping. Finally, she logs in to APCOA. Somehow, the App has stored details of our old car, which was scrapped several years ago, but not our current vehicle, which we definitely had last time we parked there. Not to worry.
My wife types in the make, model and registration details, then clicks on ‘location search’ and types in ‘Three Bridges’
Finally, she reaches the payment section. It’s a flat rate of £7.40, which covers a full day’s parking. I assume there are those who only want an hour or so, but I guess Stuttgartbased parking management companies can’t be doing with all that nonsense.
Mercifully, the debit card I used last time is still valid and the details have saved. It crosses my mind that if we allow hundreds of companies to store our bank card details, we shouldn’t be surprised when we become victims of fraud. But, right now, it’s a blessing that it’s there. However, it does ask for the three-letter security code on the back...
‘202?’ I guess.
It’s not. So, I pull my wallet out of my jeans and toss it over.
‘Not even close!’ says my wife.
I hear a ‘ping’ which tells me I’ve received an email.
‘Oh, for my crying out loud!’ she says, wearily. ‘The bank has sent a verification code, as it’s a new payment.’
‘Check Gmail.’
She does. It’s there. She types in the six-digit code while flicking between screens, then waits as the little circle spins around. We’re in a dip, heading uphill towards the Pease Pottage roundabout.
It fails.
We try again...
It works. I guess the transaction relies on a good 4g network.
‘There!’ she says, as we take the roundabout at the Broadfield Stadium. ‘That was easy!’
’Yeah!’ I smile. ‘Can you remember when you had to go to all that bother of putting money in a machine and sticking a ticket on the windscreen?’
As we park, I spot an old school friend looking frustratingly between his phone and the instructions on the sign. I figure he’s going to a football match, as his son is impatiently kicking a stone around, presumably hoping they can make the second half! An older couple nearby look like they don’t know where to begin. Maybe they don’t have a mobile, or it’s out of charge. Maybe they’ve never downloaded an App. Maybe they don’t like putting their card details online as they’ve heard horror stories about people losing their life savings.
They look around, hoping to see an attendant. But there isn’t one, of course. There’s no-one to help.
NEWS ROUND-UP
Announcements & Events from across the Horsham District
Email submissions to editor@aahorsham.co.uk
A public exhibition was held at Tanbridge House School on Saturday 22 April, providing information on the Centre for Horsham Energy Recovery (CHER). The waste energy facility will be built at the site of the old Wealden Brickworks off Langhurstwood Road, near Warnham Station. The CHER development was initially put forward by Britaniacrest Recycling Ltd, but the company has since been taken over by Qair, an independent renewable energy
producer. Qair says that the new facility, which will be regulated by the Environment Agency, will recover energy by processing around 230,000 tonnes of West Sussex’s non-recyclable waste every year, generating up to 23MW of low carbon electricity and steam, enough to power 47,000 homes. By treating waste that cannot be recycled, it will divert waste from going to landfill or from being exported.
However, the No Incinerator 4 Horsham
(Ni4H) group has campaigned against the facility. It has concerns about the centre’s impact on the health of nearby residents in North Horsham and the new Mowbray estate, and also the aesthetic appeal of the 95-metre tall stack.
Work is due to begin this summer, with Hitachi Zosen Inova selected as Qair’s construction partner.
www.cher.energy
www.ni4h.org
The Big Gig 2023 is due to be held at Horsham Sports Club, Cricketfield Road, Horsham, on Saturday 24 June, from 1pm. Headliners are ABBA Revival, voted the UK’s No.1 ABBA tribute act, who perform at 8.30pm. Other acts include Ultimate Coldplay (performing at 6.30pm), Blunter brothers (5pm), Adam as Harry Styles (3.30pm) and classic covers from Asylum Affair (1pm). DJ Retro Rendell provides music in-between the tribute acts. There will be festival activities, stalls, food and drink. Early bird tickets cost £18 (children £14/U5s free) from eventbrite.co.uk
Online on-street parking permits will soon come into operation in the Horsham District. Digital (virtual) parking permits are already in place at many car parks, but from 3 July, digital permits for Horsham's Controlled Parking Zones, including resident, visitor and trader permits, can be purchased. The move to digital permits will negate the need for paper permits in vehicle windows. The virtual permits are provided by a system called MiPermit, enabling customers to purchase and manage permits online.
horsham.gov.uk/digitalpermits
Join Alan Fletcher (aka Karl Kennedy), Ramsay Street’s most famous doctor, at The Capitol Theatre on Friday 9 June. Alan has been a mainstay of the Neighbours cast and, in this show, he celebrates almost three decades of the hit series and talks about its future. The Doctor Will See You Now takes audiences on a journey through stories, bloopers, secrets from behind the scenes and the emotional final weeks of filming. The performance includes a Q&A, with meet and greet opportunities. Tickets cost from £29.50 from (01403) 750220 or thecapitolhorsham.com
A launch event was held for Discern the Time, a new book by Sarah Holloway, at Kingdom Faith Church, Horsham, on Tuesday 25 March. Representatives from nine Horsham churches attended the event, which included a book reading by the author, live music, interviews and a signing session. The book has a Christian message and was penned after what Sarah described as a ‘powerful call to stop everything and focus solely on writing down the message God placed on her heart to communicate to the Church.’ ‘Discern the Time’ costs £14.99 (paperback) and £4.99 (Kindle) £4.99 from Amazon and can be ordered from Waterstone’s.
HAODS presents Betty Blue Eyes at the Capitol Theatre on Tuesday 9 – Saturday 13 May. This musical adaptation is based on the 1984 film A Private Function, written by Alan Bennett and Malcolm Mowbray. The story centres around Betty, an adorable pig who is being illegally reared to ensure dignitaries can celebrate the marriage of Princess Elizabeth and Prince Philip with a lavish banquet while the locals make do with Spam. Tickets £19.50 from (01403) 750220 or thecapitolhorsham.com
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Horsham Flower Club extends a warm welcome to visitors who enjoy demonstrations and workshops. Meetings are held on the second Tuesday of each month at 2pm at North Heath Hall, St Mark’s Lane, Horsham. The 2023 programme continues on 9 May with Barbara Hoy’s talk, ‘Posy Holder and Posy’. On 13 June, Gill Homer presents ‘A Drop of Sunshine’ and on 11 July, Sue Oliver runs a ‘Floral Embroidery’ workshop. Visitors welcome (£8 per session). For details, contact Nancy on (01403) 264482 or email nancy@hubbard3.plus.com
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The Coronation will be screened live in The Capitol Theatre on Saturday 6 May and will include a special feature showing the broadcast of HM Queen Elizabeth II’s Coronation from 2 June 1953. Other Coronation events include a special Majestic Market in Horsham town centre on Saturday 6 and Sunday 7 May, which will include a King Charles Spaniel dog competition. On Sunday, ‘Royal Palace’ guards roam the town, and there will also be free live music from 12 – 9pm, as well as a vintage double decker bus bar. Music is provided by Horsham’s diva Sarah EsserHaswell and Big Notes Choir, with traditional dance from Mythago and Magog, and performances from HAODS and Root and Branch Theatre. The Sussex Band of the Royal British Legion perform in Horsham Park at 2pm.
St Mary’s Parish Church in Causeway, Horsham, celebrates the Coronation with a special concert on Bank Holiday Monday 8 May, from 5pm. The Slinfold Concert Band and the St Mary's Church Choir will perform a special musical tribute to mark the historic occasion. Refreshments available during the interval. Tickets £10 (£1 for children) on the door (subject to availability) or via horshamteamparish.churchsuite.com Noe: There will be no vehicle access on the Causeway due to a Street Party.
