Petcam

Page 1


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

CONTENTS

Library of Congress Cataloging-inPublication Data tk

FO

Published by Princeton Architectural Press 37 East Seventh Street New York, New York 1OOO3 Visit our website at www.papress.com. © 2O14 Princeton Architectural Press All rights reserved Printed and bound in XXXXXXX 17 16 15 14 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Editors: Sara Stemen and Sara Bader Designer: Elana Schlenker Additional text: Jay Sacher Special thanks to: Mariam Aldhahi, Meredith Baber, Nicola Bednarek Brower, Janet Behning, Megan Carey, Carina Cha, Andrea Chwlad, Barbara Darko, Benjamin English, Russell Fernandez, Will Foster, Jan Hartman, Diane Levinson, Jennifer Lippert, Katharine Myers, Jaime Nelson, Rob Shaeffer, Marielle Suba, Paul Wagner, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher

7

Introduction

13

The Photographers

14

Abbott

22

Astro

32

Botty

OOO

Fritz

OOO

Gus

OOO

Hamlet & Walter

OOO “Chicken”

OOO

Penny

OOO

Coulee

OOO

Scrappy

OOO

Fida & Lola

OOO

Slidell

OOO

Fiona

OOO

Villa

OOO

Fred

OOO

Xander

OOO

DIY Tips

OOO

Resources

OOO

Acknowledgements

OOO

Credits


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

CONTENTS

Library of Congress Cataloging-inPublication Data tk

FO

Published by Princeton Architectural Press 37 East Seventh Street New York, New York 1OOO3 Visit our website at www.papress.com. © 2O14 Princeton Architectural Press All rights reserved Printed and bound in XXXXXXX 17 16 15 14 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Editors: Sara Stemen and Sara Bader Designer: Elana Schlenker Additional text: Jay Sacher Special thanks to: Mariam Aldhahi, Meredith Baber, Nicola Bednarek Brower, Janet Behning, Megan Carey, Carina Cha, Andrea Chwlad, Barbara Darko, Benjamin English, Russell Fernandez, Will Foster, Jan Hartman, Diane Levinson, Jennifer Lippert, Katharine Myers, Jaime Nelson, Rob Shaeffer, Marielle Suba, Paul Wagner, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher

7

Introduction

13

The Photographers

14

Abbott

22

Astro

32

Botty

OOO

Fritz

OOO

Gus

OOO

Hamlet & Walter

OOO “Chicken”

OOO

Penny

OOO

Coulee

OOO

Scrappy

OOO

Fida & Lola

OOO

Slidell

OOO

Fiona

OOO

Villa

OOO

Fred

OOO

Xander

OOO

DIY Tips

OOO

Resources

OOO

Acknowledgements

OOO

Credits


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

I came up hard on the streets of Pittsburgh,

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A B B O T T

and I think the runaway aesthetic really informs my photography. Those shoes in my photos— are they going to kick you? Or will they simply be delicious once you sink your chompers into their Dr. Scholl’s-ey goodness? These are the questions I want my work to raise—the hard questions that most dog photographers don’t want to think about, let alone shoot. But I always say, you gotta have a point of view. Now that I’ve moved to the country, my critics think I’ve gone soft. They say my photos have lost their grittiness, that my “distinctly urban vision” has been compromised by the good life. But I say they’re bunch of art-school jerks. Excuse me for wanting to take a nap in the garden, enjoy a bit of sunshine in the pasture and maybe a cow chase now and again. Don’t get me started on my critics. It raises my dang hackles.

14

PetCam

PetCam

Ja c k R u ss e ll Te rr ie r B a th , N ew Yo rk


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

I came up hard on the streets of Pittsburgh,

FO

A B B O T T

and I think the runaway aesthetic really informs my photography. Those shoes in my photos— are they going to kick you? Or will they simply be delicious once you sink your chompers into their Dr. Scholl’s-ey goodness? These are the questions I want my work to raise—the hard questions that most dog photographers don’t want to think about, let alone shoot. But I always say, you gotta have a point of view. Now that I’ve moved to the country, my critics think I’ve gone soft. They say my photos have lost their grittiness, that my “distinctly urban vision” has been compromised by the good life. But I say they’re bunch of art-school jerks. Excuse me for wanting to take a nap in the garden, enjoy a bit of sunshine in the pasture and maybe a cow chase now and again. Don’t get me started on my critics. It raises my dang hackles.

14

PetCam

PetCam

Ja c k R u ss e ll Te rr ie r B a th , N ew Yo rk


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Shoes really are the cheesesteaks of the dog world. Well, I guess if we’re being honest, cheesesteaks really are the cheesesteaks of the dog world, but we’ll take what we can get.

16

PetCam

Abbott

Jack Russell Terrier


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Shoes really are the cheesesteaks of the dog world. Well, I guess if we’re being honest, cheesesteaks really are the cheesesteaks of the dog world, but we’ll take what we can get.

