Architect Abu Safwan Portfolio

Page 1

Abu Safwan Portfolio tfolio

Subtraction by Addition:

01

Bahria Town Plaza

35

Squattopia:

07

Abu Safwan B. ARCH

-- Integral Universitry Lucknow, India

Bur Dubai, Dubai UAE Ph. No.: +971527872917- E: archi.safwan@hotmail.com

SA Garden Plaza:

36

ACADEMIC

D

E C

11

Transport Museum:

17

Urban Center Regeneration: 23

Academy of letters:

27

Building as an Oasis:

31

Appartment building

37

GRC Coffee Shop:

38

WAPDA Employees Housing 42

Hotel and Spa Resort

45

Working Drawings

48

PROFESSIONAL

Threat as an Opportunity:

SUBTRACTION BY ADDITION A CASE FOR TECH-CATALYSIS IN INDIA CATALYST FOR CHANGE Considering the current status of rate of success in the field of Information Technology in India compared to the world, there is a very strong need of boosting it up. Being an architect this can be done in a number of ways through architecture. The project is to give a new meaning to corporate IT architecture through technology and answering questions like…“How a single building can act as a catalyst for change? How it performs as an attractor with the help of architecture? How the building brings people towards itself through its unique and dynamic activities?” [To define a new meaning to] and [to break the norms of] architecture and program of a building using the 21st century advancements and achievements is the basic core of this exercise.

EENGINEERING NGINEERING D IRECTOR DIRECTOR C EO CEO

DESIGN D ESIGN DIRECTOR D IRECTOR

R ECEPTION RECEPTION SSITTING/ IT T ING / WAITING WAITING FFOYER OYER

CHAIRMAN CHAIRMAN

BASIC BBA A SI SIC PL PPLAN L AN AN FFORMATION ORMA OR MATI MA TTIION O

EELEVATIONS EL EVAT EV VAT ATI TIO IONSS SSUPPORT UPPORT SPACE SPACE

TRANSFORMATION TR RAN NSF SFORRMAATI SFOR TION O PPROCESS ROCE CEESS

OFFICE O FFICE SPACES SPACES MEETING M EETING SPACE SPACE

OFFICE O FFICE SPACES SPACES MAIN LLOBBY OBBY MAIN

MAIN MAIN ENTRANCE ENTRANCE

A iinitial An niti ni tiial a zzoning o in on ingg is aachieved chhieve vedd by ma mapp ppin pp ingg of tthe he aagents gentts ge mapping further describe which h fu furt rthe heer de descri ribe tthe h he physical a fform orm or m of tthe h building.. he This emer erge gent nt ddesign e ign es emergent pprocess pr occes esss wi willl bbee us sedd inn thee used fform fo rm m ffinding inndiingg ppart indi arrt off ffinal inal in na buil bu illdiing ddesign ildi esig es ignn wi ig w thh rrespect e pe es p ct building with t tthe to hee aagents g ntts id ge iidentified den e ttiifif ed ed and ttheir thei th hei e r mo m veeme ment n. movement.

CCELL CE LLL HABITATION HABIT I ATION N DETAIL

INTERIOR IN NTE TERI ERRIIOR VORONOI VO ORRO ON NO OII CELLS CELLS ELLLS LS

01 0 1

0 02 2

FLOOR PLANS Following are the twenty six unique floor plans of the building complex, out of which different typologies are enlarged.

FORTH FLOOR PLAN GROUND FLOOR PLAN

SEVENTH FLOOR PLAN

FIRST FLOOR PLAN

SIXTEENTH FLOOR PLAN

10

6

7

2 9

3 4 5

8

1

MASTER PLAN

1 ENTERANCE 2 TRANSPORT DOCK

3 RESTAURANT

4 OUTDOOR SITTING

5 POND 6 SOUTH WING

7 NORTH WING

9 LAWN TENNIS

8 BADMINTON COURT

10

EXIT

03

04

Steel nodes are precision measured, welded and labelled by computer, assembled on site. Pannels enclose steel tube structure network to provide concealment of utilities.Structural steel tubes are cut to length and labelled by computer, then shipped to site and assembled

NOITAVELE HTUOS

05

06

SQUATTOPIA A Counter Culture Habitat:

