Remli Abderrahmane Architecture Portfolio Selected Works | 2019
MOTIVATION
As my education career reaches its end, and I am making my first steps into the professional world of architecture I sat down and wrote these lines. It was not easy for someone like me from a small country like Morocco from a small family of two teachers, and from a small dreamer who just wanted to draw to get a glimpse of what is actually happening out there, and it was definitely not hard for me to lose my way from time to time and forget about my goals and my motivations while taking some life-changing decision a rich education curriculum in 4 different countries that made me believe that this is actually just the start of a very long journey of self-improvement and discovery, in one of the most exciting and shapeshifting professions in the world. These lines will hopefully help me walk steadily toward this path that I have drawn to my self in these last couples of years, while writing them I couldn’t help but remember the sleepless nights, the stress, and the weird dreams about submissions that every architecture student will eventually go throw, these bittersweet flavoured experiences are as I am sure of it nothing compared to real life commitment as I had the privilege to experience my self, they are what make life interesting and worthwhile, what makes me crave for more, and eventually break free from my limits. I am writing these lines to tell whoever is reading that I am simply a hard-working architect who happens to love what he does, and who makes sure it’s done the right way. I have assembled a various set of skills that will allow me to work in any kind of environment and adapt to all systems, be it office or site I am here to make something beautiful and functional happen. Sincerely, Remli Abderrahmane
RESUME
REMLI ABDERRAHMANE Architect, Designer | Brussels, Belgium Global Citizen
| Moroccan By Birth
25 Years Old
| 28-05-1993
E - m a i l
| Rarchi.remli@gmail.com
Phone Number
| +324 65 52 03 75
Current Adress
| Rue Lieutenant Liedel 58 | Anderlecht | Brussels
Master Degree Student
Representative
The Moroccan Assosiantion of Architecture Students | AMEA
[Education] Ku Leuven
Architecture: Resilient and Sustainable Strategies | Master of Science
September 2017 - (To Graduate by the end of June 2019) Gent | Brussels | Belgium
(Ongoing)
Bauhaus University
September 2018 - July 2019
Uludag University
September 2012 - June 2017
ENSA Paris Belleville
February 2015 - July 2015
Ankara University
November 2011 - June 2012
Abdellah Chefchaouni High School
October 2008 - July 2011
Architecture and Urban Planing | ERASMUS Exchange
Weimar | Germany
Architecture | Bachelor Degree
Bursa | Turkey
Architecture | ERASMUS Exchange
Paris | France
Turkish Preparation Year | TOMER Diploma
Ankara | Turkey
Physics and Chemistry | BAC PS
Ouled Teima | Morocco
[Experience] TARRA Studio
January 2018 - March 2018
BIM Drafting | CAD Drafting | Design | Part Timer
Gent | Belgium
Arikan Constrcution
July 2016 - June 2017
BIM Drafting | 3D Modelling | Design | Inter - Part Timer
Bursa | Samsun | Turkey
Berisha Architecture and Engineering
August 2014 - November 2015
3D Modelling | CAD Drafing | Part Timer
Bursa | Turkey
Al-Bunian
August 2013 - October 2013
CAD Drafting | Intern
Graphic Drawing
R e v i t
Vector Work
Autocad
R h y n o
Z- B r u s h
R e v i t
Sketchup
2D Drawing 3D Drawing Renders
Agadir | Tiznit | Morocco
L u m i o n
[Softwares/Skills] [Languages]
V - R a y
Enscape
Adobe Suite Premiere
Indesign
illustrator
Photoshop
Project
E x c e l
Powerpoint
W
Model Making
B . I . M
3D
Lazer Cutting
Office Suite o
r
d
Other Skills
Skype
Abderrahmane.Remli
Behance
Abderrahmane remli
Abderrahmane.Remli
remli.abderrahman
Printing
Rem_cool_rass
Remli-abderrahmane
ARABIC
FRENCH
ENGLISH
TURKISH
C2
C1
C1
C1
A1
NATIVE
E. F. S. E. T
T.O.E.F.L
T.O.M.E.R
D . A . F
[Profiles]
GERMAN
SELECTED WORKS
Workshops
Projects [ARBA DE LA VIDA] Winter Semester 2018-2019 Ledeberg-Gent-Belgium Urban Gentrification Individual Work
172
[CYCLE
...
