: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
CONTENTS
Library of Congress Cataloging-inPublication Data tk
FO
Published by Princeton Architectural Press 37 East Seventh Street New York, New York 1OOO3 Visit our website at www.papress.com. © 2O14 Princeton Architectural Press All rights reserved Printed and bound in XXXXXXX 17 16 15 14 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Editors: Sara Stemen and Sara Bader Designer: Elana Schlenker Additional text: Jay Sacher Special thanks to: Mariam Aldhahi, Meredith Baber, Nicola Bednarek Brower, Janet Behning, Megan Carey, Carina Cha, Andrea Chwlad, Barbara Darko, Benjamin English, Russell Fernandez, Will Foster, Jan Hartman, Diane Levinson, Jennifer Lippert, Katharine Myers, Jaime Nelson, Rob Shaeffer, Marielle Suba, Paul Wagner, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher
7
Introduction
13
The Photographers
14
Abbott
22
Astro
32
Botty
OOO
Fritz
OOO
Gus
OOO
Hamlet & Walter
OOO “Chicken”
OOO
Penny
OOO
Coulee
OOO
Scrappy
OOO
Fida & Lola
OOO
Slidell
OOO
Fiona
OOO
Villa
OOO
Fred
OOO
Xander
OOO
DIY Tips
OOO
Resources
OOO
Acknowledgements
OOO
Credits
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
CONTENTS
Library of Congress Cataloging-inPublication Data tk
FO
Published by Princeton Architectural Press 37 East Seventh Street New York, New York 1OOO3 Visit our website at www.papress.com. © 2O14 Princeton Architectural Press All rights reserved Printed and bound in XXXXXXX 17 16 15 14 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Editors: Sara Stemen and Sara Bader Designer: Elana Schlenker Additional text: Jay Sacher Special thanks to: Mariam Aldhahi, Meredith Baber, Nicola Bednarek Brower, Janet Behning, Megan Carey, Carina Cha, Andrea Chwlad, Barbara Darko, Benjamin English, Russell Fernandez, Will Foster, Jan Hartman, Diane Levinson, Jennifer Lippert, Katharine Myers, Jaime Nelson, Rob Shaeffer, Marielle Suba, Paul Wagner, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher
7
Introduction
13
The Photographers
14
Abbott
22
Astro
32
Botty
OOO
Fritz
OOO
Gus
OOO
Hamlet & Walter
OOO “Chicken”
OOO
Penny
OOO
Coulee
OOO
Scrappy
OOO
Fida & Lola
OOO
Slidell
OOO
Fiona
OOO
Villa
OOO
Fred
OOO
Xander
OOO
DIY Tips
OOO
Resources
OOO
Acknowledgements
OOO
Credits
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
I came up hard on the streets of Pittsburgh,
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A B B O T T
and I think the runaway aesthetic really informs my photography. Those shoes in my photos— are they going to kick you? Or will they simply be delicious once you sink your chompers into their Dr. Scholl’s-ey goodness? These are the questions I want my work to raise—the hard questions that most dog photographers don’t want to think about, let alone shoot. But I always say, you gotta have a point of view. Now that I’ve moved to the country, my critics think I’ve gone soft. They say my photos have lost their grittiness, that my “distinctly urban vision” has been compromised by the good life. But I say they’re bunch of art-school jerks. Excuse me for wanting to take a nap in the garden, enjoy a bit of sunshine in the pasture and maybe a cow chase now and again. Don’t get me started on my critics. It raises my dang hackles.
14
PetCam
PetCam
Ja c k R u ss e ll Te rr ie r B a th , N ew Yo rk
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
I came up hard on the streets of Pittsburgh,
FO
A B B O T T
and I think the runaway aesthetic really informs my photography. Those shoes in my photos— are they going to kick you? Or will they simply be delicious once you sink your chompers into their Dr. Scholl’s-ey goodness? These are the questions I want my work to raise—the hard questions that most dog photographers don’t want to think about, let alone shoot. But I always say, you gotta have a point of view. Now that I’ve moved to the country, my critics think I’ve gone soft. They say my photos have lost their grittiness, that my “distinctly urban vision” has been compromised by the good life. But I say they’re bunch of art-school jerks. Excuse me for wanting to take a nap in the garden, enjoy a bit of sunshine in the pasture and maybe a cow chase now and again. Don’t get me started on my critics. It raises my dang hackles.
14
PetCam
PetCam
Ja c k R u ss e ll Te rr ie r B a th , N ew Yo rk
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
FO
Shoes really are the cheesesteaks of the dog world. Well, I guess if we’re being honest, cheesesteaks really are the cheesesteaks of the dog world, but we’ll take what we can get.
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PetCam
Abbott
Jack Russell Terrier
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
FO
Shoes really are the cheesesteaks of the dog world. Well, I guess if we’re being honest, cheesesteaks really are the cheesesteaks of the dog world, but we’ll take what we can get.
