ARCHITECTURALPORFOLIO ABDULLAH2021I.ALMAHFOUZ
CURRICULUM VITAE
CONTACT INFO Phone +966560576505 Email iabdullahalmahfouz@gmail.com Address Jeddah - Saudi Arabia EDUCATIONLANGUAGES- Arabic (Native) - English 2013 - 2016 2016 - 2020 2020 - Now Secondary School Attaawon Private School Bachelor of Architecture Faculty of Architecture and Planning King Abdulaziz University Master in Architecture (In Process) Faculty of Architecture and Planning King Abdulaziz University 2018SummerEXPERIENCES2017-2019 Vice Presidency for Projects Saud Consult Branch King Abdulaziz University Coordinator of Students Advisory Committee Architecture Department King Abdulaziz University 8 Weeks Training 4.6192% (GPA) 4.83 (GPA) Two Years 2018 - 2019 Architecture Department Representative in Students Advisory Committee Faculty of Architecture and Planing King Abdulaziz University Two Years Summer 2018 2020 - Now Digital Architecture Heritage (DAW18) Faculty of Architecture and Planing King Abdulaziz University Polymanners Architectural Firm King Abdulaziz University 8 Weeks Training 8 Weeks Training ABDULLAH I. ALMAHFOUZ (Architect) A young architect, recently graduated from King Abdulaziz University, enthusiastic to engage in the fields of creative thinking and architectural design, he has a hobby in the field of graphic design and hopes to pursue it. PRO SKILLS Microsoft Office GrassRhinoIdaLumionPhotoshopIllustratorRevitAutoCadICE7Hopper
SELECTED PROJECTS / Minimum Security Correctional Facility A ordable Shipping Container Housing Albaiaah Square Redevelopment 01020203041.01.11.21.31.4 San Jose Landmark Compitition 041.5 Prophecy Heritage Musem Competition 041.6 Hazzazi Historical House Redevelopment INDEX
CORRECTIONAL FACILITY CAPSTONE PROJECT
A Correctional Facility Is a facility in which inmates are forcibly confined and denied a variety of freedoms under the authority of the state. People charged with crimes may be imprisoned until their trial; those pleading or being found guilty of crimes at trial may be sentenced to a specified period of imprisonment.
Problem Statment Many correctional facilities are facing major issues in the quality of functioning due to the poor conditions of the built environment and management resulting a revoke in the rehabilitation process therefore the main purpose of correctional facilities is greatly linked to the form factor of the convict’s built up envelope.
Prison Retribution Retribution means punishment for crimes against society. Depriving criminals of their freedom is a way of making them pay a debt to society for their crimes.
Deterrence Deterrence means the prevention of future crime. It is hoped that prisons provide warnings to people thinking about commiting crimes, and that the possibility of going to prison will discourage people from breaking the law.
Prison Rehabilitation Rehabilitation refers to activities designed to change criminals into law abiding citizens, and may include providing educational courses in prison, teaching job skills and o ering counselling with a psychologist or social worker.
Prison Purpose Prison Incapacitation Incapacitation refers to the removal of criminals from society so that they can no longer harm innocent people.
The Classi cation of Prisons Panopticon Design Telephone-Pole Design Courtyard Style Campus Style
The very first jails in England are mandated by the Assize of Clarendon, a set of laws instituted by King Henry II in 1166. Each shire is instructed to establish a gaol to house people who've been picked up for violations. This is not considered punishment; the accused is merely being detained until the court appearance or punishment can take place. Heating, ventilation, and sanitation are poor at best. Overcrowding is customary. Everyone is thrown together: murders and petty thieves, children and adults, men and women. Community members are welcome to come and stare at or taunt the jailed. The accused pay for amenities such as food, clothing, and bedding. If they can't a ord it, they go without...
UNITED KINGDOM
Telephone-Pole DesignUSA 1900BC 1823 1930s 1166
The Gaols Act of 1823 introduced the concept of classification of inmates, and prison design during this time reflected the concept. Prison architects began to include varied geometric shapes in their designs, including rectangles, squares and circles.
1900BC 1823 1930s 1166
Records found at many Egyptian and Mesopotamian archeological sites proved the existence of the earliest prisons in the world. risons were referred to in many ancient Egyptian texts.
