ACC E N T T H E M AG A Z I N E OF LIFE’S C E L E B R AT I O N S SPRING/SUMMER 2011
SPECIAL WATCH SECTION:
IT’S ABOUT TIME
BOLD& BEAUTIFUL! THE NEW GEMSTONES
PLUS: Celebrity Spotlight Impeccable Pearls Gorgeous Gifts!
2011 JOHN HARDY LIMITED
NAGA COLLECTION
Dear Clients and Friends, S
pring is one of my favorite times of the year. The weather turns warm and people start enjoying the outdoors. I’m a pretty active guy and like hiking the trails around my house in the mornings (I get my best ideas while walking with my dog, Mac Fink). In addition to the warming weather, people seem happy in the springtime. Whether it’s a birthday, Mother’s Day, Father’s Day, graduation or a wedding anniversary, there are so many reasons to celebrate. Because fashion is our passion, we’ve created an incredible selection of the industry’s newest designs for spring. The trend this season is color and you can see that in our new designer collections. The Roberto Coin Ipanema Collection features an array of colorful semi-precious gemstones like citrine, lemon quartz and blue topaz. As always, David Yurman has created beautiful new designs using lots of color—like the necklace from his Chantilly Collection featured in our Spring Fever gift guide (see page 16). Whether it’s a gift for someone you love, or just a personal splurge, we’ve got the largest selection of jewelry and timepieces in the area. We look forward to helping you celebrate all that spring has to offer! Marc Fink, President and CEO
1
Mac Fink
Contents spring/summer 2011
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W W W. F I N K S . C O M
CHAIRMAN & CEO
EVP & CFO
Walt Gaynor V P O P E R AT I O N S
Mark Bair V P I N F O R M AT I O N T E C H N O L O G I E S
Todd Stafford DIRECTOR OF MARKETING
Lindsey Kirby PUBLISHED BY THE BUSINESS J O U R N A L S FA S H I O N G R O U P PUBLISHER
Stu Nifoussi EDITOR-IN-CHIEF
Karen Alberg Grossman DESIGN DIRECTOR
Hans Gschliesser MANAGING EDITOR
Jillian Sprague PROJECT MANAGER
Lisa Montemorra CONTRIBUTING EDITOR
FEATURES 1 Welcome Letter 4 Store Locations 5 Fink’s Family Profiles: Ike Savvas, Debra Cochran, Delores Scott
42 Travel: Into Africa 46 Spirits: Orange You Glad? 48 Essay: Lucky Charms
Beth Bernstein DESIGNERS
Cynthia Lucero Jean-Nicole Venditti PRODUCTION MANAGER
WATCH SECTION 32 Watch Advisor
Peg Eadie DIRECTOR OF PREPRESS
Hugh K. Stanton
10 Fink’s Events: A Day with a Legend
34 First Person: Hand-Me-Downs Welcome
PRESIDENT AND CEO
12 Diamond Dash
36 Travel: Watch Lover’s Mecca
CHAIRMAN AND COO
14 Our Growing Family
38 What’s New: Zenith El Primero Striking 10th
16 Spring Fever Gift Guide 22 Accent Advisor 24 Red Carpet: Shining Stars
39 What’s New: Fashionably on Time
Britton Jones Mac Brighton
Copyright 2011. Published by Business Journals, Inc, P.O. Box 5550, Norwalk, CT 06856, 203-853-6015 • Fax: 203-852-8175; Advertising Office: 1384 Broadway, 11th Floor, NY, NY 10018, 212-686-4412 • Fax: 212-686-6821; ALL RIGHTS RESERVED. The publishers accept no responsibilities for advertisers
26 Profile: Mikimoto
claims, unsolicited manuscripts, transparencies or other materials. No part of
28 Trends: The Joy of Jewelry
this magazine may be reproduced without written permission of the
40 Speed: Grand Sport
publishers. Volume 9, Issue 1. Printed In The U.S.A.
2
ON THE COVER: PHOTOGRAPHER: PETER SAKAS; MODEL: ANGELA MARTINI – ELITE MODEL MANAGEMENT; HAIR AND MAKEUP: KIM BAKER; STYLIST: SHARON ELLIOT; WARDROBE: DAVID MEISTER; JEWELRY: DAVID YURMAN, IPPOLITA, ROBERTO COIN, ROLEX.
Marc Fink
the
classic
watch
No other watch is engineered quite like a Rolex. The Datejust, introduced in 1945, was the first wristwatch to display the date through an aperture on the dial. Its unique magnifying Cyclops eye, added a few years later, became recognized as a Rolex design standard. Now in a larger, more distinguished 41 mm size, the Datejust II is a natural evolution of a classic. The Datejust II is presented here in a signature Rolex combination of 904L steel and 18 kt yellow gold.
t he date just ii
VIRGINIA · NORTH CAROLINA
VIRGINIA
(Toll Free 888.699.7464)
Roanoke 419 at Colonial Avenue..................................... 540.342.2991 Valley View Mall ............................................... 540.362.3779 Lynchburg 16960 Forest Road ............................................ 434.237.6301 Charlottesville Barracks Road Shopping Center........................ 434.284.4060 Richmond Chesterfield Towne Center ................................ 804.379.7171 Short Pump Town Center ................................. 804.377.8589 Stony Point Fashion Park .................................. 804.261.9371 Fredericksburg The Village at Spotsylvania Towne Centre......... 540.736.1290 Dulles Dulles Town Center .......................................... 571.434.6540 McLean Tysons Corner Center ....................................... 703.584.3101 Norfolk MacArthur Center ............................................ 757.640.1132
NORTH CAROLINA
(Toll Free 800.566.7464)
Greensboro 1951 Battleground Avenue................................ 336.292.8355 Charlotte Northlake Mall ................................................. 704.927.4888 SouthPark ......................................................... 704.366.3120 Cary Cary Towne Center ........................................... 919.463.0817 Raleigh Triangle Town Center ....................................... 919.792.2171 Durham The Streets at Southpoint ................................. 919.281.8407
www.finks.com
Fink’s Family Profile
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IKE SAVVAS
Store Manager Greensboro, North Carolina
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n April of 2010, Fink’s Jewelers opened a new store in Greensboro, North Carolina. With that came a new team of excellent sales associates, led by store manager Ike Savvas. Since joining the Fink’s family, Ike has demonstrated his passion for selling fine jewelry. When asked what he likes to sell most he replies, “My favorite designer is Roberto Coin.” The luxurious feel of this Italian designer’s 18 karat gold creations really resonates with Ike. “My customers really appreciate the quality and elegance of the Roberto Coin collections,” he says. “They know they’re investing in a piece of jewelry that will last them a lifetime.” Ike’s love for fine jewelry began halfway across the world. Born Diogenes Hatzisavvas in Athens, Greece, he learned the jewelry business while working for his uncles. “Their shops were in great tourist locations near the sea, so I enjoyed spending my time there during the summer months,” he says. After graduating from high school, Ike moved to Paris to attend college and study architecture. It didn’t take him long to realize he didn’t want to be an architect, so his parents recommended he move to America to continue his education. “My parents had childhood friends living near Raleigh, North Carolina,” he explains. “So when I was 20, I moved to America and attended Campbell University.” While studying for his MBA, Ike worked for Belk department stores as an area sales manager. Then, upon graduation in 1988, he began his career in the fine jewelry business with a family-owned jeweler in the area. If he had to choose one type of product, Ike says it’s diamonds that truly set Fink’s apart from the competition. “We have the best selection and quality of diamonds in comparison to the other guild stores in town, with emphasis on superior and ideal cuts.” Ike feels confident he can show his clients the best diamonds for the best value, thanks to the great quality and product selection at Fink’s. When asked what he believes has made him so successful in the jewelry business, he replies, “I build relationships. My clients are my friends. Whether on the golf course, at Rotary Club, or at Heart Association meetings, I focus on nurturing those relationships.” It’s a long way from Athens to Greensboro, but Ike says some things don’t change. “People appreciate fine quality, excellent value, and personal service wherever they live,” he says. “That’s good the world over, and that’s what Fink’s delivers.”