The Horsham Film Festival (HFF23) is now open for submissions. There are five categories including Best Drama, Best Documentary, Best Comedy, Best Animation and the Your District Award, given to a film shot within West Sussex. The festival has categories for both Over18s and students. Films will be accepted up to 15 minutes in length. For 2023, there is also an additional Best Business Video award, added in partnership with the Horsham District Council Economic Development team. This recognises businesses creatively using video in their marketing. The submission deadline for the festival is 22 September. Entries £12 (students free). Screenings and an awards night will be held at the Everyman Cinema in Piries Place. To enter, visit filmfreeway.com/horshamfilmfestival
The Horsham District Volunteer Awards return for 2023, highlighting the volunteers who work to improve the quality of life for residents and visitors. There are seven categories including biggest heart, trustee of the year, long service, outstanding contribution, permanent smile, young volunteer and the volunteer dream team award. Anyone can be nominated, as long as they volunteer in the Horsham District. An awards evening will be held at Leonardslee during Volunteers Week on Wednesday 7 June, with winners invited to attend. horsham.gov.uk/volunteerawards2023
Here are some of the latest volunteering opportunities available in the Horsham District. Cats Protection are looking for volunteers to help with social media, fundraising and fostering cats. Colgate Memorial Hall needs help to freshen up the Village Hall, by painting and polishing floors as part of The Big Help Out on Monday 8 May. For details, call the Voluntary Support team on (01403) 215191, email volunteering@horshamdistrict.gov.uk or visit volunteerhorshamdistrict.co.uk
Leonardslee Lakes and Gardens in Lower Beeding has restored its Coronation Garden, first created to celebrate Queen Elizabeth II’s Coronation in 1952. The Coronation Garden, designed and planted by former owners the Loder family, features the famous rhododendron Loderi King George, created by Sir Edmund Loder, along with over 30 other hybrids found on the estate. The gardening team is also adding a new collection of magnolias, as well as lost specimens including a monkey puzzle and eucalyptus. The venue is also hosting activities to celebrate King Charles III's Coronation on Saturday 6 May. leonardsleegardens.co.uk
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The Horsham School of Botanical Arts will be staging a two-week display of drawings, paintings and photography in the Seed Room of Parham House and Gardens, Pulborough, RH20 4HS, on Sunday 7 – Sunday 21 May. The house is open from 2 – 5pm and closed on Mondays, Tuesdays and Saturdays. Artists involved include Eleanor Coate, Linda Lasham, Leigh Ann Gale, Heather Glenny, Hazel Barnard and Deborah Ann Crago. The work is themed around King Charles III’s Coronation. parhaminsussex.co.uk
The women’s game is flourishing at Horsham Rugby Club, with the 1st XV unbeaten as they finished top of the National Championship 2 division, gaining promotion to National Championship 1 next season. The team was captained by Chanel Reid during their stellar season, with Ellie Mayes top try scorer, although all players made important contributions. Many have come through the youth squads at Horsham RFC, highlighting the importance of nurturing young talent. Highlights of the season include a 68 - 0 victory against Worthing, and a spirited comeback at Jersey, which Horsham edged 28 – 26. The coaching team, led by Matt Stone, have helped foster a positive culture within the squad, providing playing opportunities for all and encouraging U18 players to step up. If you are interested in joining, email womens.manager@horshamrufc.com
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An impressive 349 runners took part in the 19th Mel’s Milers 10k race on 26 March. The race started and finished at Christ’s Hospital School, taking in the Downs Link and the nearby country park and sports club in Southwater. The women’s race was won by Elspeth Turner from Horsham Blue Star Harriers in a time of 39:01. The winner of the men’s race was Del Wallace (Brighton Phoenix) in 36:24, with Tom MacDonald (Horsham Joggers) third. The U18 male race was won by Alex Smith (Blue Star Harriers) with Rebekah Walden winning the U18 female race. Simon Holmes (Horsham Joggers) won the male 40+ category with Katie Way winning the female 40+ race. The Dawn Piechoczek Cup (for first 50+ female) was awarded to Camilla Bishop (Steyning AC). Other winners included Kev Howarth (50+ male), Pete O’Connell (60+ male), Helen Dean (60+ female), Yian Solomon (70+ female) and Tony Lintern (70+ male). Mel’s Milers would like to thank sponsors Berkeley Homes and Up and Running, and all the marshals. Profits go to Horsham Matters Foodbank. melsmilers.co.uk
Horsham District
Council Leader Cllr
Claire Vickers and Cabinet Member for Housing and Communities Cllr
Tricia Youtan, recently visited Horsham Matters to see the work they are doing to support the community during the current cost-of-living crisis. The Council recently provided extra funding of £40,000 to the charity to boost their foodbank provision and fuel crisis support for residents. horsham-matters.online
Pulborough craft brewer Hepworth & Company has launched a range of four canned beers, named after its home county. Sussex Premium Lager, Sussex Premium Pale Ale, Sussex Premium APA and Sussex Low Alcohol Lager come in black 330ml cans. They are gluten-free, vegan-friendly, and brewed from local ingredients where possible. The beers are the first brews from Hepworth’s new canning line, which is also used by customers including M&S. hepworthbrewery.co.uk
Hot Yoga Tribe has opened a hot training studio in Horsham. Hot yoga offers various types of yoga and pilates in a portable bubble, heated up to 28 - 40 degrees, which it claims allows muscles to warm and stretch and helps improve flexibility over time. Hot yoga can also benefit mental wellbeing too, helping to reduce stress. A launch party will be held at The Venue, Broadbridge Heath FC (next to The Bridge Leisure Centre) on Wednesday 10 May, 6 - 8pm. Classes will be held at The Venue and also at Rudgwick Village Hall. bookwhen.com/hotyogatribe hotyogatribe
West Grinstead-based chocolatiers Cocoa
Loco have created new truffles to mark the coronation of King Charles III. The Coronation Tea and Honey Truffles have a blend of milk and dark chocolate ganache, with cream infused with loose-leaf Earl Grey and honey. The plastic free packaging is also inspired by the Coronation. cocoaloco.com
l Family run home providing high quality nursing, residential and respite care for the elderly
One of only 7 nursing homes in West Sussex to receive the top rating from the independent industry regulator (Top 4%)
Horsham marks Armed Forces Day on Sunday 25 June. There will be free demonstrations and displays by Capel Military Vehicles, Royal British Legion Riders and Horsham Cadets in the Carfax and Piries Places from 11am – 3pm. Music is provided by bands including the Surrey & Sussex Drum & Bugle Corps.
A Classic Car Show will be held at The Red Lyon, Slinfold, RH13 0RR, on Sunday 28 May, from midday. There is a trophy for best in show, with live music, refreshments and a fun dog show (£3 per class). Donation on entry, with funds going to St Catherine’s Hospice.
Classic Car & Bike Show Slinfold
The Toy & Train Collectors Fair returns to the Ashington Centre, RH20 3PG on Sundays 21 May and 11 June, 9.30am – 1pm. A selection of toys and models are bought and sold, including Dinky, Hornby, Matchbox, Scalextric and Airfix. modeltoyauctions.co.uk/news
door, to yours.
Shipley Soapbox Derby will be held at Shipley CE Primary School, RH13 8PL, on Saturday 3 June, from midday. The event is organised by the PTA to raise funds and bring the community together. There will be an ice cream van, BBQ by The Boars Head and a Sussex Lamb catering hut. Refreshments are provided by Lakedown brewing, Hoffi Te Coffi
and House Coren. Entertainment includes a Bucking Bronco and bouncy castle, with music in the afternoon. Racing starts at the top of School Lane at 12pm, with a children’s class and Wacky Racers (14+) category. Judges will looking for innovative soapbox design, as well as speed! The Shipley Soapbox Derby.
Shaws Glass has been part of the business landscape in Horsham for over 20 years. Our family firm is the region’s independent choice for all things glass, including:
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Fortress Theatre Company raised £18,001 for St Catherine’s Hospice during their recent production of Calendar Girls, The Musical. Healthy ticket sales and generous donations from both audiences and businesses helped boost the coffers. The cast and crew received standing ovations after every performance, perhaps inspired by a goodwill message from playwright Tim Firth. Fortress would like to thank all their supporters, as well as HAODS, The Capitol, St Catherine’s Hospice and sponsors including ASL, Musical Friends, Beauty by Emma, Friesland Campina and AEG.
FortressTheatreCompany
The ladies at the West Sussex Federation of Women’s Institutes (Normandy) in Horsham have knitted another postbox topper, this time in support of the Travel Buddy scheme, run by Community Transport Sussex (CTS). It is located outside The Black Jug in North Street, Horsham, although is due to come down in early May.
CORRECTION. On page 13 of April’s AAH, we published a story about a new tree in the Walnut Tree Plantation at Warnham Nature Reserve. The article stated that Horsham District Council had provided funds for 25 trees as part of the Queen’s Green Canopy. However, it didn’t mention that the common walnut tree in the photo was funded by members of the Horsham North Heath branch of the WI. Founder members Marilyn, Chris and Kate helped plant the tree (pictured). The Queen’s Green Canopy is a national tree planting initiative that aims to plant over a million trees, which will serve as a lasting tribute to Her Late Majesty.