143
With : Siebe
Van
zieleghem
ON]
Winter Semester 2018-2019 Nilufer-Bursa-Turkey Architecture Engineering , Martha V , Michiel B an haeverbeek
ardyn
[THE CANDLE OF KNOWLEDGE] 185
Partially
Spring Semester 2018-2019 Ouled Merzoug-Tiznit-Morocco Restoration/Renovation with : Jon T , Elif B olosa
[MUIDE
H AVEN]
221
Partially
[B 112
with
. Partially
ecerik
e Spring Semester 2018-2019 Muide-Gent-Belgium Urban Management : Baraa A , Pedro , Yahya D lani
B
with
sequeira
.
arwich
H]
Winter Semester 2019-2020 Bahnhof-Biterfeld-Germany Train Station BIM : Daniel , Nikita , Jesko benthaus
pfeifer
hammersen
[A BRAVE NEW WORLD]
1 -
∞
Office and site experience (2016-2018) Morocco-Turkey-Belgium Drafting-Modelling-Detailing Academic Work
[HORIZONTAL
METROPOLIS]
43
Sint Pieters
8
9 -
23
14
Team
olosa
ontes
Summer Semester 2018-2019 Bozar-Brussels-Belgium Urban Analysis and Studies work with: Rossella Zappalà
-
44
Frameless
15 24
[PHOTOGRAPHY
25 34
[MERITS 35 40
USER
INDEX
CONSISTENT COMPLEX S Y S T E M AT I C C H A OT I C U R B A N
[PREVIOUS EXPERIENCE]
Team
Winter Semester 2018-2019 trains station-Gent-Belgium Conceptual Atelier work with: Jon T , Alex P
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R
41 42
U
R
A
L
CONCEPTUAL TECHNICAL REFERENCED E L A B O R AT E D
SHOTS]
...Wehenever... ...W herever ... ...H o we v er ... ...W hatever ...
AND SCHOLARSHIPS]
+YTB Government Scholarship Bachelor study funding | Benefited
+ERASMUS Mundus Scholarship Bachelor Exchange study funding | Benefited
+Liechtenstein Universität
Partial Master study funding | Conveyed
+LUCA Excellence Scholarship Partial Master study funding | Benefited
+BOZAR Tuition Fee Summerschool Fund | Benefited
+MASTER Dissertation Summerschool Fund | Conveyed
+ERASMUS+ Scholarship
Master Exchange study funding | Benefited
2011-2017
Bursa | Ankara | Turkey
2015
Paris | France
2017
Vaduz | Liechtenstein
2018-2019
Gent | Brussels | Belgium
2018
Brussels | Belgium
2018
Addis Ababa | Ethiopia
2018-2019 Weimar | Germany
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[ARBA DE LA VIDA]
1
A N T H R O P O LO G Y AND URBAN DESIGN
KU LEUVEN-GENT-BELGUIM
FRAME OF THE PRESENTED WORK : DESIGN STUDIO 1
CHRISTOPHE POLAK BART VAN GASSEN
PROMOTER(S)
“If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart” NELSON MANDELA
When you make the effort to speak someone else’s language, even if it’s just basic phrases here and there, you are saying to them, “I understand that you have a culture and identity that exists beyond me. I see you as a human being, and I respect you” Cultural identity is not only defined by language, religion, or traditions, the environment we live in influence the way we live and develop. In this case, study to understand “Ledeberg” a small community that has been neglected by the city for some time, its functions, and its problems it was a necessity to involve the people living there. Their stories and aspirations were the guidelines for this integral intervention with the sole purpose of improving their life. 2
As a first step, it was essential to understand the people who were intended to benefit from the project, a field visit was a major actor in highlighting a hidden problem. The disconnection of the people from the city urban fabric. as a small community Ledeberg was populated mostly by Turkish, Polish, Italian, and Moroccan immigrants. The research that was conducted at the beginning proved to be very difficult as the cooperation level between the researchers and the future users was low and full of doubts even while asking simple questions. It was a challenge that had to be dealt with as soon as possible and to do so a new kind of questionnaire was introduced for a more user friendly aproach wihile avoiding all kind of political discussion to smooth things up. 3
With more than ten well-developed stories and personas, the research took another turn when we chose to go deeper into the identity of some the questioned one that we believed were proving to be unique. As illustrated these images were shown to the people to let them understand how involved they are in the story. Their daily habits around the studied area, their workplaces, their hobbies and sometimes even their beliefs played a major role in giving them a voice in the so-called comic book. Small tasks to be filled were also integrated to understand how the people feel about one of the biggest problems of the area: The highway connecting Gent to Antwerp imagining it as a house and asking people in which room under it they would prefer to live in. 4
After several weeks of conceptual research and participatory design, the project was able to adopt a more flexible approach. While leaving the highway in its place, a new multicoloured program started hanging from beneath it. Depending on the different need of the initially questioned inhabitants, a chart was developed to label the category of the program and therefore give it a more structured position in the matrix. This process was later on framed by a physical mold represented in a “Cradle to cradle� policy supporting containers.