Prison designs continued to evolve around the turn of the century, and a lack of state or federal guidelines led to significant variations, although most prisons still sought to limit prisoner contact. By the 1930s and 40s, “telephone pole” design was the most popular. This design included a central corridor with housing wings built at 90 degrees from the corridor. Prisons built in this manner included the Maryland Reformatory, Soledad in California, Utah State Prison at Draper and Eastern State Penitentiary in Graterford, Penn.
rates, conservative public attitudes and high recidivism rates forced a change toward a “get tough” attitude against o enders. In 1974, the “Martinson report” e ectively ended the medical model. Martinson detailed the ine ectiveness of treatment programs and argued that rehabilitation was rarely successful.
1791
Under the influence of the Catholic Church, communities had increasingly begun to rely on imprisonment as punishment, rather than the previously used tactics of death, mutilation or exile. In England, prison construction was driven by the fact that authorities could no longer merely banish o enders to America; the Revolution had put a stop to that. In America, expanding civilization and the development of criminal law drove a similar construction boom.
MentalnoitpmHealthRedePhysicalHealth emircgnisocietalchangessuchasrisiSecurty ARCHITECTURE ModelPRISONDecline
MentalnoitpmHealthRede hPhysicalHealtiSecurty ARCHITECTURE Medical Model
Direct Survailance 24 Hrs 1950 1970s 1981 1700s 1791
Ref Cengage Learning Panopticon Design Design as soon as WWII ended, prison building in the U.S. took o . This new building boom was influenced by the medical model of criminal justice. The medical model held that o enders were not necessarily responsible for their actions; instead, society had to diagnose and cure the o ender’s illness, which could be caused by issues that were psychological (mental illness), sociological (family environment), economic (unemployed) or physiological (improper diet). Prisons became responsible for rehabilitating o enders and successfully returning Rehabilitation
Prison PRISON
The first jail facility incorporating Direct Supervision features opened in 1981 in Contra Costa similar designs was accomplished to meet the BOP criteria for active and continuous inmate supervision. Today, this model is widely used across the United States.
1700s
The most famous prison design of this period is the Panopticon, envisioned by prison reform activist Jeremy Bentham. The Panopticon concept was a circular building with inmate cells built on the outside wall, with the keeper’s gallery rising in the center. This allowed the keepers to observe the prisoners, but not to be observed by them. Bentham even went so far as to suggest that inmates would not need to be under constant supervision because they would not know when they were being observed, so they would be compelled to behave at all times.
1950 1970s
Campus Design Layouts
Since there are a variety of approaches to design a correctional facility, the chosen approaches has been devided onto three main categories depending on security measurments, social interaction, and outdoor space availability. ??
Disterbution
Sentence Integrated Design Layout Cluster Design Layout Campus Design Layout Redemption It is possible to imagine a mirror image of this terrifying architecture, a force as intense and devastating but used instead in the service of positive intentions. Division, isolation, inequality, aggression, destruction, all the negative aspects of the Wall, could be the ingredients of a new phenomenon: architectural warfare against undesirable conditions, in this case London.
ArchitecturalyExodusTheoryPrison
Integrated Design Layouts All functions are grouped together in a single mass of a building. Typology All functions are grouped together in a single mass of a building.
Since there are a variety of approaches to design a correctional facility, the chosen approaches has been devided onto three main categories depending on security measurments, social interaction, and outdoor space availability.Since there are a variety of approaches to design a correctional facility, the chosen approaches has been devided onto three main categories depending on security measurments, social Process De nition
In this design layout functions are disterbuted through out the site as separate masses.
Cluster Design Layouts In this design layout functions are grouped together in de erent buildings based on functional relations and permitted.