The Horsham Hospital Summer Fete, organised by the League of Friends of Horsham Hospital, will be held on Saturday 20 May, from 1 - 4pm. The fete will be opened by Howie the Hornet and friends from Horsham FC. There will be live music, rides, face painting, ice creams, cakes and stalls other local charities and hopefully representatives from the emergency services.
CLASS ACT
BILLINGSHURST DRAMATIC SOCIETY MARKS WOMEN’S HALL CENTENARY
Billingshurst Dramatic Society staged Beck & Calling in April, telling the story of two local women’s rights campaigners, Ellen and Edith Beck. The two sisters donated The Women’s Hall to the village, which this year is celebrating its centenary. AAH went along to the dress rehearsal to meet Denise Robinson and Sue Pollard (who perform the roles of Ellen and Edith), Lucy Cooper (who plays gossipy neighbour Marjory), Trevor Bishop (postman Barney) and Ted Gooda, who wrote and directed the production…
Lucy: As well as being a long-serving member of BDS, I’m a trustee of the Women's Hall. We were aware that the hall’s centenary was approaching and couldn't let the occasion pass without celebration. So, when Ted told us that she’d like to write a play about the Beck sisters, who donated the hall to the women of Billingshurst, everyone was thrilled. I was keen to join the cast, as everything about the play appealed to me.
Ted: The history of BDS and the Women’s Hall are intertwined, as we have held productions there for many years. So, writing a play about the lives of Ellen and Edith was something I was eager to do. I’m a ghost writer by trade and teach English at The Weald, but writing
Beck & Calling represented a very different challenge. It was strange, as portraits of the two women have been hanging up in the hall for as long as I can remember. They have always seemed so formidable, so I wanted to write a play that did them justice.
Sue: The hall has been like a second home throughout my life, as my parents – John and René Humphreys – were also members of BDS. But aside from the fact that they donated the hall, we didn’t know much about the lives of the two women in the portraits. I didn’t even know they were suffragettes! Ted has done an incredible job researching the Beck sisters and her script has helped create a lot of excitement. The production has been a journey
of discovery for everyone involved and has helped revitalise the Society. This is my first involvement with BDS for several years, as I really didn’t want to miss it. I know my parents would have loved to see me play the part of Edith Beck.
Ted: Researching Ellen and Edith wasn’t easy. Most of what I found was about their kindness and generosity, which is laudable but doesn’t provide good drama. I needed something else to add depth and colour to their personalities. It was then that I found a small entry in the archives and realised they had avoided the Census. One night in April 1911, enumerators collected the details of every household in the UK, but thousands of women boycotted the Census, in protest at the government’s refusal to give them the vote. So, I imagined how that night might have played out and built a play around it.
Denise: I play Ellen Beck, the older of the two sisters, which means I’ve had to use dry shampoo to make my hair grey! I feel honoured though, as we’re telling a small but important part of the village’s history. The play is a wonderful tribute, as it ends with them donating the Women’s Hall. Nowadays, there are many groups and activities that cater for mums with young children, but these didn’t exist 100 years ago. When the hall was built, it would have been one of the very few places where women could gather socially. It’s a wonderful space to perform in too. While it can only accommodate a small audience, the acoustics are brilliant.
Trevor: Tickets sold very well and even the matinee sold out, as the play struck a chord with people locally. Although I ran off to London for the best part of 20 years to try and make my fortune as an actor, I very much see myself as a Billingshurst boy. So, I was keen to be involved and take on the role of Barney, the postmanturned-enumerator. Ted’s script is interesting, as it presents varying opinions on women’s rights at the time. It’s an honest portrayal, as even though
Trevor Bishop as Barney (©AAH/Alan Wright)some supported the suffragettes, the likelihood is that it would have been hard for the sisters to find vocal support and their campaigning would have caused conflict locally.
Ted: A few pieces of factual information helped expand the story. We knew Midhurst had an active suffragette group that was resistant to the Census, so the play speculates on the influence that had on the women of Billingshurst. We also know that at their home at Duncan’s Farm, the Becks cared for at least one victim of the Cat and Mouse Act of 1913, when the government released imprisoned suffragettes on hunger strike, only to re-arrest them a short time later. They were certainly courageous women, but not everyone will have agreed with their actions and behaviour, so that is what the play explores.
Lucy: I play Marjory Liddington, a nosy neighbour of the Becks. Marjory represents the ignorance that was prevalent at the time, as many women didn’t support the suffragettes, repeating what they’d read in the papers or the opinions of their husband. Marjory conveniently often visits Ellen and Edith as they’re serving tea, which provides touches of humour. But through their discussions, she begins to understand what the sisters are fighting for. Marjory’s transformation represents what happened to many women of the age.
Denise: One of the nice things about this Society is that there are opportunities to write and direct. Like most theatre companies, we’re still recovering from the pandemic and by writing and producing in-house, we can perform in a cost-effective way, without paying big license fees associated with established plays. It also means that opening night is always a world premiere! We have several talented writers involved in BDS. As well as Ted, we have Barry Syder, who has adapted The Rivals, which will be our next production. I myself have directed a murder mystery evening, held at The King’s Head. It was hard work though, so I’ll probably stick to acting in future!
‘By writing in-house, it means opening night is always a world premiere!’
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Trevor: I first joined BDS in my 20s. I was roped into The Darling Buds of May by my sister, and was terrified when I stepped on stage. However, I fell in love with theatre and it was my experiences here that inspired me to go to drama school and become an actor. Most of my professional work was in commercials, but I was the understudy for two roles in the West End production of The Mousetrap and performed both. I would like to direct at some point, although I worry that I might be too demanding and ruin the spirit here!
Sue: I first performed with BDS in 1969. Whilst there have been breaks in the intervening years, I’ve been in the cast for 36 productions, directed 12 and have been involved in the stage management of several others. Like all theatre companies, BDS has highs and lows, and right now it’s in a good place. Will (who co-directed Beck & Calling with his wife) and Ted’s passion has been key to that and has inspired many old faces to return. There are new, more youthful faces in the cast too, which we need, so hopefully there are good times ahead.
Further information:
BDS will next perform The Rivals, which was the first production ever performed at The Women’s Hall back in 1941. The play has been adapted by Barry Syder.
billingshurstdramaticsociety.com
Billingshurst Dramatic Society
Words/Interviews: Ben Morris
Photos: Alan Wright
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FLY ME TO THE MOON
NEW FILM & DOCUMENTARY TO HIGHLIGHT LOBULAR CANCER
Dr Susan Michaelis has lived an extraordinary life. As an Australian pilot, she flew planes to remote locations in the Northern Territory.
Later, she became an air accident investigator and a leading authority on contaminated air in the aviation industry. For the past decade, she has fought lobular cancer, receiving her most severe diagnosis in 2021. Together with her film-maker husband, Tristan Loraine, Susan has founded the ‘Lobular Moon Shot Project’ in a bid to raise funds for vital research. Here, the couple describe their journey and hopes for the future…
SUSAN’S CANCER STORY…
I was first diagnosed in 2013. I had a small spot on my breast and an area of thickening under the skin. I went for an NHS breast screening (mammogram) and the results gave me the all clear. But I knew something wasn’t right. It was then that I visited a brilliant surgeon who offered me a biopsy, which revealed I had
Invasive Lobular Cancer (ILC). I knew about breast cancer, but not the different types, and hadn’t heard of ILC before. I was confused, as the cancer hadn’t been picked up by the mammogram, but the surgeon said this was typical of lobular.
I had another ultrasound and still nothing showed up, before an MRI scan suggested the cancer had spread 2.6cm. I underwent a double mastectomy (breast removal) and it was discovered to actually be 7cm. The reason for this is that lobular cancer doesn’t normally form a lump, so it’s harder to spot. Instead, it spreads like branches of a tree, or as my surgeon described it, a spider’s web.
The experience of going through a mastectomy and reconstructive surgery was awful and it took me months to recover. I flew to Australia to see family and friends, before returning home for radiotherapy. I didn’t have chemotherapy, as the likelihood of the cancer returning was deemed to be low. However, in 2016, that’s exactly what happened.