16

PetCam

Abbott

Jack Russell Terrier


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

20

I’m at the beach, or the beach is at me, am

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A S T R O

I right? Gimme some sand, surf, somebody’s feet to sit on, and some peanut butter in my belly, and I got myself a perfect day. My photos? They just kinda happen—you can't force these things.

PetCam

PetCam

ahua C h ih u ie g o, San D r n ia fo li a C


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

20

I’m at the beach, or the beach is at me, am

FO

A S T R O

I right? Gimme some sand, surf, somebody’s feet to sit on, and some peanut butter in my belly, and I got myself a perfect day. My photos? They just kinda happen—you can't force these things.

PetCam

PetCam

ahua C h ih u ie g o, San D r n ia fo li a C


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Sometimes I get pretty introspective, like I wonder: Can I count all the grains of sand on this beach? But then I remember I’m a dog, and I can’t count. I don’t even know what sand is, dude.

28

PetCam

Astro

Chihuahua


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Sometimes I get pretty introspective, like I wonder: Can I count all the grains of sand on this beach? But then I remember I’m a dog, and I can’t count. I don’t even know what sand is, dude.

28

PetCam

Astro

Chihuahua


litter on our streets, a segment of our population that sort of speaks French, two-dollar coins, and the cultural legacy of SCTV. This all makes life pretty good, for humans and dogs alike. I think my pictures reflect that basic sense that everything is totally, amazingly cool.

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

Here in Canada we have wide-open spaces, no

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C O U L I E

ie / r C o ll er B o rd e e t r iev R n e G o ld c ros s , r id g e Le t h b anada C a t r A lb e

40

PetCam


litter on our streets, a segment of our population that sort of speaks French, two-dollar coins, and the cultural legacy of SCTV. This all makes life pretty good, for humans and dogs alike. I think my pictures reflect that basic sense that everything is totally, amazingly cool.

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

Here in Canada we have wide-open spaces, no

FO

C O U L I E

ie / r C o ll er B o rd e e t r iev R n e G o ld c ros s , r id g e Le t h b anada C a t r A lb e

40

PetCam


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

I’m giving these sheep the “bum’s rush.”

42

PetCam

Coulie

Border Collie/Golden Retriever cross


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

I’m giving these sheep the “bum’s rush.”

42

PetCam

Coulie

Border Collie/Golden Retriever cross


here. After you see my photos, I suggest just taking your camera, your prints, and your selfesteem and just dropping them down the toilet, because you cannot compare. No apologies here.

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

It’s like I’m shooting a John Ford Western over

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F I O N A

C ows Sw is s B row n , ü s ta ir Va l M nd la r e z Sw it

54

PetCam


here. After you see my photos, I suggest just taking your camera, your prints, and your selfesteem and just dropping them down the toilet, because you cannot compare. No apologies here.

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

It’s like I’m shooting a John Ford Western over

FO

F I O N A

C ows Sw is s B row n , ü s ta ir Va l M nd la r e z Sw it

54

PetCam


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO

PetCam PetCam

62


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO

PetCam PetCam

62


addresses how postrelational aesthetics are absorbed and confronted in our digital mediaverse. I present, if you will, a sort of antinarrative, an argument about the way in which we transform and interact with “nature” in reality and “nature” in the multitude of dialogical platforms that define our online personas. My show I Can Haz Relational Dystopia? is currently touring major museums around the world and was called “an unmitigated intellectual triumph” by Feline Art Quarterly. Now, if you’ll excuse me, I am going to go pee in a box of sand in the kitchen.

74

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

My body of work, which I began at age two,

FO

F R I T Z

Ta b by e in , H a r te n st y n a G e rm


addresses how postrelational aesthetics are absorbed and confronted in our digital mediaverse. I present, if you will, a sort of antinarrative, an argument about the way in which we transform and interact with “nature” in reality and “nature” in the multitude of dialogical platforms that define our online personas. My show I Can Haz Relational Dystopia? is currently touring major museums around the world and was called “an unmitigated intellectual triumph” by Feline Art Quarterly. Now, if you’ll excuse me, I am going to go pee in a box of sand in the kitchen.

74

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

My body of work, which I began at age two,

FO

F R I T Z

Ta b by e in , H a r te n st y n a G e rm


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO

Tabby Fritz PetCam

82


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO

Tabby Fritz PetCam

82


heart rate is calm and relaxed on a good day, but this is just too much pressure. Especially with that parrot just looking at me. What does he want? Parrots are basically dinosaurs, am I right? It’s like a feathered T-Rex just staring me down with his beady little pirate-loving eye. I CANT TAKE IT!!

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

88

I am so friggin’ anxious. I mean, it’s not like my

FO

G U S

n A bys si n ia ig G u in e a P a li fo rn ia Powa y, C


heart rate is calm and relaxed on a good day, but this is just too much pressure. Especially with that parrot just looking at me. What does he want? Parrots are basically dinosaurs, am I right? It’s like a feathered T-Rex just staring me down with his beady little pirate-loving eye. I CANT TAKE IT!!