Fink’s Family Profile DEBRA COCHRAN Store Manager Route 419 at Colonial Avenue
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D
ebra Cochran, or Debbie, as most of us call her, has been a part of Fink’s Jewelers for 11 years. She’s known for being a powerhouse in sales, consistently top in the company, and she’s even helped open a new store in her time with us. Debbie started in 1999 at our Valley View Mall location in Roanoke, and a year later she helped open our Dulles Town Center location as assistant manager. After a short stint back at Valley View, Debbie finally settled in as store manager at our flagship store in Roanoke on Route 419 at Colonial Avenue. Having been an assistant manager for four years and a manager for the last seven, Debbie knows her way around a jewelry store. Her familiarity with each of our brands is part of what makes her such a strong member of our team. Roberto Coin, the vivacious Italian, is her favorite designer. Last spring, Debbie had the privilege of spending time with Mr. Coin on her trip to Italy. “He took us on a tour of Italy,” Debbie recalls. “We visited Roberto Coin factories and different cities, so we could experience the authentic influence for his designs.” Though Roberto Coin is Debbie’s favorite to wear, diamonds are her favorite to sell. Helping customers find the perfect engagement ring, especially at a price that makes them feel comfortable, is part of what makes her job worthwhile. “It’s a wonderful feeling to be part of a memorable moment,” she says. This commitment to the customer is part of what makes Debbie, and Fink’s, so successful. “I always have the customer’s best interest in mind in every situation.” Debbie says that there’s no business she’d rather be in, and she loves to work with people in all her endeavors. But despite her success, Debbie is humble and doesn’t consider herself special. “I’m just a hard worker,” she says. “I credit my success to perseverance.” When she’s not working hard for her customers, Debbie loves to travel the world with her husband and go to Virginia Tech football games.
SCAN. EXPLORE.
FIND YOUR TAG HEUER
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1.866.675.2080 www.tagheuer.com
Fink’s Family Profile
D
DELORES SCOTT Store Manager SouthPark Mall
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elores Scott has been in the jewelry business for 28 years, 21 of which she’s spent with Fink’s. By now she feels as if she’s seen every customer, every problem and every solution you can imagine. To us, she’s the epitome of “a real pro.” Delores started her career with Fink’s in the fall of 1989 at the old River Ridge Mall location in Lynchburg. A couple of years later, she moved to our SouthPark Mall location in Charlotte to take over as store manager. When Delores first came to Fink’s, she immediately felt at home. “When you work for Fink’s, you truly feel you are a member of the family and have ownership in the company,” she says. She appreciates how Marc Fink, and his father and grandfather before him, strived to make Fink’s a family, not just a place to come to work. For Delores, that has made all the difference. “Customers can feel the pride that the employees have in the company,” Delores says. “That’s part of what sets Fink’s apart.” In addition to a welcoming store atmosphere, Delores believes that the diverse inventory at Fink’s helps make it a special place to work and shop. “Very few stores have the variety and designers that we have, so customers are very happy to see so much at once,” she says. Of all the designers offered at Fink’s, Rolex is Delores’ favorite. “Rolex is a great watch to sell because people usually purchase them in conjunction with an accomplishment. So the owners will remember that special time whenever they look at their watch.” But it’s not just selling that Delores enjoys; she considers her detail-oriented personality a key factor in running a store—and enjoying it! Delores’ attention to detail translates into every aspect of her life. Though she plans on retiring with Fink’s, she feels like she could also be successful as a professional organizer. In her downtime between running a store and organizing her life, Delores and her husband are members of a local car club, where they enjoy competing with their friends in amateur sports car racing. Delores might slow down after she retires, but whatever she does, we know she’ll do it with pride and integrity.
MODERN ROCK CANDY® IN 18K GOLD WITH GEMSTONES. ©2011 IPPOLITA®. ALL RIGHTS RESERVED.
FINK’S EVENTS
Andre tells the crowd about changing kids’ lives for the better through the Andre Agassi Foundation for Education.
L
A Day with a Legend
ast November, Fink’s Jewelers welcomed tennis legend Andre Agassi to our store in Tysons Corner Center. Fink’s worked in partnership with Swiss watchmaker Longines to help support Mr. Agassi’s foundation, the Andre Agassi Foundation for Education, and his school, The Andre Agassi College Preparatory Academy.
The day started with a mini “smash court” set up in the foyer of the store. For a $5 donation to Mr. Agassi’s foundation, customers could test the speed of their serve. Those with the fastest men’s and women’s serve that day were the lucky winners of a brand new Longines timepiece. Later that afternoon, Mr. Agassi made a personal appearance in the store. He spoke to his fans
The audience gets to hear from a student whose life has been changed by the Andre Agassi Foundation for Education.
The kids from USTA Mid/Atlantic aren’t afraid to go toe-to-toe with Agassi for a little in-store tennis!
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Longines tagline ‘Elegance is an attitude’ was truly embodied in the set up for the in-store VIP dinner.
Marc Fink, president & CEO of Fink’s Jewelers, and Jennifer Judkins, brand manager for Longines.
Washington, D.C. incumbent mayor Adrian Fenty and his wife, Michelle.
Not many kids can say they’ve hit a ball with Andre Agassi, but these kids can!
Fink’s Jewelers and Longines are proud to support Andre Agassi and his efforts to improve education.
about the importance of education, then hit a few balls with our special guests: children from the USTA Mid/Atlantic. The aspiring young tennis players were able to learn from his experience and ask him for tips. Later that evening, Fink’s hosted a VIP reception for Mr. Agassi and 60 selected guests, where he spoke about his foundation and how he’s been able to raise over $150 million for education initiatives since its founding in 1994. He was accompanied that evening by Micha Jones, a graduating senior from his Nevada-based preparatory academy. Micha shared her inspiring story about how Mr. Agassi’s school has given her a world of
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Dinner with a legend.
opportunities she could have never dreamed of before. The entire day was truly one to remember. Fink’s was honored to be part of such a great cause that focuses on the education of children, and has transformed so many young lives in a positive way. “Giving back to the communities in which we serve is very important to me,” says Marc Fink. “The unprecedented work that Mr. Agassi and his foundation have done for children and their education is truly inspiring.” To learn more about the Andre Agassi Foundation for Education, visit www.agassifoundation.org.
Diamond Dash! Last summer, over 1,200 people ran all over downtown Roanoke and Richmond, Virginia looking for a $15,000 Ritani engagement ring from Fink’s Jewelers. More than 600 people in each city gathered to participate in a text message-based scavenger hunt where couples earned points as they completed tasks around town. From answering questions about specific landmarks to painting each other’s nails, the dashers had two hours to rack up as many points as possible. Contestants were allowed to get around town any creative way they could, as long as it was not motorized. There were bikes, roller blades and the ‘ole fashioned two feet flying around Roanoke and Richmond. Once they had completed the two-hour course, teams gathered at a local restaurant for an after party where they could refuel on appetizers and drinks while the points were tabulated. Prizes were awarded to the top five teams, ranging from all-day spa packages, bridal gift baskets and, of course, the grand prize—a $15,000 Ritani engagement ring. The winning teams from Roanoke and Richmond were jumping with excitement when their love stories were read aloud, announcing them as the winners.
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The Norman Silverman Bridal Collection
The Stimulus
The Response
Our Growing Family
TOP LEFT: Fink’s Jewelers in The Village at Spotsylvania Towne Center TOP RIGHT: Fredericksburg staff, from left to right: Tammy LePoer Sillitoe, Trina Koepke, Meredith Cale, Donna Bragg, Jennifer Cline and Duane L’Esteve BOTTOM: Fink’s Jewelers in The Streets at Southpoint, exterior and interior
I
n the fall of last year, Fink’s Jewelers opened the last two of four new stores in 2010, the first of which was a move within the Streets at Southpoint in Durham, North Carolina. Fink’s has been a part of the shopping center since it opened in 2002, but last September we moved to a new location directly outside the mall on “Main Street.” With more than double the square footage, the new location has allowed us to expand our jewelry and timepiece selection. With the addition of Rolex and a David Yurman boutique, the new Fink’s Jewelers in The Streets at Southpoint offers the most expansive selection in the area. The final addition to the Fink’s family opened last October in Fredericksburg, Virginia. Our 17th store is located in the Village at Spotsylvania Towne Center, a new high-end lifestyle center located behind the mall. Opening in Fredericksburg bridged the gap between our Richmond and Washington, DC locations. This beautiful new store offers everything you’ve come to expect from Fink’s Jewelers —unsurpassed customer service, quality and selection.