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I found out that the tests that deemed me a low risk are based entirely on a different kind of cancer, Invasive Ductal Carcinoma (IDC), rather than Invasive Lobular Carcinoma (ILC). About 85% of breast cancer cases relate to IDC, so all the research on detection and treatment of cancers are focused on it. I found this frustrating, as we’re not talking about a cancer that affects a small number of people. Lobular cancer is the second most frequent form of breast cancer in the UK, with 8,000 people diagnosed every year. Yet we’re treated with a ‘one size fits all’ approach, based on IDC research. That is not OK.
After my first re-occurrence in 2016, I was given different hormone therapy treatments. My doctor also recommended that I routinely check some cancer tumour markers, a non specific blood test that can often indicate if cancer is spreading. In the summer of 2021, the tumour markers suddenly rose and the spot was back too.
I was booked in for another PET-CT scan and it came back negative, once again highlighting how different lobular cancer is and how easily it can be missed. So, we continued to monitor the spot but the markers continued to rise sharply, in fact 20% in two weeks, so I was given a full body MRI scan. Still, I wasn’t symptomatic, yet the scan revealed the cancer had spread to my bones and that I had stage IV cancer. It can be treated, but there is no cure.
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TRISTAN ON HIS MOVIE…
After Susan’s second recurrence in 2021, we felt we had to highlight issues around lobular cancer. I have produced a number of documentaries and movies through my business, Fact Not Fiction Films, based in Horsham. So, we decided to make a short film based on Susan’s experiences.
Eve Groves is a name I planned to use for another production. Incredibly, it was about a girl who predicts a major outbreak virus. I had the idea a year too late and, ironically, the project was curtailed when Covid struck. However, we had registered the domain and seeing as Groves was my mother’s maiden name and that she died of cancer, it felt a fitting tribute to use it to tell Susan’s story.
I wrote the screenplay with my brother, Tarquin, who worked with me on A Dark Reflection in 2015. We had to dramatize certain aspects of Susan’s life. We don’t have children, but in the film, Eve has two daughters. The eldest is training to be a doctor and has a grasp on what’s happening to her mother, but the younger daughter struggles to process her mother’s illness, having already lost her father in an accident. This family circle allowed us to portray not only factual elements of the story, but also emotions that will be familiar to anyone who has experienced cancer.
Both daughters are played by young, local actors. Hannah Baxter-Eve has starred in several commercials
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already and Millie Lewis has appeared in previous FNFF productions. The part of Eve is played by Angela Dixon, an experienced and talented actor.
Susan loves gardening, so we wanted this passion to be an integral part of the film. We contacted the National Trust to enquire how much it would cost to film at a local NT property, but the price was so high that we decided to use our garden at home in Horsham. Over the past two years, we have transformed it by building a new wall and renovating an old paddling pond, and planting many new trees and plants. It has given us a lot of joy and has helped Susan during her treatment. Other scenes were shot at Leonardslee and we also filmed in the Carfax and Market Square, with Carmela Deli, Cuckoo and Café No.4 all featuring in the film.
We secured something of a coup, as Andrea Morricone has composed the theme tune. Andrea is the son of Ennio Morricone, one of the greatest composers in movie history. After Susan was given her last diagnosis, I booked front row tickets for us both to see a Morricone tribute concert at The O2. I knew his son Andrea was a composer, so I contacted his agent to tell him about our project. It was more in hope than expectation, and I never expected to hear anything back. We were on a break in Siena when I got a call from an Italian number. I answered, thinking it was related to the property where we were staying, and a voice bellowed, ‘Ciao, Andrea Morricone!’
On Christmas Eve, we received the first draft of his composition and it was very emotional, as it sounded like one his father’s great works. Andrea is a wonderful man and has recorded the piece with the Budapest Symphony Orchestra, without asking for anything in return.
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While making Eve Groves, we realised it had educational limitations, as it’s a drama. So, we also decided to make the first ever documentary about lobular cancer to accompany the film.
SUSAN ON AIMING FOR THE MOON…
I met Chris Lord, Professor of Cancer Genomics at the Institute of Cancer Research, and asked him what was needed to solve the problems. He explained that, ultimately, it was down to money. If they had £20m, they could devote resources towards research that could eventually mean that lobular cancer is identified quicker and that specific treatments were available to increase a patient’s chance of recovery. But that could take decades.
I reminded the professor that we were able to put a man on the moon only eight years after we’d first been in space. So, if the urgency was there, how quickly could it happen? His response was five years, with a “moon shot” approach. That’s how the project got its name.
Eve Groves and the documentary, My Journey
With Lobular, both support the Lobular Moon Shot Project. We are asking businesses in the Horsham District to support the project, by adding a small percentage to invoices or bills, or supporting us with a donation, all of which goes directly to the Institute of Cancer Research. Leonardslee Lakes & Gardens helped with the Eve Groves film and were the first company to offer their support to the project, which we’re delighted about. It would be wonderful if Horsham could be associated with a pioneering research project.
TRISTAN ON MEETING SUSAN…
Susan was a pilot from 1986 – 1997, when she was medically retired as a result of breathing in oil fumes. Her career started in the Northern Territory, flying small, single-engine aircraft to remote destinations in the outback with little more than a map and compass. Later in her career, Susan flew 100-seater planes on the Qantas Link network in Australia.
I was the health and safety representative for British Airways when an employee contacted me to say they felt sick from breathing in fumes on
planes. I was sceptical, and engineers I spoke to dismissed the concerns, saying it was just the smell of the engine oil. But I delved deeper and discovered there had been a investigation in Australia, led by a pilot called Susan Michaelis. That had resulted in a government inquiry, which made recommendations on improving the air quality for crew and passengers. I was a British Airways captain and hadn’t heard anything about it until then. I contacted Susan by email and that was how we met.
I spent 20 years flying as an airline pilot before ill health retiring, and have since spent years researching the issue of air contamination. Several Fact Not Fiction Films productions have focused on it. This problem is only lightly touched on in Eve Groves, as it would have detracted from the story, but it could have been a contributing factor in Susan’s cancer.
The endocrine-disrupter chemicals that are used in aviation oils mimic hormones, like oestrogen in the body. Susan was breathing these when she was a pilot and later in life was diagnosed with oestrogen-positive breast cancer. We think there could be a link, and scientists confirmed she does not have any genes that would have predicted her breast cancer, but proving that is a different matter.
Eve Groves and My Journey With Lobular will both receive their VIP premiere on Thursday 25 May. Kay Burley invited Susan to talk about the Lobular Moon Shot Project on Sky News and has followed the story. It will be a memorable week for Susan, as a rose will also be named after her. Harkness Roses donated plants for the garden and were so moved by Susan’s story
h e r i t herit a g e ge
they can’t buy a cure. I have been asked why I’m doing this and the answer is we don’t have a specific treatment for the second most common type of breast cancer. That’s not right. Don’t all cancer patients deserve to receive a specific treatment for their cancer type?
If anyone is interested in learning more about lobular cancer and would like to attend the launch event at The Capitol on 25 May for free, please email office@lobularmoonshot.org
Further information: lobularmoonshot.org evegrovesfilm.com factnotfictionfilms.com #lobularmoonshotproject
Susan spent 10 years as a pilot
that they will unveil a new rose, called the Dr Susan Michaelis, at the Chelsea Flower Show on 23 May.
SUSAN ON THE MOON SHOT...
I am fortunate in that I don’t have many adverse side effects from the cancer. I get cold, but you wouldn’t know anything was wrong with me most of the time. Yet I need the treatments I’m taking to have an effect, as they are all that can keep me alive.
The Lobular Moon Shot Project has given me added purpose. I know £20m seems an impossible target, but there are people who are wealthy enough to buy anything they want, but
Words/Interviews: Ben Morris
Photos: Alan Wright
‘It would be great if Horsham could be associated with pioneering research.’
Retirement isn’t what it used to be. We’re working longer, living longer and have so many different ways to use our pension pot. All the more reason to get the experts involved
These days there’s so much 昀exibility around retirement. You can choose to stay invested in your pension, decide your own level of income, or even withdraw the entire pot. Buying an annuity is now another choice, rather than being non-negotiable. Meanwhile, as always, greater freedom brings greater responsibility. You’ve got to make sure those retirement savings last. It’s a thorny business full of tough decisions, made even trickier by the number of options available.