My thesis investigates the life style of squatters in Delhi. It looks closely into the social and communal structure of squatting people to understand their needs, space usage, social patterns, and use of salvaged materials. The aim of the project is to learn potential aspects of this life style, and use them to design a community structure – a new idea of commu-nity building for people who choose squatting as an alternative way of life. In my thesis project, I selected an existing office block as an experimental laboratory and I devised a time-based architectural system where the architect will not be a leader but a facilitator and collaborator. The community will start with building interconnected microand macro-level communal spaces which will be the core of this community. The structure will further grow around this core, as dwellers will build or extend the given space by themselves according to their own needs, capabilities and social interactions. These ‘epiphyte’ structures will adapt to the existing built environment without affecting its stability and will provide unique, unexpected and low-cost solutions for an extended and reconfigured architecture.

SECOND PHASE OCCUPATION

PHASE 2 Lessons learned from phase 1 will be applied on phase 2. It will be totally new construction on the empty site. Construction of phase 2 will be only frame construction of 4 story. Communal spaces will be build first and here communal space will consist of 2 or even 3 floor. This communal space will work as a macro communal space for 2 or 3 floor.

FIRST PHASE OCCUPATION

ELEVATIONAL COLlAGE

COMMUNAL ACTICITIES

SINGLE FLOOR DWELING

BATHING & WASHING

COMMERCIAL

07

08

POSSIBLE SITES

PHASE 3 Phase 3 will be continuation of phase 2. The difference will be the scale. Phase 3 will be more than 25 story high structure. It will have double story or even bigger floors of communal space and all other services. Like first two phases the residents will have option to build according to their need. Choice of form, shape material will be residents own choice. In this way a collage of different ideas will be achieved.

LEVEL 2

FUTURE CONSTRUCTION CIRCULATION INTIAL CONSTRUCTION COMMUNAL ACTICITIES BATHING & WASHING FARMING AREA SHOPING AREA FIRE EXIT

LEVEL 1

LEVEL 3

1

2 3 4

5 6 8

9

1

GREEN MARKET

2

EXISTING BUILDING

3

COMMUNAL ACTIVITIES

4

MULTI-FUNCTIONAL SPAC

5 7

MASTER PLAN

FUTURE CONSTRUC-

6

ROOF TOP ACTIVITES

7

PARKING ENTERANCE

8

FARMING AREA

9

FIRE EXIT

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10

THREAT AS AN OPPORTUNITY A HABITAT IN A CLIMATE CHANGE SCENARIO:

OBJECTIVE This thesis intends to think a new human life pattern when sea level rise will force people to abandon the coastal regions . The objective of this thesis is to envision this threat as an opportunity. Due to the flexibility of site locations, potentials (that have been ignored until now )and technology; an interventions that will serve as a long- term solution for projected threat prone areas around the world.Our world is drastically changing. Temperatures are rising, skies over cities are blanketed with smoke, and melting glaciers are raising sea levels at alarming rates. Although the destruction we face is already threatening the quality of life for billions around the world, it could just be the beginning. What is projected to come in the future could be catastrophic. The question is: How can we avoid a mass destruction and chaos as water levels invade our homes and cities? Instead of retreating inland, new strategies should be devised.

SEA LEVEL RISE ENGINES There are three main factors that have contributed to observed sea level rise. The first is thermal expansion: as ocean water warms, it expands. The second is from the contribution of land-based ice due to increased melting. Now there are 2 main sources of land base ice one is aal glaciers and other big source is west antartic ice sheet and green land ice sheet.

"Don't fight forces. Use them --Buckminster Fuller

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12

HOW IT WILL WORK

ENVIRONMENTAL FACTORS

First thing is to design a base, flexible enough to with stand gaint waves and stable enough to support hundreds and thousands of people.So understanding how ships and boats float on water will be the key here. DONT CARRY LARGE WEIGHT SO THEY REQUIRE LESS AREA TO DISTRIBUTE LOAD

TO CARRY LARGE WEIGHT IT MUST DISTRIBUTE LOAD OVER LARGE AREA AS POSSIBLE

STRUCTURE AND SKIN DETAIL SHAPE MEMORY MATERIAL STRUCTURAL COMPONENTS

STREAMING EFFECT OF ROUNDED BUILDIND FORMS

DIRECT PRESSURE

ROCKING,BUFFETING

VESSEL IS SUPPORTED ON THE END

PHOTOVOLTIC CELLS CLEAN-OFF EFFECT

EXTREME STRESS PRODUCES IF A HUGE WAVE HIT IT AT THE WRONG TIME

WE SHOULD SEE HOW NATURE SOLVE THIS PROBLEM.FLOATING ISLAND OF VEGITATION IS THE ANSWER

SUCTION

LIVING PATTERNS Shape memory materila will be used as an internal skin and clould be mold according to needs and use