container: coffee shops, Bars, Comunity Center social
Knowledge Labs,
schools,
Vertical Lift,
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stairs,
container:
libraries
circulation
service
:
elevator
Buisness
container: Banks, Meeting Rooms, Markets, Offices
Attraction
container:
Sanitary
container:
Hobbies,
Tourism,
Restaurant
Toilets, showers, changing rooms
On the scale of the city and following the sustainable frame of the studio it was decided to limit the care access to the highway and cut it to half leaving a usable platform where the elevated park program was implemented.
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The park is going to be the comune ground where the visions of the users are gonna meet, a result of a homogeneous program happening under it will make its function bloom with people pouring from all around Belgium, and perhaps the world to get a choice between the varieties of programs over The tree of life as it was chosen to be named, the containers on the other hand would go in parallel with the flow of the story that has been going on through the whole process of the project, with different programs being implemented and a flexibility of decision making of what the community of Ledeberg actually needs. All of this to prove that a well made participatory design can actually work.
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Another detail that was taken into consideration is the technical side of the project, a mech-based circulation around stretch through the complex and connecting the programs with each other while securing a reasonable amount of safety. These added values were connected to its supposed logistic side, Giving a brief explanation of the process that each element is taking to reach Gent all the way from the ports of Ostende in the west of Belgium, to sum up the research with scenario of our initial users interacting with their dream spaces, their feelings, and satisfaction with a small touch of comedy. With these results being shared with them later on and with them giving us the best thing an architect can ever get, a Thank you with a wide smile.
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[CYCLE...ON]
9
COMMUNITY AND CULTURAL CENTRE
KU LEUVEN-GENT-BELGUIM
FRAME OF THE PRESENTED WORK : BUILDING INTEGRATION & TECH.
PROF. DR. IR. MARCELO BLASCO ERIK GEENS
PROMOTER(S)
“The design is fine, the renders don’t look that bad, and your sections are usable, I would say your project is 2% into being a builtable one’” ERIK GEENS
Cycle on was a project with a long history, started back in Turkey in the small city of Bursa 40 Km from Istnabul its conecpt was all about mobility. connecting two side of the city by a cycling path the design took a bold aproach by intreducing some lements that seemed for a bachelor student easely implementable, until now. In the frame of Building Integration and technologie the school of architecture at KuLeuven requires a concetrated year of technical studies where its student had to study about the belgian standrats where it comes to fire safety, vantilations, strcuture calculation, isolation, water systems, sewej, and more,all of this knowledge required a template project to be implemented on, and my utopic project made the pick . 10
As the portfolio requires it the steps that were taken in the process of making this project will be summarised depending on the produced material. as a start and after choosing the project, the tutors introduced an auditorium for 250 people and a restaurant with a full kitchen. due to the fact that some existing rooms with the same functions were too small to serve their initial purpose.
Ventilation and structural calculation followed after defining the load bearing strength and giving the foundations, wall, and columns a more realistic shape which will later on define the direction and length of the ducts. 11
As the research got more detailed specific compromise had to be made. A new network of water system had to be suggested switching from the small scale of the building to the big one, connecting it to the sanitary system of the city, drainages and defining a scheme to deal with the clean, grey, and black water flow around the project. all using the Belgian standards as a reference to work with. The hot water was also a very important case we had to think about especially after we knew that we had to connect it to the technical compartment of the building in the basement.
From there it was necessary to start calculating how big the spaces are in order to find out how many occupants and fire exits need to be provided, also connect it to the water infrastructures to provide outdoor and indoor fire extinguishing systems.