Expertadviceiskey–yourretirement couldlast30years,soyou’llneedtomake importantshort-andlong-termdecisions
Let’s look at retirement age to begin with. The cliffedge idea of stopping work at 60 or 65 and ‘being retired’ is history. Today a phased approach is much more likely, transitioning gradually from working and saving towards leisure and spending. Most of us can do this on our terms, according to our own life plans, rather than being restricted by a pension scheme or an employer.
Visualise your retirement
Ask yourself what your retirement looks like. Then how can you make it a reality? If you’re retired already, is it as you imagined? Being ‘in retirement’ is much more than simply drawing an income. It’s also about running an ef昀cient home, managing your tax-free cash (especially when interest rates are low) and building a sustainable income that will last your lifetime. There’s no set retirement age these days. Add to this the pressures of supporting both older and younger generations, and it’s clear a rethink is needed on how best to use your savings. To adapt to changing needs, you might need to consider other assets and income sources alongside your pension.
So what you have is a situation that’s both 昀exible and heavy on risk, whether you choose to dip into your pension pot or remain invested. Either way, you’ll need help and expertise to face the challenges.
In retirement you’re also likely to encounter a new set of risks. For example, if you get off to a poor start when you begin drawing your income, with markets falling and returns negative, your investments will have to work much harder from the outset to maintain your desired income.
Another layer of complexity in your retirement strategy is underestimating how long your money needs to last. The 100-year life is fast becoming normal, with more of us living much longer, more active lives than ever before.
The countless choices available at retirementcanbeoverwhelming
At St. James’s Place, we’re here to help you navigate these obstacles. We believe the value of advice comes from building a strong relationship over time and understanding the needs of both you and your family. We’re experts in the intricacies of modern retirement. So you can worry less and focus on the important things in life.
The value of an investment with St. James’s Place will be directly linked to the performance of the funds you select, and the value can therefore go down as well as up. You may get back less than you invested. Equities do not provide the security of capital which is characteristic of a deposit with a bank or building society.
Get in touch
If you’d like us to guide you through the retirement mine昀eld, give us a call. We’re here to make a difference to your future.
Creating Rooms You Can Be Proud Of
BE CONSTRU
HOW THE BRICK BUS INSPIRES CHILDREN TO BE CREATIVE
Steve Goodwin is well-known in Horsham thanks to the superhero parties he has hosted for almost a decade. More recently, the father-of-two has created a magnificent Brick Bus, hosting fun, LEGO-themed workshops to inspire children’s creativity and imagination. Here, Steve tells his story, from Spider-Man to Jedi Knight…
WE COULD BE HEROES
It all started with my son Oli’s sixth birthday. As a family, we’ve always enjoyed watching superhero films, so I decided to have a go at hosting a themed party. My wife and I came up with lots of game ideas, bought and created lots of props, and I dressed up as Spider-Man, Captain America and Iron Man. I managed
to entertain my son and his friends for a couple of hours. Toby Phillips, a local photographer, took pictures at the party and when they were posted on social media, it just went crazy! My career as a children’s entertainer stems from that.
I was a shy and introverted child who never had a desire to act, sing or dance. Yet clearly, there was something inside of me that needed to burst out. I should have started the business in my 20s, but it didn’t happen until I was 34. I’m 42 now and take a bit longer to recover after a superhero party!
From the outset, we devised a formula that children could engage with. Rather than simply playing games in costumes, we train the children to be superheroes, focusing on speed, strength and agility. It
Steve Goodwin runs the popular Brick Bus in Horsham (©AAH/Alan Wright)is not playtime! It’s a serious business and the children are enraptured, as they want to prove themselves as superheroes. We also offer a Stars Wars themed party, where children take part in Jedi training. Ten years ago, the Marvel universe and Star Wars were at the peak of their popularity. Demand is still there, but I felt that we needed to introduce something new and that was LEGO.
REBUILDING A BUSINESS
Rather than just playing around with a box of random bricks, there is a narrative to the parties, as we take children on a journey. They create a character and embark on a quest to become a master builder, facing adventures and challenges along
the way, from car racing to fending off sharks. As children have different interests, we can work with different LEGO themes including Minecraft, Ninjago, Star Wars and LEGO Friends, incorporating team work and individual creativity. Everyone takes home their own small LEGO set at the end of the session too.
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Everything was going well until the pandemic. We had run parties and workshops for several years prior to Covid, often using community centres and church halls. Even after lockdown restrictions were lifted, many such venues remained closed, which made it difficult for us to re-establish the business. I took a job as a Teaching Assistant at Heron Way, which I continue to do part time and love every minute. However, when it came to the business, we had to think creatively if it was to be successful again.
Our focus is you
The government’s Bounce Back Loan Scheme provided an opportunity for us to move forward and inspired the Brick Bus idea. We didn’t know how long restrictions on gatherings would be in place, and it wasn’t unreasonable to think it could be years. The Brick Bus would allow us to host workshops in a setting that would be even more appealing for children. I had seen businesses running craft activities and gaming events on converted buses, so knew the idea had potential.
We found an ex-Transport for London bus for sale and it was perfect, as it had flexible seat tracks to accommodate passengers in wheelchairs. We could remove them easily and refurbish, putting in new flooring and seating, and creating storage space and displays. We made the bus as colourful and comfortable as possible, although I kept some original signs from when it was used for public transport. I can’t use the brand name LEGO, so it’s called the Brick Bus. LEGO has a fair use policy, although we are not officially endorsed.
CARFAX WORKSHOPS
The Brick Bus is currently booked for weekend parties until later in the summer. Parents find it convenient as the children are in a safe place. When we used to hold events at village halls, parents had to worry about organising food and hanging up decorations too, but now they can be more flexible about such things. When I take the Brick Bus out to parties, I usually park on a driveway or road outside the house, although some people hire a venue. My biggest worry is breaking down and letting down the children. So, I get the bus serviced regularly and it runs faultlessly. Well, almost! Fortunately, the one time I did have trouble was on a day when the two parties I was due to attend were close to my house, so everyone walked round to mine!
During the school holidays, I take the bus into the Carfax and host workshops on market days. The workshops are based on lots of different themes and always include the children making something to take home. They run for 75 minutes, which gives time for parents or carers to go to a cafe or do some shopping. Some children see the bus and knock on the door excitedly, hoping to be allowed in. Sadly, I have to turn them away as sessions are all pre-booked, as I can only accommodate ten children. However, I do attend some school fetes where all can come aboard and play for free.
OLD HEROES
We don’t cater solely for little ones. Superhero parties typically appeal to children aged four to six, but LEGO has much wider appeal. I recently hosted an excellent party for a ten-year-old and he wants a Brick Bus birthday every year until he’s 21. I have hosted a party for a 71-yearold who was joined by her grandchildren, and they had a wonderful time. At most parties, I see a familiar face, as the bus attracts a lot of repeat business. A child who enjoyed a friend’s party will ask for one of their own, and it’s the same with siblings.
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‘I have hosted a party for a 71-year-old who was joined by her grandchildren, and they had a wonderful time.’
The Brick Bus will always be new for the next generations of children. If you cater to the same customers all the time, you need to change things occasionally to maintain interest, but I can continue with the format for the time being. My future success does hinge on LEGO, of course, and I can only hope that the company continues to create toys that inspire younger generations.
It's amazing to think that not all that long ago, LEGO was in danger of disappearing. Clearly, its partnerships with Star Wars, Harry Potter, Jurassic World and other franchises have been enormously successful. The new Super Mario
Bros Movie has really struck a chord with kids and there is a Super Mario LEGO range, so I suspect there will be strong demand for that.
I also run school discos with Horsham schools. These are full of games and we play all the latest pop songs that the children love. I get dressed up in a sequin suit for these, so I look like a walking disco ball. I often see children at the discos that I recognise from parties and workshops too.
I am working on an Escape Room concept with a friend, so the Brick Bus could potentially offer more for older children and adults in future. But
for now, I’m enjoying running the workshops and parties. I still enjoy Superhero events too, but my body feels it for days afterwards. The Brick Bus offers the same thrill of working with children, without being nearly as exhausting. Also, it doesn’t involve me wearing Lycra!