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A FINK’S EXCLUSIVE Sapphire and diamond ring and matching necklace, each $3,150 Traditional Princess Diana sapphire and diamond ring, $2,650 All in settings of 14K white gold
IT’S A FINK’S DIAMOND Rings available in a variety of carat weights and prices. Let our GLDPRQG VSHFLDOLVWV KHOS \RX ÀQG the perfect one for her, today!
A FINK’S EXCLUSIVE
Princess cut diamond solitaire ring 3-stone brilliant cut diamond ring
Round sapphire and diamond bangle bracelet, $4,500
Brilliant cut diamond ring with pavé shank
Oval sapphire and diamond bracelet, $2,400
Matching diamond band
All in settings of 14K white gold
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DAVID YURMAN 48� necklace from the Chantilly Collection features pink chalcedony, rose quartz, lavender amethyst and pearls, $750 Pearl and quad necklace, $675 Cable link bead necklace in pink chalcedony, $575 Wheaton rings in pink chalcedony, $875 and amethyst, $975 All in settings of sterling silver
DAVID YURMAN Women’s Classic 38mm watch in stainless steel with integrated cable and white diamond bezel, $5,700
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JOHN HARDY From the Bamboo Lava Collection in sterling silver with blue topaz and iolite Bangle bracelet, $495 Earrings, $395 Blue topaz and iolite ring, $250
MIKIMOTO Akoya cultured pearl strand and earring gift set in 18K yellow gold, $3,950
IPPOLITA From the Scultura Collection in sterling silver, abstract and beautiful organic shaped rings with mother of pearl, turquoise and black onyx gemstones, $395 to $1,395
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ROBERTO COIN From the Primavera Spring Collection, woven bangle bracelets in 18K yellow, white and rose gold with and without diamonds, $1,180 to $1,900
ROBERTO COIN From the Ipanema Collection in 18K yellow gold Earrings featuring citrine, lemon quartz and blue topaz stones, each $1,700 39� necklace with semi-precious stones, $3,300
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JOHN HARDY
DAVID YURMAN
From the Bedeg Collection in sterling silver
Black onyx inlay cross pendant, $525 (chain sold separately)
Ring, $295
Black onyx spiritual bead bracelet, $350
Black rubber bracelet, $295
Textured empire link bracelet, $875 All in settings of sterling silver
CARTIER
TAG HEUER
RAYMOND WEIL
Automatic Roadster watch in stainless steel, $6,050
Automatic Aquaracer on a black rubber strap, $2,750
Quartz chronograph Tango in stainless steel, $1,295
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HONORA White pearl and onyx dangle earrings, $40 60� white pearl and onyx necklace, $225 White pearl coil bracelet, $55 Black, gray and white pearl coil bracelet, $55 All in settings of sterling silver
MARCO BICEGO From the Jaipur Collection, multi-colored gemstone EDQJOHV VHW LQ D KDQG ÀQLVKHG delicately textured, 18K yellow gold, $945 to $990
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ACCENTADVISOR
HOW DO I MIX FINE AND FASHION JEWELRY?
I’VE BEEN SEEING A LOT OF BLACK USED IN FINE JEWELRY. WHAT ARE THE KEY
Use a pretty black dress or a simple top as the backdrop for mixing pieces. Wear a gold medallion
STONES AND METALS, AND HOW CAN I WEAR THEM?
pendant along with multiple chains in blackened and tonal antiqued base metal. Or you can mix in real baroque pearls with a large colored pendant in crystal rather than a precious gem. A low-risk way to mix real and faux is on the wrist; you have more room to be playful as it’s further from your face. Here, mix leather or suede wrap styles with pavé charms, or Bakelite and wood with precious stones. Throw in some high karat gold thin bangles to create a truly eclectic look. This season, designers are even mixing these materials into one piece to offer a statement at an affordable price. But if you prefer simplicity, stick to a pair of cuffs in wood with center gemstones, and a mesh necklace with chains of matte gold. The combination will be different and dramatic, and take you through the season in style.
The trend started with designers adding a black rhodium finish to white gold and mixing it with high karat yellow gold for a richer look. As the darker metal began to sell and the prices for gold went up, the next step was to use blackened or highly oxidized silver. (Some designers still use black rhodium plated 18K white gold, which can mean a slightly higher price tag.) These metals look great with the of-the-moment diamonds—also black—which are spectacular in rose, brilliant and polished rough cuts. Black can be done in styles from gothic to feminine, such as pavé leaves and flowers with a black diamond center. If you want to add color to your black jewelry look, try a hint of rough cut fancy sapphires, the pretty watercolor shades of moonstones and aquamarines, or the
IMAGES COURTESY OF JOHN HARDY
more saturated orange hues of citrines.
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I M AG I N E
T H E P L AC E S T H E Y W I L L G O .
T H E O R I G I N ATO R O F C U LT U R E D P E A R L S . S I N C E 1 8 9 3 .
RED CARPET
Shining Stars AWARDS SEASON PROVIDES A PLETHORA OF CELEBRITY EYE CANDY BY JILLIAN SPRAGUE
Amy Adams
Kim Kardashian
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ith a smile like that, who needs jewelry? Halle Berry and her earrings were radiant at the 13th Annual Costume Designer Guild Awards, held at the Beverly Hilton Hotel. Take your spring style cue from her and try a piece that mixes different stone colors and metal tones. Here, white and champagne diamonds set in black and yellow gold are subtle, but so-right-now. At the Vanity Fair Campaign Hollywood 2011 Kick-off with Chrysler, Amy Adams chose a classic earring shape with a modern twist. Her textured hoops in blackened gold were an unexpected surprise peeking out from underneath those perfectly tousled waves. Reality star Kim Kardashian rocked a bold yellow gold choker and simple studs at the People’s Choice Awards in L.A.’s Nokia Theater. While her show, Keeping Up With the Kardashians, won the award for TV’s Guiltiest Pleasure, her Art Nouveau-inspired necklace was our pick for eye-catching accessory.
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JEWELRY THIS PAGE LEFT TO RIGHT: AMRAPALI, HELLMUTH, RINA LIMOR
Halle Berry
JEWELRY THIS PAGE FROM LEFT TO RIGHT: H. STERN, AMRAPALI, MOUAWAD
Julia Stiles
LeAnn Rimes
Nicky Hilton
She plays the love interest of a devilish serial killer on Showtime’s Dexter, but Julia Stiles looked heavenly in star-shaped stud earrings at the 68th Annual Golden Globe Awards. A dramatic ruffle and bold fuchsia lips—both huge trends this spring—made for stellar red carpet style. LeAnn Rimes sparkled in sequins at the Grammys. Head-to-toe metallic can be hard to accessorize, but her stacked gold bangles and mother of pearl earrings complemented instead of competed with her beautifully draped gown. It’s tough to contend with angel wings covered in peacock feathers, but at the Victoria’s Secret Fashion Show, Nicky Hilton’s diamond necklace and earrings were almost as jaw-dropping as the models. Almost.
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PROFILE Mikimoto strands are world-renowned for their perfectly matched pearls; this process becomes exponentially more difficult when strands are longer.
Timeless Beauty
MIKIMOTO CULTURED PEARLS—A PERFECT BALANCE OF TRADITION AND INNOVATION BY KAREN ALBERG GROSSMAN
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A Unique History
After many years of trials and tribulations, Kokichi Mikimoto succeeded in creating the world’s first cultured pearl in 1893. He then sent artisans on missions to Europe to master the techniques of jewelry production and design. This knowledge, supplemented by the Japanese aesthetics of form, line and workmanship, produced the distinctive originality of Mikimoto designs. In 1899, equipped with his first collection, Mr. Mikimoto opened the first Mikimoto Pearl Store, Japan’s first specialty pearl shop, in Tokyo’s Ginza district. After improving his cultivating and harvesting techniques, he was able to ship his product overseas, making cultured pearls available to women around the world.