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More instructions from the tutors followed, shaping the details of the project: like Sanitary shaft which became wider, integrated secondary ventilation for the sanitary canals, ventilation shaft in the library which had to be changed and shifted to go over the toilets and then into the room , and the use of concrete activation core system that requires water wells and which also made it impossible to hide 50% of the ducts up the ceiling. this and more made it clear that some changes were gonna be
On a more local level and as explained before the newly introduced auditorium required a separated acoustic study by itself to define the insolation material, its functions, and more technical details about light and sound breaking panels on its ceiling. All of this in parallel with the other water, ventilation, and structural studies that had to be conducted on it and get connected with the central building system.
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Welcome to the Community Skill and Cultural Center ³
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With a small help of PVC and glass companies like Shouku it was possible to develop a sustainable faced, which consisted of triple glazing glasses in most of its cases altho and as it may be a bit pricy it was our only choice to avoid the waste of thermal energy. A photovoltaic glass was also suggested to be a well-integrated material in order to balance the energy consumption but alter on refuted because of its inefficiency.
Also and on the facade level, the tutors asked with a coherent structure of material x insolations x finishings x concrete to be taken into consideration which made it even harder after adding plugins like the sun breakers and the steel profile panels. The project goal was to know that each structural, technical, or aesthetical choice to be made had to be thought and executed very carefully.
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[ⵜⵉⴼⴰⵡⵜ ⵏ ⵜⵓⵙⵙⵏⴰ] THE CANDLE OF KNOWLEDGE
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MULTIFUNCTIONAL C O M P L E X
KU LEUVEN-GENT-BELGUIM
FRAME OF THE PRESENTED WORK : STUDIO II: OULED MERZOUG-MOROCCO
ARCHI.LAURENS BEKEMANS DR.CATHERINE MENGÉ
PROMOTER(S)
(BC-ARCHITECTS & STUDIES)
“If you have knowledge, let others light their candles at it� MARGARET FULLER
Situated at the foot of the Pett Atlas, six hours away from Marrakech, lies Ouled Merzoug. A small village situated near the province of Ouarzazate. As you approach the historical sites and palm groves of Skoura, numerous kasbahs and threats cross your way. A lot of these Berber residential castles were destroyed during tribal wars n the last century. Now, the remnants are part of the UNESCO world heritage. A region rooted in history undergoing several renovation projects and attracting more and more firms, experts, and schools hence the case here; from all around the world who shows interest in the adobe building technics, local masters, and materials. a hidden jewel deep in the Moroccan south. 16
Ouled Merzoug a small village in the Moroccan east with a small population a medium infrastructure and big needs, the needs that 10 students from KuLeuven shared with the villagers, by living, socializing and breaking bread with them, needs that require an innervation of changemakers as soon as possible. As architects, the students get to experience Ouled Merzoug like a clean sheet full of opportunities, a fresh beginning that can be the starting point of a new kind of community, all under in the Moroccan government’s big « le Village vert — The Green village» Program, while highlighting the Green part, to open the doors to a discussion and a research on what is actually sustainable for the village, and what is the village lacking. 17
The area is full of Kasbahs, but most of them are no longer n use. Families owning these castles moved from the province to the city, abandoning them. Many, already n runs, ask for more attenton and a new use wth whch they wll recover the so sgnfcant value that they once had. Kasbahs are a fundamental part of the place and they are melting to the ground as a metaphor of the loss of identity that the province s suffering. Many Kasbahs, though, are now being reconverted into luxurious hotels, rebuilding them in the same shape as the old ones but with new materials. The magnificent castles that used to show not only the great power of the richest local families, but also the expertise in local building systems and materials are now exclusive resorts for outsiders, built in totally foreign ways.