0 1 2 3 4
Driving Force Halftone Gradient
10 15 20 Ground Floor First Floor 0 510 15 20 0 510 15 20 Unit: Main Building In rmary Ca Foyersteriaand Enteries Visitation Area O ce SecuritySpacesStation 6132 56 4 2 1. Entrance Foyer 2. Security Station 3. Visitation Area 4. Infermary 5. Ca teria 6. Administration M A.A A.A In rmary (Inmate) In rmary (Sta ) Security Station Emerging and Visitation StationNursing RMOP RMRecovery DepartureRadiologyExamination Ca teria (Sta ) StationNursing StationNursingRMOP RMRecovery DepartureRadiologyExamination Rad ogy Steri za on RM LoungeSta Changing&ShowersCon AdministrationscationsRestRoomControlRoom Firm Firm LoungeSta Changing&Showers CleaningStorageAreaPrepearationCooking KITCHENMAIN ServingFirm Ca teria (Inmate) W.CSeatingsHallDining StorageTrayandQueue W.CServingFirmAreaWaiting AreaWaiting HallVisitationRMChanging WindowStorage SearchPrivateStationSecondary Firm Inca e ofVisit 0 10 5 0 10 5 0 10 5 15 0 510 15 20 0 10 5 15 20
0 510 15 20 Unit: Type A Typical Floor Plan FacadeSection A A A A44 3 2 13 5 1. Entrance Foyer 2. Control Room 3. Common Area 4. Acommodation 5. Fire Exits Common Area Cell SecurityBlockStation Telephone-Pole Design B.B 0 510 15 20
0 510 15 20 Unit: Type B Ground Floor First Floor BBBBBB 1. Security Station 2. Utilities 3. Seminar Room 4. Core 5. Classrooms 6. Music Studio 7. Computer Lab 8. Library6 7 8 5123 4 4 109 2 CommonUtilities Area Cell VarietyBlocksOfSpaces
C C C C C C C C C C C C 1. Core 2. Acommodation 3. Common Area Unit: Type C Ground Floor First Floor 0 510 15 20 22 31 221 Common Area Foyer and Entery Cell Block
AL-BAIAAH SQUARE SAN JOSE COMPETITION
Objectives
Charactar The
is
income
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generators
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Uses
To
Legibility A
Taking weather factors into concediration during design process. Response to Weather magnify the current use and to add new uses to the site. Site Origins GARDEN
conditions. Adaptability
private spaces are clearly
historical and present
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Creating a welcoming entrance to the jeddahs historical area. Welcoming Sense the scattred islands across the parameter. Pangaea BARRIER income that sustain nacial supporting the site.Making cross relation between the urban parameter.
PRIVATE Continuity and enclosure Retaining the current
a
The aim of this project is to comprehend how it might be possible to improve social life and behavior in public spaces squares and consequently to attain a framework in order to design. The proposed design is based on studies and analyses that should be done throughout this project. This project will be focusing on Jeddah city, which lacks public squares except for the historical area where it was part of the urban Traditional fabric. Brief Project
? Creating
print. Merging Prints Eco Sustainablility $$$$$ $$ $ $ PresentPast PLAZA Design Criteria Safe pedistrian walking experiance through the
Project
Reverse
Facilitation pedestrian zones to maximize walkability. A place that has a clear image and easy to understand.place where public and distinguished. identity the city. ability to respond to the social, technological and economical
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historical
E cient Connectivity
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Project Objectives Pre HistoricDaycare GiftW.C Marina Cafe Zones Beach Vollyball Relaxation Area W.C Shower Meusium Multi-Purpose Hall Multi-PurposeArea Taxi Que W.C Hotels Redevelopment Parking Structures FirstBoothsAidAreaSecurity Stat RedevelopMousque W.C W.C Skating Park Soccer Fields Playground Amphitheater Mirrors OutdoorGym Show Floor Minaret Bicyc 1 2 3 4 4 Tra c and CrossingPedestrianArea Full UtilitySameMidHighSequenceRelationRelationRelationParameterCollector Collector Through Through GeneratorDesign Concept The concept revolves around placing unpromoted and unrelevent activities in the path passing through the tra c ow to maximize the interest of the majority of pedestrians As the activities are not active due to the lack of promotion and awareness. The site were devided into four main categories, Bab Jadid Parameter and Marina Walkway as Tra c Collectors, Main Building Zone and Sport Zone as through tra c and Site boundaries as Tra c Generator. Collector Through Tra c ThroughTracGenerator Collector TransitionDancingLecturesSportsEventsSellingChilling Co ee Shops Bus SocializationOrganizingShoppingStopsPrayingGuarding1010 3 8 12 2 13 7 6 9 143 1 3 9 12 11 10 13 17654321 131412111098 Through Tra c Some of the site users are unaware of the site activities due to the lack of promotion therefore placement matters. Unpromoted Activities ? The site is consisting several notable site activities that will attract pedestrian ow regardless of the setuation. Places of Interest Although there are many mthods of transporting, the concept focuses on pedestrian movement mainly. Users DestinationThrough Tra c Tra c Generator Tra c Generator Means movement passing through an area though destination is elsewhere. Unp omoted Ac vity Unpromo d Activity Unpr m i