IT MIGHT BE A GOOD DESIGN IN TERMS OF BUOYANCY AND WEIGHT DISTRIBUTION, BUT YOU ARE ASKING FOR TROUBLE

COMPONENTS ORGANIZATION ACUTE ANGLE TRIANGLES HAS LESS ROOM TO PLAY WITH

NORMAL CONDITION

COMPOSITION OF CIRCLES LEAVES MUCH NEGATIVE SPACES

WORKING

SLEEPING

WATER PROOF MEMBRANE

DOUBLE UNIT POD

ROTATABLE FLOOR MOTOR

REVOLVING STRUCTURE

HIGH GRADE FLEXIBLE PIPES JOINERY CLAMPS

NOTCHES

CONCETER RING FOR BALANCING THE THE STRUCTURE

LIGHT WEIGHT CONCRETE BASE FILLED POLY STYRENE 360 ROTATABLE MOTOR (EZIPOD)

STRUCTURAL PANEL

HULL DETAIL

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14

Connectivity will be the core issue for pod residents. Not only in term of physical means but also in term of social and resources. although they will have flexibility in use to accomodate themselves but they have to be part of their community to sustain themselves. Lily pads show best example for been connected in different manner .they are connected to a core eir not only at a whole level but individually their re whole growth is dependent on their on core which provides them all resources.

services zone services route

pods

nucleus

resources

There will be a nucleus to make all pods stick together as they have to be part of the society for fulfilling the needs of their daily life

A complete unitt for energy tricity from wind, production. Electricity tides, waves and sun un and in the center there will be OTEC unit ucing electricity which will be producing through heat exchange nge method. Hydrogen and fresh water will be the by-products of OTEC unit.

MASTER PLAN

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16

FR: 10

TRANSPORT MUSEUM /ŶŝƟĂůŝnjƟŽŶ ŽĨ ƚŚĞ ĂŶŝŵĂƟŶ ŽĨ ƌĂŶĚŽŵ ŵŽǀĞŵĞŶƚ ƉĂƩĞƌƐƚĞƌŶƐ

Tranpotation is all about speed, traveling and motion. modern life is totally dependent on these features. motion as one of the leading factors of contemporary ways of expression in architecture. to express movement in architecture. I used 3dmax to generate set of animations of random agents. random motion was the main concideration, programe and the site were other external forces in those animations. both animations produce virtual circulation and 3d form. those circulations then helped to produce 3d form. environamental forces, structure, and program of the building then further shaped the building. At the end of the animation parameter generated different type of circulation. Then brining those circulation patterns into another software “rhino” generated 2 different types of forms and their permutations. The curvilinear structure was quite complex and there were less opportunities in it to incorporate program in it. After the selection of linear form, environmental and structure the factors modified the initial form. Then program of the building introduced in it which modified if further and gave the end result.

CR: A1

Movement patterns will be more complex with the addition of user and time CR: A2

CURVILINEAR CIRCULATION PATTERN OF AGENTS PARAMETER WAS SITE BY LAWS NAD RANDOMNESS

PR: 01

PR: 02

CURVILIEAR FORM REGENERATION THROUGHT THE CIRCULATION PATTERN OF AGENT 1 AND 2 AND ITS PERMUTATIONS

PR: B1

LINERA FORM REGENERATION THROUGHT THE CIRCULATION PATTERN OF AGENT 1 AND 2 AND CONCIDERATIONS OF TRUCTURE LIGHT AND PROGRAM

PR: B2

FR: 50 PR: 04

CR: A1+A2

PR: 05 5

COMBINED CIRCULATION PATTERN OF AGENT 1 AND 2 PARAMETER WAS SITE BY LAWS AND RANDOMNESS

PR: 03

PR: B4

PR: B3

AFTER THE INITIAL FORM FINDING, THE FIRST THING WAS TO INCORPORATE PROGRAM AND ZONING INTO IT. THEN ACCORDING TO ZONING THE FORM AND STRUCTURE WERE MODIFIED AGAIN AND AFTER THAT WINDOWS AND OPEN WERE ADDED.