IMAGES COURTESY OF MIKIMOTO
O
f all the love stories over the ages, does anything beat the intensity of Cleopatra and Marc Antony? Betting him that she could consume the wealth of an entire nation in one meal, Cleopatra removed a pearl earring, crushed it, and drank the powder mixed with wine. Under her spell and hopelessly enchanted, Antony neglected his duties to the Roman Empire, thus changing forever the course of history. Since ancient times, pearls have indeed symbolized everything from purity of love to victory in battle. From symbol of chastity to mystical aphrodisiac, pearls have reflected the power of love. Worn by ancient Greeks at their wedding ceremonies to ensure marital bliss (and prevent new brides from crying), pearls are worn today by modern brides for strangely similar reasons. After all this time, pearls still represent innocence, sophistication and timeless beauty. In 1893, Kokichi Mikimoto successfully created the world’s first cultured pearl, launching today’s cultured pearl industry and making cultured pearls available to women all over the world. The company is internationally respected for its dedication to beauty and quality. Since each pearl is as different and individual as a fingerprint, quality grading standards are essential. Mikimoto has maintained the highest standards of quality and consistency by devoting more than a century to understanding the sea and researching the oyster. They’ve developed a proprietary grading system,
unique within the cultured pearl industry. Although no single factor can solely represent the worth of a pearl, luster and surface perfection are most important. There are four Mikimoto grades: A, A+, AA and AAA, with AAA being the highest quality. A mere three to five pearls out of every 100 harvested are deemed worthy to bear the Mikimoto name. While there is nothing more cherished than a classic strand of Mikimoto pearls, numerous fashion options abound. For 2011, these include:
LONGER STRANDS Ranging in length from 32 to an astounding 100 inches, these longer strands are the perfect accessory and a wonderful gift for today’s modern woman. Taking the classic beauty of a traditional choker to a whole new level, these versatile strands, whether worn for day or evening, alone or layered with another piece of jewelry, add glamour to any occasion. Not only a unique fashion look, these long strands truly showcase the superior quality for which Mikimoto is revered. Each strand is a work of art, requiring incredible skill, judgment and craftsmanship. Mikimoto strands are worldrenowned for their perfectly matched pearls and this process becomes exponentially more difficult when strands are longer. Demanding the finest judgment and artistic sense, only Mikimoto has the ability to sort and match such long lengths of pearls.
PEARLS IN MOTION
contrast to the classic, feminine elegance of white pearls, Mikimoto Black South Seas are pearls with attitude, emitting an air of confidence. Day or night, from the boardroom to the runway, Black South Sea pearls are the perfect complement to any outfit, and an icon of style and taste. Because of their breathtaking natural hues, fashion mavens and connoisseurs alike consider Mikimoto’s Black South Sea cultured pearls to be among the most distinctive of all gems. With their hypnotic depth of color ranging from light gray to peacock green to midnight black, these treasures of the sea seem lit from within, conferring a remarkable radiance and sophistication upon those fortunate enough to wear them. In 1914, Kokichi Mikimoto established a culturing site for Black South Sea pearl oysters on Ishigaki Island in Okinawa, Japan. Since that time, the brand has remained the authority on Black South Sea cultured pearls of the highest quality. Almost a century later, Black South Sea jewelry remains a formidable fashion trend as style-savvy consumers are embracing these gems as never before. Mikimoto’s international design team uses Black South Sea cultured pearls to create jewels of impeccable style and quality, from a perfectly-matched choker to a multi-colored 45” strand that can be layered or wrapped.
CARING FOR PEARLS
The rules are simple: Wipe gently with a soft cloth after wearing and store separately so they don’t get scratched. Remember: pearls are organic gemstones, and thus vulnerable to acid, alkaline and humidity. That said, pearls beg to be worn; left alone in a box they risk dehydration, so wear them often and flaunt your elegance and style!
With Pearls in Motion, the possibilities are unlimited. This unique concept in jewelry design offers the versatility to wear Mikimoto cultured pearls in an infinite number of ways. Place the cultured pearls anywhere along the slim, elegant chain. The gems will remain in place thanks to Mikimoto’s exclusive, patented mechanism.
BLACK SOUTH SEA Mikimoto Black South Sea cultured pearls, with their exotic origins and mysterious color palette, are a versatile must-have for today’s trendsetters looking to make an edgy fashion statement. In direct
BAROQUE COUTURE COLLECTION
The natural beauty of Mikimoto’s Baroque South Sea cultured pearls is derived from their superb luster and irregular, yet beautiful, silhouettes. The unique organic shapes of these pearls make them a constant marvel to behold, a true fashion statement and conversation piece. Baroque Couture is a collection of one-of-a-kind Mikimoto jewelry inspired by the Baroque pearl. The Baroque Couture Collection uses the distinctive shape and size of each individual pearl as the subject of each exclusive design. Nature determines the setting and Mikimoto designers fulfill each pearl’s destiny. Says Amy Kim-Araneo, Mikimoto’s vice president of product development and design: “Designing baroque pearl jewelry is incredibly exciting and challenging because no two pearls are alike, so each piece takes on its own personality. The unique shape of each pearl truly dictates the design…as if it knows what it wants to be. The organic, fluid designs of Baroque Couture really conform to the body and showcase a more modern, less traditional look in pearl jewelry.”
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TRENDS
The Joy of Jewelry COLORFUL GEMS FIT FASHION’S BRIGHT OUTLOOK BY LORRAINE DEPASQUE
THE GEMS Adam Graham, marketing director of The American Gem Trade Association (AGTA), agrees that bright blues and greens, as well as shades of purple, are leading trends in colored gemstone jewelry this year. Among the azures, he points to traditional blue sapphire, aquamarine and blue topaz, but emphasizes that lesser-known stones like labradorite, turquoise, blue moonstone, chalcedony, tanzanite and blue shaded black onyx are extremely significant as well. With dramatically-sized jewelry in vogue, it helps that many of the latter gemstones can be purchased in high quality at affordable prices.
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IMAGES COURTESY OF DAVID YURMAN, STEPHEN WEBSTER, ROBERTO COIN
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his season, there’s one simple rule on the road to great jewelry style: Don’t get stuck in neutral! Get into gear and follow the direction of spring 2011 fashion, which is all about color. Does this mean that neutrals like black—so strong these past few years—are no longer fashionable? Is it time to abandon your Little Black Dress? “Absolutely not,” says Meredith Smith, designer and cultural trend analyst at The Doneger Group in New York City. “Even though fashion’s biggest names flooded the spring runways with bright-colored clothes, you can still wear your classic LBD. However, the perennial cocktail classic and other neutral-toned attire needs to be popped with colorful jewelry and accessories. Right now, our culture is all about finding joy; adorning ourselves in happy, escapist colors (like bright blues and greens) is one way to do that.”
LAYERING NECKLACES While models strutted down
“This year, you’re also going to see more engagement ring center stones in blues and greens,” notes Graham. “Kate Middleton’s blue sapphire from Prince William has re-ignited the trend that his mother, Princess Diana, started back in 1981, when she received the engagement ring from Prince Charles. Blue sapphire is a great option for women who don’t want to be too ‘bling,’ and at the same time, it’s a high-end gem of great color.” At the AGTA’s annual Spectrum jewelry design awards for 2011, Graham tells us, “One of the winning pieces was a platinum ring with a neongreen tsavorite center stone. Our panel of judges, all in the fashion or jewelry industries, said it represents a definite style direction.” In fact, many of the best jewelry designers are also premiering dazzling fashion collections with great green gems, especially green tourmalines, peridots, green diamonds, emeralds, green agates, green sapphires and tsavorites. “And for the past year,” says Graham, “celebrity stylists have been requesting to borrow green gemstone jewelry for their A-list clients to wear to awards shows.” The green jewelry they’ve been borrowing will coordinate with many red carpet fashion styles according to Leatrice Eiseman, executive director of The Pantone Color Institute, which named ‘Peapod’ green as one of its top fashion colors for spring/summer. “We’ve learned that green really works well as a neutral and we see people more inclined to wear it on a regular basis,” she says. This past fall, Pantone chose ‘Purple Orchid’ as its number-one fashion color and, for spring/summer, the passion for purple continues, with ‘Lavender’ in its top ten selection. Jewelry designers are showing violet gem creations in everything from deep amethysts and fancy purple sapphires to pastel pinky-purple sugilites and quartzes.