Further information: www.brickbus.co.uk
Email: steve@brickbus.co.uk
Words/Interviews: Ben Morris
Photos: Alan Wright
CODE RED
HOW RED RIVER SOFTWARE EMBRACES NEW TECHNOLOGY
Horsham-based Red River Software celebrates its 15th anniversary in 2023. The innovative business creates its own digital platforms to help clients from an array of industries meet the technological demands of modern life. AAH met co-founders Simon Pringle and Kieren Johnstone to find out more…
Special Talent
To trace Red River’s origins, we need to go back 20 years, when Simon was a Director at another Horsham-based software company. It was here that he first met Kieren, then only a Collyer’s student. Simon recalls: ‘He walked off the street and asked if we had any work experience placements, so we invited him to spent a couple of weeks in the office. It quickly became
apparent that he had a special talent for coding. He made me feel old, as he could find solutions to problems that I considered complex. We’ve worked together ever since.’
Subway Plan
Simon and Kieren recognised the need to form a company with their own ethos. Kieren said: ‘We went to Subway and wrote a list of all the things we wanted our business to be. The key factors were taking care of our employees, so that they felt challenged and valued. We actually wrote down that it was important for people to want to come to work on a Monday morning! Another factor was to create inspiring software solutions that provided our clients with added value.
Play Time
They named the fledgling firm Red River, after a river that runs through the town. Initially, it was based at The Courtyard on Worthing Road, where it gradually took over several other offices before moving to Albany House in the Bishopric and later Springfield House, in the former office of the West Sussex County Times. Now with 30 employees, Red River has remained true to its original ethos.
Simon said: ‘We’re constantly learning new things as the industry is continually evolving. So, we allow for creative play time where staff can experiment with new tech. Kieren leads a tech breakfast at Bill’s Restaurant too, where they talk about the latest developments.’
‘Software developers love new things. It’s like a game they want to play and master. They get bored doing the same thing every day, but here, we work with a wide range of clients in many industries. They all require a fresh approach, so we’re constantly inventing new things that challenge our staff.’
Digital Disruption
Red River has worked with several large businesses and organisations, including the NHS. However, its niche is partnering with Small and Medium Sized Enterprises (SMEs). Clients cover a wide range of industries, from funeral directors to waste management companies, and include Airbus, Nuffield Health, Veolia and local businesses such as C.P.J Field. They also have international clients, with Red River software handling some £450m of transactions annually, across 162 countries.
Simon said: ‘Although we work with some large businesses and recently picked up our first client in the UAE, our sweet spot is partnering with SMEs. We excel in taking businesses
with an established route to market and bringing digital disruption to their world. My background is in product design and I love to immerse myself in different industries. I can become quite obsessed with the finer details, as it’s important to fully understand a client’s processes, know its competitors and its long-term goals. We have a team of talented coders who make things possible, but we also have outstanding product designers and communicators too, which is why we make such a good team.’
How LTV rate affects mortgage borrowing
You may have heard the term LTV a number of times when it comes to mortgages. This stands for Loan to Value and the definition is the amount you are borrowing compared to the value of the property. This is especially key when a lender is assessing your mortgage, as a higher LTV will create more of a perceived risk to the lender. Mainly due to the fact that if house prices dropped sharply, the lender may not get their full loan amount returned, should they need to repossess the property for whatever reason.
Some lenders will charge a separate insurance for such high borrowing and you might find that a person who is borrowing 95% LTV and just investing a 5% deposit will attract the higher mortgage rates versus someone investing a 25% or larger deposit. Usually these are stepped, so up to 65% LTV, rates will be around 0.1% cheaper than those borrowing up to 70% LTV. Then in turn, these tend to be 0.3% cheaper than those borrowing up to 80% LTV, and so on up to 95% LTV, which will be around 1% more expensive than 65% LTV rates. In short, the more you can save for a deposit, the lower the interest rate you will probably receive from the outset.
This also is the same with credit scoring. Credit scoring is one of the most widely used means to assess a customer’s ability to obtain a mortgage. If you have had a number of recent credit searches for home insurance, car insurance, mobile phones etc, this may affect your ability to achieve the best rates available to you. In some cases it might also affect the amount of loan offered to you. So make sure you have seen you credit report (Experian, Equifax, Checkmyfile) and know what appears on there. This is your financial history to any lender and should be treated as your CV to a prospective funder. All financial payments over the last six years will be visible and may affect your ability to borrow. However, if you do fail a lender’s credit score, don’t give up. There are a number of lenders willing to assist (depending on the nature of the decline) and they will also manually assess, so a human making the decision, rather than a computer.
‘For a business to survive, they will need to be strategic with technology
place
Kieren
Mind Map
In order to provide software solutions for businesses in different sectors, Red River has created its own digital frameworks. By operating its own Intellectual Properties (IP), it can adapt to an ever-changing technological landscape. These two frameworks – called Cinnamon and Saffron - use Silicon Valley-level tech to create seamless automation. They can incorporate Artificial Intelligence (AI) and create Apps for the benefit of a business. Kieren has also created a remarkable monitoring tool
called InfraRed, which works like a virtual mind-map, showing performance and functionality across all aspects of a client’s business and highlighting any issues that require troubleshooting.
Kieren said: ‘We challenge our clients to think like a software company. Introducing any new software is never easy, but it’s especially hard to come up with an idea that will make a significant difference to how a business operates, and that’s what we aim to do. We listen to clients’ needs to understand what they want, but we are
a critical partner when we need to be, as we want to provide the best solutions.’
Generational Change
Sometimes, this can reap huge rewards. In one instance, Red River created a prototype software that helped streamline asset management in the aviation industry. It proved so successful for the client that it saw its market value soar, leading to investment and an eventual buy-out. While some companies work
with Red River to create its own IP that might make it more appealing to investors, for others the focus is on improving the way it engages with customers.
Whatever the aim, Kieren says that businesses cannot afford to ignore digital platforms. ‘Technology is developing rapidly and AI is going to affect us all in one way or another. It is the most significant software development for a generation and it’s happening right now, with software like OpenAI’s ChatGPT, which can interact with people, coming on to the market. In my opinion, for a business to survive, they will need to be strategic with technology and place value on offering a good user experience.’
Skills Shortage
While there was a downturn in the UK economy last year, the software industry grew substantially, highlighting its growing influence. Red River’s turnover has increased by about 25% in each of the past three years, as more industries look to automation in the wake of Brexit and Covid.
Simon said: ‘It isn’t like the 1970s and 80s, when there were concerns that machines were taking jobs away from people. It’s more a case of there being a shortage of people able or willing to do certain jobs, making automation essential. Coding and software skills are becoming more vital, so we do a lot of outreach work, hosting robotics clubs and games workshops at colleges and schools, while providing work experience too.
‘Collyer’s now offers a T Level (equivalent to three A Levels) in Digital Production, Design and Development, and we have welcomed some of
those students already. We have also helped to establish an apprenticeship in software engineering at the University of Chichester. All of this nurtures talent and attracts people to the digital world, which in future is only going to have more influence on our everyday lives.’
Further information:
https://river.red redriveruk
Words/Interviews: Ben Morris
Photos: Alan Wright
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‘AI is the most significant software development for a generation and it’s happening right now.’
HOW HORSHAM COMMUNITY FRIDGE SAVES TONNES OF FOOD FROM LANDFILL
AAH meets Diane Morrison, Lead Monitor at the Horsham Community Fridge at London Road Methodist Church, to find out more about the scheme...
What is the Community Fridge?
It is a community scheme, run entirely by volunteers, which helps prevent tonnes of food being wasted and going to landfill. It has a dual purpose in that it also provides essential food items, such as bread and groceries, to those in need. With the cost-of-living crisis, demand is rising.
When was the scheme launched?
The first community fridge was established by Sarah Renfrey in Littlehampton in 2018. Her idea was to save food from landfill and help feed the community. That ‘fridge’ remains very successful. Now, in partnership with a Community-Interest Group (CIC) called Fair Divide, other fridges have been established in Horsham, BN44 (Steyning and Upper Beeding) and Henfield, while Littlehampton Fridge on
Tour visits Angmering, Rustington, Wick and East Preston. The Fair Divide fridges are all part of a much wider Community Fridge Network (CFN), comprising about 100 fridges across the UK.
Where is the Horsham fridge held?