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Entrance Ticket counter Souvenir shop Video screening / library Storage Workshop Display Cafe: Toilets

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PHOTOVOLTIC CELLS

STRUCTURAL SUPPORT

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STORE

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DISPLAYS WILL BE ORGANIZED ACCORDING TO CAR COMPANIES AND CHRONOLOGICAL ORDER

ACTIVITY INTEGRATION MAPPING Site and its surrounding areas were mapped the using voronoi cells. This method was implemented initial in an attempt to control the voronoi cells to create a formal equivalent of the site by placing points inside as well as outside the site. What emerged was not only the formal outcome, but a correspondence between the points and major arteries and places of the site and it surroundings.The voronoi method was also used to map the area based on centroids of both the blocks and the buildings as the generating points of the voronoi cells

NEELA GUMBAD REGENERATION OF HISTORICAN URBAN CENTER

The vibrant hub of Neela Gumbad, an important node and a historic urban center with a mix of various activities, land uses and architectural styles, is located in the immediate vicinity of Anarkali Bazaar. Due to increase in urban pressures with time, the center is going through an urban decay. The aim is to develop a vision for regeneration leading to appropriate design interventions as the outcome of effective policy, research and design. This project focuses on the forces that shape urban and architectural space. These forces are used to displace and redistribute mass along lines of movement. I tried to create a parametric model that uses fitness criteria between the built mass and the urban flows. Using the brief of infrastructural flows at multiple scales, I aim to integrate the multiple levels of circulation that are currently independently arranged. The site links a transit center with commercial, residential, and park through paths, which define both the solid and void relationships. The resulting proto-optimized spaces support the spontaneous activities that promote the social interactivity that characterizes the vibrant culture. BICYCLE SHOPS

TYRE SHOPS

BANO BAZAR SJOPS

BICYCLE SPARE PARTS

CAR SPARE PARTS

SURGICAL SHOPS

VENDORS

ARMS SHOPS

ELECTRICAL SHOPS

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VORONOI CELLS CREATED BASED ON POINT DISTRIBUTION WEST SIDE ELEVATION

G

F A

B

D

LEGEND

E C

I

MASTER PLAN

A B C D E F G I

SPACE FOR SITTING SPACE FOR CUSTOMER WALKWAY FOR PEDISTRIANS COVERD SITTING SITTING SPACE FOR RESIDENTIAL AREA ONE WAY ROAD NO ENT. FOR CARS ALL THE HAWKERS IN ONE PLACE

EAST SIDE ELEVATION

23

24

Three different scenarios were created with three different kind of agents’ circulation. 1ST GENERATION

2ND + 3RD GENERA3

3

ALL GENERATIONS COM3

1 1

1

2

2

2

FORM GENERATION The final design consisted of combining the voronoi methodology with the density information to create a three dimensional urban plan. The first stage used voronoi cells taken from the surrounding context and subdividing them to create greater density on the site. This creates an urban material onto which we can apply both the density information and then proceed with displacement to achieve at the spaces and massing based on need and use.

INITIAL STATE

DIRIVED 3D CELL

DIRIVED 3D CELL

REQUIRED 3D CELL

STRUCTURE

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25

26

ACADEMY OF LETTERS A PLACE FOR POETS AND LITERATES

Writers, poets and intellectuals are the conscious of any society. They construct the comprehension and shape the zeitgeist through their creative work and hence give direction to a society as visionaries. Literature is the ultimate embodiment of a time and contains all the cultural nuances and sensibilities. It is indeed of great importance for any country to promote its writers and literature and provide a platform to them for their literary activities and research. This will also provide the young writers an opportunity to interact, learn and grow.