03 16 02 01 04 05 06 10 09 11 15 08 07 12 13 14 15 Schematic Site Plan: 1. Amphitheater 2. Secondary Plaza 3. Main Plaza 4. Playground 5. Public Park 6. Parking Structure 1 7. Multi-Purpose Hall 8. Main Building 9. Parking Structure 2 10. Multi-Purpose Yard 11. Small Amphitheater 12. Sport Center 13. Bazar Area 14. Outdoor Mall 15. Marina 16. Outdoor Exhibition 0 20m 40m 80m N A B B A EE F F
HOUSING CLUSTER AFFORDABLE HOUSING
DESIGN CONCEPT Traditional Buildings Movability Worldwide Shipping SHIPPING CONTAINER Shipping container architecture is a form of architecture using steel intermodal containers as structural element , because of their inherent strength , wide availability and relatively low cost. PROS & CONS - Strength & durability - Modular - Movable - Availability - Low structural cost - Small footprint - Short construction time - Eco friendly CONSPROS - Controlling heat - Building permits - Rusting
STANDARD SIZE High Cubic 40 HC Dimentions: L x W x H Weight: 3900 kg 12 x 2.45 x 2.9 Shipping containers are tough built from weathering steel designed to withstand stacking , stu ng , strapping and reused over and over There are estimated 17-20 million of these containers scattered around the world as many as 1 million shipping containers may be sitting around unused . BUILDING MATERIAL MATERIAL & FOOTING PLUGGING PROCESS Certain number of containers Building Number of units increased Finishing Plugging an additional unit PluggingTransfer Method Crane are often used to left the units WALLS CLADDING The Original interior of containers (Not recomended) Corrugated Sheets The most recomended material for interior (Recomended)cladding Gypsum Board Distributing Spaces The most recomended material for interior (Recomended)cladding GLOBAL TRANSFER COST Shipping Cost from UK : 4000$ to 5000$ New Shipping Container Cost : 3000-5000$ Used Shipping Container Cost : 1400-3000$ Shipping Cost from USA : 6000$ to 7000$ Shipping Cost from Australia : 5000$ to 6000$
MODULE STUDY Original Module m3.60 2.70 m X= 2.7 X= 2.4 X= 1.8 X= 1.5 X= 0.9 X= 0.6X= 3.3 X= 2.1 X= 1.2 X= 0.3X= 3 X-Axis Subtractions Y= 2.4 Y= 2.1 Y= 1.8 Y= 1.5 Y= 1.2 Y= 0.9 Y= 0.6 Y= 0.3 Y-Axis Subtractions 2.70 m m3.60 0.90 m m1.30 2.70 m m3.60 2.70 m m3.60 0.90 m 2.70 m m1.80 2.70 m m1.80 Bedroom Master B.R. Bathroom m1.30 0.25 m 5.40 m m3.60 5.40 m m3.60 Kitchen m3.60 2.70 m 2.70 m m3.60 Applies FLOOR PLANS - TYPE B 4,80 m 12,0 m 3,60 m 2,40 m2,40 m 4,10 m 4,20 m 7,20 m 13,20 m 4,80 m 2,40 m 4,80 m 1,20 m 3,60 m 2,40 m 4,80 m 12,0 m
7,20 m 13,20 m 2,40 m 2,40 m 2,40 m 1,20 m 4,80 m 1,20 m 1,20 m 1,20 m 3,60 m Unit 125 -Flat - Scale 1:50 4,80 m 9,60 m 4,80 m 3,60 m 3,60 m 1,20 m 2,40 m 2,40 m 13,20 m CON 2 CON 3 CON 4
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6543219182021 22 14 13 161517 789101112 119118116117 120 104 103 106105107 128129130127131132 121 122 123 124 125 126100 101 102232425 ENEN Water Tank MechanicalMechanical Water Tank MechanicalMechanical 6543219182021 22 14 13 161517 789101112 119118116117 120 104 103 106105107 128129130127131132 121 122 123 124 125 12699 100 101 10223242526 ENEN Water Tank MechanicalMechanical Water Tank MechanicalMechanical
LILITH TOWER SAN JOSE COMPETITION
toWidth:Length:theleft
Site plan on the actual site map DIMENSIONSSTRUCTURE Height: 60m
Project Brief
San Jose is one of the well-known cities in California state. This marvelous city needs a landmark statue. The concept depends on basis of the past, present, and future. The basis represented in the statue pillars and facades which represented in a triangular tower. Each side of the triangular referring to one of the times lapsed of the city. These towers have two di erent types of expressions.Thecrowd will be introduced into two di erent adventures when they visit one of the towers either during the day or night. The day activities inside the towers could contains climbing, sliding, and sight seen of the city. The tower supporting the sustainability principles via increasing the patch of green spaces as a vertical garden. The main frame of the tower is designed as a light steel structure.