16
PetCam
Abbott
Jack Russell Terrier
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
20
I’m at the beach, or the beach is at me, am
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A S T R O
I right? Gimme some sand, surf, somebody’s feet to sit on, and some peanut butter in my belly, and I got myself a perfect day. My photos? They just kinda happen—you can't force these things.
PetCam
PetCam
ahua C h ih u ie g o, San D r n ia fo li a C
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
20
I’m at the beach, or the beach is at me, am
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A S T R O
I right? Gimme some sand, surf, somebody’s feet to sit on, and some peanut butter in my belly, and I got myself a perfect day. My photos? They just kinda happen—you can't force these things.
PetCam
PetCam
ahua C h ih u ie g o, San D r n ia fo li a C
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
FO
Sometimes I get pretty introspective, like I wonder: Can I count all the grains of sand on this beach? But then I remember I’m a dog, and I can’t count. I don’t even know what sand is, dude.
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PetCam
Astro
Chihuahua
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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Sometimes I get pretty introspective, like I wonder: Can I count all the grains of sand on this beach? But then I remember I’m a dog, and I can’t count. I don’t even know what sand is, dude.
28
PetCam
Astro
Chihuahua
litter on our streets, a segment of our population that sort of speaks French, two-dollar coins, and the cultural legacy of SCTV. This all makes life pretty good, for humans and dogs alike. I think my pictures reflect that basic sense that everything is totally, amazingly cool.
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
Here in Canada we have wide-open spaces, no
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C O U L I E
ie / r C o ll er B o rd e e t r iev R n e G o ld c ros s , r id g e Le t h b anada C a t r A lb e
40
PetCam
litter on our streets, a segment of our population that sort of speaks French, two-dollar coins, and the cultural legacy of SCTV. This all makes life pretty good, for humans and dogs alike. I think my pictures reflect that basic sense that everything is totally, amazingly cool.
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
Here in Canada we have wide-open spaces, no
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C O U L I E
ie / r C o ll er B o rd e e t r iev R n e G o ld c ros s , r id g e Le t h b anada C a t r A lb e
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PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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I’m giving these sheep the “bum’s rush.”
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PetCam
Coulie
Border Collie/Golden Retriever cross
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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I’m giving these sheep the “bum’s rush.”
42
PetCam
Coulie
Border Collie/Golden Retriever cross
here. After you see my photos, I suggest just taking your camera, your prints, and your selfesteem and just dropping them down the toilet, because you cannot compare. No apologies here.
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
It’s like I’m shooting a John Ford Western over
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F I O N A
C ows Sw is s B row n , ü s ta ir Va l M nd la r e z Sw it
54
PetCam
here. After you see my photos, I suggest just taking your camera, your prints, and your selfesteem and just dropping them down the toilet, because you cannot compare. No apologies here.
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
It’s like I’m shooting a John Ford Western over
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F I O N A
C ows Sw is s B row n , ü s ta ir Va l M nd la r e z Sw it
54
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO
PetCam PetCam
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: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO
PetCam PetCam
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addresses how postrelational aesthetics are absorbed and confronted in our digital mediaverse. I present, if you will, a sort of antinarrative, an argument about the way in which we transform and interact with “nature” in reality and “nature” in the multitude of dialogical platforms that define our online personas. My show I Can Haz Relational Dystopia? is currently touring major museums around the world and was called “an unmitigated intellectual triumph” by Feline Art Quarterly. Now, if you’ll excuse me, I am going to go pee in a box of sand in the kitchen.
74
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
My body of work, which I began at age two,
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F R I T Z
Ta b by e in , H a r te n st y n a G e rm
addresses how postrelational aesthetics are absorbed and confronted in our digital mediaverse. I present, if you will, a sort of antinarrative, an argument about the way in which we transform and interact with “nature” in reality and “nature” in the multitude of dialogical platforms that define our online personas. My show I Can Haz Relational Dystopia? is currently touring major museums around the world and was called “an unmitigated intellectual triumph” by Feline Art Quarterly. Now, if you’ll excuse me, I am going to go pee in a box of sand in the kitchen.
74
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
My body of work, which I began at age two,
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F R I T Z
Ta b by e in , H a r te n st y n a G e rm
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO
Tabby Fritz PetCam
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: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO
Tabby Fritz PetCam
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heart rate is calm and relaxed on a good day, but this is just too much pressure. Especially with that parrot just looking at me. What does he want? Parrots are basically dinosaurs, am I right? It’s like a feathered T-Rex just staring me down with his beady little pirate-loving eye. I CANT TAKE IT!!
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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I am so friggin’ anxious. I mean, it’s not like my
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G U S
n A bys si n ia ig G u in e a P a li fo rn ia Powa y, C
heart rate is calm and relaxed on a good day, but this is just too much pressure. Especially with that parrot just looking at me. What does he want? Parrots are basically dinosaurs, am I right? It’s like a feathered T-Rex just staring me down with his beady little pirate-loving eye. I CANT TAKE IT!!