GGLORIOUS LORIOUS PAST PAST OF OF THE THE BUILDING BUILDING

CURRENT STATE OF THE BUILDING

A MULTI-LINGUISTICS NATION India is a multi-linguistics nation with a rich literary tradition and heritage in national and regional languages. With time old literary culture has been changed gradually and it’s time to introduce new traditions in it so that both the cultures could co-exit. The existing building is the representation of old literary culture and tradition and my design is bold interruption of emerging architectural techniques. Now the rich old cultural building with new architectural penetration will represent the old and new literary culture at the same time and will create an entirely new experience. EXISTING BUIDLING, REPRESANTION OF RICH PAKISTANI LITERATURE

ADDITION OF NEW STRUCTURE AS A REPRESENTATION OF NEW LITERATURE

COLLAGE OF NEW AND OLD LITERATURE AND BUILDING STYLE

NEW ADDITIONS

EXISTING STRUCTURE

EXISTING CIRCULATION

RISIDENCE LOUNGE

RECITLE CAFE/KITCHEN

FINAL BUILDING

RISIDENCE

LIBRARY LIBRARY

NEW CIRCULATION

LIBRARY

LOUNGE

RECITLE

LOUNGE

RISIDENCE

RECITLE

ADMIN

ADMIN

RECITLE ADMIN

LOUNGE ADMIN

ADMIN

ADMIN

RECITLE CAFE/KITCHEN

ADMIN

CAFE/KITCHEN

CAFE/KITCHEN

LOUNGE

BOOK STORE

ENT. LOBBY

ENT. LOBBY

The computer generated architectural forms will act as a parasite and reside within old traditional box type form eventually both will feed each other and will give birth to a new architectural form.

BUILDING IN 60’S

FINAL DESIGN

OLD BRICK STRUCTURE

GRASS

NEW STEEL STRUCTURE

THE FORM IS GENERATED ACCORDING TO PROGAM, VOLUME OF USE AND STRUCTURAL STABILITY.

STRUCTURAL UNDERSTANDING

BRIDGING THE GAP

INTERACIVE SITTING

SITTING AND GREENRY 27

28

ARE UNDER SHADOW FOR WHOLE DAY

DRY WINDS EVAPORATE COOLING FOR DRY SEASON

THE OASIS

A PLACE OF THERMAL DIFFERENCE AND CHOICE

The Oasis suggests a place of choice and evokes images of destination: The Oasis is a small compartment in the large scale less boundary, when sun becomes shade, harsh light becomes dappled, still air becomes a breeze and monotony gives way to transition and variation. An Oasis is where you go for renewal and experience a ritual in your life cool drink after a long trek or the cold spot under the warm blankets; like the warmth of a fireplace after a walk through the snow gathering firewood. The inherent value in the oasis lies in awareness that thermal transitions. So, the most important thing here was to understand the behaviour of environmental factors of given site to recall the Special moments through associations with thermal and other sensual experiences - . The site given was in Jaunpur which is blessed with four seasons but summer is most dominated season. To provoke sensual experience it was necessary to understand its environmental dynamics and its micro climate and then respond to those factors.

CANTILVERS CANTILVER RS FOR SHADING PURPOSES

MOONSON AND SUMMER WINDS

SITE

EARTH AIR TUNNEL

PASSIVE COOLING TECHNIQUES

MATERIAL AND TECHNIQUES The most essential thing was to understand the local material and techniques. So that the desired experience could be achieved. And for material, concrete and bricks has been used. The concept of veranda and most importantly the jaali work (which is part of traditional architecture of Lahore and for centuries it’s been used as a medium for air ventilation) has been implemented but not in the typical way. So, the essence of jaali is there with its practical implementation.

CNIMMNEY TO CAPTURE MONSOON WINDS

MAXIMUM EXPOSURE TO SUN ROOF GARDEN

GROTTOS

SUBTERRANEAN ROOM

EARTH SEATS

OVERHANGS FOR SHADING PURPOSES

ZONING

CIRCULATION DIAGRAME

DISPLAY

ENT. LOBBY

DISPLAY

MULTIPURPOSE HALL

ENT. LOBBY

DISPLAY

PARKING LOUNGE

MULTIPURPOSE HALL

ENT. LOBBY

MULTIPURPOSE HALL

DISPLAY

DISPLAY

PARKING

ENT. LOBBY

LOUNGE

INITIAL ZONNING BASED OB PROGRAM AND CIRCULATION

BASIC BLOCK MODELS AND ADDITION OF VERANDAHS

FINAL PLACEMENT OF BLOCK W.R.T ORIENTATION AND WIND PATTERNS

LOBBY

OFFICES

VARANDAH

The organization of blocks was made by the 2 main points. First was to keep in mind the wind circulation patterns, noise and sun movement of sun. The south side is totally flat and dead and cavity wall was used there. For ventilation purposes and passive cooling purposes the Jaali is used with the brick work. The wind channelized these brick Jaali will cool down the temperature and at the same time it will represent the traditional use of material and element.