the runways wearing mega-necklaces, in this case you have another option. Instead of investing in one massive neck piece, a more practical purchase might be to buy several long chains and links that can each be doubled or tripled. With layering necklaces, you can experiment and create many different looks, for both daywear and evening. Play with the necklaces, graduating the lengths differently to accommodate the neckline of whatever you’re wearing. To complete the look, add a 16-inch chain with a pendant or enhancer. In this season of bold color, choose one with a bright gemstone center. EPIC RINGS Typically, you ladies buy these supersized and super stylish rings for yourself. (Well, why not—you deserve it!) They’re statement pieces that reflect your personality and personal style, so be sure to select gemstones you really like—plus, since it’s on your hand, you’ll be looking at it all day. Should you invest a lot of money in this epic ring? That depends, to some degree, on whether you’ll be wearing it every day or if you’ll want to buy several and switch—much like some people do with watches. Unlike the big cocktail rings of eras past, the epic ring is no longer a dress-up-only accessory. GUMDROP EARRINGS And you thought gumdrops were just those chewy sugar-coated candies you shouldn’t be eating! Think again: It’s the season’s strongest earring silhouette. More medium-large than ultra-large in size, this drop-style earring focuses on one prominent colored gem that hangs to about mid-neck. It’s classic, yet, at the same time, fashion. Ask your jeweler about the earrings’ stone shape and cut. Some gumdrops have slices of color with a flat bottom, allowing light to pass through the gemstone, much in the way natural light shines through a stained glass window. MORE THAN ONE METAL COLOR No, you can’t be a yellow-only or white-only jewelry lover anymore. It just isn’t fashionable. If most—or all—of your jewelry is still the same metal color that you’ve been wearing forever, this is the season to start collecting pieces made in different surface colors. If you want to stick to karat gold for your precious metal, that’s okay, but there are many different gold colors to choose from: rose, blackened and sometimes peach. Even the texture on a piece slightly changes the look of the color. (For example, a high-polished blackened gold bracelet will appear to have a different hue than a satin-finished or matte blackened gold piece.) Once you begin to add different colored pieces to your jewelry wardrobe, you’ll see how all the shades really do work together. And no need to worry if you don’t have “enough” of a certain color when you start. Part of the fun of jewelry is collecting it over time.
FIVE TO BUY Now that you know what these post-winter pickme-up colors and coordinating gemstones are, which jewelry pieces in particular should you be considering? Ultimately that depends on your individual style as well as what jewelry you already own, but here are the five jewelry must-haves we highly recommend: BIG BANGLES The number-one jewelry item adorning spring runway models was the big bangle, and they usually wore two or three per arm. The uber bangles—not slim stackables and not ultra-wide cuffs—almost always featured stones, beads, or some sort of bright embellishment.
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THE DIFFERENCE BETWEEN WONDERING AND KNOWING.
ACCENT MAGAZINE SPECIAL SECTION SPRING/SUMMER 2011
getty 1 / Peter Dazeley
ATC IT’S ABOUT TIME
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WATCHES
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WHAT TO KNOW WHEN IT COMES TO YOUR TIMEPIECES
WATCH ADVISOR
IS IT OKAY TO WEAR A SPORTS WATCH AS AN EVERYDAY WATCH?
IMAGE COURTESY OF TW STEEL
If you love it, why not?
Unless you’re talking about a tacky plastic watch, most of today’s better sports watches are thin enough to wear as an everyday watch, and offer features that most of us appreciate even at home or in the office. These can include water resistance, built-in chronographs, readable dials and various subdials, calendars and other complications. That said, there’s nothing classier than a beautiful dress watch and for spring 2011, classical elegance is all the rage. Our suggestion: build a watch wardrobe that includes both sports and dress watches and alternate according to the occasion, and your mood.
WHAT ARE MECHANICAL WATCHES AND WHY ARE THEY SO EXPENSIVE?
As opposed to quartz watches that function electronically, a mechanical watch is driven by a spring which must be periodically wound. A series of gears power the balance wheel, which oscillates back and forth at a constant rate. A device called an escapement releases the wheels with each swing of the balance wheel, moving the hands forward at a constant rate and creating a ticking sound. It’s technology dating back to 17th century Europe, and the expense is the design, the old world craftsmanship, the maintenance and replacement parts, and of course the intrinsic value of precious metals and other fine materials. But for those whose hearts beat to the pulse of a mechanical timepiece, there’s nothing else quite like it!
I HAVE MY GRANDFATHER’S TIMEPIECE FROM THE 1950 S ; IS IT WORTH THE INVESTMENT TO RESTORE IT?
GETTY 1/ RTI IMAGES
T H E D E C I S I O N T O R E S T O R E A V I N TA G E T I M E P I E C E is part rational (Will the restored timepiece be worth more?) and part emotional (This is my grandfather’s watch!). Bottom line: the joy of wearing an heirloom, especially one with family history, is unique and priceless. That said, only you can decide if it’s worth the investment. Once you’ve made the decision to restore your vintage timepiece, entrust it only to a qualified technician with proper training in assessing and working on older timepiece movements. Improper repair of an older watch can damage the movement irreparably. Incorrect replacement parts, finishing techniques and lubrication are just some of the issues we’ve seen. In general, older timepieces cannot be expected to function with the same level of accuracy as new models. However, if properly restored, the watch should be suitable for daily wear. One must allow ample time for the work to be completed, as parts might not be readily available, and the technician might have to search the marketplace for the proper part, or in some cases, make the part by hand. Once the work is done, consider enhancing your newly restored vintage watch with an interesting strap—perhaps one in a bold color or with contrast stitching—to make a unique statement. 32
WHAT TO KNOW WHEN IT COMES TO YOUR TIMEPIECES
WATCH ADVISOR
I'M ABOUT TO INVEST IN A WATCH AND WOULD LIKE TO KNOW MORE ABOUT ITS COMPLICATIONS. CAN YOU HELP? Moon Phase Subdial Strap
30-Minute Register for Chronograph Second Counter for Chronograph
Lug Hour Marker or Index
Repeating Slide (Chimes Time Aloud When Activated)
Start/Stop for Chronograph Minute Hand
Hour Hand Crown
Second Hand
Date Indicator
Day of Week Indicator Year Indicator
Reset for Chronograph
Bezel
Month Indicator
Dial (Below the Hands)
ILLUSTRATION BY HARRY BATES; INFORMATION PROVIDED BY JOHN HORNE
12-Hour Register for Chronograph
Crystal (Above the Hands)
Understanding the parts and functions of a timepiece can help you select the style that’s right for you. It’s also helpful later, when your watch requires service or repair. This particular model has both time-telling and time-keeping capabilities. The chronograph, for time-keeping, is essentially an advanced stopwatch. 33
by Joseph Ungoco
ATC IT’S ABOUT TIME
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HAND-ME-DOWNS WELCOME A MILESTONE WATCH PASSED AMONG FAMILY GIVES THE PHRASE NEW MEANING.
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s my plane touched down at LAX, the pilot cheerily reminded us to set our watches back three hours to the local time. I glanced at my hand-me-down Rolex, my father’s stainless steel Air-King Oyster Perpetual, bought for his swearing in as a U.S. citizen on July 4, 1965. This watch had kept him on time for more than a decade. I honestly couldn’t recall the last time I had worn this watch on a plane, but this would be its last transcontinental crossing on my wrist. My father gave me “The Air-King”, his very first Rolex, on my 11th birthday. Two months prior, to commemorate his own birthday, he had “invested in” an 18 karat yellow gold and stainless steel Datejust with Jubilee bracelet, pulling ahead of his stainless steel-clad siblings in our family version of the Rolex Stakes. (The Bond films of the ’60s and ’70s introduced my father and his three brothers to the Rolex brand, but the ’80s brought my family’s obsession to a whole new level.) Later that year, my father took me with him to the watchmaker’s shop, where we had the Air-King cleaned, the crystal polished, and the luminous hour markers and hands repainted—an annual tradition. Just as I thought we were ready to leave, the watchmaker came forward with a green leather box stamped with a gold coronet. Inside was the
matching women’s version of my father’s new watch. That summer, my mother handed her stainless steel Rolex with the Oyster bracelet—an engagement present from my father—down to her younger sister for her birthday. Years later, before my 30th birthday, I called my watch dealer about buying myself a special watch—perhaps a brand new Submariner. But when I arrived at his shop, he had found the perfect tribute to my milestone birthday: a watch exactly as old as me. It was a mint condition 1969 18 karat yellow gold Rolex Date with graduated Oyster bracelet. Its South American seller swore it had sat untouched in his father’s safety deposit box for at least 25 years! I was assured that after a quick swipe of my credit card, a slightly longer FBI check (for the watch, not me) and a thorough inspection (again for the watch), this gorgeous timepiece would be mine. My “new” Rolex arrived just in time to accompany me to my birthday party. I lived happily with my Rolexes for several years, until the event that prompted this story: my godson’s birthday. The fourth of six boys, he was well acquainted with the phrase “hand-me-down”, but I think that my present to him that day—a green leather box with a gold coronet, the Air-King safely tucked inside—may have changed his opinion of that phrase forever. At least I hope so…
The Bond films of the ’60s and ’70s introduced my father and his three brothers to the Rolex brand.