London Road Methodist Church on Tuesdays from 10 – 11am and Thursdays from 1 – 2pm. The church has been very supportive and allows us to use a room free of charge. We also host Saturday pop-up fridges at five venues, all held from 10 – 11am. On the first Saturday of each month, we’re at St Andrew’s Church in Roffey, then Holy Innocents in Southwater on the second Saturday. The following week, we’re at St John the Evangelist Church in Springfield Road, Horsham, and on the final Saturday of each month, we are part of the Sussex Green Hub at the United Reformed Church. On months with five Saturdays, we spend the fourth Saturday at St Mark’s Church in Holbrook.
Who can use the fridge?
It is open to all and we do not ask questions. There are other wonderful schemes run by charities or organisations that provide a vital food service, but they may only be available to those receiving benefits or who have been referred. The only rule we have is that people are limited to five items, although most of the time they can take as much bread as they need. We normally limit the number of frozen items to two per person, as the amount of frozen goods we receive fluctuates. Items are free, although there is a donation bucket. People are not obliged to give anything, but if they can contribute, it helps towards electricity bills and safety equipment for volunteers.
Where does the food come from?
We work in partnership with most local supermarkets including Tesco, Sainsbury’s, Waitrose and Lidl, as well as The Co-op and Marks & Spencer. Volunteers collect food every night of the week and it is then checked, sorted and stored in our fridges and freezers. In future, we hope to work with even more local businesses and perhaps
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liaise with allotment owners, who often have a surplus of fruit and vegetables and would like to donate it to a worthwhile cause.
Is the food out of date?
A lot of the food is past its ‘sell-by’ date, but low-risk foods have a longer shelf-life. For example today we have cartons of a wellknown milkshake brand, which have passed the supermarket’s ‘sell-by’ date but are perfectly okay to drink. We do not hand out food and drink that has past its ‘use by’ date, unless it is freezer food that has been kept frozen.
Do you have to abide by food regulations?
As part of the Community Fridge Network (CFN), we have developed guidelines in consultation with the Food Standards Agency (FSA), Environmental Health Officers and the Sainsbury’s Food Safety Team. At every fridge, we double check items to make sure they haven’t passed the ‘Use by’ date and anything that isn’t safe to eat, we add to our compost bin. The safe way we collect, store and distribute food has helped us to achieve a 5* food hygiene rating. All volunteers are provided with food hygiene training too.
How many volunteers do you have?
About 100. They help as fridge monitors, surplus food collectors or even fulfil administrative roles. The Horsham fridge operates like a well-oiled machine now, as we have a wonderful team of people who can be relied upon. In some respects, we represent the supermarkets that have kindly donated food, so we try to be as professional as possible. Volunteers are allowed to take five items themselves. Sometimes, people think the volunteers take the best items, but I can assure you it isn’t true. If there are only one or two of a particular item available, we wouldn’t deny it to somebody waiting in the queue. We try to be fair to everybody.
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‘We see people of all ages, from parents with young children to pensioners.’
How many people use the fridge?
This fridge in Horsham alone served over 5,000 people last year. When I arrive at the Methodist Church, there are already people gathering outside an hour before we open the doors. Some bring chairs and coffee flasks, and come whatever the weather. There is a community feel to the fridge. The volunteers have got to know some of the regulars and there are those who really enjoy the social aspects of the fridge. We see people of all ages, from parents with young children to pensioners. Some have a short-term need, while others have relied on us for a while. On a typical day, we welcome about 50 people.
How is the fridge helping the environment?
In Horsham, we have saved 64 tonnes of food from landfill, equating to about 102 tonnes of carbon dioxide entering the atmosphere. In 2020, we donated about 35 trolleys of food, compared to 832 in 2021 and 1,688 in 2022. Last year’s donations equated to 42 tonnes saved from landfill. So, it has made a massive difference to the environment and we hope it has helped those who have used the scheme too.
Further information:
For details about upcoming fridges, visit: faredivide.org.uk/horsham/ horshamcommunityfridge
Interview: Ben MorrisCaptivating Portraits for your Heart & Home
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THERE’S A WARM WELCOME FOR ALL AT HORSHAM UKULELE SOCIETY AVERAGE JOE STRUMMERS
The Horsham Ukulele Society meets on alternate Tuesdays at the King’s Arms in the Bishopric. The Society was formed in 2019 by Matt Gunning, who had previously established a ukulele group in Balham, south London, before moving to Horsham. Matt said: ‘I started playing the uke about 15 years ago, when the instrument was enjoying a revival and was often heard in popular music. I played guitar already, but I wanted to do something socially with friends and the ukulele is perfect for that. When I moved here, I looked around for an established group to join. There was Hukuberry in Nuthurst, but I don’t drive! So, I decided to start a new group in town, so I could walk to it.’
‘I wanted a group I could walk to!’Matt plays ukulele and kazoo Lorna on ukulele and Frank on violin
Initially, the Society met at The Rec Rooms, which offered fantastic acoustics but wasn’t conducive to a good atmosphere. So, they moved to the King’s Arms. Not only is it one of the most charming and historic pubs in town, making it ideal for the uke’s folkish leanings, but it is run by Jodie Munday, a singer/songwriter who herself isn’t immune to the charms of the four-stringed wooden instrument. When the pandemic struck a month after their first get-together at the pub, it looked to have made the Society’s existence a short one. However, when member Laurence Booth bumped into Matt in town, he decided to lead a post-pandemic revival.
Laurence said: ‘We all have busy lives, so we changed a few things. We keep admin down to a minimum so that there is no pressure on members to attend every night. We don't choose the songs we play in advance either. There is an excellent group called BilliUke that meets at The Six Bells in Billingshurst, and they’re well organised in terms of the playlist. It suits us to be more informal, so we take turns to pick a song from the playbook.’
‘It’s your turn to pick a song!’Matt Gunning (©AAH/Alan Wright)
This approach results in a wide variety of songs, as members have their own preferences and musical tastes. Some acoustic anthems such as Half a World Away (Oasis) and Hotel Yorba (The White Stripes), adapt to the ukulele with ease. Others are foot-stomping classics best played after one or two beers have been sunk, such as Fisherman’s Blues (The Waterboys) and 500 Miles (The Proclaimers). Then there are more challenging numbers like California Dreamin’ (Mamas and The Papas) and Das Model (Kraftwerk) which can draw heavy sighs from members!
Laurence said: ‘Going around the room makes it more exciting and creates an enjoyable atmosphere, especially when somebody throws in a curveball. Tonight, we tried Nick Cave’s Red Right Hand, which you might think wouldn’t adapt to the uke, but it did and was fun to play. One of the things I really like about this group is that we play music from all genres and eras, from 50s and 60s rock ‘n’ roll to 90s hip hop. We’ll give anything a go.’
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‘We’ll give anything a go!’Laurence Booth (©AAH/Alan Wright)
To add to the general merriment, Matt doesn’t need much of an excuse to embark on a kazoo solo. It might not be a coincidence that several numbers in the songbook (including I Wanna Be Like You from The Jungle Book) call specifically for the instrument! Frank, Another regular, often introduces a fiddle too. For some members though, the biggest challenge is learning lyrics and hitting the vocal notes. This is especially difficult on songs like Rawhide, where efforts to reach the final high note cann incites laughter, and Don’t You Want Me by The Human League, which has separate verses for male and female parts. That is all part of the fun for Lorna Samways.
‘It can be difficult to sing and play at the same time. Some prefer to focus on chords and mumble along to the tune. However, Matt and Laurence are very good and set a tempo for the rest to follow, which helps. I'm also a member of Horsham Rock Choir, so I love singing. Some tunes like I’m a Believer are familiar to everyone, but it’s nice to hear and learn new songs introduced to the songbook too.’
‘Old tunes like ‘I’m a Believer’ are familiar to everyone!’
Horsham Ukulele Society’s meetings used to start with a short lesson, helping newcomers to learn basic chords and strumming techniques. Although the progress of all its members has negated this need, Matt says that the uke is one of the easiest instruments to learn.
‘Those who have played an instrument before, especially the guitar, can usually adapt quickly. That is why it was such a good instrument to play with my friends, as you can have fun with it straight away. The ukulele is also quite a forgiving instrument and when you’re playing in a group, there’s enough noise to cover any wrong chords. It’s just an enjoyable and affordable way of playing in a group socially, and I’d recommend it to anyone who wants to play an instrument and have a good time.’