06 07 08Public
05
Pedestrian Path PublicFunctionalSpace Space Hiking path - Vertical Garden Tube SpiralObservatorySlide city. FloorsBase The start of the tower, its a welcoming pad. To add more value to the monument we decided to add multiple floor to allow people to go up and see the 01 Structure Three columns based on pyramid shape to form three aspects that express the past, present and future. 02 03 Railing For Saftey. 04 Pedestrian Path Vertical garden Screens
After
The
The pedestrian path was made as the main element of the vertical circulation as the users go up they will see more of the beautiful city. As you go through the pedestrian pa-th you’ll enjoy the experience of the stunning vertical gardens. screens are made to illuminate as night to make the monument visible from afar. Since the screens don’t start from the ground it gives the structure a floating sensation spaces considering the surrounding views we decided to provide areas to look upon from the tower.
Approaching the towers you’ll have experiences to go through. You'll begin by walking the pedestrian path or if you are feeling adventurous you can climb the hiking trail. While going up through the pedestrian path or the hiking trail you’ll enjoy the amazing views of “Arena Green” and also the city of San Jose. At every couple of floors, you’ll realize an observatory observe the site and surrounding areas. Once reaching the highest you’ll realize the main observatory that looks upon di erent areas of San Jose. While being up you can take the pedestrian path or the 190 ft (57.91 m) spiral slide as The land-mark is not just about the external experience, it
L I L I T H T O W E R E Y E O F T H E N I G H T
L I L I T H T O W E R E Y E O F T H E N I G H T Night Exhibition View 1 View 2 View 3 View 4 View 5 Model
View Utilization Although lighting screens are conterbuting in the form factor of the building they tend to cause interruption. 04Experience Pillers Each piller of the combination are representing a single vector of the triangle. 03 FUTUTRE PAST PRESENT Formation The connection between them was abstracted to form a triangular shape. 02Eras Three defferent eras combined to form a connection. 01 PAST FUTURE PRESENTEXPERIENCE Final Form Therefore circulation was moved into the outter boarder of the towers. 05 EXPERIENCE
HADITH NARRATORS MEDINA COMPETITION
Hadith Narrators JourneyThe Followers of the Followers 21 34 AL-Madinah From Yesterdy Facade Approach Strong Wall Urban fabric
AlMadinah AlMunwwarah, often referred to as "Enlighted city" or the "shining city" is the first embrace of the message place of Islam, which came to our Prophet Muhammad (peace be upon him), The city is the second of the two holy mosques in Islam. Madinah Region Development Authority MDA organizes a limited ideas competition for designing the "Hadith Narrators" TheMuseum.Concept revolves around the Narrators of the hadith, They are the preservers of the Hadeeth and AlHadi AlNabawi. The Concept started with three parts the source of the AlHadi AlNabawi the Prophet (Peace Be Upon Him). then we represented the journey of the Narrators of the Hadeeth to preserve AlHadi AlNabawi, Finally, we represented AlHadi AlNabawi as their destination. Source Al Hadi Al Nabawi
Subtracting di erent bulks to define the main concept. Reforming the two bulks to create a sustainable space by decreasing air-flow.
75 x 135 meters of space. Defying the main three axises pointed to the three holy mosques. Repeating axises to create a multi-modular grid system. Extruding the main mass.
The Concepts grid lines revolved around three axis's, Firstly the Mecca Haram axis that leads to the Haram in Mecca. The second axis is the one that leads to the Aqsa Haram. The third axis that leads to the Madinah Haram. Mecca AqsaMecca
Main MassRepetitionHoly PathsBuilding Area
Madinah
ShiftingReformingConnectionSubtraction
Connecting the two bulks to create exhabition area. Shifting the exhabition area to create more spaces for show rooms.