BLOCK MODEL

BLOCK MESSING 31

32

GROUND FLOOR PLAN

FIRST FLOOR PLAN

^ d/KE d ͳ ͛ WIND CHIMNEY

DISPLAY DISPLAY AREA

UP

DISPLAY

A RESOURCE CENTER MULTIPURPOSE HALL

B

^ d/KE d ͳ ͛

MEETING

GREEN ROOF

KITCHEN

ADMIN

LIFT

ENT. LOBBY

LIFT

LOUGNE

GALLERY

UP

DN

EARTH AIR TUNNEL

SOUTH EAST ELEVATION

SOUTH WEST ELEVATION BRICK JAALI

WATER POND

SHADED AREA UNDER CANTILEVER

WATER POND FOR EVAPORATE COOLING

DEAD WALL TOWARDS SOUTH SIDE

GREEN SPACE WORKING AS VERANDAH

3D VISUALIZATION BRICK JAALI

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34

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GROUND FLOOR PLAN

35

36

37 37

38 38

A

36'-10 12"

421"

5'-6"

7'-721"

5'

5'

9"

9" 1'-10 21" 10'

SILL=3'-6" TOP=8'-0" 4' 9"

9" 11'-5 " 36'-6"

40'-9"

3' 2'-9"

7 8

9" 12'

6'

SILL=0'-6" TOP=8'-0"

3'-721"

R2 '-6 "

6'

11 "

1'- 1 32 "

DN

9" 9" 9"

4'-6"

9"

1' 1'

± 0'-0"

4'-6" SILL=0'-6" TOP=8'-0"

6' 9"

6'-121"

9"

15'

5'-3"

16'-7 12"

13'-6"

9"

4'-3"

9"

PORCH 19-3"X14'-0"

1' 1' 1'

TERRACE

9"

12'-3"

64'-6" 8'-6"

36'-10 "

9"

9"

2'-6"

13'-6"

1 2

2'-6"

9"

338" 6'-7"

9" 9"

1'-6"

16'-7 12"

621"

6' 3'

6'-7"

ENT. LOBBY 13'-6"x12'-0"

2'-0 34"

9"

11"

5'

3'

2'-6"

6'

5'

7'-10"

3'-6"

2'-0 34"

UP

4'

5'-3"

5'-8" 6'-9"

SILL=0'-6" TOP=8'-0"

15'

2'-9"

2'-6"

9" 9"

3' 421"

TOP=8'-0"

4'-6" SILL=0'-6" TOP=8'-0"

12'

SILL=0'-6" TOP=8'-0"

6"

10

VOID BELOW 3'-6"

4'

SILL=0'-6" TOP=8'-0"

DN 6'-7"

9"

SILL=0'-6" TOP=8'-0" 6'

5'-6"

TOP=8'-0"

5'-6"

4' 2'-6"

15'

5'-3"

4'-6"

TOP=8'-0"

6"

ENT. LOBBY 13'-6"x12'-0"

2'-034"

SILL=2'-6" TOP=8'-0"

1'-6" 1'-6" 1'-6" 2'-9 34"

TOP=8'-0"

5

5'

412"

3' 412"

DINING 13'-6"X11'-6"

6"

9"

13' TOP=8'-0"

9" 3'-7 12"

9"

421"

4'-3" TOP=8'-0"

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2'-6"

KITCHEN 13'-6"x10'-0"

3'-6"

TOP=8'-0"

TOP=8'-0"

421"

13'

3'-6"

412"

+1'-0"

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5'

5'

412"

412"

6'

4'

6'

4'-6"

3'

1'-3"

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LOUNGE 21'0"X15'-0"

3'-6"

9" 4'-10 12"

4" 41'-6"

3'

412"

6' 4'-034"

1 2

STORE 5'X6'

TOP=8'-0"

6'

2'-3" 2'-6"

TOP=8'-0"

1'-9" 2'-6"

6'-6" 412"

1312"

BED 16'-0"X13'-0'

2'-6"

21'-4 12" 421"

421"

3'

1021"

2'-6"

412"

2'-3"