Further information:
Upcoming jam dates are Tuesday 9 and 23 May, and 6 and 20 June. For more information, visit horshamukesoc.uk
‘The
is quite a forgiving instrument.’
SADDLE
THE BICYCLE EXCHANGE SELLS USED BIKES IN PEAK CONDITION
Ashington husband and wife Dan and Francesca Lawrence have traded jobs in the recruitment world to set up a new venture selling used bikes. The Bicycle Exchange was born during lockdown to offer good quality bikes at an affordable price. Here, Dan discusses how a passion developed into a fully-fledged business…
When did you launch The Bicycle Exchange?
We were running a recruitment agency in South London, but when we moved to West Sussex, we closed the office and ran the business from home, with a team of satellite staff. Our main area of focus was the care industry and during lockdown, nobody was hiring, so we decided to put the business on hold. During the summer, I started buying bikes, fixing them up and selling them on. It was more of a hobby than anything else, but by the time I was
able to restart the recruitment agency, bikes had become my main focus. It was something new and exciting after many years in the recruitment world. In January 2022, I established The Bicycle Exchange as a business and by November, Francesca had joined me in the venture.
Where do you operate from?
Initially, we kept all the bikes in our garage at home. But then it reached a point where we had too many and needed to look for more storage space. We found a unit in a rural location in Billingshurst at around the same time that we’d decided to focus full-time on bikes. We are not a traditional shop and instead operate online, which gives us flexibility. There’s only the two of us in the business, so we can collect and service bikes around any appointments with customers.
Bikes by Cube, Specialized and Trek (©AAH/Alan Wright)UP
What kind of bikes do you sell?
Our range varies from children’s bikes that might only cost £40, up to full suspension mountain bikes for £2,000. We have a wide range of road bikes, hybrids and mountain bikes, with well-known brands including Trek, Giant, Cube, Scott, Boardman, Cannondale, Specialized, Norco and Carrera. On our new website, we list the price of each bike as they would have cost when new. Although of course the used price depends on age and condition, it helps people make an informed decision, as they would when buying a used car.
Where do you source bikes from?
Initially, it was through websites like eBay and Facebook. With these sites, many others are looking at the same bikes, so it’s a matter of finding the right deal at the right time. The pandemic had some positive side-effects and one of those is that it encouraged many of us to live healthier lifestyles by walking, running or cycling more often. Some bought bikes
with the intention of riding regularly but –for whatever reason – that never happened and they’re now selling them on before they lose more value stuck in a shed or garage. You also have those who love cycling and will ride their bike into the ground. When it comes to the bike needing attention and replacement parts, they might look to upgrade rather than paying out for a service. If you’re able to fix up a bike yourself, then you can make a small profit.
Can people part exchange too?
Yes, we buy and exchange bikes, and already a few people have bought more than one bike from us. We have a range of Frog bikes, which are popular as they’re strong and sturdy, and we have found that some parents trust the brand and are happy to buy their children the next size up every couple of years. We’re very honest with customers, telling them that they could potentially get a better price if they sell privately. But lots of people like the convenience of selling to us, as we know the bikes and so you don’t need to worry about things like cleaning them, as we will do that ourselves anyway.
You presumably service the bikes that you sell too?
Every bike we offer is given a full health check. Some need tyres, chains and brakes, while others are in a good condition and may only require cables to be tightened and a little lubrication. But servicing is a big part of what we offer and every bike we sell comes with a threemonth warranty. When you’re buying online, you never really know what you're getting, so the warranty provides some reassurance to people. If something goes wrong, then you can bring it back and we will resolve the issue.
Do you ride yourself?
I have always loved cycle speedway, where competitors go around an oval dirt track. It is something my father used to do and I inherited the passion. When my own children were younger, I went quite a few years without cycling at all, but more recently I completed Ride100, which is held annually on the streets of London and Essex. Since moving to the Horsham District, I have enjoyed riding the South Downs on a mountain bike, although I still enjoy road rides and later this year will be taking part in the London to Brighton for charity. We also make a £10 donation to good causes every time we make a sale, with our new charity partner being St Barnabas House Hospice.
What are your hopes for the business?
The Bicycle Exchange is still very young, but we hope that the new website will propel us to the next level. I do most of the repairs and servicing, although we do send some bikes to specialists based locally. In an ideal world, we would have an extra mechanic and somebody else to help Francesca prepare the bikes and promote them through various channels. Francesca has a Peloton bike, as she enjoys spin cycling, and
Approved
that may be something we look to offer in future too, as they’re great for maintaining fitness, especially in the winter. But for now, our aim is to continue building our stock so that even more people who visit the website can find the bike they’re looking for.
Further information: thebicycleexchange.co.uk
You can email info@thebicycleexchange.co.uk or call 07771 888319
Words/Interview: Ben Morris
Photos: Alan Wright
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‘We have a range of Frog bikes for children, which are popular as they’re strong and sturdy.’
FINAL WORD
CAGNE: GATWICK NIGHT FLIGHTS PREVENT A GOOD NIGHT’S SLEEP
Sleep is a critical part of your health. The quality of your sleep impacts core metabolic functions like immunity, cardiovascular health and cognition.
Medical studies worldwide have found that sleep is fundamental to our wellbeing, so why should one person’s pleasure be allowed to cause another’s helpless misery? Helpless, because of government policy and aviation’s desire for greater profits.
Residents under Gatwick Airport flight paths are increasingly impacted by leisure flights throughout the night, leading to sleep deprivation. “Once a plane wakes you, you then hear every one thereafter.” That is the view of one local resident who lives under the flight path.
Night-flying is one of the most hated aircraft noise intrusions and is a matter that residents raise time and time again with CAGNE, the umbrella aviation community and environment group for Sussex, Surrey, and Kent. This May sees another government consultation about night flights, seeking to increase their frequency, with the industry’s argument being that planes have become quieter. Is this more ‘greenwashing’ or just ‘smoke and mirrors’? Increasing the number of night flights will more than counteract any effect of (slightly) quieter planes.
Gatwick Airport carries very little freight that might justify flying at night, yet they land passengers into West Sussex at a time when very few trains or buses operate, in the knowledge that night flights cause sleepless nights for residents in a 30-mile radius. To make things worse, peak movements occur in the summer when windows are open, causing maximum disturbance.
With the demand of Gatwick Airport to rebuild the emergency runway as a second runway, and also growing capacity through the government’s modernisation of airspace (that could see many areas of Horsham newly-overflown), we must ask ‘Is it time to ban night flights in favour of residents’ health?’ Most residents don’t have any choice about whether they live under a flight path, and can’t afford to move to avoid this unwelcome noise.
CAGNE, along with other organisations and many residents, believe a night ban would reflect medical research proving that night flights have a harmful impact on those seeking sleep, especially during the morning and evening ‘shoulder periods’ that are currently outside of the night period. Night time at Gatwick is from 11.30pm to 6.30am, during which time Gatwick can have a total of 11,200 flights in the summer months and 3,250 in the winter. That’s up to 14,450 times during the year when your night’s sleep might be disrupted (an average of nearly 50 times a night!) That’s in addition to being disturbed when falling asleep or woken too early in the morning.
It is about time the government put the health of residents before the commercial gain of aviation. Planes may have become quieter but there is no evidence that they will continue getting even quieter in future, with government funding is focused on decarbonising (technologies are still firmly on the drawing board or at prototype stage), with little emphasis on reducing noise.
With the added issue that departure flight paths were changed in 2014 to become motorways above residents’ homes, this will intensify, with planned concentrated arrival routes. We listened to the World Health Organisation when it came to COVID, so is it now time to listen to WHO when they talk about the impact of night flights on our wellbeing?
l The Government night noise abatement procedure consultation has a deadline of Tuesday 9 May. It can be viewed at: https://www.gov.uk/government/ consultations/night-time-noise-abatementobjectives-for-the-designated-airports/ night-time-noise-abatement-objectivesfor-the-designated-airports-from-october2025
You can visit the CAGNE website for more details about noise and emissions. cagne.org
CAGNE at Gatwick Airport (©AAH/Toby Phillips 2019)‘Gatwick Airport carries very little freight that might justify flying at night, yet they land passengers at a time when very few trains or buses operate.’
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