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匀吀伀䌀䬀䄀䜀䔀
䈀䤀䈀䰀䤀伀吀䠀䔀儀唀䔀
㐀㤀洀㈀
㈀洀㈀
䌀䰀䄀匀匀䔀
䄀吀䔀䰀䤀䔀刀
㘀 洀㈀
洀㈀
㈀ 䌀䰀䄀 匀匀 匀吀伀 圀䄀 刀䔀 刀 䔀䠀 圀䌀 伀 唀匀 䔀 䰀䤀䈀刀 䄀刀夀
吀伀䤀䰀䔀吀吀䔀匀 ㌀ 洀㈀
㈀
䌀唀䤀匀䤀一䔀 ㌀ 洀㈀
㌀ 䄀䜀伀刀䄀
刀夀 䰀䄀嘀䄀吀伀 䐀刀伀伀䴀
䈀䔀
圀䌀
伀䴀 䈀䔀䐀刀伀 䔀一 䬀䤀吀䌀䠀
圀䌀
䴀䄀䬀匀伀唀刀䄀 㠀洀㈀
圀䌀
䌀䰀䤀一䤀䌀
䰀䄀䈀
䌀䠀䄀䴀䈀刀䔀 ㈀㐀洀㈀
吀伀䤀䰀䔀吀吀䔀匀 㠀Ⰰ㜀㔀洀㈀
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䠀䔀刀䈀 䰀䄀䈀伀刀䄀吀伀䤀刀䔀
䌀䰀䤀一䤀儀唀䔀
吀伀䤀䰀䔀吀吀䔀匀
㌀㘀洀㈀
㈀㔀洀㈀
㔀洀㈀ 砀 ㈀
The chosen Kasbas are considered an existing extinction of one of the teams original concept which is historical preservation. The goal here was for these precious empty shells to stay.it was meant for people to know that it used to be a Kasba and it still can be. So the work was concentrated on the only Kasba inside the fields by taking the necessary measurements and information needed before coming back to Belgium. As an initial system.The project followed a code of work that would unify the 3 programs in a way so that it would be possible to merge them in the end as one main complex that would serve the village well.
the visite to Morocco was very fruitful as it gave us more than we expected and opened our eyes on culture-connected facts we didn’t have knowledge about. The framework was discussed back in Belgium to be reshaped after arriving there and that’s exactly what happened. each team spent there days with the locals and got to experience their hospitality. On the other hand, having this much contact meant also understanding what is really happening in the community and understanding the daily struggle of the villagers. In our case Lalla Khaddouj was our mother for a week she cared for us and gave us all the information we needed to know about the chosen Kasba, she was the one who introduced us to heritage problem in Ouled Merzoug and how it affects projects like ours. After days of work we were able not to only solve the heritage tree in the village, but also to talk to the inheritors and get their opinions about the project
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The chosen Kasbas were considered an existing extinction of one of our main concepts which are historical preservation. We wanted these precious empty shells to stay. We wanted people to know that it used to be a Kasba and it still can be.so we worked our way around the only Kasba inside the fields by taking the necessary measurements and information we needed before coming back to Belgium. After that we settled on 3 main programs divided among the group : -A pharmacognosy centre. -A village Clinic. -An accommodation centre for the knowledge seekers and pilgrims.
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The design process is going into a more detailed scale as each one of the 3 programs is trying to be self sufficient and have special touch to the Candle of Knowledge, by integrating new elements with the aims of giving this structure not only a modern use but also make it fit in the suggested new vision of Ouled Merzoug. The 400 m2 Kasba, for instance, will consist of two main layers, and two anomalies as an additive function that will provide a unique attraction of the Kasba. the public and private space will define the functions of each floor starting from the social infrastructure which will be covering all the first floor to more private and intimate facilities on the upper ones both in the case of accommodation centre and the clinic.
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The inner design process was one of the hardest after we dealt with what we want the project to provide, the shells as we like to call them were not in a good condition and lacked maintenance as it can be seen in the pictures. Fortunately enough the team didn’t hold back in the mapping stage while using satellite, laser, scaling technics and also local traditional methods like the water tube one to craft a draft that was later on digitalised of every damaged wall to know what and what not to repair/demolish. in addition to that the formerly explained anomalies had to be integrated into the program while picturing the interaction of the locals and what to expect from it. Small elements like the towers and the squares were the pioneers of the architectural production.
As the design concept implements the newly built Kasbas came from the ground and shall go back to it. Almost all materials used it ranging from Palmiers beams, to rammed earth walls, were the extra values that made The candle of knowledge more Moroccan than ever, while integrating ventilations system and adopting geometries and planting methods inside some towers that the region is famous for.