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raymond-weil.com
| freelancer collection
by Roberta Naas
ATC IT’S ABOUT TIME
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FOCUS: TRAVEL
WATCH LOVER’S MECCA 48 HOURS IN LA CHAUX-DE-FONDS
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f you find yourself in Switzerland and have some extra time (those two words being the operative ones) on your hands, La Chaux-de-Fonds is definitely worth a visit. The capital city of the district known as La Chauxde-Fonds, in the canton of Neuchâtel, is widely known as the watchmaking center of the world, the place where many world-renowned brands took root hundreds of years ago. Located in the 1,000meter-high Jura Mountains, the townspeople were unable to rely on farming once the winter snows set in. Watchmaking provided at first a great hobby, then a lucrative craft, and finally a proud tradition. La Chaux-de-Fonds has received recognition as a UNESCO World Heritage Site because of its exceptional history and universal contributions. It suffered extensive fire damage in 1794, when it was almost decimated and then totally rebuilt. It owes its survival solely to the manufacture and export of watches. The town is one of few that offers an architectural concept juxtaposing residential housing with artisanal workshops—bringing the once cottage industry into today’s world, but on its own terms. There is still an odd mix of modern and post-modern architecture, with soaring glass towers right next to old tileroofed homes. Some of the world’s most famous watch brands have roots in La Chaux-de-Fonds, including Pierre Jacquet-Droz (best known for his automata), Girard-Perregaux, Omega, Movado, Gallet and TAG Heuer. Since the city and its surrounding canton remain one of the most lively and important Swiss watchmaking centers, the Musée International d’ Horlogerie (International Museum of Watchmaking) is a must-see. This popular
establishment showcases the history of timekeeping projects and products, from sundials to water clocks to table clocks, wall clocks, pocket watches and more. It is one of the richest collections in Switzerland with more than 4,500 exhibits. In the park outside the museum is a giant tubular-steel carillon clock with digital readout, built about 30 years ago. It melodically chimes the time every quarter-hour. For those who love watchmaking but might want a diversion, La Chaux-de-Fonds is rich with other influences, including Art Nouveau architecture, famous paintings and even automotive heritage. The Villa Jeanneret-Perret is the first independent project of architect Le Corbusier (nee Charles-Edouard Jeanneret), born in 1887 in La Chaux-deFonds; there are several other examples of his architecture around town as well. Be sure to check out the Museée des Beaux-Arts, an impressive neo-classical building with a collection of Van Gogh, Delacroix and Renoir, among others. An interesting tidbit for American car aficionados: This city is also the birthplace of Louis Chevrolet (born 1878), founder of the Chevrolet Motor Car Company. Something for everyone can be found during your two day visit. IF YOU’RE LOOKING FOR A FINE HOTEL, CHOICES ARE SLIM. WE CAN RECOMMEND: ATHMOS HÔTEL A four-star hotel in the center of town, near the train station and around the corner from the art and watch museums. GRAND HÔTEL LES ENDROITS A four-star modern, but in a country setting. The hotel overlooks the town, with a shuttle to the city center.
ABOVE: An arial view of the Grand Fontaine in the Neuchâtel canton region. 36
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FOCUS: WHAT’S NEW
by Laurie Kahle
ZENITH EL PRIMERO STRIKING 10 TH LIMITED EDITION, 1969 PIECES
UNRIVALED ACCURACY BY DESIGN I n the world of timepieces, Zenith stands out for exceptional engineering and an obsession with accuracy. Its legendary El Primero calibre, invented in 1969, was the first automatic chronograph to measure time by beating at the rate of 10 equal vibrations each second, making it the most precise watch in its class. El Primero Striking 10th is the latest and most sophisticated addition to the legendary collection. The workings of the Striking 10th are clearly visible as it marks each tenth of a second, the chronograph hand making a complete 360 degree rotation exactly every ten seconds. This is a masterpiece of timemaking, prized both by collectors and discriminating buyers for its accuracy. However, the Striking 10th is aptly named, as its dial is handsome and striking as well. A watch that is definitely masculine, the dial of the Zenith El Primero Striking 10th features three subdials, including the two chronograph movements as well as a display of seconds, with a sundial effect on the three subdials. The perfect readability of the measured time is guaranteed by three different shades on the subdials. The five-pointed star shines at the ‘zenith’ of this timepiece, which achieves the considerable technical feat of rendering each of its exceptional movements clearly visible. The Zenith El Primero Striking 10th is truly a watch for a demanding man with exceptional taste and sophistication. We invite you to make an appointment to experience it at a Fink’s location near you. 38
by Laurie Kahle
FASHIONABLY ON TIME
ATC IT’S ABOUT TIME
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CURVES AHEAD The French word délice translates to delight, an emotion that Cartier intends to conjure with its new ladies’ watch collection, Délices de Cartier, which launches in June. Comparing the lozenge-shaped watch to a baker’s confection, Cartier once again demonstrates its design mastery by manipulating basic shapes to present something new and aesthetically intriguing. By positioning the smoothly-tapered, oval-shaped case on the diagonal across the wrist, designers created a curvaceous and feminine timepiece available in three sizes in 18K rose or white gold. The watch exudes a different personality depending on whether you choose the shimmering gold bracelet or sleek toile strap, and, of course, with varying amounts of brilliant-cut diamonds sprinkled on the case and dial. Amid Cartier’s highly impressive lineup of innovative complicated timepieces this year, Délices de Cartier is a chic reminder of the simple pleasure of a beautiful design.
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SPEED
Grand Sport THE INTERSECTION OF HISTORY AND TECHNOLOGY BY DAVID A. ROSE
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on. The driver, James Dean, was Hollywood’s newest heartthrob. He died within minutes of the crash, and a legend was born. Although only 90 Porsche 550 Spyders were made between 1953 and 1956, many have survived. At the Rolex Monterey Motorsports Reunion held at Mazda Raceway Laguna Seca in 2010, one of the 600 cars entered was a Porsche 550 Spyder identical to the one James Dean planned to race 55 years ago. Vintage racing has grown to become one of the most exciting forms of motorsports. It brings to life what most people will only see on the pages of coffee table books, in museums or in movies. Rolex has sponsored motorsports since the 1930s. As the leading name in luxury timepieces, it’s fitting that they are title sponsor for one of the world’s most significant vintage race events. “Motor racing has an enormous following around the world. It appeals to those who appreciate the ultimate in technology as well as extreme competition,” said Peter Nicholson, vice president and director of communications, Rolex Watch U.S.A. “Since split-second timing is so critical for drivers and crews, it is Top: A full field of three-liter Formula 1 racecars, considered the pinnacle of motor racing from 1966 to ’83. Center left: A Rolex Oyster Perpetual Cosmograph Daytona was presented to Graham Wallis. Center right: Some of the many cars raced or built by Dan Gurney. Bottom right: Patrick Dempsey and Jay Leno.