ThreeAqsaholiestplaces in islam Madinah
Floor Plans 01. Main Entrance 02. VIP Entrance 03. Temporary Exhibition 04. VIP Area 05. Auditorium 06. Exhibition Room 07. Library 08.Library Entrance 09.Library Administration 10. Loading Path 11.Car Parking 12.Bus parking Scale1 \200 Ground Floor Plan 02 03 06 06 06 06 0606 08 07 09 04 05 01 EntranceMain EntranceLibrary EntranceVIP 10 11 12 +1.65m1.5m1.5m AAB B Visibility and Connectivity SPACE SYNTAX Analysis - Ground Floor ISOVIST Analysis - Ground Floor ISOVIST Analysis - First Floor SPACE SYNTAX Analysis - First Floor 13. Exhibition Room 06. Praying Area 07. Auditorium 14.Cafe Scale1 \200 First Floor Plan 17. Kitchenette 18. Resting Area 19. O ces 20.Meeting Room Scale1 \400 Second/Third Floor Plan Scale1 \400 Basment Floor Plan 13 13131313 13 13 13 14 15 16
HAZZAZI HOUSE DAH-19 PROJECT
BanajahRoadOldMakkahRoad
Rehabilitation and redesign of a historical house in Al-Balad (the old town in Jeddah, Saudi Arabia) to turn it into a building that a ects the area by atracting visitors. Creating a unique experience, to bene t from the house and its location to achieve the economic return for the project and the Hazzaziregion.house is situated in the eastern side of Bab Jadid in Al Sham neighbourhood. Project Brief Laser Scaning Hint
Allegiance Square Al NeighbourhoodMazloum Al NeighbourhoodBahr Al NeighbourhoodYemen Al NeighbourhoodSham HailRoad
StreetDahabAl KingAbduazizRoad Salah Ad Din Road
1 2 3 4 1 2 3 4 Hazzazi house can join some flaws ouccuring overtime such as tilted walls, wricked floors, Lost Architectural Elements, peeled o paint and many other flaws during the building’s life span. Why do we x them? In order to preserve the assets and protect the building the building occupants. Proper building maintenance makes sure that the building and the environment remain healthy, clean and a safe place to work or reside. Building Flaws
1. Reception • 2. Waiting Area • 3. LoungeCafe • 4. Gift Shop • 5. Mini Show Corner • 6. Multi-Purpose 7. Services Area • 8. Living Room • 9. Main Bedroom • 10. Kitchenette • 11. Closet • 12. Disterbutor 13. Outdoor Cafe • 14. Indoor Resturant • 15. Outdoor Garden • 16. Arcade • 17. Rooftop Storage 18. Services Roof • 19. Halway Exibit • 20. Bar Program 4 65 7231 9 118 1210111089 9 12 11 8 9 11 FirstFloor S,econdFloor , Third Floor GroundFloor Terrace Bedroom Living Room Divider Bathroom Gift ShopLounge MaintenanceCafeReceptionMulti-PurposeRoomSectionSpectacleCorner Storage Kitchenette Stair Core ServiceRoom Outdoor Stair Core Utility Area Kitchen Stair Core Dining Area Bubble Diagrams are an important step in the process of designing. It shows the relationship and how strong their connections to each other are between the di erent spaces in a LookFloorProjectplane.BriefPlansandFeel The stairs had openings on each level to bring in daylight and circulate the air through the whole staircase
Front Panels in direct wind intake side panels get closed to inhance ventilation. Direct Wind North Facades in Jeddah buildings are most likely to face direct wind. Side Panels in such cases, the front panels are closed to intake air. Indirect Wind North/West wind can be directed into east and west facades too.
The word “Roshan” is derived from “Rozan” in Persian meaning window or balcony. Roshan was considered the center of the family life, they sat there enjoying their time while watching the activities on the streets and so on. There is usually a deck inside the Roshan covered by a mattress, and there are blankets and cushions that can accommodate the sleep of two people. There were two types of Roshan: Turkish and Egyptian. Bay Window Demonstration
Traditional Wall Rain Water E ect Rain fluids inflect damage into the walls structure. Arayes Michanisim Fluid Protection Arayes shape prevents fluids from leaking between rock blocks. Is an aesthetical arhitectural element usualy shaped as an arrow. It also has a functional bene t as it prevents rain water from leaking into the wall and provides a dynamic view from the inside. Parapet Demonstration
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