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As a result of placing this diverse space that is meant to welcome big numbers of people mainly “Mssafries/Pilgrims” the long building needed a more efficient circulation so that people wouldn’t get lost. The anomalies were more connected to the problems that the Kasba might be facing if it interpreted the same old ways of usage and technics. Our idea was to solve these problems by breaking the sacred rules. As in Fortress Kasba, it can be seen that the first floor is totally opened and accessible; which is the total opposite of what privacy in these structures required, when the sole purpose of building a Kasba was for protection against all kind of enemies; by including big entrances “Arches”, longer windows, and public programs in the first floor. The anomalies also covered the user’s movement between the compartment and the different programs, solving some delicate matter like separation of males and females and supporting this by making accesses more clear and functional. On its last stages, the project framework concerning the existing the structure, the restoration, and sometimes the demolishing was heavily used to make some decisions as fast as possible.
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[MUIDE
URBAN INTEGRATION AND MANAGMENT FRAME OF THE PRESENTED WORK : CLIMATE DESIGN & SUSTAINABILITY 25
HeAVEN]
KU LEUVEN-GENT-BELGUIM PROMOTER(S) LUC EECKHOUT IGNAAS BACK
“Our plans miscarry because they have no aim. When a man does not know what harbor he is making for, no wind is the right wind.” SENECA
The Muide Harbor project was one of the biggest urban interventions I have personally ever worked on, not only in the sense of its size but also in terms of its complexity. The first class gave us what we need to know about the framework of the class, what the promoters were expecting and how, it also made it clear that the work had to be divided between teams, 6 teams to be precise, which will be dealing with different subjects and solve different problems. As challenging as it sounds these groups subjects were nothing compared to my team’s task, we were picked to be the urban team, AKA the management team, meaning that in addition to our interventions we had to coordinate the other six teams. 26
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If I can put it into words, the first weeks were a nightmare as most of the teams expected more and more information about the site, different themes called for different needed information which was not easily accessible especially because most of it was in dutch. In parallel with that, we were required by the tutors to keep track of the complex’s development and use.
a wide urban study on the national and global level was conducted to understand the value of the site, which has proven to be one of the biggest in Belgium. A logistical, an infrastructural , and a financial study followed also and was provided to the teams (Water, Nature, Mobility, 0-Space, Material,, energy) to get a starting point on their conceptual journey. Meeting every week and discussing was very useful after choosing representatives that would give their reports and explain their stage of work, but problems starting popping out when some programs started clashing with each other. 28
The site as it can be seen in the map consisted of 3 existing hangers and a stretching concrete platform. the first task was to brainstorm a dividing method between the teams deppending on their themes and visions, how they are imagining their project will work, what kind of natural resources or infrastructure will they need near them and if they have another team in mind to collaborate with. On the other hand, we had to think also about teams like the mobility one that required information and data about the context of the site inside the city of Gent. On the geographical level the Water team asked obviously for an access to the docks infrastructure and to use the water surface in the harbor which proved to be tricky as some teams didn’t agree in the beginning and chose to let the water surface a free zone with no transportation and no intervention because of its shallow water and its pollution, but as the project was not limited by a budget or a realistic framework a purification project was suggested in a collaboration between the nature team who will produce vegetable using floating aquaponics and the water team who suggested a temporary dam that would evolve to cover more surface in different fazes to clean the basin by the end 2030. All of this and more is what the first of chapter of the work has witnessed with clashes, meeting, arguments, and decisions and it was our duty as the urban team to make sure that those decisions are being respected.