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ROLEX / STEPHAN COOPER
t was a late afternoon in September when two young men were driving to Salinas, Calif., in a brand new 1955 Porsche 550 Spyder. The owner of the car planned to compete in the Salinas Sports Car Race that weekend, but rather than transport the car by trailer from Los Angeles as intended, he felt he needed seat time in the new car before he raced it. As they approached an intersection near Cholame, a 1950 Ford coming from the opposite direction suddenly crossed lanes and the two cars collided head-
Left: Luc Slijpen from the Netherlands stands next to his original, unrestored 1925 Type 35 Bugatti. Bottom left: Graham Wallis in his 1929 Lagonda, for which he won The Spirit of Monterey Trophy for overall excellence. Below: Patrick Dempsey races the Jeremy Barnes Mazda RX-92 GTP.
fitting that Rolex adds its reputation for precision timekeeping to these magnificent events.” Participants at the Rolex Monterey Motorsports Reunion hail from 13 countries and bring with them the most exotic cars on the planet to race at Laguna Seca’s challenging 11-turn circuit. Not long ago, one would have been able to see a Type 35 Bugatti Grand Prix car only in a museum. Last year 90 Bugattis were in Monterey, 35 of them racing in the Bugatti Grand Prix as part of the Rolex Monterey Motorsports Reunion. (They later toured the California coastline as part of the Bugatti Rally 2010.) At vintage races, the cars are not necessarily the only stars. Patrick Dempsey, a passionate driver best known for his role as Dr. Derek Shepherd on TV’s Grey’s Anatomy, raced a Mazda GTP Prototype at the event. Always a crowd favorite, he was visibly thrilled with his racecar—and his results. Jay Leno and other celebrities are perennial attendees, but this year it was a true American legend who garnered the most attention. Dan Gurney, who was honored at the event, is widely considered to be the greatest American
racecar driver of all time. As a driver he has won races in Indy cars, Formula 1, NASCAR stock cars and the 24 Hours of Le Mans. He was the only American to win a Formula 1 Grand Prix in a car of his own design when, in 1967, he won the Belgian Grand Prix at Circuit Spa Francorchamps in the beautiful Gurney Weslake Eagle F1. Despite all his wins, Gurney is most well-known for his sportsmanship, which has won him the respect and admiration of peers and race fans around the world. As he was honored, Gurney reflected back on his prime, when cars were fast, drivers colorful and tragedy seemed always to be lurking around the next corner. “We were certainly driven by enormous passion for the sport, and we had great respect for those who came before us...we weren’t thinking about future history at the time,” said Gurney. He thanked his role model Phil Walters (better known as Ted Tappet), who “could move through traffic gracefully without knocking anybody off the road.” Gurney is thrilled about the growth and popularity of vintage racing and enjoys seeing enthusiastic gentlemen drivers behind the wheel of the cars that he and his peers made famous. “I’m sure these guys are as crazy as we were,” said Gurney. “I don’t know what it is about human beings...we all have an affinity for the internal combustion engine and its sounds and smells, as well as all the history. It’s great to see decades touching each other and new generations appreciating similar things.” The Rolex Monterey Motorsports Reunion is part of Monterey Auto Week, when sophisticated people, exotic cars, fine food and superb wines combine for a celebration that has become internationally recognized as a showcase for luxury and glamour. Automobile enthusiasts and connoisseurs of culture enjoy the atmosphere of elegance while attending auto-related shows, auctions, cocktail parties and elaborate dinners. At the Pebble Beach Tour d’Elegance, grand touring cars drive some of the most scenic portions of Monterey’s 17Mile Drive and then parade down Carmel’s Ocean Avenue for bystanders to enjoy. The week-long festival of automobile culture culminates with the internationally acclaimed Pebble Beach Concours d’Elegance, where some of the world’s most extraordinary cars are judged for authenticity, function, history and style. As trailers and auto-transporters are reloaded with their valuable cargo and participants head for home, the quiet and lovely Monterey peninsula returns to its normal tranquility. But plans are already underway for making the next event, from August 19th to the 21st, 2011, even more unforgettable.
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TRAVEL
Into Africa IN ZAMBIA, SPOTTING WILDLIFE IS A WALK IN THE PARK. BY CAROLINA BOLADO HALE
PHOTOS NATHAN HALE
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s we glided silently on the Zambezi River, we soaked in the stillness of the moment. To our right was Zimbabwe; to our left, Zambia. Above, the vast African sky enveloped us in its limitless supply of blue. Then we saw the hippos. Our reverie was broken by the creatures, who bobbed slowly up and down and grunted their displeasure at our having trespassed in their corner of the Zambezi. Our path ahead—and behind—was blocked by two pods of the roly poly beasts, among the deadliest in Africa. The promise of getting close to wildlife on a canoe trip was part of what had drawn us to Zambia’s Lower Zambezi National Park. But this was, perhaps, a bit too close. We gave them as wide a berth as possible. After several minutes, our guide, who was well versed in hippopotamus habits, dipped his oar into the water. “Let’s go. Quickly now,” he said, calmly but firmly. It was one of the many reminders we had while on safari that despite the gourmet food, plush beds and clawfoot bathtubs, we were very much in the wild, in the home of often unpredictable animals engaged in a daily life-and-death struggle. It’s easy to forget while sipping afternoon tea and watching the river float lazily by, until an elephant lumbers into camp searching for a snack. Being able to get deep into the bush was part of the allure of Lower
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Zambezi National Park, a 4,000-square kilometer piece of riverfront land about a half-hour’s flight south of Lusaka. Though Zambia isn’t at the top of most people’s safari lists, it should be. Zambia’s guides are renowned beyond the country’s borders, and better park management and increased tourism revenue have helped to greatly reduce poaching. o roads lead to the park, so visitors must come via boat or prop plane; the latter lands on one of three red-dirt airstrips inside the park that often have to be cleared of zebras and warthogs. Formerly a private game reserve for Zambian ex-President Kenneth Kaunda, the park is now home to just six small camps, which means visitors are more likely to see resident wildlife as opposed to safari truck convoys. And there’s plenty of wildlife to see. Despite the park’s small size, it boasts most of the big game that bring people to Africa, plus more than 300 different bird species. After the rainy season has passed and the watering holes have dried up, the animals all come to drink at the river, which means those six riverfront camps are perfectly positioned for wildlife viewing. My husband and I split our visit there between Chiawa Camp, the first one established after the national park’s creation in 1983, and Old Mondoro, a more rustic and intimate camp a 45-minute boat ride downstream. The park has distinct regions, and the two camps are situated in completely different terrain. Dense shrubs, behind which lions hide while eyeing their prey, characterize the area around Chiawa, while large acacia trees with low-hanging, thick branches—perfect leopard perches—dominate the terrain downstream. We were up before the sun each day (the animals don’t sleep in, so we couldn’t either) to explore the area by safari truck, boat, canoe or even on foot. Zambia is, after all, the
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Dr. Livingstone, I Presume No visit to Zambia is complete without a stop in Livingstone, next door to Victoria Falls. The local name for the falls, Mosi oa Tunya, means “the smoke that thunders.” When water levels are high, the towering clouds of mist can be seen clearly from downtown Livingstone, six miles away. The falls are at their mightiest in May and June, making the viewing experience a very wet one. The flow slows to a comparative trickle by the end of the year, which means each individual waterfall is clearly visible, and activities like whitewater rafting or taking a dip in the Devil’s Swimming Pool (literally inches from where the water plummets 360 feet down) are available. The Royal Livingstone Hotel, situated on the banks of the Zambezi River just upstream from the falls, offers luxurious rooms, and wildlife viewing right from your window—giraffes and zebras freely roam the grounds of the hotel. Rates start at $653 for double occupancy, including breakfast and national park fees.
Inside the canvas tent at Chiawa Camp
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birthplace of the walking safari. Listening to bird calls and examining termite mounds, we saw the bush in a way that we never could have in a noisy safari vehicle. Every day brought a new adventure, whether it was hooking tigerfish in the river or finding lion cubs playing in the tall grass. And each evening, we paused to engage in another safari ritual: the sundowner. No matter what we were doing at the time, as soon as the sun began to sink below the horizon, we would stop, prepare drinks and watch the sky turn various shades of orange, pink and purple as we discussed the lasting memories we’d just made. Lower Zambezi National Park is open from mid-April until mid-November. Prices for Chiawa Camp range from $595 to $895 per person per day, depending on the time of year. Old Mondoro’s rates begin at approximately $600 per person per day. Rates include transportation within the park, all activities, food and drinks.