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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I am so friggin’ anxious. I mean, it’s not like my
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G U S
n A bys si n ia ig G u in e a P a li fo rn ia Powa y, C
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
FO
Okay. fine, maybe he’s thirty-five years old (that’s like six hundred in guinea pig years!), and maybe he can squawk a few human words now and again. But he still eats out of a bowl on the floor like the rest of us.
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PetCam
I haven’t moved in two hours. I’m just sitting here, silently shaking. Where did he go? I need a Xanax.
Gus
Abyssinian Guinea Pig
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
FO
Okay. fine, maybe he’s thirty-five years old (that’s like six hundred in guinea pig years!), and maybe he can squawk a few human words now and again. But he still eats out of a bowl on the floor like the rest of us.
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PetCam
I haven’t moved in two hours. I’m just sitting here, silently shaking. Where did he go? I need a Xanax.
Gus
Abyssinian Guinea Pig
pig lifestyle (in the suburbs rather than on a farm) is that: A) Wally and I get to watch a lot of TV (I like reruns of Hardcastle and McCormick, he likes Ellen) and B) we get snacks. Lots of snacks. It’s funny, then, that in our photos you will see neither TV viewing nor snacks. We’re good curators, I guess.
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PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
The good thing about living our alternative
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W A L T E R & HAMLET
M in ia t u r e Po t B e ll y P ig s S a n D ie g o, C A
pig lifestyle (in the suburbs rather than on a farm) is that: A) Wally and I get to watch a lot of TV (I like reruns of Hardcastle and McCormick, he likes Ellen) and B) we get snacks. Lots of snacks. It’s funny, then, that in our photos you will see neither TV viewing nor snacks. We’re good curators, I guess.
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PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
The good thing about living our alternative
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W A L T E R & HAMLET
M in ia t u r e Po t B e ll y P ig s S a n D ie g o, C A
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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Hamlet, nosing for clams. Oh, wait a second. Hamlet…? “Ham”-let . . . . All these years together, and I just got that!
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PetCam
Walter & Hamlet
Miniature Pot Belly Pigs
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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Hamlet, nosing for clams. Oh, wait a second. Hamlet…? “Ham”-let . . . . All these years together, and I just got that!
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PetCam
Walter & Hamlet
Miniature Pot Belly Pigs
chickens, you know? I’m a chicken, my friends are all chickens, we all sleep in a chicken coop, we hang out in a yard full of other chickens….What did you expect, photos of the monkeyflunkin’ Eiffel Tower? First thing I did when I hatched, I bought a copy of Robert Frank’s The Americans on eBay. Street photography speaks to me—in my work, I want you to hear the clucks; smell the chicken feed; and really, truly, think about us chickens. At the heart of every image I make is that simple, age-old question: Why do we cross the road? Wouldn’t you like to know.
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PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
My photos—my art—it’s really all about the
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P E N N Y
A m e ra u cana C h ic ke n D av is , C a li a o rn ia
chickens, you know? I’m a chicken, my friends are all chickens, we all sleep in a chicken coop, we hang out in a yard full of other chickens….What did you expect, photos of the monkeyflunkin’ Eiffel Tower? First thing I did when I hatched, I bought a copy of Robert Frank’s The Americans on eBay. Street photography speaks to me—in my work, I want you to hear the clucks; smell the chicken feed; and really, truly, think about us chickens. At the heart of every image I make is that simple, age-old question: Why do we cross the road? Wouldn’t you like to know.
100
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
My photos—my art—it’s really all about the
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P E N N Y
A m e ra u cana C h ic ke n D av is , C a li a o rn ia
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO Ameraucana Chicken Penny PetCam
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: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO Ameraucana Chicken Penny PetCam
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Type A, I admit that I mostly use my camera to check up on these other slacker goats I have to watch over. I do a monthly PowerPoint presentation at the farm in which I admonish any goat I catch on camera doing ungoatly activities. If you’re not head butting someone or eating an old boot, you’re not a goat worthy of the name.
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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As head of my herd, and as I am indeed a bit
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V I L L A
ca Ne ra Ve rzas G oa t M ün ster ta l, ac k So ut he rn Bl Fo re st ,
Type A, I admit that I mostly use my camera to check up on these other slacker goats I have to watch over. I do a monthly PowerPoint presentation at the farm in which I admonish any goat I catch on camera doing ungoatly activities. If you’re not head butting someone or eating an old boot, you’re not a goat worthy of the name.
PetCam
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
120
As head of my herd, and as I am indeed a bit
FO
V I L L A
ca Ne ra Ve rzas G oa t M ün ster ta l, ac k So ut he rn Bl Fo re st ,
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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After a tough day, a field of grass. We work hard and we play hard.
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PetCam
Villa
Nera Verzasca Goat
: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R
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After a tough day, a field of grass. We work hard and we play hard.
122
PetCam
Villa
Nera Verzasca Goat