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Here in this scheme is the final draft of a semester-long management process with the teams internal, external, direct and indirect connections, and some times even some future or possible connections that some representatives had in mind, the diagram shows the systematic bond that some structures have with each other which translated int services and contributions on the site. Each one of the programs was also required in contributing on 3 levels, the urban one to connect their agenda to the city vision, the local one by contributing the Heaven (which stand for dock/harbor in Dutch) complex with an extra value in a plug-in system either by getting connected to another teams program or by serving the site as a whole , the last level was the central scale after we suggested a tower that would merge the infrastructure of most of the
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[B
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USER CENTERED DESIGN / EXPERIENCE FRAME OF THE PRESENTED WORK : DESIGN BY RESEARCH 35
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BAUHAUS-WEIMAR-GERMANY PROMOTER(S)
PROF.DR.SVEN SCHNEIDER OLAF KAMMLER
“People tend to ignore the design that ignores them, their special experience should only be taken into consideration after they develop feelings for it.�
FRANK CHIMERO
Despite the name of the class, the Design research studio was nothing like your normal project module. Things in Bauhaus were different than usual as some classes including the D.B.R required students to take additional courses with them, including computations, and theory courses, we were lucky enough to have coherent electives that were deeply involved in the studio schedule as most of the task were done in coordination with the other teacher of the other lectures too, including a theory seminar about special analysis where we received the basics about user experience and methods of space testing, and computation design that concentrated on giving us as much insight about Dynamo, and grasshopper. 36
As initial concept The staircase to the platforms is the only given constant. We have understood it as the centre of our design. Hence the idea of the semicircle, defined by its centre, the staircase. Our goal is a clear language of form and ground plan structure. Basically, the design is and the central hall. The outer latch contains all the functions, with the commercial functions taking the best seats in relation to the entrances. It was also important for us to formally highlight functions that are important for the smooth running of the station. These include toilets, lockers and the DB-Info.
20%
30%
30% 20%
Virtual Reality
isovist analyses (Waiting
hall )
After the first Virtual Reality experience the data we were able to assemble from the user feedback, isovist analyses, the metric betweenes analyses, and the daylight analyses followed by the professional feedback given by a DB architect that tackled more technical and financial topic that we were totally blind about, which made us reconsider the materials used, the structure proposed and some minor issues about security. It was clear that some changes had to be done on the plans, and program as a whole. 37
(Outside - I nside)
metric betweenes analyses
daylight analyses
Virtual Reality
(DB. info-service)
On the computation part, a dynamo script was used to determine the visibility of certain objects or surfaces on a specific path. This can be used, for example, to determine how well so compartments can be seen when you enter the station building this template proved to be very useful as it helped us in different cases without the need of redoing it. It is also good to mention that the room and columns were parametrically made to be responsive to the change of the design when it comes to its arrangement and size all thanks to Grasshopper.
isovist analyses (S ervice)
isovist analyses (Commercial)
38
After the change andstarting from the semicircle, we defined a second entrance and shifted both in the direction of the potential streams of visitors. This resulted in the extension of the areas on the ground floor. Important uses become part of the inner facade in order to be easily visible. In addition, the commercial uses are now better placed in relation to the entrances. In order to keep the ground floor free for shops and service, we decided on an upper floor, which accommodates the required office space and offers rentable. The number of external supports was reduced and the roof now reacts to the entrances.
isovist analyses (Waiting Hall)
metric betweenes analyses
In response to criticism from the DB employee, we have decided to reduce the number of columns to a tolerable level. Furthermore, the size of the external openings was adapted to the lighting requirements. The most important change, however, took place above the entrances. Here we decided to shape the roof into a high point. On the waiting hall. level The results of the wayfinding analysis led to the conclusion 39
daylight analyses
VR
The new division of functions made it possible to generate larger areas for functions such as toilets, lockers and the station mission and the two new entrances allowed us to optimize the position of the bookstore and the bakery, so now, when entering the station building, the visitor walks past one of the commercial functions and towards the other. This is our response to the needs of DB, which as a company seeking to maximise its profit wants to create the most attractive rental space possible. In addition, the construction of an upper floor enabled us to generate additional office rental space. A kiosk was also included in the space programme in order to balance the program.
isovist analyses (service)
isovist analyses (Commercial)
40
[PROFESSIONAL CONSTRUCTION (MOROCCO (Arikan
Insaat
-
Albunian
-(6M
SITE
-
TURKEY)
onths)
Architecture
et
Constrcution)
]
EXPERIENCE
ARCHITECTURE (MOROCCO (Al-bunian Architecture
-(13M
-
onths)
et
OFFICE
TURKEY)
Constrcution - Berisa MIMARLIK)
After a 2 month experience back in Agadir-Morocco, I was able to join a small firm in Bursa where I worked while on my last year of my bachelor under the supervision of Mr.Salih Beri who taught me so much, and who was kind enough to take me with him to his business meetings, which made me aware of a hidden part of the field that I have never experienced before, Marketing.
Of all of my site experience “The Panoramic museum 1326 Of Bursa� was the biggest and most complicated I was able to develop different kind of skills from my work with Al Bunian back in Tiznit Morocco on a small mosque and a warehouse project, Arikan architecture, on the other hand, opened my eyes to how an international firm works with projects like the museum and the Carsamba Hospital. where most of my work consisted of drafting and accompanying the site manager from time to time.