BATH 8'-9"X6'-6"

8

SILL=0'-6" TOP=8'-0"

SILL=0'-6" TOP=8'-0"

9"

13'-6"

SILL=4'-6"--TOP=8'-0"

9" 421" 6'

3'

7

10'-6"

3'

5'

2'-034"

5'-3"

421"

PASSAGE 5'-0" WIDE

6'

2'-6"

3'-4 12"

3'

up 5'-1 12"

3'

6' 2'-7 18"

9"

1'-1 "

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10'-6"

14'-3" 6" 1'

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7'-6"

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5'-6" 8'

7'-6"

2'-6"

LOUNGE 21'-0"X15'-0"

412" SILL=0'-6"--TOP=8'-0"

7

6"

10'-6"

412"

2'-9"

3'-6"

1'

412"

5'

1'-9"

2'-3" 6'

2'-6"

9" 25'

2'-7 18"

14'-6"

412" 7'-6"

2'-6"

TOP=8'-0"

3'

421"

14'-9"

PASSAGE 5'-0" WIDE 15'-9"

8" 10

1'

2'

2'-6"

BED 13'-6"x14'-6"

TOP=8'-0"

5'

10'

2'-6"

3'

1'

1'-3"

2'

1 2

412"

DRESS 6'X7'-6"

9"

6'

SILL=0'-6"--TOP=8'-0"

3'-3"

A SECTION AT A-A

421"

8'-7 12"

7

F.F.L. G.L.

412"

6'-6"

59'-6"

8 10

F.F.L. G.L.

9"

TOP=8'-0"

2'-3"

3'-6"

DRESS 7'-9"X6'

8'-7 12"

412"

6'

13' 8'

8'

10'-6"

412" 27'-3"

BATH 6'X10'

5'-121"

3'-6"

1'

BED 14'-9"X13'-0'

A

9"

412"

4'-3"

SILL=4'-6"--TOP=8'-0"

9"

3'-3"

3'

DRESS 5'-6"X6'

3"

3'-3"

9"

6'

9"

9"

9"

14'-4 12"

9"

1 1/2" TILES 3" TH MUD 1 LAYER SHEET PLITHEEN SHEET BITCHUMAN 6" R.C.C. SLAB

A

39

40

BED 13'-0" X 11'-0"

WC BATH 3'-7"X6' 3'-8"X6'

LOBBY 7'-7 1/2"x13'-6"

WC BATH 3'-7"X6' 3'-8"X6'

UP

LOBBY 7'-7 1/2"x13'-6"

BED 13'-0" X 11'-0"

BED 13'-0" X 11'-0"

KITCHEN 8'-0"x10'-0" COVERED TERRACE

BED 13'-0" X 11'-0"

KITCHEN 8'-0"x10'-0" COVERED TERRACE

2 BEDROOM UNIT

BATH 8'-9" X 5'-0"

BATH 9'-0" X 5'-0"

BATH 8'-9" X 5'-0" BED 12'-0" X 17'-9"

BED 12'-0" X 17'-9"

BED 16'-6" X 11'-0"

BATH W.C 3'-7.5"X6' 3'-4"X6'

KITCHEN 9'-3"X10'-0"

KITCHEN 9'-3"X10'-0"

DINING 13'-0"X10'-0"

KITCHEN 12'-0" X 9'-0" DINING 13'-0"X10'-0"

BED 15'-3" X 10'-9"

LOBBY 9'-0"X9'-0"

BED 11'-3"X14'-3"

BED 15'-3" X 10'-9"

SITTING 13'-0"X12'-0"

BED 16'-6" X 11'-0"

BATH W.C 3'-4"X6' 3'-7.5"X6'

UP BED 11'-3"X14'-3"

BATH 9'-0" X 5'-0"

STORE 8'-9"X5'-6"

STORE 8'-9"X5'-6"

KITCHEN 12'-0" X 9'-0"

LOBBY 9'-0"X9'-0"

T.V LOUNGE 18'-0"X12'-0"

T.V LOUNGE 18'-0"X12'-0"

SITTING 13'-0"X12'-0"

UP

DRAWIG 12'-0"X13'-3"

DRAWIG 12'-0"X13'-3"

UP

2 BEDROOM WITH LOUNGE UNIT

INDIVIDUAL HOUSING UNIT

41

42

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