© 2011 Carelle All Rights Reserved
Meticulously handcrafted fine diamond and color gemstone jewelry
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SPIRITS
Orange You Glad? ORANGES RETURN TO SPIRITS, COCKTAILS AND CULINARY CULTURE BY ROBERT HAYNES-PETERSON
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enewed interest in the cocktail over the past few years means highquality citrus fruits, from the exotic (yuzu, dragonfruit) to the everyday (lemons and limes), have come to the fore as important drink ingredients. Lost in this renaissance until recently, the unassuming orange. Oranges were a luxury in Marie Antoinette’s day when any manor worth its zest boasted an orangerie greenhouse. In the 17th and 18th centuries, the cognescenti drank Planter’s Punch, which included exotic ingredients like rum and orange juice. Unfortunately, somewhere in the 1960s, oranges got a bad rap following one too many corny Polynesian restaurants and a cocktail culture that devolved the Tequila Sunrise into a syrupy mess. Thankfully, these days the lowly orange is squeezing into better cocktails and cuisine. In drinking establishments around the country orange bitters, orange flower water, Orgeat and orange marmalade are all increasingly common ingredients on the bar. They’re also showing up inside the bottle, in both liqueurs and the hard stuff. Where once tipplers chose between pricey Cointreau or Grand Marnier and cheap, sugary triple secs for their Margaritas and Sidecars, an entire shelf’s-worth of premium options is now available, including Combier and Mathildé Orange XO (both out of France), Creole Schrubb (Martinique) and Patrón Citronge (Mexico). Each has a distinctive flavor profile ranging from “intense, fresh orange” to “creamsicle,” something to consider when crafting drinks. Combier, for example, uses a blend of sun-dried sweet and bitter orange peels for a not-too-sweet, palate-cleansing finish. You can also now seek out variations like Solerno Blood Orange Liqueur (rich, red and tart) or Bols Dry Orange containing rum. Tuaca, an Italian liqueur rich Left: A few of the high-quality options drinkers now have to upgrade their Margaritas, Harvey Wallbangers and Sidecars.
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“FOR THE LIFE OF ME, I CAN’T SEE WHY ANY BAR USES ANYTHING BUT PURE FRESH LEMON OR ORANGE JUICE.” —VICTOR “TRADER VIC” BERGERON, 1948 in vanilla and orange, has made an unlikely resurgence at Arizona bars, according to a spokesperson. In spirits, orange-flavored vodkas dance on bars in Miami and Vegas, adding a sweet-tart component to nightclub drinks. Last fall, Stolichnaya introduced a limited edition Stoli Ohranj featuring the Playboy bunny logo to “celebrate our brand relationship” with Playboy founder Hugh Hefner. Seagram’s, meanwhile, launched an Orange Twisted Gin that ratchets up the orange peel most London Dry Gins already include in their distillations. Most intriguing on the premium end is Compass Box Whisky’s recently re-launched Orangerie, a lightly infused whisky out of Scotland, featuring fresh orange zest “actually zested for us by little old ladies in Bath,” according to Compass Box president John Glaser. The 10+-year blend of grain and malt whiskies undergoes three infusions: cassia bark, clove and orange zest, the result being a mild, well-balanced sipping Scotch sure to infuriate purists and intrigue newcomers. When it comes to cocktails, the rediscovery of classics like the Blood and Sand (OJ, sweet vermouth, scotch, cherry liqueur) and a variety of upgraded and refined Tiki drinks are putting oranges back on the bar in a big way. “The juice, flesh and zest can all be used in making both sweet and savory dishes and drinks,” says restaurateur Todd English. “Oranges specifically are great acid enhancers in salads, fish and meat dishes. They also pair beautifully with flavors such as vanilla and chocolate in desserts and cocktails.” At English’s Food Hall in New York’s Plaza Hotel, diners can sip on a Food Hall Old Fashioned (Hennessy, Aperol and St. Germain, muddled oranges and freshsqueezed orange juice). Adding oranges to booze is nothing new, of course, according to spirits historian and Esquire drinks columnist David Wondrich in his latest book, Punch: The Delights (and Dangers) of the Flowing Bowl (2010 Perigee Trade). Among the fashionable people drinking alcoholic punch in the late 17th and early 18th centuries, limes were decidedly unfashionable (in part due to their association with sailors and the rough-and-tumble British Royal Navy), while lemons and oranges were “in.” Oranges were, at first, used when lemons weren’t available, “but eventually there arose a faction of tipplers who made
their Punch with oranges alone,” Wondrich writes in a chapter dedicated to Orange Punch. Kimberly Patton-Bragg, a New Orleans bartender and an On the Rocks semi-finalist, agrees: “Fresh orange juice can bring a softness, acidity and mouthfeel other citrus can’t,” she says. But not everyone is sold on contemplating the Navel. Momofuku mogul David Chang says he’s focused on exploring the savory rather than the sweet side of citrus. “Not that we don’t love oranges,” he assures, “but on the culinary side we like yuzu, Kefir limes, and similar Asian citrus.”
Orange Punch Adapted from Jerry Thomas’ Bordeaux Wine and Liquor Dealer’s Guide, 1858. Reprinted in Punch (David Wondrich 2010) and reprinted here with the author’s permission. Serves 16. The juice of 3 to 4 oranges (Navel for sweetness or Seville for complexity) The peel of 1 or 2 oranges 3/ 4 lb. of sugar 3 1/2 pints boiling water 1/ 2 pint Porter 3/ 4 to 1 pint each dark rum and brandy Make an oleo-saccarum by infusing/marinating peels and sugar for a half hour, add juice, then strain into a punch bowl. Add boiling water, 1/2 pint Porter (beer) and 3/4 to 1 pint each of dark rum and brandy. Add more warm water and sugar as desired for proper strength and sweetness.
Earl Grey Garden by Kimberly Patton-Bragg, Clever, New Orleans 2 oz. Ketel One Orange vodka 1 oz. Earl Grey simple syrup 1/ 2 fresh lemon 1/ 2 fresh orange 1 Thyme sprig Club soda To make the simple syrup, combine 1 cup hot tea with 1 cup sugar, stir until dissolved and cool. Cut lemon and orange halves into quarters and muddle with Earl Grey syrup in a mixing glass. Add vodka and ice. Shake and strain into a tall glass. Top with club soda, and garnish with thyme.
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FIRST PERSON
Lucky Charms W
hen it comes to wearing jewelry for good luck, I’m not one to break with tradition. In ancient times Nordic soldiers wore runes to protect themselves during battle. In Cleopatra’s days, amulets of scarabs, rounded on one side and bearing words or images of blessing on the other, were symbols of renewal and prosperity. Even in modern times, our accessories symbolize good luck: Peruse jewelry in a Turkish bazaar, or even a shop in New York City’s East Village, and you’ll find numerous little nazars literally looking back at you with bands of concentric color—expressions of protection from the evil eye. But not all jewels derive their status as “lucky charms” from cultural mythology. Sometimes, it’s more personal. My mother, for example, has been known to sleep with her lucky pin on when her football team needs a big win. And these days, I’ve got my own personal talisman as well. Last Thanksgiving my grandmother gave all her grandchildren, including me, quite a surprise. She said, “I was planning to leave my jewelry for you after I pass on. But instead, I want to give it to you now, for the pleasure of sharing.” To my sister she gave a large opal ring that sparks green and gold like fireflies on a midsummer’s night. To my brother she offered her father’s ring: a gutsy red garnet set in a geometric Art Deco band. And to me, for no reason other than the fact that I was her first
grandchild, she gave her engagement ring—the ring that has been catching my eye over crumb cakes and knitting needles since I was born. The band is a buttery matte gold, soft and romantic like a close-up of a heroine from an old movie. The diamond is princess cut, clear and full of flame. An engagement ring may not be a universal symbol of good luck, but to me, this particular ring is very lucky. Here’s why. When my grandparents first got married, there was no engagement ring. My Pop and Gram were both from working class families: My grandmother’s dad was a city cop who married an Irish-Catholic orphan. My grandfather’s parents were vaudeville hopefuls who never made it big but who look brilliantly happy in the one photograph of them that remains. It wasn’t until my grandparents’ 30th anniversary that Pop got down on one knee, with a real engagement ring this time, and asked, “Will you marry me?” Decades later, they’re still together. My fiancé likes to say, “You make your own luck,” meaning that scarabs, runes or family heirlooms won’t change a person’s fate. And he’s probably right. But my grandmother’s ring gives me joy, strength and hope. And what is a lucky charm, if not a symbol of those things? Call me superstitious, but when I walk down the aisle next summer, I’ll be wearing my grandmother’s ring—my private and personal little token of good fortune. Just in case.
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TRUNK ARCHIVE / HORACIO SALINAS
JUST IN CASE… BY LISA DALE
© D.YURMAN 2011
FINK’S JEWELERS ACCENT THE MAGAZINE OF LIFE’S CELEBRATIONS
SPRING/SUMMER 2011