Contacts of former letters, and more details 41
employees,
reference/recommendation
about the work available upon request.
[ACADEMIC RESEARCH (KuLeuven
-
Bauhaus
]
EXPERIENCE PAPER(s) Uni.Weimar)
(Prof.Dr.Eckardt Frank-Dr.Lillet Bredel-Dr.Brigitte.Zamzow)
OFF-GRID
INQUIRY
(KuLeuven - Ensa P.B - Bauhaus Uni.Weimar) (Dr.Jerome Hebersetzer-Dr.Johannes Warda-Prof.Dr.Johannes Kuehn)
Getting the opportunity to receive an education from 4 different schools played a major role in making me adapt easily on their way of work and develop my own set academic skills that fruitfully resulted in me publishing some of my research with the support of my tutors of course. As a topic post-colonial thoughts and architecture was my field of work.
While some academic works had my direct contribution some more pedagogic than technical. during my master thesis and my exchange in France I had the chance to meet amazing scholars who worked on very greasy topics that picked my interest, Socio-economic integration, urban segregation, and co-existing to name a few, were my main focus for some times that is why I willingly offered my time and effort to help in developing these researches by translating materials, arranging bibliographies and some times even reaching contacts
During one semester was able to develop two different pieces of research about two different case studies, one in Casablanca-Morocco, and the other in Beirut-Lebanon in parallel with my master thesis at KuLeuven. In this period I have learned so much about a specific period of time that I have never imagined, and as it was one of my first jumps into social sciences it made more clear for me to reconsider an academic career as an option in the future perhaps.
Contacts of mentors and promoters, reference/recommendation letters, and more details about the work available upon request. 42
[A
BRAVE
A FUTURISTIC APROACH TO A SUSTAINABLE FUTURE
NEW
WORLD]
KULEUVEN-GENT-BELGIUM ARCHI.CAROLINE SOHIE
(OVE ARUP & PARTNERS ARCHITECTS)
Gent St Pieters station will need to be able to give a good response to the flood of people that will be displaced in the future years because of climate change. Not only with good infrastructures, but also focusing on the interactions between people and encouraging integration. Escaping from floods or evil dictators, in the pursuit of peace and a new place to rebuild their lives, refugees arrive at Gent St Pieters station, and for 2 or 3 days they are accommodated in the station while they find out which will be their next destination in their long journey. As much as it sounds utopic and very far away this topic addressed in this workshop can already be sensed today, it was very refreshing to meet people who share the same vision and who were not afraid of handling the real problems.
43
[HORIZONTAL
]
METROPOLIS
BOZAR-BRUSSELS- BELGIUM ARCHI. PAOLA VIGANĂ’
(SECCHI-VIGANĂ’ ARCHITECTURE)
ATELIER - DEBATE FRAMING A RADICAL PROJECT
During a two weeks program in Boza-Brussels I have participated in a summer school organized by A+Architecture in Belgium in cooperation with miss Vigano one of the most famous pioneers of Italian contemporary urbanism, a heavy scholar, and a debater, with here we worked during the period of the program very closely to map and reimagine a future for the countryside of Gent a small village by the name Imo has been chosen and from there a series of lectures, debates, and ateliers started all under the frame of Vertical city VS horizontal City. The proposal at the end was a full model of the industrial zone extensions and the future plans for the agriculture fields that existed there, subjects like pollution, water, infrastructures, policies, and local opinion had to be tackled very delicately.
44
[PHOTOGRAPHY] In addition to my work created in school and professional environment. I like to work on my skills and show photos taken during work, trips and visits in my spare time. I enjoy discovering the outskirts of small cities and international places which I come in contact with. In these situations, I challenge myself to find the right frames and the beauty in everyday situations. A small selection is presented on the following pages for the sake of sharing.
Brussels | Gent | Belgium
45
Lyon | France
46
Milano | Italy
47
Expo 2015 | Milano | Italy
48
Tiznit | Marrakech | Morocco
49
Marrakech | Morocco
50
Paris | France
51
Cappadocia | Istanbul | Turkey
52
Thank
You
Rarchi.remli@gmail.com
+324 65 52 03 75