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

88

I am so friggin’ anxious. I mean, it’s not like my

FO

G U S

n A bys si n ia ig G u in e a P a li fo rn ia Powa y, C


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Okay. fine, maybe he’s thirty-five years old (that’s like six hundred in guinea pig years!), and maybe he can squawk a few human words now and again. But he still eats out of a bowl on the floor like the rest of us.

90

PetCam

I haven’t moved in two hours. I’m just sitting here, silently shaking. Where did he go? I need a Xanax.

Gus

Abyssinian Guinea Pig


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Okay. fine, maybe he’s thirty-five years old (that’s like six hundred in guinea pig years!), and maybe he can squawk a few human words now and again. But he still eats out of a bowl on the floor like the rest of us.

90

PetCam

I haven’t moved in two hours. I’m just sitting here, silently shaking. Where did he go? I need a Xanax.

Gus

Abyssinian Guinea Pig


pig lifestyle (in the suburbs rather than on a farm) is that: A) Wally and I get to watch a lot of TV (I like reruns of Hardcastle and McCormick, he likes Ellen) and B) we get snacks. Lots of snacks. It’s funny, then, that in our photos you will see neither TV viewing nor snacks. We’re good curators, I guess.

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PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

The good thing about living our alternative

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W A L T E R & HAMLET

M in ia t u r e Po t B e ll y P ig s S a n D ie g o, C A


pig lifestyle (in the suburbs rather than on a farm) is that: A) Wally and I get to watch a lot of TV (I like reruns of Hardcastle and McCormick, he likes Ellen) and B) we get snacks. Lots of snacks. It’s funny, then, that in our photos you will see neither TV viewing nor snacks. We’re good curators, I guess.

92

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

The good thing about living our alternative

FO

W A L T E R & HAMLET

M in ia t u r e Po t B e ll y P ig s S a n D ie g o, C A


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

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Hamlet, nosing for clams. Oh, wait a second. Hamlet…? “Ham”-let . . . . All these years together, and I just got that!

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PetCam

Walter & Hamlet

Miniature Pot Belly Pigs


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

Hamlet, nosing for clams. Oh, wait a second. Hamlet…? “Ham”-let . . . . All these years together, and I just got that!

96

PetCam

Walter & Hamlet

Miniature Pot Belly Pigs


chickens, you know? I’m a chicken, my friends are all chickens, we all sleep in a chicken coop, we hang out in a yard full of other chickens….What did you expect, photos of the monkeyflunkin’ Eiffel Tower? First thing I did when I hatched, I bought a copy of Robert Frank’s The Americans on eBay. Street photography speaks to me—in my work, I want you to hear the clucks; smell the chicken feed; and really, truly, think about us chickens. At the heart of every image I make is that simple, age-old question: Why do we cross the road? Wouldn’t you like to know.

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PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

My photos—my art—it’s really all about the

FO

P E N N Y

A m e ra u cana C h ic ke n D av is , C a li a o rn ia


chickens, you know? I’m a chicken, my friends are all chickens, we all sleep in a chicken coop, we hang out in a yard full of other chickens….What did you expect, photos of the monkeyflunkin’ Eiffel Tower? First thing I did when I hatched, I bought a copy of Robert Frank’s The Americans on eBay. Street photography speaks to me—in my work, I want you to hear the clucks; smell the chicken feed; and really, truly, think about us chickens. At the heart of every image I make is that simple, age-old question: Why do we cross the road? Wouldn’t you like to know.

100

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

My photos—my art—it’s really all about the

FO

P E N N Y

A m e ra u cana C h ic ke n D av is , C a li a o rn ia


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO Ameraucana Chicken Penny PetCam

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: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R FO Ameraucana Chicken Penny PetCam

102


Type A, I admit that I mostly use my camera to check up on these other slacker goats I have to watch over. I do a monthly PowerPoint presentation at the farm in which I admonish any goat I catch on camera doing ungoatly activities. If you’re not head butting someone or eating an old boot, you’re not a goat worthy of the name.

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

120

As head of my herd, and as I am indeed a bit

FO

V I L L A

ca Ne ra Ve rzas G oa t M ün ster ta l, ac k So ut he rn Bl Fo re st ,


Type A, I admit that I mostly use my camera to check up on these other slacker goats I have to watch over. I do a monthly PowerPoint presentation at the farm in which I admonish any goat I catch on camera doing ungoatly activities. If you’re not head butting someone or eating an old boot, you’re not a goat worthy of the name.

PetCam

: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

120

As head of my herd, and as I am indeed a bit

FO

V I L L A

ca Ne ra Ve rzas G oa t M ün ster ta l, ac k So ut he rn Bl Fo re st ,


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

After a tough day, a field of grass. We work hard and we play hard.

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PetCam

Villa

Nera Verzasca Goat


: D D TE E N H IZ IO IG R T R HO BU PY T I O U TR C T A IS O D N R

FO

After a tough day, a field of grass. We work hard and we play hard.

122

PetCam

Villa

Nera Verzasca Goat


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